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#consider this podcast
bookgeekgrrl · 1 month
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My media this week (17-23 Mar 2024)
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incredible art by harrydarlington
📚 STUFF I READ 📚
🥰 Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears (Michael Schulman, author; Charlie Thurstonn, narrator) - definitely interesting and an enjoyable read. What mainly struck me was that things now are pretty much same as it ever was: the producers have always been horrible to the talent; the academy, despite two serious efforts to course correct, has always been conservative/racist/misogynist, etc.
😍 In Name Only (BootsnBlossoms, Kryptaria) - 84K, 00Q - reread of this fandom classic/forever fave where Bond is 007 & Q is a participant in The Marketplace - love the way this explores Bond wrestling with concepts utterly unknown to him but also his own desires
🙂 Not With a Whimper, But a Bang (emptydistractions, seleneheart) - 46K, urban fantasy AU, dragon!Bucky - read for stucky bookclub - satisfactory read, some intriguing worldbuilding
😊 red wine supernova (donderwolk) - 91K, hocky rpf, one of them had to retire early from the NHL due to a chronic migraine condition, the other's a ceramcist who teaches a local rec center class. Very entertaining read, good quality angst. I enjoyed the characterizations very much
💖💖 +200K of shorter fic so shout out to these I really loved 💖💖
Sourwood Mountain (Pennyplainknits) - Stranger Things: Munson Family Feels, 5K - great fic with a genius premise and badass munson family feelings
For Which The First Was Made (leupagus) - Agatha Christie's Marple: Jane/Gabriel, 35K - great Miss Marple fic; as I told the author, I never pictured Miss Marple with a boytoy but after reading this fic and watching the inspiration for it, my mind has been EXPANDED. plus I love an epistolary story!
Interrupted Heists, Dentist Visits, and Other Romantic Dates For Your Fake Husband (Kiraly) - Original Work: OMCs, 7K - very fun original fic with two (opposing) sidekicks hitting it off & getting married for insurance reasons
📺 STUFF I WATCHED 📺
D20: Tiny Heist - s4, e4-6
D20: Fantasy High: Junior Year - "A Very Merry Moonar Yulenear" (s21, e11)
D20: Adventuring Party - "Chutes and Ladders" (s16, e11)
D20: Pirates of Leviathan - s7, e1-6
🎧 PODCASTS 🎧
Under the Influence - When You're This Big, They Call you Mister
Vibe Check - Hey, Sis: featuring Regina King
Short Wave - A Tale Of Two Bengali Physicists
WikiHole - Leprechauns (with MUNA!)
The Atlas Obscura Podcast - A Mission to find a Meteor with Amir Siraj
NPR's Book of the Day - Christine Blasey Ford tells her own story in 'One Way Back'
Today, Explained - How gangs took over Haiti
Consider This from NPR - A $418 Million Settlement Could Change U.S. Home Buying. But Who Benefits?
99% Invisible #574 - The Monster Under the Sink
Short Wave - Syphilis Cases Are Rising In Babies. Illinois Has A Potential Solution
Vibe Check - Till The Wheels Fall Off
Throughline - Radiolab: Worst. Year. Ever
Imaginary Worlds - Mother-in-Law of Oz
Twenty Thousand Hertz+ - Hans Zimmer's Remote Control
Today, Explained - Can Congress ban TikTok?
Throughline - The Great Textbook War
The Atlas Obscura Podcast - Marching through the galaxy with Dr. Moiya McTier
Shedunnit - The Tea Leaf
Ologies - Field Trip: Alie’s Mystery Surgery!
Dear Prudence - My Parents Are Flaunting Their Wealth While I’m Drowning in Debt. Help!
Pop Culture Happy Hour - Road House And What's Making Us Happy
It's Been a Minute - Brittany talks bad accents and bad sex
Short Wave - The Evolutionary Mystery Of Menopause … In Whales
Switched on Pop - Rhapsody in Blue, Reimagined
Strong Songs - Strong Covers, Vol. 3
Imaginary Worlds - Class of '84: When Cyber Was Punk
Consider This from NPR - Stephen King Has Ruled The Horror Genre For 50 Years. But Is It Art?
