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#dumbass 1 and dumbass 2
robin-buckely · 2 years
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ROBIN BUCKLEY & STEVE HARRINGTON Stranger Things | 4.02 “Chapter Two: Vecna’s Curse”
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wangxian-on-repeat · 2 years
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Wei Wuxian: oh yeah?? well you are just Some Guy
Jiang Wanyin: so are you! so is everyone else!
Wei Wuxian:
Wei Wuxian: lan zhan isnt some guy tho
Jiang Wanyin:
Jiang Wanyin: ok yeah i guess i vaguely get that
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originalmadcom · 2 years
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Deimos: Do you guys think Jesus was hung?
Sanford: Actually, I think he was crucified.
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transformers synergized sneak peak
page 13, no context
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We got Hiccup, the equivalent of Florida man. But, its justified because it's dragons.
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tarmac-rat · 11 days
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>I go into the cyberpunk 2077 tag
>I block 172456 people posting shitty AI art
>I leave
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concert-bflat · 1 year
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I need to rant about Ivan guys guys I neeed to rant about Ivan (<--- keeps trying to write fics of him but Never finishes him) like God this man is so gay and so in love it genuinely hurts it Hurts and I am Injured by it and the imagrey is Sooo Good (and Yes this is probably me just parroting stuff Everyone has already said before but shut up it's my turn now!! (aka please I've been holding in these thoughts for Months now I must let them out of their cage before one of them Dies)) [Edit I am Not fucking proofreading this I spent 2 hours on it if there is a mistake you Imagined it </3]
Just like,
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You can see it in the way he sees the stars in Till. His own hopes for freedom and the only real light in this world that he lost sight of in Till. He is the hope and wish for freedom that he has shut away and repressed and it makes him fall So Hard
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Or how you only really see that red in his eyes (after. Almost Dying) when he's with or singing/thinking about how Till has Inspired him, like a fire has been lit inside him. A fire lit in the darkness. . hmm...
even at the end of the song, where he knows full well that he absolutely Crushed his opponent and also knows full well that Till is his next one. I'm sick. I'm so sick.
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Or like. When he frees Till and everything is just Engulfed in that red now. How Till has that same fire in his eyes, he and Ivan are on the same page now. They see that same hope for freedom and they both share it. They're running towards the light (like the sky's lighter there, more on that in a sec), hell, the corners of the right side of the screen are literally tinted in LIGHT GREEN. Till's color. God dammit the whole scene is tinted in red and green. They are literally Complementary Colors. I'mmm soooooooo (God these scenes are soo pretty too I was genuinely Stunned when I first saw this)
DID YOU EVEN NOTICE I ONLY NOTICED NOW the Stars are fucking green. You can see it better in some of the Later Images but they are Literally Green because Ivan sees the stars in Till and uuuughsdfbshb
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OR LIKE WHEN TILL TURNS BACK?? AND. And that red is no longer in his eyes and before The Realization hits Ivan his eyes are just Glowing with red. Because he was just Filled with that hope. Freedom was, potentially, Right There
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Did you guys even notice in that like. 5 frames in the half-second animation of Till turning away he's totally engulfed in his shade of green. Like of Course. That's such a Till thing to do because of Course he's running back he never actually liked Ivan that way in the first place.
And also the lighting of the sky Flips. Because the light has always been with Till. And Ivan's left in the darkness. In the. Haha. Ha. Black Sorrow. Aha *sits down cries*
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And Again with this mf's stupid eyes how they revert to just black because that hope's been stripped away again, how it's even reflected in his present self singing as he reminisces on it. Fucking. Ivan's Expression when Till runs away.T here's so fucking much like the irony. Like did he even see Till hesitate or did he just see him turn and run away.
Like the irony that the guy who's always breaking the rules and fighting and defying and clearly hating living in a world like this won't run away with him, who has always been passive and obeying the rules and just accepting captivity and has been repressing his desire for freedom is so Bitter and Awful but also he always Knew this would happen what the Hell was he thinking this was such a stupid idea like
this man gets No Breaks No Breaks Ever oh yeah btw they're facing off against each other in a literal Death Match. That they might've had a Chance of avoiding if they ran away. Ahah. Hh *sob*
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Also this art brings me so much Joy as much as it hurts me on a visceral level like. Ivan Always has his eyes on Till but it goes from a fond smile. Like So Fond flat out lovestruck affectionate gaze because he loves this man and loves spending time with him to a grimace once they're on stage. How Till never really changes or really Has Changed, and that's why Ivan loves him as much as he is resentful towards him. How that's what brought them here, to the stage. How Ivan changed for Till and Because of Till but still Till is like a god damn immovable object with how he stubbornly sticks to his ways. There's such resentment but isn't he himself also stubborn for always sticking to Till anyways? Hell, he's singing all about him in Round 3 and loses control over his own emotions and expressions during it I'mmm Guhhh
Also the first image is titled Observation while the second one is titled Decision(? I think). Like mf What are you deciding. What happened Last Time you decided to do something I'm going to punt you into the next planet
Speaking of observing,
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Just. How Ivan's Always Observing. I saw one person point out he's like a background character and it's like he sees himself as one too. He is a passive observer in his Own Life. How he watches all the other children in Anakt garden play. How his childhood leading him to Anakt Garden just kind of. Happens around him while he watches indifferently.
