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#coldplay reference
bobbie-robron · 1 year
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You couldn’t just like Coldplay like any normal person.
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Bonus (you knew this was coming, right?):
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23-Jan-2018
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gentleoverdrive · 2 years
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(171/?) That I'll wait for you...
A couple of interviews are coming for one of my bands. I'm kinda concerned because, if I'm allowed to write honestly, I kinda dislike most podcasts of that ilk (unorganized conversations and going on tangents for several hours)... on the other hand, I obviously want my band to get some publicity and if that works, fuck it, I'll take it. ---- I just hope I can get my stage fright under control, because with playing live music, I'm just usually focusing on giving the best performance I can to give much of a thought to whatever might be going on with the audience, so I can sorta "fake" my way through a peformance by just going full ham. ---- Interviews/podcasts, however, often necessitate you to be much more active in engaging whoever is talking to you. Fuck it, let's be positive and take it as the big-ass opportunity that it is. I'll just make sure to have my mug of coffee at hand to tackle this with the necessary beverage. See ya' later!
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arlecchinostarship · 4 months
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While my younger classmates were at the lab, decided to draw this because I wanted to surprise them with more illustrations of mine! I love being a TA
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risingsunresistance · 6 months
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sometimes i listen to ♾️ again and i feel my soul leave my body. in a good way
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mystrawberrysky · 1 year
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A sketch of Jon for a Christmas card
December 2022 | digital drawing with Krita and Wacom Intuos
| flickr | insta |    
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snowshinobi · 10 months
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close your eyes and think of a measly little nothing track tucked in some unsuspecting corner of an album, pretty but in an unremarkable way so the opener/closer/singles net all the attention, and yet some tiny crumb of it stuck with you enough that you've thought of it. now tell me what it is
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sapybara · 1 year
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Taylor only has two dates for Buenos Aires, people will cannibalize each other I think the cheapest ticket is 24k in pre-order ohhh this will be Bad
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lhrry · 2 years
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i've got so much respect for what coldplay do
#watching their shows (I watched the music of the spheres live for reference) always reminds me this is what I want to do and am meant to do#and why im working in entertainment#in a way that is very similar to harry's shows I actually think Chris Martin and Harry are very similar performers in some aspects and mum#said so today as well after the screening so that's fun#anyway one day you're watching the msfar video and it's valid and it's true and it's something that needs to be addressed and the other day#you're watching something like that happen so many people being so connected and feeling so alive#and being so filled with love thanks to music and all that Coldplay do and it's not mutually exclusive and never will be#id bet often that's what makes it worth it for people like harry apart from the fact that he loves music so much but that he really is#giving so much to people and sees so much energy and excitement and love and emotions like that's always been what I personally wanted to#do#to be able to make so many people feel so much and feel so passionate about sth and so alive#ANYWAY I DIGRESS#so I grew up with and around Coldplay in the sense that my brother listened to them when they were kinda small and alternative so so much#and I never really came to grasp just how huge they got and yes I know they are the biggest band of the century Alkdjlk but that's the#absolute magic of it#I've got so much respect for how diverse their sound is and the different directions they've branched out into which makes them kind of#universal rather than alienating for certain groups of fans#they do keep everybody happy staying true to their roots and growing and they're feel so /normal/ but larger than life and#there's hardly anyone in this age who's shows will be /this/ healing and huge and life-changing as theirs are and the way they carry it is#unbelievable and Chris Martin in particular is an absolute genius like the energy he has and the humanity he displays is unmatched#they manage to connect so so many people in so many moments and their music branching out does that and so does the way their shows are#built and yet they're not afraid to be political which is so so important which such a huge platform and instead of taking it as a divide#they're using it to connect people like they used such a huge show to perform an iranian song#also people of the pride made me lose it as always Chris Martin ages like fine wine (damn) and I could've done without the puppets#and fix you is one of the greatest songs ever written rant over#wow so many typos excuse autocorrect at the who's instead of whose etc
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best-overplayed-song · 11 months
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fun facts
"Total Eclipse of The Heart" was written by Jim Steinman. When Bonnie Tyler went to meet him at his apartment, there was a trail of M&M's leading from the elevator to his front door
"Viva La Vida" is about a monarch who loses his kingdom. Based on the biblical and historical references in the song, it's believed to be about the french revolution
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imaginedisish · 2 years
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Sparks (Din Djarin x fem!Reader)
A/N: HELLLOOOO everyone!!! Here is the Din Djarin x reader fic I said I’d post. This is my first fic in a few months so please forgive me. I am exhausted, and I’ve been writing this throughout my day (may or may not have been writing and editing in class). Thus, this may be incredibly sloppy. I am so sorry. HOWEVER, this is incredibly SMUTTY so minors SCRAM! I hope you guys enjoy. The song I reference is “Sparks” by Coldplay and it very much inspired this....but so did Cardigan by Taylor Swift. Anyway...enough of me talking...ENJOY!
Summary: Din looking out for you turns into so much more than either of you could have ever imagined (featuring *there’s only one bed*). 
Warnings: Major pining, Jedi!reader, SMUT so 18+, cursing, PIV, fingering/oral (f!receiving) no mentions of birth control so WRAP it before you TAP IT FOLKS, references to canon typical violence and injuries, idiots to lovers, crest still exists bc im a lazy writer... I think that’s it...
Word Count: 3,221
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The stars flash by the Crest in a streaky, messy blur. The light reflects off the beskar clad man next to you. The conversation had died down a half an hour ago. Now you and Din sat in warm, comfortable silence. You should really head to your bunk, but you don’t want to. You’re fighting to keep your eyes open at this point. You feel like a child on the back of a speeder, confidently telling their parents they aren’t tired, that they won’t fall asleep on the way home this time. Every second you get with Din counts, even if it means falling asleep in the cockpit and waking up with a sore back. The uncomfortable chair was worth the reward of just being next to him.
But you’d never let him know that. You couldn’t.
It probably went against his code. Or even worse, there’s always the chance he doesn’t feel the same. The thought alone makes your heart sink to the pit of your stomach. You quickly shake it off and glance over at Din. His visor is set on the deep space in front of you.
“You’re tired,” He says, his modulated voice breaking the silence.
“No, I most certainly am not,” You jokingly insist, shifting slightly underneath the blanket he had gotten for you just a few minutes ago.
“Sure you aren’t, cyar’ika,” He chuckles softly. He knows he’s right, and you do too. But you don’t want to fall asleep, not now. Not when he’s next to you, teasing you, leading you on. It doesn’t matter if this ends in heartbreak. You just want to be with him, to hear his voice, to feel him near you.
You smirk at him, and you hope he’s smirking back underneath that helmet of his. “I’m fine, really,” You insist, your smirk turning into an appreciative smile. He nods and turns back towards the stars ahead.
You quietly wish he was still looking at you.
And then, he breaks the silence again. “Your back is gonna hurt tomorrow if you fall asleep out here,” He says softly, intently. Your heart drums away rapidly in your chest. “Don’t need you getting more hurt than you already do because of me…” He trails off. There’s a sense of sadness in his voice. “I’m supposed to look out for you.”
You know exactly what he’s talking about. The blaster shot, just a week ago. Your hand finds its way underneath your shirt, rubbing softly at the wrap Din had resecured over the injury earlier this morning while you were still on Tatooine.
“Din,” You whisper, inching to the edge of your chair to be closer to him. “I’m here because I chose to be, because I want to be,” You pause for a second to stop yourself from giving away more than you mean to. “And I’d be getting into trouble no matter what, with or without you,” You joke. It was true. Maybe it wouldn’t be bounty hunting, and it certainly wouldn’t be Jedi stuff like your parents had tried to force you to learn throughout your childhood, but it would’ve been something.
If you were to be completely honest, one thing you’re fully convinced of is that whatever it would be, it would always be with Din, in every universe, every timeline. Something called you to him, clung you to him. The stars, the force, something. Whatever it was, it kept you here.
He turns his helmet towards you and stares in silence for a few seconds. Your heart flutters uncontrollably in your chest at the attention. You could feel heat rising to your cheeks. He takes a hand off the controls and reaches towards you, resting his hand on your own.
“Thank you,” He mutters through his vocoder. He’s rarely ever this open, this vulnerable with you.
“You don’t have to thank me for being honest,” You whisper, practically unintelligibly. Your nerves are getting the best of you. One more move from Din and you’ll melt into a puddle of words you’ll never be able to take back.
He squeezes your hand softly and pulls away. Somehow, your hand has never felt colder than it does in this very moment.
After a few minutes, his voice fills the cockpit once again. “Just don’t fall asleep out here, ‘kay? Take the bunk if you’re tired. You need rest.” Despite the modulator there’s a warmth in his voice. You could swear there’s even a hint of care, possibly even love…
No, You think to yourself. Maybe you should head to the bunk. Maybe you do need space from Din. What are you supposed to do when you can’t hold these stupid feelings back anymore? What are you supposed to do when the inevitable happens, when he delivers that final crushing blow, ‘I don’t feel that way about you, I’m sorry.’ You stare off into the distance. You could feel tears prickling at the corners of your eyes. You were doomed from the start. So foolish, so fucking foolish, You think.
“You okay?” Din’s words yank you from your thoughts. He’s staring at you again, and you’re more than positive that there’s a look of concern hidden beneath that visor.
All you can muster is a quiet yes and a subtle nod. Din nods back, but you know he’s not quite buying it. He looks towards the control panel, quickly flicking some lever on. Your eyes are too heavy to pay attention to what he’s actually doing. “I know I’m not as…open as you,” He pauses for a second, debating what to say next, “But if something’s wrong, I’m here. You can talk to me.”
“I know,” You whisper back. And Maker, did you want to.
