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ratbits · 10 months
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"from ‘Cancer, or, The Crab’, a section of The Ecliptic" by Joseph Macleod
A poem for Cancer season image: The Crab and the Heron – Gurupada//@Google Arts & Culture As we enter the final week of Cancer, here’s a poem about crabs. This excerpt from Joseph Macleod’s long poem from 1930 captures the eerie unearthly stillness of a moonlit beach, edges blurry and indistinct beneath pale blue light. It’s rooted in classicism, with Leda and Catullus and Aphrodite Pandemos…
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f0restpunk · 1 year
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inky-goddess · 11 months
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The Ballad of Jane Doe - Ride the Cyclone // Pocket Mirror GoldenTraum - AstralShift // Caught Like a Fly - Falling in Reverse // Anarchy - STOMACH BOOK // Puppet Loosely Strung - The Correspondents // Pocket Mirror (2016) - AstralShift
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beljar · 7 months
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Van Gogh's Letters
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[To Theo van Gogh. Arles, 20 May 1888]
We no longer rebel against things, we’re not resigned either — we’re ill and it’s not going to get any better — and we can’t do anything specific about it. I don’t know who called this condition being struck by death and immortality. The cab we drag along must be of use to people we don’t know. But you see, if we believe in the new art, in the artists of the future, our presentiment doesn’t deceive us. When good père Corot said a few days before he died: last night I saw in my dreams landscapes with entirely pink skies, well, didn’t they come, those pink skies, and yellow and green into the bargain, in Impressionist landscapes? All this is to say there are things one senses in the future and that really come about.
And we, who, I’m inclined to believe, are by no means so close to dying, nevertheless feel the thing is bigger than us and longer-lasting than our lives.
We don’t feel we’re dying, but we feel the reality of the fact that we’re not much, and that to be a link in the chain of artists we pay a steep price in health, youth, freedom, which we don’t enjoy at all, any more than the cab-horse that pulls a carriage full of people who, unlike him, are going out to enjoy the springtime. Well then — what I wish you as well as myself is to succeed in recovering our health, because we’ll need it. That Hope of Puvis de Chavannes is such a reality. There’s an art in the future and it will surely be so beautiful and so young that, really, if at present we leave it our own youth, we can only gain in tranquillity. Perhaps it’s too silly to write all this, but it’s what I felt; it seemed that like me, you suffered to see your youth going up in — smoke — but if it comes back and appears in what we do, there’s nothing lost, and the power to work is a second youth. So be serious about getting better, because we’ll need our health. I shake your hand firmly, and Koning’s too.
Ever yours,
Vincent
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[To Emile Bernard. Arles, Sunday, 18 March 1888]
My dear Bernard,
Having promised to write to you, I want to begin by telling you that this part of the world seems to me as beautiful as Japan for the clearness of the atmosphere and the gay colour effects. The stretches of water make patches of a beautiful emerald and a rich blue in the landscapes, as we see it in the Japanese prints. Pale orange sunsets making the fields look blue – glorious yellow suns. However, so far I’ve hardly seen this part of the world in its usual summer splendour. The women’s costume is pretty, and especially on the boulevard on Sunday you see some very naive and well-chosen arrangements of colour. And that, too, will doubtless get even livelier in summer.
I regret that living here isn’t as cheap as I’d hoped, and until now I haven’t found a way of getting by as easily as one could do in Pont-Aven. I started out paying francs and now I’m on francs a day. One would need to know the local patois, and know how to eat bouillabaisse and aïoli, then one would surely find an inexpensive family boarding-house. Then if there were several of us, I’m inclined to believe we’d get more favourable terms. Perhaps there’d be a real advantage in emigrating to the south for many artists in love with sunshine and colour. The Japanese may not be making progress in their country, but there’s no doubt that their art is being carried on in France. At the top of this letter I’m sending you a little croquis of a study that’s preoccupying me as to how to make something of it – sailors coming back with their sweethearts towards the town, which projects the strange silhouette of its drawbridge against a huge yellow sun.
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[To Theo van Gogh. Arles, Friday, 4 January 1889]
My dear brother
I hope that Gauguin will also completely reassure you a little regarding painting matters. I expect to start work again soon. The charwoman and my friend Roulin had taken care of the house, put everything in good order.
When I come out I’ll be able to continue on my way here again, and soon the fine days will come and I’ll start on the orchards in blossom again.
I am, my dear brother, so heartbroken by your journey, I would have wished that you’d been spared that, for all in all no harm has come to me, and it wasn’t worth troubling you.
