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#but they can't just move and start over like moneyed individuals might be able to!
keepthetension · 4 months
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still thinking about grief and recovery and support on this show because oh boy did the shows airing this weekend put me in my dead parent feelings i said before i was concerned about how porjai is dealing with her own grief, and this episode we saw her easily talking about rung, and even casually yelling to rung that she misses her! maybe this is me projecting, because i can't do that, but this seems like a pretty healthy place to be, especially contrasted with mhok's relative silence, and i'm glad!
and mhok's silence doesn't come from anger or resentment (which are valid ofc, but i did wonder if imprisonment gave him time to work through this to some degree) but out of protectiveness. i fucking loved this, because it felt so realistic and lived-in. i lost a parent to intimate partner violence, and i NEVER open up about it; people sure have Opinions, and it makes me insane
but day finding out about rung offscreen wasn't on my bingo card, tbh. because we've been with mhok through everything he's found out about day
it doesn't bother me, exactly, but it feels slightly unbalanced, and i suppose what i'm thinking is: knowing what happened to someone doesn't actually tell you how they feel about it, or how it affects them, or how you can support them
mhok found out from that lady sharing personal medical info she had no business sharing about day losing his eyesight in the accident, but he put in the work to understand what it actually meant for day. and in most cases, we've seen day telling mhok about what troubles him in his own words (his crush on auggy, why he was avoiding his friends, etc)
bereavement is probably statistically more common, so i suppose it may not need to be spelled out for an audience? but i am wary, because there have been so many shows where characters are visibly — to me! — struggling with grief and everything else matryoshka-ed in it, but audience reaction simply doesn't factor this in
i'm also thinking about how often mhok tells day a story about himself with the intent of making him smile ("i bought two bracelets just because i had money to spend" "i found this rooftop when i needed to sober up" "my sister called this false rice". i'm certain there are more!). because this is what a caretaker does, or because this is what mhok does, or both?
because this always made me wonder what it would take for mhok to talk about something that wouldn't make day smile, or because he wanted to share. in the former case, it'd have to be something pretty bad!
of course, talking isn't the only way to recovery or intimacy. and mhok going from "i'm breaking up with my devoted gf because i don't want to drag her down with me" to "i'm going to ask you to be my bf" is pretty significant!
but as they navigate the journey from being caretaker and client to being boyfies, the balance has to shift around a bit to them supporting each other, consciously choosing to be there for each other
in this episode what we got was: you only want money to buy that car. and i'm not even mad about this, because this kind of comment is very in line with day's character. but wow. day, i know you're feeling big feelings, but throwing one of the few things you know about mhok's life in his face is. not it!
#last twilight the series#i know this is a “trustworthy” director. and i will happily eat my words! but#it's always bothered me when couples fall into this pattern of ONE person doing the bulk of the supporting and caring and accommodating#and i am HOPING WISHING PRAYING this show doesn't do the same you know?#also like the imbalance makes sense if they're only caretaker and client of course! i'm just SO curious how this will be addressed#thinking a lot lately about characters society puts into a certain box because social status or because they're Manly or Tough or some shit#and there isn't a space for them to be soft and goofy and playful and tender. and people assume they don't need to be cared for#ten from cooking crush and babe from pit babe and top from only friends. for example.#and “there's zero tenderness in you” mhok#and i desperately want to see these characters get to be more than they're “allowed” to be#patriarchy is a curse#oh also i suspect mhok's “healing journey” will come to a head once he buys the car or whatever ends up happening there#ALSO GOD how many people would move the fuck out of that house afterward IF THEY HAVE THE MONEY TO DO SO#and maybe it doesn't feel like this for mhok and porjai but living in the same place afterward can be intensely suffocating#but they can't just move and start over like moneyed individuals might be able to!#recovery and healing simply looks different for the rich#anyway next ep will probably foreground mhok caring for day. and there are not many eps left!! i am wary but still fairly optimistic
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meownotgood · 8 months
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under the influence / hayakawa aki
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When Aki gets dragged to the most popular strip club in Tokyo in hopes it'll help him "de-stress", against all odds, you help him do just that. In return, he finally cures your itch for something more.
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CHAPTER ONE — STRAWBERRY DAIQUIRI
pairing: hayakawa aki x fem!reader
word count: 34.0k
tags (for this chapter): 18+, aki is a virgin, reader is a stripper, drinking & smoking, strangers to lovers, lots and lots of plot, reader is shorter than aki, reader's had some bad experiences with men, pampering & comforting aki, body worship, dry humping, finger sucking, praise, the calm before the storm (the plot before the total filth)
masterlist.
read on ao3
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this work contains explicit content intended for 18+ individuals. please read the tags and do not interact if you are a minor.
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The club is awfully lively tonight. Colorful kaleidoscopes of light shine across the floor and the walls, they reflect off the sparkly clothing of the dancers on stage. There's guys drinking at the bar, smoking fat cigars, throwing wads of money, getting lap dances. Music pumps though the overhead speakers so loud you can feel the bass reverberate in your chest. 
And yet you've never been so fucking bored. 
You don't exactly hate your job. With how much money you make, you could never truly despise it; the privilege to both live well within your means and be able to buy whatever you want is all you could ask for out of a job like this one, really. This particular nightclub is located right in the center of the red light district, and it's known for being the most luxurious Tokyo has to offer, so the customers are plentiful and almost always loaded with cash. 
Your manager is reasonable. He allows you to have frequent breaks, he gives you bonuses for every occasion. He never forces you to serve anyone you don't want to. Your coworkers are all kind, great people, and even though you aren't close, you know they'd all have no problem backing you up if you're ever in an uncomfortable situation. 
It could be worse is what you always end up telling yourself. You say it in the morning when you're looking in the mirror and putting on your makeup, daydreaming about what it might be like to work in some cooped up office instead. You remind yourself that your day-to-day life could be so much worse than it's fortunate enough to be every time you read another article in the newspaper about the latest devil related slaughter in Tokyo. When you think of it that way, your stresses start to seem trivial in comparison. 
There is one thing you can't stand about being a stripper, though, one thing you'll openly admit — and that's how goddamn uninteresting it is. 
Dull would be a good way to put it. Lucrative, sure, but also incredibly, incredibly dull. Even on busy Saturdays like this, you find yourself completely worn out and bored to tears, already daydreaming of when you'll get to go home, even though the night has just begun. 
Every day is the same story. Get dressed up, dance until your feet are cramping in your heels, deal with sleazy, drunk men all night, and then wake up to do it all over again. Your only reprieve is when you get to go home and count your money. 
When you dropped out of school shortly after moving to Tokyo, this sort of experience was definitely not what you were expecting. You really should have stayed in your quiet little hometown, but you ended up listening to your heart instead of your head. You quickly had to shift your plans from living your dream city lifestyle to settling for whatever places happened to be hiring, which left you to choose between the Public Safety Commission or the stripclub. 
Hey, this beats becoming a Devil Hunter, at least. You'd take a little boredom over having to risk your life every day just for a paycheck, or needing to make deals with slimy devils in order to get by. 
Honestly, the more you've thought about it, the more you've realized that this job would simply be so much easier to deal with if the men weren't so damn insufferable. You've begun to learn rich doesn't exactly equal charitable, and that the men with the most funds to spare are usually the ones who tip the least, act the worst, and have no idea how to follow the rules. 
The club is quite clear when it comes to its no-touch policy, but that doesn't seem to stop anyone from putting their hands on you. You're often grateful you're not one of the most popular performers, because although they tend to make the most money, they also have it the worst when it comes to the way they're treated. Nothing could ever be worth the things they have to deal with. 
You've seen dancers have drinks thrown at them, you've watched them get stalked, you remember multiple instances where the night was cut short because the police were called. You've comforted several of your coworkers after they've run into the staff room crying because of something some asshole did to them. 
And it's no secret a stupid amount of these men are coming here so they can get away from their girlfriends, their families, or even their wives. The thought alone is enough to make you sick to your stomach. How can those men have everything, the things most people in this shitty world don't get to have — happiness, love, wealth, a family — and yet they're still so unsatisfied? 
"Hey, beautiful. Let me buy you a drink." 
A sudden raspy, drunken voice coming from behind you rouses you from your thoughts. 
You decide to ignore it for a second. And then two, and then three. Maybe they weren't talking to you; maybe whoever this guy is, he'll go away and leave you alone because clearly you're trying to enjoy your break by relaxing at the bar, and clearly you don't want to talk to him, so can he just —
"Hey," The man speaks again, louder, and closer to your ear this time. He's leaning over you, he's way too close for comfort. You can smell the alcohol on his breath, you can tell he's tipsy by the way his words start to slur and how they sound heavy on his tongue, "You've got ears, right? I'm trying to be nice here." 
You give yourself a half a second longer to get composed before turning to him, sweetening up your tone and putting on your best fake smile. 
"Sorry sir, I'm not supposed to talk to patrons when I'm on my break. The boss will get suuuuuuper mad at me if I do." You lift the drink you're holding, swirling the contents around in the glass. "Plus, I already have a drink, see?" 
The man eyes you up and down, and for a moment you're worried he isn't going to leave you alone. But finally, thankfully, he stands up straight and walks away, muttering something to himself you don't hear all of because you've already stopped paying attention. "Ungrateful bitch," was the only thing you managed to catch before you started focusing on the peppy club music to drown him out. 
If you didn't need this job, you'd have probably cussed that guy out. Hell, you would have started cussing out assholes like him months ago. You've been telling yourself this for ages but seriously, one of these days, your patience is going to wear thin, and whoever decides to go over the line that day is not going to like what they hear from you. 
With a frustrated sigh, you roll your shoulders back, relieving some of the tension there, and you bring your glass to your lips, taking a small swig of your strawberry daiquiri. The chill from the ice hits your lips first; you taste the sweet strawberry syrup on your tongue, and when you swallow, the tart rum lingers satisfyingly in the back of your throat. 
You usually don't drink at work as a personal preference but it's hard to avoid when you've been super on edge tonight. These days, you feel as if everything has your mind way more frazzled than usual. You were hoping a drink or two would help to settle your nerves. And while it does provide you a nice distraction from the chaos, the alcohol is yet to hit your system, so your swigs are doing little for your current situation. 
You're in for a long night, aren't you? 
Thankfully, you've still got a while left to relax and enjoy your break, but something tells you you're gonna have to savor your alone-time while you can. 
You're working 'til close tonight, which means you won't finish your shift until around 2am, you won't get home until 3, and when you glance up at the neon clock on the wall — the one you always know the exact location of because you spend ages staring at it on every single shift you work — you can tell it's only a few minutes past 10pm. 
You absently swirl the remaining contents of your drink around the glass. You'll get through the night, you always do. You don't have any doubts. It's just that the thought of how long you still have to be here is enough to totally kill your appetite. 
Oh, whatever. If you want to see the end of this shift as soon as possible, you're gonna need something to take the edge off. So, reluctantly, you screw your eyes shut tight and tip your head back to down the rest of your drink. Luckily for you, you place the empty glass on the counter right as the bartender is walking over. You waste no time ordering yourself another one of the same. 
While you're waiting for your drink, you drum your fingers against the surface of the bar and glance around the club. It's still just as busy as it was when you first sat down, unfortunately. It looks as though nearly every booth close to the stripper poles is filled, and most of the ones further away are busy as well. Some groups of men are crowded around the furthest seats to play cards and place bets. You observe the stages, the tables, the columns of neon light cast by a prominent, shiny disco ball. Everything seems to be as usual, but one sight catches your eye and keeps your attention. 
It's your boss, who's currently standing at the front entrance, personally greeting two men who have just walked in. They both flash their IDs at the security guards, and once they've stepped all the way inside, your boss stops them and begins to speak to them.
You can hear a friendly, hearty sort of inflection in his voice, but what he's actually saying is difficult to pick up over the loud music. Surely he's starting by repeating the same script he always does: Welcome to Kon Kon Nightclub, the highest-rated club in all of Tokyo! Let us know how we can best please you tonight, boys! 
These guys are a little different from the usual crowd, though. They're special, hence why your boss is lingering for longer than he has to. It's easy to tell who they are and why they're so important from the uniform they're wearing: a collared shirt, professional-looking slacks, and a crisp, neat suit and tie. 
You've seen this uniform countless times before, whether it be on the news, in the streets, or during your own job — You've been told, "Hey, Public Safety guys. Look alive, and make sure to treat them real nicely," more times than you can count. 
Everyone in Tokyo could recognize a pair of devil hunters from a mile away, but especially you and especially, especially your boss. 
Simply put, your boss tends to give men from the Public Safety commission special treatment. They're the most consistent customers, usually showing up in order to de-stress from one mission, or to forget about the strife of another. The boss makes certain they're pampered to keep them coming back. 
That, and they tend to pay handsomely. Yes, a devil hunter's salary is nothing to scoff at, but most of the time, the reason why they're so frivolous with their cash is because they tend to spend like it's the end of the world — and when you come face to face with the very real possibility of death on a day-to-day basis, for them, it very well could be. 
It makes sense why they choose to come here, you suppose. Hunting devils for a living takes a massive strain on someone; you know this to be true from all the hunters you've seen and spoken to. A job like that is rough on your mentality, on your physical well-being. A lot of devil hunters don't form long lasting relationships because they're so busy, but you figure it's also because, to put it bluntly, people don't want to date someone who could be here one day and gone the next. 
Not like you can really blame them. You wouldn't get involved with a devil hunter either. 
Devil hunters show up so they can relax, so they can get their mind off things and pretend to be normal for a while. A sense of normalcy goes a long way for a job so rotten. You would know, you've dealt with your fair share of men from Public Safety, mostly because the days they have off usually align with the days you work. But to be honest, you don't mind them. 
Although you've certainly met a good few devil hunters who are stuck-up and self-righteous, most of them are nothing more than troubled people. They're scared, they're lonely, they aren't used to talking to women. They want a pretty girl's love and attention, they just don't know how to ask for it. 
Most of them are good men, albeit a bit misguided. Some of them are crazy. Though, with a job like that, who wouldn't be? Hell, at least when they act depraved, they have an excuse, unlike the rest of the guys who walk in here. 
And since the vast majority of devil hunters who come here are regulars, you were able to recognize one of the men your boss is currently talking to the second you saw him. 
Dyed blonde hair because he doesn't want anyone to see his grays, a messy scruff you'd hardly call a beard, and a scar on his face you could recognize anywhere; Kishibe comes here every single weekend, so if you didn't see him, then it would be a cause for concern. The only time he isn't here to drink beer from the tap and relentlessly flirt with all of the performers is when he's got devils to kill. 
Surprisingly, you'd have to say he's one of the regulars you hate the least. He's kind of sleazy, a little off his rocker, but he's a good guy. He's never rude, and he doesn't tend to bring rude men along with him, either. There's performers he favors much more than you, though, so it's not often where you end up having to service him. 
Either way, you're much more interested in the man who's accompanying Mister Kishibe tonight. You're certain he's someone you've never seen before; when it comes to your patrons of the devil hunter variety, you never forget a face — and you definitely wouldn't forget such a unique hairstyle. 
The man has his dark hair tied up in a neat, pointy topknot, showing off the pair of distinct, black circle-shaped earrings that adorn his lobes. He's tall, nearly taller than Kishibe. He's clearly much younger though; your guess is early twenties, maybe twenty-two, twenty-four? And in your opinion, he has a handsome face, a sharp jawline with pretty features. 
He's maintained a nice, straight posture, with his arms held uniformly around his back, and a blank, serious expression since you first started watching. But from the way he keeps nervously glancing around, shifting his weight from foot to foot, his shoulders tensed up: it's clear to tell he's getting increasingly uncomfortable. 
Mister Kishibe says something to your boss you're unable to make out before slinging his arm over Mister Topknot, to which your boss bursts out laughing, and Topknot immediately has an absolutely mortified look forming on his face which he tries to hide by averting his eyes and awkwardly clearing his throat. 
Yeah, there's no way this man has been here before. He arrived less than five minutes ago and he already looks like he wants to leave. 
It must be his first time coming to a place like this, you assume. His reserved demeanor is enough to tell you all you need to know, but honestly, he just doesn't really look like the clubbing type. Kishibe looks the part, for sure. But this man, with his stiff posture and out-of-place attitude — he's like a fish out of water. He's the type who seems like he'd rather stay in on a Saturday night, not go out and party, and certainly not go and hit up a sweaty, busy strip club. 
You've seen this same story countless times before. If you had to guess, this wasn't what he wanted to do, but he ended up getting talked into it, or perhaps even got dragged here against his will, all by his annoying, sleazy coworker. Now, he's got to deal with being uncomfortable for the rest of the night, all while pretending to act completely fine. 
You can't help but find his plight a little bit cute. 
Kishibe gives the man a firm pat on the back before walking away from the entrance and into the busy club, to which he's swarmed almost immediately by a group of three strippers; one grabs his arm and ushers him to sit down at the nearest booth, one takes his coat from his shoulders and holds it like a souvenir, and the other sits down next to him, crossing her legs and placing her hand on his thigh, leaning in to whisper something into his ear with a coy expression on her face. 
As ridiculous as it is, you wouldn't consider their behavior to be at all out of place considering how popular Kishibe is among the women here. He's simple, easy to get along with. Or maybe it's just because of how generously he likes to tip. If you had more patience, and if the usual men who came in here were anywhere near as tolerable as Kishibe, you'd be spoiling them to high heaven too. But right now, you don't care about any of them. 
You bring your attention back to where the newcomer guy is still standing awkwardly at the entryway. You're much more interested in what his next move is gonna be. 
Your boss places his hand on Topknot's shoulder, giving him a curt nod before walking away. The man stands there for a second, you watch him shove his hands in his pockets and glance over to where Kishibe is currently knee-deep in women, as if he's considering catching up with him. In the end, his chest heaves like he's sighing, he looks towards the bar, and — Oh, he's coming over here. 
You turn towards your drink as quickly as you can before he can catch you staring at him. He approaches the bar; you feel your heart leap into your throat when he chooses to stand right next to your stool, and wow, he's way taller up close. His shoulders are broad, his chest fills out his suit. When you manage to steal glances at him, silently praying he won't notice but daring to take the risk anyways, you conclude he's even more handsome than you thought, too. 
His face is framed by long, straight bangs, his eyebrows are short and thick, his eyes are a deep, alluring shade of blue, like the sky after rain. The colorful lights from the nearby stages reflect in the shiny metal of his earrings. He reaches into his back pocket to pull out his wallet and his hands are large, his knuckles bruised, his palms calloused. A defined Adam's apple bobs in his throat when he calls over the bartender — 
"Excuse me. What do you have on tap?" 
And his voice is low, silky smooth; only a couple of words, and you feel like you could listen to him speak forever. 
You're nosy when he pulls his ID from his wallet, placing it on the counter and sliding it over to the bartender with his index finger. With your eyes squinted, you're just barely able to catch the name printed on it before the bartender picks it up: Hayakawa Aki. 
Aki is careful to slide his ID into his wallet exactly where it was when it's handed back to him, and then he quickly shoves his wallet back into his pocket. He leans his arms over the bar counter while he waits for his beer, resting his chin on the heel of his palm. 
You notice how the buttons of his suit jacket are clasped neatly around his chest, and how his collar is folded exactly, neither side longer than the other. And how his tie is tight and straight and orderly, how it's tucked into his jacket nicely — It's a stark contrast to how Kishibe looked when he walked in, with his jacket already undone, his collar ruffled, and his tie loose, stuck haphazardly into his shirt pocket. 
You wager Aki is a lot more professional than his buddy, a lot more uptight. A lot less crazy. That'll get you killed, you can hear Kishibe saying in your head, after he's gone on another one of his unprompted ramblings about devil hunting. Aki is a lot more cognizant of his reputation — and thus, a lot more ashamed than most to be coming to a place like this. 
Aki's gaze wanders over the array of drinks in the back of the bar: the short bottles, long bottles, drinks with colorful labels and brands he doesn't recognize, but seem incredibly expensive. And then, he looks towards you. 
Your eyes meet his own briefly, for no more than a half a second; you tear yourself away and turn back towards your drink like it was just a coincidence. 
You have no idea whether or not he noticed you staring, but thankfully, the creeping sense of awkwardness you were starting to feel quickly fades away as the bartender arrives with a frothy glass of beer, remarking something about the tab before setting it down on the counter. Aki takes it by the handle, but as he's turning to leave, his shoulder accidentally bumps yours just slightly. 
It isn't enough to spill your drink, or really enough to displace you at all, but it is enough for Aki to swiftly turn to you and apologize for his mistake. 
"Oh," Aki meets your eyes for the second time tonight. There's an apologetic, sincere expression on his face, and he politely says with a nod of his head, "I'm sorry, excuse me." 
By the time you've turned to reply to him, to say something like, Oh, it's alright, or It's okay, hey, you're new here, aren't you? he's already gone, disappearing into the crowd of patrons and the swirls of neon lights. 
Shit. 
You turn towards your drink once more, except this time, instead of patiently nursing it like you've been doing for the past few minutes, you tilt your head back and down the entire thing in a couple of gulps and a few seconds. You set the empty glass on the table, you shift off of your bar seat before the bartender can convince you to stay for another, you pull on the bottom of your outfit to adjust it once you're up and standing. 
You have to find him. 
The club is rather large, but you've long since memorized the layout, so you know the spots where people like to hang out. Based on what you've seen of Aki so far, if he's not with Kishibe, it's likely he'll be in one of the far corners, in a seat that's furthest from the stages, the performers, and the noise. In the spot least likely to get him into trouble. 
So, you walk through the club, in search of the man with the signature topknot. You check Kishibe's usual seat first; he's kicked his feet up on the table in front of him, he's got a cocktail with a paper umbrella sticking out of it in hand and he's crowded by even more women than when he got here — but the person you're looking for is nowhere in sight. 
You head towards the back of the club next. Your eyes scan the booths, the tables, even the sidelines where he could possibly be standing. At one point, a guy sitting on one of the front couches — a guy who's definitely not Aki — crooks his finger at you and whistles like he's asking you to come over. You ignore him completely, rushing past without even bothering to spare him a second glance. 
God, you're not a fucking dog, and besides, you've got better things to do right now. Better men to talk to. 
Finally, you reach the very last booth in the back of the club, and that's when you see him: Aki Hayakawa, sitting in the dimly lit corner by his lonesome, his long legs crossed over each other as he sips from his half-drank glass of beer. His foot is tapping the floor nervously, his eyes are looking everywhere but the stripper poles, and when you start to walk closer, when it's obvious you're deliberately heading in his direction, his gaze catches on you. 
You see him do a literal double-take, and you can't decide if it's because he recognized you from earlier, or if it's because of the outfit you're wearing. When he scans you up and down, and when his face grows flushed, his eyes wide, his lips parted in surprise, you start to lean towards the answer being the latter. 
You have on one of your usual dancing outfits: a strappy blue one-piece, with sheer black thigh highs and sparkly, blue high heels. Fancy, not unlike what the rest of the dancers are wearing, but certainly something special. The dress has windows on your hips and a window on your chest, it hugs your form tightly, accentuating your shape in all the right places. 
It's your boss's favorite, what he'd affectionately refer to as your "big-money outfit", or what your patrons might call a showstopper — Aki probably couldn't see it well when you were sitting down at the dingy bar, but now, when you're standing directly in the bright, fluorescent lights meant to show off the sparkle of an outfit like this one, you're sure he can see everything. 
When you reach Aki's booth, he promptly averts his eyes away from you. You almost expect him to tell you off, or to make some excuse to get you to leave. But if he was going to, you start speaking to him before he can get the chance: "Hey, can I sit next to you?" 
That question gets his attention. He quickly glances up at you. He eyes you up, and then down, and then back up again, slower than when he scanned you before. His mouth opens for a second, but then immediately closes, like there's something he wanted to say but inevitably decided not to. Finally, with a defeated sigh and an unsure expression still lingering on his face, Aki nods his head and uncrosses his legs, scooching to the side to give you room to squeeze into the booth next to him. 
You smile. "Thanks." 
You fold your hands neatly in your lap, sitting a foot or so away from where he's positioned. Aki has his head turned in the complete opposite direction, looking at something or other in the distance and leaving you to stare at the back of his ponytail. 
You've provided plenty of space between him and yourself so you won't make him too uncomfortable. But still, once you get settled in, Aki seems to stiffen a little: his legs fidget, and his knuckles tense when he grips the handle of his glass noticeably harder than before. 
To reassure him, you continue, tone soft and lighthearted, "Don't worry, I'm not gonna do anything. I'm on my break. I just needed a place to sit." 
Aki doesn't seem to acknowledge you, but from the way he slowly begins to relax again, leaning further into the plush booth, turning his head in order to look at you from the corner of his eye, it seems like your words were able to put him at ease, if only by a bit. 
For a few moments, he looks down, staring idly into the contents of his drink. Then, he looks up, his gaze locked on something towards the front of the club. The sight makes his nose crinkle in displeasure, so he keeps staring for only a second longer before looking back down at the table again.
Whatever he was looking at, you would've been interested to know. Maybe it was one of the dancers who he disapproved of, or maybe a patron was acting unruly. It doesn't matter, though. Either way, you have no idea, because all the while, you've been unable to take your eyes away from him.
This dim section of the club casts his features in columns of shadow and pockets of light. You can see every little detail of his so much clearer. It's the closest you've been to him yet, and the proximity somehow makes him look even more handsome. You're close enough to smell the slight, but unmistakable scent of smoke clinging to him. You get the faintest hint of his cologne: pleasant and fancy and an absolute delight to all of your senses. He smells like salty ocean waves breaking against the shore, like the crisp fluttery pages of an unopened book. 
You rest your elbow on the table and your face in your hand. Despite your obvious staring, Aki still seems to be paying you no mind; he closes his eyes and takes a long drink of beer from his glass. A tiny bit of white foam clings to the top of his lip and he wipes it away with the back of his hand. 
"Is this your first time coming to a place like this?" You ask with an eyebrow raised, breaking the silence. 
Aki glances towards you, his eyes wide, like he fully wasn't expecting you to speak. He's silent for a moment, either pondering how to answer the question, or deciding if you were even talking to him in the first place. The way you're expectantly staring at him tells him you probably were. 
"Ah, uhm," He raises his fist to his mouth and clears his throat, he replies a little awkwardly, "Yes, it is. How could you tell?" 
The nightclub's music is much quieter here. The sound is reduced to a dull hum where you can only make out the thump of the bass. The noise from people talking, cheering, or drunkenly shouting is a lot less loud from over here, too. It makes it a lot easier to hear his voice, to focus on him and only him. 
"Hm, well you seemed awfully uncomfortable from the moment you walked in," You answer honestly with a slight tilt of your head, "And that usually means you're new." 
For a second more, Aki stares at you curiously from the corner of his vision, but he doesn't reply — Instead, he breaks eye contact to calmly set down his glass of beer and reach into the pocket of his jacket. He's fishing around for something, and when he finds it, he's pulling out a familiar carton of cigarettes and gently tapping the bottom with his palm until one pops out. 
The box is a distinct shade of sky-blue. You immediately recognize the brand: Wild Raven Lights. It isn't the most popular brand in Tokyo, nor is it what you see the guys who usually come here smoking; that would be cigars, or cigarettes with a hell of a lot more nicotine. But it is the kind you preferred. The brand you used to smoke before you started trying to wean yourself off of them. 
You watch as a thin white cigarette is placed between his teeth, he shoves the packet of cigs back into his pocket and this time, pulls out a small silver zippo lighter. He flicks the top open, he shields the lighter with his palm. His thumb settles on the wheel, but before he strikes it, he freezes. 
With the cigarette still held in his lips, Aki takes a quick glance towards you. 
"Do you mind if I smoke?" 
You flash him a soft smile and reply, "Nope. Go ahead." 
Aki brings his focus back to his cig. With one firm strike of the wheel, the lighter produces a steady flame over the end of the cigarette, flaring it to life. When it starts to burn, he flicks the lighter closed and returns it to his pocket; his eyes flutter shut and his fingers hold the cigarette carefully as he takes a nice, long drag in. 
You can imagine how the smoke settles in his chest when he inhales, how the nicotine feels when it hits his veins, the sense of relief he gets when he tilts his head up and blows a thick puff of smoke up towards the ceiling — Just watching him makes you feel relaxed, as if you'd taken a hit yourself. Aki didn't really strike you as a smoker when you first saw him, but he handles his cigarette like a natural. 
"You smoke Wild Raven Lights?" 
Your question gets Aki's attention. He reaches over the table, he pinches the rim of the ashtray in the middle and tugs it closer. He leans his cigarette over it, and he taps the end to scatter the ashes. 
"Yeah." He replies simply. Smoke wisps up from the end of the cig, and it flares with light when Aki takes another deep hit. 
"I used to smoke those too." You drum your fingers against the table, and you look away from him for a while to glance around the busy club. "The lights are so much better than the regular ones. Those made me feel nauseous." 
There's people all around, dancers and patrons alike. You spot your boss in the crowd for a half-second and briefly wonder if he's looking for you. Your break was supposed to be over soon, wasn't it? The bar seats have all filled up, almost every couch and chair is crowded. And yet, when you're here in this quiet little corner in the back of the club, it feels like you and Aki are the only people who exist. 
You like that feeling. You like how it's just you and it's just him. 
Aki gives a slight nod in agreement to what you said, puffing another cloud of smoke. More people are funneling in from the entrance. The music grows louder and the lights begin to dim as a few dancers take center stage. 
"Hey." 
He draws your focus back to him. Meeting your eyes as effortlessly as if it was natural, he gestures his cigarette held between two of his fingers towards you. "Do you want one?" 
"Oh, no, no," You answer, raising your hands and shaking your head, "The boss doesn't let us smoke on the job. Plus I've been trying to quit. Thank you, though." 
Aki shrugs. He brings his cigarette to his parted lips, his voice is quiet, genuine. 
"Just tell me if the smoke starts to get to you." 
You've known Aki Hayakawa for all but five minutes, and he's already treated you kinder than any man you've known before him. 
Most customers don't have the time or the care for small talk, that's something you learned pretty early on; if they weren't shifting the conversation to something more appealing to them, they definitely would have badgered you for a lap dance by now. 
They wouldn't be keeping their hands to themselves like this, they wouldn't be affording you respect. They wouldn't have asked you if it was okay to smoke, either. They wouldn't be tilting their head to the side to blow their smoke away from you like Aki's doing. No, they'd be puffing it right in your face without a second thought. Even the nicest of the men you've met were still completely oblivious. 
If Aki Hayakawa was anyone else, if he was anything like the men you're used to meeting, the men you've always despised, perhaps you would have stood up and left a long time ago. No, you definitely would have. There's no amount of mysteriousness or intrigue or amount of your own unbearable boredom that would have made you willingly stay and accompany the usual kind of patron on your precious break time. 
