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fuckyeahizzyhands · 5 months

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Con O'Neill interview with Awards Radar's Steven Prusakowski 😭😭😭❤❤❤

SP: Busy time of year, but, you know, starting to slow down in just enough to hang out with the family and do all the cooking for, like 48 hours and then.

Con: Are you the main cook in the house?

SP: I am the main cook.

Con: Yeah. So am I. I love it.

SP: I love it, too.

Con: It's my go to place.

SP: Yeah.

Con: Because when I left school, I trained to be a chef.

SP: Oh, wow.

Con: Briefly. Another story.Okay, let's rock and roll.

SP: Well, that passion never leaves you, I think. I think once you start, especially when someone enjoys and says, hey, I really liked your food.I hear from my daughter's friends or their parents, she loved your pasta or whatever it was, I'm like, okay, now I'm...

Con: It's the best feeling, isn't it?

SP: It is. It's wonderful.

Con: And just that kind of inherent, nurturing thing of just going into the kitchen empty handed and coming out with a meal for people is really rewarding. And I love it. It's intoxicating. I absolutely love it.

SP: Same here.

Con: Because I travel so much, I don't always get a place with a kitchen. And that's why I always try and get an apartment when I'm filming because it just gives me a place to be in my head that isn't about work.

SP: Yeah. Yeah. Well, I can talk cooking forever, but-

Con: But we should.

SP: I know we're short on time and I have a ton of questions and I won't get to all of them. So let's just jump into the series and maybe we could pick it back up. Sorry to interrupt, but I love the series. I love your character and your performance.

Con: Thank you.

SP: It's a stellar, and there's so much to Izzy that we see on the surface, but there's so much more to him beneath. How was this character originally pitched you and what did you initially want to bring to him?

Con: The thing about this character was he wasn't in the pilot. So when I spoke to David about it, there was nothing written. So he explained it in very broad terms. But then I quite like specifics when I'm choosing projects. And kind of... he brought up Salieri from Amadeus, and I really hooked into that. Now, I don't know whether we went that way with it in the end, but it was a really good hook for me because Salieri is that guy with a mission who is on the surface wanting, but is underneath something else. And I think initially, Izzy was that, but then we exploded him in several other ways and Salieri diminished to something else. But it was a good hook for me

initially to get in by thinking about Salieri.

SP: Yeah, I like it. I could see that for sure. And to start the season two. So going into that, he's a shadow of himself from this feared, intense, strong man to a broken man. And what was it like taking this character and exposing that humanity and starting to peel away some of that shield.

Con: I mean... David had spoken to me before we started shooting and explained most of the hulk to me, and I'd always played Izzy as a man who was in love but didn't know he was in love. And for me, the key into this season was a. the design, but more importantly, was the Taika's performance. To see a man that I love to be that broken and to be that vicious because of the heartbreak, it was profound for me to see what he did with Blackbeard, and it did break my heart a little bit. So the emotional journey was quite clear that at the end of the day, all hatred of Stede had left him, and all he wanted to do is fix Blackbeard, and he risks his life to do that. He literally puts himself on the line for that because, like always. And what I loved about what David and the writers did was they didn't remove Izzy from season one in season two, he's still there. And what Izzy does is about the crew. He puts his life on the line because Blackbeard is killing his crew, and he risks it all for that. But it breaks him seeing the the man he loves so fragile and broken and angry, it breaks him. So, It wasn't an easy job. It was quite a lonely job. It was quite a difficult job because it was going down that path that I knew inevitably we were going to go down. But I thought it was beautifully written. So most of what I needed to do was on the page, to be honest-

SP: -I'm sorry-

Con: I just had to throw myself into it.

SP: Excellent. And then with Izzy being broken and literally broken, he loses his leg, which is symbolic of much more. It leads to one of the most touching moments of the series, a note with four words: For The New Unicorn. What did that mean to you, and what does that mean to the character?