I can’t tell you how much it delights me that you’ve made peace and even more than that with the Bongers. Say so on my behalf to André, and give him a very cordial handshake from me.
What wouldn’t I have given for you to see Arles in fine weather, now you have seen it when it’s dark. However, be of good heart, send the letters directly to me, place Lamartine. I’ll send Gauguin the paintings of his that are still at the house as soon as he wishes. We owe him the money he spent on the furniture.
Ever yours,
Vincent
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[To Theo van Gogh, The Hague, 11 July 1883]
My aim is to do a drawing that not exactly everyone will understand, the figure expressed in its essence in simplified form, with deliberate disregard of those details that aren’t part of the true character and are merely accidental. Thus it shouldn’t, for example, be the portrait of Pa but rather the type of a poor village pastor going to visit a sick person. The same with the couple arm in arm by the beech hedge — the type of a man and woman who have grown old together and in whom love and loyalty have remained, rather than portraits of Pa and Ma, although I hope they’ll pose for it. But they must know that it’s serious, which they might not see for themselves if the likeness isn’t exact.
And should be a bit prepared, in the event that this happens, for having to pose as I say and not change anything. Well, that will be all right, and I don’t work so slowly as to make it a great effort for them. And for my part I would greatly value doing it. Simplifying the figures is something that very much preoccupies me. Anyway, you’ll see some for yourself among the figures I’ll show you. If I went to Brabant, it should certainly not be an excursion or pleasure trip, it seems to me, but a short period of very hard work at lightning speed. Speaking of expression in a figure, I’m becoming more and more persuaded that it lies not so much in the features as in the whole manner. I find few things as horrible as most academic facial expressions. I would rather look at ‘Night’ by Michelangelo, or a drunk by Daumier, or The diggers by Millet, and that large woodcut by him, The shepherdess. Or at an old horse by Mauve &c.
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The Letters of Vincent Van Gogh by Vincent Van Gogh // Still Life of Oranges and Lemons with Blue Gloves, 1889 by Vincent van Gogh // The Night Cafe by Vincent van Gogh // The Cafe Terrace on the Place du Forum, Arles, at Night, c.1888 by Vincent van Gogh // Still Life, Vase With Fifteen Sunflowers by Vincent van Gogh // van Gogh's Orchard in Blossom (Plum Trees) // Letter from Vincent Van Gogh to His Brother Theo
Franz Kafka's Letters to Milena
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transsexualjoanofarc · 8 months
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🚬🚬🚬🎧🎧🎧🐈🐈🐈🕸🕸🕸🍃🍃🍃🍂🍂🍂🥀🥀🥀🍄🍄🍄🌑🌑🌑🌊🌊🌊📚📚📚⏳⏳⏳📼📼📼🦷🦷🦷🫁🫁🫁🎨🎨🎨🏔🏔🏔🛤🛤🛤☕️☕️☕️🩸🩸🩸📜📜📜🫀🫀🫀🖤🖤🖤💙💙💙❤️‍🩹❤️‍🩹❤️‍🩹🧦🧦🧦
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pochapal · 1 year
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battler's just a hater because he never experienced the unique emotion of Being Fourteen and relying on supernatural powers to survive.
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wexhappyxfew · 1 year
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june 6th, 1944, esther armstrong and grief
plainwater by anne carson, fatigues by muralliann, i sing the body electric especially when my power’s out by andrea gibson, eyes closed by lulu, letter from anne sexton to w. d. snodgrass, battle dress by sonja, the truth the dead know by anne sexton, carentan from band of brothers
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mr-veils · 10 months
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i didnt know y'all could get tumblr in the neath
IN THIS LIGHT-FORSAKEN CAVE, EVEN THE TREACHERY OF WEBS BECOMES POSSIBLE. YOU JUST NEED ENOUGH LEAD-LINED TABLETS TO CREATE A HERESY STRONG ENOUGH TO HUNT THROUGH TEXT ITSELF.
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ourwitching · 17 days
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 Figure 1: Six articles and the type of web archiving and replay performance metrics that they ...