Worlds Beyond Number - WWW #2: The Naming of Things
Worlds Beyond Number: Fireside - Fireside Chat for WWW ep002 The Naming of Things
Art of History - Art History Horror Story: The Nightmare
🎶 MUSIC 🎶
Eddie Cochran
CREDITS: Sharon Sheeley
My Baby Love
R&B Diva Classics
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sparrow-in-boots · 2 months
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lots of malevolent art and concepts around John covering Arthur's eyes and that's good, great even, a major theme of the podcast in fact. but not nearly enough art of Arthur covering John's mouth.
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charon-cries · 21 days
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do you think arthur ever messes with john's fingers when he's nervous? fiddles with his hand? do you think john just allows him to, or do you think he fidgets right back?
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samglyph · 5 months
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Yesssssss Arthur
Commissions and Tip Jar
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jouxlskaard · 2 days
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there isn't a barber in prison
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crabussy · 2 years
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hey. hey do you guys think that the stranger and the beholding fought over rights for the london eye during the eyepocalypse????
"you eyeball FREAKS this does NOT BELONG TO YOU!!!! ITS A FERRIS WHEEL!!!!! IT'D BE PERFECT FOR OUR FACELESS CLOWNS!!! MORONS. IDIOTS."
"shut up FOREVER. its IN THE NAME. london EYE??? what are you not getting??????????? go play with the Buried avatars in the river thames we are DONE here. GOODBYE."
meanwhile the vast has already claimed it and is busy stuffing terrified civilians into the carriages and flinging them into the sky
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paper-mario-wiki · 1 day
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alright look i know my following is not the target audience for this kind of post but i wanna at least point something out about a scene in the Fallout show that i haven't actually heard a single person point out or comment on.
spoilers ahead.
in the scene where the ghoul is rewatching his old movie, specifically the scene where he originally protested about killing the villain.
the first layer is the obvious one: he is talking directly to himself. "you were strong, ugly, and you had dignity. i'll give you two out of those three." he remembers what happened at that shoot just as clearly as we did, and after he literally tells himself to his face "you're strong, ugly, and have no dignity" followed by him killing the man he originally wanted his character to save. this, of course, coming DIRECTLY after the person he sold into slavery earlier that day sparing him with life saving medicine while he's on the ground and telling him to his face that he only lives on because someone stuck to their humanity. very heavy! i bet he feels like shit, which he probably should because he's kind of a jerkoff! (but in a cool way that i like to watch)
the SECOND layer is the one i find way more interesting. the phrasing of his final line we didn't hear before was so dripping with importance that it felt like i was reading RPG dialogue and story relevant words were highlighted. "i hope you like the taste of lead you commie son of a bitch". as we'd already seen in episode 3, he despises vault-tec for everything he knows they are responsible for while he was their face. moreover, it's made clear that he doesn't just resent himself for being used for their image, but he resents the fact that he was the face of the propaganda which drove the war fever that caused the end of the world. the wild west ideal caricature of masculine wisdom from the movies as the spokesperson of the company who stood to profit from the purposeful decimation of the human race. he became The Ultimate Jingo.
and i really enjoyed how brief yet informative that detail was! i really enjoyed how the directors tell you what the characters are thinking intuitively and effectively through the camerawork and those little details make the whole thing a lot more fun to mull over and consider as a part of the whole of Fallout! i think it's neat.
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flipside-phoebe · 22 days
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Phoebe Spengler headcanons post-Frozen Empire
The soul-separation experiment had some weird side effects that only became apparent later on. Sometimes Phoebe felt like her soul was misaligned with her physical body, or she'd have out-of-body experiences in her sleep. This combined with her already lacking coordination made things difficult and frustrating for her. Sometimes she'd miss objects she tried to grab hold of.
To help correct this, Callie suggested some physical therapy like yoga sessions. Janine offered to take her to play racquetball. Winston even suggested she take up martial arts or boxing. Phoebe was reluctant to all of this, but eventually gave them all a try. The whole family ended up doing yoga sessions together and it was a nice way to bond, sometimes Phoebe would go to her room to meditate by herself though. Racquetball and Boxing were fun, and she did gain some self-defense skills, but yoga was the one practice that really stuck.
