Miolo do Boi Brilho da sociedade ou Boi de Edmundo. O boi surgiu na Fortaleza, um dos territórios da comunidade Rio de Pedras. [x]

Pen on paper by b1lashkari

Esta exposición busca mostrar un breve panorama de los cruces existentes entre la animación como disciplina audiovisual y el arte contemporáneo. El enfoque para abordar esta cuestión, más allá de las relaciones entre las técnicas clásicas de las bellas artes (la pintura, el dibujo, la escultura), ha sido cómo los artistas hacen del tiempo un material consciente: el tiempo de presente continuo, donde experimentamos la ilusión de movimiento; el tiempo fallido, detenido; el tiempo político revelado en los objetos y relaciones entre ellos y sus representaciones; el tiempo personal, íntimo y el tiempo fragmentado, presentado en fotogramas, un tiempo acumulado, desplegado. Las obras que hacen parte de esta muestra han llegado a definir de forma plástica varios tiempos artificiales, convirtiéndolos en material poético mediante experiencias particulares que van desde la propia consciencia sobre la duración y su papel en la psique, hasta la representación de ficciones y realidades mediatizadas, reinterpretadas por las visiones particulares, críticas y fantásticas de cada artista.

Look how soft these droplets of water is falling onto the ground and make the world even better place to live🥺🌧

- Video taken on 04:10am | 13 sept 2022 (raw mobile footage )

Thank you to every contributor who helped make this brainchild come to life and @pradapaintingandpoetry & @shanemanier for always believing in me. This anthology will continue to help those still to speak their truths Out Loud. 🏳️‍🌈🏳️‍⚧️🌈

@readorgreenbooks @guerilla_poets @thewordiswrite @poetrysocietyny

🤍➡️ @inruins____ In-ruins OPEN CALL 🤍➡️ https://www.inruins.org/_files/ugd/23ab1a_c88fd25dade448d7861772ce03b054c0.pdf 👀 #artistresidency 2022 is online✨ We welcome artists from all disciplines as well as research-based and curatorial projects. All info on sites how to apply in our BIO📩👉 Applications must be submitted by July 5th and will be reviewed by a jury composed by: Mathilde Ayoub @mathildeayoub Curator and PhD candidate, University of Cergy and the National Heritage Institute, Paris Roberta Garieri @roberta_gar Researcher, writer and curator, PhD candidate, University of Rennes 2 Aloisia Leopardi @a.l.o.i.s.i.a Director @castellosanbasilio residency, Basilicata Vittorio Parisi @vittoparisi Director of Studies and Research, @villaarsonnice , Nice #inruinsresidency #opencallartists #casignana #villaromanadicasignana #archaeology #artists #curatorship #artresearch #contemporaryart #polomusealesoriano #artistsinresidence #artistopencall (at Italy) https://www.instagram.com/p/CeaVp_Qo85a/?igshid=NGJjMDIxMWI=

Corrupció! Revolta ètica

Direcció d’art per a l’exposició del desè aniversari de l’Oficina Antifrau de Catalunya, que treballa per enfortir la integritat en el sector públic amb la prevenció i la investigació de la corrupció. Un projecte comissariat per l’Associació SomAtents de Reporterisme. 

Palau Robert, Sala 4 (Cotxeres).

Del 18 de setembre al 24 novembre del 2019.

https://www.antifrau.cat/ca/corrupcio-revolta-etica-visita-virtual

ok all my youtube projects are being pushed back i just got an office job offer.

hello friends and welcome to the horseimagebarn weekly interaction recap where i respond to comments tags asks and et cetera in one large post every friday

though it may be disheartening news i must inform you there is no other imagebarn to my knowledge and i have no plans to expand mine enterprise as i am made humble and joyous by my current state and managing multiple imagebarns would most likely cause me to become overwhelmed and then lose passion for the craft i dedicate myself to so for now horseimagebarn will remain the only barn under my careful curatorship

i shall do so in good time all miniature horses will be tagged with the tag small so you can properly filter it when navigating the stables

i am gladdened to see this my friend as this blog was born out of my desire to have a horse image for every single situation my friends presented me with for example taking a shower or going on a trip or eating pizza or other similar things though as the situations grew more complex and my collection grew i decided i must share these images with the public i am glad you have gotten a similar use out of the images

i am inclined to disagree with you though i am aware taste is subjective i am a huge fan of the mcnuggets and the biscuits yummy

yes yes yes i urge every one of my followers and even the casual viewer to turn their attentions to the lovely miniature horse clothing craftspeople over at myminiandthemoon as they have provided me many wonderful horse images and they are also local to my area

hello friend i assure you that is not the strangest tag i have received upon my posts and i paid you no mind nor judgement as i am aware many employ unusual tags to save images for completely unrelated reasons

shoutout your brother

How does one get a job at a museum? I already have a relevant degree with honours and work experience at several archives/art galleries, but I don’t know how to get started with museums. Is there some secret site where museum jobs are posted? Something all good applications have? A secret knock??

(PS love your channel and work, I love this discipline of museum studies and curation and can’t wait to properly work in this field!)

Howdy!