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ratbits · 11 months
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Maggi Hambling - Wall of Water IX
Maggi Hambling’s oil paintings express the rainbow of thoughts and emotions of watching the water. Images of the beach, the ocean, the sea, the waves are synonymous with luxury, opulence, with living your best life. From the white sand beaches of Florida’s Clearwater Beach to the glamour of Cannes and the Mediterranean World to the eye-stabbing azure of The Maldives, standing on the beach often…
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f0restpunk · 2 years
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womogosupifo · 2 years
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ouvrez-les. "Soyez vigilants"Attention : arnaque et
</p><br>https://horovihoc.tumblr.com/post/693195662369685504/nit%C3%A9s-emploi-du-conseil-g%C3%A9n%C3%A9ral-de-loire, https://womogosupifo.tumblr.com/post/693195547350286336/manuel-qashqai-2019, https://horovihoc.tumblr.com/post/693195662369685504/nit%C3%A9s-emploi-du-conseil-g%C3%A9n%C3%A9ral-de-loire, https://horovihoc.tumblr.com/post/693195662369685504/nit%C3%A9s-emploi-du-conseil-g%C3%A9n%C3%A9ral-de-loire, https://horovihoc.tumblr.com/post/693195345873780736/vous-%C3%AAtes-%C3%A0-la-recherche-dun-emploi-pole.
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nyancrimew · 3 months
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more and more users on the web have been doing this new thing known as "spinachposting" every day, our correspondent has more
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beljar · 7 months
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Franz Kafka's Letters to Milena
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[April 1920]
Meran-­Untermais, Pension Ottoburg
Dear Frau Milena
The rain which has been going on for two days and one night has just now stopped, of course probably only temporarily, but nonetheless an event worth celebrating, which I am doing by writing to you. Incidentally the rain itself was bearable; after all, it is a foreign country here, admittedly only slightly foreign, but it does the heart good.
I’m living quite well here, the mortal body could hardly stand more care, the balcony outside my room is sunk into a garden, overgrown and covered with blooming bushes (the vegetation here is strange; in weather cold enough to make the puddles freeze in Prague, blossoms are slowly unfolding before my balcony), moreover this garden receives full sun (or full cloud, as it has for al- most a week)—­lizards and birds, unlikely couples, come visit me: I would very much like to share Meran with you, recently you wrote about not being able to breathe, that image and its meaning are very close to one another and here both would find a little relief.
With cordial greetings.
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[Prague, July 16, 1920]
I wanted to excel in your eyes, show my strength of will, wait before writing you, first finish a document, but the room is empty, no one is minding me-it’s as if someone said: leave him alone, can’t you see how engrossed he is in his own affairs, it’s as if he had a fist in his mouth. So I only wrote half a page and am once again with you, lying on this letter like I lay next to you back then in the forest.
There was no letter today, but I’m not afraid, Milena, please don’t misunderstand me; I’m never afraid about you, even if it sometimes seems that way and it often does-it’s simply a weakness, a mood of the heart, which knows exactly why it’s beating nevertheless. Giants have their weaknesses as well; I believe even Hercules fainted once. With my teeth clenched, however, and with your eyes before me I can endure anything: distance, anxiety, worry, letterlessness.
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[Meran, June 4, 1920]
Friday
To begin with, Milena: What’s the apartment you wrote from on Sunday like? Full of space and empty? Are you all b yourself? Day and night? In any case it must be sad to sit there alone on a beautiful Sunday afternoon opposite a ‘stranger’ whose face is nothing but ‘stationery which has been written on.’ I am so much better off! Although my own room is small, the true Milena is here, the one who ran away from you on Sunday, and believe me being with her is wonderful.
You complain about uselessness. It was different on other days and it will be different. The one sentence (on what occasion was it uttered?) shocks you, and yet it really is so clear and has already been spoken or thought with this meaning countless times. A man plagued by his own devils takes.
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Franz Kafka, from Letters to Milena, 1920 // Romantic Letters II by Lisa Audit // River Rock Separation by Joshua Schicker // Woman's Letter by Harrison Fisher // Woman Reading by an Open Window, 1888 by Amaldus Nielsen // Reflective Distance by Tom Reeves // Personal Archives of Correspondence, 1897-1908, 1912-21 (Pen and Ink on Paper, B/W Photo) by Enrico Caruso
Van Gogh's Letters
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itsswritten · 2 months
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when the sea calls for three | intro
Paring: Azriel x Reader x Eris
Word Count: 1.5K
Summary: In the aftermath of war, peace reigns over the realms of Prythian, but the delicate balance hangs in the hands of two unlikely mediators—You and Lucien. As the newly appointed Emissaries of Peace, your duty is clear: maintain alliances, foster understanding between courts, and navigate the intricate webs of fae politics.
But when fate deals an unexpected twist, revealing that you possess not one, but two mates, the tranquillity you've worked so hard to uphold is suddenly threatened. Caught between two males who refuse to share, you find yourself thrust into a precarious position, torn between duty and desire.
