Wait wait wait, I saw in your tags that's Time and Time Again is ending soon? But I've only just found it! (through the animation you did, it and your comic are so well done)
Ah, yeah.
So by "soon" I really mean "sooner than I think I would like" and it feels much sooner to me as the writer than I think it will to you all as the readers.
But, Time and Time Again is pretty much exactly 2/3 of the way through right now. Webtoon gave me the end date before I even finished my first season, and I've been trying to fit in all the things I wanted to get into the story before it ends...
It's why my hiatus has been taking so long, I'm trying to write to get as many moments and as much development as I possibly can, with really limited time! And... also admittedly to prolong how much longer it's sort of "around" in my life.
Because I know once it is over, I'll move on to the next comic! and 3 years just doesn't feel long enough to have Adam and Steve in my life haha
But, yeah. it's getting "close" in a way that it's starting to make me sad. like this time next year it'll probably be over.
It's okay of course, it's the nature of stories that they will end. I'm working really hard to make it satisfying despite Everything, and I'm really proud of everything I've done so far.
And my next comic will be even better for what I've learned here!
So, sorry to everyone, but I promise I'm gonna make it worth it.
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I've reached season 5 on my CSI rewatch and I'm a few episodes past "Swap Meet", where a woman is murdered after attending a swing party with other couples from the neighbourhood. Near the end of the episode there's a moment that made me jump from my seat:
(Grissom walks up to Sara and takes the seat next to her. He's holding two cups. He hands her a cup of tea.)
[INT. POLICE DEPARTMENT - BRASS' OFFICE]
Erin Brady: Everybody fantasizes about other people. (She glances at Grissom.)
Even you, Mr. Grissom. A neighbor, a friend ... girl at the office.
[INT. POLICE DEPARTMENT - HALLWAY]
(The door opens. Paul Brady walks out of the hallway. Erin Brady walks out into the hallway. Sara is sitting in the hallway chair watching them. She watches as they meet and kiss.)
(Grissom walks up to Sara and takes the seat next to her. He's holding two culps. He hands her a cup of tea.)
LIKE!!!!!!!
Right after Erin ends her sentence with 'girl at the office', the first time Sara and Grissom meet again, he brings her tea. This might be an innocent interaction but to me it seemed like a nod to this relationship they have where both are into each other, know about the other's feelings, but can't/won't do anything about it (although Sara has kind of given Grissom an ultimatum). I don't know if it was intentional - I'm guessing it is, because I picked it up immediately. I might or might not have squealed in delight.
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Hiiiii! So, a few days ago you were talking about the whole thing with Amy, Rory, and River. And when I saw those posts a thought arose in my head and I wish to share it with you.
Since River grew up with Amy and Rory as Mels. And Mels was Amy's best friend do you think that they ever talked about children? Since I know that it can come up when talking with friends, and like... do you think that Amy might've ever expressed whether or not she wanted children?
And if she didn't, that Mels would've had to listen to her mother say that she doesn't want children? The idea is so heartbreaking and sooo interesting.
What do you think about it?
no, no, see, you're so right and this drives me wild.
because, the way i see it, i don't think amy wanted children. she's somewhere on the 'hasn't thought about it' to 'vaguely negative feelings about it happening' range to me, which falls sharply into 'Not Happening Ever Again' post-s6. (specifically, in terms of having a kid herself, even if she could, i really don't think she would. i do love that she and rory end up adopting a kid later, because that does make sense, for amy pond who grew up alone in one universe with her family swallowed by cracks in time before the doctor helped her set it right again, for her to want to make sure another child won't be alone in the world like she was. getting off-track here.)
and that's so. because the first real memory river/mels has of amy is of amy shooting at her. and depending on how well the silence fucked up the rest of her memory, it might be one of the very first memories she has at all. that's how she met her mother, crying for help and getting a bullet instead. her mother tried to kill her, so of course, you have to think. she must have needed to hear that she was wanted, right? even if she was taken away, even if amy shot her, at some point, melody must have been wanted?
river is good at getting people to do what she wants, but she is very, very bad at subtlety. and mels is younger, has less practice, so when she wants to know this, she's just going to ask. blunt and quick, easy enough because amy's used to the way mels will open her mouth and you just have to be ready to roll with what comes out if you want to keep up. it's why they're such good friends (like mother, like daughter.)
they're nine, and mels asks if amy wants kids, and amy wrinkles up her nose and says she won't have time for children, obviously, once her raggedy doctor finally comes back. they're fifteen, and amy and rory dance will they-won't they in a way that makes mels twitchy to watch, and taunting amy about wanting to have rory's babies is a good way to get on her nerves. but amy calls her gross, tells her she's got more life planned than children would leave room for, and besides, imagine her, a mom? it'd be a disaster.
mels does. a lot. she looks at her mother and just sees her best friend instead. she's not even sure what she wishes was there, but. maybe amy's right. and besides. imagine her, a daughter, instead of the ticking time bomb she really is? it'd be a disaster.