You followed him because you thought he was interesting, because you thought he was handsome, even. You're well aware of the dwindling minutes left in your break by this point. If he was like the others, you would have walked away and gone back to working and found someone else to service who's closer to the crowd so your coworkers can keep an eye on you. 
But he's not. He isn't. He isn't rude, he isn't debauched. He's kind and quiet and dammit, it's refreshing to finally meet a man who doesn't look at you the way everyone else does — like an object to be won, like something to be devoured. Aki treats you like you're human. 
You could leave. You're getting ahead of yourself right now, definitely. You can't help but trust him though; you have a good sense for these sorts of things, and Aki simply doesn't feel like a bad person, not in the slightest. Yeah, you hardly know him. And that's the problem, you want to know him. 
You aren't getting up from this spot any time soon. 
"You know," You start, your eyes flickering over him; you examine his professional, straight posture, you can see the slightest prickle of nervousness in his gaze. "You don't have to be so shy. I know this is a lot, this environment, I mean. It's probably overwhelming, maybe a little embarrassing, too. But there's nothing to be ashamed of. It's our job to take care of you. You can relax."
Aki snaps back an immediate response, his tone blunt, his words humorless: "I can't."
He's a man of few words, you've noticed. But that was still far from anything you expected him to say. He takes you a bit off guard, and you can't help but giggle at how serious he sounds. 
You're speaking through a smile when you ask, "You can't relax? Why's that?" 
"I can't relax when I have to watch…" The bridge of Aki's nose wrinkles up in disgust, his lips curl and his eyebrows furrow. Cigarette still held between his fingers, he points to a place in the distance — "That." 
You sit up straight in your seat, you follow Aki's stare and the point of his finger. Honestly, you figured you knew what he'd be talking about before you looked, and sure enough, his gaze leads right to none other than his coworker, Kishibe. The sight is somehow even more ridiculous than the last time you saw it. 
There's one girl tenderly massaging his shoulders, another sitting next to him with her fingers hooked in the loops of his belt, and another who's hand-feeding him horderves. The part that really gets you is these aren't the same girls you remember seeing earlier — It's a totally different group. 
Kishibe looks like he's having the time of his life, but when you turn back to Aki, the irritated expression on his face says it all. 
You chuckle, "Yeah, it's pretty absurd, isn't it? Kishibe is super popular with the girls here." 
Aki turns to you in surprise. "You know him?" 
"Of course. He's here super often, you know. Every weekend actually, either to fill up on alcohol or to flirt with girls. He's one of our regulars." 
"Figures." Aki scoffs. His eyes narrow, and he absently fiddles with his half-smoked cigarette between his fingers. He brings it to his lips, and he finishes speaking before taking another drag. "I'm not surprised. At least he isn't making me pay his tab this time."
"He seems like the type, doesn't he?" 
You pause while Aki steadily breathes out another puff of smoke. God, the scent is intoxicating. When his eyes flutter open again, meeting yours, you swallow, and you continue. 
"He's a good guy, though. At least, compared to some of our other customers. I understand why most of the girls here are desperate for him." 
Point-blank and curt, Aki asks, "Are you desperate for him?" 
You? Desperate for Kishibe? 
Now that response gives you a full-blown laugh. The way he said it didn't sound like jealousy, or like envy, or even like anger. More like utter confusion. As if he doesn't understand how anyone could act so obsessed, especially towards a man like Kishibe. 
Or maybe he doesn't get how Kishibe could let those women obsess over and pamper him, especially women he hardly knows. He thinks it's suffocating, or stupid, or both, actually. 
"Ah, no, not really," You clear your throat as your laughter starts to fade, and Aki stares at you with a neutral expression. You shrug, "He's alright, I guess. Not rude or anything like most guys are. I don't hate him. I just think he's kind of… I can't think of a nice way to put it." 
"A drunkard." 
"Hah, yes. A drunkard." You agree with a playful roll of your eyes, "But it's not like I haven't seen worse. That's why I can't totally despise him, you know? Seriously, you wouldn't believe the pigs we have to deal with on a regular basis. Kishibe's tame compared to those men." 
"No, I believe it." Aki exhales one final cloud of smoke before stamping out the butt of his spent cigarette into the ashtray. He grinds it down, almost in an angry sort of manner. "They're all disgusting. The men from the third division are always coming here, and I can't stand any of them. The way they talk makes me sick." 
There's a second of silence. Then another. You can feel each one in your heart. Aki looks towards you. He meets your eyes, his voice takes on a much softer, much gentler tone. "I'm sorry you have to deal with people like that. It's draining, I'm sure." 
"Oh," You're caught by surprise for a moment, but you shake your head and offer him a reassuring smile. "It's alright. Don't apologize. I'm the one who chose to work here, after all." 
Aki takes another swig of his beer without breaking eye contact with you. 
"And besides," You continue, "It's not all bad. The pay is good. You get free food and drinks, can't complain about that. And…" You rest your head on your arms, you peer up at him through your lashes. "I suppose not all the men who come here are horrible."
"Yeah?" Aki crosses his arms over his chest, and he leans back, listening closely to you as you continue. Utterly clueless. 
"Mhmm. A lot of them are irritating, sure, but most of them are just lonely. Some men come here because they're married or dating someone, and they've become unsatisfied in the relationship — Those guys are always the worst. And some of them come only 'cause they've got money to blow and want a pretty girl to throw it at." 
You pause, considering, placing a finger to your chin in an exaggerated thinking pose. "I think… Kishibe is the third type. He's got no shortage of money to burn, that's for sure. And you're probably the first kind. The kind of guy who's just lonely." 
Aki squints his eyes. "Are you serious?" 
You snort, "Hey, I didn't mean it in a bad way. I think most devil hunters are lonely, that's why guys from Public Safety are always showing up here. But unlike those guys, you seem like you actually know how to treat a woman." 
Aki stays quiet for a couple of long, drawn-out seconds. His expression is completely impossible to read. The silence allows you to hear the song that's playing on the speakers, and you recognize it as one you've heard at least a million times on your various shifts. In the corner of your eye, you can see the dancers drawing large crowds around the stages, the lights flickering in colorful hues. 
You decide to break the silence. "Sorry, sir. I didn't mean to make a bunch of assumptions about you right away." 
Finally, Aki sighs, and he answers, "Just don't get the wrong idea about me. I'm not someone who would come to a place like this, and I don't want to be associated with everyone who does. I didn't want to come here in the first place. Mister Kishibe dragged me." 
"Oh, so it's like that, huh?" You smirk. You knew it, but you still force an air of confusion into your tone. "Why'd he take you here, then? Is it your birthday or something?" 
"Pfft. No, it's not. He made me come with him tonight because he said it would help me relax since work's been stressful lately. But…" 
Aki trails off. His expression changes, it morphs into something like exasperation. Where his arms are still crossed tightly around his chest, you can see his hand start to clench a little. 
"But being here just makes me feel more stressed." 
Your heart pangs. You lower your voice by a couple of volumes when you speak next. 
"I see. I get it. This place isn't for everyone, that's for sure. It's mean to force you along. You'd much rather be relaxing by yourself at home, huh?" 
Aki exhales a particularly heavy breath, but he doesn't respond. He just listens to you speak. 
"You don't deserve any extra stress, I'm sure you go through so much already. I can't even imagine the kind of things you see on the job, it must take such a toll on you…" You shake your head. "I keep up with the news when I have time, and I've seen all the stuff about devil attacks that've been happening lately. They can try to hide it all they want but either way, it's always all anyone can talk about." 
"Devils have been becoming more and more frequent and even more dangerous with no kind of warning." Aki's eyebrows furrow into a knot, he speaks sharply through gritted teeth. "So many people could die and… And no-one else is taking it seriously. The more the news puts out those programs, the more scared people become, and then, the worse the devils get." 
He swallows thickly to combat the dryness in his throat. "There must be a reason for all of this. Impossibly strong devils don't just appear out of the blue. Something or someone is causing it, and before it's too late, we need to… I've got to…" 
He doesn't manage to finish his sentence. Still, you're surprised. You weren't expecting him to be so talkative. Aki has a complicated, solemn sort of look on his face, his gaze dark and clouded. 
I've got to. The way he says it is like if anything happens, if people die or if something goes awry, it'll be him who's responsible. Like this is all a heavy burden he alone has to carry, whether it's by choice or by circumstance. 
He's acting like he can do it, he's pretending none of this bothers him and everything is fine even though it clearly isn't. He's scared. You know he's scared, because he's already fishing around in his pocket for another cigarette — in the same way you remember doing when you felt like your own stress would eat you alive. His knee is bouncing with anxiety, his hands are shaking so much it's making lining up his lighter with the end of the cig and striking it damn near impossible. 
You could have been in his shoes. It could have been you who had to fight devils and put your life on the line. But instead, it's a man who's way too kindhearted for his own good. 
"Here. Gimme." 
Before Aki can protest, you're leaning over the table and snatching the lighter from his clenched hand. He lets go without a fight, he turns towards you, holds still like he's frozen. Cigarette between his teeth, his eyes scan your face, gaze unreadable. You lift the lighter, you strike the wheel and bring a steady flame to his cigarette in one fluid, practiced motion. 
Sparks flicker from the end once you've lit it. Smoke wafts up towards the ceiling, the smell of fire and ash once again come to tickle at your lungs. You set his lighter back on the table. Aki glances at you one more time before he takes it. 
You've shifted a bit closer to him. As he's fumbling to shove his lighter back in his jacket pocket, he doesn't seem to notice — That is, until ever-so slightly, your knee touches his. 
Clearly it wasn't a coincidence, because you aren't pulling away, you aren't moving. You meant to sit this close to him. You're barely even touching, really. But the little bit of contact, just the tiniest bit of closeness: it brings him back to reality, like a rippling pool of water finally becoming still. 
Aki fiddles with the cigarette in his mouth. He gives up on taking a puff, snatching it from his lips and holding it between two fingers. He rests his elbows on the table, he exhales a long, wavering breath. Your knee touching his is enough to stop him from shaking. 
"Hey." You speak quietly, calmly. You keep your hands folded in your lap and you lean a little bit closer to him so he can hear you better, so he'll be the only one to hear your voice. "Are you alright?" 
Aki glances up towards you hurriedly; his expression softens, he gives you a shallow nod of his head. 
"I'm fine. Don't worry about me." He answers, and he rolls his shoulders back to relieve some of the tension. "I'm just… I'm…" 
You complete his sentence: "Stressed?" 
"Yes, stressed. Stressed and tired." Aki replies. He reaches for the ashtray, and he stamps his cigarette out without ever taking a single hit. 
"It's hard on you, isn't it? You must be sick of this." 
"I'm sick and tired of everything. Of watching people die and not- and just-" 
It's then, with his voice quiet and frail and about to shatter, with the music loud and the lights shimmering in gradients of blue, purple, and white — It's then where you see him start to crack. 
Aki sighs deeply, his arms shake and he puts his head in his hands. His body curls in on itself, like a turtle withdrawing into its shell. He looks like he'd rather be anywhere but here. Like he wants to disappear. 
"Sorry, why am I telling you this?" His voice is muffled by his hands, "I've said too much." 
You manage to huff a dry laugh. "It's okay. You've had a lot on your mind, huh? You gotta get that stuff out of your system somehow. Don't worry about it."
When he doesn't respond, just keeps on breathing deep and slow, you continue talking, your voice reassuring: "You have to deal with so many things, don't you? It's hard to keep all of your stress inside, it'll start to eat away at you. Sounds like you've needed to tell someone all of that for a long while."
After a few long moments leave you wondering if he even heard you or not, Aki finally pulls his face away from his hands. He sits up and leans back in exasperation, he rubs his pinched temple with his fingers. 
"I guess so." He replies simply, plainly. 
You hesitate. "Listen, this is kind of stupid, and I know you don't know me very well, but… I'm glad I could be here for you. I'm glad you felt like you could open up to me, I suppose. I don't really understand what it's like to be a devil hunter. But I can try to. You can talk to me about anything. Promise." 
Aki drops his hands into his lap, he stares aimlessly at the ceiling. "I appreciate it, but I think I'd rather not talk about it anymore. I'll be fine." 
You're not sure if he's telling the truth, or if he's only saying that in order to quell your concerns for him. 
"Are you sure you're gonna be okay?" You ask, tilting your head at him. "If you want to go home, you can, y'know. Kishibe will be just fine without you. I'll tell him you weren't feeling well. Or you can stand outside, we've got a whole area for smoking and stuff. It's not as loud over there." 
"I'm sure. I'll leave later. I want to order another drink." 
Right on queue, Aki grips the handle of his beer, and he swiftly chugs what's left in the glass. Then, he sets it back down on the table with a sigh. 
You stay silent, thinking to yourself. You rest your head in your palm and tap your finger against your cheek. 
All this talk of drinks and finding somewhere quieter has given you the perfect idea. 
"Hey, sir, can I ask what your name is?" 
Aki glances towards you, and his response comes much quicker than you expected: "Aki Hayakawa." 
You can't help but feel a slight smile start to tug at the corners of your cheeks. He introduced himself to you so willingly, and with his full name, too. How cute. 
"Hm," You feign thinking for a moment, pressing your finger to your chin, and Aki stares at you curiously with an eyebrow raised. Then, you shake your head, concluding, "Nope, I haven't heard that one before. It's nice to meet you, Mister Hayakawa." 
There's another pause as Aki crosses his arms over his chest, his foot tapping idly against the floor, and as you tell him your name. Your real name. 
That's a first for you; you've always used a stage name when it comes to guys from the club, all the dancers do. It's something about wanting to keep your anonymity, and not wanting your real life associated with your club work. None of your patrons know what your real name is, and you've often gone to great lengths to keep them from finding out. 
And yet, you've just told Aki without even thinking twice. You can't say you regret it. You genuinely don't think he'd do anything malicious, and after what he's told you, after how honest he's been, it wouldn't feel right to lie to him. Even about something so small. 
"So, Hayakawa," You start, trying to steer the conversation elsewhere, "If you want, we've got private rooms in the back, I can show you to one. You can get away from the crowd and the noise. I don't know about you, but I've been dying to go somewhere quieter." 
A tight knot forms in your gut at the mention of the club's private rooms, just at the implication of inviting someone — a man — back there. You're quick to flash Aki an innocent smile and push that feeling away. 
Aki cocks an eyebrow and immediately counters, "Aren't you supposed to be working?" 
"Maybe." 
Aki's face goes completely deadpan. You try to keep yourself from grinning only to see his reaction, but you're unable to hold back a wide, playful smile. 
"Come on, I'm kidding," You tease, rolling your eyes, "I told you I was on break, didn't I?" 
Aki glances away from you, and he goes silent, as if he's considering your offer. His gaze is caught on something in the distance again, and when you follow his line of vision, you see he's looking at none other than Kishibe, and at all of the women flocking around him. 
You can see the contemplation on Aki's face, how it turns to annoyance, and then into pure disgust, his eyebrows scrunching, his eyes narrowing. It's clear he's getting sick of watching them, of even being around them. 
You're certain by now he'll accept your proposal. Your heart flutters with anticipation, and just for good measure, you lean in closer, and you coo one last thing into the devil hunter's ear: I'll make you some drinks?
Those words seem to do the trick, because finally, Aki is uncrossing his arms and sitting up, he's looking towards you and replying, "Yeah. That'd be nice. I'd like to get away from here for a bit." 
You smile. "I can arrange that." 
You're wasting no time sliding out of the booth, fixing your bunched up dress as you stand and moving aside to allow Aki to follow close behind. He steps out of the booth, he rises to his feet, he stands up straight in front of you and shit, he's tall. So tall your heart is instantly thumping a mile a minute in your chest. 
You knew he'd be much larger than you from when he first approached the bar, and you could tell he'd most likely tower over you from when he was standing next to Mister Kishibe and your boss: two men who are already leagues above you in height. But now that he's standing right next to you, the difference in size between him and yourself is much more noticeable. It leaves Aki to look down at where you are, and leaves you to crane your neck in order to peer up at him. 
Aki reaches up to adjust his tie, pulling on the diamond until it's straight, and you clear your throat a little awkwardly, trying to force down the butterflies in your stomach. He meets your eyes, and you exchange a wordless glance with him before tilting your head, signaling for him to follow you. 
You start heading towards the other end of the club, occasionally glancing behind you to make sure he's still following. In no time, the crowd starts to get thicker. The music gets louder, the lights grow brighter. You're abruptly reminded of what you really hate about this club as everything gets so, so much more suffocating. You can't reach the private rooms without walking past the array of stages, so you're forced to get back into the thick of things. When you were in that quiet corner alone with Aki, you almost began to forget the level of chaos you have to deal with on a daily basis. 
You find yourself shouldering through people, trying your best to avoid catching anyone's attention, all while Aki follows you at your heels — but when the crowd suddenly gets thicker than before, when he's worried he'll end up losing you, you hear his shoes scrape the tile as he shuffles closer, and his hand softly settles on your shoulder. 
"Sorry." Aki says immediately, his voice a little muffled over the music and noise, but unmistakable nevertheless. He takes his hand away from you as if your skin was liquid hot fire and his palm just got burned. 
But even so, it's like his touch is still there. It's like you can feel the ghost of where his gentle hand settled on your body. 
He was touching your skin for barely more than a second, but it was enough to make your spine tingle, enough to give you a warm, melty feeling in the pit of your stomach — It felt comfortable, and that's something you've never felt before. Not since you started working here, and certainly not from the hands of a man like him. Until now. 
You abruptly freeze in your tracks, and Aki stops not far behind you. Before he can say anything, you turn around and reach for his hand; you grab onto it tightly, firmly. When you glance up at him, you swear you can see his eyes widen in surprise, or maybe nervousness, or perhaps both, but he doesn't stop you, and you don't give him a chance to — You're quickly rushing ahead and returning to leading him along. 
With his hand in yours, you find it difficult to focus, though. His palm is naturally cold, his skin is a bit rough; his thumb brushes against yours so softly your heart begins to ache. You find yourself accidentally walking too far and needing to turn around because you were so focused on the tender way he holds your hand that you ended up forgetting where you were going. 
His fingers fold loosely over your knuckles; his hand is much, much larger than your own, it almost dwarfs yours entirely, and yours and his fit together in such a way that feels right, that makes you want for him to never let go. 
And you know you're a little ridiculous for thinking so. You're getting too sappy, you're losing your mind. You know this man shouldn't be making your heart flutter so easily, with the faintest of touches and the simplest of words. 
Yet, you can't help how you feel about him, you can't stop your cheeks from getting warm and your brain from stringing together thoughts of what's going to happen when the two of you are all alone again. Truly alone, with no-one else watching. You can't deny what Aki does to you, and you're sure he doesn't even know. 
He has no idea how your heart is pounding in your chest as you reach the hallway and lead him down, or how your breath is coming out faster than it should be and you haven't even arrived at your destination yet. You're excited, giddy, your head spins with a high sort of sensation. 
If you weren't slightly tipsy, and if you weren't in such a mood to make impulsive decisions right now, maybe you would be judging yourself more than this. You'd be thinking about something other than the feeling of Aki's hand, you wouldn't be smiling to yourself at the way he follows behind you so obediently. 
Maybe you'd find what you're doing to be rather indecent. It's not like you're planning to take things any further with him — but when you know exactly where you're leading him to, you can't rule out the possibility. 
Either way, whatever happens, you wager Aki doesn't know what he's getting into. 
You glance behind you when you have a few seconds and you spot him looking around, observing the various rooms and entrances that litter the cramped hallway. Some of the rooms are open and spacious; they're more like lounge areas, really, with couches and tables sprawled across the space for many people to sit at. The couches are decorated with fluffy pillows, the tables are littered with finished-off drink glasses. He peers into one once you start to walk a little slower; a set of sheer curtains are drawn in front of the entryway, but it's still possible to see inside. 
There's a man sitting comfortably in a leather loveseat, legs spread wide, and a dancer with long, flowing hair perched on his lap. His hands are tangled in her hair, her mouth is on his, and the last thing Aki sees before you tug him forwards and coax him along is the man's broad hands traveling down to cup the shape of the dancer's ass. 
Oh. 
The rooms get quieter the further you travel, more private, each one complete with colorful lighting and a large, luxurious bed. Most of them are empty, but when you pass the ones which have their doors closed, Aki swears he can hear what's going on inside. 
The cooing tones of a dancer sweet-talking her patron, the tell-tale squeaks of the mattress. It makes his mouth go dry and his heart leap right inside his throat — Shit, shit, he thought this was something different, he didn't realize what a "private room" was supposed to be until now, and he feels ridiculously stupid for not realizing it sooner. 
He's going to be alone, in a room just like those ones, with a bed, with just you. 
Aki starts to walk a bit faster, closing some of the distance between you and him. You hear him right next to your ear, words quiet like a bitten whisper, laced with a sense of nervousness: "Hey, we're not, I mean, are you…" 
His sudden voice makes you stop in place. You turn around to face him, staring at him curiously, waiting for him to finish his sentence. 
Your eyes on him make him too nervous to piece together whatever he was actually meaning to say, so instead, he looks down at his shoes, he clears his throat, and he tries to come up with the next best thing. 
"Isn't… Isn't this kind of thing illegal in Japan?" 
"What is?" 
Aki's practically sweating. The hallway is starting to feel a whole lot more cramped. "This. This whole… thing. You know what I mean." 
His shyness is confirming what you previously figured to be true: that he's just now discovered what these private rooms are really for. 
"Oh, prostitution?" You answer in realization, your tone completely lighthearted, like you aren't bothered in the slightest. "Yeah, but there's loopholes to get around it. Come on, this is the most popular club in the red-light district. Did you really think they wouldn't have it under control already?" 
Aki's eyes flicker over your face. He stares at you, utterly dumbfounded. 
"Listen, if someone wants to do… that sort of thing," You explain, "As long as they do it here, inside this club, they won't get in trouble for it. Besides, you devil hunters get special privileges anyway. If the police ever found out — Hell, even if they sat here and watched you do it, I doubt you'd get anything more than a slap on the wrist." 
Aki squints. "So… it's still illegal." 
"Well, duh. Are you planning to snitch to the cops or what?" 
"I don't have time." 
"Then less worrying, more walking." Your hand squeezes his; you signal with a tilt of your head for him to keep following you, but Aki keeps his feet planted firmly in place. 
"Wait," He pipes up, his tone serious, "It's okay if we're back here, right? I don't want you to get in trouble." 
You're silent for a little too long. "I mean, technically no." 
If you could take a picture of the look on his face right in that moment, you would've. Aki's eyes go completely wide, his face washes a tone as white as his dress shirt and his lips fall open a little, just slightly ajar in confusion and astonishment and it's so damn cute that it's impossible for you to keep up the charade for any longer. 
"Listen, listen, calm down," You squeeze his hand again, your smile is warm and the sight seems to start to put him at ease. 
"I'm listening." 
"The rooms back here are supposed to be for VIPs or private bookings only," You tell him, "But the boss frequently makes exceptions for special cases. For special people, I should say." 
"Special people?"
"Yeah. Like devil hunters." 
Aki's found his composure by now, mostly, at least; he meets your gaze with a blank expression and one eyebrow cocked. "Seems like devil hunters get away with a lot around here." 
In response, you simply snort, playfully roll your eyes, and turn around to continue leading him further down the hallway. And this time, Aki swallows down his anxieties and follows behind without protest. 
You drag him all the way to the end, to the furthest room at the very back, away from the noise and the people. It's similar to the rooms you've passed, Aki notices, but unlike them, this one has a door that features a shiny, gold plated label with the word, "VIP" carved into it, followed by a small logo of a fox. The doorknob is gold too, distinctly heart-shaped. 
You stop, your hand finally tears away from his for what seems like the first time in ages — and you don't have time to dwell on how empty it feels because you're already closing your fingers into a fist and raising your knuckle to knock. You strike the door once, twice, to a chirpy rhythm. Nothing. You press your ear to it and listen, just in case. 
When no-one replies, and when you hear nothing inside, you test the doorknob: unlocked. The door swings open with a quiet creak, and Aki follows you as you step inside. 
The very first thing he notices is the plushness under his sneakers once he's stepped all the way in — He glances down, and the room's floor is adorned with fluffy, pink carpet, the fibers swallow up his shoes. 
Then, when he looks up again, he sees the circular bed in the middle of the room, not unlike what he expected: neatly tucked in covers, a canopy over the top, and an array of poofy, luxurious-looking pillows spread out towards the headboard. It's noticeably fancier than the other beds he saw though, it has Aki wondering just how special this room is. Obviously it's meant for VIPs, and it doesn't take a genius to tell the whole room was decorated to fit… a very specific taste. 
Not that he's got anything wrong with pink. There's just a lot of it, from the covers on the bed, to the walls painted a baby pink shade — The whole room is washed in shades of sunset and tulip, dimly lit and illuminated only by hot pink LED lights shining from the ceiling and under the bed, as well as by a warm, little lamp resting on a quaint bedside table. 
It's quiet here, though. Quiet enough to hear his own heartbeat in his ears, and just as quiet as you said it'd be. Thank God. It feels nice to be able to think clearly for once. 
A wooden mini bar is fit snugly into the right-hand corner, with empty wine and champagne glasses lined up on top, and bottles of various drinks stocked in the underside. Aki's shoulders slump, he sighs; That's right. You wanted to make him something to drink. 
You hold the door open for him to step inside, and before you close it behind him, you snatch the "Do not disturb" sign from the inside doorknob, reaching around to hang it on the outside. When you shut the door, there's a very brief moment where you consider flicking the lock — but in the end, you decide to leave it alone. 
The sign should be enough. And even if it isn't, does it matter if someone walks in? It doesn't, it shouldn't, because you're only having some drinks, right? You aren't going to be doing anything that you wouldn't want someone else to see. Right? 
If you keep thinking about it for any longer, you might end up driving yourself insane. 
So, figuring you've hovered at the entryway for long enough, you walk past Aki and make your way to the mini bar. You say as you pass him, "Feel free to make yourself comfortable." 
He nods, and he's quick to follow your suggestion. His careful fingers pop each button on his suit jacket one by one, all the way until he's able to tug it from his arms, leaving him in his crisp white undershirt and tie. He hangs the jacket up neatly on a hook on the back of the door. 
As you're bending down to look through what's stocked at the mini bar, he's sitting on the bed; you can see him out of the corner of your eye, his legs rested over one another, his arms crossed around his chest. You're bent over to the point where your outfit is riding up, it's revealing more of your ass and your thighs and Aki shouldn't be looking, but he swears he catches the smallest glimpse of what you're wearing underneath before he swiftly looks elsewhere and tries to forget about it, which thankfully, he does right as you're peering at him from over your shoulder. 
You notice how his dress shirt is tucked neatly into his slacks, how a simple, leather belt is snugly clasped in the loops. He's perched on the very edge of the bed, as if he's too nervous to sit any further back, too shy to really let himself relax — At least, in the way the room's intended. The mattress dips slightly under his weight, and the martini glasses hung on the rack all clink together when you grab two of them: one for him, and one for you. 
"So, Hayakawa," You start, giving him a second quick glance from over your shoulder. "What kind of drink would you like?" 
"Oh," Aki grasps the diamond of his tie, pulling on it to work it loose while his gaze travels across the room. He examines the bar, the glittery curtains surrounding the bed, the small set of red, leather armchairs placed in the opposite corner. "Anything is fine. Surprise me." 
You're digging around in the compact mini fridge sat next to the bar when you ask, "You like champagne, right?" 
"Sure." 
"Alright, good. You'll like this then." 
Once you've found everything you need, you start to prepare the drinks. There's a small basket of fresh lemons and limes resting atop the bar counter, and you grab a lemon to slice into wedges.
Aki tilts his head, he tries to watch what you're doing, but the only thing he can manage to see is your back, and all he can do is listen to the sound of the champagne being poured. He decides he'll give the room another once-over while he waits. 
He turns around, then, and he comes to notice the wall behind him for the first time. It's covered in hooks and racks, with an assortment of items hung up on them; most he doesn't recognize, but he can make out what looks like a leather, spiked dog collar. A matching black leash. A pair of metal handcuffs. 
There's a long object that looks like some kind of whip, with a thick handle adorned by red, painted-on heart shaped marks. But when he's struggling to decide what the majority of these things are for, Aki starts to second guess himself on his initial assumption. 
He immediately looks away, a familiar prickle of anxiety twists up his spine, the same sense of nervousness he felt earlier in the hallway — And that's when his eyes catch on the nightstand. Right below the lamp, right beside the dark ashtray littered with countless cigarette butts, there's a clear plastic container stocked up of what Aki first thought were wipes, or maybe mints. 
Upon a closer look at the packaging, though, he realizes they couldn't be anything else but the one thing he didn't want them to be: unopened packets of condoms. 
Fucking condoms. Of course. He really shouldn't have expected anything different. 
"Hayakawa." 
When you've turned back around, the finished drinks in hand, Aki is hastily trying to redo his tie with a flustered expression on his face, cheeks and the tips of his ears painted rosy pink. Your voice shakes him out of his daze. It causes him to look towards you, his eyes meeting yours. 
"Are you okay?" You walk towards him, you reach to place the glasses on the nightstand. Right next to the condoms that you most definitely know are there but so clearly aren't at all affected by. 
Maybe he's overthinking. No, he's definitely overthinking this, he's definitely getting way too worked up over something so stupid and obvious. There's no reason for him to be freaking out. He needs to get it together, so why can't he? Why is he so damn nervous whenever he's around you? 
Get it together, get it together… 
As he stays silent, you continue, "What happened? You look pale." 
"Sorry… I'm sorry." Aki uncrosses his legs and looks away. "It's fine. It's nothing." 
His clear awkwardness can't help but draw a quiet laugh from you. 
"You nervous?" 
"I'm not." 
"I think you are." You tilt your head at him, smirking a little. Aki doesn't answer, he simply keeps fiddling with his tie, running the smooth fabric beneath his fingers, twirling it into loops before letting go of it again. 
Oh, he knows what he's gotten himself into now. He probably knew it from the moment you led him down the hallway, but now that he's all alone with you, everything must be really starting to set in. 
"You'll be alright. Just try to relax, yeah? Here-"
You suddenly lean in close to him, and Aki thinks his heart might have skipped a beat — Or two, or three. You grasp his tie and his arms fall at his sides once you start to tug it free from his collar, he forgets how to breathe when you undo it, tossing it on the bed nonchalantly and reaching next for the buttons on his dress shirt. 
He thinks of stopping you. He wants to force a cold-sounding What are you doing? from his mouth but it's no use; he's already given in. 
