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lady-bohemia · 1 year
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Greenwich Village, Manhattan, New York City, 2016
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My thoughts on The Ballad of Songbirds and Snakes movie
I don’t know if I liked it as much as the original films (maybe Mockingjay 1 & 2 as they are pretty emotionally draining), but I still enjoyed it.
I think where it fell a little flat for me is 1. The beginning was a bit slow (tbh I only really started getting interested when Lucy Gray stuck that snake down that girl’s dress & even then I enjoyed the story more when the setting changed from the Capitol to the district) 2. I knew Snow would survive 3. I’d already been spoiled online for a lot of stuff that happens & 4. while I know the director did his best to make Snow as “likeable” as he could for as long as possible, even before he started getting “a little too comfortable” with killing & snitching I didn’t find him as sympathetic as Katniss or Peeta (but that is probably again down to the fact that I know what he goes onto do & there’s no real way around that), this made engaging with him difficult for me.
The world is fascinating. Getting to see all the new locations we never had access to before as well as old locations now in a totally different light (for example district 12 which, while still clearly suffering, seemed like such a bustling industrial town compared to how it is in Katniss’s time). It might have a much more retro aesthetic but there's also just a more vibrant, natural, wild & lawless atmosphere to this movie compared to the others in the franchise. The whole scope of the film just felt more cinematic then I remember the others being yet also weirdly intimate. Maybe because it was one contained story & we knew the main character’s fate from the start. I also loved the title cards signifying the start of each section of the story like from the books & wished they'd done something similar for the other films. It just added a certain flair to the whole thing. Almost gave it the vibe of a tragic play.
The costuming was great. The bright red of the academy uniforms.  Flickerman’s snazzy suits. Snow’s dapper black & white outfit. Both peace keeper uniforms (despite one of them giving very ‘1930’s Germany’ vibes) looked great. Grandma might have been a bigot, but at least she was well dressed. Everything Dr Gaul wore (except the top that looked like a used tampon, lol) was exquisite. The main ladies of fashion, Tigris & Lucy Gray slayed. Our Future Capitol stylist looked like some regal yet exotic bird & Miss Survivor was giving Bohemian, country girl realness the entire time she was on screen. Even the extras were serving (like that random couple Snow walked past on his way to the reaping ceremony).
The music was amazing. Every song that played was fantastic (shout out to Olivia for her end credit contribution). The lyrics & instrumentation were beautiful & my god does Rachel Zegler have pipes! Anyone who says the singing scenes are cringy is just stupid like I’m sorry you can’t appreciate art. Also, the words ‘ballad’ & ‘songbirds’ are literally in the title. Plus, Lucy Gray is from the poorest district, so what exactly do those people want her to do in her free time? She can’t exactly hop on an X-box for a few hours. Not too mention that (as the offspring of someone who’s musically inclined) I can tell you, it’s completely realistic for a musician to use their craft to help them deal with trauma & Lucy Gray clearly had more than her fair share of that.
The Grandma'am helped to paint a sadly very realistic background for Snow. As who among us hasn’t met at least one delusional old person who thinks that their/their group’s suffering (regardless of the severity of it or the reason behind their former/newer status in society) means that no one else are deserving of even the tiniest shred of humanity & there are some people who are unlucky enough to not only be related to these people but be raised by them.
Hunter schafer as Tigris is clearly the superior Snow when it comes to things like empathy & overall mental stability but I do kind of wish they’d been more for her to do. Credit where credit is due though her & Tom did actually look like they could be related & I did buy their familial bond (which makes her appearance in Mockingjay so much sadder in hindsight).
Peter Dinklage as Casca Highbottom was a bit of a mix for me just due to his purpose as a character & the limit of film as a form of media. Like sure the audience know that Snow’s going to become an irredeemable monster in the end but without a window into his mind it really does just seem like the Dean is just out to get him & even when we find out why it seems kind of unfair. Like sure his dad sucked but haven’t the Games shown that blaming children for violence caused by others is unjust (& like ok he hates Coriolanus & probably the grandma but Tigris hadn’t done anything to deserve living in poverty, as she can’t control who she’s related to)? Plus, it felt like he could have at least tried taking Snow under his wing at some point to try to hinder Dr Gual’s influence. Saying all of that, though, Peter Dinklage is great at playing an addict with depression & the idea that some drunken rambling could lead to such long-lasting suffering is terrifying. Also its pretty realistic that living with that kind of guilt & in such a cruel environment for that long would make most people jaded & bitter, even if they did have good intentions.
