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#dead city vibes
rorithinking · 11 months
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Negan : Maggie, my old friend!  Maggie : I think you tried to kill me at some point  Negan : That was obviously just my way of getting to know you
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sunshades · 5 months
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grief in the city, or "how many days off will i get when my lover dies of consumption next march"
Expanding from this post (@puffles HI) or mostly just trying to write it out in a readable fashion. (lor spoilers ahead yeehaw 📚)
Just been thinking. Death in the pmverse city. It's not something you're really allowed to get personal with. But some people just can't help it.
In lobocorp we get a look at what it's like from the inside of a corporation, and like yeah the entire story is about it, but to me Yesod's parts more than anyone else's showcase this feeling.
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(Yesod core suppression dialogue)
The question of detachment comes up pretty often, and he points out Malkuth's as the ideal behavior to cope with it- forgetting you're dealing with humans as much as you can. Through his arc in lobocorp he struggles with it, this idea that it can all be fine if he stops thinking of the others as having a face, a name, and most importantly (for him) a body. Of course a strategy like that stops working as soon as one remembers, as one gets closer. That is one of the main themes of lor.
We're introduced to Xiao midway through the game, and her story unfolds as we start to learn about Roland's. The way she describes herself is similar to how A talks about Yesod, though Xiao doesn't feel special for it. The softness of her (at the time) coworker Lowell confounds her.
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(Xiao's key page)
Then the invitation reaches her, and therefore the news of Lowell's death, and this changes. Her reaction is intense, she describes it vividly. And it feels... kind of natural considering the martial culture of her workplace? Specifically for an Association whose mechanics literally run off emotion levels.
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(Liu S1 reception)
But we immediately see that no, to everyone else this seems like an overreaction to losing a partner. We see it from Chun's reaction, then Angela's, who suggests she simply finds a substitute for Lowell, and Roland himself is surprised by it: he muses about the Light influencing the people of the City: this is such a strange thing it gets compared to the goddamn Distortion! When we take a look at Lowell's own book it seems to confirm that out of the two he's always been the one with the more unconventional mindset.
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(Lowell's key page)
It's not groundbreaking to say one should care about their partner, but it feels like in the City this isn't really the case? It feels like having someone you cherish becomes something of a nuisance as it can interfere with a Fixer's ability to... well, work. Roland, though affected for obvious reasons, tells Angela about it briefly enough, and it seems it's not particularly noteworthy, having romantic entanglements but also losing them pretty quickly. It's something that happens, that you're supposed to deal with easily enough, and go back to work.
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(Liu S2 second reception)
Instead Xiao's feelings lead her to do the direct opposite; it's noteworthy that before her reception she resigns from the Association, and immediately justifies herself to her subordinates by letting them know this shouldn't affect their careers. It's worth noting that Roland's story is marked by a similar situation, once he's exposed in his revenge quest, he loses his Color title as well as his Fixer grade. In both situations we find that the question of how to deal with Survival (being a survivor to the person you love) can't escape from the problem of Survival (how to make a living). The death of another puts you in actual danger if you actually care about them.
In light of this, Lowell's hopes and promises for Xiao read differently. His apparent softness and sensitivity reveals itself as something he can handle very rationally; aware of how deeply their feelings run, he asks her to vow to always watch over herself.
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(Liu S1 reception)
Instead Xiao, and we later learn about Roland, embrace the horror of what's happened to them, and show us what it's like to go into the deep end of this grief; it's a deviation from what we might consider normal or #HEALTHY, but it's also a display of feeling that usually people of the City just... don't allow themselves to have. I don't wanna ramble about this too long, but since limbus vaguely uses the Divine Comedy as a source, in Dante terms I would say: while Xiao and Roland commit sins of excess of love, letting their anger over their loved ones take them over, the people of the City in general commit the sin of sloth, "laziness of the heart", it's people who refuse to let any kind of attachment in their heart, because it's simply easier not to deal with them. Roland's arc touches on it quite often.
