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renabooksandart · 29 days
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Im sick with flu so naturally I picked up my newly bought copy of Howl's Moving Castle which includes DWJ interviews in the back.
And im in love with the way she tells these stories feels like a part of her books.
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And my favorite:
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The magic in the mundane :)
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renabooksandart · 2 months
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"She had sacrificed her childhood to save her brothers; she loved her family above all else, and her spirits yearned to return home once more, to the wild forest and the land of mystic tales and ancient spirits whence he had taken her. That was the place of her heart, and if he loved her, he must let her go."
My latest commission: Sorcha from Daughter of the Forest by Juliet Marillier 🌿
Artist: goldenmushroom_ (link to post)
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renabooksandart · 3 months
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There are many depictions of the iconic fight about Troja in artworks though history. One of the best in my opinion is a unique vase of the Berlin painter (505 to 460 BC) you can find in the British Museum today. It was painted in the early classical Attic red-figure style (the one we automatically associate with greek vase paintings today). He depicted the epic climax of the Trojan War, the battle between Achilles and Hector. Both heroes are supported by their patrons, Athena and Apollo.
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I tried to use every element you can find on this vase and include it in my fore-edge painting. So, this fore-edge painting is my attempt to change my favourite vase into book form.
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Whenever I read the Iliad (honestly, it's so good!!! You have to give it a try and just open it at any page and read it out loud) I just love the thought, that humans have read the same words as I do for thousands of years.
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renabooksandart · 4 months
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so, you wanted to start bookbinding?
so @princetofbone mentioned on my post for "factory settings" about wanting to know more about the binding style that i used for it. so i thought i might make a post about it.
i was as terrible as i always am for taking in progress shots, but i can link you to the resources i used in order to make my book. i would also like to point out that "factory settings" is my 120th bind, and i have been doing bookbinding as a hobby for just over 3 years now. unfortunately this means some of the methods that i used for that bind aren't particularly beginner friendly, just in terms of the tools and methods i have used, but i would love to point you in the right direction when it comes to resources. i dont say this to sound pretentious which i fear i might come across, just so that youre fully informed. getting into this hobby is fun and rewarding, but it can definitely be intimidating.
with that caveat, heres a list of links and resources that i have used for bookbinding in general, with additional links to methods i used specifically in regards to this bind.
ASH's how to make a book document. it gives you a great introduction into typesetting fics (where you format the text of fics to look like a traditionally published books) and then turning them into a case-bound book (the style i used for "factory settings"). it is comprehensive, and explains how to use microsoft word to do your bidding. it was invaluable to me when i was just starting out! currently i use affinity publisher to typeset/format my fics for printing, but i only bought and learned how to use that after i had been binding books for a year and a half. i made some beautiful typesets with word, and some of my close friends use it still and design stuff that i never would be able to in my wildest dreams (basically anything by @no-name-publishing)
DAS Bookbinding's Square Back Bradel Binding. a great style to do your first bind in! this method requires, when making the case, to attach the cover board and the spine board to a connecting piece of paper, which makes it so much easier to match the size of the case to the size of the text block (your printed out and sewn fic). using this method is what allowed me to get much more accurately fitting cases, and made me much more confident with the construction of the books i was making. a well-made book is something that is so wonderful to hold in your hands!
DAS Bookbinding's Rounded and Backed Cased Book. This is the specific method that i used to create my bind for "factory settings"! even before i could back my books, i found that watching DAS's videos in particular helped me see how books were traditionally made, and i was able to see different tips and tricks about how to make nicer books.
Book Edge Trimming Without... i trim the edges of my text block using my finishing press and a chisel i have sharpened using a whetstone and leather strop with buffing compound on it. i follow the method for trimming shown in this video!
Made Endpapers. i follow this method for my endpapers, as i used handmade lokta endpapers, and they can be quite thin, but they look beautiful! i used "tipped on" endpapers (where you have your endpaper and then put a thin strip of glue on the edge and attach it to your text block) i used for a very long time before this, but these feel like they are much more stable, as they are sewn with your text block.