Omg we finally get a Mayor family on screen & they’re assholes! Madge would be so disappointed 😭. It was interesting to see how harsh & overall “boot licky” the mayor & his family seemed compared to decades later, which makes sense as the war wasn’t that long ago for them so the dad probably felt more incentive to align himself with the Capitol as well as not feeling very connected to the district people as 12’s decline probably didn’t fully set in until they really started running low on coal & Snow became president (oh I just know he wanted to blow that district off the map 😆). I also wouldn’t put it past Billy to come up with some sob story of how he really does love Mayfair but wicked Lucy Gray is somehow preventing them from being together. Still no excuse to try to send her to her death twice in one week, though. Definitely not a girl’s girl.
Ok, so a liar. Cheat. Drunk & someone who hits women. Is there anything good about Billy Taupe? Also, trying to get your ex back, while your current girlfriend is literally standing right next to you? Dude, have some god damn back bone! You made a choice, now stick to it. Also, fumbling Lucy Gray, for a girl like that? What’s it like having no brains or taste? Well, too bad, coz you’re stuck with her forever now, lol.
Viola Davies, the actress that you are. What else is there to say? Dr Gaul is almost comic book levels of insane. Like she is how the Right see women in STEM, on crack! I don’t know what she did to get into character, but whatever it was, it worked.
Jason Schwartzman as Lucretius Flickerman is a very interesting addition to the story despite playing such a small & seemingly insignificant role. He is strange in how unthreatening he is while also extremely blasé about the abhorrent violence he witnesses that it’s as funny as it is disturbing. Making him come across as  more human yet harsher than his son, who at least pretends to care about the tributes (in a very Capitol way, obviously but still). There’s also a polish & confidence to Tucci’s performance that I think Schwartzman did a great job of avoiding copying (despite knowing what audiences were probably expecting) because not only are their characters in entirely different stages of their careers but the whole ethos of the Hunger Games is different in Snow’s youth than it is in Katniss’s. Caesar is a well established presenter & during his time, the games have always been a success (minus the year with the tundra) that the entire Capitol is invested in & seemingly in support of. On the other hand Lucretius had the unique task of not only coming into a job like this with zero experience (I mean imagine going from announcing the weather to presenting the fucking hunger games) but also there were no vibes to try to emulate let alone guidelines to follow because he truly was the first person to do this. On top of that, the "event" his presenting has been panned for years as both boring & unethical. Schwartzman brought a slightly awkward, experimental, yet try hard vibe (like a comedian who's desperate to get a laugh) that I think worked wonderfully for the character.
Tom Blyth's performance was great & he was visually perfect for a young Snow (the power of a good wig! Who knew lol). Even having the cool, analytical stare of Donald Sutherland, down pat. While his appearance was very Eminem during his peacekeeping days, his realisation in the cabin and subsequent breakdown in the woods were crazy. There was so much tension between him & Rachel in that scene that for a second, it literally felt like all the air had been sucked out of the room. I could almost hear the record scratch for both of them, & all that building paranoia finally coming to a sudden crescendo in the way that it did? Pure cinema!
Josh Rivera, as Sejanus, was honestly a mix for me. Obviously, I agree with his morals, but his way of going about it did seem a little dumb. However I do think it’s pretty realistic that a teenager, especially a rich one, would be rather naive. Also I’ve heard that he’s smarter in the book & I think at times my frustration with him is more just down to the fact that I’m seeing him from Snow’s point of view. Meaning scenes that would be portrayed as noble in any other film instead come across as almost painfully inconvenient because the focus is always on how they affect Snow rather than the actual victims of the situation. Lastly, sorry, Snowjanus shippers, I just don’t see it (especially on Snow’s end), but whatever floats your boat.
Rachel Zegler played Lucy Gray with the perfect mix of natural charm & emotional vulnerability with clear pride in her culture & a refusal to let the world around her change who she is. Yet there was also an air of mystery & a subtle resilience to her that makes her potentially surviving out in the woods for years without being detected actually believable (though I don’t buy the theory that she went on to become president Coin). Definitely the highlight of the movie for me.