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(Natural Sciences realization)
Though Roland does eventually turn out to be, well. A big deal, a lot of his behavior in the library is supposed to show him as a kind of everyman of the City. In moments where he talks like this, he's expressing what it actually feels like for most people to live in there. This heavily contrasts with Xiao's own beliefs, the ones she develops through her love, and that leads to her EGO manifestation.
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(Liu S1 reception)
By the end we also know that the truth is Roland's own mindset isn't quite the one he tries to preach ("that's that and this is this"), but the grief over the loss of Angelica, and more generally the pain for the life he's always had, still weighs so heavy on him he isn't able to just start again- he doesn't want to! As the stories goes on and he faces the horrors of the City together with Angela, even this facade of "sloth" fades away, and his actual feelings start to show, the love and the anger and all of the grief- he starts to resonate with the abnos as Angela did, a similar experience to distorting.
While Roland has a lot of interesting dialogue, it'd take a whole other post to talk about it (I'm sure someone smarter has done it already) so for the purposes of this and to keep on topic I only wanna talk about a little bit that Xiao doesn't touch on, and that feels relevant with the perspective of canto VI.
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(Black Silence "soulmates" reception)
In one of the darkest moments, we get a (can I say it now?) ⛈ HEARTBREAKING ⛈ confession straight from the inside of Roland's mind, the fear that in choosing to move on he'll have abandoned Angelica and all they meant for each other. The "pair of linked souls" is tied on a mechanical level, to beat them you need to disrupt their soul link, a buff they give each other that makes them basically unbeatable- they keep each other alive. Roland's fear, after years of Fixer work, after seeing how little value a person's life has in the eyes of the City, is this: that the second he looks away from Angelica's death and his attempt to avenge it, he'll have forsaken her forever, that their love and life together will lose its meaning.
Only with the help of the librarians and particularly Angela he's able to accept that's not the case, and in the final reception he once again wields her name and her gloves, carrying on her legacy and memory for the sake of the future and the new people he wants to protect.
Finally, I wanna show an incredibly interesting piece of dialogue from Leviathan, between Vergilius and Carmen.
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(Leviathan chapter 18, translation by @/SnakeskinFS on twitter)
Now, Carmen's take on love is... something. Love as she means it is what we know to bring to Distortion, but it is interesting that the actual implication in the world she draws up is what the people of the City need back is contact with one another, understanding. It's also interesting Vergilius calls it a word he's unaccustomed to. Obviously here it doesn't apply strictly to romantic love, but this does check out with how little we get to see City residents... well, loving each other.
Xiao for Lowell, Roland for Angelica, as well as honestly Carmen for herself, her vision for the future, stand out in crowds of cordial coworkers and friends of circumstances, for the strength of their feelings, love in its danger and beauty. The paths they end up following are messy, some very bloody, and done in remembrance of the people they valued above all else. It's the theme of love that entwines so closely with that of death, the question of what you do when you're the one surviving and left behind.
So here's where I think of canto VI- WH is so heavily defined by grief. This is partially tied to its literary influences, partially to the author's own experience, but the story is scarred by the various funerals, each of which changes someone's life, mostly for the worse.
Is this malicious? A little. A little... not? Like in the City, the feeling is that the dead, the memory of them, follow because they love the living. When we get to Cathy's death, she and Heathcliff curse each other back and forth before making peace again, but in the end more than their harshness, what hits the most is the connection, the yearning to be reunited- "I care nothing of your sufferings" is soon followed by "I'm not wishing you greater torment than I have", which leads into the Heartbreaking speech, that we already know will be very relevant in the canto, in which Heathcliff takes her pain as his.
NOW I see readings/speculation around that this will be portrayed as lcb Cathy trying to tie Heathcliff to his past forever/them needing to Kill Her, and metaphorically his affection for her in order for him to move on and become his own person, to which I say: meh? I think that misses part of the point, makes her out to be a plot device instead of a character that, like him, has grown in an awful abusive household, and laments in her deathbed that she wishes things had been different, and that the person she loves could stay with her longer, after circumstances beyond their control have forced them apart.
