“If you are new to the world of fore-edge paintings, you are in for a treat. If you have ever looked at a book with a painting on the edge of the pages (AKA the fore-edge), you have seen fore-edge paintings. They are one aspect of book history that blends into art history. In my humble opinion, they are an important bit of book magic.
In the 1650s, London bookbinders Stephen and Thomas Lewis, added fore-edge paintings to their books. By painting the edge while they were angled, customers could see the paintings when the book was fanned out and see only the gilded edges when the books were closed. John Ansley, a researcher on the subject of fore-edge paintings, explains the two theories as to the origin of the technique. Either the paintings started as a way to help identify books that were placed horizontally in libraries with the pages out, similar to the interior design trend on HGTV, or they started as a way for bookbinders to show off and glam up every part of their product.
However, the trend began, the fore-edge painting techniques preserved the visibility of both the text and the fore-edge painting. The process of painting the fore-edge of a book was not easy, to say the least. Watercolor painters clamped the pages together at an angle before they used almost-dry brushes to paint an image on the pages and gild or marble the flat edges once the painting dried. If their brushes were too wet, artists risked marring the text on the page. If the gild was applied too quickly or at the wrong angle, the artist could damage or lose the fore-edge painting that already used the painter’s time and materials. Fore-edge painters had to know their craft if they wanted to create a viable final product for their customers.
Although other stationers and booksellers applied fore-edge paintings to their books in the later half of the 1600s, the rise in the popularity of the technique did not come until the late 1700s. The Edwardses of Halifax applied fore-edge paintings on the books in their shops. Fore-edge paintings became a part of a book’s paratext that helped bookbinders use artistry to sell their wares.“