How he's always trailing behind Till. Or how he tends to just. Observe quietly and is portrayed as such.
Not to mention how he doesn't appear in the memories of Anyone else's rounds, not even Till's, even when he literally (temporarily) freed him from the city. He doesn't even appear At All in Luka's round even though we get a clear shot of Till getting his hopes and dreams shattered (though it Does parallel another shot of him from Round 2)
And then the One Times he tries to take action. Or start something. It gets rejected and he's resigned to just. Trailing behind again. Because of Course he'll always follow after Till. And of Course he's fucking bitter about it and bitter about himself because he Knew this would happen and Till is Always looking at someone else and that Never Changes but. He just thought for a moment that he could change something. Man.
Oh I forgot to talk about the competitions themselves huh? Wellll, (and I'll Attempt to keep it brief because I've been writing this post for Much too long but)
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Till spends his first round singing completely devotedly to Mizi. Hell, his song wasn't even in the program, it's likely- no, almost definitely something he wrote entirely for her, and Ivan has no part in it, just watches bitterly as he passes out after his, er, stunt at the end
And continues to be passed out for almost the entirety of Ivan's song
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Oh but he woke up for the emotional/musical climax at least, going over Ivan's most important memory of them together, that's cool at least right?! Surely Till felt something from that
Maybe they can talk something out, or at least acknowledge their relationship in Some way. Maybe Ivan could at least be seen by Till-
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Aaand Till's Actual love interest Supposedly gets shot and now he probably thinks she's dead. His attention is turned to her once again, like it's always been from the start. He never really changes huh?
Better luck next time Ivan--
Just. This mf Never Wins and it makes me Laugh as much as it makes me So Sad
Gets hopes and dreams and future crushed by aliens (standard stuff). Sold off in an auction. Put in prestigious singing school and up to that point he hasn't really cared about Anything and has simply been going through the motions.
Meets boy that basically embodies the freedom and hope he used to have. Falls badly in love. Boy loves someone else. Tries to free him and give him the thing he'd surely want most. Rejected. Back to school you go loser.
Oh btw this school is to train you for a competition to the death. Btw you're facing off against that boy you love in the semi-finals of said death competition. And you might kill him or he'll kill you. Because you didn't run away when you had the chance.
Also he didn't sing or think about you at all during his round. In fact I'm pretty sure he wrote a whole ass song that wasn't even registered in the Alien Queue or whatever for someone else. Also he probably has hardly looked at you. Also he was unconscious for almost the entirety of your song. Except for the part where you lost control of your emotions.
Oh but that doesn't matter now because now he thinks the person He likes was just killed. So he's kiiinda gonna be distracted by that. And that might fuck up your round with him. Sorry man
This was Originally a rant about how much I love Black Sorrow's imagery and the portrayal of Ivan's love because this man clearly has Complex Emotions and then Kinda derailed into me just ranting about how many L's he's being handed before getting the executioner's blade. Uhhhhh oops. Congrats on sticking to the end though?
I just love Ivan very much. He is So Bitter and so Horribly In Love and looks up to and is inspired by Till So Much and I wish people explored him on a deeper level/more personally.