By the end of it, though we know that in the book it doesn't really turn out like she'd like, Cathy claims she'd rather him remember her words, and her, as harsh and cruel than nurse anger while he lives on, she hates the thought that he should suffer more when she's gone, because she, too, feels his suffering as hers.
To me this last wish she expresses is most reminiscent of what we see of Lowell's request to Xiao, the way it's not fulfilled until the last minute. Xiao doesn't listen and she goes on, fully aware she's betraying the trust he put in her, and that she might be the next to die. Because of this betrayal, her feelings, this excess of love threatens to have the best of her, to make her forget about Lowell and focus only on herself and her anger- the "love of the self" that is the Distortion. Her final reception has her talking back to Carmen's proposal and worldview, detailing the way her bond with Lowell, but also Miris, Chun and all of her men, have been keeping her strong to this point.
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(Xiao reception)
With the awareness her lover is dead and gone, she manages to work through her feelings and gain strength from them, deciding that these bonds, and her memory will keep all of them alive through each other.
SO am I saying this is totally happening to Heathcliff in canto VI. I mean, nah, not necessarily. But considering the similarities he shares with these other stories, and how we've already seen these examples of the theme of grief over a loved one being handled before in the previous games and resulting in these genuinely amazing characters, it's something I think about.
As we're talking about a game adaptation that obviously can't adapt 20 more years of story (and let's be real, shouldn't either. If you want to read WH you can just read WH,) I think that would be a reasonable way for the canto to play out: getting to see one of the sinners genuinely lose it over someone's death in a way none of the others really did, explicitly showing the uniqueness of such intense affection in a place like the City, and then slowly beginning the road to recovery. Much like for Xiao and Roland, this being done not as a result of leaving the past behind, but as a direct result of their love for another, and that of their lover as well as everyone else who cherishes them (Miris, Angela and the librarians- I think we'll soon add the sinners to the list).
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(post core suppression dialogue)
To quote another bit from our bestie Yesod, the hope that grows out of the rot, as the death of another, but as your own wounded self as well.
So to conclude. I think in general, in the context of how we've seen major characters work around their grief in previous games it'd make sense for canto VI to reach a similar conclusion, the death being something that weighs heavily, but doesn't obscure the possibility of a future. Still. Love as something dangerous that has extreme power over us, but as something that lives in us and can't be taken away.
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sixth-light · 1 month
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I have been re-reading Martha Wells' Books of the Raksura for comfort reasons and with the perspective of another half-decade since I first read them, may I present a proposition: these books are to Stargate Atlantis as Shards of Honor in the Vorkosigan series is to Star Trek, to wit, it's nothing like as simple or boring as "filed off serial number fanfic" but the underlying vibes are very, very real
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puppetmaster13u · 8 months
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Danny Phantom Crossover
Where Amity has been near abandoned for years, untouched and unaged if not for the destruction from long ago, when (GIW, Ecto-Contamination, the Portal, Whatever or Whoever) demolished it.
Of course nowadays it's long forgotten, a city laid to ruin, slipping from the minds of those that left. Until someone finds it again, and finds a place of forgotten dreams, the living dead, and a towering figure cloaked in red with a large needle-esque weapon to their neck.
"Leave now, while you still can, stranger. You won't find anything here. All that lies in this place are ghosts and broken towers."
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encrucijada · 13 days
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distorted light beam by bastille has done so much for me
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thebiggestfuckgiven · 2 months
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a lil prompt for the few dp x marvel gremlins around. i see you and ily.
Be Like Danny:
-> get contacted by the X-freaking-Men to try to get you to join their school for mutants
-> say no because you can’t explain that you’re technically not a mutant, just half-dead
-> live a normal (Fenton standard normal) few months afterwards
-> get kidnapped from your own school by evil scientists (that surprisingly are NOT the GIW)
-> escape facility using your sheer wits (being annoying) and ingenious fighting strategies (screaming and blasting)
-> run away across rooftops from the guards hunting you down while being injured (and holy shit are we in new york??)
