It’s just… it is everything that Cardan thought Jude would notice his “SO OBVIOUS” exile riddle and thinks Jude to not hesitate to come back. Beside his certainty of her cleverness to piece the riddle together, he believed he was that clear about his feelings toward her; he had thought she absolutely ought to know how he feels for her.
Like oh buddy. BUDDY. Your wife had thought of the answer to your little riddle like you thought she would. But guess what? She has detrimental TRUST ISSUES. (Like… Ur super mean and hot, I can’t blame her.) Anyway.. it’s SUPER adorable of him to so wholeheartedly believe she wouldn’t question his trust. It reveals so much about his pov of thier relationship.
Jude thought Cardan’s (silly) trick was a (vile) trick, when it was simply a: “Im trying to impress/pay you back in kind with our romantic metaphorical sparring and eventually get you out of political drama for a bit,” trick.
I’m fucking laughing wow these delusional ass children I fucking love them.
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one question haunts and hurts
too much, too much to mention
“NO GOOD DEED” from Wicked
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yknow i didn't necessarily start my wyll origin run with the intent of romancing astarion in mind but the more i play the more i find their similarities amusing when it comes to like, the surface level personality they present to strangers in act 1.
wyll is a compulsive flirt. you see it in dialogue with shadowheart and lae'zel - he just tosses out a couple lines that clearly aren't supposed to go anywhere (asking lae'zel if she believes in love at first sight, blatantly reusing the same flirtation attempts with shadowheart) and i see this as part of his Blade of Frontiers persona. obviously a traveling vigilante would have no time for romance or relationships, but he's socially aware enough to have learned that people respond well to a certain level of rogueish charm. especially if his reputation precedes him. he can safely and positively engage in surface level flirtations with the people he interacts with because the person doing the flirting isn't real - at least not to him. he often says the Blade is his best self, but to him its an ideal he strives to achieve, not the person he really is. and i imagine that includes the ability to give discouraged people positive attention in a nonthreatening way. its safe. its superficial. he doesn't have to follow through.
this is overshadowed somewhat by astarion's tendency to flirt with anything that has a pulse, but the perspective they both have on it is pretty similar. theyre both coming from a place of not actually being interested in the recipient of their attention - whether that be through astarion's ulterior motives or wyll's lack of capacity for a relationship - but they both still put on this front because it's habitual. it's worked for them and it's gotten them through the varying degrees of social contracts they find themselves in. so they wind up trading lines easily because they've studied from the same script.
anyway what im getting at is bumping these two personalities against each other can definitely result in wyll and astarion committing to the bit so hard they accidentally wind up in a relationship. like, you're safe, you know the rules, you're speaking in a language i'm familiar with but we both understand that neither of us expect anything back on an emotional level. wait when did we start confiding our deepest secrets with one another. what do you mean you trust me.
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Harry Kim saying Naomi is lucky to be born on Voyager and that he would have given "anything" to have her life when he was a kid...
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... Will you guys please let me talk about hgduo/gossipduo/mockingjays/ whatever they are called a little more pleaseeeeeeeeee, they make me unwell and I want to get my thoughts about them out of my head- or more specifically about them from Bad's point of view!
There's a familial air to it, but it's just not true to define it like that- and that doesn't make what they DO have any less powerful or significant- They have a unique bond and that continues to be true, even during painful times like this.
Cellbit WAS Bad's responsibility at one point, and that time came and went- he got him through the war and into adulthood ( aka 18 years old or close to it.) They meet again as old friends and generally respect each other as such... but even so Bad can't deny he still feels some duty to watch over the man once he starts crumbling- much like how Cellbit as well can't help but reach out to Bad during this time.
but there's limits.
like- Bad for years had and still wants to protect Cellbit, he's had an influence on him, he taught him how to survive, he himself acknowledges he has some responsibility over Cellbit, looking at Cellbit right now feels like looking in a mirror, he doesn't like having to give up on him, but if it's between him and the kids he's choosing the kids every time... and he knows there is no simple way to save someone who refuses to let themself be saved.
And it hurts! It hurts seeing Cellbit like this! It hurts having to let him burn! It hurts watching someone he cares for falling down the same path he is! It hurts knowing he's hurting others the way it did for him seeing Cellbit like this! It hurts having to choose his kids over his protege/ student/ former responsibility/ the kid he watched over years ago/ old friend/ his 'something'!