"Let's loosen some of these for you." 
With gentle fingers, you pop the first button on his dress shirt, and then the second; your ministrations expose his pretty collarbones, defined and curved, as well as the smallest part of his chest, his skin slightly scarred, flushed rose to match the color of his face. Aki's gaze goes heavy, his eyelashes flutter. 
You're close, you're so close. You're so close and he doesn't know how to get his heartbeat to slow down, he has no idea what the hell's gotten into him — You graciously give him a bit of reprieve by leaning back and letting go, allowing him just enough space to breathe freely again. 
"Better?" You ask, before he can reply you're reaching down to unzip your knee-high boots and starting to take them off. "You can take off your shoes, too." 
Aki pauses, but in the end, he decides to listen to your suggestion; he steps firmly on the heel of his sneakers until he's able to carelessly kick them off his feet. 
Then, you grab the drinks on the nightstand, you hand him his cocktail and bring yours to your mouth. 
Aki peers into the glass. The liquid is a pale shade of pink, not much different from the color of the bedsheets, and the rim is topped with a bright yellow lemon. Cubes of ice jingle inside the glass when he experimentally swirls it. 
"I made this batch pretty good." You comment, half to him and half to yourself. Taking a small sip of your drink, you finish it off with a satisfied, Ahh. 
"What is it?" 
"Pink lemonade mimosa. It's my favorite. Maybe it's kind of… not really your style. But I thought you might end up liking it anyway." 
Aki looks up at you for a moment, then back down at his drink. He takes a deep breath to steady himself, he closes his eyes, and he brings the glass up to his lips. 
The taste is a sweet one. Lemonade and sugar are the main components, the champagne is more of an aftertaste. It's citrusy, the lemonade lessens the acidity of the champagne. He can see why you'd like this. It tastes like the warmth from the summer sun. 
When Aki meets your eyes again, you're staring at him expectantly. 
"What do you think?" 
"It's good," He answers honestly, "Really good. I like it." 
You flash him a warm smile. "Great. I'm glad." 
For a while after you speak those words, the room grows oddly quiet. Aki continues to nurse his drink in silence, his expression unreadable, his cheeks flourished with warmth, and you occasionally take sips from yours while allowing your mind to wander. 
Since the both of you first walked in this room, Aki's been acting strange. 
When you met him, you thought you had him all figured out. He's honest to the point where you assumed he had nothing to hide. He comes off as determined, the serious type, not necessarily cold-hearted, but certainly grounded when it comes to how he presents himself. Even though you knew he was a bit shy about being here, he didn't seem like the type of person who'd get flustered this easily, nor the kind of man who'd stick around for this long. You fully expected him to turn you away the minute he figured out where you were taking him. 
You wonder if he's just too polite to tell you no. You question if maybe, there's something occupying his mind, something he hasn't told you yet. You knew there were still a lot of things you didn't understand about him. Still so much you need to learn, so much you so desperately want to know — but you're running out of time. 
Your thoughts flash to the busy club. Your boss is probably starting to look for you now, the guests you were talking to before you went on your break are probably beginning to wonder where you went. Once you've finished your drink, you'll have to go right back into the fray — and that realization immediately forces a heavy weight of worry upon your shoulders. 
You have only a few more moments with the man you've come to know. Aki will leave, you'll leave. After tonight, you won't expect to be seeing him again. You'll go back to boredom and he'll go back to working himself half to death. And then, you'll be nothing but strangers once more. 
It's possible Aki would forget you as quickly as he met you. You wouldn't bother to cross his mind, he might not even remember your name. And why would he have to? This experience would be nothing but a bad memory and a reminder to never again let himself get dragged to places he's already sure he doesn't want to go to. 
But you wouldn't forget him. 
There's something about Aki Hayakawa that would be impossible to forget. He's kind-hearted, he's softer than any other devil hunter you've come across. He consistently puts you before himself and fuck, he doesn't even know you. It's just the kind of person he is: selfless to a fault. 
You're drawn to him, you've felt drawn to him from the start. You think you're good at reading people, you have a keen sense for whether or not someone is genuine. Your trust in Aki hasn't wavered. He isn't like any of the other men you've encountered while working here; honestly, it's almost unfair to compare the two. He's wildly different from anything and everything you've come to expect. 
It's a bit of a new feeling for you. The pitter-pattering of your heart, the giddy twist and bloom in your chest. You haven't felt this way about anyone in ages, you haven't been enamored this strongly, this limitlessly in perhaps forever. 
You want to show Aki a good time, you want to find a way to make this night truly worth his while. And it's not just because you feel bad about the unfortunate circumstances which brought him here, even though you're certain you'll be chewing out his coworker later. It isn't because devil hunters like him are known for having lined pockets, you could care less about his money. And it certainly isn't only because this is your job. 
You want to help him relax because you've grown to care about him, because you want to be closer to him. Aki is more than he lets on; his soul is something tender, intricate. There's sides to him you haven't seen, pieces yet to fall into place. You want to open up his heart to uncover what he's kept hidden, what he wouldn't tell anyone else besides someone like you because in reality, it's easier to divulge your secrets to someone who rests between the realm of close and distant — to someone you hardly even know. 
Giving him whatever he wants is the least you can do for him, because whenever you're close, you can practically feel the stress clinging to him like an anchor into hell. You couldn't help but notice the faint cross-hatchings of scars on his chest when you unbuttoned his shirt, or the rough calluses on his knuckles when you held his hand. 
If there's one thing you're sure of, it's this: you aren't ready for this night to be over. 
If you won't forget him, you'll make it so he won't ever forget you. 
You've been enjoying your cocktail the whole time you were thinking, but you decide to give it one more sip; you savor the last delicious taste of lemonade and sparkling wine on your tongue. Then, you smile at him, and you promptly break the silence.  
"I like your earrings." 
You catch him off guard right away, and Aki's gaze flickers up to your own, his shoulders stiffening slightly. He politely covers his mouth with his palm, swallowing the rest of his drink and clearing his throat before speaking. 
"Oh, uhm- Thank you." — His response is curt, his voice carries his familiar sense of professionalism but it still wavers with a hint of awkwardness, with a bit of disbelief, almost. He sounds shy, he closes his eyes and takes another idle sip of his drink. He obviously isn't used to being complimented. 
With no hesitation, you boldly ask, "Can I touch them?" 
"Ah-" Aki reaches up with his free hand, brushing his fingers over the circular piercing on his lobe like he's checking if they're still there. "My earrings?" 
"Mhmm." 
His eyes dart over you, up and down. "Uh, sure." 
Tossing your head back, you top off the rest of your cocktail, reaching over and setting the empty glass on the nightstand once you're finished. You take a step towards him, close enough to make your knees bump into his. You bend down, and slowly, you reach out to pinch his lobes between your index finger and your thumb. 
Aki's gaze stays trained on you, deep blue irises sparked with wonder, with adoration. His expression is blank, he's wordless, but the increases in his breathing and his pretty eyes — Those are a dead giveaway. The backs of his earrings are spikes of pointy metal, and the front are round, they're smooth and glossy to the touch. They reflect subtle glimmers of the room's pinkish light whenever you tilt them. 
"They're so pretty." You peer at Aki through your lashes, you're almost certain you see his eyes widen. "Did they hurt? Where did you get them done?" 
"Not really, they only hurt for a second," Aki answers earnestly, his voice resolute. "And it was some piercing shop in Kanagawa… It's been a while, so I don't remember the name. I'm sorry." 
"It's alright. That's not too far from here, I could go. I'm sure I'll end up finding it." 
Your fingertips brush Aki's bangs behind his ears softly, and he sighs, barely audible, gaze never tearing away from yours like he's mesmerized. He's busy swallowing the thick lump in his throat as you abruptly pull away from him. 
You stand up straight, placing your hands on your hips. "I got some piercings done when I was on vacation, but I was thinking of getting my ears pierced too." 
"You… You have piercings?" Aki glances to your ears; unlike his, your lobes are completely bare. When he squints, he can't even see a hole. 
"Mhm, I do." You nod, and Aki finishes off the rest of his drink while you talk. "You sound surprised. Are you?"
"A little." 
"I think they suit me. Sucks that they're hidden most of the time, though." 
Aki's face pinches into an expressive concoction of disbelief and confusion. He looks so ridiculous; you manage to stifle a couple of your giggles, but it's not long before you're practically doubling over and bursting into laughter. 
"What's so funny?" Aki doesn't get it. 
"It's… It's just…" 
The alcohol is starting to hit your system now, surely. You're giddy and your veins are buzzing, your head is as light as air. You certainly aren't drunk — you haven't had anywhere near enough drinks for that. But you're tipsy enough to start feeling the effects. You normally don't laugh so hard at something so stupid. 
After clearing your throat, you regain your composure. "The way you were looking at me was really funny. Like you were trying to figure out where they are." 
"Will you tell me where they are, then?" Aki asks bluntly while he reaches over to set his empty drink next to yours on the nightstand. 
You press a finger to your chin. "Mmmm. How about this, I'll let you guess." 
You weren't sure if he would agree to your game, but to your satisfaction, you watch as Aki takes you in, his arms crossing, eyes drawing a line from the bottom of your feet up to the top of your head. His short brows scrunch up a bit, his lips purse as he thinks. 
Finally, with a straight face, he answers in complete confidence: "Your tongue." 
Nope. You smirk and stick your tongue out at him, revealing absolutely nothing but a bit of a hot-pink tinge left by the food coloring in your drink. 
"I'll give you a hint. It's lower."
"... Bellybutton?" Aki sounds a little more unsure of himself this time. 
"No. Higher." 
Aki's eyes narrow. "Higher, alright, so…" 
It's as if you're literally watching him think: he stares at where your outfit hugs your stomach, and then his gaze trails, up, up, up until his eyes are going completely wide because he's sure he figured out the answer and it's making him picture something he really doesn't think he should be picturing. 
He feels uncomfortable just sitting there staring at your chest like an idiot, so he clears his throat, he looks up to meet your eyes. He's trying to gauge whether his assumption is right or not by the expression on your face — You answer him with a satisfied, smug sort of grin. 
"Figure it out?" 
Aki doesn't reply, he can't reply. What the hell is he supposed to reply with? His mouth opens for a second like he wants to speak, but he instead opts to close it and gnaw on his bottom lip until the skin is coming off. He folds his hands delicately in his lap, he fiddles with his own thumbs awkwardly. 
"Aw, come on." You tease, playful, "Do you not believe me? Would it help if you saw them?" 
"Ah, no, no!" Aki raises his hands up defensively, his cheeks are heating into a pale shade of red. "There's no need for that, okay, I'm sorry, I believe you, so you don't..." 
"Calm down," You interrupt when he starts to trail off, huffing a half-hearted chuckle, "You're so adorable. I know you believe me, I'm just messing with you." 
Your words calm him down a bit, and Aki's body relaxes, his tense shoulders slumping, his expression softening. His voice comes out quiet and he's staring down at his hands when he says, "It… It didn't sound like you were messing around. Sorry." 
"Don't apologize when you haven't done anything wrong. You do that way too much." 
"Oh, I'm sor-" Aki cuts himself off before he does the exact thing you just told him not to do. "Right. Okay. Noted." 
You give him a couple seconds to simmer; your arms come to cross loosely around your chest, Aki sheepishly rubs the back of his neck, a rosy-pink hue still dusted across his face. 
Then, "Your ponytail is cute, too." 
"Oh, that's- You think so?" He's instantly flustered. The warmth under his cheeks reignites, his hands feel clammy; he opens and closes them on his lap while averting his eyes. "I- I didn't really… I didn't notice. Or, uh, that sounds stupid, I mean I didn't plan for it to… Well, I wasn't trying to make it…"
Suddenly, he freezes — He lets his arms go limp and he exhales a heavy, defeated breath. "I can't even speak."
"You're okay," You chuckle, "I get what you're saying. Or trying to say, I guess." 
By now, Aki's pretty much gone silent, fiddling with his fingers, crossing them over one another — but you capture his attention again when you step in close to him, leaning down until you're more level with his height. His shy gaze locks into yours, eyelids heavy, eyes hazy. 
"Hey." You're speaking quietly, your smooth tone is barely enough to make him shiver. "Is it okay if I take your hair down?" 
"If-" Aki's breath shakes, "If you want to." 
"Mmm, as much as I like the topknot I think it'll be more comfortable with it down, no?" You hum, voice saccharine sweet, smile warm and inviting; Aki is so entranced he almost doesn't notice you're already reaching up to grasp his hair tie. 
You tug on it slowly, all the way until his dark hair is free to fall loosely around his face, still kinked in the back from being held up for so long. Aki's breath hitches, his heart starts to thud harder in his chest. You slip his black hair tie around your wrist, and then you carefully brush the messier strands of hair from his eyes: the slightest touch, but it makes his whole body tingle with exhilaration. 
"Can I play with your hair?" 
Before he even gives himself the chance to think twice, Aki is nodding his head hesitantly, obediently. Like a puppy, following along to the pace you've set while he eagerly hangs onto your every word. He would love that. 
You lean in a little bit further. You lift your knee and slot it into the space between his legs, resting it on the edge of the bed to keep yourself steadier. 
Gently, your fingers begin to run through his soft hair, starting at the bottom near his neck and traveling up through his scalp, ruffling it as you go until a few strands stick up from the static. Electricity twists from Aki's head to his spine, he exhales a heavy, relaxed sort of sigh; his eyelashes flutter, his body melts. 
God, he's pretty. 
You knew he was, you've thought he looked like the prettiest man you've ever seen from the moment you met him. But when he looks like this, long hair let down to tickle the back of his neck, to fall in loose, choppy strands and to frame his handsome face oh-so perfectly — He's so damn pretty you couldn't possibly put it into words. 
Yet still, you try to, you pull away for a second to tuck some locks behind his ear and quietly whisper, "Why do you keep your hair up, Hayakawa? You're so pretty like this." 
"I…" Aki stutters a little, he looks away and takes a deep, shuddery breath in to try and maintain his cool. To pretend like your compliments aren't affecting him. He'll try and change the subject. 
"I don't want it to get in my eyes. And I always let it grow out because… sometimes I cut it off. For devil contracts." 
You're raising an eyebrow and staring at him in confusion while you separate three thick strands of hair near the front of his face. "What kind of devil would ask for something so weird? I assumed they'd only want stuff like blood and flesh, or bones, maybe. I didn't know a Hair Devil was a thing." 
"It's not like that," Aki counters, "Some devils are friendlier with humans than others, so the contracts they offer have looser terms. I have a contract with the Fox Devil. When it gets bored of what I usually give to it, I chop off some of my hair to feed it as a treat." 
The way his explanation is given with a flat tone and a totally straight face, as if everything he said was completely normal only adds more to your perplexity. You must know way less about devils than you thought. 
You cross each strand of his hair over one another, loosely but intricately. "Y'know, I've heard of many different kinds of contracts, I've seen a lot of devil hunters give up a lot of different things. But I've never heard of something like that." 
Aki shrugs. "It's unlikely. Most devils aren't so lenient. I never complain about our contract because hair is the easiest thing any of them could ask of me." 
"Yeah? What else do they ask for?" 
"It's usually the sorts of things you said. Skin, flesh, blood, body parts. Some ask for years off your life." 
You pause. "And you're okay with giving it to them?" 
Aki answers quickly and concisely: "If I want to stand any kind of a chance against them, I have to make some sacrifices." 
Sensing the strain lingering in his voice, you stay silent after that remark. 
You pull away to admire your work: a small, loose braid is arranged behind his bangs but right in front of his ear, trailing down to just above his shoulder. You hold it in your hand, and you give it one last look before gently undoing it with your finger and your thumb. 
Then, your hand trails down to hold his face, Aki shivers as you cup his jaw, brushing the pad of your thumb over his cheek. He swallows, Adam's apple bobbing in his throat, your fingertips trailing down, tracing his neck. Both of your palms come to rest finally in the middle of his broad shoulders. 
You look up at him, meeting his eyes, searching for confirmation. "Is it okay if I touch you here?" 
Aki offers you a shallow, nervous nod in response. 
You start by giving his shoulders a tentative squeeze, rolling the muscle between your fingers and your palm, feeling the stiff knots of tension that linger there. When Aki doesn't protest, letting out a soft grunt, his eyes closing, you start to massage him more thoroughly, more deliberately. You apply pressure to the edge of his shoulder blades, you rub firm circles into the space surrounding his spine. 
In no time, you're watching his eyes practically roll into the back of his head. He's settling back more comfortably onto the bed the longer your hands stay on him, pressing his palms flat at his sides, leaning his weight onto his arms to keep himself steady. 
"You're reeeeally tense," You coo, strands of Aki's hair tickling your knuckles as you work, "You must be so stressed, aren't you?" 
Considering how much he's already begun to relax, you weren't really expecting a reply out of him, but Aki manages to answer with a simple nod and with his voice blissed out: "Yeah, super stressed. I can't catch a break. The whole division… it's been crazy." 
It's a lot more detail than you expected him to divulge; maybe the relaxation is what coaxes him to be more talkative. 
"Do they not treat you very good over there?" You ask. 
There's a pause, as if for a few fleeting seconds, he's considering how much he should tell you, whether or not he should tell the truth about how he really feels. It'll mean speaking ill about Public Safety, something he really shouldn't do, especially to someone who works for a business so closely tied to their affairs. The commission wants companies to only hear good things, things like how strong and brave and commendable devil hunters are, how many benefits and funds Public Safety gives them. 
In the end though, another press of your fingers right up against his pressure points causes him to cave. 
"Not really," Aki shakes his head, he huffs a discontented sigh, "There's good benefits. Decent pay. Paid time off, too. But… it feels like I'm the one who gets stuck with all the difficult jobs these days." 
You crook an eyebrow, giving his muscles a particularly firm squeeze. "Oh?"
Aki's eyelids flutter, his brows furrowing, and he continues, "My boss, she stuck me with these two… idiots. Normally it doesn't matter who I work with, but they've been getting on my last nerve. So loud and… unruly. I don't have any time alone anymore."
"A bunch of trouble-makers, huh? And you've gotta be responsible for them? That's not fair."
"Uh-huh… And ever since they joined, the division's been nothing but insanity. There's so many devils- Every mission is just more complicated and more stressful than the last." 
"Awe," Your voice is soft, "Sounds like there's a lot you have to deal with, I'm sorry. Hah, so that's why Mister Kishibe said you needed to get somewhere to relax, huh?" 
Your hands travel further backward, slipping underneath his shirt, palms rubbing the middle of his back. Aki hums, he nods his head, "Yeah…" 
You give his back one more massage, his shoulders one last squeeze. You appreciate the look of total relaxation on his face: his eyes closed, lips slightly parted. Your hands move once more, this time carefully holding onto the very edge of each shoulder. 
"Can I touch your arms?" 
Aki's eyes flutter open. He meets your gaze, he's barely there, and he replies with a peaceful, hardly audible, Mhmm. 
Glancing down, you let your hands slip over his smooth sleeves, to his biceps. You give them a little bit of a squeeze — Your touch is teasing and light, enough to make him sigh, and enough to allow you to feel the firm muscle beneath. 
You stare into his eyes: his are nervous, misty. Yours are sparked with something he can't make sense of. 
"You're so strong."
"I-" Aki trails off, warmth rises in his cheeks and he tries his best to keep his eyes locked onto you. "It's- it's mostly from training. I used to work out too, but now I… I don't have time anymore." 
"Oh, really?" You rub his arms gently, in a comforting sort of motion. Up, slowly, and then down, even slower. "What kind of training? Like training to fight devils?" 
"Yes. And sword fighting. Boxing, sometimes."
"Mmm, I bet you're a really good devil hunter, huh?" 
Aki doesn't answer. He's warm all over, he feels his heart shake in his ribs. He lets your words toss around in his head, he simply watches with his lips pursed and his face flushed as you reach for the end of the sleeve on his dress shirt. 
You start with the cuff, folding it up and over itself, and then you roll his sleeve all the way up to his elbow before doing the same to the other side. Aki observes each of your movements complacently, with heavy eyelids and an expectant gaze. His breath gets stuck in his throat the moment your fingers start to caress his bare forearms. 
You trace his mismatch of scars beneath your fingertips, crosshatches of ridges carved into his skin. Some feel long, straight. Following the same direction in a way which makes them come across somewhat like claw marks. 
Some are more jagged, deeper, shallower. Larger or smaller, more prominent than the others. Clearly caused by something stronger, or something weaker. Maybe a few of them have the possibility of fading away. But most of them feel deep enough to brand him forever. 
You glance down, you hold his arms delicately in your hands, "So many scars." 
Your voice is quiet, your tone puts him at ease. And you're touching him so softly, so gently, more tender than he's ever known — Aki shudders. He shudders and shudders and shudders, his heart shakes his ribcage and his emotions constrict his lungs, tight and crushing. You're touching him softer than he thinks he deserves. 
"They're pretty." You say, utterly earnest. 
Aki sucks in a sharp breath through his teeth. 
"I can keep touching you here, right? It's not uncomfortable?" 
"Yes." He answers shakily. "It's fine." 
You have another question for him: "Are these all from devils?" 
"Uh-huh," Aki's voice is low, a bit fragile, slightly trembling, "And devil contracts." 
"Contracts too, huh?" You feel the length of one of the largest marks under your thumb, and Aki flinches. "There's so many. I was trying to count them but… they keep crossing over one another. I lost track." 
Your hands glide downwards until you're reaching for his own, squeezing them tightly, turning them over and beginning to massage the muscles in his palms with your thumbs. Effortlessly, he's melting, focused fully on your touches — on your adoration. 
"How long have you been in deals with devils? Or how long have you been hunting them?" 
Aki answers with a huff of exhaustion. "My whole life." 
"That's…" Your gaze goes soft, "It must be so hard, isn't it? And something tells me you never give yourself a chance to relax, 'cause you're always so busy getting worked to the bone." 
"Mhmm." Aki nods. He feels weak. Like he could collapse, and it would be right into your arms. 
"You really go through so much." You squeeze his hands again, more deliberately this time. "Hey, is it okay if I ask you something? Something sort of personal." 
"That's fine." 
"Do you like killing devils, Hayakawa?" 
Your question takes him by surprise. Does he like killing devils? Aki isn't sure if he's ever thought about it. You're the first person who's ever asked him. 
Sure, it's true some devil hunters get a thrill out of it — Kishibe comes to mind. But not him. Killing devils is just something Aki has to do, something he needs to do. It's a necessity in this world. It's his job to do so. It's what he's chosen to do with his life, and once he made his decision, there was no turning back. 
And while it once made him proud to slay something tough, or happy to be able to save someone, or satisfied to find another chunk of the Gun Devil's flesh, it's been a long, long time since devil hunting has made him feel anything but empty. Empty and hurt when he watches another one of his colleagues die. Empty and lonesome when he spends another night alone on his balcony, wondering if he'll have the time to show up at their funeral. Anger once fueled him, but these days he isn't even given the satisfaction of feeling that much. 
He hates when he has to search another devil's dead body and blood gets caked under his fingernails, it clings to the crevices in his palms and he knows no matter what he tries the marks of red aren't going to wash out. He hates constantly having to purchase new clothes for work because his suits and his shirts are always getting irreversibly stained. Even once he's home, even after he's spent ages in the shower scrubbing himself clean of every trace of them, there's still the marks they've left, there's still the thoughts in his head that won't leave. 
He hates when he gets itchy scabs from peeling off his own skin for contracts, he hates when he has to skip meals because of urgent missions only to end up feeling sick the moment he tries to eat anything, he hates waking up in the middle of the night with his heart pounding and his body caked in sweat because of another stupid, frightening nightmare. 
He hates devils, yes. Almost everyone who's a devil hunter does. It's why they do it. But sometimes he hates this vicious, maddeningly endless cycle even more. 
So, Aki shakes his head, and he concludes, "I guess not. I don't find it enjoyable." 
You stay silent for a moment before you ask, "Then why do it?" 
"It's…" Aki hesitates, he averts his eyes, he feels you turn over his hands and brush his knuckles with your thumbs. 
He glances down, and you're examining them like they're the most interesting thing in the world, staring with half-lidded eyes at the bruises on his battered knuckles, at the faint scars on his fingers. His nails are trimmed short, they're well manicured. His fingers are long, slender. His palms are fit with rough calluses in the shape of the hilt of his sword. 
A deep sigh is expelled from his lungs, "I have to. Or, I don't have to, I'm not being forced, it's just difficult to explain. So I can't- I'm not sure if I…" 
"It's alright." You reassure him. "You don't need to tell me if you don't want to."
He knows he doesn't need to. If you were anybody else, if there wasn't something about you that makes him trust you so goddamn much he probably would have answered by now with something like, It's because it's my job, or, It's because I hate devils. He's used those same excuses countless times before. 
Aki doesn't have to open up to you, but he wants to, and more than anything he feels like he can. 
"I…" Aki starts, he swallows thickly, he wills his voice not to shake and when you wrap your fingers around his hands and squeeze, he closes his thumbs, holds you back. 
"I want to kill the Gun Devil. I'm sure that's something you've heard before. Plenty of devil hunters are after the same thing." Aki's lips purse. He shouldn't be telling you this, but, "In order to find it, the government has to track down its pieces, which involves enlisting devil hunters to kill devils who've ingested them. Then, as an individual, you need to have your record full of successful hunts on strong devils in order to qualify to fight the Gun, which means killing even more of them." 
The room is infinitely more silent. The sound of his own voice in his eardrums seems so, so much louder.  
He continues, "I know there's little chance of success. People tell me I've been wasting my time. And I know I am," His hands clench tighter, they squeeze yours harder, "I know it's all a waste, but I can't quit, there's nothing left for me if I do. I don't care what happens, I don't care if the Gun Devil kills me, I just-" 
He pauses, inhales a deep breath. Exhales a long, trembling one.
"It took everything from me. I watched it take everything from me. I have to kill it, I don't have a choice. I have to." 
You understand. There's no way you wouldn't, you understand exactly what he means, because truly, it is everything you've heard before. 
You couldn't count the number of times you've seen a devil hunter who was after the same exact mission. Since you started working here, you've met a lot of Gun Devil chasers. They come because they're lonely, because they've lost their wives or their families to tragedy, and they desperately need something to fill the void. 
Or, they visit the club because they're hunters who are so wrapped up in the pursuit of killing the thing they've driven themselves damn near insane. They work themselves nearly to death, they push everyone away in their pursuits for revenge and don't realize how badly they need the affection of another until it's far too late. Not the fake kind the club can bring them. Real, earnest affection. 
Aki is that kind of devil hunter, it seems. Not one who got into it for the thrill, or for the paycheck, or for the attention. But just someone who's hurt. Someone who's been wronged by devils, by this world, and now seeks for any way to counteract that pain, even if it means inflicting more upon himself. 
When it comes down to it, you can't help but feel for him, especially now that you've seen how kindhearted he can be, how utterly devoted he is to his job — despite the way he's treated and what he has to go through. Knowing what you know now, everything starts to make so much more sense. 
You continue to stare down at his hands silently, thinking to yourself. You brush his knuckles with your thumbs tenderly, you flip his hands over and stroke the intricate future lines on his palms. Soft indents, marks of fate. 
It takes you a couple of moments to realize he's started to shake. 
His breath comes out uneven, short. The tremors travel from his hands to his arms to his shoulders, and his body tenses up from the pressure of trying to control them. He's rooted in place with his back hunched and his head held down, messy bangs hiding the solemn expression on his face. 
Aki attempts to keep his composure, he focuses on steadying his breathing. It's difficult when his heart is working against him, when it's twisted and pulled and pinched in his chest. He exhales a nice, deep breath. In, and then out. In, out. Don't break. 
But his bottom lip won't stop quivering, and he hates it; he can't help but draw it between his teeth and bite down hard enough to hurt. His horrible brain and your tenderness, your voice and your touch and every little thing to have to do with you amounts to more than he can take, so overwhelming. 
This shouldn't happen. He utters weak little sounds that make the entirety of his frame shake with them. This is stupid, he doesn't even know why he's crying, God, he's so stupid — He's breaking down right in front of you, and he isn't strong enough to stop it. 
"Hey, wait." 
Your voice sounds muffled in his ears, as if you're speaking through layers of static. You give his hands a patient squeeze and he squeezes back hard, tightly, almost desperately. You ask, "Are you okay?" 
Aki nods his head, but it isn't very convincing; he's silent, wet droplets of tears slip from his cheeks to plop onto his arms, your hands, his knees. They soak into your skin, they leave faded marks on the fabric of his slacks. 
He tries to open his mouth and say something, anything, but his throat's gone dry, his jaw is clenched up tight. His lips can't seem to mouth the words. And he can't see a thing, his vision is blurry; colors meld together, your arms and his legs and the floor underneath him blend into one until it all becomes nothing more than a single, faded shape. Aki cries silently and weakly, sucking in sharp breaths through his teeth, gripping your hands — yours — as if they're a lifeline. 
He squeezes his eyes shut, willing his tears to stop, and like you can sense it, your hand comes to carefully cup the shape of his jaw. Your palm is warm, your touch is the gentlest thing he thinks he's ever felt. You tilt his head up, coaxing his teary gaze to meet yours. Despite how difficult it is, Aki keeps it there. There's a tender look in your eyes, in your expression, something he can't tear away from. 
He's pretty. He's so pretty, even like this. 
You wipe the tears from his stained cheeks with your thumb. Your closeness makes his breath hitch, your touch starts to settle the gnawing ache in the pit of his stomach. Whether he realizes it or not, he relaxes, he leans into your palm. With soothing words and a quiet tone, you reassure him. Just breathe, it's okay, you're alright. It's okay. 
He knows damn well this is stupid. He knows he's such a fool. He's an idiot for crying so much, for shaking and pitifully sobbing like he hasn't done since he was young, all while clutching the hands of someone he barely knows — and yet, those hands in his are the only thing keeping him from falling apart even worse than he already has. No, with every squeeze and brush of your careful fingers, the longer you spend holding his cheek, other hand still connected, you're putting him back together. 
For the life of him, Aki can't figure out why. 
If he was stronger, perhaps he'd be able to pick up the pieces himself. He wouldn't shift his burdens onto you. He'd wipe his own tears and get away with giving you some half-assed excuse to make you forget all about this, all about him. 
That would be so much better, right? It would be, because your hands don't belong in his, soft and warm and perfect in rough and cold and battle-scarred. You're wasting your time, and Aki wonders if you know that already. Is this merely an obligation, has your kindness been nothing more than a job you need to do? 
Even if it is, you should have left a long, long time ago. Yet for whatever reason, you haven't. You've stayed. And that's what confuses him more than anything. Why, why are you like this? 