-> get distracted by trying to spot the empire state building
-> get shot with a tranquilizer by aforementioned guards
-> painfully fall down into an alleyway, without seeing the empire state building (boo)
-> begin passing out but not before you see some red guy with literal horns (satan??) fight off the baddies after you
-> wake up hours later in satan’s lawyer’s (???) office, confused, dazed, and a little scared
-> pretend to still be passed out while desperately thinking up how to explain why guys with guns were chasing you down in the middle of new york without getting dragged off to the police
-> hope for the best
Random Excerpt-
Matt didn’t feel comfortable leaving the tranq’d (and fully knocked out) teen out in an abandoned alley. Very few people would, out here in Hell’s Kitchen. He also didn’t feel like bringing in a potential new problem into his home, so he decided on the next best place: the office.
Needless to say, Foggy was scared near shitless when Matt burst into their office in full Daredevil regalia with an unconscious boy in his arms. In Matt’s defense, Foggy wasn’t supposed to be here. He sent out a small thanks to God that at least Karen was nowhere to be seen. Heard. Semantics.
“Is that a kid? Oh my god, Matty, are you carrying a dead kid around? Is there a dead kid in our office?”
Language, Matt bit back.
Foggy’s heart beat a violent staccato as he followed Matt into their conference room, breathing stuttering when Matt laid the kid down on the table and his head turned limply to the side, his hair softly shuffling against the metal.
“Matt!”
Foggy waved his hands around wildly, the sound fluttering in Matt’s ears. Without a word, he grabbed Foggy’s arm and dragged him out of the room.
“Please keep calling me by my name in front of a stranger,” he hissed out, annoyed.
“In case it may have passed your attention, that stranger is unconscious. Or dead, for all I know! Because you haven’t said a damn word since you slammed your way in here by the way!” Foggy was whisper shouting, staying close to Matt’s side. He could almost see how Foggy’s eyes were wide, if he tried hard enough. Listened closely enough.
“He’s not dead,” he let out before walking to the front door to lock it and make sure no one was around.
There was a light slap sound as Foggy raised his hands in a pointless gesture and brought them against his legs.
“Oh, yeah, that’s reassuring,” he said to himself, but not bothering to hide it. Matt heard him walk back to the conference room. He held back a sigh, ignoring it for the time being. There hadn’t been anyone following them, but he’s been doing this long enough to know that some people knew how to keep their distance well, or even knew how to disguise their heart beats (God forbid the Hand had any involvement in this). They could even have a tracker on the kid.
Taking all of this into consideration, he would rather be safe than sorry. He was standing by the locked door, listening intently for any odd sounds outside the building or on any surrounding roofs. Like the same footsteps going by, feet shuffling as though someone was waiting, heavy breathing, the smell of gunpowder, or the sound of a bullet moving into its chamber.
He waited, hearing no signs. It was one minute before he heard the exact moment Foggy found the kid’s pulse.
“Matt,” he heard Foggy’s voice, a whisper. “He-he’s dead. He- oh my god, I’m going to be sick.
The kid’s pulse, or to anyone checking by regular means, lack thereof.
Matt waited one more second before moving away from the door to save himself from the stench of throw-up.
“I said he’s not dead.”
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fabio-271205 · 5 hours
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Here some shots of Heidelberg in spring.
I think it‘s just such a beautiful city that I really can’t stop to make pictures of it 😂
Those were on a Fuji Color ISO 200 negative film, that I‘ve shot with my Canon AE1
PS: There will be some more pictures from this film coming up later this week, but only with the castle on 😁.
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mdmszee · 10 months
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Mona Kaiser - Sim DL 🪴
as you guys know, this is the wonderful, carefree, and insanely beautiful sim I made a while back :)
in my recent post, I did promise you all that I will put her up for download and I’m truly excited to see how you’ll play with her (better not see her on some freaky sh*t like wicked whims bc that completely ruins her vibe 😭) !!
here is her backstory for those who are interested in playing with her the same way I did for a bit:
Meet Mona Kaiser, a spirited girl leaving her carefree farm life in Henford-on-Bagley for the city's bustling streets. Curiosity and excitement fuel her journey, embracing new experiences and forming unexpected friendships. Though she misses the rural serenity, Mona's tenacity and adaptability shine as she discovers herself amid the urban complexities. A story of growth and discovery unfolds as Mona navigates the city, carrying the essence of her countryside roots while embracing the opportunities that lie ahead..