The cockpit finally succumbs to comfortable silence once again. Despite your endlessly wandering mind, it was even harder to stay awake now. Thinking about all the possibilities and paths was far too overwhelming. It took up more energy than you had. So, just as Din expected, you drift off to sleep, your exhaustion finally taking hold.
He looks over at you, curled up against the co-pilot’s chair, laying on your side, facing him. You had fallen asleep; he knew you would. You always did. Din smirks, you never did listen. He loved that about you, your stubbornness, your independence. He knows you can’t stay like that though, sleeping on that rigid chair, but he doesn’t want to wake you up. You barely sleep enough as it is.
He stands up from the pilot’s chair and walks over towards you, carefully taking your legs under one arm and your upper body under the other. He scoops you up and walks out of the cockpit and towards the one and only bunk on the Crest.
You can feel the cold beskar against your side, your skin slightly exposed as your shirt rides up your stomach. You absent-mindedly nestle into Din’s chest, your eyes slowly fluttering open.
“Din?” You whisper, wrapping your arms around his neck. Part of you thinks this isn’t real, that you’re dreaming, and you’ll wake up in the co-pilot’s chair alone.
He shushes you softly, his thumb gently rubbing circles into your shoulder. “I’ve got you, cyare.” His voice is calmer than usual, more relaxed. “You fell asleep in the cockpit.” He approaches the bunk, loosening his hold on you ever-so-slightly as he carefully places you down onto the bed. But you don’t let go of him, you want to keep him close.
Once he’s sure you’re secure in the bunk, his hands slide out from under your body and up to where your arms rest around his neck. He doesn’t let go. It isn’t until you feel his fingers brushing against your bare arms that you realize his gloves are off.
Maybe now is the time to test the waters. You can feel the word vomit coming up, burning your metaphorical and emotional esophagus. And Maker, do you wish he’d just lay down with you, sleep next to you. Maybe the risk is worth the reward.
“Would you stay with me?” The words finally leave your lips. You’re shocked at your ability to ask a question like that. You had never shared the bunk before. One of you always slept in the cockpit. “You should rest too,” You say, trying to cover up your true intentions.
Din shifts a bit in his spot, but he still doesn’t let go of you. You can see the gears turning in his head. “Okay,” He decides. You practically gasp with shock, and you embarrassingly do your best to hide it.
He takes his armor off, but not his helmet, like he always does. You’ll never get over how he looks without his chest plate, his broad shoulders, his tan skin. You move further into the bunk, giving Din space to climb in next to you. He shuts the door to the bunk, and only once the tiny space has been encased in darkness does he remove his helmet.
You’re up against one another, face to face, no space in between – not even an inch. You’d never been with him when he didn’t have his helmet on. Your stomach does a backflip at the thought that he feels safe taking it off with you, even if it’s in the darkness.
He hesitantly drags his hand up to your waist, resting it softly just above your hip. “Is this okay, cyare?” You had never heard his voice unmodulated. It’s clearer, unadulterated. Honey, golden, but still somehow rough. You want to replay every word that he says.
You hum a yes into the darkness. You nervously bring your hand up to his neck, waiting briefly for him to protest – but he doesn’t. “What’s that mean, cyare?” You ask, struggling to pronounce the word.
He takes a few seconds before answering your question. You can’t help but think that you’ve pressed too far. “Don’t worry about it,” He says finally. Yep, pressed too far, you think to yourself.
You quickly remove your hand from his neck, immediately realizing that you’ve crossed a million boundaries all within a matter of seconds. “I’m sorry I just-,”
He grabs your hand before you can get too far away from him. “It means beloved,” He says curtly. “And cyar’ika,” He pauses, and you can hear him swallow harshly. “It means sweetheart.”
You try not to overthink his confessions, or translations rather. They could just be meaningless pet names that have absolutely nothing to do with how he feels for you. Why get riled up only to be brought back down?
But then again, there’s no avoiding this forever, and there’s no time like the present.
“Din,” You whisper. You’re not sure you can finish your sentence. You can feel his breath brush against your lips. “I…” You trail off, noticing how much the bunk smells like him, musk and spice and something else you can’t quite place.
“What is it, mesh’la?” He asks.
You laugh anxiously to yourself. “You didn’t tell me what that one means,” You say, trying to stall, to buy time.
“I’ll tell you once you tell me what’s on your mind,” He says coolly, as if none of this is affecting him. He knows what he’s doing.
You take a deep breath. “I think about you Din,” You mumble nervously. “All the time, and I think I-,”
He cuts you off, stealing the words from you, as if he could read your mind. “I love you.”
His lips come crashing down onto yours in the darkness. The kiss isn’t rushed or hurried, but there’s a hunger to it, a feeling you’ve never felt before. Din wraps his arms around you, pulling you closer to him – if that’s even possible.
You’re almost upset when he comes up for air. It isn’t enough, you need more. You want to be forged to him somehow, irreversibly, and irrevocably sealed to one another.
“I love you,” You say to him, breathing heavily, your heart beating out of your chest.
“I know,” He says back, his lips meeting yours once again.
His hand slips under your shirt, his thumbs dragging against your skin. Heat rushes to your core and you can’t help but let out a soft moan – after all, you and Din are far beyond touch starved.
He pushes himself up and over you so that you’re held down underneath him. Your hands explore his entire body, his waist, his stomach, his abs, until you finally reach his face. You find his lips with the tips of your fingers. Din peppers them with kisses as you glide upwards towards his nose, then the bags under his eyes, his forehead. You wished you could see his face, but for now this would do. This was more than enough. This was more than you could have ever asked for.
“Wanted this for so long, cyare,” Din says between breaths. He burrows his head into your neck, nipping at the exposed skin. “Wanted you this whole time,” He says, his lips pressed against your ear. It sends a shiver down your spine.
His hands move further up your body, pushing under your bra. “Please Din,” You mumble. “Need you.” And that’s all the permission he needs. He pushes your shirt up and over your head, throwing it somewhere in the mess of bunk, along with your bra.
He rolls his thumb over one nipple before moving to the other. “You’re so fucking perfect, so beautiful,” He sighs, pinching your nipple slightly before trailing down towards the waist band of your shorts. He tugs on the fabric and dips his hand inside. He feels the outside of your panties, already soaked through. “I’ve barely touched you and you’re already so wet for me mesh’la.”
You squirm underneath him. You need him to touch you, to do something, anything. “Din,” You mutter. “I-,”
Before you can finish your sentence, he’s yanking your shorts and your panties down your legs. He climbs back over you, his hand trailing up your inner thigh before diving into your folds and settling on your clit.
“Wanna make you come, pretty girl,” He whispers against your ear, his fingers making quick work of rubbing your clit. You can feel yourself clenching around nothing. His words alone could send you over the edge.
You shudder under his touch as he quickens his pace. “Feels s’good,” You moan into his mouth as his lips come down onto yours.
“Doing so good for me,” Din murmurs. “Being such a good girl.” You can feel yourself getting closer and closer as Din’s fingers press harder against your clit, circling faster. You throw your head back and moan his name.
Then, out of nowhere, Din’s hand leaves your heat. You need more, you need to feel him. “Please don’t stop,” You beg shamelessly. The covers shuffle as he moves, and you can feel the weight of the mattress sink a bit.
He doesn’t give you much time to grieve the loss of his fingers, his tongue dragging up the inside of your thigh. “Oh fuck,” You whimper as Din’s mouth meets your heat. You can feel his beard softly scratching against your legs. He brings his fingers towards your folds, pushing inside. “S-shit,” You stutter as Din pumps two fingers in and out of you.
His tongue alternates between swirling around your core and sucking roughly against your clit. “You taste so good, so fucking good,” Din’s voice vibrates against you, making it harder to hold on. “Can’t wait to be inside of you.” His fingers pick up their merciless pace, pumping in and out.
“Din, I-I can’t…” You trail off, unable to finish your sentence. You’re on the brink, you can’t hold back any longer.
“I’ve got you, pretty girl,” Din coos. He laps at your folds in between sentences. “Let go for me mesh’la.”
You feel your walls tightening around his fingers as waves of searing hot pleasure wash over you. “Din!” You cry out, his fingers still pushing in and out of your folds, his mouth still sucking softly against you. He slows his pace as you come down from your high before finally pulling away from you.
He pushes himself back on top of you, his forehead coming up to rest against yours. You reach down, your fingertips brushing against his erection.
“Need you inside of me, Din, please,” You beg, jerking him off gently through his pants. Din groans audibly, and you stop for a moment to hook your fingers under his waistband. Din helps you, shoving them and his boxers down his legs and casting them off into the mess that you two had made.
He grabs his cock in his hand, jerking it off a few times before lining himself up with your entrance. You can feel the head of his length as he pushes through your folds and sinks all the way inside you. You can feel tears prickling at the corners of your eyes as he fills you up. He moans your name, and it hangs in the air, reverberates against the walls of the bunk.
“So fucking tight for me,” He groans, pulling himself out of you to pump back in and bottom out. He’s so deep inside of you, hitting the right spot with each thrust. “You feel so good.” You clench around his length at the sound of his voice.
He reaches down, the tips of his fingers once again finding their way to your clit. Din immediately begins rubbing rough circles, just as he did before. He finds his pace, rutting in and out of you rhythmically. It isn’t long until you feel yourself growing closer to your peak.
“Din,” You sigh, barely able to get a word out. “I’m so close.”
“M-me too, pretty girl,” Din stutters, somehow finding a way to pump into you harder and faster. “F-fuck, taking me so well.” He presses harder into your clit, circling around your core. You bring your hands up to his back, digging your nails down into his skin. It was too much. You could feel yourself getting closer with each thrust. You can feel your walls tightening uncontrollably around him. “That’s it, good girl. Come for me.” And you can’t help but give in.
“D-Din!” You practically scream his name, coming undone around him. You throw your head back, seeing sparks and stars as you hit your peak. Din is close behind, his pace growing sloppier as he comes inside you. He slowly thrusts in and out before pulling out.