I wish I saw more deep looks at Ivan/Till, there's clearly Complicated Things going on there. Hell, we don't even know what Till's pov on the whole thing is aside from that One scene of him hesitating before running away from Ivan. As much as I love fluffy interpretations of them, I (did I mention that I'm an angst addict btw. Could You Tell) wish all their Complexities could be acknowledged. Like how Ivan Clearly puts Till on such a spotlight and it is Such a downfall for him through and through and he Kinda knows it but also What Else does he Have and he really looks up to him Sooo Much (just. Look at them in that official art of them in Anakt Garden !!!) and deep down just wants to run away from this horrible place and wants to run with Till, the Light of his life the fire in the darkness the fucking stars the universe his black sorrow just. Oh My God I need to end this post already I was supposed to be studying but spent those 2 hours Writing instead
But anyways yeah uuhhh long story short? This guy is a gay loser. He tries to look sooo cool and smooth but he is suuuch a gay lovestruck loser and his rose tinted glasses are so thick he can't see shit (I'm pretty sure I quoted that from something (but also no genuinely when I first got into alnst after just watching the first 3 rounds videos and saw Ivan in official art I was So Surprised like "Oh he's actually That kind of mf that tries to look Cool and Hot but is actually just Pathetic and Sad and Gay I thought he was Just Sad and Gay")) he's probably also touchstarved as hell idk and his love is doomed by the narrative (unless Hyuna saves his and Till's asses. Buuut we'll see </333)
Love ya Ivan keep taking L's <3333 mwah
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psy-ay-ay · 5 months
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zoro is so dumb 😭😭 he can't get the code and he is like luffy doesn't do such hard brain requiring things, it must be rayleigh's idea 😭
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comradekatara · 1 year
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You've mentioned Zuko's "inability to kill" before, so could I ask you to elaborate on that?
sure. zuko is banished for, essentially, committing treason. he says to ozai that he was banished for "speaking out of turn," but simply speaking out of turn is not actually why ozai banished him. zuko said that people shoudn't have to die for the sake of further empowering the fire nation, and that goes against their nation's entire ethos. zuko lacks, as azula puts it, that "killer instinct that is just so fire nation."
while zuko does set fire to suki's village in his quest to capture aang, and you could argue that he may have committed other such acts offscreen, we never actually see him outright kill anyone. unlike zhao, who kills the moon, and azula, who kills aang in a manner that would have ended the entire avatar line had katara not revived him, zuko threatens and intimidates and harms, but when it comes down to it, he does not actually kill, because he simply cannot.
he threatens to kill zhao, and if he had killed zhao, no one in the audience would fault him for it. zuko does not even burn him upon winning their agni kai, going against custom; zhao calls him a coward for it. zhao tries to kill zuko on multiple occasions, including when he blows up zuko's entire ship. but, when the ocean spirit is dragging zhao under, zuko still extends his hand in a futile attempt to save zhao. contrast this scene with sokka arguing to leave zuko for dead in the same episode. he legitimately does not have a problem with letting zuko die, because, as he says, zuko would do the same thing to them (at least, sokka seems to think so).
sokka kills combustion man, toph kills yu and xin fu, and neither of them have any regrets. conversely, katara cannot kill yon rha, and aang cannot kill ozai. like sokka and toph, they are justified in killing these men, perhaps even more so (since yin and xin fu did not actually attempt to kill toph, "only" kidnap her), but they ultimately choose mercy. like zuko on kyoshi island, aang and katara's actions, such as blowing up the factory in jang hui, may have had indirect casualties (i don't count aang being merged with the ocean spirit because he was not truly in control), but they are never able to kill directly, because when faced with another human being, regardless of how much they may hate them, their pathos prevents them from delivering that killing blow.
zuko, as a foil to aang and katara and the deuteragonist of the narrative, is also someone whose instincts prevent him from being the cold-blooded killer his nation expects of him. it is why, unlike the rest of his family (including iroh), he is unable to produce lightning; he is too sensitive to become the perfect weapon his father wants him to be, which is why azula's reveal is so thrilling and terrifying to the audience, because she is what ozai wants in a protege, unlike zuko, who try as he might, fails at embodying the fire nation values of ruthlessness and power at any cost.
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Nerdy “Aziraphale and Crowley are super in love” Analysis time! (Filmmaking and acting edition)
(Very late but I promise it’s worth it)
Imo the moment Aziraphale realizes he’s in love with Crowley is Ep 3 when the Apocalypse is looming and Crowley flippantly says, “I want to spend the rest of my life with you”
Aziraphale gives the look
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And it all changes
From an acting perspective, Crowley takes a confident and almost defiant stance. Despite walking away, his arms are wide open. He constantly shrouds himself in being aloof and bad, so this exaggerated gesture is the way he shows his true feelings. This is the world I can provide you. Please take it.
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From a filmmaking perspective, this is a wide shot, showing Crowley and Aziraphale's physical and emotional distance. Crowley is in focus, pointing out to the right. In Western filmmaking, characters moving left to right indicate progress
This doesn't apply to countries where they write right to left or up and down. Anime flows up and down for this reason, but that's another story
Crowley has his back to the camera because his reaction doesn't matter here. He knows what he wants; his needs are clear to himself and the audience
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Aziraphale's reaction here is massive. As a new viewer (still 3 eps to go,) I first interpreted their relationship as an unusual companionship. The montage at the beginning of this episode shows their progress from having a mutual agreement to an alliance to a friendship
But this look
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That’s the change
The camera pushes in as Aziraphale realizes what Crowley is implying, and he's overwhelmed to the point of burgeoning tears. It's not quite a Hitchcock/Jaws zoom, but it similarly presses the subject closer and tighter into the camera claustrophobically.