Aki keeps his wavering focus on your voice and your face. He's long since forgotten what this felt like, he can't remember the last time anyone cared to comfort him, since anyone held him, whispering such sweet words for his soul to latch onto. He didn't realize until now how much this could mean, how good it could feel to be kept, to finally be known. 
It's a scary thought. It's scary to think you mean so much to him already. You're nothing more than strangers, yet the thought of you leaving, of everything ending right then and there hurts. 
He starts to breathe deeply, he listens to the echo of your words and syncs up his breathing with the pattern of your own: in and then out, rhythmic and languid. Slowly but surely, everything begins to feel alright again. You wipe the rest of his tears away, and he steadies. 
Your gentle thumb caresses his cheek one more time. "Are you alright? Can you talk to me? What's wrong?" 
Aki sniffles. He reaches up to rub his eyes with the back of his hand, at the same time half-heartedly pushing yours away. 
"Nothing," He answers, tone icy, but his voice still cracks around the edges in a way he can't manage to hide. "I'm fine."
"You weren't fine two seconds ago." 
"I'm fine now." 
You pause, your hand lingering in the space between him and yourself as you debate whether or not to reach out for him again. Your eyes flicker over his face, he continues to stare at the ground. You're sure he's going to stay silent. But that's okay. 
"I'm sorry. It hurts, doesn't it?" 
Your voice sounds so, so genuine. Aki's heart sinks down into his stomach. 
"You didn't deserve for any of that to happen to you. God, you've been through so much. All of it, I just- I couldn't even imagine." 
Aki swallows the lump in his throat, and he replies, "Don't apologize. It's okay." 
"It's not okay," You retort sharply, "It isn't okay for you to have to deal with getting treated like crap, on top of all those difficult missions, and on top of the stress from trying to hunt down that damn devil. It just isn't." 
"I'm used to it. I knew what I signed up for when I took this job." 
Your expression pinches. "Yeah, and I'm saying you deserve better. Better than whatever it is you're used to. Do you not think so?" 
"I-" 
He starts to answer, but he trails off before he can get anywhere. His eyes go wide, he glances away. 
No, no he doesn't think so, but he couldn't explain that to you, he wouldn't even know where to begin. Everything he's ever done, every sacrifice, each and every devil he's slaughtered — It's all been in service of some sort of debt he feels he needs to repay. It was him who lived, it was him who survived when the rest of his family had their lives ripped away from them. He's the one with weight to carry. He's the one who got his brother killed. 
And it's him who's watched colleague after colleague, friend after friend die right in front of his eyes, while each time he's been powerless to stop it. When those people fought so hard only to end up in their graves, never able to take another breath, who the hell is he to want something more, something easier? When he's the one who failed to keep them safe, if he stopped fighting for even a moment, how would he be able to live with himself? 
This is just the way his life is, the way it always will be. This is the only thing he's known ever since he can remember. 
And fuck, he can't say that to you. God knows he's said enough already. 
Aki purses his lips into a thin line, his eyes flash with a more than obvious spark of guilt. If his hands folded in his lap, clenched and trembling weren't enough, the look on his face surely tells you all you need to know. 
You sigh, and you let your arms fall limp at your sides. "You're so ridiculous." 
Aki stays silent for a couple of seconds like he hasn't realized, and then suddenly, his eyebrows furrow, his gaze flickers up to your own. "What?" 
"You heard me. You're being ridiculous. And totally stupid."
"What the hell do you mean?" He pouts, "How?" 
Oh, you're really gonna give it to him now. 
"You know what? Listen," You're starting, standing up straight, "You're ridiculously stubborn. And you're ridiculously altruistic. You should care more about your own well-being. What's gonna happen when you go too far? When you've sacrificed yourself and destroyed your mind and your body so much you've essentially worked yourself to death? If you spend all your time trying to protect others, you don't leave any room to protect yourself."
With every word, Aki's expression softens, softens. He bites down on his own tongue and stays quiet. 
"If you don't care about my opinion, it's fine," You continue, arms crossing over your chest, "You don't know me. You don't have to listen to anything I have to say. After tonight, you can leave and go do whatever you'd like with your life, and I won't be able to stop you. But I think you deserve better, and whether you agree or not, that's not gonna change. You shouldn't be treated so poorly, whether it's by yourself or by other people, or by this whole fucked up system. God-"
Your shoulders slump. The sigh you breathe is deep and weary.
"You deserve love, you know that?" 
Love. 
Aki's eyes are wide, his mouth parts but he can't say anything. Truthfully, he doesn't know what to make of that. All he knows is how your words get his stomach all fluttery, the way they make his chest twisted with an aching, unfamiliar heartsickness. 
"I'm-" He stutters, voice shaky, "I… I appreciate you saying all of that. Really, I do. But-" He brings his fist up, clearing his throat. "But you don't need to- Where are you going?" 
By the time he's looked up and noticed, you've already walked away. You kneel down, digging through the bar's mini fridge. Glasses clink together as you sift through its contents. Eventually, you find what you're looking for: a cold bottle of water, and you walk back over, holding it out to him. 
"Here," You give the water bottle a shake, "Your voice is hoarse. You must be thirsty, right?" 
"Uh," Aki reaches out to take the bottle from you. "I guess so." 
Now that you've mentioned it, his throat is pretty scratchy. He cracks the lid of the bottle open with a satisfying noise, and he tilts his head back to graciously glug some down. The crisp cold water nulls the fuzziness in his head, it brings relief to his throat, sore from when he was crying. Once he's done, he screws the cap back on and reaches over to set the bottle on the nightstand. 
"Better?" 
Aki nods, and he sounds much clearer when he answers, "Yes. Thanks." 
"Let's talk about something else." You start, "Tell me how you're feeling. Are you sad? Mad at me?" 
"No, of course not. I'm not mad. I'm not sad either. I'm just… normal." 
Normal, right. His heart certainly doesn't feel normal: it's pounding a mile a minute, and it has been pretty much since the moment you started talking. Or maybe it started the second he stepped into this room with you. No. His heart's been skipping from the moment he met you. 
His head is spinning in circles, spinning and spinning and making him dizzy, and he can't think straight to save his life. The ghost of your touch lingers on his skin: of your hands in his, of your palm on his cheek. You left tingles in your wake, you dictated the rhythm of his pulse without even realizing. And now that you've gone and said all of those sweet declarations — You've made it so every little thought circles right back around to you, with no means of escape. 
Love, is that what this is? He's been thinking too much already, way too much for his own good, so Aki doesn't bother to give himself the time to consider it. 
Maybe he's just drunk. He doesn't feel drunk. He's by no means a lightweight who'd go and get wasted after only a handful of drinks. But maybe the alcohol is what's making him act so weepy and starstruck and stupid. He'll place the blame on that to make himself feel better. 
He shakes his head, and he says offhandedly, mostly to himself, "I think I've had too much to drink." 
"Oh? I was going to offer to make you something else, but maybe that's not the best idea." You reply. "Are you okay? Do… Do you want to go back now?" 
"No, not yet," Aki answers quickly, "I'm fine. My head, it just- it hurts, is all. But all the noise out there, it would make it hurt even worse." 
Briefly, Aki remembers how you told him you were on your break. Your break's probably over by now. He should remind you. But he won't. 
The noise, yes, but more so, he doesn't want you to leave him just yet. Not for a little while longer. 
"Alright. We can just keep relaxing, then." 
"Is that okay with you?" Aki asks, a bit hesitant. 
"Yeah, but if we're gonna stay here-"
To his surprise, your palm comes to press onto the center of his chest, centimeters away from his pounding heart. You push slightly. "Scooch. Let me sit. My legs are tired." 
Aki eyes you with confusion. But when your hand applies a bit more force, he follows along, obediently shifting back on the bed to try and make room for you. 
Before he can move to the side to allow you to sit next to him though, you're suddenly gripping his shoulders, you're squeezing them tight and slinging your legs on either side of his. You're straddling him and climbing on top of him, you're settling your full weight on his legs and you're sitting in his lap — and just like that, Aki's completely breathless. 
You're in his lap. He's stuttering between words and gasps out of nervousness, he's leaning backwards as much as he can but at the same time, he's trying to get comfortable, letting his thighs spread on instinct to give you enough room. 
"Ah, what're you-" His cheeks burn with fiery warmth, his heart starts to pound faster, faster. He keeps his arms at his sides, his palms are getting sweaty, and he closes and opens his hands in unrest, in awkwardness, unsure where or whether he should touch you. He shouldn't, and you shouldn't be so close — Fuck, are you trying to kill him? 
"You…" Aki gulps, he struggles to keep his gaze on yours when you're staring at him so unwaveringly, "I was going to move some more so you could sit, but you didn't give me a chance to, so I… You really don't have to-" 
You're already smiling, you interrupt him with a small laugh and a playful squeeze of his shoulders. 
"It's fine. Don't overthink it, Hayakawa. Just relax." 
You hold still, allowing his heart to settle and for him to get used to your weight on top of him. You fit into his lap snugly, closely. Like you were meant to be there. Perfectly, almost; the slot of two puzzle pieces. So close he can hear your soft breathing echoing alongside the pitter-patter of his heartbeat in his ears. His thighs allow you just the right amount of space to sit comfortably. His work slacks are nice and smooth against your bare legs. 
Don't overthink it. Is that what he's been doing this whole time, overthinking? With the way his head keeps spinning and spinning, it sure seems like he's been. 
Maybe he shouldn't. He could try not to. He'd feel better if he let go, if he focused on nothing but you, if he just trusted you and simply forgot about everything else. All of his worries, all of his troubles. All the hurt he's clung onto so tight. He could, just for as long as you're here with him. 
Aki exhales a long, deep breath, he lets his hands unfurl and places them flat onto the mattress. His heart rate slows. He wants to let go, he swears he does. The problem is convincing his mind to shut up is no easy task. 
"Whatcha thinking about?" 
Aki peers up at you as your sweet voice tugs him from his thoughts. "Nothing." 
You breathe a half-sigh, half-giggle, and you wrap your arms around his neck, clasping your hands together and leaning your elbows on his shoulders. "You're always worrying about something, aren't you?" 
Aki hesitates for a single moment — your face is so close — before he interjects, "Not all the time." 
"Oh yeah? How do I get you to stop, then?" 
"I… I don't know." 
Sure, he doesn't know, but you might just have an idea. An idea to get him to forget about all those things that've been bothering him, an idea to help take some weight off of his shoulders, if only for tonight. An idea that gets your heart thumping, your nerves buzzing, and your whole body tingling with anticipation. 
You know how you can get him to relax, and if he thinks love isn't something he needs, you know how you can show him. 
You cock your head, "Listen, how about this. Don't let anything trouble you right now, okay?" 
Aki pauses. "What do you mean?" 
You lean in a bit more, just a little more, enough to let Aki smell a hint of your perfume; something akin to fresh blossoms and vanilla, completely intoxicating yet perfectly, utterly you. 
Your voice is sweet enough to make his heart flip: "I want you to try and let go of everything that's been bothering you, all those bad thoughts that won't leave your mind. I said you deserve to relax and enjoy yourself, remember? And you can't give yourself space to relax if you're always stuck in your own head, don't you think?" 
Aki swallows so hard his eardrums crackle, he's stunned. Part of him still can't believe this is happening, that you're here, tangible and right on top of him. Your eyes are locked onto his, gaze warm and earnest. His eyelids grow heavy once your delicate fingers come to hold his jaw. 
Quiet and coy, you whisper, "You're here with me, it's just us, and nothing else. It can be just us for the rest of the night, if you want it to be. We can pretend devils don't exist, alright?"
Honestly, Aki doubts himself, he isn't sure how well he'll be able to follow through. But when you're the one who's asking him, when it's for you, he wants to give it a shot. If he keeps his focus on you, on this moment, perhaps forgetting will become simpler than he imagined. 
"Alright." Aki replies, "I'll try. Thank you." 
"That's all I'm asking for." Your smile is warm. "Just try." 
He nods, and it's ridiculous, but after a few drawn-out seconds, he begins to think you're going to do something more.
Your hand on his cheek tilts his head up slightly, holding him perfectly still. Aki's expression softens. He sees your gaze flicker down to rest on his lips, he can hear the subtle echo of your breathing. You're so close, your face is mere inches away from his. The tension between you and him draws out the seconds one by one, millisecond by millisecond, breath by breath.
The funny part is he wouldn't mind it. He wouldn't try to stop you. You've really got him wrapped around your finger, and Aki knows it. He's sure he's past the point of ever hoping to learn how to say no to you. Thankfully, he doesn't think he minds much if he ends up letting you do whatever you want with him. 
If you kissed him right now, he might even find himself pulling you closer. 
But you don't; instead, your hands start to travel over his shoulders, your warm fingers slip under the collar of his shirt to toy with his bare skin in places he hasn't felt before. The anticipation could kill him, but your touches might spell his demise before then. 
You lean in close, your breath warm when it fans over the shell of his ear. "Are you comfortable?" 
His eyelashes flutter, and he merely answers, "Mhmm." 
"I can move, if you want to. If this is too much." 
"No," Aki blurts out, "Don't." 
Your fingertips graze over his pulse point before you tug them out of his collar, returning your hand to rest delicately on his jaw. Aki meets your eyes, his breathing starting to quicken; you can hear each sharp, shaky breath he takes in. Your touch is barely there, but it commands all of his attention; effortlessly tender, you make his body shiver, his skin spark with electricity. 
You examine the details of his face: deep blue eyes like the depths of the ocean, faint bags set in under them from the stress. His nose is pointed, his brows are straight and short and a bit furrowed up in nervousness. He's pretty when he blushes, his face becomes painted in shades of ruby and pink all the way to the tips of his ears. He's just as handsome as you thought he was from the moment you saw him, even more when he's flustered, even more when it's all because of you. 
"You're-" 
Before he can finish the rest of what he was about to say, Aki suddenly stops, he shakes his head. He mutters, "Sorry, nevermind." 
"No, what is it?" 
Gnawing a little on his bottom lip, he anxiously taps his fingers against the surface of the bed. "I don't know. I forgot." 
"Come onnnnn," You tease, and you playfully pinch his cheek; Aki grumbles, but you just make his face glow even redder than before. 
"You're a horrible liar. You know what it is, so just tell me." 
"I was going to say-" Aki trails off. Loudly, he sighs. His tone of voice is nonchalant, like it's no big deal, but the way he shyly averts his eyes away from you says otherwise. "I think you're really beautiful."
His words catch you a bit off guard — pleasantly, though. They get you smiling, your cheeks warm and your heart fluttering. "Thank you. For the record, I think you're beautiful too." 
"Am I?" 
Aki's eyes go glossy. He asks you that question like he's wanting you to say more, like he's begging for you to keep fawning over him because he can't get enough of it, of the way it feels to be adored. 
"Uh-huh. You're so pretty, Hayakawa. I think you're gorgeous-" You brush your fingers down his jaw, your palm presses firm to his chest. It rises, falls, his heart beats beneath his shirt to a rapid rhythm, thumping, thumping. "Inside and out."
You think he's pretty. Aki's so dizzy he can't even think, it's like he's floating, as if he's high. Water beads at his lashes, he blinks the tears away. He lets his gaze flicker from your face, to where you're settled on top of his lap, to something in the distance. 
His mind is moving a mile a minute, but no matter what, all those thoughts keep leading back to the same thing. He can't stop thinking about what you had said to him earlier. 
Love has never been in the cards for him. Maybe it was something he understood once, but ever since he can remember, it hasn't been something he's had. He's never been adored. Never been put first. His parents loved him, but they spent all their time fussing over his brother. And then, they were gone. 
It isn't something he's daydreamed of, isn't something he's at all desired. In this life, love isn't even anywhere close to a possibility. His existence revolves around his pursuits as a devil hunter, and nothing else. He can't have room for anything else. There's no-one. There's always been no-one. 
Until now.��
You make his heart into something it isn't used to, your touches give him a feeling so simple yet unlike anything he's ever understood: the beat of wings manifested between his ribcage. He's never been one to want, but he wants you, he wants whatever else you're willing to give to him, be it love, or something more. He wants to see what it is you think he deserves, because then, he might be able to understand. 
"You look so nervous, pretty boy." 
Your tone is teasing, it's tugging and pleading for him to let you in. Your finger comes to rest under his chin, and you tilt it up towards you carefully — just slightly, but enough to call his attention back to you. 
"I thought I told you to relax." 
"Easier said than done." Aki replies quickly, a little breathless. 
You don't get how damn near impossible it is to stay calm when you're so sickeningly sweet. When you're pressed up this close to him, right in his lap. 
"Then let me help you." 
You brush some hair from his eyes, tuck it neatly behind his ears. You reach for him again, and this time, you're gently grasping his chin between your thumb and forefinger, you're keeping his head tilted up and his gaze locked on you. 
"You don't- there's no need for that, you don't have to." Aki mumbles, he's frozen, and his lips quiver when your thumb brushes over them. "You've done enough for me already." 
"But I want to. It isn't because I have to, I want to do this for you, Aki. Please." 
Your sudden use of his first name causes his eyes to widen and his thudding heart to skip a beat. He knew he'd like the way you said his name, when you said his last he couldn't help but imagine how your voice would strum the syllables of his first. But now that he's heard it, the way his name sounds when you're the one to say it is perfect. 
"Really?" 
A small part of him is still doubting this. His worry-filled brain can't help but think the only reason you're still here is because this is your job, and he's nothing more than a patron. Perhaps he's too trusting, but if you're sitting here and you're telling him this is what you want, then —
"Yes, of course. Of course Aki, fuck, I wouldn't be here if I didn't want this with you." The meaning of this is left ambiguous, but you're still talking, and neither of you have a chance to ponder the implication. 
"You can trust me," You're continuing, "Let me take care of you. I can help you relax, for once. I'll give you something else to think about. Something better." 
Aki pauses. His breath is warm on the pad of your thumb, his voice is a challenge at barely more than a whisper: "And how are you going to do that?" 
You know how, and it's something you've wanted to do for way, way too long. 
You keep a firm grip on his chin, holding him still. Aki's Adam's apple bobs in his throat when he swallows thickly, his throat dry from the nervousness. His shoulders stiffen, his breath hitches and shakes as you start to slowly lean in, your head tilting, your hand working behind him to gently hold the back of his neck with each centimeter of distance you close. 
When your lips brush over his — close enough to feel yours are plush, and his are chapped, but not quite enough to connect — Aki is letting his eyes shut. His breath is hot, it's quick. He focuses on the fluttery beat of his heart in his ears to keep the anticipation from eating him alive. Pounding fast, hard, and then slower, slower. 
And once your lips press fully onto his own, he feels it start to soar. 
His chest fills with an enveloping, tingling warmth, his cheeks and the tips of his ears burn red hot. After so long of feeling nothing he finally knows what it's like to feel everything — His breath nearly stops as you kiss him softly; tender enough to cause the entire room to whirl around him, hard enough to make the whole rest of the world fade away, as though it doesn't even exist. 
There's just you, and just him, at the center of it all. 
Still, it's a hesitant, chaste sort of kiss, Aki melts into your touch and allows you to do as you please, and you let the kiss last for only a second or two. You pull back slowly, reluctant to drag your lips away from his, you let his breath mix with yours for longer than you should. Finally, you draw all the way backward, and Aki's eyes flutter open to see you're already staring at him. 
You kissed him. You kissed him, and the only thing running through Aki's mind is how much his heart — in the expanse of his chest, warm and all-encompassing, flooding his body with this prickly sense of longing — All he can think of is how badly he needs you to kiss him again. 
"Aki-" You swallow, you say his name with an air of caution; perhaps you can't believe what you've just done, either. But you won't stop. Your face is still close to his, and your voice is kept quiet, "How was that? Another?" 
Aki nearly stutters. "Yes." His low voice mimics the volume of yours, "Please." 
You haven't forgotten the promise you made to yourself, when you swore you'd give him everything he wants from you. And when he asks you so nicely for more, you aren't about to forget. 
A telling smile tugs at the corners of your cheeks. Of course. 
You lean in once more, eyes closing, head tilting. His shoulders go slack the instant you've kissed him. Your lips connect with his a little easier than before, it's more familiar this time, but your kiss is a bit deeper, a bit harder. 
The way he kisses you back is hesitant. Desperate but nervous all at once, like he doesn't want you to stop, like he's needed this. His lips quiver and his jaw locks up, his movements are unsure and clumsy; your lips don't quite meet with his when he leans in to kiss you again, his nose awkwardly bumps against yours. Aki kisses like he's never kissed anyone before — but honestly, with the way he's closed himself off, that might be true. 
You kiss his lips again, again, you've been meaning to pull yourself away ages ago, you tell yourself just one more, but Aki leans in for another, and you can't resist. Each one is slow and tender, you only stop when you need an opportunity to breathe — and even then, you barely pull away from him, your lips still brush over his as you gasp for air and your warm breath melds with his own until the space between you is hot and humid. Aki's arms are shaking, he keeps his eyes screwed shut tight. 
You reach up, and you carefully brush strands of hair away from his face to tuck behind his ears. You press a long, deep kiss to his mouth, you run your fingers up through his soft hair 'til it's ruffled and messy and his whole scalp is pleasantly tingling. His body relaxes, he's compliant, and he's starting to get the hang of this; he breathes a trembling sigh, his hands tightly clenching the sheets of the bed. He groans quietly, voice muffled by your lips on his.
God, he feels amazing. Nothing matters to him anymore besides your soft lips against his own. Each kiss melts him more than the last, all the way until he's putty in your hands, leaning into your touch as you hold his jaw and draw him in for more. Your other hand slips over his back, it runs along the length of his spine and coaxes him impossibly closer. 
The pitter-pattery lilt in his heart refuses to quit. He kisses you eagerly, he utters soft, hushed gasps. Your body rocks into his in a desperate attempt to get closer, and Aki sighs in a mix of surprise and contentment, but he's letting it happen. In fact, he's encouraging you, he's following along to each of your movements, leaning into you once you start to press forwards. 
Your lips are perfect, he's addicted — It's like he was made to kiss you. Made to meet you and destined to have you kiss all of his bitterness away, just like this. 
He wouldn't mind if this singular moment lasted the rest of his life. 
He's disappointed but doesn't protest when you abruptly decide to pull away, far back enough to meet his hazy eyes, and for long enough to allow him to catch most of his breath. His cheeks are burning red, his lips are puffy, pink and kiss-swollen. You're sure you aren't fairing much better; an unmistakable heat blemishes your face, it swells from under your skin and travels all the way down your shoulders and your chest. 
You breathe in deep, and you try to calm your racing heart before you speak. 
"You're doing good. Are you alright?"
"Yeah."
"I'm going to kiss you again," You're already leaning in but that's fine, he wasn't planning on stopping you in the first place, "Relax more this time, okay? Don't tense up. Just trust me." 
Aki nods his head nervously, unsure but willing, and you place your hand on his cheek before tilting your head and diving in again; this time, your kiss is much deeper, it catches him off guard, and he instinctively tenses despite what you told him. You run your fingers through his hair until he's slack, you guide his lips to part when yours do — And when your tongue slips into his mouth, he starts to feel like he's high. 
You taste exhilarating, sweet and sugar-ridden and like everything he's ever wanted. His arms continue to tremble, every limb freezes up and a budding ache blooms wild in his core. He's weightless, taken under frothy ocean waves, he tries his hardest to kiss you back but it's so much, his heart hammers in his chest: the bang and reverberation of steady gunfire. 
You suck on his tongue gently, teasingly, and he tastes like honeyed liquor and his rich cigarettes — The same kind of cigarettes you always used to smoke. The sensation is dizzyingly familiar, so delicious it gives you a rush to the head, it makes the whole world tilt on its axis. 
And it's there, with your lips pressed deft to his, that you realize perhaps you needed this just as much as he did. This softness, this closeness, this genuine adoration. You can't remember the last time you kissed someone like this, when the collision of lips and tongues came so easily, so safely, so naturally. 
Aki makes everything easy, he's easy to kiss, easy to trust. Easy to love. Easy to want so, so much more from. 
Your kisses get heavy and hot, messes of spit between twofold staggered gasps for breath. You're tired of him keeping his hands at his sides, you want him to touch you — So, as Aki mutters another pretty whimper into your mouth, tilting his head opposite to yours so he can kiss you even deeper, you're reaching down and grabbing his wrists. 
You tug them to your waist, you coax his hands to hold you and squeeze tightly. He's trembling a little; his touch is more hesitant than forceful, but he follows your direction and grips you firm. He rubs circles into your skin with his thumbs, his palms radiate warmth. Your kisses lead you to press closer, your teeth bite gently on his bottom lip and he drags you in by your waist, enough to make your hips to rock rhythmically against his lap. Aki gasps, you pull away from him and he's panting hard. 
His eyelids flutter open and he immediately meets your gaze, his pupils blown out wide and dark. In a weak voice, Aki starts, "I-I'm sorry, I'm not-" 
But you shut him up with a quick kiss to his lips, he's stuttering again as you plant another to the corner of his mouth, then to his warm cheek, to the edge of his jaw. He lets out a heavy sigh as you place the softest kiss over the shell of his ear, his skin tingly when your hot breath tickles it. 
"I'm not…" Aki gulps, still trying to talk despite his struggle. It grows more difficult when you're biting at his earlobe, his metal earring sturdy under your teeth, your lips delicate on his ear, "... I'm not good at this." 
You huff a low laugh so close he can feel the echo. His whole body shivers, then promptly relaxes. 
"It's okay," You coo, voice muffled, barely there. You're beginning to trail sloppy kisses down his neck, and he whimpers; each word is sending vibrations over where he's most sensitive, "You're doing soooooo good. You're a great kisser, Aki."  
The thick, dreamy fog in his brain almost causes your words not to register. But when they do click, Aki's blushing a little harder, his mind is a blur, he's so caught up he fails to notice your hands reaching for the buttons on his shirt. 
"I… I am?" 
You mutter teasing mhmm's into his nape, you work the soft flesh of his neck between your teeth and suck hard. Your lips feel out the telling thrum of his pulse, kissing until it starts to pound faster. Your mouth is warm, tongue wet; you taste the prickle of salt on his skin like you could never hope to get enough. 
Nipping at the side of his neck, you fumble to undo each button on his dress shirt, popping them free through messy kisses and bites. It's difficult to undo them blind, and so you struggle for a while, focus split between sucking a deep-set bruise into his skin and hastily getting him undressed. 
And Aki knows what you're doing — He should probably stop you, push you away, anything, but he doesn't have it in himself to. This is indecent, he's letting you strip him. You've worked all of the buttons on his shirt down, and you press your warm palms to his bare chest, you drag them down and caress the mismatched ridges of scars. You feel out the subtle shapes of muscle, glide your hands over his smooth stomach and press your thumbs to where his hip bones start to jut out and define the rest of his figure. 
If he was thinking clearer, or if he hadn't already agreed to take your advice, he might have put a stop to this by now. Instead, all he can do is utter faint gasps and moans, he grips your waist tighter and he tilts his head back to give you better access. Your kisses and licks and bites right on his most tender spot feel like the sweetest thing he's ever had the privilege to experience, like heaven. 
He doesn't need to look to know for certain he's going to have a huge mark on his neck, right where everyone can see. He can try to cover it up with his collar, maybe. Skip work and say he's feeling sick to avoid the shame he'd get from all the stares. He'll figure it out later. It's truly unlike him, but in this present moment, he can't bring himself to care. 
As you finally break away from him, planting one last kiss, you admire the mark you've left on his skin: tender and bruised in shades of purple and red, planted on the side of his neck, right above his shirt collar. You trail your hand up to the center of his chest, you measure each pound of his heart; it thrums to an eager, rapid rhythm under your palm. 
Aki's gaze flickers over your face, expectant. You lean in some, your voice quiet: "Your heart is beating so fast." 
Against his complexion, the mark you've given him stands out like a sore thumb, surely easy enough for anyone to notice even with his hair down. Warm red and purple and blue blossom freely on the side of his neck. He's so pretty, the bruise is so pretty you can't help but dream of giving him more. Enough to cover the whole expanse of his pretty fair skin, enough to last, enough to make him never forget you. And as you reach up and brush your thumb over the blemish, delighting in the way Aki shivers under your touch, his eyelids heavy, breath loud and eager, you can't help but wonder what people will think, what they'll end up saying to him. 
If his colleagues at work will pester him about it, if the people on the train will stare when he stands next to them for too long. You wonder even more if when they ask, he would end up telling them the truth. 
"Are you nervous?" 
He gulps, he forces himself to meet your eyes and hold his gaze there. 
"A little," Aki confesses breathlessly. His neck feels bare without your lips pressed to it. "Sorry." 
"Should I move?" 
"No, you-" His nervousness is evident even without his answer, he takes a deep breath in and attempts to grasp at the composure he'd been clinging to earlier. He swallows and forces his shaky voice to continue. 
"We shouldn't be doing this," He says, his face is flushed crimson, his lips are puffy, he doesn't sound very convincing. "You know that, right?" 
"Oh, yeah?" You snicker in response, "Why?" 
Aki keeps nervously stammering on: "This is- I mean, it's- I know we won't get in trouble, but if you keep going, if we're not able to stop, then you'll… it'll- we'll end up-"
He abruptly freezes, trailing off before he can say anything more. Before he can answer the what ifs you've had spinning around in your brain since all of this began. 
Right. You didn't expect him to be the one to say it, nor did you think he was even considering something like that, but he's right. 
If this goes on, you'll end up doing something you shouldn't. You'll find yourselves in a tangled mess on the bed, you won't be able to go back once you've taken things too far, you'll strip him of the rest of his clothes and feel his large hands press deft to your bare skin, and once you've reached that point — 
"I know." You purposefully interrupt your own train of thought, "And I don't want to stop."
Gaze steady on yours, you wonder how he hasn't managed to look away. "Really? You're sure?" 
"Yeah." 
"Even if… even if we-" 
"I'm positive." You interrupt. "Why? Did you want us to stop?" 
Aki's chest rises up, and then down. "I didn't say that." 
"What do you want, then?" Your fingers travel up from his neck to ghost over his jaw, his bangs form a mess around his face and you carefully push them aside while Aki takes a nice, deep breath. "Doesn't matter if you shouldn't. Tell me what you want." 
What does he want? He already knows, and he's such a hypocrite, such a total idiot. Truth is, he hasn't cared about what you should or shouldn't be doing for a long time now. 
There's one last chance to put a stop to this, and you've left the choice up to him. 
"I want you to kiss me." 
You smile. Falling further and further has been your fate from the very start. And now, he's sealed himself the same outcome as your own. 
"Where?" 
You lean down until your lips are brushing over his neck like butterfly wings, until he's letting his eyes flutter shut and allowing your sweet voice to consume what's left of him: "Do you want me to kiss you right here?" 