Con: You know, I've been talking a lot last couple of days - because I'm allowed to now - and, you know, this season is about Izzy coming out. In many ways, he comes out, but that moment, that rest, that beautiful piece of writing again, the writing, where the crew embrace him, and it just releases him. It releases him from his own concept of who he is. It releases him from his own concept of who he has to

be to be a first mate and a brilliant first mate. It released him of concept that he's alone. None of this would have been possible to Izzy pre season one, none of it. And in many ways, it's Stede that brings this into his life. Because before Stede, Izzy never thought of his relationship with Blackbeard as a loving relationship. He never thought of it as being in love. He only realizes he's in love with Blackbeard when he sees Blackbeard lose Stede. That's the only... The reveal is he's heartbroken because the man he loves is broken, and he doesn't know what to do with any of that. He's not emotionally capable. And the crew giving him the letter and calling him the new unicorn and releasing him from all the stuff that he'd done, all that pain that he'd suffered and anger that he'd raged upon them, it's a really accepting moment. So... yeah, I'm waffling a bit now, but it meant a lot, and it was a very beautiful moment to play. And I thought Andy, who directed it, directed it so...Andy was a real shoulder for me to lean on in those scenes, because a lot of those early scenes I'm shooting on my own. And it's quite difficult to play an emotional narrative when you're on your own, because it tends to just be one tone. And he was wonderful, and Alyssa and Alex and all. They were all wonderful in helping me gauge those moments, as were the rest of the cast. But, yeah, that moment touched me enormously.

SP: You know, you have this love triangle that is never really spoken, but it's there.

Con: Yeah

SP: Then it kind of shifts - it's almost like a love square. It's Ed, Blackbeard, Izzy and Stede. And where the love, you know, crosses, it's all... or the hatred is at sometimes, but then it evolves...

Con: Absolutely.

SP: It's so complex.

Con: I mean we all're in contemporary language. We always associate love with romance. That isn't the case here. The love that Blackbeard and Izzy have for each other is deep, man. It's deep, and it's rooted in years of working together, loving each other, saving each other's lives, being constant. This is probably the only constant they both had in their lives, is Blackbeard is Izzy, Izzy is Blackbeard, and then they have this buffoon come in and steal Blackbeard's heart. It's not that Blackbeard falls in love with someone else. Blackbeard falls in love with this guy. This Izzy just can't comprehend, and it's a constant. And then once, I think once Blackbeard hands him the gun, everything changes. And Blackbeard says, kill yourself. Everything changes. And then there's an openness to Stede and Blackbeard that brings him to that place of acceptance-

SP: -It's great to watch also. I'm sorry. Go ahead.

Con: No, that. I mean, I'll waffle again. I'll waffle a lot, because that's what I do. But the more I think about that relationship, the more I go down all these different avenues of what it could have been, and what it could never have been, and what it is and what it wasn't. And as you say, it's layered and complex, and I'm honored to have been able to get to play with those actors, and especially with Taika, who's a profoundly good actor - everyone talks about Taika's director and writer - the man's a fucking great actor to work opposite, and he's... he's exquisite. So, yeah, I could only go where I went because the writers and Taika. Really.

SP: That's great. I... of course, we have to touch upon the end of the season and the end of Izzy, unfortunately, which I'm hoping is not. I'm hoping David has something up his sleeve. But what was your reaction when you learned it and how emotional was shooting that final scene? Because that final scene says a lot between...

Con: It was a... listen, I've been around a long time. The writing was on the wall when I started to read the scripts, and David had kind of hinted at it anyway when we went out for the famous dinner where he told me what the plan was, and I was gutted because I loved playing him so much. But, yeah, narratively, yeah, it makes sense. And I have complete faith, respect, love, admiration for David Jenkins, and whatever he thinks or wants to happen in season three will be the right thing if he gets season three, which I, whether I'm involved in it or not, I really hope he gets it, because he deserves it. And the show deserves it. The show deserves its triangle. It deserves it. But, yeah, it took a few days to sink in, and then I was fine. I was incredibly tired by that time. And I was lonely, as... really lonely because I was so far away from home filming all these scenes, and I tended to isolate when I was filming because of the nature of the work. So when I wasn't filming, I was sword training, or I was working out, or I was learning to walk on that fucking leg, or I was whatever whatever whatever. So I found myself isolating a lot. And in a way, it was a relief to be released from it. The final scene David had sent to me several weeks earlier. And I prepped, as I always do, and I prepped and I prepped and we were going to shoot at the beginning of the last week, and then it got shifted to the middle of the last week, and then it got shifted to the morning of the last day, and then it was shifted to the last thing we were going to shoot in the entire season. And there's always a dark cloud around those scenes because you never quite know how it's going to play. And there's a lot of pressure. And it being the last thing we were going to shoot, put more pressure on. And we were on the ship, which is a huge set, hundreds of crew members, the cast, everyone who could possibly be there was there. And I was getting quite unsettled by the amount of cacophony of noise and people. And then we rigged it all up, and it was still just [noise]. And then suddenly it was just me and Taika and just saying goodbye to a character we both fell in love with. And it was... it was a, I'm saying 'profound' a lot, but it was a profound experience doing that scene because everything else disappeared. It was just me and him. It was just Izzy and Blackbeard. And it was a lovely lovely moment.