I hope you have so much fun with her + I can’t wait to see the screenies, please don’t forget to tag me :)
if there are some outfits that are missing when you download her, please don’t hesitate to ask me!! I’ll try my best to find that cc for you - or you can create a better outfit for her, your choice my loves <3
DOWNLOAD 📁
gallery id: mdmszee
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aphel1on · 7 months
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You know those really cheesy "WHO SAVED WHO?" stickers that owners of rescue dogs have sometimes? That's Xiao Xingchen and A-Qing
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juhbebbie · 7 months
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WHY IS HE DOING A CARTWHEEL
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kaphkas · 1 year
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“Back at The Ditch with laughter and light... Streets at sundown with story and song...”
The Ditch (pre-Coda), requested by @somfte-on-main-and-mizzen
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copepods · 1 year
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honestly i think minecraft volume beta will always have the best music to me. i get ppls love for vol alpha for nostalgia reasons and the new albums are also really pretty but.. idk... beta is just Banger after Banger after Banger nothing beats it to me
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bookgeekgrrl · 3 months
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My media this week (28 Jan-3 Feb 2024)
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📚 STUFF I READ 📚
🥰 The Last Devil to Die (Thursday Murder Club #4) (Richard Osman, author; Fiona Shaw, narrator) - still loving the characters, love to hang out with them & Osman's plots move along nicely so you don't get bored at all. Fiona Shaw's narration is great & as a little treat she & Osman have a nice little chat at the end.
🥰 Four Letter Word For Intercourse (bendingsignpost) - 194K, destiel AU - adult college student Dean & professor (and phone sex worker) Cas - LOVE this fic so much & had kind of forgotten about it until it came up as a rec in one of my romance discord servers. Just, so good.
😊 Mrs Sidhu Investigates (Suk Pannu, author; full voice cast) - 2 episodes of the BBC Radio 4 program: #1 Murder with Masala; #2 Mrs Sidhu's Dangerous Highland Game - I prefer the slight changes made for the TV show's characterizations but still eminently enjoyable. (Meera Syal still absolutely rules!)
🥰 Lucky Bounce (Cait Nary) - extremely delightful hockey romance. Low/no angst, charming, cutie MCs. Definitely in the 'no plot, just vibes' category which honestly I love when done skillfully.
💖💖 +102K of shorter fic so shout out to these I really loved 💖💖
Ye Olde YouTube Love Story (Aria_Lerendeair) - The Sandman: Dreamling, 7K - love dreamling human AUs
Any Givens Sundae (dancinbutterfly) - Justified: Boyd/Raylan, 25K - excellently written 'what-if' pinging off a random line of dialogue: what IF Raylan had retired & decided to sell ice cream?
A Warning from Henry the Eighth (Writer_at_the_Table) - "I'm Henry VIII I Am" - Herman's Hermits: , 152 - a villianelle about I'm 'Enry The Eighth by Herman's Hermits - the creativity & cleverness of fan makers truly is boundless
master of a nothing place (strzyga) - Star Trek: Spirk, 6K - short, great fic about Spock going feral when they're trapped on a planet
📺 STUFF I WATCHED 📺
Austin City Limits - Pat Benatar & Neil Giraldo (s49, e9)
Austin City Limits - Duran Duran (s47, e11)
Murdoch Mysteries - s16, e7
Dirty Laundry - s3, e11
D20: Fantasy High: Junior Year - "Under Pressure" (s21, e4)
D20: Adventuring Party - "A Sea of Effluvia" (s16, e4)
Hazbin Hotel - s1, e1
🎧 PODCASTS 🎧
What Next: TBD - Why Is Everybody Sick?