He takes a deep breath, his forehead coming down to rest on yours.
“You’re so perfect,” He whispers, his breath ghosting your nose. “Shouldn’t have waited so long to do that…” He trails off, pressing a chaste kiss to your lips.
“I love you Din,” You say, still out of breath. “I always have. I would’ve waited longer if I had to.”
He kisses you again, even gentler than last time. “I always knew you’d be the death of me,” He chuckles. You can feel his laugh vibrate through his face, through his whole body. No beskar, no hiding. “And I promise, I will always love you, cyar’ika…
“Always.”
Yeah, I saw sparks
Yeah, I saw sparks
And I saw sparks
Yeah, I saw sparks
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Comet Donati [Chapter 2: Story Of My Life]
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Series Summary: Sex, drugs, boy bands. You are a kinda-therapist recruited (via nepotism) to help Comet Donati through a recent crisis. Things are casual with Aegon, very not-casual with Aemond. Loosely inspired by One Direction.
Chapter Warnings: Language, references to sexual content (18+), drugs, alcohol, smoking, mental health struggles, cryptic song lyrics, tattoos, motorcycles, pretentious veganism, the return of the Cookie Monster pajama pants.
Selected Chapter Quote: “I’m not interested in therapy. But I’m somewhat interested in you.”
Word count: 6.9k.
Link to chapter list (and all my writing): HERE.
Taglist: @doingfondue​ @catalina-howard​ @randomdragonfires​ @myspotofcraziness​ @arcielee​ @fan-goddess​ @talesofoldandnew​ @marvelescvpe​ @tinykryptonitewerewolf​ @mariahossain​ @chainsawsangel​ @darkenchantress​ @not-a-glad-gladiator​ @gemini-mama​ @trifoliumviridi​ @herfantasyworldd​ @babyblue711​ @namelesslosers​ @thelittleswanao3​ @daenysx​ @moonlightfoxx​ @libroparaiso​ @burningcoffeetimetravel-fics​ @mizfortuna​ @florent1s​ @heimtathurs​ @tclegane​ @poohxlove​ @narwhal-swimmingintheocean​ @heavenly1927​
Let me know if you’d like to be added to the taglist! 💜
Under the stars, under the canopy of incandescent string lights, you tilt a Salty Dog against your lips: clinking ice, rosemary, a wedge of grapefruit, salt on the rim. The indigo wind raises goosebumps on your arms. From the speakers flow notes muffled by car horns and ambient conversation: Coldplay, Life In Technicolor ii. The Missouri River is a snake in the distance, twisting and glimmering, silver scales built of reflected moonlight. It is one year before you fly to Rome. It is the prologue of a book you never thought you’d write.
“I hope you’re not cheating on anybody,” you say to Aegon. Your voice has that drowsy, unguarded honestly that follows good sex with someone you might have the capacity to love under the right circumstances. His does too.
Aegon snorts and shakes his head. There is sunburn on his cheeks like a stain of spilled wine; summer in the Lower Midwest doesn’t agree with him. It’s too hot, too primal. It’ll bite you if you’re not careful. “No. There’s no one.”
“Is there ever?” you ask. “I remember seeing paparazzi photos of Jace and Luke with their girlfriends, Aemond with Shelby, Cregan with…plentiful, interchangeable Victoria’s Secret models. But I don’t think I’ve ever seen you attached to anyone.”
“Look, can I be honest for a second? I mean, I don’t want to offend you. But you seem cool, you seem like you might get it. Can I be real with you?”
“Yeah. Be real, I’d like that.”
“I love what we’re doing right now,” Aegon says. He takes a swig of his Salty Dog, your suggestion. His blond hair, nearly shoulder-length, whips in the night breeze. There’s something about Missouri that feels old, prehistoric almost, and you know because you’ve left it and come back: untamed, unrefined, brown recluses and black bears, copperheads and water moccasins, droughts and floods and tornados, humid and buggy like the earth the dinosaurs knew. “And I loved what I was doing last week in Boston and Philly, and I’ll probably love what I’m doing a few days from now in Houston. But if I knew I had to do it, I wouldn’t love it anymore, you know? That’s just how I am. It’s not a reflection on anyone but me. I can’t handle obligations, commitment, chains. I feel the weight of expectations settling on me and I run.” He rests his chin on his knuckles as he gazes at you like a distant constellation. “I don’t think my worth is determined by who or how I fuck. I don’t think yours is either. I think there are sluts who are angels and virgins who are demons. And I think to believe otherwise is not just archaic or puritanical or ignorant. I think it’s deeply, catastrophically harmful.”
You’re smiling; tears brim in your eyes. “Thank you, Aegon,” you say softly.
He is mystified. “For what?”
“Nothing. Never mind.”
Coldplay recedes from the speakers. Next—for no less than the fourth time this evening—is the Weeknd’s Starboy. Aegon groans and drums his Salty Dog on the tabletop. “Oh my God, this song again?!”
“They’re obsessed!”
“They really are.”
“It’s for you,” you tease. “You’re the big star. The boy band star. The Starboy.”
He takes your right hand, flattens your palm, and lays it against his chest. Through his t-shirt—Nirvana, grey, short-sleeved, from Target—you can feel muscle, bone, rushing blood. “Starboy,” he tells you, grinning. Then he presses his own palm to your heart, beating calm and slow beneath your dress the color of emeralds. “Stargirl.”
“Oh no. Wrong. I’m definitely a nobody.”
“You’re not,” Aegon says. And then again, to make sure you’ve heard him: “You’re not.”
~~~~~~~~~~
“So I only have to talk to two people?” Rhaena says suspiciously, like she’s waiting for you to pull the lever of a trapdoor.
“Exactly.” You take another bite of your carbonara, an Italian invention that would be at home in the Midwest: heavy, cheesy, lots of pork products. “At the meet-and-greet before the show tonight, I want you to pick two people. Just two. And they can be anyone you want. 13-year-old girls, frat boys, soccer moms, grandmas, whoever. And I want you to chat with each of those two people for two minutes. That’s four minutes total. And then you’re done!”
“I’m really done? You promise?”
“I promise.”
“Okay. Two people, two minutes. I can do that.” Rhaena turns to Luke, who has bits of lasagna all over his shirt and one wayward shred of a noodle in his dark curly hair. “I can do that, right?”
He nods encouragingly. “You can totally do that.”
Aemond is watching; you can see him on the periphery of your vision, short blond hair and a black t-shirt. He wears a lot of black, few accessories, like he’s trying not to be noticed. You look across the table at him. The band is enjoying a late lunch—everyone sleeps in until at least 1 p.m.—on the patio of a restaurant that overlooks the Palatine Hill. Intense midday sunbeams stream, in threads like tinsel on a Christmas tree, through the gaps in the pergola of grapevines, climbing roses, and ivy. In the daylight, Aemond’s scar is jarring—red, wrathful—and his sightless blue dreamscape of a left eye all the more peculiar. He fixes his gaze on you, daring you to flinch away, to be disgusted, to wilt like something parched and dying. You stare steadily back. Aemond sips his white wine, half-smiling, and twirls spaghetti onto his fork. You have white wine too. You keep choosing whatever drinks he does.
“You came all the way to Rome only to order the most basic, fifth-grader version of pasta imaginable?”
“It has marinara sauce,” Aemond replies. “I’m a vegan.”
“Uh oh,” you say. “For health reasons or the environment, or…?”
He shrugs, like it’s obvious. “I just feel that the world has enough suffering in it already without me contributing to the mass torture and execution of sentient beings.”
“Okay. Pretentious.”
Aemond chuckles, covering his mouth with one hand so he can chew his spaghetti with dignity. “What do your parents do in Kansas?”
“Missouri,” you correct, like a reflex.
“I know, it’s so confusing,” Aegon tells him. He’s wearing aviator sunglasses and a salmon-colored tank top that matches his sunburn. “It’s Kansas City, but apparently it’s in Missouri, not Kansas. But there is a different, smaller, much worse Kansas City in actual Kansas.”
“It’s confusing for your little hamster brain,” you say.
Aegon holds up a dark green bottle of olive oil that he’s been drenching his salad with: lettuce, tomatoes, black olives, skinless boneless chicken. “This is healthy, right?”
“Yeah, it’s really good for you. Antioxidants and anti-inflammatory properties.”
Jace snickers. “Dude, that has like 100 calories per tablespoon.”
Aegon frowns dejectedly down at his salad. “Fuck.”
Aemond asks you: “So what do your parents do in Missouri?”
“They have a farm just outside the city.”
“Oh. Nice.” Some apprehension now. “What do they raise?”
“Beef cattle.”
The rest of the table bursts out laughing. Aemond’s cheeks—one smooth and pristine, one cut in two by a rust-colored cord of bitter corporal memory like barbed wire—flush pink. He is happy in a way that he hasn’t been in a long time; you can see that in the warmth that glows on the others’ faces. He is alarmingly, breathtakingly beautiful. He has the sort of features that belong carved into marble, in myths, in museums. “I mean…I’m sure they do a great job.”
“You should visit one day. You can help brand the herd.”
“Absolutely,” Aemond quips.
“Nothing gets one’s deepest, darkest revelations flowing like hard labor.”
“I’m not interested in therapy.” He peers around the table for the basket of bread. “Jace, can you pass me some of that?”
Jace picks up a piece of crunchy Italian bread and lobs it through the air. It goes sailing right past Aemond, at least a foot from his fumbling, futile hands.
Aegon is exasperated. “Jace, bruh, you know he’s got no depth perception!”
“It’s fine,” Aemond says quickly, like he wants the conversation to be over.
“It’s not fine.” Aegon stands up and leans across the table to jab his index finger menacingly at Jace. “Have some consideration for anyone besides yourself. Have some fucking respect.”
