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Ready to take flight by Treflyn Lloyd-Roberts
Via Flickr:
Having only returned to the skies earlier in the year, Spitfire IX TE517 taxis at Duxford as part of its preparations for the following day's air show. It has been painted in the markings that it wore on delivery to the RAF in August 1945. Aircraft: Royal Air Force Supermarine Spitfire LF Mk.IX TE517/G-RYIX. Location: Imperial War Museum Duxford, Cambridgeshire.
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Art, Truth & Authoritarianism, January 21, 2024
The Cassandra Cat, The Cat Who Wears Sunglasses, or When The Cat Comes, is an incredible movie made in 1963, commenting on art, truth, and criticizing authoritarianism.
The Canvas
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Ostre sledované vlaky (1966), dir. Jirí Menzel
Чехословацкая комедия о не самом радостном периоде в жизни страны. Юный герой устраивается на непыльную работу станционного служащего и безуспешно пытается ухлестывать за противоположным полом. Его мысли поглощены девочками и немного поездами, которые ходят тут редко.
А за кадром - война. Чехия оккупирована нацистской Германией.
Для меня - слишком легкомысленно. Герои весь фильм дистанцируются от происходящего, как будто их это не касается. Какое нам дело до Гитлера? Пускай себе воюет, а мы отдохнем.
И это отношение, конечно, с фигой в кармане. Но как так жить, я не представляю.
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Dread by the Decade: Le Golem
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English Title: The Golem
Sequel to: Der Golem, wie er in die Welt kam (1920)
Year: 1936
Genre: Historical Drama, Supernatural Horror
Rating: UR (Recommended: PG-13)
Country: Czechoslovakia
Language: French
Runtime: 1 hour 23 minutes
Director: Julien Duvivier
Cinematographers: Jan Stallic, Václav Vích
Editor: Jiří Slavíček
Composer: Josef Kumok
Writers: André-Paul Antoine, Julien Duvivier, Jiří Voskovec, Jan Werich
Cast: Charles Dorat, Jany Holt, Harry Baur, Roger Karl, Germaine Aussey, Roger Duchense, Ferdinand Hart
Plot: A rabbi and his wife must reawaken a golem to save their people.
Review: Evocative and progressive for its time, Le Golem paints a painful tale of Jewish persecution and powerful resistance, even if it sometimes focuses too heavily on its villain.
Overall Rating: 3.5/5
Story: 3.5/5 - (Note: I haven't been able to see the first film, but this can be viewed as a standalone movie.) It expertly highlights individual prejudice and systematic violence, as well as survival in the face of it. Rachel, the rabbi's wife, and Rudolph, the king, are both especially well written, though a bit too much time is spent with the latter.
Performances: 4.5/5 - Everyone is excellent, but Holt is especially compelling as the steadfast Rachel. Baur also does a great job playing a brutal tyrant who is simultaneously deeply pathetic.
Cinematography: 4/5 - Some lovely long distance shots and creative angles.
Editing: 3/5 - A few premature cuts.
Music: 3.5/5
Effects: 3/5 - The destruction the golem unleashes looks solid, though some effects are subpar for the time.
Sets: 4.5/5 - Fantastic, large, and densely populated.
Costumes, Hair, & Make-Up: 3.5/5 - The make-up for Hart's golem is pretty decent and stone-like, and the costuming is quite good.
Trigger Warnings:
Moderate violence
Torture (brief; not graphic)
Extreme antisemitism (critiqued by the film)
Attempted ethnic cleansing (critiqued by the film)
Gendered violence
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eastern european Mandela effect, cos I swear Krtko's hungarian name was Vakondka (instead of Kisvakond) and in czech it's Krteček (instead of Krtek)
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