Like, cc!Bad brought up this internal mental tier list that q!Bad has- I still deeply believe that q!Cellbit is quite high up there even if he'll never be at the level his kids are at- like he loves Cellbit enough that he ACTUALLY CONSIDERED putting parts of his months long plan at risk to save him- even if it was just during the stress of that moment that still means a LOT from Bad- but he was always going to choose his kids in the end!
Based on what I know of q!Bad (which is admitably not a lot lol) there is next to nothing that'd convince him to give up on his kids- with Cellbit he's able to see that he can't help him because Cellbit sadly does not want to be saved- and for Bad that means he simply has to accept it even if he really doesn't like it- the emotions from that night have processed and he's looking at the situation from a more logical and resolute perspective. If it means him and Cellbit may one day clash, then with a heavy sigh so be it....
but if it was Dapper or Pomme... I just don't feel certain in saying he'd be able to come to that conclusion, especially not after one night. Even if it would be the 'smart' thing to do. It's one of the key differences between the dynamic he has with them vs Cellbit...
But, in a perfect situation, he would've done everything to save them both.
Anyway thanks for reading, posting this at hell hours so my beloved mutuals won't see my hgduo ramblings but tagging this anyway for other people to see LMAO-
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Bi-Han/Sub-Zero in Mortal Kombat 1 (2023)
Asharat: What kind of son betrays his father?
Bi-Han: One who sees his father's time has passed.
Kuai Liang/Sub-Zero in Mortal Kombat 11 (2019)
Sub-Zero: Come and join the Lin Kuei.
Jade: Outworld needs me, Sub-Zero.
Sub-Zero: Do not let loyalty stunt your growth.
Frost in Mortal Kombat 11 (2019)
Jax: Thought the Lin Kuei were like family?
Frost: Family only ever held me back.
BONUS: NOOB SAIBOT in Mortal Kombat (2019)
Noob Saibot: What did I always tell you?
Sub-Zero: To never trust anyone.
Noob Saibot: Least of all family.
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wild how a woman can be the protagonist of the majority of the movies and television shows in a franchise and then just get shunted to the side, often without malice, by people who consider themselves fans of the property. i'm talking about poppy but this is a wider problem of insidious fandom misogyny.
i talk a lot about fandom misogyny and male favouritism but it is... so much more egregious in trolls bc of how the protagonist is a woman and the franchise seems mostly targeted to little girls. its like if the mlp fandom zeroed in on, like, raritys dad. or shining armour. or fluttershys brother
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On the MegOP fandom trend of saying "Optimus should apologize to Megatron"
(Speaking specifically for IDW1, though it applies to a lot of MegOP especially ones that do continuity soup with heavy reference to IDW1)
I was talking to a friend in DMs and they mentioned a common headcanon/fanfic trope that I also concurred with, and both of us said it's something that bothers us: a common take in the MegOP fandom goes basically along the lines of "If Optimus had just apologized to Megatron, the war would've ended" (or other variants including "if he'd tried harder to understand Megatron/work in collaboration with him").
And firstly, this is incorrect for a number of reasons:
There were attempts at peace negotiations during the war, but they fell through. So Optimus WAS trying to work with Megatron to the point of participating in formal diplomatic meetings.
Optimus tried multiple times on page to convince Megatron to just stop fighting and work with him for peace (Autocracy, Chaos Theory) that Megatron rejected. Given that these on-page examples take place at the start of the war and at the end of the war respectively, it makes sense that Optimus asking Megatron for collaboration is something he was trying/willing to do the entire time. So again, Optimus was always willing AND ATTEMPTING to work with Megatron and find a joint solution
Even before the war when Optimus was still Orion, he was very explicitly inspired by Megatron's writing and names Megatron as one of the people who "opened his eyes" to the wrongs of Cybertronian society. So how is it that people claim "the war went on for too long because Optimus never tried to understand Megatron" when OP literally named Megatron as one of his biggest idols, thus implying that OP does understand Megatron's ideals
But the primary purpose of this post wasn't to defend Optimus, actually. Even though I personally think Optimus did plenty (dare I say, everything) to try to end the war, there are some who may still think otherwise, so instead of arguing about whether Optimus did "enough", or who should apologize to whom, or who "deserves the blame" for starting/continuing the war, I'd actually rather talk about this:
No matter who is most "to blame" for the war, it's my firm belief that neither Megatron nor Optimus would even expect/demand the other to apologize to them at all.