Jace is more entertained than intimidated. “I’m sorry, I was under the impression that I outrank you now.”
“Yeah. And how’d you get there?” In the uneasy quiet that falls over the table, Aegon—quite tipsy already—lurches inside the restaurant to use their bathroom.
Daeron slides the basket of bread over to Aemond. Luke studies him sympathetically without knowing what to say. So much of what settles in us—accumulating like radiation, cooking malignancies into our bones—are things we cannot speak of. This is the great supposition of therapy. It’s what first inspired Sigmund Freud to get that fateful ball rolling in the latter half of the 1800s, before television or radio or record players, before airplanes, before Alaska or Hawaii were added to the Union.
Criston sighs loudly and stabs at his carne alla pizzaiola. Cregan stares indifferently out over the Palatine Hill: the Palace of Domitian, the House of Tiberius, the Temple of Apollo, ruins of gods and men. He slips a minibar-sized bottle of Absolut Vodka out of his sweatpants, empties it into his San Pellegrino, and gulps it all down. Jace has one arm slung across the back of his girlfriend Baela’s chair. She whispers something to him, clearly irritated. He replies briskly back. They have the look of a couple that has spent more time trying to claw their way back to a good place than they ever spent happy to begin with. Jace steals a glimpse of you, smirking. He turns away as soon as you notice him watching. His arms and chest, visible through his unbuttoned Hawaiian shirt, are a mosaic of tattoos: the Eiffel tower, cherry blossoms, Christ the Redeemer, an alligator, a pair of dice.
After a few minutes, Aegon returns to the table, noticeably more peppy. He starts collecting everyone’s silverware and piling it on a plate for when the servers clear the table. He sorts the utensils by type—forks, knives, spoons—and then by size.
“What is on your face?” Criston demands.
Aegon feigns innocence. Badly. “Huh? What? Face? Huh?”
“Your face. What the hell is all over your face?”
Aegon touches his fingertips to his nose. They come away dusted with white residue. “Um. Donuts.”
“What?”
“Powdered sugar donuts.”
“That’s what you were doing in the bathroom? Eating donuts?”
“…Yes.”
“Aegon,” Criston says sternly.
“They’re called zeppole here.”
Criston claps his hands together and rises from the table. “Okay, time for soundcheck!”
There are groans and complaints, but the band obeys, mopping stray sauce from their lips with cloth napkins and then heading for the black Escalades parked outside the restaurant…everyone except Aemond. He sips his wine leisurely, like he hasn’t heard Criston. You don’t leave either.
Criston regards Aemond with fatherly concern, a hand rested on his shoulder. “You okay?”
“Yeah. We’ll catch up with you later.”
“Really?”
“If memory serves, you don’t need me for this part anymore.”
“Right,” Criston admits awkwardly. “Well one of the Escalades will be waiting out front whenever you’re ready.”
“Sounds good.”
Criston and the rest of the band vanish towards the front of the restaurant. You can hear the slamming of doors and Criston shouting: “Get in the car…get in the fucking car…put your seatbelt on…Aegon, right now, put it on—!”
Aemond takes a pack of Benson & Hedges cigarettes out of the pocket of his dark jeans, puts one between his lips, ignites it with a small square metal lighter—vintage? heirloom?—and then throws the glittery gold pack onto the table. “Okay. Go ahead.”
You smile at him, bars of shadow and sunlight across both of your faces. The restaurant speakers, breaking the spell of the ever-ancient Roman mirage, are playing Foster The People’s Pumped Up Kicks. “I thought you weren’t interested.”
“I’m not interested in therapy. But I’m somewhat interested in you.” He exhales smoke like a dragon. “So go on, ask your questions so I can theatrically unburden myself and emerge from the wreckage like a phoenix, all shiny and redeemed.”
You gesture broadly. “How did this happen?”
“This?”
“You getting kicked out of Comet. Daeron being added to the lineup, Jace being promoted.”
He speaks nonchalantly as if discussing ancient history or the weather, like that’s just the way the world works, a morally ambiguous eventuality. Every once in a while a tsunami or a mudslide comes along and gobbles up a couple thousand lives, but the planet keeps on spinning. “The label made the call. An executive decision, they said. A boy band is a fantasy. It has to be light, fun, erotic without being scandalous or threatening. No one wants to watch some mutilated, half-blind guy strutting around a stage trying to reclaim some long-gone, better version of himself.”
You are at once immeasurably vengeful on his behalf, but you can’t show this. “That must have been difficult. To be treated mercilessly when you were vulnerable. To realize that something you poured your heart and soul into was so transactional.”
He shakes his head, smoking, not looking at you. He gazes out over the Palatine Hill instead.
“Aemond?”
“What do you want me to say?” he answers abruptly. “That I’m angry? I am. That I wish the accident had never happened? Yeah, I wish that. I wish it every goddamn day. But there’s nothing I can do about any of it. Of course I’m furious. Of course I’m resentful. I built this band. I got us together, kept us together, wrote virtually every hit we ever had. Comet was mine. It was my whole life, my past, my future, my legacy. And they took it from me. You want to know how I really feel about that? I couldn’t tell you in words. I’d have to hit something until my knuckles split through the skin.”
He puts out his cigarette in the ashtray with trembling hands, then he drags his fingers—long, uncalloused, dexterous, though you wish you could stop staring at them—through his hair. He glances at you, embarrassed. You look calmly back.
“Jesus Christ,” Aemond says shakily. “I don’t know where that came from.”
“The band was yours,” you agree. “So you’re the one who named it?”
“Yeah.”
“Comet Donati. The first comet ever photographed. 1858.”
He is impressed. “You’ve studied astronomy?”
“Well…I Googled it,” you confess, and he laughs. He’s relaxed again, he’s sunny like the sky. “But I really like it. A disproportionate number of astronomers are from the Midwest, you know.”
“Really?”
“Yeah. Because there’s nothing to do there, so people watch the stars instead.”
He nods, thoughtful. “Better than livestock farming or teen pregnancies, I guess.”
“What is it about the comet that inspires you?”
Aemond lights himself a fresh cigarette. His last name is etched into the side of the steel lighter, you see now: Targaryen. “It has an orbital period of 1,740 years. That last time Comet Donati clipped by Earth, Abraham Lincoln was watching it from the front porch of his hotel. It won’t come back until the late-3000s. I’ll never see it. You’ll never see it. But it’s always there. And to me, there’s something really beautiful about that. So many things in life are invisible, silent, unspoken, unacknowledged, unknown, misunderstood. But that doesn’t mean they’re not real.”
You recall the woman you’ve seen standing beside him in countless paparazzi photos: an actress and influencer, 20 million Instagram followers, California blond, Ibiza clubs and Met Galas. “Where’s Shelby?”
“Not around anymore, obviously.”
“She left you or you left her?”
He flicks away ashes, vague, evasive. “She couldn’t handle it.”
“I’m sorry.”
“It’s fine.” It isn’t, that’s clear. It’s marked him somewhere deeper than the flesh.
“No, Aemond.” You reach across the table to take his free hand, his left hand, in your own. “I’m really, really sorry.”
He’s watching you, but he isn’t just watching; he’s a little bewildered, and little captivated, a little impishly proud like he’s won a bet. When you release his hand, he says: “Don’t worry about it. I don’t want someone who’s repulsed by me. Or worse, someone who can only see me as something damaged and pitiful. I don’t want to be fucked out of pity.”
Oh no, you think, gazing helplessly at his face, his fingers, his wrists, the slope of his throat. Oh no, I don’t think pity would be anywhere in my mind, not even a whisper of it, not even a ghost.
Aemond notices. His lips pull up at the edges into a sly smile…and then he grows solemn again. “Are you going to ask me about what happened at the Budokan?”
“No. I don’t want to talk about the past anymore.”
“Why?”
“Because I think what happened to you was horrible and senseless and unfair. And the worst part isn’t that you look different. It’s that you are different. You can’t ever unlearn how people treated you afterwards, what their true motivations were. People who discarded you, people who forgot about you. You didn’t deserve that. You were worthy then and you’re worthy now. I don’t want to talk about your past. I want to talk about where you’re going next.”
“I have no idea. When I said the band was my whole life, I meant it.”
“You’ll figure something out. And maybe I can help.”
“Maybe.” He takes a long drag off his cigarette, intrigued. “What made you want to be a therapist?”
That nervous drop in your stomach; a sensation like falling. You disguise it expertly. “No no, I’m asking the questions here. I’m the one with the master’s degree.”
“Now who’s pretentious?”
You’re giggling, and then Aemond is too, like mirror images of each other: sipping white wine and averting your eyes—those so-called windows to the soul—towards the Palatine Hill before they can reveal too much.
~~~~~~~~~~
When Comet Donati performs now, Aemond isn’t on stage. But he never misses a show. He paces around with a black notebook and a white gel pen—Luke learned that from him, you realize—jotting down suggestions and critiques to share with the others afterwards. You follow him, trailing soundlessly like a shadow, through hallways and down aisles and across sky-high catwalks like ancient aqueducts. You’re wearing the only dress you brought from home: short, black lace, cold shoulders. Unconsciously, Aemond takes your hand to make sure you don’t fall behind. Wordlessly, he points out things that make you laugh: Aegon repeatedly slipping on a puddle of beer that he spilled, Daeron’s improvised dance moves (the Mailman, the Beached Whale, the Reckless Uber Driver, etc.), screaming middle-aged women flashing Cregan, Luke giving little crochet stars and planets and comets—handmade by Baela and Rhaena—to children in the audience. But Aemond rarely acknowledges Jace.
As you and Aemond lurk just offstage, the band is performing A Song I’ve Never Heard, the lead single off their first album and an enduring fan favorite.
“If you disappear, I’m going under
Telling you right now, there is no other
Who could ever replace you, no need to wonder
Your name is a song I’ve never heard before.”
