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#but I definitely love performing
hazbingirliexoxo · 2 months
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*Reader, Angel, and Husk on a heist together*
Reader: How do you think Angel will distract them?
Husk: He’ll probably, like set off an alarm or throw a rock or something. That’s what I would do
Angel: *moaning loudly and sensually at a nearby distance*
Husk: ….
Reader: ….or he could do that
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unluckyprime · 1 year
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guys they’re LITERALLY will they/won’t they partners .
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justhauntley · 5 months
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Okay okay okay long post but,
I need to say this cause it's nearly midnight and this idea is keeping me awake! Please tell me if you like the sound of the idea or if you think it's a bit of a stretch lol
So I started thinking about this today and cannot stop but y'know those Danny Phantom AU where Danny has a space obsession but everyone assumes it's actually a protection obsession?? I had an idea where, what if they're not assuming and Danny's pretending to have a protection obsession because he doesn't want his rouges to feel guilty about keeping him from his obsession?
Here me out! What if Danny feels like pretending to have a protection obsession is necessary to keeping his rouges happy and content while fulfilling their obsessions? He wants them to be happy because it means they'll be more satisfied and will come around less (he hopes). His rouges are more than happy to attack because they feel like they're helping Danny fulfill HIS obsession!
Eventually Danny starts to think of it like he's performing for those around him, like he's the star of the show he didn't realize he was in- He finds himself watching plays and operas and broadway shows and he enjoys them?? Which he didn't expect! Soon he becomes a bit obsessed with putting on the perfect performance for others, but obviously that has side effects on his mental health.
Maybe we can bring in some Ghost King Phantom? Like he becomes the Ghost King once he's graduated university or something and to his surprise, Frostbite tells him that he has a new Performance Obsession and of course this can give an opportunity for angsty spirals... Also if I'm being completely honest, the design and personality I have in my head for him is reminiscent of Furina from Genshin Impact, which I'm pretty sure was an accident, especially because I finished the newest quest yesterday... But whatever... I'll worry about it later.
If enough people like the idea I'll probably put a story and designs together, might even throw some dpxdc into the ring who knows, I sure don't! Anyway, my first time actually putting thought into an AU idea and I'm having a lot of fun with it. Let me know what you think!
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aquickstart · 5 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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aquanutart · 8 months
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Nyaha~! Caught in my electroweb! ♡
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uhbasicallyjustmilex · 6 months
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standing next to me, olympia paris (2013) 🩶
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ksksksrahrah · 1 month
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captmuldoon · 2 years
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“You named a bee after me.”  “For you, Watson, I’d make adjustments. Always.”  “I'm so grateful that I fell into your orbit.”  “The thing that’s different about me, empirically speaking, is you.”  “I'm gonna miss this - not this, but...this. Working with you. I think what you do is amazing.”  “I think you have a lot to share if you cared to. I shouldn’t be the only one who knows you.”  “I will never allow harm to come to you - not ever. (’You can’t promise that.’) And yet I have.”  “I now value the work we do, first and foremost, because I do it with you.”  “We're two people who love each other.”  “If you go, I go.”  “I’m staying.”
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wreckedhoney · 2 months
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MASSIVE SPOILER for one of the endings.
it's been a while since i tried looking, but i did hear that something like this happens last year and over time started to think, "was it a fluke?" bc no one posted footage or caps of it then, and i aimed for a completionist run in my first playthrough. turns out it's real! and definitely shines a new light on a character that, for most other types of playthroughs, will not give this much emotion! EDIT: transcript now included, and some stillshots under the cut
[0:28] Marie: Henry, this is the man who kept you from doing the right thing tonight. Kill him. [0:15] Forrest: Henry, you don’t have to do this. If you’ve not killed anyone yet, there’s still time to make the right decision. [0:05] Out of shot: (Gunshots) Henderson Police! Freeze! Marie: No! Henry, get out of there!
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#killer frequency#henry barrow#these hands………#so yes MORE spoilers and further commentary ahead here in the tags:#yes this is a fairly tragic ending if you already know how to get it. but again TERRIFIC VOICE ACTING BEFOREHAND AND AFTER.#feel free to reply in post if you want to ask about that part.#i didn't include that in the vid bc it's so visceral and raw but i love their performances. that shit hit hard dang.#but i want to ask anyone if their perspective on henry changes after seeing this? mine does tbh. i didn't expect a possible show of remorse#like at most hesitation! but bc of the context of forrest's dialogue- does it lean into remorse? a large definite shift in his mind!#even if he Has killed already then he's still taking forrest's words to heart and reconsidering everything which DAMN-#-my videogamey headcanon of forrest's character stats showing his Persuasion and Charm MAXED OUT is pulling tf through here!!#also can anyone reply re: would forrest's dialogue change but he still survives if henry kills maurice or murphy? or would forrest die?#and if the devs Actually gave henry other official kills in the game but didn't disclose them in the narrative- then is this the test?#like if henry kills AT ALL in game even though the player isn't privy to knowing which victims are his then is this ending unattainable?#also placing this scene/character moment behind THIS ENDING SPECIFICALLY heck that's cold. dang fellas.#going to eventually pull out a hc i've been holding back for a long time in a later post and i'll mention this scene again then-#-but this part in particular as well as another “easter egg” has really put more fuel to it
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macaiv · 2 months
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Esteban on what happened during silly season 2018 and how he felt during the first race in 2019 being the Mercedes reserve driver.
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Bnha fandom, lemmie suggest smtn real fast:
What if instead of saying "pre-quirk music", we all just called it "music" and then let our faves be obsessed with the current popular hits like lady gaga and mother mother and mitsuki and whatever else you love without having to make them listen to 200+ year old music that probably barely survived the times.
Music is just music, wtf is a quirk going to change about it??? Maybe a couple vocal styles that couldnt otherwise be replicated with equipment?
Unless you specifically want them to be very into Very Old music bc they like antiques or historical stuff, then just let that music be current.
If u wanna spice it up u can even say the artists of today have quirks. Or maybe some are quirkless and thats part of their music popularity!
Just... It doesnt have to be pre-quirk... The amount of quirk in the song has nothing to do with humans making music...
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longelk · 2 years
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princesscallyie · 1 month
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Me watching high school theatre performances on TikTok: Wow, wish I could watch some performances live…
Me realizing I am an adult with money and a car who lives in an area where basically all high schools have theatre troupes:
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allpromarlo · 2 years
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an underrated moment in tg:m is when mav & rooster are looking at the half destroyed enemy base and mav runs off without warning, to which rooster's just like
"MAV-
"okay"
followed by both of them running like fuckin muppets across the base
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alexturner2005 · 7 months
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youtube
Fontaines D.C. - I Love You (Live at Red Rocks)
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trashyshrew · 1 year
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Hey! Long-time lurker crawling out of the woodwork because your recent stuff has been absolutely destroying me :D The way you draw L in particular is so fantastic and visually striking, I just love it so much! You manage to capture his vibe/mannerisms perfectly while still making him so expressive—it’s such a hard balance to strike, but you’ve nailed it! Still reeling over how soft his face is in that one thing you posted under the readmore, I’m SO here for that kind of content :)
Kicking myself for not sending this sooner because you literally just did them, but if you’re still taking asks for that expression/palette thing, it’d be sick to see L in H6 and Light in B6 with owo or i hate sand! No pressure at all though, looking forward to seeing whatever you feel up to posting next :D
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