they're sixteen, seventeen, eighteen, and on. mels stands on the outside of a love story that births a universe. and her. how do you compete with that? not that she would know, not yet, she hasn't been there. but it doesn't make her feel any less alienated when amy and rory talk in whispers about a half-remembered world that's bled through to this life, about roman soldiers and boxes and the big bang of belief.
all these memories, they never mention children. on amy's wedding day, she's different, not like someone remembering a dream but someone who lived it. rory stands straighter, won't leave her side, and they're both so much older than they were yesterday. maybe now, right? a wedding's as good a time as any to decide you want kids.
mels not being at amy & rory's wedding is such an obvious lazy way of them trying to explain why they totally didn't just throw this plot twist together at the last minute that i'm not even going to acknowledge it. of course she was at their wedding. she's their best friend. there's too many people around the doctor, and she wasn't ready today of all days, so despite this horrible burning need under her skin to strike, she stays her hand. doesn't let him dance with her because she might just tear his throat out if he gets too close. stays with amy and rory as the maid of honor should. she must have been there for the awkward questions that always gets asked, 'so, any plans for a baby?' 'when am i getting grandkids?' 'oh, you two are going to have gorgeous children together.' standing a few feet from amy in her wedding dress and watching her mother tense and grit her teeth and brush off the questions. watching her look nervously at rory but never ask if he means it when his mom asks him if he'd prefer a son or a daughter, and rory answers 'either one, some day, not anytime soon.'
god i'm just going on and on, aren't i. but really, what's it like to know that amy never changed her mind. the next time she sees them, she's already been born and stolen. i don't like let's kill hitler for. so many reasons. but there is something compelling about how recklessly river lashes out at the world, at the doctor. even her sacrifice at the end is almost suicidal, throwing all her regenerations into this man without knowing if that will even work or if it might kill her to do it. but it makes more sense in the context of someone who has reached the end of a long, long wait for some kind of indication, any kind, that her mother wanted to have her. and finally been told, no. she didn't choose melody.
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this show is driving me fucking CRAZY i loved every part of it except sally jackson which is RIDICULOUS because they made sally jackson the moral heart of it and leaned in to "everything percy is is because of her" and i WANTED that i LOVE that but then sally herself is?? just??? okay hold on spoilers
i've seen people say that they really appreciate that in this version sally doesn't have to be a doormat who just quietly suffers for her son's sake, and i GET that, i do! i appreciate that!!! not every mother's story should be about endless self-sacrifice!
but sally's WASN'T!!!
it was a story about a scared single mother who ended up in a bad situation and didn't know how to get out, and when she's given the opportunity she fucking TAKES IT!!!
and there are things about the show sally that i like! she isn't constantly cooking gabe food, she doesn't have to say it was selfish to keep her son near her, we see her argue with percy because she struggled and wasn't perfect she was a young single mom, she honks in traffic and gets road rage! i like all of that!!
but i just...
i really, REALLY miss her choosing to kill her abusive husband using medusa's head.
and honestly, i could talk about how goddamn INCREDIBLE of a character choice it was to have a mother who is willing to kill, explicitly out of revenge instead of just to protect her son, while simultaneously being the epitome of a loving mother who teaches her son to do BETTER than just dealing violence and to think about who the real monsters are, and to choose love and responsibility and care!
i could talk about how cool it is that she stops percy from killing gabe not because he "shouldn't kill" but because it needs to be her choice.
i could RANT about how important it is for the story to explicitly have her make the choice to kill him for hurting her, rather than it happening by chance because gabe's the kind of asshole to steal mail, or happening in a way that lets people say "poseidon put that there he took care of gabe for sally lol"--
but she already said it best!
"If my life is going to mean anything i have to live it myself."
and it really really sucks that the show took that away from her
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i sent this same ask for the game to @/we-are-inevitable cause i wanted to see both takes if ya answered, So- David & Santa Fe?
i am also excited to hear what @we-are-inevitable has to say about this if they so choose to share :)
ough this is a good one because. i think before jack davey had a non-relationship with santa fe. and then he meets jack and jack is so idealistic and hopeful about a city that only exists in his head, at least the way he dreams of it.
and i think davey has a complicated relationship with jack's version of santa fe. santa fe is, to jack, escapism. it's the dream of starting over with a clean slate where nobody knows him and he can decide who he really wants to be. and on the one hand, I think davey really gets it, maybe more than he'd want to admit to himself. he understands that desire to leave everything behind for the chance to build something new. but also, it can sting a little, you know? to hear somebody he loves so much talk about how he wants to leave it all behind. especially before they solidify what they are to each other, when davey feels like he's in love with his best friend who will never quite love him back the same way, santa fe is such a bittersweet thing. he gets it, he knows how much jack needs to have that dream, but also...he wants jack to dream of him.
i think the first time jack purposefully and out loud chooses davey over the concept of santa fe. not chooses his friends in general or chooses to acknowledge that it's a pipe dream, but chooses davey jacobs. that's huge for davey. it's an insecurity that maybe he didn't even want to admit that he has, but jack saying no even if I had the chance to actually get up and go, i'd choose to stay with you because I love you. i think that means more to davey than anything. also any time jack includes davey in his dreams, when he proposes that they run away together, I think that means a lot, too.
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