“They’re really good live,” you shout, barely audible over the noise. You stand on your tiptoes and lean against Aemond’s shoulder so he can hear you. You are struck by the dormant power beneath your palms, his tense muscles, his radiating heat. You can’t help but imagine what sort of rhythm you might fall into together.
“Yeah,” he says distractedly.
“They’d be even better with you.”
Aemond turns, startled, then smiles. He passes you his notebook and gel pen so you can read his comments and add any of your own. You skim through his scribbled, pearlescent observations.
Cregan – Good smolder. Pay attention to every fan in the crowd, not just the fuckable ones. Thumbs up and high fives for kids. Fist bumps for dudes. Wear less clothes, maybe? If you’re cool with that.
Luke – Don’t be afraid to move around the stage more. Weave. Prowl. Pretend you are a shark.
Aegon – Wrong lyrics during Space-Time Continuum. And Lake Effect. And A Girl Named After A Car!! And The Worst Way To Be!!!! Please for the love of God the words are on Genius.com if you don’t know them.
Daeron – Really great overall. Missed verse during If You’re Summer I’m The Rain. Beware of handshakes with crowd, they could pull you in. Invent a new dance move, something inspired by Kansas City. The Tornado Watch? The Oppressed Beef Cow?
You write at the bottom:
Aemond – Cultivate at minimum one (1) hobby not directly related to Comet Donati. Or pretentious veganism.
You hand the notebook to him, and then he scrawls back:
Already have it. I’ll show you later.
When the concert ends, Aemond leads you backstage to reunite with the band, along with Baela and Rhaena who spent the past two hours dancing and shrieking in the front row.
“I did it!” Rhaena trumpets when she sees you, eyes alight and hands waving in the air. “At the meet-and-greet before the show! I talked to people for four whole minutes and then I got to sit in the corner and drink champagne all by myself and it was amazing!”
“That’s so great!” you exclaim, hugging her. “See?! We knew you could do it. But next time you have to talk to people for ten minutes.”
“Ugh,” Rhaena says, but she’s still beaming. She knows she’s capable of it. It might hurt, but it won’t kill her. And that’s true for a lot of things, isn’t it? The trick is figuring out which of our brains’ frantic doom-signals are misfires, exaggerations, genetic malformations…and which are warnings of something actually lethal.
Everyone piles into the Escalades for the short journey back to the Anantara Palazzo Naiadi Rome Hotel. You and Aemond end up sharing a car with Aegon, Luke, and Rhaena. Luke sits right next to Aemond, wants to see all his notes, wants to rehash every detail of the night with him: Did you like this little move I came up with? Was I too extra when I did that? Am I too low in the harmonies? Did you see how psyched that one kid was when I gave him a stuffed comet? As you watch them, streetlights passing by overhead like miniature suns, it occurs to you that Luke is the only person who still treats Aemond like he’s an essential part of the band, not a progenitor to be paid occasional pennies of homage but a heart or a spinal cord, something that can’t be excised without killing the host.
Aegon is lying on his back across the floor of the Escalade and scrolling through his phone. “Oh my God, guess who else is in Rome right now!” he gasps.
“Who?” Rhaena asks, but she rolls her doe-like eyes in a way that tells you this happens a lot.
“Selena Gomez!”
“Great,” Aemond says. “I don’t think she wants to see you.”
Aegon is typing manically with both thumbs. “We’re about to find out.”
Back at the hotel, a force like gravity—stringless, unthinking—pulls everyone towards Jace’s suite. The lights are low, the air smokey, the drinks misty with condensation, the balcony door open as people—friends and roadies and label executives—drift in and out of the starlit night breeze, the music loud and rumbling, lots of bass, Lifestyles Of The Rich & Famous by Good Charlotte. Crowded together in one corner of the room, illuminated by an end table lamp, are Jace, Baela, Daeron, Cregan, and Criston, who is observing with arms crossed over his chest and an exhausted, long-suffering sort of disapproval. There is a tattoo artist getting set up on the coffee table, laying out the needles and ink cartridges, latex gloves, sanitizer, a squeeze bottle of green soap.
“Get the Pantheon!” Baela is telling Jace. She’s sitting in his lap on the white leather couch, his arms locked around her waist but his eyes roaming around the room. “Or laurels, maybe. Or an eagle.”
“Get a gladiator!” Daeron says.
Baela grimaces. “Please don’t.”
“Get the Colosseum!” Luke says as he hurries over to join them.
“What’s going on?” you ask.
“He gets a new tattoo for every city we play in,” Daeron explains.
“Some are better than others,” Baela adds. “There were so many gorgeous possibilities for Miami and you chose an alligator?!”
“Every single city, huh?” you say to Jace. “You must have a lot of tattoos.”
He grins crookedly up at you through locks of dark, messy curls. He’s wearing a black and white striped shirt that is mostly unbuttoned. Aemond’s gaze flits anxiously between you and Jace. “I do. But believe it or not, we’ve never been to Rome until now.”
“Get the Leaning Tower of Pisa!” Aegon says.
Criston snaps: “Really? The one that’s in Pisa? Which is a completely different city? The one that’s four hours north of Rome? That Leaning Tower of Pisa? That one?”
“Well fuck, don’t let me inconvenience you with my presence!” Aegon thumps a fist against Cregan’s brawny shoulder and they disappear together, peering down at their phones, faces painted by the white-blue glow of the screens.
“What should I get?” Jace asks Aemond. It sounds like a loaded question.
“Julius Caesar. A usurper.”
Jace winks up at him, arrogant and taunting.
Baela rubs Jace’s bare, ink-adorned chest. “Baby, don’t.”
“I want the Pantheon,” he declares suddenly. “Right here on the back of my right hand. Prime real estate. I won’t be able to do anything without remembering this city, this show.” He turns to Aemond, victorious. “They were filming, you know. They’re going to make it a Netflix special.”
“I’m aware,” Aemond replies, flat, cold.
The tattoo artist is nodding agreeably at Jace. “Si signore, I do the Pantheon all the time. Tourists love to have a picture to take home with them. Nessun problema. You want it on this hand? You are sure? Va bene, place it here on the table. Si, si. I will clean the area and then we will begin.”
Soon the needle of the humming tattoo gun meets the skin: metal, blood, Jace hissing in pain as black lines spring to life across his metacarpals. Baela passes the time by chatting with you. She is clever and kind like Rhaena, but louder, tougher, beautiful yet barbed like a lionfish. She can talk to anyone and never drops her eyes. It amazes you how siblings, built of the same genetic Legos, can grow up to be so different: Baela and Rhaena, Jace and Luke, Aegon and Aemond and Daeron.
When Jace’s tiny Pantheon tattoo is complete and his hand bandaged, he goads you: “Now you’re getting one too, right?”
“Sure,” you say, and you are delighted to see the shock leap into his face.
“What?!” Baela cries.
“You’re joking,” Aemond says uncertainly. “She’s joking.”
“No, I really want one.”
“Get a gladiator!” Daeron bellows, jumping on top of the couch and flexing his muscles like Hercules.
“Get my name on the side of your face like Post Malone,” Jace says. And then, when Baela and Aemond glare at him: “What?!”
“I definitely don’t want that. But I do want something.”
“I will do whatever you like, signora,” the tattoo artist says, changing out needles.
“You’re actually serious?” Aemond asks. And what he means is: You don’t have to do this. It would be reckless. It would be permanent.
“Yeah.” You smile up at him. “I want to remember this little adventure. When I’m back in Kansas City…in a few weeks, or a few months, or whatever…I want to be able to look in the mirror and know that it wasn’t all something I made up. A fantasy, a dream.”
“You should get Comet lyrics,” Luke says excitedly. “Aemond’s lyrics.”
You tap Luke’s notebook: black paper, white gel pen, just like Aemond’s. “Absolutely. Help me choose them.”
Within ten minutes, you’ve settled on a design that Luke has sketched in starlight-colored ink and a location: upper back, equidistant between your shoulder blades, someplace you can easily conceal it when you’re working. It will be a small, minimalist comet—nucleus, coma, and tail—with cursive lyrics from a hidden gem off the band’s most recent album encircling it like the rings of Saturn:
I’ll come back for you if it kills me
Comets clip by again after eons and so can I
Somewhat clumsily, you manage to unzip your dress, shimmy the top part down to around the line of your bra strap, and then lie on your belly across the couch. Baela and Rhaena giggle at the way the men bashfully avert their eyes…all except Aemond. He is speechless, blinking, fascinated. He shakes it off and turns away when he realizes he’s been staring.
“I’m sorry, is this too unprofessional?”
“No, you were perfectly clear,” Daeron says. “You’re a therapist, but not our therapist. So feel free to walk around in just your bra anytime.”
“For real,” Jace adds.
Baela shoos him away: “Go, get us more drinks. Go! Bar! Now!” And Jace reluctantly retreats.
Using Luke’s rough sketch as a reference, the tattoo artist begins working once he’s thoroughly cleaned the area of perfume, shining perspiration, invisible fingerprints, tobacco, other remnants of life’s general untidiness. The pain is bad but not overwhelming, worst when the needle nears your spine. Aemond sits on the floor beside you and observes thoughtfully, sipping a rosy-pink Bramble. Aegon and Cregan wander back into the suite—white powder on their palms, more on their shirts, their pupils dilated and glassy—and are extremely amused by this turn of events. They stay for a while and then are gone again, forever both here and there, comets zooming around their elliptical orbits, Schrodinger’s cats.
“How’s it look?” you ask Aemond as he studies your back. You can’t see anything; you can only feel it.
“The tattoo, or…?”
You laugh and shove him away with your very limited range of motion; then, when you wince at the stinging pain, Aemond grips your hand in his. “I know I’m being pathetic. I know it’s not that bad.” Not compared to what you endured: blunt force trauma, partial blindness, your face stitched back together, your life’s work stolen from you.