Phoebe had some sessions with Venkman to make sure her soul, and her mind, were in the right place. (she was a little annoyed by some of his methods, especially the ones involving shocks, but was thankful for the help.) He also recommended her a good therapist to help with any non-supernatural problems she had.
It took a little while, but Phoebe did continue to call Gary "Dad" and spent more time with him. He'd earned the title.
Sometimes Phoebe had nightmares about being controlled by Garraka again. One night she went to sleep with her parents in their bed because of this. They were able to comfort her. Despite how non-nonchalant they act about their own possessions, it effected them negatively too. It's something they understand and relate to and they were able to console her.
Ray lent her a few books, salt lamps, and stuffed animals for her room. They helped him get through some rough times, so he figured they'd help her too
Phoebe worked with Lars to make sure the soul-extraction device would have stronger security measures. What she did to herself will never happen to anyone else. It's not worth the risk.
She definitely tried to spend more time with Podcast, Trevor, and Lucky after the big freeze. She felt guilty for going off on her own and not confiding in her team more. Podcast was a little hurt that she kept Melody a secret, but they talked some more and were able to reconnect. Trevor was just concerned for her mental health and wanted his little sister safe. Lucky offered all the support and advice they could. In the end, the four of them are still the Summerville Squad, not matter where they are.
Cold weather bothers her more than it did before, I think it's safe to say everyone in New York has some newfound discomfort around wintertime & freak storms. The snazzy new red jackets help a little.
She keeps Melody's matchbox in a special place in her room, in a hidden box. She also adds other mementos from other ghosts that she helps peacefully cross over. Partially for recording research but also for sentimental reasons. The matchbox remains at the top since it was her first.
She's unsure what her relationship to Melody was, exactly. Whether it was romantic, platonic, or something else. She is upset that she was betrayed, but glad they were able to reconcile and help each other in the end. It takes her a long time before she's able to move on and try having a close relationship like that again with anyone else. In the meantime she focuses on her education, her friends, and her family.
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taaalia · 2 months
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if theres one thing i wish for s2 its an oakson reunion
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THEYRE CANON TO BOTH ME, WILL /AND/ MATT SO WHATRE U GONNA DO ABT IT/J
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soledadcatalina · 1 year
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[id: a digital drawing of damien, rilla, and arum from the penumbra podcast. rilla is sitting flushed against arum's front, while damien kneels in front of the both of them, flushed. rilla has her hand on damien's jaw, tilting his head up, while arum has one hand curled around the back of his neck, the other grazing his arm.]
its fucking chewsday innit?
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cintipede · 8 months
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FUCK IT WE BALL
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excuseme-greentea · 8 months
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I’m somebody who has always struggled with not feeling big enough. Muscles shouldn’t be a representation of how manly you are, right? But that’s the link that has always been made. Why do I want to feel more muscular? Probably because of that. I was a very, very skinny kid and in my desire to be stronger, I put on unhealthy weight because I wanted to feel bigger and now I’m kinda trying to find myself to a comfortable place.
My first fitting for 911, I thought I was going to get fired because I looked too skinny in the costume.
People tell me I am of certain size. I’m 6′2 and 200lbs. (Yeah, you’re not a small guy!) ...but I feel it. (You feel small?) Absolutely.
Oliver Stark on “Not (blank) enough” (2020)
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arthurtaylorlester · 7 months
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idc how unreliable john gets, i will ALWAYS be on his side i do not careeeee about what oscar has done for arthur, i will trust john blindly !!!
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samglyph · 7 months
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Studies in intimacy
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jouxlskaard · 8 days
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Strap in, fuckers. This is a long one.
I've seen a lot of discourse and discussion recently about why TMAGP isn't resonating with listeners as much as TMA did, with a lot of people pointing towards the infrequent structure of each episode and the lack of subtlety that TMA had once excelled in. And while both of these are true, I think the main culprit that has caused these problems for listeners is one thing: the pacing.