Subconsciously, as the audience, we now feel his feelings pressed into him
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Part of Aziraphale's reaction is his high moral standard of being an angel. While here he calls Crowley a demon, he has previously insisted, because he is a fallen angel, there is hope for goodness still.
He sees his future as a possibility in Crowley, which would destroy his known world. His moral code however is much more malleable than he would like to think, but to admit that would be failure of doing his duty as an angel
But just this acting choice, his quivering palpable fear, this reaction is much more than, “I don’t want to kill a child/not be an angel.” If he agrees to go with Crowley, the ‘side’ he’s picking isn’t good or evil, it’s love
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As the characters are asexual/nonbinary (I think?,) I don’t think canonically the fact that it’s a homosexual relationship is necessarily the issue. However, the metaphor of choosing to walk away from everything you know and believe and the rigid standards of goodness, and instead choosing to be with someone who will inevitably lead you to be cast out from your world, is (unfortunately) a universal gay experience, especially considering the source material is from the late 1980’s
Crowley’s reaction to this rejection is straight up anger played off as a totally reasonable, “C’mon man, we’re best buds,” but his eyes are covered by glasses. Eyes are the windows of the soul and he certainly doesn’t want to break right now in the face of rejection. His eyes are blocked in a very emotional tight shot of him which mirrors Aziraphale's.
Now his reaction matters and we don't really get to see it
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I don't know where this goes from here (well uhhhhh I did see The Spoilers ™ but I ain't gonna talk about that lol,) but this just feels like a massive turning point, and the acting and filmmaking really enhance it. From an outsider's perspective, I didn't 'get' this ship at all, but now in context, it completely makes sense. This scene is utterly devastating
This has probably been talked about to death for 4+ years now lol, but just wanted to point out some acting/filmmaking choices that really brought the oh shit moment to light <3
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robin-buckely · 2 years
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ROBIN BUCKLEY & STEVE HARRINGTON in STRANGER THINGS 4.03 | Chapter Three: The Monster and the Superhero
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infernoxxdoesart · 8 months
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actually wheatley(portal 2(2011)) and the spot(across the spiderverse(2023)) would be besties no i am not taking questions at this time
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the-acid-pear · 13 days
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Y'know this little throwaway gag is so bizarre to me and I know this game is a bit very different to 2 and 3 but look at Matt's reaction when Jack raids the place in 3:
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You'd argue he's simply stopping Jack bc he hates this guy and he also hates this job which Could Be True but i highly doubt bc overall despite his virginity and overall cursed vibe, Matt seems to be a good employee, by all means (I mean, Peter literally gave him a vacation instead of firing him in 2, so that says a lot).
Plus, Dave hates this guy as much as he hates him! He literally always calls him creepy and, AND!
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This is the only footage you get of the prize corner in 2. Which is also the first game to show Matt and Dave's disdain for one another, Dave being likely more scared of Matt than Matt will ever be of him.
Which is all very curious. 2 does set a drastic change for Matt too with him going from being just strange to outright creepy, so was the old pizza place closing something that actually affected him or was he consistently that creepy all along? And if the later, did he just start hating Dave after that or did they always have beef and they simply had some sort of arrangement (or even higher word from Steven who tended to let Dave do whatever he wanted in general) that let him do so?
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borderlandspolls · 3 months
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Monthly poll GO‼️
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spkyart · 1 year
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らんま 1/2
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take this as a little practice run for finding the right voices for this group. takes place in '88-'89, roughly, with an outsider pov.
read on ao3
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Corroded Coffin plays a gig at some dive bar outside Chicago and Steve, Robin and Nancy are there sitting at the bar. The show starts and the whole time Steve watches Eddie with stars in his eyes, like his boyfriend just hung the goddamn moon for him. Nancy and Robin are used to it so they're not paying attention but the bartender, Jack, looks at him with pity, thinking he's another fan who thinks he has a real shot with someone in the band. After the second set and with Steve still laser focused on the stage, he's got to be the one to unfortunately shatter the little bubble he's living in. Jack sets a glass of whiskey down in front of him, startling him a bit.
"Look, kid," he says. "I've worked here a while, seen bands come and go in this place and there's always a couple of guys who have the same exact look as you do."
The boy tilts his head, confused.
"All starry eyed and hopeful, thinking that they're gonna be the one that makes it back to the bus."