On Megatron's side, he would never seek to judge Optimus negatively for the decisions to the point of saying "you wronged me, apologize." Whether it's evil Megatron who doesn't care about atrocities and revels in an opportunity to expose Optimus as a hypocrite, or post-war/Autobot Megatron who knows that his own evil actions are irredeemable, the idea of Megatron judging Optimus and demanding an apology for the war specifically strikes me as out-of-character. Why would Megatron demand or even want an apology from Optimus when Megatron knows fully well that he has his own sins to bear, he prolonged the war for his own selfish/material gain, and that he is responsible for an untold amount of suffering? Demanding an apology would imply that Megatron sees himself as the wronged party and Optimus as the wrongdoer, but by the end of the war, Megatron is too aware of his own part in the war to ever demand such a thing of Optimus. Even if he DID think that Optimus was "equally to blame" for the war (which he doesn't/wouldn't, btw), Megatron's own feelings of guilt would prevent him from trying to seek the petty satisfaction of the moral high ground or making Optimus beg for his forgiveness.
Additionally, Megatron knows Optimus very well as a person: he knows that the position of leadership is full of "loneliness [and] agonizing self-doubt" for Optimus (Chaos Theory) and that "when Optimus hurts others, he hurts himself" (MTMTE). Another reason that Megatron wouldn't demand nor want an apology from Optimus is because Megatron knows Optimus so well that he already knows that being a war leader fills Optimus with immense guilt and suffering. Given that Megatron knows about Optimus' self-doubt and guilt, why would he even need an apology when he already knows how much Optimus regrets the war and desperately wishes/wished for it to end?
Then, as established in the previous paragraphs, Optimus is too full of guilt for his part in the war (both before it started and in being unable to stop it sooner) to demand an apology from Megatron. Again, demanding an apology would put Optimus in an implied position of moral superiority and/or victimhood, but Optimus doesn't see himself as morally superior or as a victim (or rather, he sees himself as being responsible for these bad things happening and internalizes this as a duty to do better/fix wrongdoings). In other words, Megatron and Optimus both share this view of themselves and each other: Their hands are so dirty, and they both feel such guilt over this, and they know each other well enough to know that the other feels this way as well. Because both of them feel blame for the war and are acutely aware of their own flaws/part in suffering, both of them feel far too responsible for the war happening for them to ever blame their archnemesis for "not trying harder" or "being responsible for the war."
Hell, if you even look at the socio-political climate of Cybertron before the war started, neither Megatron nor Optimus were the ones who put this conflict into motion. The corrupt legacy of the Primes, Functionism, class issues-- all of these things existed before Megatron and Optimus did. Even once they started doing things like writing about social issues (M) or fighting against the Senate (OP), both of them were "underlings" in sense that they weren't leaders:
Megatron's writings may have inspired the Decepticon movement, but that movement existed as an independent entity with its own leaders and speakers long before Megatron became the "official" ruler of the Decepticons. He wasn't even the leader of the 'Cons until he took control of the gladiator arena and the nonviolent sections of the Decepticons were (presumably) subsumed into the underground, exploitative battle culture that Megatron created.
Optimus-as-Orion was a police officer to start, but even once he started going against the Senate, he mainly worked in collaboration with others like Senator Shockwave and Zeta (later Zeta Prime), who he either saw as his idols or who were literally superior to him in rank due to government/military structures.
So with this in mind, even from a social level, while Megatron and Optimus may have been "catalysts" of a sort that caused the war to escalate to an outright planetary/galactic level, the scenario is too complex to solely lay the blame for the war at either of their feet. I'm not confident in saying that Megatron/Optimus would explicitly think of this when talking to each other, but what I'm trying to say is that M/OP were just catalysts in a long chain of brewing tension that exploded into a war. Even if one could claim that one of them "started" or "escalated" the war, the social issues that caused the war and the positions of power that allowed them to become leaders in the first place were falling into place before either of them actually BECAME leaders.
In other words, this shared fate of being the final reaction that exploded a societal conflict into outright war... Megatron and Optimus both have that in common. And because of this, I really don't think either of them would even think to ask the other to apologize because they're both in such similar positions, with such similar feelings of guilt and responsibility, that they understand each other's feelings without words. To demand an apology would be akin to taking that shared vulnerability/guilt and stepping on it, attempting to claim that one is right/superior and the other is wrong/inferior, and that the inferior one needs to grovel and take responsibility for the bad things that happened.