What will you do and who will you choose?
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I need you.
Those three words were all it took.
༄ 
In the soft glow of the morning light filtering through the room, flickering reflections of pinks and purples across the walls. Dawn Court had always been radiant, the sky, cobalt and rose. A sunrise all day long. You were proud to call it your home. 
You stood before the ornate mirror, fingers delicately adjusting the intricate buttons of your tunic. 
The decision to choose neutral clothing had been yours, a deliberate choice born from the realisation of what your new role weighed. You were to be a mediator, a peacekeeper, it only seemed fitting to don a uniform that symbolised your neutrality and dedication to maintaining balance among the realms.
The fabric shimmered with a subtle elegance, adorned with delicate motifs that whispered of the courts you now served. The tapestry of symbolism spoke something that words could not, of a new beginning, a new chapter– a time of peace.
The design along the back of your tunic, three majestic mountains rose proudly, their peaks reaching towards the heavens. Behind them, the sun emerged, casting its golden rays that spread warmth and light– a nod to your home.
In the left above, a fully fleshed sun beamed down upon the mountains, radiating its brilliance and vitality. To the right, three stars and a crescent moon were sewn with meticulous care, representing the rest of the solar courts and their celestial splendour.
On your left sleeve, leaves were hand stitched along your cuff,  bronze thread danced in a graceful swirl, climbing upwards towards your elbow, mirroring the silver icy shards that adorned the right sleeve. Autumn and Winter in perfect harmony. 
Around your collar, a delicate pattern of vines and roses intertwined, symbolising the beauty and vitality of the Spring Court's bloom. And along the trimmings of the tunic's bottom, waves swirled in a mesmerising dance, evoking the Summer Court's boundless energy and fluidity.
Your tunic jacket cascaded gracefully, halting just at your hips, while beneath it, a long, flowing cream pleated skirt billowed elegantly to the floor. With your hair initially draping freely, you gently pulled it forward, ensuring the intricate details adorning the back of your tunic were given their rightful moment to shine.
As you smoothed the fabric, you couldn't help but feel a sense of pride in the role you had been given. Playing a bridge between courts, and worlds. A mediator between the people. 
Politics had never really been something you relished in, but you were good with people, and good with your words. Qualities that your friend desperately convinced you, were integral to this role.
A soft knock on the door interrupted your reverie, and you turned to see Lucien, your friend, standing in the doorway. His mechanical eye wiring at the sight of you. He was wearing a similar tunic, one that was longer on his body but mirrored the designs of your own.
It was Lucien who had told you he needed you. 
I need you.
He had written to you one evening. His correspondences were usually lighthearted and filled with friendly banter, but this weighed heavily in a way that was so unlike him.
“I could really use your help.” Lucien had breathed, when you came to visit after his letter.
I need you. I need my friend. I need someone to lean on. I need someone to laugh with. It’s been too long. I miss you. 
Was what you heard. His message had been simple yet poignant, a plea for assistance and companionship.
You had always had a way with words and sounds. Understanding the gaps in between the breaths, the underlying emotions and intentions woven into each syllable. Most didn't realise what could be revealed in their words. How the octaves and melodic tones of their tongues sung of unspoken truths.
Lucien and you had shared a friendship that spanned many years, reaching back to your earliest memories of childhood. As children and teens, you had been inseparable, playmates in a time that now felt like a distant memory. However, when borders grew stricter and tensions mounted, those days were abruptly halted.
It wasn't until the dark days of Amarantha's reign that fate brought you back together, through the intervention of Nuan, a mutual friend. She was a skilled Alchemist of your court, who had aided Lucein in his healing, crafting his beautiful golden eye. And because he was no longer a part of Autumn, you were able to reconnect and your friendship flourished, even if it was predominantly through ink and parchment.
"Ready to face them?" he asked with a tight smile, his voice carrying a note of anticipation.
I’m nervous. Is what you heard under his words.
You returned his smile with a nod, a playful glint dancing in your eyes. “Of course, I was born ready Lucie” you replied, effortlessly flicking his nickname with a casual ease. 
Despite having a smart mouth now, Lucien was a name you often got tongue-tied in your younger years. Lucie had been a much easier sound to make, and you didn’t hesitate to use the endearing name when wanting to tease.
Lucien rolled his eyes, but your casual demeanour softened the nerves that had laced his previous words. That had been your intention.
Just one example of how your intuition always left you saying the right thing. Of course there were times this didn’t happen, but those occasions were extremely rare.