The kid has half the sense to at least look a little embarrassed, but he shakes his head. "Nah, man. It's not like that, believe me."
Jack rolls his eyes. "I've been watching you for a while, kid, you're not exactly slick. There's been enough people come crawling back here with their tails between their legs because their fantasies were busted by guys like that."
He points to the stage where Eddie is doing his bit with Jeff, both singing into one mic and Eddie presses a sloppy kiss to his cheek before moving back to his spot. Steve holds back his grin as the audience gets louder. Robin and Nancy go absolutely wild in front of him, having moved closer when the band stepped onstage.
Jack sighs and picks up the rag he was using to wipe down the counter. "I'm just trying to look out for you." He points to the glass. "That's on the house, by the way."
Steve is still a little confused by the interaction, watching Jack for a second before turning his attention back to his boyfriend. Eddie catches his eye and puckers his lips in a kiss, and Steve doesn't hold back his grin, putting two fingers in his mouth and whistling. Eddie laughs.
By the end of the show, Eddie is covered in sweat and amped up with adrenaline, grinning from ear to ear as they thank the crowd and the bar for having them. They help the roadies pack up their instruments and gear into the trailer hitched onto the back of Eddie's van before cleaning themselves up to join the crowd. Jeff and Gareth are the first ones out of the green room and immediately make a beeline for the bar, only stopping for a few autographs and to chat with fans. The band knew the three of them would be there and they looked forward to having their own little corner to themselves for the rest of the night.
Jack gives Steve a raised eyebrow when they walk up and Robin gushes about how good they were. The don't say I didn't warn you goes unsaid. Steve shakes his head and launches into the conversation, his back turned toward the stage.
They hear Eddie before they actually see him.
Well, they don't hear Eddie so much as they hear the crowd when he comes out of the hallway leading to the green room. He's changed from his stage outfit into a faded Poison tee and a pair of what Steve knows are his comfy jeans. Ripped at the knees and thighs and almost threadbare. Steve has told him a thousand times to thow them out but the boy's as stubborn as a mule.
Girls and guys alike flock around him like he's the Messiah to get even a fraction of his time and Eddie eats it up eagerly, the attention whore. He signs autograph after autograph and turns offers of going back to random hotels as gently as he can before he can finally break free.
"Y'know, sometimes I think he's the only reason we have fans in the first place," Gareth muses, leaning his elbows on the bar. "Dude's a natural performer."
Eddie finally makes it over to them and, to absolutely no one's surprise (but definitely Jack's), he pulls Steve in for a kiss with one hand on his waist and the other cupping the back of his neck. The others groan and Steve giggles a delighted "baby" into Eddie's mouth when he starts to get a little handsy.
Eddie pulls away with one last peck. "Sorry, sweetheart, you know how I get when I see you in my clothes."
Steve raises an eyebrow. "Really? Robin's wearing your shirt, too, and I don't see you making out with her," he teases.
Robin gags and Eddie gives her a mock apologetic look over Steve's shoulder. "Sorry, Buckley, but I think it's best if we see other people. You know how it goes, it's not you, it's me, yada yada."
"I completely agree, Munson," Robin nods seriously.
Steve taps his palm on Eddie's chest. "Before I forget, I was given instructions to tell you that when we get back to Hawkins tomorrow, you have to call Henderson immediately. He's missed his dad, so your place will probably be filled with kids the whole day."
"And what if we wanted to stay in Chicago an extra day?" Gareth asks, even though he knows they won't. "See the sights and all that bullshit."
Nancy scoffs. "Are you kidding? Your mom clocked us as soon as we walked in and said that she's proud of you, but she wants to go home."
Steve laughs as Gareth puts a hand over his heart. "Wounded by my own mother! The betrayal!"
Eddie shakes his head. "And does Henderson remember we've been on the road for three weeks? I get back to Hawkins, I'm not leaving my trailer for a week. He can have some patience."
"Patience? These kids?" Robin laughs. "They wouldn't know patience if it bit them in the ass."
From the conversation that Jack is trying oh so hard not to eavesdrop on, he picks up that they're all friends and have known each other for a considerable amount of time. High school, maybe? And going by the way the band's guitarist swooped in and planted one on the kid, they've been together for a while also. So, not a wannabe groupie. Just a lovesick boyfriend. Jack can understand that. He can also see, now, the matching guitar pick necklaces they're wearing.
Eventually, the group decides to call it a night.
"By the way," the kid, Steve, says to him, slapping cash on the counter. His arm is around Eddie's waist and Eddie's is around his shoulder. He throws him a wink before turning to leave. "It's a van, not a bus."
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