It sounds like you already have a great head start with your experience and degree!

As far as where jobs are posted, this depends on where you live. I would suggest seeing if there is a local museum association and/or comb job boards. It can be tedious, but you can also check out the career pages of the museums you want to work for. As I am currently on the job hunt, I have found that a lot of jobs have been shared to Indeed, but I am also on Canada's West coast and other museums in other parts of the world may use a different engine. There really isn't a knack, except to gain as much experience as you can (even if it's not directly related to museums) and to network with people. Go to events, conferences, and connect with people online, whether it is through LinkedIn or Instagram. You just have to jump up and down and let people know that you exist and have relevant experience.

With all this being said: this field is not easy. The pay is usually shit. Jobs are difficult to find. If curatorship is your end goal, a PhD is necessary, and even then, you are fighting tooth and nail with other PhD's. Heritage, history, and museums are brutally underfunded.

Being a part of this field nowadays means that you have to be active in your local museum community and advocate for these places. Visit your local spot and ask questions. Learn! As much as you can! And be present.

Thank you for your kind words, and if you have any further questions, please don't hesitate to ask.

. ca. 3000–2500 BCE. Credit line: Gift of Alexander Götz, in honor of Martin Lerner's curatorship 1972–2004, 2003 https://www.metmuseum.org/art/collection/search/72342

Traditional marriage in Oas, Racsa, Maramures

Brice Marden & Greek Antiquity : Divine Dialogues, The Museum of Cycladic Art, Athens, 2022

Curatorship: Dimitrios Antonitsis Edition coordinator: Maria Basagianni Preface: Kassandra Marinopoulou Introduction: Aphrodite Gonou

Exhibition: May 20 – October 3, 2022

I'm in my mid-30s and my ever-growing love for history has spurred me to consider a career change into the field. I'd love to work in a museum or archive in a research or curatorship role (rather than as an academic), and I live somewhere where I could take time out to get a masters degree.

From your experience - is a change like this feasible? Is there work available? Will a late (re)start be a hindrance to getting a foot in? Is a degree worth it, or should I aim to get volunteer experience instead? Or am I better off sticking with my current decent office job and treating historical research as a passion/free-time activity instead?

This is a great question, and I wanted to give you as good an answer as possible so I outsourced to a friend and former colleague who worked in collections. This is what she had to say: *follow the Emerging Museum Professional FB page. There is lots of advice there

*I don’t think it’s ever too late to follow your dreams. You’re in your mid-30s, not 99! (Although even then I’d say go for it!)

* I’d recommend volunteering at a place you would be interested in working in. It’ll give you a better sense whether or not this is actually a field you’d like to get into, or just a fun hobby. Both answers are totally ok

* I’m a fan of experience over degrees, but it really depends on where you would want to work. Many positions require a masters degree, but not all. If you are in a small town, or more rural area, it would be easier to talk your way into a position than if you are in a big city

* if you’ve loved history for a long time, try to articulate how skills you have in your hobby or through your office jobs relate to the museum field. I used to manage cafes and found that many of those skills transitioned into collections management (inventory, databasing, customer interactions, etc.)

Best of luck! ---

I will echo her point that it's definitely not too late and if it's something you're truly passionate about it's worth at least considering. Obviously it's not always that simple - giving up a stable, decent job is a risk etc., so while I'm generally not a fan of volunteer work, it might be worth trying it just to see if it's something you would like as much as you think. I will also agree with her point about experience over degrees. I've never been to college at all myself, which is a huge rarity in this field, and when I got my first museum job my only work experience was running a salad bar at a restaurant. But my supervisor told me, years after the fact, that part of why she gave me an interview was that in my cover letter I made an analogy comparing running a salad bar to being a historic interpreter: something about how being in the middle of the dining room meant the bar and by extension myself were always on display, and how that would mean I'd be more comfortable with thousands of guests seeing me in period clothing etc. Granted, interpreting is very much about talking and making analogies to help guests understand the past, so it's a bit different from the behind the scenes work in how those skills translate, and how demonstrating an ability to talk is directly related to the work itself, but still. I hope this is helpful, and I hope that if you do decide to pursue this it works out how you hope! Thanks for the question!

Introduction

Hello Hello! I'm Elm, but you can call me El, any pronouns except she/her are fine with me. Formerly @heartsfor58 before that blog got deactivated, no idea why. Autism + ADHD + Anxiety, please try to use tone tags with me! My special interest is ice hockey, my other biggest interests/hyperfixations are pokemon & ancient history (specifically the preservation of ancient history/ethical museum curatorship/archival history). If you have questions/comments about those things please talk to me, I love talking about them with people!

@sewaddlewaddle is my pokemon specific sideblog, it's an in character pokemon rp blog so kinda blanket unreality warning for that. @marnersmitches is my hockey specific sideblog, where i'll liveblog and talk about hockey the most! i recommend blocking #leafs lb if you don't want my ridiculous liveblogging habits infecting your dash. Will probably add more later!

Sweet The Sims 2 pre-production concept art by Chuck Eyler (Art Director), imagining the generation system that signified the huge shift from 1's beautiful, sad, anti-aging world.

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