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#descriptions of death
creepiestcutie · 1 year
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“ i wonder why leaves turn red in the fall. do you think they’re embarrassed? “
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"I think it's simple biology; when we die, don't we also turn strange colors? Purples, blacks, whites, even shades of blue in some cases. I wonder if there are beings out there who find our dead remains beautiful?"
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viro-lil-goat · 4 months
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I really hope this reaches more people, I'm only reposting this information from Instagram, the least that I can do. (Update: I changed their upbringing as it appears to have been listed wrong) Wiki page
When I just saw this information I couldn't stop crying thinking about it, and now my heart aches. They were the same age as me, I know for a fact like any other teen they dreamt of their future, who they would want to become, what to achieve, create, wondering if they meet those in the future they can call friends, wondeting if it'll get better when they grow up, maybe wished to leave that terrible place or maybe wanted to stay. How could anyone let this happen, why were they discharged from hospital so easily? And the school, we all know why. I hate to think about how, even with all the progress made, these things still happen.
"murdered schoolgirl Brianna Ghey on February 16, 2023. Candlelit vigils are being held across the UK this week for Brianna Ghey, 16, who was stabbed at Linear Park in Culcheth, Cheshire last Saturday. Brianna was a transgender girl and police are now investigating her killing as a hate crime. A boy and girl, both 15, have been charged with her murder"
An article that explains trans hate crime murders as on 2023
I hate everyone who have ever committed such vile hate crimes, I wish them in prison and hell. But i would never go down to their level. But I also blame the government, the school, and even those bigoted online accounts that teach their followers hate. In this case LibsOfTikTok, who targeted the teacher of this school, who supports lgbtq+, so they had to leave their position. It must have been the push for this to happen. I think their tiktok account has been thankfully deleten. But i have no idea about Twitter or any other. Please check and mass report them if it still exists. (Link to Instagram reel that this information is from)
ADDITION, PLEASE MASS REPORT THESE ACCOUNTS
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rebisrot · 8 months
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cuddlytogas · 3 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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incendavery · 10 days
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disclaimer: i have not harmed myself in any way, and i dont plan to.
these comics are a safe place for me to explore and externalize the intense feelings ive been dealing with. i am also taking practical steps, such as talking to my therapist and getting my medications adjusted.
if you are having urges to harm yourself or take your own life, please reach out to someone you trust to seek help.
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bizarrelittlemew · 8 months
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strong contender for my favorite line + delivery of the episode
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spicysourchimken · 26 days
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Murder! Murder! Murder!
TRIGGER WARNING: discussions of death, murder, descriptions of corpses, gore and corpse desecration
(This Idea is loosely inspired by @/the-witchhunter's 'Ghost in the Morgue', please go check it out if you like this concept and have not yet read it)
[Other stuff in this AU: World Building]
Corpses au Danny, not just Corpse but Corpses. Every time Danny transforms he drops a new body, Danny honestly has lived with it long enough that it's funny at this point (and also. maybe made him a little weird about his own death and or deaths). This is not the same for Tim, who now has to deal with a potential serial killer.
Tim is looking into a string of strange and suspicious deaths that might point to the appearance of a new rogue, this results in him taking a visit to the morgue as Red Robin, only to meet a potential victim, Daniel Fenton the latest medical examiner for GCPD.
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Tim was the one who had found the first body a week ago. He'd been on patrol when he'd spotted it propped up against a dumpster in an alley. It couldn't have been there longer than an hour, the blood was far too fresh.
Tim had planned to just check out the scene and call it in, but then he actually saw the body. It'd been eviscerated, torso ripped open organs spilling out and its hands had been frozen to the ground- hell the entire body seemed to be coated in a layer of frost.
Tim kept tabs on the investigation, if anything for simple curiosity. Then they'd found the second body. Body frozen to the ground, same victim profile- but the death had been completely different. Slashed throat, face mutilated.