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*voice of exhaustion* you guys are like, so moronically white
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God every day I think about Akane’s breakdown in door 3 because there really is no correct way to interpret that and every possibility makes me crazy. Like she sees this fucked up corpse whom Junpei (and the player, depending on how they play) believes is their friend Snake, but she knows that it’s Guy X. It’s a man she very intentionally put in the game for this very purpose, so that he could die horrifically and be displayed for everyone to see. And she has a full mental breakdown over being trapped in this room with the corpse, being trapped by Junpei, to the point where she rips out her hair and starts bleeding from how much she bangs on the door screaming to get out. And fuck, there’s so many possibilities like
Akane could be feeling genuine terror over the sight of the body, and with that remorse. She made this happen, she wanted this to happen, and now she’s forced to quite literally watch the damage she’s caused unfold. She can detach herself from his murder easily in other timelines where she doesn’t have to look at it, and she can sleep easy knowing that her hands are technically clean because she didn’t do the literal killing. But she can’t do that here, and she has to face the fact that not only did she happily cause this death, she failed her mission. She isn’t going to survive, and now this man is dead for nothing and everything is her fault
On the other hand, her entire breakdown could be completely fabricated in order to keep playing the role of the damsel in distress who is so innocent that the very sight of blood drives her to insanity. The interesting part about this is that if she could fake such a horrific breakdown, just how much of her personality a facade? We know she wants revenge, for everyone from Cradle to feel even an ounce of the pain she and so many others went through, but we don’t get to see the extent of how much she feels this way. We never hear directly from Akane about her feelings on any of the original organizers, just her note about her desire to punish them. She hates them, but does she see their deaths as a necessary evil, or does she feel joy and satisfaction at watching them go? It’s absolutely horrifying not knowing, not being able to see her true feelings, not knowing just how real or fake she is, the extent of her madness. Perhaps she doesn’t even know that herself
IN OTHER WORDS, it’s fucked
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squeak
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So was nobody going to tell me May gets three roses* before she even wins her first ribbon, or was I just supposed to find this out through the archived version of those old bulbapedia ship articles that I found?
*the third rose is technically AFTER she won her first ribbon, but it's still the same episode as the ribbon obtainment, so close enough
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This was going to be a post only about shoes as a gift for @respectthepetty...but then Pet made this post about graphic designers understanding the assignment and my thoughts started spiralling. I'll come back to the title cards and colour-coding later...but first, SHOES!
If you've been following me for a while, you'll know I pretty much lose it when I see a Thai character wearing the Mustard yellow-soled shoes (I really need to buy myself a pair). It started with Pat, Pran, and Pa in Bad Buddy...
...but the shoes have also been worn by Win and Lin (in Cupid's Last Wish), Tinn and Gun (Our Skyy 2 x My School President), Jeng (Step By Step), and most recently, Zo in Hidden Agenda.
But this isn't the point of the post. No.
My gift to Pet is my recent discovery that Joke in Hidden Agenda has shoes with BLUE soles.
I have yet to find them online but I haven't given up yet. I mean, look at them (I need a pair of these as well):
I had noticed the little pop of red on the heel during the airing of the show and thought it was a nice little nod to the red and yellow theme, but the discovery of the blue and Pet's insightful post I mentioned earlier has got me questioning.
Because I know the red and yellow theme was emphasised with the roselle and chrysanthemum juices, and the stories of the red roses and yellow sunflowers...and I know Pet has already written an outstanding analysis of the use of these two colours plus the blue and how they connect to the triangular theory of love...BUT I can't help looking at this
and wonder if this graphic designer also really understood the assignment.
Like, really understood
Really
Definitely
Understood
Because despite the red, I wonder if we do have singular colour-coded characters, with Joke being a loyal blue boy and Zo a yellow yal.
On Zo's practice date, he's painting in yellow with the yellow water in front of him but Joke has blue water in front of him despite painting green (in their play-fighting Joke threatens to throw the blue water over Zo). Joke also wipes the green on his face - a combination of these two colours.
After the date-that's-not-a-date, Zo decides to leave for a few days and takes both these colours with him (and, he soon accepts, Joke as well).
And when they meet Uncle Yod the hotel owner he's wearing their merged colours.
To Joke, Zo's face looks like the sun. He feels comfortable and warm around him. Zo thinks Joke should learn to generate that warmth for himself. Warm and cold.
Zo struggles with Joke's sincerity (just like they struggle to get the blue bus moving), even whilst wearing the blue shirt (with the yellow detail below the collar).
And even though Zo wears red once (and pink a few times), he wears blue several times. (I don't think I remember seeing Joke in red at all). And we get a colour exchange, with both of them in front of green backgrounds.
And finally, despite going home to his very red family, Joke has blue over his heart and Zo is finally embracing his yellow.
I'd very much like to posit that these are their true colours, that they've been carrying in their soles souls the whole time but maybe hiding them because they weren't fully sure of themselves or each other. Because when looked at like this, the graphic designers really did follow the assignment.
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