#but like. everything generally sucks
I've been sharing 50 shades quotes and moments hand selected to be humorous and ridiculous, but I believe I've given you all a false impression of the book as bad in just silly ways, just funny quips. What I haven't shared are the subtly homophobic and stereotypical characters of color and inaccurate mental health portrayals (including suicide), among other issues:
the one hispanic character smokes weed illegally (this is used to paint him negatively) and tries to force himself on ana, saying the most basic spanish phrases to remind you he's hispanic; there are only three other characters of color I can think of, all black, one is a black kickboxer and christian's trainer (always making quips and antagonizing him while they fight), one is the kickboxers brother, and the other is a personal security guard christian fires and whom ana says she doesn't really like (when she's never had that kinda problem with any other security personnel); one character is introduced as "small, dark, and gay. I loved him immediately" and is an overdramatic hairdresser; the most "normal" queer character doesn't have the fact she's dating a woman revealed until her very last appearance in the series, and she's already very infrequent (ana also happily notes that this means Ros won't be ogling her husband); Christian's mother is described as looking "relieved" when she finds out he isn't gay like she assumed; the author conflates Multiple Personality Disorder (an outdated term for Dissociative Identity Disorder, but that's what they use) with schizophrenia as if DID is someone experiencing schizophrenia; when a character attempts suicide christian asks and I quote "why would she do this to me?"
I'm making jokes at the expense of the books, but I've been generally not sharing the genuinely unpleasant aspects. they're all fairly small, but they are numerous. I'm sure there's details I'm forgetting at the moment as well. so if you wanted to read it ironically with me, there's also all this to contend with
12 notes
·
View notes
Doc: I have impossibly high standards.
Xisuma: [exists]
Doc, frantically texting Tango: Help, he's meeting all of my standards!
He never quite addresses what his standards are and wether or not xisuma is meeting them
391 notes
·
View notes
Sometimes I remember that if you play Surana or Amell in Origins the origin (hehe) of the conflict that ultimately leads to the death of the Archdemon is... the First Enchanter of one of the most "liberally run" Circles in southern Thedas leaving out a bunch of books on blood magic with the explicit hope that young apprentices will pick them up and become blood mages so that they can be handed over to the Templars as maleficars. With your best friend falling for this trick explicitly because he's terrified that the Circle is going to magically lobotomize him against his will just because he's not particularly good at magic so he feels his only hope is to run away whatever the cost. That's the starting point for your character. And again, Kinloch Hold is supposed to be one of the most liberally run Circles. This is one of the good Circles. And then in Awakening we learn that Anders was kept in solitary confinement for a year just because he wanted to live outside the Circle, and you can comment that he's lucky they didn't just kill him outright. And I know I've said this twice already this post, but this is supposed to be a good Circle. This is nice. The mages at places like the Gallows would probably kill to be at Kinloch Hold. And your introduction to it is first you, a young adult (or possibly in your late teens; you are mentioned to be young for a Harrowing, and Harrowings generally seem to be done when the mage is quite young to begin with), being thrown to demons without warning as a standard test, and then when you wake up you learn that your best and possibly only friend is likely to be magically lobotomized for not being great at magic unless you help him escape. And between those things and during the latter you'll hear about fun things like apprentices disappearing into thin air (with no one questioning it because it's that normal) and the Templars watching the female apprentices bathe! And when you return it's to find out that when things went tits up the Templars, who are supposedly there for your protection, locked every surviving mage in Kinloch Hold in the demon infested part of the tower and are waiting for permission to murder everyone inside down to the youngest child. Ten bucks says that the Templars also in there would've been allowed to live.
I think it hits a lot harder just because you don't learn that Kinloch Hold is considered a liberal Circle until after it leaves the series, apparently for good, with the Templars planning to hang out outside the door until they get legal cover for murdering everyone inside. Like, you see all that and then after that you learn that that? That was the best a Circle mage could hope for. Just a few life-threatening tests you're not allowed to prepare for. Just a bit of entrapment by the person who's supposed to stand between you and the Templars. Only rumours that the Templars will watch you while you bathe rather than confirmed fact. And only a small chance that they'll murder you the moment they're given the opportunity. That's a good life for a Circle mage.
And then in DAI they genuinely expected us to buy that actually the Circles weren't that bad and the Circle mages are just so whiny for not knowing how to survive outside the cage they've been trapped in their whole lives and also wanting to kill a lot of their jailors. It's like the writers forgot that we've seen that even the best the Circles offered was still absolutely fucking horrific. And that that was a lot of players' first introduction to the series.
3K notes
·
View notes
The thing about the ffvii remakes is that you will enjoy them more if you’ve played the original. You will also hate them more if you’ve played the original. It is impressive.
