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#category: film
arbitrarygreay · 3 months
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Certain kinds of Star War fanfic be like
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dykejaskier · 2 years
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Pearl (2022) dir. Ti West
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dreamgirledward · 5 months
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i turned off notifs for that post i made asking for the tea but ty to everyone filling me in on delicious yt drama lmao. anyway here's a list of my fav video essayists/creators on youtube that james somerton wishes he could compare himself to:
kaz rowe
mina le
captainmidnight
karolina zebrowska
khadija mbowe
bernadette banner
thomas flight
the queer kiwi
moderngurlz
amandamaryanna
tasting history with max miller
broey deschanel
alexander avila
their topics range from pure academia/fashion/art/food/film/popular culture so there's a good mix! some of them have a more sarcastic, playful approach as well, bc i like a good balance lol. all of these creators are passionate about what they talk about and actually do real research! they cite their sources properly and typically dont approach topics with a singular perspective. if they're not conducting their own research first hand, i know a few of them have proper research assistants! wild!
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hauntedorpheum · 2 years
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If you don't pick up the tempo, you're gonna lose your head. Snap, snap.
Van Helsing (2004) Queen of the damned (2002) Dracula: dead and loving it (1995) Fright Night II (1988) The fearless vampire killers (1967) Bram Stoker's Dracula (1992) Buffy the vampire slayer (1997 - 2003) Vamp (1986) The vampire diaries (2009 - 2017) From dusk till dawn (1996) Blade (1998)
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theinfinitedivides · 7 months
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i just think that women—
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nyikondlovu · 11 months
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Chefs Kiss (Sydcarmy) fans stay with me, Chefs!
I’m not taking anything Ayo, Jeremy and Christopher say against sydcarmy, aka Chefs Kiss, seriously.
They purposefully kept Carmen and Sydney as separate as possible this season, which is a big mistake in my opinion.
The show is about the characters and their relationships with each other. Food is a part of it, but it’s mostly the relationship each character has with one another that makes the show.
The writers trying to dispel the rumours by keeping what I would call our male and female leads apart is nuts because Jeremy and Ayo play so well off of each other but by separating them Jeremy gave his weakest acting (which is still very good) during Carmy/Claire scenes?
They keep saying The Bear doesn’t need romance then give Carmen a whole relationship that was so boring to watch for like 7 episodes and felt like watching paint dry because Claire isn’t engaging.
I’m expected to care about her, what she supposedly means to Carmen and hear about how great she is but don’t get to see it? She’s an ER resident for gods sake and she’s running around town giggling every 5 minutes without a semblance of the hard work and exhaustion that comes with being a doctor.
And for the reason stated above, I believe she’s a manic pixie dream girl. She’s there to change Carmen’s view on life, be different and quirky and the one who got away when in reality Carmy forgot who she was and had to be reminded which took him a whole 5 seconds to remember the supposed love of his life, purposefully gives her the wrong number and she says “You’re the Bear, of course I remember.”
No one was gonna take her seriously as the person to keep up with Carmy and help keep him sane.
Meanwhile Sydney does. She anchors him, she keeps up with him and she calls him out on his shit. Sydney isn’t perfect. She’s terrible at stating what she needs at that moment, she slightly short tempered and she is passive aggressive.
She also is working on her impatience and passive aggression. She eventually tells Carmy she needs his attention as her partner. She speaks up for herself to her dad and she’s not letting her ambition be treated like a bad thing anymore.
Carmen and Sydney would make sense because they are flawed. Carmy stops going to group therapy as soon as he starts dating Claire because she’s ‘fixed’ him and they don’t work because of that.
Sydney has ‘levelled up’ in her professional life, she’s more assertive and willing to listen and has just grown as a person and that type of continuous strive for self growth is what Carmen needs to see in order to do the same HIMSELF.
Sydney isn’t there to fix Carmy, she’s someone who he can grow alongside.
Claire was used as a kids bandaid to a gaping wound; the wound being Michael. Claire represents a life where Mikey was alive and Carm’s fucked up family was as whole and happy as it’s gonna be. She represents the past and everyone PUSHED him to want to date her in the past.