PS. I'd love to know what you think of my review in the comments/tags & am open to criticism (as long as it's respectful) just remember that I'm only talking about the movie so please don't reference anything spersific to the book.
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Today, on February 19th, 1977 - Queen Story!
Queen perform at the Sportatorium, Miami, Florida, USA, during 'A Day At The Races' Tour and filming 'Tie Your Mother Down' Promo Video
👉 'Tie Your Mother Down' Promo Video directed by Bruce Gowers. Bruce also directed promotional video 'Bohemian Rhapsody' and others
🔸FREDDIE MERCURY & KENNY EVERETT REVIEW “A DAY AT THE RACES”
Capitol Radio, London - November 1976
Intro: 'Tie Your Mother Down'
Kenny Everett: God you’re noisy, Fred!
Freddie Mercury: "That’s one of the softer tracks" (laughs)
Kenny Everett: That track’s called “Tie Your Mother Down” from the new LP called “A Day At The Races”, which is actually ‘teffifico’ and it’s just out in time for Christmas.
Freddie Mercury: "Yes, that’s right"
Kenny Everett: Why tie your mother down?
Freddie Mercury: "Well this one in fact is a track written by Brian actually, I dunno why. Maybe he was in one of his vicious moods. I think he’s trying to out do me after “Death On Two Legs” actually"
📸 Photo taken by Brian's guitar tech Brian Spencer
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notyour-valentine · 1 year
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Because it's there ~ Tommy Shelby One Shot
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Summary: At one of Ada's parties, Tommy has an interesting conversation. Also Tommy's a bit fruity in this though not necessarily more than canon
Note: Told a few tales about this guy and now I've dreamt about him for three nights in a row now so this is a gratuitous self-serving attempt to get this man out of my system
All my writing is produced by an adult and created with an adult audience in mind (18/21+). You are responsible for your own media consumption. I do not consent to my work being translated, copied or posted elsewhere on this platform or any other.
Warnings: alcohol consumption
Wordcount: 1900 words
Tommy hated everything about this. 
He hated the music that was blaring from a gramophone, some sensory torture they now called music. 
He mistrusted Ada’s guests, a host of flamboyant Bohemians she had plucked off the streets of London. If he had known his sister would open a madhouse for the peculiars in the capitol, he’d have bought her a house between a nunnery and a church, but here he was, surrounded by artists, writers, poets and socialites and he truly doubted any one of them had truly worked a day in their life. 
They were acting like they didn’t, with their newer, more daring styles. 
Some men had let their hair grow long while some women had chopped it short - and others wore trousers and suspenders much to the delight of both men and women gathered. 
But of course this wretched gathering of eccentrics enjoyed it all, the expensive food they gobbled up as if there was no tomorrow, washing it down with that milky green mixture they seemed to brew more than pour. 
Absinth - some fashionable drink that had crossed the channel from Paris and Berlin. 
It was an awful fuss - there was a large basin with four little taps sat on the table and people placed their glasses with a bit of liquor underneath but instead of mixing it with water straight, one had to place a little tray over it, with a sugar cube on top only to have to wait until the water would - not pour - down in an agonisingly slow pace until it dissolved the cube and created that cloudy drink that could fog a mind more than any other. 
Tommy instead, stuck to his whisky. It was less fuss and more reliable. 
But still, he had no intention of getting drunk tonight, although that would make all this more bearable, but Ada had asked him to be here and she was about the only person he would suffer through this for. 
She was having a blast, loudly discussing the role of women with some sharp-nosed brunette. 
She was probably someone important, but Tommy couldn’t place her. 
He was sure he had the names of at least two thirds of these people in the papers, and had skipped half the articles because he had no time to waste on these starlets of the London scene. 
In a moment of being unnoticed he took his glass and snuck outside on the balcony. 
London was a city that never slept, never rested, but even the stinking, smoking air of the city was better than the stuffy haze of shared breath and cigarette smoke had created inside. 
Compared to that, this was almost refreshing. 
With a sigh he placed his glass on the banister and reached inside his jacket to retrieve his cigarette case and lighter. 