Then there was another, and this time Tim wanted to see it in person. This was either a serial killer or the start of a new rogue, and for Tim to be able to tell he needed to see. He sent word to Gordon, if anything more of a warning. He was greeted by the medical examiner.
Greeted was a strong word.
The medical examiner was... strange. Tim had heard news of him starting work and as far as Tim was aware of he was clean, and an almost boring person. The medical examiner that Tim met was unnerving. Pale, staring almost through him and carried blase attitude to his work.
What was worse is that he reminded so much of a corpse, not just a corpse but the corpse.
Then it struck him.
Fenton could be a target. Fenton could be the focus of the killer's obsession.
He'd have to keep tabs on Fenton, too bad he might be the most reckless Gotham citizen in existence.
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Gotham, admittedly hadn't been Danny's first pick after he finished medical school. Danny had always intended to become a medical examiner, dealing with your own corpses for years would do that do you. 'Finished' was the real problem, Danny had been doing well, great even but then he'd died. Twice. Real unfortunate really, hit and run and then poison, left him with a dry throat for weeks.
His own classmate apparently tried to kill him, which means it would be more than hard to actually finish medical school. That's fine, he had access to Tucker, an actual godsend who was able to make it look like he had all the proper qualifications... as long as you didn't look too hard.
Gotham was apparently pressed for a good medical examiner. All he needed to be was experienced.
Thankfully he had that in spades.
Things frankly only started going down hill last week. He'd made a habit of taking on requests between work, occultist avoided Gotham like the plague leaving him the only voice for the dead. Usually it was pretty easy gig, collect some momentos, help a few ghosts recognize they're dead. Until he'd had to deal with a Wraith.
It didn't go well. Danny was dead set on handling it as a human, appearing as Phantom could cause all matter of chaos. Danny had also not been informed that the claws of a wraith could pierce through human flesh so there's that. Danny was once again evicted from the mortal coil, dropping his own corpse and having to finish the fight off
Danny had planned to deal with his body after gaining his human form back and making sure that the thing could no longer return to the earthly plane. Turns out a bat got there first, turned the place into a crime scene. Just his luck he was beaten bloody enough to be unrecognizable.
His luck continued to go down hill when he was killed, not once, not twice but three times (this of course, wasn't accounting for the times he'd needed to go ghost). He'd gotten good at taking care of his bodies in Gotham at that point, or so he thought, until he was told he had not only a new body on his table and Red Robin waiting to be escorted to his morgue.
Now Danny has to juggle the growing chaos that it they spirits of Gotham while trying to make sure none of his bodies are identified, even if that means making a mess of Red Robin's investigations.
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cheer-soli-art · 7 months
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“Ah. Camellias.”
Leshy, from @bamsara ‘s The Rehabilitation of Death
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chronurgy · 7 months
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Gortash designs and builds mechanisms so I imagine he has to be able to sketch fairly decently in order to sketch his projects and designs. And I'm imagining a pile of charcoal sketches of Durge, done over their entire acquaintance, starting out with sketches of them in battle and then slowly becoming more detailed and intimate and as they do, the titles changing from things like "The Bhaalspawn" and "Bhaal's Chosen at Their Bloody Work" to "The Chosen in Contemplation" and finally just Durge's name
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unholyhymns · 10 months
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i like to play a game called Alcohol Poisoning where you take a drink (not a shot) every time an occult author uses the word womb. easy mode is doing this while reading book descriptions on a website. hard mode is doing this while reading books themselves. nightmare mode is doing this but also taking a shot if the author is incredibly weird about it. you can only stop playing if you die or if you come across a use of the word that is actually necessary and not weird or bigoted
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catzgam3rz · 2 years
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everything you need is within you
you are stronger than you know
you are the daylight
you are the night
the darkness you fight is within you
the light you seek is within you
you are not alone
Good Game, Mr. Blade
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cjs-51703 · 11 months
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Did someone ask for more Brutally Honest Manga Descriptions? The likes did, and I went to a different bookstore.