There is too much between our two chefs for simply business partners:
S1 shows Carmen scrubbing the floor of the restaurant when in turmoil while Sydney does the same in S2;
She’s spliced into the montage of Carmy and Claire as though she’s a silent part of their relationship;
She has the three dagger heart tattoo which typically represents romantic heartbreak and turbulence;
Carmen remembers her interest in his whites from three months prior even though she didn’t say anything and gets her her own custom whites;
The imagery from their conversation under the table? Him asking her to screw the other side and “say more, please” as he holds up the table (and Sydney) while she finally shares her fears;
“You’re not alone.” “Neither are you.”;
The memories of Sydney being what calms him from his panic attack;
During said panic attack, the song that was Claire and Carmen’s plays in reverse and any flashes of her are accompanied by memories of his dysfunctional family while the moment he thinks of Sydney? The song starts playing correctly. He calms and flashes of his family (and Claire) disappear;
Them constantly cooling an argument with the ‘I’m sorry’ gesture;
Him constantly being in tune with her emotions and body language.
Sydney represents a new beginning. The chance to build a healthy family with the staff of The Bear, Sydney, Natalie and Richie. She represents a future. She represents good change.
I’m fully convinced Ayo and Jeremy are just doing what all actors do with a ship that’s not yet canon: downplaying or dismissing it.
C’mon if you’ve been in The High School Musical The Musical The Series fandom and shipped Rina from the beginning, you know how it feels to be persecuted and gaslit by other fans and the actors for seasons.
TL:DR, Chefs Kiss is literally a super slow burn and no one of the team will confirm it until it actually happens.
Also, never let your girlfriend (Claire) stop you (Carmen) from opening a restaurant with the love of your life (Sydney)
And if you think they should “stay platonic”, ask yourself WHY every swirl ship with a white male lead and black female is hated by fandoms and the argument is “they’re best friends” or “they’re like siblings”. WHY can’t black women be desired? Because you can’t self insert? Check yourself before claiming a character who was so underwhelming I skipped so many scenes is a better match than the character who has seen him at his worst and told him he cannot and will not talk to her like that. The first person he thought to open a restaurant, that means so much to him, with
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eizagonzalezs · 1 year
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GET TO KNOW ME: ♡ [17/25] films:  ☆ Paradise Hills (2019) [Dir.by Alice Waddington] 
“Our families sent us here to shape us in their image, not ours.
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all-lars-bars · 8 months
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Me watching Slenderverse stuff and I see Slenderman: Omg! Heyyyyy!!! Funny to see you here! What a funny coincidence!!
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arbitrarygreay · 1 year
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Tbqh, I feel like "scoring custom tailored to the footage" has been proven a bad/false approach at this point. For one thing (the "false" part), editors are already putting together footage to demo tracks, which is the SCOURGE of scoring feeling generic these days, because then the composers are strait-jacketed to the rhythms of the demo track. For another, there are just so many more cases where the greatest music was written before the edit, and the results are far more iconic. And I don't even mean insert songs, the increasing popularity of which speaks for itself (footage being shot and directed with the pre-written track in mind in the first place), but I mean cases where the composer doesn't really care about the nitty-gritty happenings of the footage, and just writes a piece with full fledged musical structure, about the length of the entire scene. The greatest examples of this, of course, are in anime. In particular, consider Samurai Champloo. There is just about zero connection between the soundtrack of that show and the happenings of the episodes to which they are paired, in terms of timing. In fact, I bet for any of the non-pivotal scenes, you could swap tracks around, and still achieve the same results. Yet, none of that is a critique of the show. Because custom-tailored scoring doesn't actually deliver any better results. Write music that can stand on its own. The editors and audience will fill in the pattern recognition themselves. The better the music, the better the opportunities for resonance.
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dykejaskier · 2 months
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lorraine warren being beautiful [13/∞]
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hydravns · 12 days
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PACIFIC RIM (2013) Dir. Guillermo Del Toro
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Coyote Ugly (2000, David McNally)
17/04/2024
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theinfinitedivides · 6 months
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runs in the family
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stagefoureddiediaz · 9 months
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Here’s a couple of really great articles/interviews with Robbie Taylor Hunt talking about intimacy coordination more widely, but specifically on rwrb. He’s so knowledgeable and they’re really interesting and amazing reads and really showcase both his talent and why intimacy coordination is so important.
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uservaulty · 2 years
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they should make more of this me thinks
(penelope 2006/austenland 2013/rosaline 2022)
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life-in-toontown · 4 months
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I just saw a Tweet saying that The Boy and the Heron was the first 2D film to win Best Animated Film at the Golden Globes
…no. There’s no way that was the first 2D film that won. Hang on a sec lemme look this up.
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Holy shit
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