As he flicked the flame to life, the reflection caught the glimmer of something metal in the darkness out of the corner of his eye and he turned, realising he wasn’t alone. 
In the moonlight it wasn’t too difficult to make out the outline of another man, one who seemingly didn’t mind the risk of sitting atop the banister, one leg drawn up, the other dangling over the edge. 
“Cities have their advantages, but when it comes to their skies, it’s nothing but a bloody shame.”, he mused, before looking at Tommy for confirmation. 
He remembered the man, recalling he had arrived with the writer Starchey a little later than the others. 
Tommy guessed he was about his own age, give or take a few years, and undoubtedly a handsome man. 
He was taller than he was, with a lanky build, though his limps were strangely harmoniously shaped. There wasn’t much muscle he could see under his clothes, but as far as he could tell not an ounce of fat either. 
He had the kind of hair that looked to have been blonde in his youth and only darkened with age and he had the kind of face that looked as if had been carved from marble. 
He had a shapely nose and didn’t suffer from the English affliction of overly thin lips, but his eyes were the most striking feature - large and pale, like a full moon reflecting on the lake. 
There were the first signs of age on his face, though Tommy wasn’t sure if they made him more or less likely to become a muse of a painter or two back inside the house. Either way, they did nothing to dull the youthfullnes in his eyes, nor the sharpness in his gaze. 
The flame of his lighter, he realised, must’ve reflected off of the man’s watch. 
He was dressed to the nines, in simple colours, but Tommy knew by now the look of expensive clothes, and yet the watch he wore was the standard edition one handed out to every man back in the war. Since he had heard his fair share of illusioned pacifist rhetoric back there, he was more than glad to be in the company of someone who had not only served, but made no attempt to hide the fact, even in present company. 
That instantly made him appreciate the man more than any other he had encountered. 
“True.”, Tommy mumbled under his breath as he retrieved his silver cigarette case once more, holding it out to the man. 
He declined with a smooth shake of the head. 
“I’m more of a pipe man myself.”, he admitted before letting his eyes trail back towards the sky. 
Compared to the country, one didn’t see half as many stars, Tommy thought. 
When he looked back, the other man was looking at him curiously. 
“Everyone’s devlishly curious about you, you know?”, he said. 
Tommy shifted his weight, glancing back at the room. He had never liked attention, and with this crowd - well - the man he was talking to had come with Starchey, and that man had a reputation. He doubted his companion would be any differend. 
“I’m not -ah- like that...”, he admitted, clearing his throught as he brought the cigarette to his lips, wondering just what Ada had told them. 
The man chuckled under his breath. 
“Don’t knock it until you’ve tried it, man.”, he said, unable to hide the amusement in his voice. “But don’t worry, I don’t have time for anymore distractions in the near future.”
Of all the things Tommy had been called, curses and praise, a distraction was a new one. 
“And that’s not what I meant either.”, the man continued, dropping his leg and shifting so he had on the edge of the banister facing Tommy, his back to nothing but thin air and the darkness behind him. 
“Everything is baffled by the rise - a gypsy boy from Birmingham clawing his way up to, well,”, he waved around, “Primrose Hill in what? Three years?”
Tommy only stared at him, wondering what he was aiming at. He already had a hinting suspicion. 
They might accept Ada, she shared their politics, communism and the like, those ideals that feined interest of the poor but were only truly carried by the rich and privileged, and because a woman. 
At the same time Tommy was only the man who had climbed above his station, and far too high for some. 
His glare only ever made the other man smile. 
“And your sister, well, she thinks you are like a bloodhound, always running after the scent of blood - or in your case - money; never content with what you have, always continuing the chase, always wanting more.”
Tommy scoffed and shook his head. 
He had heard that accusation a thousand times over, from Arthur, and John, from Esme and Polly - and now Ada. Funny how all the people who profited most off of his hard work, and his sacrifice. 
“You’ll get used to it.”, the man said. 
 “What?”, Tommy asked, leaning closer to make sure he heard him correctly. 
“You’ll get used to it.”, he promised. “Them not understanding, them questioning, them doubting.”
His pale eyes met Tommy’s. 
“Most people don’t understand why one can not just want something but work towards it no matter the consequences, no matter the risks, that we need the challenges, the struggles, not to conquer them but to conquer ourselves over and over again.”