"Yeah," Aki answers, his breath is hard and sharp when it's pushed from his lungs, "Yes, please." 
So you do just that; you press a set of delicate kisses to his neck, he gasps, you place your hand under his chin to tilt his head up. You plant a messy kiss right under his jaw, then one onto his Adam's apple — Aki swallows, it bobs up and down in his throat, your lips are liquid fire — and finally, you press one over the pretty mark you've already left. 
You peer up at him through your eyelashes, you gauge his reaction, and he gestures down to his neck with his eyes, where your lips sit inches away; he's still breathless, still nervous, but he sounds sure of himself when he asks, "Give me another one?" 
"Another one of these?" You tap your finger against his neck, over his purpling bruise, skin tender to the touch. 
Aki nods. "Please." 
You're obliging before he can say another word. You dip your head down, you kiss onto another soft spot on his nape. Aki screws his eyes shut tight, and then, you work the flesh between your teeth, same as you did before. You suck gently, you hum into his skin when his hands grip your waist for reprieve. You kiss the newly formed bruise, watch it take: a mess of red and purple seeping deeper in. The warmth of your breath briefly disappears as you move your head over to the other side. 
Aki tilts along with you. Delicate fingers push his hair out of the way, plush lips pepper his neck with kisses, he sighs in pleasure, reaching a hand up at the same time. He shakily presses his palm to the back of your head, and you work to give him another. Your tongue wet on his skin, you suck more harshly, hard enough to make him whine. You only pull away once you're sure this newest mark will set. 
Drawing back, you lock eyes with him. You grab his chin, drag his head up, his gaze goes soft, heavy and obedient. He looks perfect, gorgeous when he's like this, pupils blown out, the fair skin on his pretty neck covered in your bruises and your love bites. 
They're signs you were there. Pretty little mementos for him to admire in the mirror the next morning until they jog the memory of what you've done, of your plush lips and warm mouth on his neck. He'll tingle at the thought, he'll press his fingertips to each one and will himself to go back to the night you left them. 
"Tsk," You scoff playfully, grinning, "You won't be able to go back to work like this." 
The bridge of Aki's nose crinkles when his eyebrows start to furrow, "I can." 
"People are gonna stare at you." 
"I don't care." He snaps the words a bit too sharply than he realizes, but it's out of desperation, out of impatience, "Just kiss me again." 
Finally. You're taken aback, but only briefly, in a good sort of way. This is what you wanted. At last, he's honest, he's desperate and he's no longer afraid to get what he wants — or really, what he's wanted all along. Finally, he's acting a little more selfishly. 
Without giving him a chance to regret it, you lean again, giving him just what he needs from you. 
Your lips connect with his, Aki grips your waist and in turn, you fist his shirt collar, tugging him in as close as you can get him. This kiss is messier than the others. It's needier, it's you melting into him when one of his hands slides up to hold the small of your back, his touch gentle, like he could never hurt you. He wouldn't, you know he wouldn't. And it's Aki dragging you in, tugging you closer on his lap, his head cloudy and fuzzy and only focused on the ever-so perfect press of your tongue to his own. 
With each and every kiss, you're taking all the breath from his lungs — You adjust, your hips rock into him just as they did the first time he pulled you closer, and he nearly gasps, his whole body flares with tingling warmth. He wants you even closer, but your tongue in his mouth, his puffy lips messy and wet with your saliva is too much to handle. Aki kisses you back as best he can manage, he licks into your mouth nice and slow while your fingers tangle in his hair: tugging, pulling, gripping. 
Amidst your kisses, somehow, you manage to find a window to murmur, "Do you like kissing me?" 
You don't get to say anything more, though, because Aki is quick to close that shred of distance between you; he kisses you deeply again, he holds the back of your neck, and into your mouth, he mumbles a muffled, sweet-sounding mhmm. 
Truthfully, he does, he loves this. His heart thumps, his eyelids are too heavy to open, drool drips messily from the corner of his mouth. 
He's forgotten almost everything, everything but you; you're the perfect vice, just as addicting as his cigarettes, but you're so much sweeter — He can't stop. When you're kissing him like this, pressed up close to him and making everything dizzy and light and feel so good, how is he supposed to stop you? He can't, and more than anything, he wants to drown in more of your touch, in your lips, in all you have to give him. 
Your fingers tug gently on his hair, you moan softly, your body presses into him once more, your hips grind down on his. But this time, it's different. It's much more deliberate. 
You're testing the waters, getting restless. And he freezes up from the tension; when you pull away from his mouth, his eyes are glazed over, his pupils are blown out wide. You're both breathing hard and heavy, you mutter something and with the way his head is spinning and his ears are ringing, he can't tell if it's a sigh of pleasure or a whine of his name. 
Then, your hips roll down on him again, hard, right into his lap, and Aki's eyelashes are fluttering, he's hissing and biting down on his bottom lip, his hands clenching at your sides. His pulse is thrumming, it's insistent and warm on his neck and between his legs, only getting warmer the closer you press.  
Your heart is starting to race. Your nerves hum with a new kind of need, an exciting sort of need. You know what you're doing. You'd be a fool not to know. Aki runs his palm along your spine, trailing up, his touch gentle, and your whole body grows impossibly hot. Your head is still reeling from his kisses, you'll blame your impulsiveness on that. 
Your lips long to be on his again — and you almost kiss him, you're about to kiss him even harder until he can't even breathe, but you stop as Aki's eyes scan your face, as he opens his mouth and tries to say something but can't. When you get impatient, gripping his shoulders and rolling down on him again, all he can do is gasp. 
"Aki…" You murmur his name, leaning in close to his ear. And it's clearer this time, even sweeter than all the times he's heard it before. 
"F-Fuck, stop for a second." 
He sighs out the words, he squeezes your waist tightly as a signal to hold still, and you freeze in your tracks. 
"Are you okay?" 
"I'm fine," Aki answers quickly, voice shaky. He looks at you through half-closed eyelids, his face is flushed crimson and his collar's askew. His unbuttoned shirt is starting to carelessly fall from his shoulders, slipping down to expose his collarbones and most of his chest. As if on queue, he reaches for it, tugging the sleeves back in place, attempting to clumsily do up the buttons one-handed. He swallows the dryness in his throat and tries to make himself look presentable. Like it even matters. 
"Fine, just-" Aki lets go once you help him, tossing his head back. You reach forward, you finish the rest of the buttons for him before adjusting the folds of his shirt collar until they're straight. "Just needed to catch my breath." 
"I'll get off of you, if that's what you want." Your thumbs rub along the smooth fabric of his collar. "If it's too much." 
"No," He's still a bit breathless, but now, he sounds much more resolute. Little by little, he regains his bearings. He tilts his head all the way backward and looks up towards the pale ceiling to avoid meeting your gaze. He spreads his legs and gets more comfortable, sighs at the extra friction from you adjusting on his lap. He takes a couple more deep breaths and waits for his pounding head and heart to return to normal. 
He looks towards you again. Behind his eyes, he sparks with something dark. Something serious and something foreign — It's a look you've never seen from him before. A look filled with something desperate and incomprehensible, washed over with lust and love and whatever lies in between. 
"Don't." Aki heaves a deep, steady sigh. "I don't want you to." 
His breathing is slow, it's controlled, it contrasts with his heavy gaze and flushed out face. You let your arms wrap around his shoulders and he tries his hardest to stay calm. 
"You sure?" 
"I'm sure," Aki stares into your eyes and imagines them swallowing him whole. "I promise, I'm sure." 
The truth is, he's still nervous, he's fucking terrified, but if there's one thing he's grown tired of, it's hesitating when his heart knows he doesn't want to. From now on, he can't, he won't. No more hesitation. 
"You can do anything you want, I trust you. I swear." 
You smirk. "Anything?" 
You're leaning in, you grasp his lobe and fiddle with the pointy back of his earring. You tilt your head and breathe warm wisps of air onto the shell of his ear, so close he's shuddering, his eyes screwing shut in anticipation. Aki's heart pounds, pounds, pounds. 
And with a trembling sigh, he confirms it: "Anything." 
"So this is alright, isn't it?"
You rock into him again, and he gasps, he takes in a long, unsteady breath. Aki shivers, he tugs his bottom lip between his teeth and bites down. Your question doesn't get answered at first, but his hold on your waist is a subtle form of encouragement, he drags you forwards in tune with the deep roll of your hips until you're pressing into him even harder and even closer than before. Right up against his lap, your arms around him and your chest on his. 
"Yes," Aki finally manages; he can hardly speak, he's losing his fucking mind and you've barely even begun. Your palms glide down, fingers nudging past his sleeves, gently caressing his hands and the veins on his wrists. Your hands fold over his knuckles, you squeeze and guide him to hold you tighter. You nip at his nape and he's screwed, he's so fucking screwed. "Keep going, don't stop…" 
His hands shake, arms tremble, you press your lips to his neck and leave wet, messy kisses onto every sensitive spot you managed to discover before. Everything's happening at once, Aki clumsily tugs you closer, still. His fingers flex like he's not sure whether he should keep holding on. In the end, when your lips kiss his cheek and you cradle his face in both palms, he opts to tear his hands away from you and place them flat at his sides to give himself more leverage. 
His head twirls in dizzying circles. His body betrays whatever wishes for composure he was still clinging onto. It takes you another deep grind into his lap to register what's happening; beneath you, he's getting hot, getting stiff. 
You can feel him, firm and thick in his slacks, warm when you roll down on him again; you've hardly done anything, and he's this hard already, from just some kissing and a little bit of friction. You've ignored it up 'til now, but truthfully, you've noticed for a lot longer than you were letting on. Aki's been hard ever since you first kissed him. 
You don't blame him, really. He can't help himself, it's cute that he can't help himself. You pull him close and kiss his lips, he can't help if he gets hard just from a kiss, your body presses closer and shoves up against his — your sex against his stiffening cock — and Aki can't help when he sighs into your mouth. You pull back and keep kissing his neck, he groans, his throat vibrates under your lips with the noise and his Adam's apple bobs from the weight of it. 
He's doomed. When it comes to you, he can't help himself, and that's the problem. You're rocking into him and even though he should say the opposite, all he can manage to mutter is, Keep going, keep going. Don't stop. 
You place a delicate kiss onto his ear, you coo something sweet into it that his tangled mind can barely make out — You sound so pretty, so perfect when you beg — and it's all over. 
This isn't like him, he isn't the kind of man who'd do something like this. He should have more self-control. He thought he did. And yet here he is, bucking his hips up into your own as you grind down on him, whining so loud it's embarrassing, his pretty noises turning into even softer grunts as your fingers knot in his hair. You grip close to his scalp, his messy bangs tickle his lashes. 
He shouldn't be so needy. Or perhaps it'd be more accurate to say he didn't know he had it in him to be so needy. He wants you so badly he's gone lightheaded, he can't fathom anything but this; nothing else but the way your body clicks into place with his, close, close, right up against him. Enough to tease, enough to make him want you harder, faster, not enough to satiate his appetite. 
Though he doesn't dare to take anything further than the pace you've set. You grip his waist with one hand to keep both of you steady, right between the end of his ribs and the beginning of his hips. Lips parted, gaze misty, Aki lets you take whatever you want, like it's all that matters. 
And you will, because as much as you want to deny it, you certainly aren't faring much better; there's an ache set deep in your core, you're so desperate for him, to feel him. To have him closer, anywhere, anything, just more. Body to body, yours to his — Aki makes you want him without even trying, more than you think you've wanted anything else before. 
The room is quiet, way too quiet. You want to say something to break this silence, you know he won't, but the way you're feeling consumes every thought before it can form. The shifting of the mattress, the rustle of clothing, and Aki's gasps, his fragile whines are the only thing to fill your ears. You rock into him deep enough and slow enough and close enough to make him sob, and he bites down on his bottom lip, shutting his eyes tight, trying to stifle his noise. 
He doubts anyone would walk down the hallway and come close enough to this room to hear him or you. But the thought alone, the suspense of someone hearing how humiliating he sounds, of getting caught: it's enough to get him to shut himself up. 
"Aki," Finally, you muster something, gasping the words between another firm grind into his groin, "Talk to me." 
Despite his best efforts, he's struggling, and you've noticed. He finds it hard to stop himself from whining each time you grip him tight and grind down, even when he's trying to keep his mouth shut, even once he's covered it with his own palm, thinking that would make a difference. 
"Aaaaaaaki." 
"Shut up…" 
Every slight spur presses his lap further into you, making his eyelids flutter and his breath hitch. Don't, you can't say his name that way, not like that, not so sweet. 
Leaning in, you kiss his cheek, so soft his head goes hazy, you free your hand from his waist to push his bangs out of the way and kiss his forehead. You grip his wrist and gently, you drag it away from his mouth, he responds with an instant sharp intake of breath. You're straightening his hand and lining up his fingertips with yours, and he does you a favor before you make him wait any longer, intertwining his fingers with yours, gripping tight. He missed this. 
"C'mon, don't be mean," You whisper in his ear, you nibble on his lobe, speak through the rolls of your hips into him, "I wanna hear your voice. Please?" 
"Sorry," Aki snaps in response, you grip his hand nice and tight, use your free one to hold his face and brush your thumb over his lips. They're quivering, his pupils are wide. He tries. His words have zero bite (they never did to begin with, not from the start) and begin to sound more like pleas, less like demands. 
"I-I can't, I can't take it, you can't stop." Aki stammers. You nearly take your hand away from his to grip his shoulder, but Aki holds it tight, squeezing, fingers shaking, "Don't, please, ah- shit…" 
You can't fault him for trying, for listening, but his voice is fragile, it comes out in broken words and half-started sentences. You rock hard into him once more, you kiss his ear and start up a steady rhythm with your hips. His mouth falls open when he whines, his thighs wobble, his cock is aching from where it strains his slacks. Aching to be touched, and when it's pulsing between his legs so much it practically has a heartbeat of its own, he can't fucking think straight. 
He certainly isn't thinking when your thumb presses to his lips, caressing them before somehow slipping past. Any aspect of reason doesn't exist when you're shoving your thumb into his mouth, onto his tongue — and to your surprise, Aki lets his tongue swirl around it, he takes in sharp breaths to the tune you've set by grinding against him. He chokes on a quiet, sweet, dirty sort of gag as you shove the digit in further. 
It's filthy, he's filthy. His eyelids grow heavy, his lips close, and he sucks on your thumb gently, obediently. You grip his chin, you press it in even more, tears prick at his lashes and Aki's body lurches. His hips buck up into you along with the movement and he's gasping, nearly coughing when you abruptly pull your thumb out. You let it linger on his lips, smearing wet streaks of saliva all over them. 
He's panting now, hot and quickened breaths; he lifts his pelvis and fucks himself back into you on instinct, without even thinking, sighing and closing his eyes as he does. You adjust, wrapping your arms around his shoulders, your movements reach a fever pitch and with a dull thud and squeak from the mattress, you end up pushing him over. 
Pushing him all the way until he flops onto the bed, on his back, with you right on top of him, pinning him into place. Body pressed to his own, face inches away from his. Aki huffs in surprise, but you capture his lips with yours before he can do anything more. 
He swears you taste even sweeter this time. Honey and sugar, rich and enveloping but sparked with something ever-so exciting. Both of your hands cup his cheeks, and his arms fall upturned above him, he tilts his head opposite yours and kisses you tenderly, slowly — juxtaposed with how urgently he knows he needs you. His thighs shift and squirm as he parts them, trying to get comfortable and give you a better angle. Better access to the incessant throb between his legs. 
Your plush lips on his, your tongue exploring his mouth, your kisses and your cunt rubbing right up against his cock — and it's still not enough. Not enough friction or warmth or touch, too many layers of fabric, too much space between your body and his own. He can't, Aki's starting to sweat. So needy and disgustingly desperate, he wants to slap himself until he gets a grip, wants to have you shake his shoulders until he's come to his senses. 
He's hard and only getting harder, you grind deeper, and he really can't control himself, can't get a grip when he's already slick with arousal in his briefs and struggling to not finish right then and there. 
If he isn't careful, he'll cum just like this. That'd be pathetic. Such a loser, hooking up with you in the back of a strip club and cumming in his pants before you've even really done anything. 
He wishes that thought bothered him more than it did. He doesn't feel ashamed. He wishes it didn't make his stomach bloom with warmth and his head go all fuzzy as he imagines how you'd react, how you'd tease him in that sickeningly sweet voice of yours for getting so worked up and promise to make him feel even better. Awe, Aki, you're so cute. You want me to take care of you? 
God, he's worse than all the other devil hunters who come here, all his coworkers and even his sorry excuse for a mentor. What the hell has gotten into him? 
He has no idea, because the second you've pulled away from his lips, you give him no time to compose himself before you're breathlessly asking, "Does it feel good?" 
"H-hah-" Aki gasps, he's slurring; you're a pretty sight above him, and he struggles to speak at first, he's bright red all the way to the tips of his ears, "Yeah, s'good- Don't stop, please don't stop, you can't, you can't..." 
Of course it feels good, of fucking course it does. He's so worked up, and for the life of him he can't think of the last time he's been this way. Maybe never. Surely he's never felt this good all by himself before. 
Hell, he's been so numb, so busy and so isolated, he's finding he can't even remember the last time he's gotten hard in the first place. He's so stiff, aching so much it practically hurts, he hasn't felt this way in so long — Yeah, never. 
You must have noticed. You think he's easy, probably. He wouldn't really have a problem with that. But you're playing dumb, you've got to know how good he's feeling because you're the one who's doing this to him, and it isn't by accident. 
You're grinding up and down on where his cock sits heavy in his slacks and you can definitely feel him, definitely know he's —
"So hard." Your voice rings out close to his ear as you grind down on him once again, to the same sort of rhythm, and the fabric of his pants rubs right into the needy, wet tip of his cock, "It must feel amazing." 
Aki can't hold back a stuttery moan in pleasure. His hair is fanned out over the sheets in a mess, his thighs shake and squirm and his hands clench, fingernails dug into his palms as he rolls up into you, meeting your movements as best he can. Your weight pins him down, it's difficult to manage, but he needs to, has to. So hard, and it's all because of you; "Sorry, 'm sorry-" 
His flustered apologies get a clear smile out of you. You drag your hands up his arms, feel the wrinkled fabric of his dress shirt's sleeves, you reach his palms and you press your thumbs to them, massaging. 
"Aki, touch me." 
He barely hears, your words are a fuzzy ringing in his eardrums that only register when you're tugging his hands up and placing them both around your waist. Aki cracks his fluttery eyes open. You press a hand to his chest for stability, you use the other to guide his own palm back, back. Shaking fingers travel over the curve of your ass, and Aki thinks he's going to choke on his heart in his throat. 
He doesn't protest, doesn't move, doesn't try to fight it. You're cupping his face and stroking his cheeks with your thumbs and he keeps his hands right where you left them: one weakly holding your waist, the other trembling, trying to find stillness, resting right below your waist and barely on your behind, shy fingertips ghosting over the back of your thigh. 
You're grinding against him feverishly now — Each time your core meets his, Aki pants harder, he's getting warmer and stiffer and more uncomfortable by the minute. Your rhythm is deep, your body is so terribly hot, the heat transfers from you to him and it makes his head all floaty and heavy. Sweat beads at his neck, beneath his collar and onto his chest. 
Barely able to speak, he gasps shakily, he tries to steady his breathing but it isn't any use. He abruptly stutters, "It's… it's- oh, shit…" 
"What's wrong?" 
Aki wants to reply to you, he does, and he's trying to. But he just keeps gasping and stammering, stumbling over his own words with no idea where to start. You trail your fingers from his cheek to his forehead, you push some messy strands of hair away from his face until you can see it better. Pretty blue eyes, pink skin, the softest expression. 
You're attempting to coax him to meet your gaze but he won't comply, he shuts his eyes tight, tosses his head back with a downright filthy groan as your clothed cunt rubs right along the fat length of his cock. 
God, he can't take this, he's throbbing so hard and it won't stop, his work slacks are impossibly tight and confined around his dick but one less layer of fabric and he'd be a goner. Any more of this, and he's going to fall apart. 
You lean in, tone sweeter than sugar, impossible to resist: "Tell me, sweet boy." 
"A-Ah," Aki gasps harder and harder, pants heavier, his thrusts up into you get more feverish, sloppy rolls of his hips as his hand tightens on your waist. The friction feels so perfect, so fucking good, he's getting closer. 
He can't breathe, his head is a mess, his stomach's in knots. "I'm… I can't, it's throbbing so bad, I'm gonna-" A sharp, loud gasp, you grind down on him just right, he's right on the edge, and then, "Please, please, I- stop stop stop stop-"
You listen to his words as soon as you hear them. Immediately freezing in your tracks, Aki is finally given a break. His chest heaves with force, he tears his hands away from you to toss his arms over his red face. Everything comes to a standstill. Very slowly, slowly but surely, your breathing begins to calm alongside his own. 
He sounded close. He sounded amazing. You feel a little bad for him, almost. He clearly isn't used to this. You got him so damn riled up, only to leave him hanging when he needed you the most. A small part of you starts to regret stopping, starts to wonder what he'd sound like if you didn't. 
What face he'd make, how he'd look at you with those pretty blue eyes, pupils dark and his face rosy red. How he'd whimper and sob as he makes a mess of his briefs, even louder and even more pathetic than he was before. 
Maybe it's your own fault — it's definitely your own fault — but even as the seconds go by, turning into minutes as you watch the rhythm of his chest grow slower and slower, your mind and your heart won't seem to quit. You can't manage to calm down. 
The remnants of his voice echo in your eardrums. So desperate, so unlike anything you've heard from him before. You'd begun to memorize the sound of his voice, the way his tone stays smooth and unwavering, each word spoken with intent, and in this short span of time, your expectations have all been completely shattered. 
He seemed nervous, almost; and fuck, he is. Nervous because he's not used to this, yes. But really, he's losing his mind because he's never felt like that. 
He's been pent up before, sure. When Aki had his place to himself, he remembers times where he needed to jerk himself off in the shower to let go of some steam. Or nights when he stayed up later than he should have palming himself through his briefs, too needy and lonely to sleep. But those times are few and far between. 
He doesn't get like this. Ever since things started getting bad at work, he's hardly felt anything but numb. It's been months since he felt even a shred of what he's feeling now, so long he started to forget what it was like. 
Any desires he's had have been nothing more than an afterthought or a stress reliever. He's never been so hard he could barely stand it, or so turned on he was seconds away from cumming in his pants like some kind of degenerate.
And as much as he hates how close he'd gotten, having to stop you when he was right on the edge has his head reeling. He can barely even think anymore. He really needs a cigarette. A cigarette and for someone to tell him to just get a damn grip already. 
By now, you've managed to mostly regain your bearings. You keep still, ignoring any lingering ache you have for something more to ask, "You alright?" 
Aki catches his breath for a few moments longer before he nods, answering, "Yeah, f-fuck, uh-huh." 
His hips shift, he squirms beneath you slightly and it proves to be a mistake when he immediately huffs a frustrated puff of air. He's just shifting with unrest, not trying to get you off of him; the little bit of movement presses his lap back into you unintentionally, and with your head much more clear, you can distinctly feel the fat outline in his pants, the way he's warm and firm and sits heavy underneath. 
Trying not to have every thought in your brain circle back to the image of his cock confined in his slacks proves to be almost impossible. 
As for him, you've stopped moving — thank God — which gives some degree of relief. But you're still situated on top of him with no signs of moving, and the weight of your body in his lap is overwhelming as is. When you're pressed into him like this, even when you're still, there's no way he can will his mind, let alone his body to calm down, no matter how hard he tries to. 
But he doesn't want you to move. Aki draws his arms away from his face and peers at you through droopy eyelids. Everything is so damn hot, the air is thick and stuffy and the room is sweltering. His bangs stick to his forehead from sweat, strands of stray hair cling to the corner of his mouth and he peels them away with his fingers. His chest is still heaving, his heart continues to beat like a festival drum and the sound rings loud in his own ears. 
What he wants to do is reach out to you, to pull you into him and feel your body as close to his as possible, even closer than this, just as he's been longing for. But he won't. And he doesn't. 
Even now, he isn't confident enough. He debates the idea in his own head for a second. He doesn't think he ever will be. He's got countless things he wants to say to you, but he waits for you to be the one to speak first. 
You eye him up and down, he looks like such a mess. It's a huge contrast to how he looked when he first walked in, when you first laid eyes on him. Professional and well-kept, every aspect neat and orderly like it was planned to be that way. Tie done up sprucely, not a button on his jacket out of place. The space between his sleeve and the cuff of his undershirt is exactly two fingers wide, just as he prefers it. 
He definitely didn't plan this, though. He would never plan for something like this, not in a million years. You're sure he wasn't counting on having his hair down and askew, a tangled mess where it's fanned out over the bright pink bedspread, nor did he think of his collar getting so uneven, or his shirt getting untucked from his pants, so wrinkled it'll take at least three trips to the ironing board to get rid of them all. 
Somehow, he's lost all semblance of the way he was before, too. The way he was trying to be. His cool and collected attitude, his stern sort of facade. He's a completely different person, or perhaps, this is who he really was all along. 
He's weaker than he aims to let on. You're the one who's drawn this out of him. You're the one who gets to see the disciplined, strict devil hunter reduced to nothing more than a gasping mess underneath you. The only one. This side to Aki Hayakawa is all yours. 
He looks calmer now. Figuring you've given him enough of a breather, you start to slide from his thighs. Aki props himself up on one elbow and you don't think anything of it until he abruptly reaches out, grabbing your wrist before you can fully get off of him. 
"Wait." 
"I'm not going anywhere," You reassure, reading his mind, glancing up to meet his eyes, "Just give me a second to stand up." 
Although he stares at you hesitantly for a couple of seconds, he ultimately decides to let go and leans backward, allowing you to get yourself standing up straight. 
"I'm just taking off my dress real quick, okay? It's too hot in this thing." 
You take a step away from him, and you reach for the zipper on the back of your dress. You're grasping it and dragging it down and Aki's eyes go wide but he figures it's far too late to tell you to stop. 
"Right." He replies matter-of-factly — Right, that's fine, he's prepared for this — and nothing else he could hope to say would carry any weight, because even as he speaks, you're already starting to slip the straps from your shoulders. 
He finds himself unable to take his eyes off of you as you slide the dress all the way down your legs until you're able to step out of it and kick it aside. In turn, you find it impossible not to notice how he stares, his face blushed out up to his ears, flighty gaze scanning you up and down, lips pursed in a manner that tells you he wants to say something but he doesn't have the guts, like he always does. You look up, and he turns away the second you catch him staring. 
And yeah, you are heating up like crazy, so you'd certainly be more comfortable with your dress off, but his eyes on you are a reminder of the reason you're doing this. The real reason. You've stripped down in front of customers before, you've done it on every one of the stages more times than you can count, but Aki is different. This moment is different. 
It's nowhere near the same, because Aki doesn't look at you the way those men did. He takes all of you in, each curve and tiny detail, like you're something to be loved, like you're precious. He stares at you like he'd sooner get on his knees and worship you than ever dare to leave you hurt. 
He didn't touch you like anyone else ever has, either. No, his touches were soft, they were hesitant. They carried a level of carefulness and piety you're sure you haven't experienced, they're so wholeheartedly Aki that you think you'd recognize his hands and his touch even if you didn't know it was him. You'd feel his unsure fingers and the warmth of his shaky breaths and know you'd be safe no matter what happens. 
Nothing you've experienced tonight has been anywhere near what you're used to. He's always been special. That's why you're still here, why you never want to leave him. 
And it isn't wrong for you to want more, right? Your head tells you it is, but your heart tells you it isn't, and you've always had a hard time listening to the former. It isn't when it's Aki, when he's already become more important to you than anyone. It isn't when you've been so starved for this without even realizing, and when Aki is the only man you want to give it to you. 
Besides, you've already come this far. Fuck, you knew what you were getting into, and maybe, deep down, you wanted something more with him from the very start, whether it was his time, his touch, his affection. His love. 
So, what's the sense in stopping now? 
When you've tossed your outfit aside, you're left in only your thigh-highs and a dainty set of matching lingerie. A glittery bra, and lacy underwear that clings to your hips with thin, black ribbons. 
Aki was right. He thought maybe his muddled up brain was just imagining things when your dress was riding up earlier. Or perhaps he was trying to convince himself he imagined it so he could avoid feeling embarrassed over what he accidentally saw. But no, he didn't. They are black, and this time, he can't manage to tear his gaze away. 
You want him to stare, you think. You love when he's looking at you, when it's clear you've captured every last shred of his attention — and right now, it appears you definitely have. Aki swallows, he looks you up and down and then shyly rests his weary gaze on your own. You'd do anything in the world to always have those pretty blue eyes on you, on only you. 
He remains reluctantly still, in a trance as you crawl back over him. You draw closer, the mattress shifts under the addition of your weight. Your outline starts to take up his vision, and your fingers, tracing his jaw at first, are then beginning to run through his hair — Tentatively, he allows a hand to slip behind you and hold the small of your back, nice and gently. Comfortably, as if it was meant to be there. You don't try and stop him. 
He looks you up and down one more time. Breathes in, sighs out, purses his lips again, wants to speak but doesn't. His gaze locks with your own, and his expression goes the softest you've ever seen it. He finds some stability in your eyes, enough to finally admit something of what he's been thinking. 
"You look pretty." 
You twist a strand of his hair around your finger and chuckle, "Think so?" 
Aki could answer that with just a yes. Yes, you are, I know so. But instead, he stalls. He freezes up because in reality, there's so much more he wants to say to you. 
You look pretty, and you're beautiful, you're the most beautiful thing he's ever seen. He really doesn't deserve you, your kindness or your sympathy or your beauty. Before, he was sure the prettiest sight he's ever laid eyes on was the sunset over the snowy mountains in Hokkaido, but you make him beg to reconsider. 
And if he said it, as stupid and cheesy as it is, if he was somehow able to find words that don't exist to describe how perfect he thinks you are and how great of an imprint you've already left on him, it simply wouldn't be enough. It wouldn't be enough to deserve the softness of your heart even if he gave you everything he has. 
He wants to kiss you again. He holds your face in his shaky palm and he almost does. Almost. 
"Aki, I-" You start, he's pulling you in but he's suddenly stopping, your eyes flicker over his face and your voice trails into weakness towards the end, "I really want to keep going." 
"You do?" The sweet lilt in your tone makes him answer quickly, before he's even really thought about it. 
"Mhmm, is that something you want too?" Your palm is creeping up his chest and he hopes you can't feel the skip in his heartbeat. 
"Ah, yeah, just- uh-" He steadies himself with a slow breath in before he speaks again, "What do you mean by… you know. Keep going?" 