“You’re not that pathetic. Louis Tomlinson probably would have cried.”
You laugh again, louder, and the tattoo artist scolds you: “Signora, per favore! Stay as still as you can, I beg you. We are almost done.”
Aemond’s iPhone rings and he glides it out of his pocket with his free hand. His ringtone is Mr. Brightside. “Oh. I should take this.”
“Go ahead,” you tell him. “Go, I’m fine.”
“Who is it?” Criston asks Aemond with curiously intense interest.
“It’s my mom.”
“Does she want to talk to me? To see how the tour is going?”
“No, Criston.”
“Fine,” Criston says testily. “I’m gonna go make sure Aegon isn’t on the roof or something.”
He departs from the crowded suite, momentarily parting the miasma of cigarette and cigar smoke like Moses split the Red Sea. Aemond goes out onto the balcony. Baela and Rhaena take his place next to the couch, fawning over your almost-finished tattoo and showing you their own: Baela has a ring of roses around one ankle, a quote from her grandmother across her ribs, and a compass on her forearm; Rhaena has a tiny L behind one ear for Luke. Even over the buzzing of the tattoo gun, the reverberating music, the chattering of new friends and perfect strangers, and the backdrop of traffic noises outside on the winding streets of Rome, you can hear chaos: yelling, banging, the pounding of sprinting footsteps.
When your tattoo is completed and bandaged, you fix your dress and follow the commotion out into the hallway. Several doors down, you find Criston in Aegon’s suite. He’s standing on top of the mattress and attempting to handcuff Aegon to the bedpost. Aegon, thrashing and yowling and shirtless for some reason, rips away from him.
“Give me your hand!” Criston roars. “Give me your fucking hand! You want to act like Motley Crue, you’re gonna get treated like Motley Crue.” He finally clicks a cuff around Aegon’s left wrist, fastens him to the bed, and then doubles over gasping for air.
You say from the doorway: “This is not what I, personally, would call effective conflict resolution.”
“Oh good, you’re here.” Criston wipes fat beads of sweat from his forehead with the back of one hand. “You talk to him. Meditation, yoga, hypnosis, a lobotomy, read him bedtime stories, get him a shock collar, I don’t care what you do, just give me fifteen minutes of peace. I need a goddamn San Pellegrino.” He stomps out of the room and is gone.
Aegon sighs listlessly. “I’d like to say I don’t deserve this, but I probably do.”
“Hey, Aegon?”
“Yeah?”
“What was up with your salad at lunch today? And the skinless boneless chicken?”
He smirks, an expression you can’t quite read. Nervousness? Cynicism? Shame? “I’ve gained like twenty pounds since last summer.”
“So?”
“So almost none of my tour wardrobe fits.”
“Can you not afford new clothes? Have you snorted that much coke?”
He chuckles, but his large blue eyes are sad, defenseless, watery. “The label doesn’t want a chunky popstar. Girls won’t spend thousands of dollars on tickets to see me anymore.”
“Yes they will. And I would too. In a hypothetical alternate universe where I was rich.”
He smiles, for real this time. “You wanna stay? I still have one hand free.”
“That’s a super tempting offer, but I think I’ll pass.”
He blinks up at you with groggy, drunken realization. “You got your eye on someone else, Stargirl?”
“I didn’t say that.”
He’s grinning, toothy, playful. “You didn’t have to.”
There is a knock against the doorframe. When you spin around, Aemond stands there. “Hey,” he says. “Found you.”
“How’s your mom?”
“Fine. Do you want to see something?”
“…Okay?”
“It’s outside.”
“Oh, no way,” Aegon tells him, still handcuffed to the bed, cackling. “No way is she gonna be down for that.”
“She might be,” Aemond replies evenly.
“You still got a second helmet?”
“Of course.”
“Helmet…?” you venture.
Aemond smiles, nodding towards the hall. “Let’s go.”
Aegon waves goodbye with his free hand. “Good luck, Stargirl. Hope your last will and testament is in order.”
“Like I’d leave you anything.” You set several bottles of water and a box of Nutella snacks on the end table where Aegon can reach them.
“Wait wait wait!” he cries when you are about to depart. “Bring me a trashcan too.”
You are puzzled. “Why?”
“So I can piss in it, obviously.”
“You’re an animal.”
He howls like a wolf, rolling around on the mattress. You supply him with a trashcan, as requested, and then follow Aemond out into the hallway.
“Stargirl?” he asks once the two of you are alone in the elevator and headed down.
“It’s a the Weeknd reference. It’s hard to explain.”
“And you and Aegon are…” Aemond raises an eyebrow, the scarred one, the one that’s cut in two. “Friends?”
“Yeah. Friends.” You’re worried your voice will squeak, but it is traitorously steady. Aemond seems mollified. And is that really such a lie? What would be closer to the truth? Yes, Aemond, your brother and I are friends. But we’re less than that, and we’re also more, because I’ve fucked him but somehow that was the very least of it. He looks at me and I feel understood like a language the rest of humanity has forgotten. I look at him and I see someone who I care for deeply, irrationally, who I could fall in love with in a slightly different world. But that’s not the world we live in. And in this world, the real one, you’re the person I’m falling in love with.
Aemond takes you all the way down to the ground floor and then out front to the entranceway, fountains, cobblestones, taxis, Ubers, stars. He speaks to the valet and within minutes, they ferry it out of the garage for him, growling and puffing like some kind of mythical beast, a dragon or the Minotaur or the Cerberus. The valet lowers the kickstand and then hands the keys over to Aemond.
“What is that?!” you exclaim.
“It’s a 1960 Gold Star, made by the Birmingham Small Arms Company.”
“Alabama?”
He is amused. “No, the English Birmingham. The original one.”
“Oh. Right.” The valet brings two helmets and two jackets. “You travel with a motorcycle?”
“It fits on the jet,” Aemond replies casually.
“You are so freaking pretentious.”
Aemond offers you a helmet and jacket, and he’s trying to keep the fear from his face but it’s there, because he keeps waiting for the spell to break, for the illusion of who he thinks you are to shatter like glass and reveal that all along you’ve been disgusted by him too, that you misunderstand or patronize or pity him. He surveys you with two eyes, one wary and clear and searching, the other a cloudy planet of misty blue like Neptune. And he waits for you to ask one of those fateful questions—Can you really drive this? Is it safe? Can you see well enough? Can I trust you?—and look at him with bleak, sympathetic skepticism.
Instead, you look at the motorcycle. There are extra mirrors on the left side, you notice, capturing angles that he would otherwise miss. He doesn’t need to be reminded of his maiming. He couldn’t forget it for a second. You don the helmet and jacket and say: “Are those leather seats, Mr. Vegan?”
He beams and straddles the motorcycle. “Shut up and get on the bike.”
You climb on behind Aemond, your arms around his waist, your lungs capturing pieces of him to absorb into your bloodstream: smoke, cologne, hair gel, gin, molecules that become your own. He starts the engine, flicks on the headlight, and steers his Gold Star out into the late-night traffic.
You fly through a nightscape of car horns and streetlights and babbling tourists clustered together on the sidewalks like prey animals, ancient landmarks whirling by like comets: the Piazza Navona, the Trevi Fountain, the Arch of Constantine, the Pantheon that Jace now has inked irrevocably to his flesh. The sky is freckled with constellations you couldn’t name. The moon is full and brilliant. There is a black limo cruising nearby full of hooting, half-naked frat boys and blaring Coldplay’s Every Teardrop Is A Waterfall. At stop signs and red lights, Aemond reaches down to rest a palm lightly on your bare thigh, just an inch or two above the knee—his wrist brushing against the black lace of your dress—but enough to pillage your mind of anything else, enough to rip the door to your skull off its hinges and build a home there in the web of neurons and flashbulb surges of electricity that we call memory, emotion, instinct, desire. When you close your eyes as the wind rushes by, you can imagine that you’ve always known Aemond and that you always will. When you press yourself against him as hard as you dare to, you can feel everything else dissolving away: pasts, futures, doubts, every other person on this planet, scars that mar the soul with jagged rifts and knots as red as blood.
In the abandoned, golden halls of the Anantara Palazzo Naiadi Rome Hotel, Aemond walks you back to your suite. His hands are in his pockets, his head down, his steps swift. He doesn’t speak. Neither do you. Your thoughts are deafeningly loud with clattering impossibilities: Me? Aemond? Lust? Love?
You arrive at your door, swipe your keycard, and open it. You stand at the threshold, but you don’t vanish inside. You don’t want to be apart from him. You gaze up at him, dazed with longing, resting your head against the doorframe, fresh ink burning between your shoulder blades.
“Hey, Aemond?”
“Yeah?”
“I wouldn’t fuck you out of pity.”
There’s satisfaction on his face, there’s pride, there’s hunger, but there’s trepidation too. He hesitates in the doorway. “Look, I, uh…” He sighs, resigned, perhaps warring with himself. “I’ll see you tomorrow, okay?”
“Okay.”
“Okay.” But he doesn’t leave.
“Are you lost? Need a map back to your room? I can try to draw one for you. We could get one tattooed on the back of your hand.”
He laughs, marveling at you. “No, I’m good. Thanks.” He makes it halfway down the hall, glances back, shakes his head to himself, keeps walking until he’s disappeared.
You shut the door and say to your empty suite: “I don’t even like him that much.”
But I do. I do, I do, I do.
“Oh no,” you moan, covering your face with both hands. But you can’t stop smiling.
You take a shower, pull on an oversized Backstreet Boys t-shirt and your favorite Cookie Monster pajama pants, then crawl into your hotel bed: scratchy comforter, a mattress that’s too firm, pillows that are too squishy. You turn on your laptop, open YouTube, and start searching for Comet Donati performances before Aemond left the band, scenes from a different lifetime under the same stars.