He smirked to himself as if he had just told Tommy a secret joke. 
“They don’t understand why we can still desperately want something even if we do not need it, and are willing to do anything to get it just because it’s there for us to take.”
A cloud of smoke escaped his lips and evaporated in the air between them. 
“Who are you?”, Tommy asked, a frown between his brows. 
“Don’t you know?”, the man asked, genuinely surprised. 
He shook his head, and to his surprise, and maybe a little hint of relief, the other man didn’t seem to be insulted. 
“Well you’ll find out soon enough.”
“Will I?”, Tommy asked. “Why?”
He only smiled. 
“You’ll see.”, he promised. 
At that moment there was a shout coming from inside. 
“In a bit!”, the man shouted back, stopping in his tracks to look at Tommy once more, a soft smile on his lips. 
“Do you know what a Sherpa is, Shelby?”
“No.”, he said truthfully. 
“Hm - thought so.”, he said with a smirk. “They’re a peoples, exemplary Darwinists if you’d ask me.”
Tommy hadn’t but that didn’t deter the man. 
“They have live in the mountains for generations now, and so while the rest of us flatlanders are like a bunch of panting dogs at a certain altitude, they hardly feel a thing.”
“Alright.”, Tommy mumbled, not knowing what to do with this information, and not particularly caring about it either. 
“They are adapted, you see? Because that is their world, the world their people have been born into for generations and so they can do with ease what can prove treacherous for most anyone else.”
His eyes met Tommy’s with renewed intensity. 
“Everyone is adapted to the environment they are born into, Shelby, and when you rise above that, the air gets thinner and thinner but only for those not used to it.”
Tommy’s gaze narrowed, watching the moon play tricks on the other man’s face. 
“Are you saying I don’t belong here?”, he asked sharply. “That just because I wasn’t born with a silver spoon in me mouth I’d keep to Birmingham and Birmingham only?”
The other man’s face split into a wide smirk. 
“You misunderstand me Shelby, you truly do.”, he said, his voice as light as if they were old pals sharing a joke. 
“I may be one of the very few people here - if not in this entire city who neither resents nor riidicules you for what you’ve done and for what you plan to do. Like I said, you and I are more similar than you’d know.”
He leaned in, so close that Tommy could smell his cologne and the natural, earthy smell of his woolen jumper. 
“So let me give you some advice - hope and will can only carry you a step or two but if you want to truly reach the top you need to learn your own limitations if you want to adapt or overcome them.”
He drew back and met his gaze for a final time. 
“And if you don’t you’ll find yourself in bloody big trouble.”
~
Thank you so much for reading! I hope you enjoyed and as always I'd love to hear your thoughts! Anyone who figures out who Tommy was talking to gets a big hug and an extra pack of cookies
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sea-owl · 7 months
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Little sisters Edwina, Posy, and Felicity terrorizing their older sister's stalker lover (aka the ABC brothers) is such a funny concept to me especially when I'm imagining actual little girls who probably don't even reach past the brothers' shoulders and haven't gone through puberty yet successfully bullying and cockblocking ABC like it's their sole reason to live. Then the BridgertonBros are tearing their hairs out because they are LOSING to a bunch of little girls. And the funniest part of this to me would be if Kate, Sophie, and Pen are slightly oblivious to all of the chaos and warring behind their backs like they know their little sisters are menaces to society but they are absolute angels who thrive in their older sister's affections so they couldn't be that bad, right??? And absolutely do NOT believe a word those horny Bridgerton men are saying about their precious little sisters.
Pfft this makes me think of an AU of where the Sharmas came to London early because they can't wait for Edwina to come to age to debute so Kate is trying to find a good match for her family. In an attempt to keep the Penwood estate in the Gunningworth family, Richard legitimized Sophie as the heiress, so now she's looking for a match in London too. Penelope was debuted early at 17 despite asking her mama to wait another year.
Anthony and Benedict are trying their damn best to woo Kate and Sophie at the balls. Unfortunately for Anthony, his reputation as a rake is coming back to bite him in the ass as is his duty as head of the family with Simon and Daphne coming up with this fake courtship scheme.