SP: It was painful, but-

Con: It was lovely to be held by-

SP: -beautiful to watch.

Con: Yeah. Thank you. I mean, it's lovely to be held by another actor just... creatively and likewise with me to him. And David had a playlist playing and it was... elegant to do. It was nice to do. It was a nice, fitting ending to that chapter of this character. And I'll always be grateful that they shot it in that way.

SP: I do have to wrap. I just want to say before we do, I really enjoyed your rendition of La Vie En Rose. fantastic.

Con: Thank you.

SP: That's beautiful. And I appreciate all the work you did in the series, and I hope we see you again. And hopefully maybe you'll have a cooking show too, along the way, because I'd love to see what you make in that kitchen.

Con: Come on and let's bake together. Oh, I can't bake. I'll cook. It's lovely l ovely talking to you, Stephen.

SP: Great talking to you as well. Have a great day.

Con: Thank you. Bye bye.

SP: Thank you.

#our flag means death spoilers #our flag means death #ofmd #con o'neill #izzy #izzy hands #con interview #interview #2ep8 #ofmd spoilers #season 3 #video transcript #david jenkins #taika waititi #blackbeard #stede #Youtube

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fuckyeahgoodomens · 26 days

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An article about our brilliant The Ineffable Con organizers, Bethany and Rachael! :))❤

#good omens #ineffable con #interview #bethany #rachael #awww!

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pratchettquotes · 8 months

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"Now...will you take the job? No one will recognize you, I am sure. No one ever recognizes you, it would appear."

Moist shrugged. "Oh, all right. Of course, I accept as a natural-born criminal, habitual liar, fraudster, and totally untrustworthy perverted genius."

"Capital! Welcome to government service!" said Lord Vetinari, extending his hand. "I pride myself on being able to pick the right man."

Terry Pratchett, Going Postal

#moist von lipwig #havelock vetinari #going postal #discworld #terry pratchett #con man #interview #job interview #job description #government #crime #criminal #welcome to government service #the right man

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izzysillyhandsy · 5 months

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Another interview with Con, and again he's talking about how lonely he was...

It was challenging; it was a very, very lonely shoot for me. I found myself gravitating towards my own company most of the time, mainly because of the hours. [...] Our group is a group of beautiful people, and we would meet every Sunday for lunch. Christine used to arrange that. I found myself initially quite hesitant to join that, because it felt like I had this weight on my shoulders, certainly for the first four episodes.

And you can tell in the show - Izzy's lonely so Con is lonely. He really went through everything Izzy went through, in a way. Such a brilliant actor, and such a vulnerable performance.

Also: this is fascinating - I love Con talking about Izzy's motivations:

He just wants to fix Blackbeard. That's why he takes his life in his hands by confronting Blackbeard; he just wants Blackbeard to be fixed, to find his soul again, [and] to find his heart again. Whether he's involved in that is not relevant. What's relevant is, he loves Blackbeard so much that he wants him to find himself again. So, it's never Izzy’s version of Blackbeard that Izzy’s looking for. He's looking for Blackbeard to find himself again, and that's only through Stede.

I had to bold parts of this because YES at this point in his life it's not about him anymore at all, it's only about saving Ed.

Also, in S2, at no point did Izzy try to safe himself or even protect himself against Blackbeard. What finally drove him to suicide was seeing how irreversibly Ed was damaged.

He never wanted Ed to be unhappy. Quite the opposite. When Izzy realized how broken Ed was, he only wanted to fix him.

And I love that Con gave us this - it really means a lot to me ❤

#ofmd #izzy hands #con o'neill #another wonderful interview with Con #the emphasis on the loneliness starts getting to me though #but Con talking about how much Izzy loves Ed warms my heart

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zombieheroine · 22 days

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Initial D left me missing more character background information. All these grown people, hanging around at rest stops and gas stations all night, showing off their cars, and acting all cool with their traffic law violation hobby.

But what I want to know is, what are their day jobs?

Also what music do they play in their cars when they are not racing?

What's inside their glove compartments?