Under the Influence with Terry O'Reilly - Cannabis Marketing
⭐ The Sporkful - Why Hibachi Gets Complicated
The Atlas Obscura Podcast - The Guerrero
How To! - How To Be Free Of Body Shame
⭐ The Atlas Obscura Podcast - Hello From The Otter Side
The Allusionist - 188. Lipread
The Weirdest Thing I Learned This Week - Nature's Weirdest Sleepers, Iron Maiden Myths, Parking Psychology
⭐ Today, Explained - Living in Zyn
It's Been a Minute - Ayesha Rascoe on 'HBCU Made' — and some good old college memories
⭐ Switched on Pop - The b*tch of loving musical theater (with Bridger Winegar)
99% Invisible #568 - Don't Forget to Remember
⭐ Vibe Check - You’ve Got Mouth Bangs, Girl
I Said No Gifts! - Lou Wilson Disobeys Bridger
Well, Now - How ER Taught Thousands Of Viewers About Cervical Cancer
Off Menu - Ep 220: Peter Capaldi
Films To Be Buried With - Kyle MacLachlan
The Atlas Obscura Podcast - Seeking The (Minnesota-shaped) Forest Through The Trees - Part 1 & 2
Welcome to Night Vale #241 - He Is Still Holding a Knife
I Said No Gifts! - Zac Oyama Disobeys Bridger
Dear Prudence - Am I a Bigot If I Don’t Want to Date Foreigners? Help!
What Next: TBD - The Taylor Swift Deepfake Saga
It's Been a Minute - Charlamagne tha Pundit?; plus, was Tony Soprano white?
⭐ All Songs Considered - Why we still love Green Day
Under the Influence with Terry O'Reilly - The Marketing of Taylor Swift: (Taylor's Version)
Consider This from NPR - Masturbation Abstinence Is Popular, And Doctors Are Worried
⭐ You're Dead to Me - Madam C.J. Walker
🎶 MUSIC 🎶
Pop Radio • Romance
'80s Metal
The Cars Radio • Pump-up
Psychobilly Swing
Rock Mix • Party
Presenting Iron Maiden
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summerneverendsonmars · 10 months
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3 days til Dead Club City!
Let's chill to this absolute whirling, hippie esque, light LSD inducing tune 🥳
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crehador · 4 months
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winter 2024 first impressions: ishura
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and so we ring in the new year with some beautiful doomed yuri that lasts only until a weird guy appear
typical
i picked this one up for the cast (romi park my beloved please arrive soon) and it's off to an alright start imo. the fight sequences were pretty good, visually, but the soundtrack didn't blow me away—and i really wish it did. the ost wasn't bad or anything, but if it had stood out more to me, i feel like it would have elevated the action scenes as a whole
the premise is remarkably simple so far, which isn't necessarily a bad thing. i often like simple, but it means the series will swim or sink based on its characters (who were mostly only namedropped towards the end of the first episode, so time will tell if they compel me)
one element of the worldbuilding i did like is there are these big mech type 'golems' facing off against humans, some of whom can use magic. exceedingly standard stuff
but then!
you see one of the golems using the same magic humans wield, which was a nice little twist i quite enjoyed. not sure if anything will become of that detail, since it seems like the series is shaping up to be more of a pvp battle royale than a pve humans vs golems type story
(side note this feels like it would make a pretty sick video game)
the weakest part of the first ep, to me, was the pacing. it just felt rushed, but that's mostly understandable since this ep was clearly just set-up for the 'main' plot. i feel like it might have benefited from being an hour-long episode, or maybe all this backstory would have felt more impactful if we saw it later, with the 'main' plot starting in medias res and circling back to this later? idk it wasn't The Worst, i just feel it (the pacing) could have been Better
also content warning for anyone who might need it: there was at least one instance of extremely graphic violence in this first ep, which i anticipate might continue through the series, so heads up on that
tl;dr it's fine so far
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fuckyeahnewmexico · 11 months
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Occidental life building in Albuquerque
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