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suhnshinehaos · 1 year
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treacherous : act three, part thirteen
…a spin-off to crush culture ! synopsis : after a couple of instances of accidental matching clothing, yangyang finds himself in a dating rumor with possibly the most famous person on campus : yn, the bassist of an up and coming band. yangyang doesn’t seem to have a problem with it. unfortunately yn, who has also built up a reputation for being cold as winter, does. pairing : liu yangyang x gn!reader genre/s : university au, student council + band au, fluff, angst, humor
act three, part thirteen : sparks wc : 1.5k song rec : sparks by coldplay
previous  ➤  act two, part twelve next  ➤  act three, part fourteen treacherous  ➤  masterlist 
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yangyang wades through the crowded room with only one goal in mind : finding you.
the air is thick with idle chatter and the low hum of an instrumental of a dreamvision song playing over the speaker. the press conference had ended just about ten minutes ago, and all he could think of was the fact that you were going on tour. 
the first thing he felt was pride. you had come a long way from playing events at your university. he loved seeing you perform on stage, doing what you do best, with a smile on your face and light in your eye. he loves watching you, but not nearly as much as he loves you.
precisely why the second emotion, and the one that’s currently filling his veins in panic, is fear. yangyang knows what he feels. it’s the one thing he’s always been sure of. he knows how he felt in the weeks the two of you worked on a random project in your final year of university. he knows how he felt when he cut off contact with you, even if it was the last thing he wanted to do. he knows how he felt when you walked back into his life a year after.
but you’re about to leave. you had told him how you felt before he cut you off. now he wonders if he could finally speak his mind and heart, and if you still had space for him in yours.  
“hello everyone.”
dejun’s voice cuts off his train of thought, his attention now towards a makeshift stage. it had been used for the press conference earlier, and he had been so focused in finding you that he didn’t even notice that instruments were being set up.
yangyang notices you scanning the crowd, looking for someone.
and when your gaze meets his, he knows that you found what you’ve been looking for. because he did too. 
he raises a hand to let you know that he sees you.
you nod back with a small smile, letting you know that you see him before you turn your head towards dejun.
“we hope you’re enjoying the night so far, we just wanted to perform a couple of song off our new album. out later at midnight.”
yangyang watches you play the bass for four songs. he notices when you close your eyes, completely lost in the feeling of the songs - a couple upbeat and freeing, a couple angry and cathartic. he notices when you turned your body towards your bandmates, mouthing the words dejun and mark were singing. you were electric, you belonged on stage. 
if anyone’s eyes were on him instead of the band, the would have noticed the stars in his eyes.
“this will be our last song for tonight. you can hear the rest when the album drops.”
yangyang hears you speak into the mic, the first time since you started performing. you end with a little laugh, looking down at your instrument before looking up to meet his eyes; like you knew exactly where he would be in the crowd.
because you did. 
you let out an exhale as one of the stagehands gives dejun his acoustic. he nods at you before strumming the beginning chords.
“i hope you like this one.” you speak before playing your part, your voice shakes at the word you. for a second you remember the softness in yangyang’s gaze, you know you aren’t referring to the crowd. you take a breath, and you begin to sing,  
‘ did i drive you away ? ’
you catch a glimpse of the time you two studied at ncit, at all the times you blatantly ignored his attempts of becoming your friend. you remember pushing him away, up until he brought food and medicine to your apartment when you had a headache. 
and you remember the time he was the one who pushed you away, but you couldn’t blame him either. you, more than anyone, knew what it meant to be with someone in the public eye. 
‘ i’ll always look out for you ’
dejun’s voice joins yours and you can’t help but remember the day he walked in your shared apartment, asking if you knew that yangyang was now working in a magazine. you subtly shake your head as the flashback goes on for farther, to the time you distanced yourself from him because of all the hate he was getting.
‘ my heart is yours, it’s you that i hold onto ’
you close your eyes, sing the words as sincerely as you can, hoping the words get through to the only person who’s meant to hear them.
he does, and yangyang feels his chest clench at the weight of his own emotions.
‘ yeah, i saw sparks ’
the moments flash by your eyes in one giant supercut : from the moment he stepped into the classroom with a hoodie that matched yours to the moment he shook your hand when the interview ended, the way his hand held yours a little tighter, for a few seconds longer.
the song ends and both of you are breathless, looking at no one else but the other. you knew there are cameras around, but you couldn’t care less about them.
you get off stage and immediately make a bee-line for him, politely declining conversations from reporters and other celebrities alike. your eyes search far and wide for his familiar face, your steps growing faster and heavier with each passing second. you don’t even notice that you were practically running into someone, causing you to stumble back.
“hey, i got you.” yangyang steadies you with his hands on your shoulders, and he doesn’t let go even as you’re now standing perfectly still.
you’re breathless, looking into his eyes. “i was looking for you.”
“i’m here.” he chuckles. “you can stop looking.”
“i know. it’s crowded here, don’t you think?” you shrug off his hands from your shoulders and walk past him, hoping that he follows you.
very subtle, he thinks to himself and shakes his head with a smile, but he follows you anyways.
you lead him to the company building’s rooftop. no cameras, no press, no label staff. just you and him, and the bright stars shining down to watch the two of you. instinctively you wrap your arms around yourself. the air is harsh and cold, and the nearly sheer dark-blue shirt your stylists gave you wasn’t doing you any favors.
you feel something draped around your shoulders, and almost immediately the comforting scent of yangyang’s perfume engulfs you. 
he stuffs his hands in the pockets of his slacks, standing beside you. “your presence is warmth enough.”
you roll your eyes and nudge his side with your own, before you could open your mouth to speak, he turns to you to ask a question.
“when are you leaving? for tour.”
“couple of days from now, but there’s still a lot to do… so this is technically my last night of freedom.”
“how long will it be?”
“a few months. there’s already a demand for additional shows.”
yangyang lets out a low whistle, turning his head towards the several buildings that surrounded the two of you. the lights are nearly blinding, the city below is alive, but it’s your arm brushing against his that overwhelms him.
“when you get back, i’m taking you out on a date.”
you look at him, and if he had looked back at you, he would have seen the complete shock on your face. he doesn’t, it is only you who sees the completely determined look on his face.
“it’s going to be long wait.” your voice falters. almost immediately you’re worried. the timing. the distance. everything else in between. while you could call and text every day, there’s no guarantee of that. and it wouldn’t be the same.
yangyang looks back at you, his gaze the gentlest you’ve ever seen, you feared you would melt on the spot. “i can wait. anyone who feels the way i do about you, as strong as i do, could wait an entire lifetime.” 
“i-” your words get caught in the back of your throat, not expecting that amount of overwhelming earnestness from him. this wasn’t the same yangyang you knew in university. you know it, and he knows it too. he’s grown into the person you need, and he’s not leaving any time soon.   
he drapes an arm around your shoulders and pulls you closer, planting a soft kiss to your temple. his lips hover just a couple of centimeters from your ear, his voice a low whisper, “i’ll be waiting for you, so come home to me. okay?”
you pull away from him the slightest bit, only enough so he could see your face and the sincerity in your eyes, “i’ll come home to you.”
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from reese, with love <3
gy3 my beloveds,,,, to be loved like the way they love each other.... that is THE DREAM !! tysm for reading, only a couple more parts left for this series. as always, i'd love to know what you think- your thoughts/rbs/replies/asks are much appreciated ! hope you're all doing well and taking care :)
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matan4il · 7 months
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Okay, I'll start with recent pics of Mileapo from random sightings. Apologies if anyone else has posted them, with everything happening here, I do not have the spoons to check.
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This one is from the mall this morning:
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There was another fan who ran into Mile today. They didn't post a pic (they're gonna wait 4-5 days because Mile asked to), BUT they did share that they noticed someone else there, kinda hiding behind a pillar. They described this person as dark, tall and skinny. When their friend showed them a pic of Apo, they confirmed that was him. Oh, and they also asked if Mile and Apo were boyfriends. Lastly, they mentioned Apo was carrying a Dior bag...
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The fan ended up posting the pic today...
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...because Mile himself gave us a Mileapo shopping mirror selfie! <33
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Awwww. Mile's been referring to the two of them together as "double trouble" since April 2021 at the latest! ^u^
On Weibo, Mile clarified that it was their free day:
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And Apo posted, too:
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Mile also tweeted this view, which looks very similar to the vocal coach's apartment... might mean we get them singing soon? Or it might be that this guy's going on vacation (guess based on Mile's text in the tweet), and so they were there together to say goodbye to him?
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Old vid of Apo in Vietnam on Sep 22:
And one more thing. Last night, Mile shared the lovely, romantic song Yellow by Coldplay:
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Interesting thing about it is that he shared it from an account he doesn't follow. You know who does follow that account? That's right, someone who really loves Dior bags. ;)
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(for more of my Mileapo/Kinnporsche posts, click here)
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lonesomelad · 4 months
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i don't know why i've decided to make this account known, but i did anyways.
anyhow, as a song goes and I quote ; i . f . l . y .
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get to know me, maybe ?
⎯ i'm a filipino / filipina . . . something i indirectly revealed once .
⎯ i'm a minor . . . so back off weirdos . let's keep this a safeplace, alright .
⎯ i'm an infp - j . but i act the exact opposite online .
⎯ i'm an afab ; abrosexual whose currently an aro/ace. tho, my pronouns are she / her , but i don't mind being referred to as they / them .
⎯ i'm very fond of nature , just as i am with animals .
⎯ i like drawing / writing / admiring the scenery / getting lost within the depths of my mind whilst listening to music .
⎯ i somewhat stan enhypen ... don't take me for a fanatic .
⎯ i love ... yoasobi , fuji kaze , kikuo , chase atlantic , the neighborhood , the weeknd , ayesha erotica , cigarettes after sex , tv girl , radiohead , lana del rey , mixed matches , wave to earth , laufey , melanie martinez , isaac dunbar , ari abdul , d4vd , coldplay , alec benjamin , jawny , prettymuch .