Driving/Traffic/Car-related pet peeve of theirs? How many speeding tickets have they got? Can they parallel park?

#Initial D #inid #but seriously what are their day jobs #I'm dying to know what Shingo does to afford the car #makes me think those interviews someone does at cons asking cosplayers their day jobs

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fuckyeahizzyhands · 5 months

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COLLIDER: I'm so glad that we finally got the chance to touch base about the show.

CON O’NEILL: Yeah. It's been really uncomfortable not being able to talk about it.

COLLIDER: Izzy, as a character, really goes on a beautiful, poignant journey this season. In the beginning, Ed is Blackbeard and back to the old lifestyle of raiding and pillaging ships, but it feels like something's off. Izzy has what he wanted back, but at what cost? What was your take on that — reverting to the way that things used to be, but, obviously, there's been a shift, and things aren't quite the same?

O’NEILL: It goes back to how it used to be, but Ed’s broken, and that's the difference. Before Stede appeared, Izzy and Blackbeard worked as a unit really, really well because they were both on the same page. When Stede breaks Blackbeard's heart, Izzy and Blackbeard aren't on the same page. Basically, Izzy’s looking at a man that he loves falling apart, and all the joy is gone — not just from Blackbeard, but from piracy. He can see Ed's decline, he can see the decline in his crew, which is fundamentally really, really the most important thing to him. He can feel his own heart breaking, because he's seeing the devastating impact of his actions. So, it's a pretty bleak start to a season, but we do have fabulous make-up.

COLLIDER: It does feel bleak, especially for Izzy at times, who goes through the amputation and has to adjust to a new normal of not being able to get around the way that he used to. But it's also an opportunity to see the changing dynamic with the crew. I was really touched by the moment when they built [Izzy] a new leg. It's moving on an emotional level, but it's also proof of how far this group has come. Was it nicer to be able to play those moments of camaraderie instead of being at odds all the time?

O’NEILL: What's interesting, though, is the love for Izzy to his crew and the crew to Izzy, it's always been there. It's just not being presented in this way. The giving of the leg, I believe, is the first time in his life where he's actually had an emotional connection that he wasn't able to control. That act of kindness overwhelms it. But he's still a pirate, and the leg ultimately allows him to be a pirate again. He does change his attitude towards his crew after the new leg and after the unicorn statement, but it's also about how to navigate the new crew as the first mate. And that's the beauty of what David's written. It's not suddenly he's this new guy. He's still a bit of a dick, but he's their dick, as Vico says.

It's a beautiful human version of the story that could have been really sentimental, and I don't think we go there. He doesn't suddenly become everyone's mate. That was never going to happen. That would have been dishonest. But he just has a need for them more because he's not as physically able as he used to be, and with that comes an understanding of them. The way he deals with Lucius is very specific in that he can't give Lucius love and understanding without calling him a twat — because that's who Izzy is, but he does give him love and understanding — and that's down to David and David's choices. Remember, this is a comedy. He's done all this in a comedy. That's really profound that we're going on these routes of human stories in what is essentially a comedy.

COLLIDER: One that really stuck out to me was Izzy singing in the “Calypso's Birthday” episode, especially because it plays as a backdrop to some pretty significant moments. I wanted to ask you about the preparation process behind performing that song. Did you have to record it and also do it live on-set?

O’NEILL: I got an email from David a third of the way through the shoot asking me if I knew “La vie en rose,” which, of course, I knew, but only as I'd heard it. I was actually in Wellington filming a different show because I did a different show for a week, and I just got this message. We were just gonna sing the English version because we didn't have the rights to the French version, and I don't speak any French at all. Nothing. Zilch. And then I got the phone call. Would I be able to learn it in French? So I did. I called a lot of people, and a lot of people who say they speak French don't. But my partner does, and I have a friend who just played Piaf. So, between the two of them, they gave me an understanding of the French.

We recorded both versions, and I lip-synced to the English version first before the scene with Ned. I thought we were just gonna do a little bit of the French version for the end of the episode. I had no understanding that it was gonna play out the episode. I’m thrilled that it does, but it was terrifying. Every minute of that, from the recording of it to the lip-syncing it to the filming it, was terrifying. I haven't sung in public for 20 years. But it felt right, and it felt like the absolute right choice of song. It felt like the absolute right choice of language. I didn't want him to be too French, I just wanted him to be able to because Izzy speaks bits of every language, as most pirates would. I thought it was audacious. I thought it was moving. I thought, again, it shied away from sentimental. And I’m just in awe of how David's brain works. If you would have asked me prior to doing it which song Izzy would sing, I'd never have thought “La vie en rose,” and now I can't think of a song that's more appropriate for Izzy.