Edge Sprinkling. this is the method that i used for decorating the edges of my text block. but the principle is basically clamping your text block tight and then sprinkling the edges. i do not believe you need to trim the edges in order to do sprinkles on the edges, and that's what makes it accessible! i personally just use really cheap acrylic paint that i water down and then flick it onto the edges with my thumb and a paint brush.
Double-Core Endbands. i sew my own endbands, which i followed this tutorial for. that being said, it's kind of confusing, and this video is a bit easier to follow, but it is a slightly different type of endband.
Case decoration. i used my silhouette cameo 4 to cut out my design for "factory settings" in htv (heat transfer vinyl). i also used my cameo 4 to cut out the oval of marbled paper on the front, as i honestly didn't want to try my hand at cutting an oval lol. i also glued some 300 gsm card with an oval cut out of the centre of it onto the cover before covering it with bookcloth, to get a kind of recess on the cover. i then glued the oval of marbled paper onto the top of the recessed area once it was covered with bookcloth, so that it was protected. the images i used were sourced from a mix of rawpixel, canva and pixabay. a more accessible way to get into cover decoration is by painting on a design for your cover as described in @a-gay-old-time's tutorial just here. or even doing paper labels, which look classy imo.
physical materials. sourcing these will depend on your country. i am located in australia, and have compiled a list with some other aussie bookbinders of places to buy from. here is a great post describing beginning materials for getting started binding.
@renegadepublishing. this tumblr is great! its what got me started bookbinding, and being in the discord has been inspiring, motivating, and honestly just one of the best online experiences i have ever had. it is full of resources, and most people in there are amateur bookbinders, with a couple of professionals thrown in. the discord is 18+, and anyone can join!
i'm sorry this post got so long, but i hope that this has a lot of information for you if you would like to get started bookbinding. its one of the best hobbies ive ever had, and i genuinely believe i will have it for the rest of my life.
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renabooksandart · 5 months
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I'm so emotional. I got a marvelous (however that's spelled) gift in the mail yesterday, by the incomparable @renabooksandart. They bind books, and do art, and draw wonderful book-related things, and they're a joy to follow. And look, look what I got!
First off, look at the package itself (don't worry, naturally I have saved it and hung it behind my sofa):
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And then inside, there's a hand-bound book, of my fic "Of cats and men". HAND-MADE. A REAL BOOK. LOOK:
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There's even details inside, like a cat illustration for every chapter. And the font is perfect, I love it so much:
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I am so goddamn emotional and so happy and very very grateful and yes, this is getting the best seat in the house (ie the best spot in the bookcase), because look at this thing! The blue, the gold, the TIME IT MUST HAVE TAKEN.
Thank you, so so so much! <3
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renabooksandart · 5 months
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𝖬𝗂𝗀𝗎𝖾𝗅 𝖢𝖺𝗋𝖻𝗈𝗇𝖾𝗅𝗅 𝖲𝖾𝗅𝗏𝖺, 1881 𝘿𝙚𝙖𝙩𝙝 𝙤𝙛 𝙎𝙖𝙥𝙥𝙝𝙤 (ancient Greek poetess)
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renabooksandart · 6 months
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‘Sirens’ by John Longstaff, c. 1892.
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renabooksandart · 6 months
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Gollum’s lowkey adoreable tbh i would like to keep him as a pet❤️
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renabooksandart · 6 months
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I found this quote from Diana Wynne Jones (Author of novels Howl's Moving Castle and Castle in the Air) on her time at Oxford when she had C.S. Lewis and Tolkien as professors and I thought I couldn't relate to Jrrt any more than I already did but I've been proven wrong.