Now, you're the one leaning in. Aki inhales sharply, he half-expects you to kiss his lips like he was hoping for but instead, you leave his heart stuck up in his throat when you tilt your head and cup your hand around his ear; your voice is a crisp summer breeze as you sigh out his name. 
"Aki…" 
Heart sinking back down, it's warm and melty inside his chest. Your next words make it stutter. 
"Do you wanna fuck me?" 
"Huh?" 
His response comes out of shock; you push yourself up, your eyes stay locked onto his and he's so caught up with trying to remember how to breathe he almost doesn't notice how you're sliding back and reaching for his belt. Your fingers grasp around the buckle, you aren't trying to undo it, just fiddling, making it jingle to prove a point. The sound gets him to come to his senses, your words hit him like a slap in the face and before you can make another move, he reaches to grab your wrist and stop you. 
He's barely able to speak without stuttering: "Hold on, just… hold on." 
"Sorry, too forward?" 
"It's- you're- look, you-" He can't even talk, "You can't say it like that." 
"Ah. You're right, I shouldn't have. We don't have to do anything. If that's what you want." 
Clearly, you've got the wrong idea. He wants so goddamn much with you, he wouldn't even know where to start. 
Aki shakes his head, he snaps and stammers quickly in response, "No, no, I- I want to, I do. But I..."
Trailing off. Your eyes widen. "Really?" 
Gently squeezing your wrist, he sighs, and he continues, "Yes, I want to, it's just… I'm- Shit, how do I put this?"
"You're scared? Too shy?" 
"Sure, yeah. But that's- it's not what I'm trying to say." Aki looks away from you, once again trailing off into silence until you have the mercy to break it for him. 
"What are you trying to say, then?" 
He's fucked. Gotten himself in way, way too deep. Messed everything up the moment he decided to open his stupid mouth. You make it impossible to lie. Why couldn't he have just not said anything? 
"Nevermind." 
"No, no nevermind," You take your hand away from his grip, his fingers go slack and he lets go without a fight. You hold his face and softly squish his cheeks 'til his lips are pursed even harder than before. "C'mon, you have to tell me now." 
You don't understand. He could, and this shouldn't be so difficult. But honestly, telling you would feel like quite possibly the most humiliating thing he's ever done or ever will do. Normally he wouldn't care as much as he does, he knows he's being real stupid right now, real embarrassing in his own right, but when you're the one involved it becomes a completely different story. He cares about your impression of him more than he'd like to admit. 
Still looking away, "I can't." 
"I'm pretty sure you can." 
"I- I don't know. Listen, I want this with you. I do. But, I mean I'm… I haven't-" Again and again, he tries to set himself up to say the words, only to fail each time. He sighs, "You wouldn't want to do this anymore if I told you." 
"Not true," You huff, smiling, "It's not so easy to change my mind. I already said you can tell me anything, didn't I? Just say it." 
Aki stays silent for a few long, drawn-out seconds. His voice comes out quieter this time, softer, more uncertain. "I… I haven't- I've never… you know…" 
He takes a quick glance up at you before looking away, his cheeks are burning. Never what? 
You're clueless at first. The last thing you want is to push him too much, so you keep quiet, patiently waiting for Aki to sort out his sentences. You caress the length of his jaw with your thumb, listen to the way his breath hitches and tilt his chin towards you a bit when he refuses to look at you. 
Right when you thought you were getting close to cracking him, he shuts down again. You wonder if it's something you did, if it's the environment, if the pressure managed to overwhelm him at last. You're starting to realize you and him are so close and so far at the exact same time, and there's still so much you don't understand. 
He seemed like the innocent type, the kind of person who keeps themselves out of trouble, but any other guy would have forgotten that whole charade by now. Aki is far from any other guy, sure, but even for someone like him — No, especially for someone as straightforward and composed as he is, he should have no problem pushing his nervousness aside and taking charge. On the surface it'd seem that way. 
Is he always this nervous? Is he actually a nervous wreck constantly struggling to keep it together? Is he too focused on his goals as a devil hunter to talk to girls? Working yourself to death all the time doesn't leave much room for other pursuits. But he's handsome and polite and honest with a good personality, so there's no reason, nothing you can think of to explain why you wouldn't want to get closer to him. 
There's no reason for him to be so anxious. So troubled, so shy. It's just sex. Right? 
At that moment, without him ever saying a word, everything starts to click in your brain. His hesitance, his inexperience. What you probably should have realized from the very start. 
Yes, he does have a reason to be so scared and so clumsy with everything. There is a reason why a man as stern as him would suddenly start to act this damn unsure of himself. You've finally figured it out. 
Oh. He's a virgin. 
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blood-injections · 7 months
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Ooookay killjoy suitehearts masterpost here we go, been putting this together for a while now since everyone started posting their suitehearts stuff..
So I kinda have two versions of stories for them, i mean thats the great thing about writing and headcanons is that they can varie from story to story but anyway! this is like their main story and what I'll write if I ever get to writing a story focused on them, and varients of it will be similar with some like little changes if theyre more like background characters in something. But the two versions rn are just this main one and a slightly differing one for some other stuff in my drafts bc this main one is focused in the city bc the suitehearts are just such an underground rebel crew to me versus loud and proud killjoys in the desert, while the variation story is one where they are in the desert, or at least theyre like split between the city and desert, you'll see.
Some like basics before I get into their individual stuff, yeah they have, well mostly have their crazy looks, they're a crew of theater kids lol, not really they just have a sense of whimsy. I'll post art of each of my designs for them eventually their outfits arent as crazy because they have to like be able to fight and run and shit in them, but they stick with the colors and facepaint, because facepaint throws off facial recognition scanners so that the cameras cant track them, so they might as well have fun with it, and they turn it into part of their killjoyesque personas, the facepaint becomes them, marks them as crew and their personas kind of become characters in urban legends that everyone in the citys heard of.
ANYWAY
Dr. Benzedrine
Dr. Benzedrine? More like Mr. Medical Malpractice. Kidding. Mostly. He grew up in a wealthy family with parents that were good citizens and he always wanted to be a scientist or a doctor, to help people, and he was smart and they had money, so he was able to get into school and be just that. To learn all about science and medications and surgery and over the years he moved up the ranks, until he was one of the best surgeons in the city, and one thing about doctors, especially surgeons is that they have to be clear minded, not drugged up and foggy headed. And one thing about being good, about being a respected professional? Its like being an exterminator, you're never off the hook but the people in charge? They dont care as much about the state of your head, as long as you're loyal. So Benzedrine has benefits, and one of them is getting clean, of the decidedly mind altering stuff at least. But with clarity of mind for the first time in his life comes horrifying realization, because as a respected surgeon, he sees shit, because hes working in places that screams echo down the halls of and he can just tell that somethings wrong. He snoops and learns of re-education and of what happens to captured killjoys, interrogations and experiments and those are people and hes sickened. The more he digs the more he learns and the more he develops an intense hatred for better living and maybe he starts.. doing experiments of his own. Beause he works on a lot of respected folks, a lot of higher ups. He never botches a surgery but he starts messing with things, fucks with something while hes at the operating table, something that can't be traced back to him but that'll take the patient out in say, a couple months.
He's never disgusted by what hes doing, only finds pride in it, and maybe his hatred has twisted him but he likes himself better that way. The officials catch him snooping, though, eventually, but luckily they don't expect a thing, especially not when hes grown a master at lying. Because he's a respected doctor that has in their minds proven himself loyal, and when he bullshits his way through them finding him snooping about the lower levels of the hospital, they're nothing but happy at the fact he's grown curious about re-education, in fact they show him around, tell him all about it, their words are all propaganda and lies about how they're helping the people there, of course, but he smiles and nods along and makes comments like he agrees wholeheartedly. They say if hes interested in helping these people too, they can get him a position. He asks of he can still be the top surgeon if he takes up this position too and they say of course! As long as he doesn't overwork himself theyd be glad to have him assert himself in different fields of research.
So, he starts working with the prisoners. Because thats what they are. He sees them come in beaten up and hissing and spitting and he gets to see them grow complacent as they forget their whole lives in favor of some made up sob story and how theyll be so much happier once they're introduced back into society after their treatments. They'll only go on to be sanitation workers or office nuts at best, maybe scarecrows if they seem smart, but half of them will probably be plagued with nightmares once thyre released, broken memories trying to break through the chemical haze. They'll relapse, snap, do something drastic and they'll either be dracced or sent right back here to repeat the process all over again. Re-education isn't a complete fix, a guarantee of normalcy. It'll never be, not as long as they're just traumatizing people and praying they stay comatose long enough to get work done.
Hes there when a new batch of them come in, delinquents from the rebel underground, he learns, which flips his world upside down, theres a rebel underground? And they're apparently dangerous enough to be treated like captured killjoys. He sees these new patients come in in bonds, theres five of them captued, some silent and glaring and the others screaming until theres a needle shoved in their neck.
His new position is that of a twisted sort o psychiatrist, they gave him a whole slideshow to get ready for it. It told him to get in their heads, learn the secrets that interrogations couldnt get out and replace them with better living propaganda, until theyre nothing but smiling citizens ready to be let back into society. It's fucking brainwashing, nothing but, he fucking hates it. But they trusted him to do it and now hes here, but since he's here maybe he can help. Not brainwash these people, but help them, and if theyre really part of a rebellion, maybe if he helps them get out they'll take him with them and he can help people that probably actually need it, not just rich assholes from the center city.
Thats his plan, and it works, it takes a while to get the patients to trust him but once they do, they all get out. Sandman, Crab, and Donnie were all part of that group and its how the four meet and bond and start becoming a crew. Dr Benzedrine picks his name and quickly becomes a very valued member of the resistance because theres medics, but no professionals, let alone surgeons.
Mr. Sandman
Street kid, his parents were ritalin rats that stirred up too much trouble and got dracced when he was pretty young. He was hiding under a bed when it happened and Better Living didn't find him, but they didn't bother looking because he was a poor autistic little kid that they saw no use in. So they left him to his empty shitty little apartment in the slums. They never kicked him out, so hes luckier than most that he still had a place to sleep, but once he ran out of food he had to head to the streets, figure out how to either get food or money to survive. He learned and he grew up dealing illegal merchandise, not as low as you could stoop, but pretty low, low enough that if you're busted you could get dracced. But it kept him just afloat enough to not starve.
Illegal merchandise is stuff like outlawed music and media, cds he burned himself off the originals, cassettes, vhs. Just whatever he could get his hands on. And when he could get a signal, he'd play the stuff over the old radio equipment in his basement, making sure to scramble where the signature was coming from, because he'd definitely be dracced if they found out he was putting that stuff on air. Not like it got out of the city, bli has shit that doesn't let any signals in or out, but once in a very rare while, he'll get some faint killjoy frequencies and record whatever he can onto cassettes.
But even though he was dealing in secret and even though he didn't want to be a cog in the machine, even though he wanted to be one of those juvie halls, the rebels on the streets that you can hear hollaring at night, throwing bricks at scarecrows and running off before facial recognition gets them, he strived to get into the Better Living Academy, because it hasn't crosed his mind that he might not be stuck in battery city yet, like most people that rebel, he doesn't want to be on his streets his whole life, so he tries getting in to learn anything, even to get some shitty cubicle job, as long as it means maybe he could actually afford more than the shit slum slop he pawns for. But at he end of the day, he isn't on his pills and he knows they won't like that if they find out, and they keep turning him away anyway for his temperment, for his oddities, because he's still autistic and the bright lights and white expanse of bli spaces make his head scream and he just doesn't get half the questions they ask him and if he has his own questions, they dont explain things furthur for him.
So he gives up on that plan, whatever, at least he's still got his shit to deal out, at least he isnt drugged up like everyone else he saw in the screening rooms for the academy, all empty in the head. He can think, at least. And he has his music, he likes music.
Then he meets Horseshoe Crab, a really weird fellow who takes most of his stock for a hefty handful of carbons that'll get him along for a couple weeks, and the guys so nice he's suspicious, until their deal is interrupted by an ambush, a patrol scarecrows that must've gotten a tip about them, and Horseshoe pulls out a fucking gun, shoots the two closest ones and takes sandmans arm and has him run. At that sandmans convinced the guys not nice at all, hes just fucking crazy, but he runs away after him anyway because the guy just shot two fucking crows, he knows he'll probably live to see morning of he sticks with him. Turns out Horseshoes a juvie hall, like an actual one, not the brash gangs of kids that run around and say they are, actual juvie halls are untraceable, a solid underground, a real rebellion, well hidden from Better Livings watchful eye, its something you have to be smart enough to find and brave enough to join. And sandmans thrust right into the center of it, just a street dealer that followed a crazy guy with a gun that pulled him into a safehouse in the slums that was down a maze of dark alleys, and theres so much illegal shit inside he kind of wants to call it in just for the hefty reward he could get, but he also kind of wants to drop to his knees and worship it all. Theres books, weapons, color. And a few rough looking people that at their sudden entrance, scan them and one goes. "Dammit, Crab."
Long story short, they're members of the fucking rebellion and theres a short but terrifying debate of whether or not to shoot him, but Horseshoe defends him and it turns out the rebellion likes people that risk their lives to deal rock and roll, because he basically gets an invitation. And well, that was his real dream, the one hes had since he was a little kid, wanting to be those unapologetic rebels in the street messing with bli for shits and giggles. This is obviously more than that, but still. So he accepts, and hes thrust into the center of it all. He has to prove he can be trusted by going on so many missions or passing along packages and illegal goods, but once he's proved hes no rat hes showed the base, how to get into the rebellion underground. Its a scattered maze of random apartments that are safehouses, and then the actual underground shit, the tunnels and whole rooms and shit, the stuff from what Battery City used to be that bli just built over and forgot about.
He and Horseshoe become quick friends and he learns that crabs not just a juvie hall but a zonerunner, that he risks his life sneaking in and out of the city to deliver news and supplies to the killjoys out in the desert and vise versa. Sandman turns out to be quite useful, because hes good with computers and especially, radio equipment, since he grew up with that stuff in his basement and copying all that music and playing some over the frequencies when he could, and he fixes up their old shit and becomes the radio operator of the underground rebellion, the voice of the voiceless. He's basically the cherri cola of battery city, as in hes given the task of feeding news to the juvie halls on the streets and so he's always on the air and monolauging what is just weird poetry or random stories to any untrained ears, but while cherri colas thing is actualy just poetry, sandmans is actually speaking entirely in code that only juvie halls will be able to pick apart, because PAX AM isn't some far off station in the zones like WKIL, no, it broadcasts from inside the walls of battery city and better living could always be listening in. Did I make this his thing entirely to play into the lyric all the walls lean in to listen? Maybe.
Hes actually known as Mr Sandman now, took the codename when he became their radio operator, but the suitehearts aren't a thing yet, no, thats still a long way off. Benzedrine isn't even part of the rebellion yet. He also gets his distinct style, encuraged by the juvie halls who just like killjoys push for everyone to be an individual and fuck the citys mandates, so goth gnc bitch it is. The longer hes in the underground the more disconnected from gender he gets.
There's a raid to the underground, someone must have tipped bli off. A solid blow is dealt to the rebellion in the form of a good number of juvie halls being captured, sandman one of them. Now being some low level dealer can get you dracced, but being a real juvie hall gets you something much worse, re-education, because you have to be smart to be a rebel and have survived this long, and bli can use those smarts, as long as they tear you down to a blank slate first. Thats what re-education is, picking you apart piece by piece, drugging you up and pouring propaganda and altered history down your throat until youre a 'functioning member of society'
He's assumed dead or beyond saving from the mindfuck of re-education by the remaining rebellion, who after this bust has to move base to a different part of the city. But about six months after he was taken and the radio went silent, his voice mysteriously reappears, speaking in code about the old base, where the escaped suitehearts went back to and found abandoned as they expected it to be, but had hopes of scrounging old supplies or this, broadcasting their return.
The juvie halls find them and bring them and the radio equipment to the new base, and Mr Sandman is officially the voice of the voiceless again, now with a crew.
Eventually they get fancy tech or an antennae or something thats just strong enough to get a signal out to the zones, and theres always been a slow feed of news between the killjoys and the juvie halls via zonerunners, and the cnnectiom can still be stratchy, but now on the good days Sandman can talk directly to doctor death defying to get news out to the zones and vice versa.
Horseshoe Crab
The only sand pup of the suitehearts, grew in the zones with his dad, who was in the helium wars, but he was dusted when Crab was about eight and he went right to gravel gerties, where he stayed until he joined a group of the older kids when they left gertie to go on their own, and let him tag along even if he was the youngest of them by far. They were all crash queens and glitter brains and he put up with them for a while, but eventually drifted off on his own, and was sixteen when he forst got hired by Tommy to meet with some runners in zone one when they cane outta the walls and to help them get their supplies back to his shop. These jobs always paid well, with either his share of supplies or a handful of carbons, so he kept doing them and eventually tagged along with the runners to go in-city to the rebels there. He liked it there, oddly enough, liked meeting so many different types of rebels, because killjoys are.. killjoys. Theyre all gearheads and glitterbrains but juvie halls tend to be more serious while still having fun. They understand the risk of what they do. Killjoys are just kids with guns, they have growing up to do or things to lose before theyre level headed enoughfor Crab to feel lile he gets them.
So it becomes his thing, zonerunning, getting supplies out to Tommy's and news into the city and vise versa, he makes friends in the underground and eventually meets sandman, then gets caught with him and meets the others too. He isnt around all the time, still does runs, and takes Benzedrine in and out with him if theres someone in the zones that desperately needs a real doctor.
Donnie the Catcher
Hell of an engineer, even figures out robotics, he grew up working in a garage in the neon district, and as he got older, started helping out androids that needed repairs in secret. Its looked down upon to help androids, simce theyre not human and not seen as human, and thats what their service hubs are for, to request repairs, but he knows theres no real help there, not if they're an older model or anything other than some high ups customized pornodroid. Most droids just end up recycled in the incinerators or rusting in the streets, so he does what he can to help when they start falling apart.
He doesn't agree with bli, with how he treats these people, and when a service droid named Jenny that he's helped a handful of times invites him to the underground, because droids can be juvie halls too, theyve gotta be fukin brave to be, because where human juvie halls will be reducated or dracced, rebelling droids will just be shot for going against their programming. Donnie tells Jenny he has to stay and support his family at the garage, but if he can help out he'd be glad to as long as he can get back to the garage at the end of the day. Thats how he becomes a juvie hall. One day down the line he heads to the base and he was there for maybe a half hour when the raid happened and he was captured with the others. He was newer than sandman and crab and had never really crossed paths with them since he didnt spend a whole lot of time in the underground, so hes meeting them for the first time when theyre brought in for re-education. He was one of the ones that stayed quiet and glared, mostly worried about Jenny, that they were there and maybe caught in the raid, becaue she may be all metal but they totally kissed a couple times.
When they all escape he becomes a full time resident in the underground, knowing he can never go back to the garage a fugitive. But not seeing his family is better than the alternative of having been reducated and torn apart at the seams. Besides, once he's got the suitehearts, they're all inseparable.
That's it, once they're a crew, all their experiences and skills combined, they're a unique group for sure. Sandman and Crab already have their own looks and weird relstionships with gender, but Donnie and Benz have never put much thought into the individuality stuff, Benz a slave to Better Living his whole life and Donnie focused on working and surviving. Eventually they find their weird styles, colors theyre fond of as a fuck you to bli, and then the facepaint, it marks them as a crew and as people ready to fight for their cause. Anyway what if I said Donnie transfem she/he(and yes. rocking the beard) :3
------
As for the second version, its mostly the same, its just like.. the zones version for stories where they know they fab four. They're all younger and they're basically split between the city and the zones. Their backstories are pretty much the same except Benzedrine got out before he was even really a surgeon, hes still a damn good doctor though, and Sandman left to be a killjoy instead of sticking around the underground. Crabs still a zonerunner that gets Benz in and out to help people and when hes in the desert he bunks with sandman in his concession stand turned weird little trailer in the outskirts of zone two. And Donnies zoneborn too instead of Mrs androidfucker in the city, shes Sandman's good friend and mechanic when he gets into racing at the crash track. They're all good friends and still very much a crew, theyre based out of he zones, Benz too, theyre just still a bit spread out at times when someone in the underground needs help.
Ugh man is there anything missing idk well if there is I guess I can add it later. Okay the end 👍
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"But just"/"Why don't you just?" is not always the magic solve you think it is, boomers
Feeling a little disheartened today by the way that my mum point-blank refuses to acknowledge structural barriers. And I do think it is at least partially a generational thing.
The thing about the deck being stacked against you that has the most impact, and that certain folk of a certain age seem unable to put together is that...
You reach a point in your life, or in your career, or in your day to day financial situation where not only is there no magical solution, there are also no good options.
And it's the kind of situation where it's not the case where there are no good options because you, the individual, made mistakes or burned bridges or wasted your starting out nest egg or your initial savings so you have only yourself to blame - or even where if you just reduced your basic outgoings down several levels you'd be able to build a nest egg (back) up in order to give yourself more options again... There just aren't any good options from the jump.
Recent solves my mum has put to me as if I'm not an adult, in my 30s, living independently in another country from her with over 10 years' working experience, include:
Why don't you just get a higher paying job?
Why don't you get a pension?
Why don't you buy a house?
Why don't you move further away from your work (and your established community and the amenities you rely on) so you can buy a house?
The undertone implication is a) that we haven't already considered all the options before us, done the calculations and concluded that (unfortunately, as if it worked out it would be helpful) it isn't viable right now, and b) that by not doing these things you are somehow deliberately crafting your own misery and setting yourself up for more hardship, instead of the reality that we are making the best of what's available to us within the system that is how our generation are asked to live and exist.
I don't 'just get a higher paying job' because the structural barriers are my lack of education and my lack of social connections among the higher strata of the demographic that, by their wealth-funded access to as many qualifications as they would like to pay for, and by being able to buy the time to complete them, holds a monopoly on hiring. That's something that's come from making education something available to the highest bidder, rather than grant-funded and obtainable by anyone with the capacity to qualify for the course.
I don't have a pension (right now) because I can't afford one. The minimum contribution that I can make by law to a pension is 10% of my income a month, and I can't afford to lose an extra 10% of my income when I'm already paying around that out of my salary to a student loan with compound interest that was sold to me as a loan that wouldn't have compound interest added. I'm also paying 50%+ of my income per month on housing alone, and more on bills. Where am I supposed to find more? And of course, if my salary goes up, so too does the amount I'm meant to pay back the student loan.
I don't buy a house because I can't afford one, despite saving for a deposit for several years. Unfortunately, Liz Truss crashed the economy last year and as a result, the banks don't offer mortgages as high as they used to, and require larger deposits for properties. As such the amount that I have saved up might have been enough to put down a healthy deposit two years ago, but now, isn't. And I can't save any more because of the aforementioned draws on my income above.
And if I was to move further afield to buy a house, what's the benefit to me? I'd have to spend more money on my commute, I'd probably have to live in a much less safe area, and it's going to be cold comfort to me that I own a property if I end up getting assaulted or stabbed on my way home at night.
Trust me, I would love to live in an era where I didn't have to overthink these basics. Where the fact that I have a college degree and multiple years of specialised work experience across multiple sectors including private business and government would actually count for something and afford me a solid and stable standard of living.
But it doesn't any more. And this is my life, and the lives of many of us nowadays. And we can't just sit and mope about it, we have to accept it, and adapt, and do the best we can to keep going until something gets a little easier for us, until the luck of the draw rolls our way or until someone with the power and ability through government or big business to effect a real change takes that shot and acts to make things just that bit less bleak for us.
Until then, a little empathy wouldn't hurt instead of a lecture.
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ubaid214 · 7 months
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Girls at the Casino Online
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johnsamericano · 3 years
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𝔖𝔲𝔤𝔞𝔯 ℜ𝔲𝔰𝔥 𝔧.𝔧.𝔥 •2•
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Hi hi! I'm back with another chapter. This one might not be as good(?, it's a really fluffy chapter so bear with me.
warnings: sugar daddy jae, he's a big baby, tooth rotting, kinda long.
sugar rush m.list.
taglist: @thoreeo @trustmahluv @sunny-nyu @nanascupid @silent-potato
“Sir, there’s a girl asking to see you.”
“Hey, I’m not a girl!” He chuckled as his finger pressed the button to communicate with his secretary.
“Hey, I’m not a girl!” He chuckled as his finger pressed the button to communicate with his secretary.
“Hey, I’m not a girl!” He chuckled as his finger pressed the button to communicate with his secretary.
“Let her in.”
Only a few seconds later, your head was peeking through his door.
“I brought you coffee.” You extended your hand out, showing him the carton containing two iced drinks. “Are you busy?”
“Not at all, come in.” You sat on the elegant, individual sofa in front of him, his desk serving as a separation. “Are you here to spy on me? Don't you trust me with your father's case?” He pouted, typing something in his keyboard while your palms started sweating.
How could you not trust the man with the highest case winning index in the whole country?
Briefly, after your encounter with the other lawyer, you'd googled him as well as his company. Because of his incredibly high fees, he didn't have many clients, but those few who had enough money to cost him were almost assured to be on the winning side. So then, why hadn't an excellent lawyer like him popped up when you'd first looked for popular firms? Simple, he wasn't popular.
Just like a hidden gem, only a few had the pleasure to know Yoonoh, and you felt beyond grateful for paying that stupid membership weeks ago.
“No, no!” You were quick to defend yourself, frantically shaking your hands to support your previous statement. “Just wanted to be of help.”
Truth to be told, after receiving your first weekly allowance, an unsettling feeling had been squeezing your heart ever since. Call it guilt or whatever, but it didn't set right to be receiving si much help from him when you hadn't had the chance to do anything in return. The least you could do was trying to be polite.
“You shouldn't be spending your money on me. I'm the one supposed to spoil you, remember?” He grabbed the plastic container by the lid, sipping the bitter liquid with an amused smile. “But thank you.”
“I paid my rent yesterday.” You blurted out, trying to avoid the uncomfortable silence threatening to settle between the two of you. “And I still have money left to save for my father's hospital bills, maybe even buy a present for my aunt.”
He admired how noble you were, making sure those around you had enough before even thinking to do something for yourself.
“I have a party this Friday, would you like to attend with me?” Your presence wasn't required as it wasn't a big event, but by the look in your eyes, he knew you were itching to do something in return for his kindness.
“Yes, of course!” Your orbs sparkled with excitement, finally feeling yourself useful.
“If you don't mind waiting, we can go buy something for you to wear right after I finish with this.” For what seemed like the tenth time in less than ten minutes, small beads of sweat rolled down the back of your neck. Thank God he wasn't able to see them. “Oh, come on, don't give me that look!”
“You’ve already done so much for me. I can buy the clothes myself, don't worry.” With a deep sigh, Yoonoh rose from his chair, taking long strides to surround the desk separating you. “W-what are you doing?” Now kneeling on the floor beneath you, his face was dangerously close to yours, coffee breath crashing against your nose.
“Using mind control to convince you to let me take you out.” He stared at you for a couple more seconds before saying: “Is it working?”
“I think your mind control is broken.” You whisper, unable to hold back the small giggles bubbling at the back of your throat.
“How about now?” He batted his eyelashes, trying to act cute despite his bold features. You shook your head.
Just as you thought it was over, his hand went up to cup your jaw, his thumb drawing uneven figures on the ticklish skin.
“How about now?” He repeated. You stammered, unsure of what to say. “Sorry, that was inappropriate.” Aware of your awkwardness and the rising heat in your cheeks, he stood up, walking back to his chair. “But I do want to get you something, would you let me?”
With your mind busy and your guard low, you nodded, unaware of the silly smile on his face.
“I have a few novels on my shelf in case you want something to kill time.”
“Thank you.” You moved to the huge bookshelf facing his desk, grateful your face wasn't visible anymore.
The books were ordered by genre and size, starting from the biggest law-related textbooks to pocket-sized novels, ending with the smallest one he had. The little prince.
Your eyes widened in disbelief. Yoonoh didn't seem to be the type to read that kind of heartbreaking yet beautiful book. Nonetheless, as many said, you can't judge a book by its cover.
An hour or two later, you were halfway into the first book of flowers in the attic, immersed in the small world the author had created. Yoonoh had finished his work a few minutes before, but distracting you when you were reading so vividly, seemed like a crime. He enjoyed the way your eyebrows would knit together every time something shocking happened, clearly too immersed in the novel to notice his intense gaze.
“Y/n...” He whispered once he noticed you were starting a new chapter. You blinked twice, hands clutching the book tightly as you noticed he had finished his work. “You can take it home, don't worry.”
“Sure?” He flashed his pretty dimples as his eyes turned into half-moons.
“You can come back for the rest of the saga when you finish this one. Take as many books as you please, I’ve already read them all.”
“Thank you.” Another act of kindness you had no way of returning. His favors just seemed to be piling up before you could even return any. “Would you like to have dinner with me today? I'm a great cook, or so did my father said.” You blurted out quickly, twisting your hands nervously as you waited for an answer.
“I’d love to. But I might have to attend some work calls if you don't mind.”
“I don't, maybe I'll even have time to bake a cake while you're at it.” God, how bad he wanted to take a picture of that adorably nervous smile.
“Great, so it's settled. Dinner at your place after we go shopping.” He had already put his blazer on, offering his arm to guide you out. With shaky fingers and sweaty armpits, you grabbed it, walking by his side with his secretary’s gazed glued on you. So much for a girl, huh?
Once seated in his car, with the book resting on your lap, you allowed yourself to relax. Yoonoh wasn't a bad person, on the contrary, he was very kind, so there was no use in keeping your guard up when he was around.
“Ready to roll?” You cringed at his use of slang, making him drop his head back to laugh. “What? Isn't it a thing you cool young adults say?”
“Maybe twenty years ago, Yoonoh.” It was the very first time you used his name so informally, and, oh how good it felt to hear you saying it?
“Fine, I won't use it anymore.” He poked your arm like a little child, and for a moment, you wondered if he was actually more than a decade older.
Several bad jokes, two dresses, and a quick stop at the grocery store later, you arrived at your apartment. Yoonoh held everything while you entered the passcode, struggling not to drop a can of vegetables that was starting to bend the edge of the paper bag.
“Ready, hand me something.” You both entered with your hands packed with different things. You went to your room to leave the new dresses while Yoonoh set the paper bags down on the kitchen counter.
“So...” He clapped loudly. “What are we cooking?”
“I bought the ingredients for lasagna. Is that okay with you?” He nodded, lips pressed and dimples in display. “Alright, let's do this.”
It would've been of great help if Yoonoh had told you he didn't know how to cook. But of course, part of the fault was yours for not noticing when he tried to add ketchup to the recipe.