“We should decide which courts reside under our care before the meeting” Lucien began, striding in front of the mirror to adjust his own tunic. “And I have to say you’ve made more progress with Tamlin these past two months than I have in the past year," Lucien breathed, a hint of admiration in his voice while he smiled at you through the mirror.
You raised an eyebrow, a smirk playing at the corner of your lips. "What, like it was hard?"
Tamlin's stubbornness had been a challenge, but your natural charisma and persuasion had proven effective in bridging the gap between his court and the others. His residents had at least started returning home, and thanks to your work, there was actually something for them to return to.
You huffed, before turning your friend around, pulling at his collar to adjust. Before tidying up his long auburn hair. 
"I can’t do both though Lucien. I'm not dealing with your brothers and Tamlin. That's too much, even for me” You remarked.
Lucien’s relationship with his brothers remained strained, the scars of their shared trauma running deep. Despite Beron’s demise, Eris was now Autumn’s High Lord. The brothers wounds were not so easily healed, and the weight of their history continued to cast a shadow over their interactions.
“Plus I do believe some forced proximity may do you and Tamlin some good” you pointed a look at him, referencing their damaged friendship.
Lucien bit the inside of his cheek, his eyes narrowing at you. He couldn’t help but envy how effortlessly you seemed to navigate the complexities of every situation, every conversation. Always knowing the right words to say, and the right actions to take. Qualities that had undoubtedly drawn him to seek your assistance in the first place. 
Qualities he forgot he would also be susceptible to.
"I'll look after Autumn and your hotheaded brothers. You deal with the depressed blondie," you suggested, a mischievous glint dancing in your eyes.
"Fine," Lucien conceded, begrudgingly acknowledging the wisdom in your words.
“I want Dawn, it’s my home and Thesan would be heartbroken if I wasn’t his courtier,” you asserted confidently.
"Then I'll have Day," Lucien negotiated, a hint of determination in his tone.
As the conversation turned to the remaining courts, you paused, considering the options carefully. The Night Court held a particular significance for Lucien, given his mate's presence there, but you were keenly aware of the tension that still lingered between them.
"I can take Night if that helps. I've already been the one updating their Spymaster recently anyway," you offered, your voice steady as you finally finished straightening up Lucien. Pulling your hands swiftly behind your back.
He mirrored your pose "Then I will manage Winter," Lucien conceded, a sense of resignation colouring his words. He wasn’t very fond of the cold, but neither were you. 
But he was happy to take this one for you, as you had taken Autumn and Night for him.
"Summer is mine. You can have the humans, your Band of Rejects or whatever they're called," you remarked playfully.
"Exiles," Lucien corrected with a humorous purr, a brief flicker of amusement softening his eyes.
“Apologies…band of exile…-d rejects” you humoured, before you felt him nudge you with his shoulder.
Your soft laughs filled the room before you tilted your head to look at your dearest friend “Look at you now. Exiled no more. Mr. Emissary of Peace” 
Lucien smiled proudly at the title, he had come a long way. This new chapter for Phrytian was daunting, but he was grateful to have you by his side “You ready?”
With a nod you grinned wide “Let’s go peacekeep the fuck out of them Lucie!” 
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a/n: Eeeekkkk so here's a little intro to set the tone and roles! Just a little disclaimer, there will be a few things in this series that haven't happened in the books, but it works for the plot. Only small things, so just go with it please! Excited to share this story with you all <3 - Lottie x
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"Phantom of the Night" — The Web Event for Genshin Impact's New Character: Arlecchino Now Available
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Click to Take Part in Event: https://hoyo.link/bVViFBAL
〓Event Duration〓
April 19, 2024 12:00 – April 25, 2024 23:59 (UTC+8)
〓Eligibility〓
Reach Adventure Rank 10 or above
〓Event Summary〓
1. During the event, interact with all the investigation points in the scene to gather clues, then enter the room at the end and find the treasure to claim Primogems, Character Ascension Materials, and other in-game rewards.
2. After completing the story, share the event to claim the event wallpaper.
〓Things to Note〓
1. Please log in to the event using your HoYoverse Account and select your corresponding character in Genshin Impact to take part. This will ensure that your rewards can be sent and claimed correctly.
2. The event wallpaper is not available after the event ends. Please save it in time.
3. After exploring the scene and finding the treasure, the in-game rewards will be distributed via in-game mail. The mail will expire after 30 days, so don't forget to claim the rewards in time.
4. Please note that the web event cannot be accessed during Version Update Maintenance. After Version Update Maintenance is completed, you will be able to access the web event as normal.
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