Benedict needs a better strategy than following Sophie around like a lost puppy. She thinks he's lonely, and since she actually knows his name without confusing him for one of his brothers, he's coming to her for a friendly chat.
Colin is sitting back, laughing at his brothers as he throws in his own matchmaking scheme or two. He may also be sticking to Penelope's side like glue claiming he wants to spend these dreadful balls with a friend when in reality he's claiming Penelope for himself while trying to plan how to best court her so there's no way she says no.
Enter 17 year olds Edwina and Posy, and 10 year old Felicity. All of whom are protective of their big sisters, and believe their sisters deserve better than some horny Bridgerton. Look at them! Those Bridgertons stare at their sisters like they're gonna eat them! They're not gonna take their sisters away!
Edwina believes her big sister deserves a love match, and no Capitol R rake is gonna give that to Kate! Kate may say she's looking for a marriage of convenience, but Edwina knows Kate is a romantic underneath. If only she were a year older so she may debute as well and she could truly see how these so called gentlemen act when they think no one is watching at the balls instead of only seeing them in their drawing room. One more year, Edwina tells herself. She has to convince Kate that she can help take part of the responsibilities of finding an advantageous match that way Kate does not choose the most advantageous of her current suitors. Which sadly for Edwina is that damn Bridgerton rake.
Posy also wishes she was another year older. That way, she could be at Sophie's side during balls. During their lifetime, Posy truly believes Sophie is the only one who truly loves her, and Posy loves Sophie more than anyone else in the whole world. She knows Sophie has lived an unfair life and Posy is determined to make sure the rest of her sister's life is filled with love. That starts by having her find a love match. Something she believes the bohemian Bridgerton would not be able to do. Love at first sight Posy's ass, that man is just horny!
Felicity has believed Colin to be a wolf in sheep's clothing for years, just waiting for her beloved sister to debute. Sadly, their families are too entangled with their mothers' friendship, Penelope's friendship with Eloise and Colin, and Felicity's own friendship with Hyacinth. There's no way Colin and Penelope wouldn't have interacted with one another. But it has also worked in Felicity's favor with their families being so entertwined. No one questions seeing one another in the other's house, and Bridgertons' prank wars have also definitely helped Felicity stop that horny Bridgerton's plan more than once. Colin is too fickle. He'll get bored and run off to some other country. Felicity will not stand to see her sister ignored by a husband after she has been ignored the majority of her life.
Edwina and Posy, who have become friends with Penelope and Eloise, also use the Bridgertons sibling rivalry to their advantage. Eloise loves messing with her brothers, so she's down for Edwina's and Posy's schemes.
At some point after Anthony, Benedict, and Colin ask for the parents' approval, they have to face the little sisters for their approval, too.
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deadpresidents · 2 years
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Does Nixon hold the record for president who met the most presidents? I've read that he met 13, but has any president met more? Are there any other presidents who have met a large number of other presidents?
This is always a popular question that I get asked every few months (with good reason -- it's interesting to think about!), so I did some research and tried to really figure it out the last time I answered it.
As you mentioned, Nixon met 13 Presidents (Hoover, Truman, Eisenhower, JFK, LBJ, Ford, Carter, Reagan, Bush 41, Clinton, Bush 43, Trump, and Biden) and is near the top of the list, possibly in second-place.
From my research, the President that met the most of his fellow Presidents was John Quincy Adams. JQA definitely met 14 Presidents (Washington, John Adams, Jefferson, Madison, Monroe, Jackson, Van Buren, W.H. Harrison, Tyler, Polk, Fillmore, Pierce, Buchanan, and Andrew Johnson). He met every President that held office in the first 60 years of the Presidency's existence (1789-1849). I'm almost certain that Adams never met Zachary Taylor, who would be the only one of the first 15 Presidents that Adams didn't personally meet. The wild card for John Quincy Adams is Abraham Lincoln. There's no definitive evidence that JQA ever met Lincoln, but it's not impossible considering they briefly served together in the U.S. House of Representatives (from March 4, 1847 until Adams died on February 23, 1848). We can't say for sure that they crossed paths in the Capitol or exchanged greetings at some point, so JQA definitely met 14 Presidents, but it's entirely possible that he met 15.