“I burnt it.” He looked at the semi-carbonized pasta with disgust, feeling ashamed of having ruined your dish. “Let’s just throw it away and order something.” He was about to touch the hot container until your grip on his wrist halted his movements.
“We just pulled it out of the oven.” You shook your head in disbelief at the man standing in front of you.
“Sorry.”
Despite Yoonoh’s endless complaining, you ate the lasagna. The flavor wasn't that bad when you scratched off the burnt parts, especially when accompanied by a cold glass of wine.
“It’s not that bad.” You repeated over and over again. A phone call interrupted him from self-pitying any further. “Go on, take it.” You continued eating while he spoke in the living room.
It wasn't until a couple of minutes later that you realized he was whisper yelling at whoever was on the other line. It was your first time seeing him angry, and you didn't like it one bit. The way his face turned completely stoic, his eyes cold as his hand rested on his hip. Sweet, caring, Yoonoh was gone.
“I told you I needed it for today.” He said through gritted teeth. “You better get it before I arrive back at the office, or you can find yourself another job.” Even after he hung up, Yoonoh stood in the middle of the shared area, clutching his phone so tightly, it seemed like it would break any minute.
You wanted to ask if everything was alright, if he needed any help, but most importantly, if the things he needed were related to your father's case, but all the words stuck to your throat like insects in a spider web.
“I need to go.” He simply said, not even bothering to fake a smile. “Thank you for dinner, I'll see you on Friday.” With his free hand, he grabbed the coat hanging from his chair and left, slamming the door on his way out.
Was that the real Yoonoh?
A shiver ran down your spine. What had you gotten into? From what you'd seen, it was only about time he would show his true self to you as well.
All the trust you'd built up during the day, had crumbled down in a matter of seconds. The worst part? You didn't even feel entitled to be scared, not after all he'd done for you.
‘Just keep your distance.’ You repeated like a mantra as you got ready for bed, leaving the book you'd borrowed right where he'd left it, afraid it would burn your fingertips even with the slightest touch.
(...)
The week wasn't nearly as long as you'd wanted it to be, and soon enough, you were struggling to zip the dress you'd bought days ago. Your makeup was done, and Yoonoh had texted you he was on his way, yet, you'd been fighting with the zipper for at least ten minutes. Your fingers were cramping, and the clock was ticking.
Just when you'd finally started to drag the small piece of metal, the doorbell startled you, causing you to let go of it.
“Fuck!” Have you ever felt so desperate that tears start pricking your eyes? Well, that was the exact case happening at the moment.
You opened the door with the salty water collecting at the corner of your eyes, surprising Yoonoh, who was wearing his best dimply smile.
“What’s wrong?” He had a bouquet poorly hidden behind his back, probably to apologize for the night he abruptly left and almost knocked down your door.
“I-I can't zip up my dress.” Your voice came out shaky, giving away the emotions burning your gut. Thankfully, Yoonoh didn't seem to notice, and if he did, he didn't mention it.
“I’ll help you.” He, not-so-discretely, put down the bouquet, gently turning you around to your discomfort. His cold hands touched your back as he dragged the zip up, noticing how tense you were but deciding not to comment on it. “Oh! You haven't moved the book from where I left it.”
“I haven't had time to read.” He hummed, crouching to reach for the bouquet and hand it to you. “Thank you.”
“It’s my way of apologizing for the fit I threw a couple of days ago.” A fit? That was one way to call it.
“It’s okay.” You lied as you pushed the corners of your lips to form a credible smile. “Let’s get going.”
The flowers were left on the kitchen counter before you left. The ride in the elevator was awfully quiet, and Yoonoh had no idea what had happened. You were so chatty the last time he saw you, so of course, he was taken aback by the sudden change.
“It’s not going to take long, so we can head out for some drinks later if you'd like...” You nodded, for you knew speaking would only expose your discomfort. “Is everything alright?”
“Yeah! Just nervous about the party, that's all.”
You stood by Yoonoh’s side for the rest of the evening, smiling and nodding at his acquaintances’ comments. At one point in the evening, a man, not much older than you, approached you both with a wide smile.
“Dude, I hadn't seen you in ages. Stop sending your workers and come see me yourself.” They hugged. Why were they hugging?
“Y/n, this is my brother, Sungchan.” The man with puppy-like eyes embraced you tightly, almost as if welcoming you to his family. “Sungchan, this is y/n, my girlfriend.” He said it so naturally, it’d take a detective to figure out the truth about your relationship.
“I’ve heard a lot about you. I'm sorry for your father. But don't worry, we'll take those bastards down.”
“I’m not following...” You blinked repeatedly, eyes going back and forth between Yoonoh and his brother.
“Sungchan is a doctor. I asked him to look at your father's case for further evidence. My assistant was supposed to pick up the report the day we had dinner, but she forgot to drop by. Now we’re a day behind schedule.” The dark cloud surrounding him seemed to be slowly dissipating as you heard his explanation. “This is an important case, and I want to be as meticulous as possible.”
Thank you didn't seem the right thing to say at the moment, at least not with Sungchan standing there, so you simply grabbed his hand, squeezing it to let him know how grateful you were.
To your surprise, he didn't even flinch as he locked your hands together, causing a small giggle from Sungchan.
“Okay, love birds, I'll get going.” He waved you goodbye, making his way to another table where his friend waited for him.
“Can we talk?” You whispered in his ear, afraid one of the numerous attendants would hear you.
“Sure.” Without letting go of your hand, he drove you to a small, private garden just outside the ballroom. “Are you gonna tell me what's wrong now?” His thumb caressed your knuckles with gentle strokes.
“I’m so sorry.”
“What for?”
“I pushed you away at the minimum trouble when you were only helping me.” He hummed as if he already knew about it. “And it will probably happen again, so please, be patient with me. I'm going through-” Your face collided against his chest as his arms draped over your shoulders, squeezing you tightly.
“Call me reckless, but I've wanted to do this for a while.” Your hands hung at the sides of your torso, unsure what to do next. “You can push me away, I'll understand...”
Instead, your palm found its place in his back, rubbing up and down the designer jacket. Your hair started turning messy from the night breeze, some strands striking Yoonoh’s chin as his embrace only grew tighter.
“Let’s get out of here.” He mumbled, crawling the back of your head with his hand. “Sungchan can deal with my father's friends.”
“Are you sure?” His hum vibrated through his chest, making you giggle at the odd feeling.
Once seated in his car, his hand found yours like a magnet, the warmth emanating from it comfortably enveloping your skin.
The calmness of the atmosphere was interrupted by a call from his brother, who seemed to be anxiously explaining something through the phone.
“Just tell him I had a work emergency.” With that said, he hung up, placing his hand back again on top of yours. “Sorry, he said it was urgent.”
“It’s okay.” An unsettling feeling pinched your stomach, but you decided to dismiss it, immersed in the chilly weather of the dark streets.
You arrived at the river, where Yoonoh asked you to wait for him while he bought a couple of beers. It was a sight to see, both of you clad in fancy clothes, barefoot and chugging down can after can.
“I think I like being with you.” You declared, mind fuzzy from the alcohol intake.
“I think I like it too.” The tips of his ears were rosy, revealing he was as intoxicated as you, maybe even more.
“Would you like to visit my father with me tomorrow?” The words flew out of your mouth before you could even realize. Afraid you'd killed the mood, you tried to excuse yourself, only to be interrupted by his lips grazing your ear, placing a timid kiss on your lobe.
“I’d love to.” It was the sweetest peck, no ulterior motives behind it, just pure affection.
“Are we going too fast?” In your drunken state, what you had felt like a real relationship, not a simple agreement. And this sure felt like a first date.
“We’re moving at our own pace, I believe.” He dropped his head on your shoulder, pressing against it to relieve the dizziness clouding his mind. “Are you okay with that? Maybe you don't want to be with an old creep like me, and I'd totally get it. Just don't let me get my hopes up if that's the case.”
“You might be old, but definitely not a creep.” Your fingers combed through his abundant hair as your mind wandered into the future, grateful for the fact that he wouldn't become bald soon. “Or are you?”
“I don't think so.” Anyone who walked by would've seen a couple of goofs, too intoxicated to talk without slurring the words, but you were living in your own, comfy bubble. “I should get you home before it gets too late. Come on, I'll call a driver.” He tried getting on his feet to no avail, stumbling back a little before falling back on his ass.
“My apartment is nearby. You can stay for the night.” You grabbed both pairs of shoes as his arm surrounded your shoulder for assistance. “If you keep supporting your whole weight on me, we're both gonna fall.” People on the street shot you a couple of funny looks, which was understandable since it wasn't usual to see two drunk idiots walking barefoot in the middle of the night.
“How long till-” Hiccup. “-we get there?” His stare seemed to worsen with every step. “God, I think I might throw up.”
“Stop acting like a teenager, we're almost there.”
As soon as you arrived at the small apartment, you sat him down on the little step where you changed your shoes. You left both pairs on the rack, proceeding to put on slippers to enter the house.
“Don’t leave me here!” He whined, stomping his feet like a little kid.
“Just wait for a second!” His attitude was starting to get on your nerves to the point where you couldn't feel the effects of the beer anymore.
You grabbed a rag from the kitchen cabinet and dampened it under the sink. Yoonoh was half asleep when you walked back to him.
“My head hurts.” He mumbled as you sat in front of him, placing his left foot on your lap. “What are you doing?”
“I don't have any slippers that will fit you, and I don't want your dirty feet making my house dirty.” With utmost delicacy, you wiped away the dirt from his toes, noticing the small scratches caused by the gravel he walked on.
He touched your hair while you finished with his other foot, tangling the strands with fascination.
“Done, get up.”
He followed your indications as you guided him to your room, where you laid him down on his side in case he threw up.
“Are we visiting your father tomorrow?” He asked while snuggling under the covers.
“Sure.” You cleared his forehead from the strands falling in it, grazing the soft skin of his forehead. “Sweet dreams, gigantic baby.”
217 notes · View notes
Text
The Loop of The
A Selina Kyle One-shot
❀ Premise: A look at Selina's relationship with Annika. Major spoilers for The Batman.
❀ Word Count: 1,169
❀ CW: Grief, Death, Angst
❀ Inspiration: Go Tonight- The Mad Ones
She was.
Selina doesn’t have time to process it. Her adrenaline keeps her alive as bullets whiz by her. She came here for the money, but she found her lover dead.
Anika started out as one of her strays. Selina had a habit of helping people get back on their feet and then vanishing from their lives. She was planning to do the same with Anika but she couldn’t. And she didn’t want to.
There’s a break in the action that allows Selina to escape. She’s able to steal a bag full of money in the process- well, since it’s her dad’s money, it’s not really stealing, is it?
As she drives off, her adrenaline subsiding, she begins to reflect on how it got to this point. Her lover's dead body in the back of a car, disposed of like trash.
"You're not trash, Annika. Don't let men treat you like it." Selina said, trying to comfort her after a particularly hard night.
"I know, I know. It's just hard to feel good about yourself when you aren't- ah- respected by the customers" Annika responded, wiping tears away.
"I understand. Men like that they- they make you want their attention, their respect. But we'll never get it- so we protect each other. If anyone ever tries to come after you- you tell me. I'll get them off your back. Girls like us have to stick together" Selina combed through Annika's hair with her fingers.
Selina cupped Annika's face with her hands and gave her a long passionate kiss. When Annika pulled away, Selina gave her a soft kiss on the forehead and removed her hands from the sides of her face.
"I've got you, baby."
It takes everything within her to stop herself from turning around, to take her body. But she can't go back. Her mind cycles through memories on the drive back to her apartment- their apartment. It’s still a mess from when Annika had been kidnapped- when Selina wasn’t there to save her. Maybe if she had been faster- if she hadn’t run into Batman- maybe she could’ve gotten back in time. Selina physically shakes the thought out of her head. There’s no changing the past now.
As she parks the motorcycle, more memories come flooding back.
On particularly warm nights, Selina and Annika would escape to the roof of their apartment and just lie there, taking in the night sky. The light pollution made it difficult to see any individual stars, but they still enjoyed what they could see.
“Teine?” Annika asked as a cat rubbed its head on the side of her face.
Selina glanced over at the cat. “I’ve never seen that one before. Is that what you named her ?”
“Another. Teine.” Annika repeated, clarifying her question.
Selina nodded and returned to looking at the sky.
“I’m not sure what I was looking for when I came here. To America.” Annika said.
“I hope you find it. Whatever it was.” Selina responded.
“I’m glad I have you. But I don’t think I’ll find anything else here.” Annika said, snuggling up next to Selina. She laid her head on her shoulder.
“You want to go back.” Selina breathed.
“I can’t afford to do that. And I don’t want to leave you behind.”
“We’ll figure it out. If you want to go back home- I won’t stop you. But she might” Selina glances down at the stray that’s curled up into a ball on Annika’s stomach.
Annika giggled, causing the cat to stir slightly, but not enough to move.
“I don’t know. Gotham is. I don’t know.” Annika lamented.
“We’ll figure it out,” Selina stated.
Selina unlocks the door to her apartment and is greeted by the cat from that night. She hadn’t seen it since Annika disappeared. It stared at her, accusingly, sitting on top of the kitchen table.
“Teine. Where have you been, baby? Were you-” Selina doesn’t let herself finish the question.
Teine meows at her.
“She’s gone,” Selina tells the cat. It jumps off the table and approaches her, rubbing up against her legs. Selina sets the bag of money down and picks up the cat.
Teine purrs while being held. Selina rubs the cat's little ears, being careful not to nick them. She goes into the bedroom and gently places the cat on the bed before falling onto it herself. She stares up at the bare bedroom ceiling and begins to sob. Teine hops on top of her chest, and begins kneading it- trying to make it feel right before she sits down. The cat purrs loud enough to block out the sounds of her sobs. After the tears stop flowing, Selina allows herself a few minutes to listen to the sound of its purr.
And then the anger sets in. And she knows what she has to do.
“I’ll be back,” Selina tells the cat, gently lifting it off her chest. She wipes away the tears that haven’t dried yet.
The men who did this to Annika- who killed her- they don’t know the woman they’ve crossed. And they certainly don’t deserve to live. But when she finally has one of them cornered- when Vengeance and that cop came to see what was done to her baby- they told her not to kill him. They told her not to go down this path, that she wouldn’t like the person she would become. She didn’t care.
And then she almost died trying to kill her dad for what she did to Annika. And then Batman, Vengeance- this man whose whole thing up until now has been violently subduing any kind of crime- tells her it’s not worth it.
“He has to pay!” Selina screams, being restrained by him. He must pay with his life. He does not deserve to live.
“You don’t have to pay with him. You’ve paid enough” Batman responds. Selina’s adrenaline subsides and she feels defeated. She lets him take the gun from her hands as she stares, blankly.
And then he dies anyway. Gets taken out by the Riddler. And she’s had enough of this godforsaken city. But it doesn’t even have the decency of letting her leave. Instead, she almost gets killed- again- before she’s finally allowed to drive away from it all. And the one person who’s still alive that she wants to come with her- can’t.
A few weeks into the recovery, she gets a letter in the mail at her new apartment in Blüdhaven. It’s from the Batman. The only thing inside is a picture- a gravestone. Annika’s gravestone. He- whoever he was- had retrieved her body, laid it to rest. Given her body the respect it deserved in life in death.
Selina smiles sadly at the photo and wipes a tear from her eye. She would give anything to have Annika here with her right now. But this gesture- this meant Annika would be remembered by more than just Selina. More than just her family back in Estonia.
She was.
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abombihoney · 3 years
Note
Okay so Vi is actually a really complicated character if you think about it. You know her main driving force is having enough money to do whatever she wants.
But that's not all of what drives her? Or even really half?
If you pay close attention even right at the river scene immediately after beating the spider she looks at Leif. (She didn't need to check on Kabbu, he was up and talking by this point) She didn't start looking for the artifact until she saw Leif. Leif who was visibly in one piece. And the game's art style doesnt really convey the way someone moves as they sleep, or more importantly wake up. She saw Leif, saw they were fine, thus she asked about the artifact.
I can't even blame her. Because if Leif was breathing and not injured, with as strong a reaction to the magic in those artifacts as they have, what if that was the reason they weren't awake? She likely was trying to get the artifact away from Leif. So that they could wake up.
She was worried but didn't show it because remember that this Vi hasn't really had much support. This Vi hasn't learned that her concerns are valid yet. This Vi was taught all she is is wrong.
So she didn't ask. Because she didnt know she could. The way she acts when she finds out she should have is kind of devastating.
And every time Leif freezes or someone could've hurt after that river scene, she does her little startled animation.
Heck even before the river scene she proves she cares about others just as much if not more than herself. She just was never taught a good way of showing it. She was taught to prioritize the needs of the hive over the individual, and that likely includes if one can get out but the other must stay. When she goes back is when she kickstarts her own recovery.
And it shows. Because beside these bugs that she broke out of the hive mindset for, she is listened to. She can actually show herself for who she is and won't get berrated ( or picked on/ treated like an idiot) for it.
So she grows. She meets her idol and ends up having that moment of I could've been like this. And she clearly stops liking Mothivia after the encounter in the golden settlement.
She grows a little more.
Venus shoves her back a little. Without being able to verbalize how she saw Leif was fine, she just sounds like a greedy brat. So she changes how she talks to people. A little bit less demanding is what she decides to be.
And it shows. When Leif is upset she makes jokes, or points out things that might help. Is just genuinely there without having the words for it.
That time at the pyramid with the scorpion? She makes sure Leif is fine. And then acts like the weird stuff doesn't exist. She doesn't know what that trauma is and she can't help find out because as far as she knows, the only way to find out Leif shut down (the whole I can cut you open to find out bit H.B. does). Do she doesn't push it. But she keeps Leif there.
When Leif finds out about their lab problems she says so what, not because she doesnt care ( she obviously does) but because this is her friend, who is in a spiral and she wants them out. It works. It wouldn't have if Vi wasn't like this from the very beginning, establishing this is how she shows she cares.
And Kabbu sees it too. He needs a different approach to his spiral. The one he hides behind being the goodest boy on the planet.
His grief and revenge. She doesn't protest when Kabbu wants to kill the Beast. Not really. She goes with it. Makes sure Kabbu can come back from this fight as best as she can.
And it works. Kabbu is no longer faking niceties with people. He's still nice, just more real.
And she never left.
She showed Kabbu that he is more than his revenge. More than his grief. Doesn't protest his request (I'm sorry I haven't done the final sidequests yet I keep getting interupted so I can't add anything from actually doing kabby's request RIP) to go back for his Master and Bit to see them off one last time. So he heals.
Beside his team.
And she grows with them.
Because this whole time Vi, a literal child who was told her whole life she was wrong, getts her support. And she gives back tenfold.
She cares about others too.
The alley begger in the Termite City.
When the factory gets closed to the outside world. All the workers, and her old boss.
When Zasp and Mothivia are saved.
The attacks on ant kingdom.
All of the spears lying around in the giants lair.
The roaches living in giants lair.
Vi's motivations aren't greed. She thinks they are. Because that is what she was taught growing up.
Her motivation is and always has been the want to help people. In her own special way.
(Okay I did this faster than I thought I would)
omg thank u for ur ted talk
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trutimeline · 3 years
Text
idislikecispeople, The Most Infamous Dyscourse Blogger: Part 1.0, Rumors
idislikecispeople, also known as many names throughout her time on Tumblr (such as Adele, Kat, Mami, Samantha and Sayaka), was a former Tumblr blogger who became infamous for coining the term "tucute", among many other controversial things she has posted on her blogs. This was supposed to be one, very long masterpost about her, but Tumblr's post editor is a bitch and won't let me do that.
In this post, I'll be debunking or confirming rumors commonly spread about idislikecispeople. The rest of my posts about her will each be dedicated to a specific controversial belief she held or situations she got into. For simplicity's sake, I'll be referring to idislikecispeople as Kat for the rest of this post and future ones.
Rumors
Kat Coined the Terms "Truscum" and "Tucute"
Verdict: Partially True
Kat coined the term tucute, but she did not coin the terms truscum or transmedicalist.
Here's a screenshot of Kat's original definition of a tucute:
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Transcript:
What is Tucute?
What does tucute mean?
Tucute is basically just the opposite of truscum, it’s a term and community for trans, nonbinary, and/or non-cis individuals created to separate anti-truscum from truscum and to serve as a safe place from truscum and from cis people, where they believe that being trans requires dysphoria, we do not,where they think that being trans is a medical condition, we do not,and where they deny numerous gender identities on the basis that it “discredits the trans community” we do not.
What are the prerequisites to be a part of the tucute community?
You have to be trans, nonbinary, and/or non-cis in general
You have to accept all pronouns and gender identities
You haveto believe that dysphoria is not necessary to be trans
You have to dislike truscum
You cannot side with truscum or believe in their ideology
You cannot misgender anyone no matter how mad they make you
You cannot be an ableist whatsoever
Did you invent the tucute community? Why?
I indeed did coin the tucute term and community and anyone who says otherwise are creeps who are trying to steal it from me and redefine it for their own nefarious doings. I started this community so anti-truscum could separate themselves from truscum and cis people who are a part of the truscum community, it serves as a safe space from both truscum and cis people.
I’m cis, can I be tucute if I believe in your movement and want to help?
No, you can’t be tucute if you’re cis, you can only be a tucute ally, and you need to be sure to never speak for or over a trans person.
I see a lot of tucuties being just as harmful as truscum, what will you do about it?
There isn’t much I can do to them other than ask them to stop aligning with the tucute community, and of course, that doesn’t mean they will. Also be noted that truscum and cis people will pretend to be tucute just to tarnish the name of the tucute community, so tread lightly, you might be talking to a wolf in sheep’s clothing.
Spread the word, use the tag #tucute and join the army today!
[A digital drawing of Sayaka Miki from Puella Magi Madoka Magica in her magical girl form, with a banner underneath her reading "Tucute 4 U!"]
(source) (source)
Kat Was a Cisgender Woman Who Lied About Being a Transgender Woman
Verdict: False
This rumor primarily comes from a post on Kat's oldest known Tumblr blog, chromaghost, where she claims that she wasn't MTF and only tagged a selfie as such because she thought that transgender people were "cool".
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Transcript:
Anonymous asked: are you a mtf? i seen it tagged on one of your photos.
No lol. I wanted to post it to the tag because transgender people are cool :3
(source) (source) (source)
However, Kat addressed this post and made it clear she very much was a transgender woman multiple times on her later blogs. This claim can also be confirmed with nude photos Kat posted online, which I don't feel comfortable spreading, so you'll just have to trust me on that one. I also don't feel comfortable directly encouraging you to go and dig up those nudes, as most of her nude photos were either taken when she was a minor, spread without her consent and/or were uploaded because people pressured her into posting nudes to "prove" she was a transgender woman.
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Transcript:
Anonymous asked: you bound with ace bandage in one of your selfies. i don't know what to think about you anymore. according to some people you're a 27 year old cis woman scamming us, but you say you're a 22 year old trans woman. i want to trust you but i don't know if i can. i'm sorry.
Rest assured I’m not 27 years old lol. What you’re referring to is a less than graceful ~art piece~ we did (”Playing a Boy” or something) on deviantART when we were 16/17 (?) and really ill-informed. I ask you to not take that as how I stand currently – as I have learned so much more since, and I have a penis and I was designated male at birth because of it (feel free to purchase a passcode to our nsfw blog to see for yourself). At the time we were developing breast tissue but still had to appear as a ‘boy.’ Don’t bind with Ace bandages, kids, it can damage your rib cage, something we didn’t know at the time.
(source) (source)
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Transcript:
[A picture of two prescriptions, estradiol and spironolactone, both prescribed to Adele Sheffield.]
grandtran still gonna think I photoshopped it or what
(source)
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Transcript:
Anonymous asked: In other words, you aren't gonna cough up the pics because you know you can't fake that shit because you're actually cis. Cool. BTW why do you keep changing your story about the blog, and if the blog was run by you when you were in denial about being trans because of self hate, why were the pics tagged mtf and you were constantly saying trans people were cool?
Yeah I’m not gonna do something for y’all and get nothing in return except more doubt from you, you see how one sided that kind of request is? Also its technically considered sexual harassment, just because its on the internet, you’re a coward (whats your username btw?), and you think I’m cis and you want me to prove time and time again to you that I’m dmab doesn’t justify sexually soliciting someone when they’re not comfortable in being solicited – for free no less.
At first I genuinely had no memory of that blog, it was only active for all of 2 months and for some reason I moved onto a new email and new tumblr, and I haven’t the foggiest why. As for the whole “me claiming to not be ~mtf~” I don’t have any memories from that time, I can only assume it was a lot of dysphoria fueled self-hatred and wanting to be seen/pass as a cis girl lesbian.
If you’re really gonna solicit nudes from a trans woman (a second time) as they do sex work to try and stay on their feet without offering anything in return just so your transmisogynistic ass can get off to trying to tell me my dick is fake isn’t classy at all. I perish the thought of what you’re parents would think of this behavior from you. But yeah, feel free to send some money to my paypal so I can get the gender markers on my records changed because that’s gonna cost a lot apparently, and I’ll definitely send you the dick pics you want. :)
(source) (source) (source)
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Transcript:
[A picture of a a hospital bracelet on Kat's wrist. The patient's name is Adele Sheffield and her sex is labeled as "M".]
(source)
Kat Lied About Having Diabetes To Get Money From Tumblr Users
Verdict: False
This doesn't need much commentary from me, just view the screenshots below.
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Transcript:
To the people who keep harping on me buying a $15 video game for my mental health 7 MONTHS ago “with my donation money,” well, here you go, some proof, links and screenshots provided
So for everyone spreading misinformation about me spending $15 on a video game for my mental health, here’s a full list of reasons why there is no way, shape, or form I spent my paypal money on it:
Yes, I spent $15 of my own money after selling one of my possessions, not denying it:
[A screenshot of a Tumblr post by Kat where she shows off a copy of Fall Out: New Vegas, marked with a price of $14.99. The date of the post is marked as July 21, 2014 at 06:28.39 PM.]
Be sure to look at the date, July 21st, 2014 6:28 PM. Now lets look at my first donation post asking for help:
[A screenshot of a Tumblr post by Kat where she asks for donations to be able to afford insulin because she has no insurance. The date of the post is marked as July 20, 2014 at 08:14.00 PM.]
Hmm, one day before the purchase of said game, July 20th 2014 at 8:14 PM. Now, I’ve never heard of a video game store — much less a non-chain video game store accepting payment for video games in the form of virtual Amazon gift cards, have you? Oh, but you’re gonna say, “well you bought the game with your paypal donations anyway!” Well, here’s exhibit C:
[Another screenshot of a separate post made by Kat where she is also asking for donations to be able to afford insulin. The date of the post is marked as July 23, 2014 at 12:27.46 PM.]
Again, looking at the date of this posting which is the original donations post, you can see it was posted on July 23rd, 2014 at 12:27 PM, a full 2 days after I had bought the game. Now, if there’s no way for me to use Amazon gift cards for a real life video game store, then how can I go back in time a minimum of 2 full days to give past me $15 to buy said game, hm? This isn’t even accounting for the fact that I didn’t even have my own bank account associated with it until over a week later, and it surely doesn’t account for the fact that it takes up to 5 days to transfer from paypal to your bank account. All the dates are linked to the original unedited posts so you can see for yourself, and for added measure my first deposit was on August 14th, 2014:
[A screenshot of a deposit made by Kat. The date is marked as 08/14/14.]
Oh but yeah, anti-sjs, truscum, and the like took damniwishidthoughtofabettername’s postthey used to gaslight us with misinformation and you all bought it. Tell me how I could misuse donations that I could not use outside of Amazon and money I didn’t even start receiving until a full two days later, let alone the fact that there’s no way I could have transferred said money and used it two days prior as of the date of the paypal donations post.
I hope some of y’all could reblog this and get the word out, I’m sick and tired of people buying into that misinformation that person did solely to gaslight me as a means to try and disrupt my donations drive.
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[A selfie of Kat holding up a vial of Novolin to the camera.]
Hey anon, I don’t feel comfy giving you my receipts (because doxxing is a thing) but here you go, a selfie with my most recent insulin purchase. 👽
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Transcript:
Anonymous asked: Getting desperate for money again I see. How is your fake diabetes lately. I bet your blood sugar is like 800 this time and you're still able to be alive somehow.
You got me, I’m ~totally faking~
[A selfie of Kat. In the background several items used by diabetics are seen such as insulin syringes, glucose tablets, a blood sugar tester and test strips.]
[A picture that gives us a closer look at the background of the previous selfie.]
[A selfie of Kat holding up two vials, one of Lantus and the other of Humalog.]
Gee, must be one dedicated faker, right? To have hundreds of dollars of insulin equipment and insulin itself. Hmmm… Insulin syringes, glucose tablets, a blood sugar tester and test strips.. oh and insulin, hmmmm….
Oh and because you didn’t learn from last time you don’t die instantly when your blood sugar goes over 600 lol, something anyone who studies endocrinology can tell you, and I would know, being a diabetic, having to be hospitalized numerous times for ketoacidosis where the blood sugar has been too high for too long. Things you clearly do not know and you’re just jumping on the disableist bandwagon. I have an idea of who you are anyway, just doing this for future reference.
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thehubby · 3 years
Note
Mike I need help. Every single time my players hit town they shop. Even if we had just gotten a bunch of stuff in the last session, and they swore up and down they didn't need *anything else*, they still go immediately to shop for more things and I'm getting frustrated and bored. We just had four weeks worth of sessions like this and I'm at the end of my patience. I had to shut the session down tonight before we even started because I said "we did a lot of shopping yesterday, so why don't we speed that up and leave town since there's nothing else you need." They immediately vetoed the idea and said no, actually, there was stuff they wanted to shop for!! Even though we just spent SIX HOURS shopping and talking to npcs yesterday!! My brain hit a wall and I had to tell them "I'm done, I can't do this anymore."
Help me MikeyWan Kenobi. You're my only hope.
Long post ahead.
I am here for you, Anon. I feel your pain. Actually, that's unfair of me -- I understand your pain but have not experienced it myself because my table of players is very well balanced, and although one or two of them have an affinity for shopping, it's partly my fault for making so many homebrew items and letting them occasionally nab a few from shops. Still, the other players at the table keep them in line and keep the game moving reasonably. It sounds like your entire table (or at least the majority) is driving you crazy in this regard, which is a more difficult challenge.
Here are my suggestions. I can't guarantee that they will work against diehard shopaholics, but this general flow often works for obsessive player behavior in general (murder-hoboing, insistence on lots of combat, refusal to fight, power-playing, and so on). You may tackle any or all of these in whatever order you think will benefit your group. You know your players better than I.