TMAGP is only going to be 60 (Edit: 90) episodes long, compared with TMA's absolute behemoth of 200. When I'd found out about this, I'd assumed that it meant TMAGP would have a much smaller story - not having to establish as much information as TMA did, and allowing the story to have lower stakes as a result. This certainly wasn't a bad thing, as many sequels that have tried to one-up their predecessors have gone disastrously wrong, but I knew that the structure would be different to TMA as a result.
However, from the 12 episodes that we've seen so far, it appears that TMAGP is going to have similar levels of stakes to TMA - not the same stakes, of course, but they'll likely be on close to equal footing. This means that TMAGP has to establish the same amount of information to listeners with significantly less time to do it in, and the pacing has to speed up to adhere to that. In the first 12 episodes of TMA, we had established one possible recurring statement character (Gerry), a disturbing worm woman (Prentiss), and the fact that Jon doesn't like his assistant and refuses to believe any of the statements. In the first 12 episodes of TMAGP, we've established every important protagonist and what they sound like, two recurring statement characters (Bonzo and Ink5oul) with one that has already physically appeared, much of Sam's backstory and his ties to the Magnus Institute and the fact that something is deeply wrong with their workplace. That is a big difference.
This difference in pacing is what I believe is turning listeners away from what they'd originally enjoyed about TMA, because there's no longer that warm, comforting atmosphere when you listen to it. Its sound isn't designed to come from a tape recorder and a tape recorder only anymore; it's no longer a sit-down and listen to the Archivist tell you spooky stories for 20 minutes anymore; and, like I mentioned earlier, the structure is no longer the same throughout each episode. The horror anthology aspect, whilst still being there, has now taken a back-burner to the metanarrative because so much has to be established in so little time. To many, that's a bad thing. They listened to the original because they liked the statements, and the little things connecting them hinted to a much larger story at play. When this story was revealed, we got to see Jonny Sims and his brilliant prose at its best, because there was no longer anything to hide and the statements were in their purest forms - no longer having to establish information to the audience, and simply basking in the fear.
I'm sure we'll get to see the same thing in TMAGP once the narrative reaches that point, but the current pacing has uprooted a lot of listeners' expectations for the show. I'm going to listen to the entire thing, personally; yeah, it's different, and it doesn't deliver the same vibes and comfort as TMA did, and I probably won't be able to fall asleep whilst relistening to the more obscure episodes like I could before, but in a frankly disturbing way, I'm still fascinated with what Jonny, Alex and the other writers have created. This type of horror is the only kind that I genuinely enjoy, and I'm excited to see what direction Protocol goes in.
Edit: I feel like I should clarify that I don't see this comparison as something that takes away from TMAGP. Alex has said that it's going to be different from the get-go, and I do think that comparing it to TMA is an exercise in futility to an extent. I just wanted to talk about the shows together because I feel like they complement one another, and the narrative beats that I've talked about are less to do with TMA on its own and more to do with general narrative structure. We have buildup, payoff and pacing no matter what show it is, because that's what makes a story. I think TMAGP could be taken a little bit like Deltarune in terms of its relation to the original source material: separate entities with some overlap in character and themes. At the end of the day, it's still early days for the show and this entire spiel could just end up gathering dust - I just think it's a cool thing to think about, and it gives me an excuse to infodump about how pacing can affect a narrative and the audience's response to it.
I wrote this while my cat was laying on me. Have a picture as a reward for reading this whole thing.
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hephaestuscrew · 7 months
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Who says the episode title phrases in each episode of Wolf 359?
I've created a spreadsheet to show which character says the episode title phrase (i.e. the words which form the name of that particular episode) in every episode of Wolf 359. Graphs summarising this data can be found below, but to look at the full spreadsheet in all its glory, and see the progression through the series, you can follow this link: https://docs.google.com/spreadsheets/d/1cQLkhxbDAItU6rdiUAYGn54FXXxYC-JXlCmP_Dqe9FA/
(Please note: I’ve focused here on which character first speaks the exact title phrase within the episode itself. In some cases, this is not the only - or the most significant - time that the title phrase is spoken.)
EDIT: This post previously stated incorrectly that "the devil's plaything" is not said in Ep57. In fact, it is said by Pryce (through Minkowski). Thank you to @yaghoulghosty for pointing this out!
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Season breakdown graphs below the cut...
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