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ruinme-please · 1 month
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iii & iv
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ehghtyseven · 8 months
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devastating news about adam johnson [x] [x]
[ap article about the incident]
[taylor’s article about the incident - contains some graphic description]
[taylor’s article about adam ahead of his penguins debut in 2019]
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incendavery · 10 months
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heartbreak; betrayal; rejection
(image description in alt text)
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originalaccountname · 9 months
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Finally caved and did my perceived timeline of what happened to Chuuya, from being brought into the lab for project Arahabaki to being taken out of it.
I originally thought about mentioning it in my Chuuya's true original ability being to amplify others' abilities post, but it was way too long, and not as solid an argument to that specific topic.
Because this is about Chuuya being the original, not the clone, but more importantly the why and how that is the case.
Chuuya's humanity is the core question of SB, and the most important part is that in the end, Chuuya chose to accept himself despite it all, and that no matter what, he is himself and no one can take that away from him.
But once we have been given all the pieces of the puzzle, we can try connecting the dots and deduce the true story behind it all.
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Project Arahabaki was built to create an ability weapon based on the recovered notes of Pan, a French researcher and Verlaine's creator. The technique uses the clone of a human with a "fake" psyche (persona model) who is fused with a singularity life-form. The clone's original should have an ability able to create a self-referencing singularity (to manifest gravity powers). Pan even had a special ability metal to brainwash that individual. Basically, this concept is supposed to create an overpowered flesh puppet.
So. Project Arahabaki. They needed an original with an ability that could produce a singularity on its own, which is super rare. Joy oh joy, there just so happen to be this boy, the son of a military doctor, who fits these needs! They just need his DNA/some cells to create a clone to use in their project. It's the middle of the war, ethics are disregarded, plus no "real child" should be harmed in the making of this weapon. No biggie, right? Lend us your son for the sake of the country!
Except we know that boy, officially at least, died during the war.
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According to N's timeline, there once was this certain boy who managed to create a singularity with his ability while under the supervision of scientists, but got swallowed by the black hole it created, never to return.
He also had Chuuya's supposed "original" stuck in a tube full of mystery liquid, the same kind Chuuya once was in, but that one's flesh and organs melted when exposed to air (normal behaviour), changing it into a skeleton that can be ordered around like an overpowered puppet (literally on strings. The tubes in its back controlled it and kept it going, but would severely limit its range)
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Back to our Chuuya:
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All N does is lie, so we can't take his word as the simple truth. Chuuya was a miracle they never managed to reproduce. Why is that?
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In Rimbaud's notes, he says how in their operation to retrieve the new ability weapon Japan was developing (based on Verlaine), they managed to identify the artificial being, aka the clone, A2-5-8. In the flashback, Rimbaud is absolutely positive it is him, so we have to assume this information was recorded as-is somewhere.
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And yet, Dazai is the one to suggest later that, perhaps, the original and the clone had been swapped.
And wouldn't that make everything else make sense?
The clone(s) never managed to hold up to the quality standard necessary to be useful outside of their confines. The skeleton approach was the lab trying something different, like N admitted so to Verlaine. There ever only was one successful attempt, a "miracle", Chuuya. The original child is thought to be dead, yet N the liar supposedly had him in a tube, ready to turn him into a skeleton(???). Rimbaud and Verlaine thought for sure they had the artificial life-form, the clone, but they got Chuuya, who has a graphite scar from before he lost his memories, with a past that was able to be dug up by the Flags and Port Mafia.
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My conclusion is this: N swapped out a clone for the original child. His research wasn't giving the proper results, but he had found a workaround, where he could use the original instead of his clone, for better/faster results.
Chuuya is the only one who could harness "Arahabaki" in any way that would remotely resemble "Guivre". Chuuya is the only one who could operate autonomously. That's why N wanted to remove "Arahabaki" and try to factory-reset Chuuya before putting it back in: because there really is only one of him, and he couldn't afford losing him if he wanted to continue his research.
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