Figure out and understand why your players are doing this. There could be lots of reasons. Some players, particularly long-time veterans (who were often brought up in "Monty Haul" adventures) or raised on modern MMOs and computer RPGs, become driven by the acquisition of items -- to them, if their character isn't adorned like a Christmas tree, they aren't a success. There are also players who have "big spender" syndrome, an actual behavioral condition that exhibits in tabletop and digital RPGS: the player believes that their rise to power and success as a character can only be evidenced when they demonstrate their wealth. Not to put on my Psych 101 hat, but this is sometimes a projection of the player's own worldviews and experiences with wealth (or lack thereof; after all, some people play games like this as an escape from the reality of their own hardships). In addition to staying at upscale inns (if they haven't acquired their own property) and eating fine foods (if they haven't sought out a private chef on retainer), their characters also interact with a lot of shopkeepers, who are generally pleased to see people laden with coin and interested in their wares. I mean, who doesn't like being able to throw around money for the latest glimmering bauble while the sales associate waits ever patiently? But for some, it goes much further, and can be every bit the same pleasure as getting the killing blow on that blue dragon. And finally, some players are really just there for the talking. That's their whole bag. They would be happy putting all their skill points into Diplomacy, Intimidate, Sense Motive and using every stat as a dump except Charisma. It's weird, given the combat-oriented nature of the game, but those people really do exist.
Understanding the motivation behind your player behaviors will give you the best chance of curtailing that behavior in a way that satisfies both you and them.
You said your players vetoed leaving town and immediately said that there were things they wanted to shop for. My question, were I in your shoes and with your level of frustration, would be to ask what such things were, and if the characters had a legitimate need for the items. If the characters know what they are looking for, you as GM can immediately determine if they're available in town, and if they're exotic, perhaps there might be some searching or wheeling and dealing to even find where they are sold. If the players are looking for typical fare like more healing potions or a replacement for those +1 arrows they used up, this is easily handled without a 20 minute chat-fest, especially if it's your third such today. If the players don't know what they want, and just want to see what's available, don't hesitate to ask them why they believe they are ill-equipped for their continuing adventures despite you or NPCs telling them as such.
Such behavior can also be forcibly slowed or even stopped through the world-controlling power you wield as the GM, although if not handled delicately, this can significantly raise tensions at the table. The PCs, having arrived in town after a week subduing trolls in the Sootblack Hills, find that the stores are all but empty of magic items. Even the most basic potions and scrolls are a crapshoot to find; they might scour the entire city in search of any place that even has a magic weapon available? Why? Plenty of reasons. War has broken out, and supplies for every city in a couple hundred miles have been bought up or seized by the warring factions. Perhaps the ruling monarch (or council or whatever) has decreed for unknown reasons that the manufacture and sale of magical items is forbidden, punishable by imprisonment. An ancient order may have been awoken and has begun the theft or destruction of arcane equipment -- except for their own, of course. These turns of events might cause the PCs' own equipment to become even more valuable (or a threat to their safety) -- but any newfound wealth will do them little good with nothing magical to buy. All of these and similar actions are only stop-gaps; eventually, the PCs would be expected to help resolve the war, overthrow the sovereign, defeat the ancient order, or whatever is in their way. And then you're back to where you are now.
Always keep in mind the Wealth By Level restrictions for characters. This represents how much wealth a character possesses at any one time for their level (some GMs take a more stringent view that it represents the total wealth a PC will have accrued by that point in their career, so if the players fritter it away on women and chimichangas, tough noogies.) Characters can only buy things if they have the wealth to do so. Selling items they don't want comes with a steep penalty. Even in great condition, shops rarely pay more than half price for an item due to taxes, restocking fees, how long it might take to sell, and so on. What this ultimately comes down to is that you control just how much these characters can buy and sell. They can only buy items if they have the coin, and they can only get the coin that you give them, or a lesser value for selling items they don't want. Become more stringent with money. At some point, the money runs out, and selling hard-earned loot for half its value stops being so fun. Do you really want to lose effectively 2,000 gold crowns for selling that +2 axe, or do you want to maybe put it to some use and come out more powerful than you would have buying some weaker item with the proceeds? If players decline to ever sell their equipment yet still expect to find new equipment, you can accommodate them by destroying their equipment. Enemies can sunder weapons and armor; a number of spells, magical effects or environmental hazards can deal damage to and potentially break anything exposed to them. This isn't being vengeful; it's being a good GM. [I remember watching Critical Role and over many episodes, perhaps the most traumatic and thrilling experience the players had (apart from character deaths) was when their beloved flying carpet was eaten by acid or lava or something. But it was a natural consequence of their actions, and they took it in stride, as they should.]
Finally, as with all things, you are the law. I always, always recommend talking with your players, either individually or as a table if needed, to tackle either your own frustrations or those of one or more players. But if push comes to shove, it's your game. You (presumably) respect the players by coming up with adventures, scenarios, NPCs, locations and all sorts of other stuff for them to tackle in a manner you expect to be fun. If they refuse to respect your preparation time and the time you spend at the table, by insisting to engage in continuous, pointless NPC discussions despite you expressing your dissatisfaction, then tell them you can't do it anymore. It isn't fun for you, and if the only way that they can have fun is in a way that is directly contradictory to you having fun, the game isn't going to work, period. If they sincerely change, fantastic; try to accommodate their need for shopping when you can and get on with the grand story at other times. If they refuse to change, leave them and get another table. That last part isn't always easy to do, and depending on your area, it might take a while to get another game going, but often a table where you're not having fun (and working hard to do it) is worse than no table at all. I wish you luck.
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how-to-portuguese · 4 years
Note
hey, hope this ask finds you well! I've been wanting to study EP (European Portuguese) for a while now but I can't find any resources available. I'd appreciate it greatly if you would recommend me any resources that you use (especially self-study methods that use the IPA, grammar books would help too!). thank you so so much and have a great day/night!!!
Hey! I know it can be really difficult to find EP resources, especially when you are starting out. I’ll give you a bit of background about my own journey and talk about the resources I have found along the way. (Edit: This is quite a long post, so the content is after the break.)
I started learning European Portuguese about 4.5 years ago. Like many others, I struggled to find good EP resources online, and so I ended up taking evening classes. I had a really good teacher and a very small class, and so the lessons helped me build a solid foundation. We used the Gramática Ativa 1 (A1/A2/B1) book by Isabel Coimbra and Olga Mata Coimbra and the Gramática Aplicada: Português para Estrangeiros (A1/A2/B1) book and the corresponding Caderno de Exercícios by Carla Oliveira and Luísa Coelho.
I moved about 2 years ago and am no longer able to take the evening classes, so I have only been doing self-study in my free time. I am currently working my way through the Manual de Aprender Português 3 (B2) by João Malaca Casteleiro, Luísa Coelho e Carla Oliveira. I also bought the Gramática Aplicada Português Língua Estrangeira (B2/C1) book by Carla Oliveira and Luísa Coelho and the Português Atual 3 (C1/C2) book by Hermínia Malcata, but I have not started them yet.
You can find all off these books and others by the same authors online at Bertrand.pt and Lidel.pt. Some of the book series come with CDs for you to be able to do listening exercises at home, which will give you some exposure to the pronunciation. I also bought the Harry Potter series in European Portuguese from Bertand last Christmas (there is a difference between the BP and EP versions!), and I think pushing myself through those books is helping me to reach a much higher level. I can really tell a difference from where I was when I started the Philosopher’s Stone to where I am now starting Prisoner of Azkaban.
I never had books on pronunciation since I took classes from a native Portuguese and my partner is Portuguese. However, I did a quick search on the Bertrand website and found Manual de Pronúncia e Prosódia by Carla Oliveira and Luísa Coelho. I can’t say whether they use IPA or not in that book, but it might be worth looking into. I liked the grammar books by those authors, so the pronunciation manual is probably good as well.
I recently reblogged a YouTube video called The Secret to Understanding Portuguese Natives by Practice Portuguese. That video uses IPA to explain EP vowel sounds. It is about 40 minutes long, but it is worth the time. The Practice Portuguese team have a handful of other YouTube videos and podcasts where they have their viewers submit recordings of themselves reading a text and then they review it and provide advice.
There is also a Practice Portuguese website with other material and lessons, but I have not used it yet as it is not free. It seems to have a lot of good content for beginners, but it’s not clear whether they have a lot of paid content for intermediate and advanced learners. (That is really the only thing stopping me from signing up, so if someone knows the answer then let me know!). I think they are working on a mobile app as well.
I tried A LOT of free language-learning apps offering Portuguese. Most of them only offer Brazilian Portuguese or are very bad quality. Portuguese with Carla did a YouTube video with a really good, in-depth review of the Top 10 European Portuguese Learning Apps. Talk the Streets also has a YouTube video about learning European Portuguese with free apps. Both of those YouTube channels, along with Practice Portuguese, are fully dedicated to EP language learning content.
I completed the DuoLingo tree a while ago, but I did the tree without sound (it was just too confusing). I still use it now and again to practice verb conjugations while commuting. It was helpful that my partner is Portuguese and could point out differences in word usage and grammar. You could potentially use DuoLingo with the DeepL translator and/or the Priberam dictionary to help determine whether a word is more common in Brazil or in Portugal. Linguee is also useful for definitions and to see how a word is used in context.
Memrise does have some European Portuguese lessons. Some people really like this app, but it just wasn’t for me. I think the content wasn’t a good fit because I only discovered the app after I had been taking Portuguese lessons for more than a year. I also really disliked their notification system (even more than DuoLingo), and the app design felt a little too childish and a little too gamified.
Anki and Quizlet are both good flashcard apps. I have heard a lot of positive things about both of them. I tried this briefly, but they mostly reminded how much I hate flashcards. I personally don’t enjoy rote memorisation, and I find that I learn better when I encounter new words in context and then try to use them in conversation or in writing. I think that’s why regularly watching/reading the news on sites like RTP and Público and reading the Harry Potter series has been helpful.
I also tried Tandem, which is a language exchange app. I use it now and again for writing practice, but every time I show myself as online I get flooded with dozens of messages which can be a bit overwhelming. It can be difficult to keep track of the active conversations, as your inbox keeps filling up and pushing those conversations further down the list. I think part of the problem is that you have to put your native language, and a lot of people jump at the chance to practice with a native English speaker. I also have yet to find a native EP speaker, although occasionally I have chatted with pople who make corrections to my messages in both Brazilian and European Portuguese.
One of the cheapest options for lessons is finding teachers through iTalki. You can arrange private lessons with a native speaker from Portugal. Some of these are professional teachers (very few in my experience) and others are native speakers (often linguistic students) trying to get teaching experience or just earn some extra money. I tried iTalki lessons for a while, but the people I had lessons with didn’t seem prepared to teach grammar to someone at my level. It was good for conversation practice, but it just wasn’t what I was looking for at the time. It does seem to get really good reviews from beginners.
You can also look into doing classes online through Instituto Camões. They have online self-learning courses, group classes, and individual classes. The self-learning classes are €180 for 12 weeks, and the price increases up to €320 for 12 weeks of individual tutoring. I have been considering this option recently, as I have found it difficult to commit to regular self-study while also working a full-time job (I’m a Tumblr ancient). I think the financial commitment and the regular schedule would really help me, but that is a personal preference.
If you ever decide that you want to do some language classes in Portugal, you might consider the University of Coimbra Portuguese language courses. They do short courses and several degrees in Portuguese language, literature, and linguistics. There are great language courses all over Portugal, but University of Coimbra is a really cool university in a very nice city. The student culture there is really famous even in Portugal. I haven’t studied there myself, but I have spent a lot of time in the city and the university makes me a bit sad that I am no longer a student.
Whew, this ended up being long post! I tried to give a variety of resources at different price points. I hope you find at least some of this helpful! I may reblog if I remember anything else, and maybe some of my followers will have more suggestions...
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5sosbitchfest · 3 years
Note
Hi! I can't open the link about the tarot reading and I'm quite curious
Can you please post it again? Or help me in any other way?
Lots of love
Here you go, Nonnie.  I pasted it below.  I found the reading to be quite interesting.  I know nothing about tarot cards but I hope she’s right and that Lemon is coming to an end.  Original Anon who sent the reading in, feel free to share your thoughts anytime!  Thank you for taking the time to write this all down for us to read!
*********************************
Tarot reading for Lierra on 2020/12/16 
First question I asked was: “How is the current energy of their connection?” I let the card fall from the deck until the message was complete. 6 cards came out: 6 of pentacles in reverse, 6 of wands in reverse, XIV -Temperance up right, VI - The lovers in reverse, 9 of swords in reverse, 6 of swords in reverse. I read them as a chronological progression. 
Overall, a lot of the cards were in reserve, it’s not necessarily a bad thing, but given the said cards, I would say it’s not painting a nice situation. Their overall energy is stained with a lot of struggle. The number 6 is all over the reading, which normally is a sign of movement, evolution, taking decision, but in this reading it’s all in reverse, which shows more stagnation, resistance to change and inaction.
For the details, card by card. 6 of pentacles in reverse, it’s a more material-focused card. It means unbalance budget, bad investment, loss of income, material struggles, or financial irresponsibility. In context, I would say it’s more like carrier struggle than actual money struggle. Potentially the difference between both their success and income is weighting on their dynamic. Either one is being selfish with their money, or the other is spending unreasonably. And I would go with the second one. 
6 of wands in reverse. It’s a card about doubt and self-doubt, lack of confidence or fall from someone’s grace, sometime even failing or having delays in success, and overall a lot of questioning. In context, I would interpret it as starting to question their relationship, maybe on the surface at first but possibly deeper that than afterwards. 
XIV - Temperance up right. It’s the only card up right in the reading, which made me frown for a while as I wasn’t sure what it meant in regards to the rest of the cards. It usually means harmony, synergy, patience, moderation, softness. But I feel like there, it was more a like “I don’t want to make a scene” / “I don’t want to make it difficult for anybody”, or in other words, a muted energy, not wanting to be in the spotlight, not wanting to do anything rash. Possibly it’s something about the public eye, like keeping a ‘everything is fine’ façade. But it could totally be on the private side as well, not wanting to face the situation properly and the questions that are rising. 
VI – The lovers in reverse. It’s obviously a card about emotions and relationship, even if it’s not necessarily romantic in every reading. It means being emotionally stuck, questioning relationships or even broken relationships. I would say that the reality of their connection, is that it’s not really working anymore and/or that is would need a lot of effort to be back on track. And that reality will eventually show up, even if it can be a long process. The questions are inevitable, they’re coming again, and stronger, no matter how bad they want to think it’s “just a bad day, it’ll be better tomorrow”.  
9 of swords in reverse. This makes me really sad… It’s a card about anxiety, mental exhaustion, victimhood, and feeling like you’re not finding solution to your problems. I feel like it’s going to manifest in form of nightmare and insomnia on Luke’s side, and playing the victim on Sierra’s side (because she has previously shown these tendencies). For both on them, it’s just a lot of mental struggles and a feeling of being stuck in a situation that is absolutely not satisfactory. 
Finally, 6 of swords in reverse. It’s kind of the same energy lingering on. Being stuck in cycle, pattern repeating, delayed things, inertia. It can also mean being physically stuck, unable to move, which makes me think about them spending a lot of time together at home(quarantining) with nothing to do but to get on each other’s nerves. But whatever the situation is, they’re not ready to face it apparently. 
Overall again, they are not in good situation: things need to be discussed, but they won’t; reality needs to be acknowledged, but they won’t. I can’t tell if it’s by contract, or by emotional fear, or even greediness, but something is keeping them together even if none of them is liking it in the moment. Truth will take the stairs, not the elevator, but one day it will show up, and it might even blow up given that the more they resist it the harder it will be to face it simply. That being said, future is not set in stone, it’s just a reading upon the current energy, and if they want to they might be able to salvage their relationship.
Next questions were targeted at each individually: “How is Luke’s current energy towards their connection?”. The answer was the 10 of wands up right. It means felling like you’re carrying too much, having a burden. So he’s feeling weighted down by their relationship, and like it’s taking too much effort for little to no result. Then I asked: “What are Luke’s current intentions for their connection?”. The answer was the Page of wand up right. It’s the card just after, which is always a nice sign of natural progression. He wants things to move for the better. And to go towards something more lighted-hearted, with more fun, joy, and …candidness? I get a “feeling like kids again” vibe. 
Same questions for Sierra. “How is Sierra’s current energy towards their connection?”. The answer was the 10 of pentacles in reverse. The empire is crumbling down; the pyramid is falling. She’s not where she wants to be carrier/success/money-wise. It’s a money/material card, which is why I also think the unbalance of the 6 of pentacles at the beginning is coming from her. She seemed to be the one more concern by this matters. Seeing it in a love-oriented reading is also an indication of a partner being more interested in a material gain than an emotional bond in the relationship. Then I asked: “What are Sierra’s current intentions for their connection?”. The answer was XII - Hanged man in reverse. It’s a card about avoidance, not taking action, or worse holding onto something that you should let go off, potentially for its material appeal. 
I mean… It’s pretty clear that Sierra’s energy is focus on the material even (maybe especially) in their relationship. It’s something she cares about, and don’t want to let go off. Seeing her energy is all cards in reverse, while Luke is up right and progression, I would say she’s the one carrying a lot of the blockages and holding the situation hostage.  
Finally, as I was seeing the situation getting downhill I did ask: “When will Lierra break up?”. And the answer… was literally the break up card: the 3 of swords. Timing with Tarot is not the easiest thing, and I’m still a beginner with much to learn. But swords are pretty fast moving energy, even if they are not the fastest. I would say anywhere between 3 weeks and 3 months, probably more toward the 3 months. Also 3 of words on the wheel of the year is corresponding to October 3 – October 12, so we might have to wait until then, but I hope not given that the situation is not good for anyone. Once again, I would emphasis that this based on the current energy only. Nothing is set in stone. 
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yibuo · 4 years
Note
Hey, I love your blog ❤️. Can I ask for Uniq full story? I've seen a bits of it online but it's such a mess I can't figure out what's truth. Have a nice day 😁
FUNNY how i received this ask when i was crying about wenhan’s baby angel voice in best friend just earlier
tldr if i ever meet du hua it’s on SIGHT
LOL okay idk if this is the FULL story i probably won’t include details and stuff because i didn’t closely follow uniq during their whole hiatus thing (i had the brainpower to stan one group at a time but now look at me TWO kpop groups AND i’m starting to follow a cpop group AND pd camp 2020 AND am constantly fuming at yibo and xiao zhan’s management agencies for ruining their idol groups )
pls correct me if i’m wrong im small brain ok i’m putting this in keep reading bc it’s too long and a ramble
tldr thanks yuehua for messing w/ 5 guys’ dreams.. even though they’re successful they’re not able to do what they originally wanted to
also there’s this legendary video dragging yuehua
also thank u for ur love sweetie i love u too xoxo i hope ur having a wonderful day/evening/night!
LOOL anyway so uniq is a korean-chinese boy group formed under yuehua ent which has korean and chinese management ... you probably know other kpop artists from yuehua like wjsn (co-managed by starship) or everglow... if you’re into cpop there’s next/next7...anyway they have 3 chinese members(yixuan, wenhan, and yibo) and 2 korean members (sungjoo and seungyoun) and they debuted in 2014 with falling in love, promoted btwn china and korea, released a couple of osts (for like, teenage mutant ninja turtles and madagascar lol lol lol) and then in 2015 they came back w/ eoeo (if you’re into kpop you probably know eoeo at least) it’s their most well-known song, and this comeback was w/ their first (and only lol lol) ep/mini album.
they started garnering a good amount of attention and started to appear on more variety shows in korea and china, started promoting in japan, they even went to brazil in a fanmeet that’s pretty cool lol , (but...why didn’t they solidify uniq’s position in kr/ch with their momentum instead of sending them to different countries??? we love money-minded yeehaw entertainment)
and then china’s hallyu ban happened (which is something that i never really understood and never took the time to fully research because it hurt my brain) but essentially chinese govt restricted k-entertainment from profitting in china because politics, for example a lot of kpop tours and fanmeets got cancelled. and this put uniq in a difficult position because they’re split between being based in china and korea, but eventually the ban got lessened (there’s still tension but like, there’s literally adore u playing in the camp of pd camp 2020 ep 2 so like lol) but yeehaw made NO efforts to maintain the group musically b/c they’re money-minded cows and if they split uniq up into a kr and a chinese unit they can’t make as much money as if they sent the members into acting.... (literally there’s an interview from a couple yrs back where xuan talks about how itd be nice to make music but it doesn’t make as much as acting does in china :-(( ) so while they still had events in japan, they didn’t do much together in their main bases, and acted a lot cool cool
one thing i never understood is why yuehua never just pushed them more in the kr market...there are so many groups in the k-industry w/ chinese members (i literally STAN one, my ULT is a chinese member in a kpop group what the HECK)...but making money right lol anyway so xuan, wenhan, and yibo went into acting in china (and yibo is an mc on day day up), and acting takes up sm time, (gonna quote my chinese friend here who’s a sad wjsn ot13 stan who misses cheng xiao, mmq, and wxy, once ur popular in china it’s goodbye kpop) and sungjoo went into acting in korea (if you’ve ever watched my secret terrius or the disaster that was liar and his lover w/ joy, sungjoo is in those lol) and seungyoun continued to produce and release music as woodz and luizy
but it’s sad because they all trained for so long to perform on the stage as 5 but yuehua’s shitty management in the hallyu ban crisis thing really screwed them over...in terms of being on the stage like come on! THEY HAVE TALENT.. ok in early 2018 they released an ep and in dec 2018 they released their single monster (last single together lol), but again, no group promotion, no being able to perform on the stage, no nothing (oh yeah also yibo was a dance mentor on produce 101 china in 2018 nice)
2019 was a good year for most of the members:
-wenhan went on qcyn (youth with you season 1, the second show in the idol producer franchise) and got 1st, debuting in unine which he’s currently a part of, and got to perform on the stage after years of not being able to, thanks yuehua
-yixuan went on all for one (another survival program from youku), also got 1st, and debuted in new storm
-yibo (as we all know) acted in the untamed and became ultra-popular for his well-roundedness
-seungyoun went on the 4th season/spinoff of produce 101 in kr called produce x 101 and got 5th place, debuting in x1, which later disbanded, THANKS MNET THAT’S ANOTHER STORY BUT anyway i don’t think seungyoun was rigged into place, does yuehua even care that much?? lmOA he was so loveable on px101 and i think the move perf rly sealed the deal for everyone
-sungjoo...was done dirty by yeehaw...he’s a MAIN VOCAL he has SOLo potential but yeehaw just put him in the dungeon thanks.. and he recently enlisted in the army not too long ago
oh also sungjoo, xuan, and yibo performed monster + eoeo together at yuehua’s 10 anniversary concert...seungyoun wasn’t there because of x1 and wenhan performed with unine
wow yeehaw really thought they deserved a 10th anniversaryy celebration LMFAO
***the members are still part of uniq though, survival shows are weird
anyway as we can see each member is talented in their own way and uniq is an unfortunate case of yuehua not knowing how to manage people lol but if you watch their shows you know that they’re genuine and tight-knit, and even though they might not be together rn, in their hearts they’re still a part of uniq (cue pics of their weibo usernames having uniq in them, cue wenhan spamming his dad’s video with “UNIQ IS STILL TOGETHER” when his dad talks about how uniq disbanded) and they haven’t forgotten their identity of being part of uniq even as they get older. their contracts expire in 2022 and w/ kim sungjoo in the army, who knows if they actually will make a comeback but this is why everyone hates yuehua and everyone misses uniq bye
again i know they’re successful individually, i know seungyoun’s able to produce his own music, yibo’s able to turn his hobbies into work, wenhan and yixuan are still able to perform on a stage, they came here for uniq and got separated w/o them ever wanting to
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ubaid214 · 8 months
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Entering the Final Act || Akira || ATTN: All Passengers
His smirk grew slowly as everyone reacted.  He was glad to see Airi put the knife down; getting stabbed would really put a damper in this moment he was savoring.  The anger, the fire everyone was spitting out… He’d even gotten Billy to snap. And here he’d thought the guy was too foolhardy to actually crack.  This was beautiful, honestly. If only there were more people to see it.
Would applauding a little overdo it?  It would probably overdo it. Still, it wasn’t like he was going to be regularly interacting with these people after this.  Just some things for the police, maybe a little for HPA, and then home free. And jegus, the urge to clap was just too strong right now.
So, he did it.  He brought his hands together, his slow claps echoing throughout the trial room.  Congratulations, everyone, you found the mastermind. You found the one who put you on this train and didn’t stop until the station of living hell.  Bask in your glory.
Here he was, and he was about to talk your goddamn ears off.
“So, why’d I do it?”
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“I’m sure you’ve all been waiting long enough for some sort of answer.  You’ve watched your classmates die around you, send some of them to their deaths by your own hand, and for what?  Why would anyone want to do this? And especially to us, just innocent little HPA students?”
He cracked his knuckles and took a deep breath.  “Well! You’ve heard of the Reserve Course, right?  I’d hope you would have, given that I’ve been here this whole time.  So I’m not going to explain it for you if you don’t. Too bad.
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“What you might not know is what sort of treatment the Reserve Course students get.  Long story short, we’re like the red-headed stepchildren of the establishment. Even though we pay the outrageous tuition that funds the whole place, we’re treated like substandard by pretty much everyone on campus.  We’re students, but we don’t get to use any of the fancy equipment our money pays for, we don’t get the benefit of ‘guaranteed success upon graduation,’ and we don’t get any goddamn respect.
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“And it’s not even like we all wanted to be here!  Sometimes, it’s just your parents assuming oh he must want to go!  Let’s uproot him from his friends and isolate him with the person he’s known since forever and see how they improve, hm?  Oh, this is gonna be great…”
He paused for a few seconds, then cleared his throat.  “But I digress. Anyway…
“The one thing I despise most about HPA?  It gives kids false hope. They sell this narrative about talent, how if you work hard enough, even you, you pathetic little Reserve Courses, you too can join us in the Talent Course!  The goddamn Land of Milk and Honey. It's all bullshit.  Like, seriously, that's not cynicism, that's just reality.  You come from all over the world, have experiences all over the world.  Talia’s from Australia, at least, and this is just a sample group. There's so many more.  There's no way any average Reserve Course student would be able to replicate that sort of world experience and recognition.  No matter how much they want it, no matter how determined they are, no matter how much money their parents funnel into them. But the academy puts this shitty idea in their head, that maybe if they work hard enough, they’ll be able to compete with these ridiculously lucky people who had all the right opportunities!
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“And some people actually believe it.  That if they can run a kickass newspaper on campus, they're sure to become a Talent Student, the SHSL Reporter.  But they can't. There's no way that can compare to someone else who's had better opportunities. It'll get overlooked, in spite of all the effort she pours into it.  They just won't care.”
He paused again, but for less time than before.  After a deep breath, he balled his hands into fists, thrust them down at his sides, and continued.
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“So, pretty damn clear I hate this place.  But, I'm not alone. Far from it! In fact,there's more than one organization that'd love to see this academy go down in flames.  One particular organization -- though I'm not going to name them, I'm sure they don't want the authorities on their tail -- had the perfect idea to do it.  Create a scandal so devastating, something that would be such a blemish on the academy, they just couldn't stay open. And it should be pretty obvious to you what this scandal is: the mutual killing game.
“So, they have the plan, and they have the means!  There's just one thing they don't have -- an in. They have no way to get in and legitimately gather some HPA students for this, without the academy getting suspicious.”  At this, he chuckled. “That's where I came in. What better place to find a like-minded individual than on the internet? They find me, a genuine student, and with pretty good standing thanks to the student-run paper I'm part of, the Reserve Hope Shimbun.  I have the connections, they have everything else they need, it's a perfect match.
“So we make a deal.  As satisfying as it is to bring down the shitshow that is Hope’s Peak Academy, it's not something I do for nothing.  And I have this friend, you see -- the other founding member of the Reserve Hope Shimbun. She's a good girl, earnest, hard-working, and wants more than anything to be a reporter.  And for some stupid, bullshit reason…” He took a moment to glare out at the students in the trial room. “...she thinks she needs to go through HPA to do that. But now, that doesn't have to be the case.  Her getting a job as a reporter at a news station somewhere in Japan was one of my conditions. And since I've held up my end of the deal, they're legally bound to hold up theirs. She'll get what she's wanted all her life, and she won't have to stake everything on some shitty school that can't even protect its own students from themselves.
“As for me?  I want a life away from all of this.  From all this chaos, all this snubbing, all this talent.  After I get the fuck out of HPA, I’m angling for an average job.  That was the other part of my contract. I'd love a job as an accountant, but, y’know, I'm not picky.  Any sort of salaryman job’ll do. Then maybe I can pick up life where it left off. Move up on the corporate ladder, build a nice family, make a good life for myself.  I've got simple dreams, I'm not asking for much.
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“As for you guys?  Heh. It's been pretty damn fun watching you all fall apart, and it's gonna be fun watching what happens next.  This organization I'm working for has their eggs in a lot of baskets, including the media. Useful for getting my friend that job, and useful for making sure Hope's Peak Academy burns.  Once we get out of here, just about every network is gonna wanna know the details.  What toils you went through, what depravity your captors subjected you to.  You'll never be able to get a moment's peace!  You'll never be allowed to forget what happened here.  And you'll never be able to say who did this to you.
“But, at least you'll be able to live your lives.  HPA won't be so lucky. They send their students off to see the headquarters of a newspaper, and then they do nothing when they're kidnapped along the way.  I really did take the time to schedule a field trip, by the way. I asked the faculty for permission, set up the outing with the newspaper itself, it all checked out on paper.  They had no idea it was just a front. Until we failed to show up, of course. Naturally, the organization in charge of this set up the train and the venue. They even set up the conductor!”
The mention of the conductor seemed to remind Akira why they had all gathered here in the first place.  With a peeved sigh, he looked away, then shrugged.
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“Oh yeah.  Speaking of Jenova.  Guh, the fucking wimp.  Yeah, I killed him, you're welcome.  He was right, I was sort of planning to kill him, but not from the outset of all this.  He was doing fine at first, but...honestly, if you're going to start a dirty job, you finish the dirty job.  He was getting soft, wanted to wrap this up because ‘he couldn't take it.’”  He scoffed. “Couldn't take it… You do what you need to do. Beggars can't be choosers, he ought to have know that better than I did!
“So… Are we ready to wrap this up?  Ready to get back to the rest of our lives in the real world, for better or for worse?  Because I'm sure as hell ready to see what arises from all of this…”
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teragotch0638-blog · 3 years
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