Joining John Quincy Adams and Nixon at the top of the list of Presidents who met the most American Presidents, is Herbert Hoover. Hoover definitely met 12 Presidents (Benjamin Harrison, Theodore Roosevelt, Taft, Wilson, Harding, Coolidge, FDR, Truman, Eisenhower, JFK, LBJ, and Nixon). However, Hoover lived until he was 90 years old and he remained relatively active in Republican politics throughout his long post-Presidency, speaking at nearly ever GOP convention until his final convention speech in 1960. Because of that and the fact that he was a regular attendee of California's exclusive Bohemian Grove gatherings until as late as 1961, it's entirely possible that Hoover also met Gerald Ford and Ronald Reagan. I've never been able to find confirmation that Hoover crossed paths with Ford or Reagan, so he's definitely met 12 Presidents, but that number could be as high as 14.
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lonelyasawhisper · 2 years
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If Queen Won't, Brian May
Sylvie Simmons, Creem, 1st March 1984
SO HERE I am back in the giant Ajax can on Vine Street and waiting for Brian May. I look at my watch; the little hand and the big hand are sticking up like a peace sign; almost noon and it's hard to believe I'm up at this ungodly hour after last night's festivities, let alone the star. (Capitol threw a party to welcome Queen into the Ajax Can family — Elektra won't be getting The Works when it comes out early next year. There were hors d'oeuvres, aperitifs, and talking of a pair of teeths, Freddie Mercury, Roger Taylor, John Deacon and Brian May.) This is not the usual fluorescent-lit room where Duran Duran posters smirk cheekbonely from the walls. This is a cozy chamber tucked around the back somewhere, through convoluted corridors and up and down staircases — couldn't find it again even if you threatened me with a night at Plato's with Steve Perry — dark and small as a confession box...
I confess! I know I shouldn't; I know there's a reputation to consider; I know Mötley Crüe told me just the other day that they're "the opposite" of this band. But I LIKE QUEEN. There, I've said it. Not only do I have all their albums (except Hot Space; I'm not that daft) but I sing 'Bohemian Rhapsody' in its entirety at the slightest provocation. And the Brian May-penned 'Flash' is probably the best sci-fi theme tune in the Universe.
Though Brian may not agree. For one, the title track on the first album he's ever done outside of Queen just happens to be a sci-fi theme tune called 'Star Fleet'; for another he's so modest and understated you virtually have to beat the bloke with rubber truncheons to get him to admit that Queen are pretty big.
Anyway, the Star Fleet Project is a mini album — as May's own liner notes say, it's "not your normal kind of album; not an album which has been 'thoughtfully pieced together by a coordinated band as a balanced and polished listening experience.' Not a Queen album." Certainly isn't. All three songs — 'Star Fleet', the theme from a Japanese Saturday morning sci-fi program that shows on English TV that Brian got hooked on thanks to his young son Jimmy, 'Let Me Out', a song Brian wrote for Queen years ago that was never used, and 'Blues Breaker', dedicated to Eric Clapton, the man whose axe-work with Cream inspired a 15-year-old May to build his own electric guitar — were recorded over a two-day period back in April during a break from the year-around Queen boxing match. At loose ends, Brian called up some music friends in Los Angeles and jammed. Yes — jammed. What they used to do in the old days when musicians spent more time with each other than their accountants. Anyway, after much thought — and a bit of persuasion from Heavy Pettin', a British rock band he was producing on the side who heard the tapes and drooled — and more red tape, the jamming session got put out as pure and untouched as Michael Jackson, and credited to Brian May And Friends. His friends? Neighbor Alan Gratzer of REO Speedwagon, Phil Chen, ex-Rod Stewart bassist, Fred Mandel, the former Alice Cooper member who showed up on Queen's last tour, and on co-lead, Eddie Van Halen. (The two met when Brian caught Van Halen's set on a Black Sabbath tour and got friendlier when they met up again in Germany and confessed to being mutual fans.)
Brian May has just walked into the chamber, right on time. He's tall, got the same hairdo he's had for years, an intent expression on his face and a soft, very English voice.