COLLIDER: I talked to David, as well, about the scene of Izzy talking about piracy in the finale, and he said it's kind of like Izzy giving his own eulogy, in a way, before what happens next. That scene where Taika is holding you feels significant for the show — not just in terms of the weight and impact, but because so much of the cast is there, and it really feels like a moment of family getting to be together. Even if it's mostly an exchange between Izzy and Ed, everyone's there to send him off. I would love to hear about the experience of filming that on the day.

O’NEILL: David sent me the scene a few weeks prior, and the date was set to film it, which was gonna be in the last week of filming. It was early on in the last week, and then it was in the middle of the last week, and then it was scheduled for the morning of the last day. Then, suddenly, it became the last thing we were gonna ever film in Season 2.

Those things aren't easy. They're quite difficult because no matter how you think about it in your head, it's not gonna play that way. We were on a set, we were on the ship, there were hundreds of crew, there was the whole cast, they were setting up the shot. It was busy. David, bless him, played a playlist to help us all get in the mood, but it's just a cacophony of noise and busyness, and we’re getting towards the end of the day.

Suddenly, it was just me and Taika. Suddenly, all the noise disappeared, and suddenly, all the process of filming a scene disappeared, and it was just me and him. And Taika is a wonderful actor. Everyone talks about his writing and his directing, and this and that. Taika is a beautiful actor to play opposite. And in that moment, we just got to say goodbye to a character that we both loved. You never get a death scene that's going to get all those boxes, but for me, it was never about what Izzy said. It was about Izzy being vulnerable enough and brave enough to say, “Sit with me.” It was about Izzy being allowed to be held in the last moments of his life. That's all I remember about the day. I’m very proud of it.

COLLIDER: I just want to say thank you so much for taking the time to chat with me about the show. It's been great to finally get to reconnect with the cast and to really get to talk about Season 2.

O’NEILL: Oh, it’s my pleasure. It’s my pleasure.

COLLIDER: I’ve enjoyed your performance so much these last two seasons, and who knows? Maybe we'll see Izzy's ghost pop up in Season 3.

O’NEILL: Who knows?

COLLIDER: You can't predict anything with this show.

O’NEILL: No, none of us can, and none of us know. Literally, we are all in the dark, all of us, David included. None of us knows what's gonna happen. David always wanted three seasons, and I think this story should be allowed to run its course. I would say that because I'm involved, but even if Izzy isn't involved in Season 3, I would be heartbroken for the show if it didn’t get to conclude, because it's an important show.

#our flag means death spoilers #our flag means death #ofmd #con o'neill #izzy #izzy hands #con interview #interview #2ep8 #ofmd spoilers #season 3

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fuckyeahgoodomens · 2 months

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Maggie Service at the London Comic Con Spring, 2.3.2023 :) ❤

Reporter: Also in Doctor Who but better known for her role in Good Omens, the series which promotes inclusivity, it was Maggie Service's first Comic Con.

Maggie: I've just had this lovely mom, who whose children aren't here today, but are non-binary and trans and - it's going to make me cry again - but they've just, you know, they've said that the character gives them a place to be.

#good omens #maggie service #maggie #videos #london comic con spring 2024 #sister theresa garrulous #transcripts #interview #maggie interview #s2 interview

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apaethy · 1 year

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“'You care about nothing…' he was saying. And then he sat up slowly and turned to me so again I could see that dark fire in his eyes. 'I thought you would at least care about that. I thought you would feel the old passion, the old anger if you were to see him again. I thought something would quicken and come alive in you if you saw [Lestat]… if you returned to [New Orleans].' 'That I would come back to life?' I said softly. And I felt the cold metallic hardness of my words as I spoke, the modulation, the control. It was as if I were cold all over, made of metal, and he were fragile suddenly; fragile, as he had been, actually, for a long time.“

INTERVIEW WITH THE VAMPIRE | Season 1 (2022) // Interview with the Vampire | Part IV (1976)

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frimoussette88 · 10 months

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Doing promo about Secret Invasion:

"If you don't mind me asking: did you at any point call Kit Harington to say like 'Dude, is this really a good idea?' or was it like 'No, let's go' ?" (x)

Bonus (still laughing at her own joke)