⎯ i am a self-proclaimed embodiment of anti - romantic by t x t & new person, same old mistakes by tame impala .
⎯ my favorite song(s) as of now is / are ; just for me by pinkpantherees ,, itgirl by aliyah's intelude ,, super bad mantra by jawny ,, not around by nova ,, heaven by julia michaels ,, only by lee hi ,, dandelions by ruth b ,, pasilyo by sunkissed lola ,, sex , drugs , etc by beach weather ,, my love mine all mine by mitski ,, dawn of spring by anson seabra ,, that's life by still woozy ,, nun id change by yeat ,, shaded in by filous ,, breakin' dishes by rihanna ,, sick of you by sub urban & dnmo .
& many more !!
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p . s . i love you .
refer to me as either hanamari or aika , if you wish . ( the latter is my real name , jtlyk . . . fun fact, ig ? )
yes, i've been a kazuha
enthusiast for a prolonged period of time . . .
yet, the same can be said with how i am with muichiro,
however, it seems that
neither of those facts are blatant, or so my frustratingly idiotic loveable friends claim .
| i thoroughly enjoy fantasizing when i've got nothing to do . so i tend to space out a lot .
y'know the drill.
proshippers, pedophiles, certified jerks, etc ... don't interact.
your not welcome here, at all.
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as i've mentioned countlessly, this blog is merely just for my own personal reasons & preferences. that's why you shouldnt be expecting anything else here besides me just being an absolute dogshow .
additionally, this acc has been up for a while now . i only decided to actually pay better heed to it bc a certain bug ( isn't that right ? @scarasonlywhore ) won't stop pestering me to let them buzz at me tremendously online even tho we're practically always together .
the once said ( my tad bit more sane ) blogs are this & this .
and if you wanna have full-blown conversations with me, feel free to add my dc !! ( user is insomniacwhosesleepdeprived)
that'd be all . nothing too much, nor too little presented here, huh? hopefully . . .
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sgiandubh · 6 months
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Zan, Zendegi, Âzâdi/ Woman, life, freedom
Disclaimer: I took an inordinately amount of time to ponder and write the following. Last lost occasion was just before the most Recent Blunder - not exactly the best moment to mention other Oriental affairs.
Last mid-December, we all (yes, even me) watched this, live from Madrid:
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This moment was important, in many ways, and at the time, the focus was on the personal acknowledgements part of the speech. One of my very first posts on this damn blog even deals with some elements of context overlooked by many. Mordor has pretzeled its collective quarter neuron to try and demonstrate, once more, 'he didn't mean it like that' (he did exactly mean it like that, mind you). Some even bravely tried to link S to 'Mysterious Muslim Woman nr. 6625' (to no great success). Finally, Norouzi was mentioned, in more or less salaciously insinuating overtones . A ready-made explanation for something they simply could not grasp: it's a bit more complicated than Bridgerton's plot, I am afraid. Everything about that evening was discussed, apparently ad nauseam.
But not the Persian reference. That went completely under the radar and I think it's a shame. So why that reference?
It was everywhere. On October 28 2022, in Buenos Aires, for example, Coldplay (and the exiled Persian actress Golshifteh Farahani) were openly supporting on stage the Persian women's unprecedented protests. This specific wave of protests followed the horrendous assassination of Mahsa Amini, a student who died while in police custody for the crime of 'wearing her headscarf improperly', on September 22, 2022:
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So no Muslim woman and - I bet the farm - no Alex Norouzi were instrumental in this choice. Someone else was. A someone who openly protested, too and at a very early moment: as early as October 1st, 2022. Kindly refer to the 0:28 mark:
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This made no waves, at its time, either on X or Tumblr. It wasn't exactly convenient to the Narrative, you see. And Norouzi, spare for being Persian himself - something else that escaped the Mordorian intelligentsia for almost five years (!) - is, in my humble opinion, quite a different story altogether.
I started to write a horrendously long post about history, culture and all the personal rest. But I realize it would just be too much. I would simply discuss AN, the Add-on a bit later: that should make things more clear.
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iwanthermidnightz · 22 days
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*excerpts below — but I highly recommend reading the full article in link above*
Hit Me Hard and Soft dunks us headfirst back into that universe, from the deepest wallows of depression to the exhaustion that comes with the world speculating about her every move. There are no arachnids where they shouldn’t be, but getting in touch with her darker side has Eilish finally feeling like herself again. “I feel like this album is me,” she says. “It’s not a character. It feels like the When We All Fall Asleep, Where Do We Go? version of me. It feels like my youth and who I was as a kid.”
Although 2019 felt like a whirlwind of madness at the time, she has found herself missing it. “It was the best time of my life,” she says. “This whole process has felt like I’m coming back to the girl that I was. I’ve been grieving her. I’ve been looking for her in everything, and it’s almost like she got drowned by the world and the media. I don’t remember when she went away.”
The title Hit Me Hard and Soft derives from a conversation she had with Finneas, when she mistakenly thought the name of a synth in Logic Pro was called Hit Me Hard and Soft. “I thought it was such a perfect encapsulation of what this album does,” she explains. “It’s an impossible request: You can’t be hit hard and soft. You can’t do anything hard and soft at the same time. I’m a pretty extremist person, and I really like when things are really intense physically, but I also love when things are very tender and sweet. I want two things at once. So I thought that was a really good way to describe me, and I love that it’s not possible.”
Eilish and Finneas call Hit Me Hard and Soft “an album-ass album.” It’s not a concept record, but it is a self-consciously cohesive set of songs, inspired by auteurist works from the past 15 years or so, like Coldplay’s Viva La Vida, Lana Del Rey’s Born to Die, Tyler, the Creator’s Goblin, Marina and the Diamonds’ Electra Heart, and Vince Staples’ Big Fish Theory.
“Lunch,” a complete 180 in both sound and subject content. It’s a sexy, bass-heavy banger where Eilish is crushing on a girl so hard she likens sex with her to devouring a meal. Finneas remembers playing this moment for Interscope and witnessing the team shift in their seats. “What’s funny about starting the album with [the opener] is that it is a total false promise,” he says. “If you’re remembering ‘What Was I Made For?’ and then you hear [it], you go, ‘Oh, OK. I understand this world.’ Then the drums come in [on “Lunch”], and it really is the kill-the-main-character-type beat. It’s like Drew Barrymore being in the first five minutes of Scream and then they kill her. You’re like, ‘They can’t kill Drew. Oh, my God, they killed Drew!’”
Eilish and I spend a lot of time talking about the new era she is about to kick off, and how she’ll promote Hit Me Hard and Soft while prioritizing her mental health, privacy, and well-being. With all of that in mind, I wonder if she’s ready for journalists to pepper her with questions about the album’s subject matter, particularly the sexual nature of “Lunch.” “That song was actually part of what helped me become who I am, to be real,” Eilish says. “I wrote some of it before even doing anything with a girl, and then wrote the rest after. I’ve been in love with girls for my whole life, but I just didn’t understand — until, last year, I realized I wanted my face in a vagina. I was never planning on talking about my sexuality ever, in a million years. It’s really frustrating to me that it came up.”
Eilish is referring to her interview with Variety last fall, in which she mentioned she was attracted to women. The quote — “I’m attracted to them for real” — became a national headline. The following month, Eilish attended Variety’s Hitmakers event in L.A. While on the red carpet, she was asked if she intentionally came out in the story. “No, I didn’t,” she told them. “But I kind of thought, ‘Wasn’t it obvious?’” Eilish then posted about it on Instagram, with a caption that read, “Thanks Variety for my award and for also outing me on a red carpet at 11 a.m. instead of talking about anything else that matters. I like boys and girls leave me alone about it please literally who cares.”
Looking back, Eilish admits she overreacted with the Instagram post. “Who fucking cares?” she says. “The whole world suddenly decided who I was, and I didn’t get to say anything or control any of it. Nobody should be pressured into being one thing or the other, and I think that there’s a lot of wanting labels all over the place. Dude, I’ve known people that don’t know their sexuality, or feel comfortable with it, until they’re in their forties, fifties, sixties. It takes a while to find yourself, and I think it’s really unfair, the way that the internet bullies you into talking about who you are and what you are.”
As for that red-carpet quote that made all the headlines, Eilish says she tried to think of a response that would be entertaining for her fans and the internet. “I went into Billie Eilish interview mode, [like], ‘Oh, I don’t care. Yeah, I’ll say whatever. Wasn’t it obvious?’” she says. “And then afterwards I was like, ‘Wait. It wasn’t obvious to me.’”
Thinking about it now, she draws a bigger lesson from that moment. “I know everybody’s been thinking this about me for years and years, but I’m only figuring out myself now,” she says. “And honestly, what I said was funny, because I really was just saying what they’ve all been saying.” She adds that she liked the journalist she was talking to and didn’t want to be rude. But she still felt exploited. “Bro, I have asthma out here,” she says. “I fucking can’t take a breath.”
If Eilish had the opportunity to do it over again on the red carpet, she says, she wouldn’t have answered the question. But she acknowledges it could have been worse. “I’m lucky enough to be in a time when I’m able to say something like that and things go OK for me,” she says. “And that’s not how a lot of people’s experience is.”
Eilish has officially decided to make some changes to the way she presents herself to the world. “This album, to me, feels like a way to restart, in terms of my sharing,” she says. So let’s take a second to reintroduce Billie Eilish, the home-schooled bohemian who captured our attention as a teenager. She’s 22 now, yet she’s more self-aware than people twice her age. She would like some space to grow, to figure out exactly who she is — no label required. She is not the poster child for anything. And she is not, she’d like to note, a TED Talk speaker. So where does that leave us? Eilish sums things up with four simple words that point to her desire for normalcy and acceptance.
“I’m just a girl.”
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