"[C. S. Lewis] was just a marvelous lecturer: he made the dullest topics absolutely shine. He lectured in the very largest of lecture halls, which was a huge “L” shape, and it was packed, with people standing in the aisles, even early in the morning. Everybody drank it in. Obviously a whole lot of people took this away and thought about it, and began writing - mostly for children because in those days you couldn’t write fantasy for anyone else.     Tolkien was a different matter. He was just a kind of eminence grise and a legend. You couldn’t hear him lecture. He worked at not letting you hear, because he wanted to go away and finish writing The Lord of the Rings. So he had the very smallest lecture room. First of all it was packed out, so he spoke with his back to the audience and mumbling. Unfortunately he was talking about - meditating on, really - what a plot is like and how it mutates into other plots, and this I found so fascinating that I went back the next week as did one other person. And this meant that he couldn’t stop lecturing and still get the money, which apparently in those days you could if no one turned up - it was a dreadful racket, really. He could have given just the one lecture and then been paid for a term if we’d all stayed away. But this other person and I attended diligently week after week, so he was forced to go on meditating about plots mutating, and what I could hear was fascinating, because he was busy with the really large orchestration of the latter part of The Lord of the Rings at the time. But all I retain is a sense of how marvelous the way plots work is. That was all I got out of it, but I kept going in case I might understand a bit more next week - let alone hear a bit more."
    (Quoted from “Interview with Diana Wynne Jones, 22 March 2001, conducted by Charles Butler.”)
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renabooksandart · 6 months
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renabooksandart · 7 months
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my favorite scene in LotR as a kid was when Sam started miserably freestyling in the tower of Cirith Ungol and the only reason he ever found Frodo was because he deliriously tried to join in
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renabooksandart · 7 months
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My second fanfiction binding project: Of cats and men, a stranger things fanfiction.
The wonderfully talented @ihni who writes the most amazing Harringrove stories (honestly, whenever I get an alert that a new chapter is up, my day is made) wrote this one and it’s so great! All of you who like Harringrove and would love to read a story about Billy with little kittens, should totally check it out (if you don’t already know it). It’s super cute and heartbreaking and sweet.
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I had a few different ideas how I wanted the book to look, but in the end I liked this really simple design best.
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I made some artworks for the dust jacket but right now I don’t really like any of them. But I drew a few of the photos mentioned in the story and put them in the book. Right now it’s only Billy and kittens, but I plan to draw Steve with kittens too.
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renabooksandart · 9 months
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I love them so much, finishing the second season was the perfect excuse to re-watch the first for the xth time and re-read the book once again.
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renabooksandart · 9 months
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'The world is full of obvious things which nobody by any chance ever observes.' ~ Sherlock Holmes in 'The hound of the Baskervilles' by Arthur Conan Doyle.
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renabooksandart · 10 months
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pride & prejudice: from book to movie
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renabooksandart · 10 months
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Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.
Anthony and Cleopatra: here's the BBC version
As you like it: you'll find here an outdoor stage adaptation and here the BBC version
Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston
Hamlet: The Kenneth Branagh 1996 Hamlet is here, the 1964 russian version is here and the 1964 american version is here. THe 1964 Broadway production is here, the 1948 Laurence Olivier one is here. And the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation. Have the 2018 Almeida version here.
Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.
Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.
Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one.
King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here.
Macbeth: here's the 1961 one with Sean Connery. Here's the 1971 by Roman Polanski, with spanish subtitles. Here's the 1948 www.youtube.com/watch?v=ljZrf_0_CcQ">here. The 1988 BBC onee with portugese subtitles and here the 2001 one). The 1969 radio one with Ian McKellen and Judi Dench is here and the 1966 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here.
Measure for Measure: BBC version here.
The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie.
The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.
A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version.
Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.
Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.
Richard II: here is the BBC version
Richard III: here's the 1955 one with Laurence Olivier, and here's the 1995 one with Ian McKellen. (the 1995 one is in english subtitled in spanish. the 1955 one has no subtitles and might have ads since it's on youtube)
Romeo and Juliet: here's the 1988 BBC version.
The Taming of the Shrew: the 1988 BBC version here, the 1929 version here, some Ontario stuff here and here is the 1967 one with Richard Burton and Elizabeth Taylor.
The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one.
Timon of Athens: here is the 1981 movie with Jonathan Pryce,
Troilus and Cressida can be found here
Titus Andronicus: the 1999 movie with Anthony Hopkins here
Twelfth night: here for the BBC, herefor the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.
The Winter's Tale: the BBC version is here
Please do contribute if you find more. This is far from exhaustive.
(also look up the original post from time to time for more plays)
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renabooksandart · 10 months
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'I could easily forgive his pride, if he had not mortified mine.' - Jane Austen
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