69 notes
·
View notes
saw that super wholesome video of a girl reuniting with her brothers and thought ✨✨ Hug Refs ✨✨
leaving the context of this up to you, i wonder what you cook up :'D
460 notes
·
View notes
melanie's relationship to the slaughter is interesting for many reasons, but one of them is how very little she seems to neither enjoy nor be tortured by it. the main difference between slaughter and desolation is how personal it is, and that's reflected in their avatars - all desolation avatars seems to on some level enjoy the pain they cause. but beyond that, most avatars get something out of their status, like how jon says he likes some of the power and knowledge he gets, or how daisy likes the purpose of the hunt. even those who have nothing positive to say, like oliver, act more like a victim to their entity instead, where they themselves and their pain and fear are actully feeding it. but melanie always seems to speak about the slaughter like it merely numbs her. like, at least during her time as an avatar, there's no space for enjoyment nor fear nor any other emotion beyond anger. and i really like that, because once again, the slaughter is impersonal. we hardly ever get an actual description of the perpetrator in slaughter statements. it reduces someone from person into weapon
195 notes
·
View notes
speaking of danger days, ive been reading a bunch of critical reviews/bad rym scores/blog posts about the response to dd (introducing a friend to it after we talked about bladerunner) and I find the just. complete inability to take the project as art engaged in meaning-building soooooo fascinating im not even mad. the second a synth is heard the entire effort is reduced to something lesser, only made with the intention of fun. even defenses of it refuse to take it seriously as like. a project which is using pop convention, form, sci-fi world-building, etc to commentate. or even that it is actually depressing lmao. but the narrative around an electronically minded followup to a magnum opus is basically "sell-out" catnip even if that makes literally zero sense/they scrapped an entire album before this project. people will simply create their own interpretation!
44 notes
·
View notes
Oof I'm kinda scared to ask... Why do you not want to be an artist professionally?
Its just like, incredibly miserable in my experience.
Everyone wants their dream job of being paid to draw whatever the hell they want but 99% of the time you are hired and tasked to draw things that you don't have a lot of interest in, professionally speaking, and constantly getting your artistic efforts undermined by the rest of the team (this is esp. true in the videogame industry) artists always try to push for better designs and get their takes watered down for the sake of general public pleasing. Also you don't have a security blanket unless you're under long term contract. Most freelancers live gig to gig with the fear of not being able to support themselves if they don't take a job to take a break. Videogame and movie jobs arent stable because companies never keep the art teams, they are laid off and rehired whenever there is a new project
During my major, I drew nonstop for 4 years for class. Not always things I enjoyed, but also not always things I didnt like. In fact I enjoyed my major immensely! It was so fun. But the burnout is very, very real, and the workload was similar (even inferior to) regular art jobs.
What happens if you like to draw in your off time? You spend your days making and pumping out art nonstop for hours, and then on your free time breaks you draw some more? I personally couldn't do it. I just wanted to do other things
And like.... I spent the first three years being told by teachers (people with stable, contract based jobs) how cool of a job it is to do art, and then the last year getting grilled on how insanely hard it is to make it out there. If you don't have connections, money, an audience, a studio, it's actually impossible. You need to be your own lawyer, abide by the very strict self employment rules that take a severe chunk out of your earnings. Do all of your finance/schedule/marketing etc while on top of that constantly producing work (I know there's people who can do it but, personally, I cannot)
I really admire the people who were able to build themselves up as artists from the ground like this (because its definitely possible, just insanely hard)
Also, making something you love into your job ends up being miserable too. I experienced this with patreon, which I posted to as like a chill thing and it just got increasingly hard to make content for it or just post in general, even drawing my own ocs and sharing stuff about them started to feel like a chore.
Maybe it's just me though, this has just been my personal experience but yeah in general I realized I am immensely happier just keeping art as a hobby or its gonna suck my soul out (Since I already experienced it)
I don't mean to discourage anyone, I think the world in general needs more artists. But for that we would need to actually be taken seriously and valued, which sadly we are not, at all. And if there's anyone reading that is considering art as a job: it is absolutely grueling. It's not an easy job. Even if you desperately love art it can suck the life out of you and the joy for what you do
(As an extra sidenote. Artists are usually exploited using this mentality as well. That they are supposed to love their job. So they expect you to work your wrists off "For the passion". Dont fall victim to it)
390 notes
·
View notes
I think about how "good ending" aus really play into both a negative and positive aspect of the message of Genloss
You want to see the characters live and be happy, and in the end that's really sweet, but in order to do that you're picking the live ending that requires them to keep performing
They gotta keep working for it, and everyone is gonna watch them do it
Shit sucks but it's worth living, kind of stuff, the world of social media can be cruel, controlling, and unforgiving, but there's those connections you make and the little things that get you through it
Or maybe I'm just being too sappy idk
I've always been a big fan of "Everything sucks and the world wants you dead but you keep living anyway you keep loving anyway" kind of stuff
Death really is the easy way out sure but what comes after that?
85 notes
·
View notes
Some relaxed kiddos in australia
20 notes
·
View notes
38 notes
·
View notes
At the bus stop one time there was a gaggle of preschoolers waiting to catch the bus for a field trip day, and someone walked past with a couple of friendly little dogs, to great general delight.
But after a little bit, the dogs were getting overwhelmed, and the preschoolers were gently coaxed to back off so the person with the dogs could continue on. Specifically, one of the preschool teachers said, "Sometimes, when you're small, being surrounded by big people can be a bit scary and overwhelming. Even if they are friendly."
This was recieved as great wisdom: after all, the preschoolers were also small, and understood how scary and overwhelming big people could be! And the dogs were indeed even smaller than the preschoolers, so it made sense.
What was funny and charming was that, upon absorbing and reflecting on this wisdom, they all felt the need to tell it to one another. In tones of great insight, they turned to one another and said, "Did you know? Sometimes when you are small, being surrounded by big people can be scary and overwhelming! Even if they are friendly!" Back and forth, without any particular concern that they were all saying the same thing. Have reached comprehension of an insight, it must be shared!
I must say that this behavior is less charming in tumblr users than in preschoolers. Not least because tumblr users, having gained a little analytical skill to misuse, insist on Summarizing and Generalizing and Unifying the insights they repeat, quickly turning any interesting new information into formulaic dogmatic mush.
13 notes
·
View notes
Men who view women as their intellectual equals 😍
48 notes
·
View notes