"We had some time off from the group which we forced on ourselves," he's saying about why he's just done a record that sounds like it could have been made any time in the past 11 years Queen's been together. "We felt, Queen, that we'd got too close to each other and we needed a break. We all do different things — Roger's been making an album, Freddie's been doing stuff with Michael Jackson, John's been doing all kinds of stuff with computers and weird machines, and I thought, 'Why don't I do something?' Most of my favorite musicians were around L.A. where I was, and they all said 'yeah, great, let's go and do it.' Which really surprised me; I thought people would say yeah great, but we're busy.' So I booked the Record Plant and we went in and tried it, and it worked out better than I could ever have dreamed. One of the best times of my life, really."
He doesn't have too many friends in the business, he says. "They are pretty well my best friends, but also some of my favorite players." They're also veterans of some of the most commercially successful, richest mainstream rock bands around. By doing this project, did they reckon they'd show us they weren't in it for the money alone?
"I don't think anything like that was in our minds. There was never any talk of it coming out to begin with — it was just to be in there playing really, and I was quite prepared to leave it that way. Possibly to prove something to myself — that I could play with other musicians and enjoy it, and make something worthwhile."
If he's saying Queen hasn't been making anything worthwhile lately, there's a lot of people who couldn't agree more. Like Hot Space frinstance.
"There's a lot about Hot Space I didn't like. But at the same time," Brian covers himself, "it was probably, in retrospect, the right thing to do at the time, because we had to investigate all those different avenues and get all those bits of R&B influence out of our systems. No, part of the problem with us, the group, was we got so close to each other that familiarity breeds contempt, and we didn't like the way each other played anymore. That was one of the things that happened six months ago. And now, having got outside it and seen a lot of other people. I realize that the other three are pretty good. And I think they've had the same experience. We appreciate each other a bit more now. After this record I came back to the group much fresher. You get to understand how other people play, and you realize that everybody has their own style, and I found that I was a bit more patient with John and Roger and Freddie. Also what I got from stepping outside was realizing what other people think of us as individuals and as a group."
And did he kill himself? "Well, they thought we were pretty good — which surprised me!" He obviously didn't get to poll the people who dismiss Queen as a pretentious sort of band. Brian chuckles. And this Star Fleet Project has to be one of the most unpretentious records a superstar musician has ever made, casually put together and released without the usual sheen and polish a Queen album goes through before seeing the light of day.
"Well it is very different, and that's part of why it was a release for me. I wouldn't agree with you that Queen are pretentious, but I know what you mean. Queen are a group who've always been — everything has to be perfect before it gets out. It's worked on and worked on and argued about and talked about and torn to bits and put back together. We work to keep the spontaneity in there, but nevertheless it was nice in this case to do something which worked immediately, the adrenalin from the fact you'd never played with these people before, and everyone feeling good. I had no desire to interfere with it."
Has Queen lost its excitement? When you've got so many followers and so much success that you can even put out an album like Hot Space and it sells, when you can flash a credit card and get a record co. employee to go out and charge up anything your little heart desires, doesn't it all get a bit boring?
"It's funny you should say that because that never goes through my mind. I certainly don't feel we could do anything. For instance, last night at the party — I suppose everyone's very up about a new deal and a new album, but I was very depressed underneath it all really because what I think about is still the music. And we'd just had a play-back to the record company, and I was really desperately unhappy about the way it sounded. And I couldn't even think about we're a huge rock group, all the things you're saying. All I could think about was I'd hated what I'd heard and I was ashamed of it. I don't really think about what Queen looks like to the outside world very much. I think about what it feels like. It has had its good moments and I think we can play some good stuff; but it also has some really awful moments."
A lot of the Outside World who do think about Queen probably think it's Freddie's band. He thinks of a direction, everyone fights a bit, but generally follow meekly behind. True?
"It's a continual fight, because we all have very definite ideas of what direction we want to go in, and none of them are the same. It's a continual battle and it's very democratic and it's very painful. Most of the time when we're recording, it's hell. You have this constant dividing line between being up and positive about what you're doing, and the other side is that you may be trying to push what you want down someone else's throat, and maybe the other three will take it for a little while but in the end they'll say, 'No, this is rubbish, we hate it, stop pushing.' And that's what's happened a lot.
"I had a very clear idea in my head of what I wanted [the new Queen album] to be. It's an oversimplification, but I wanted it to be more of a rock album. But I obviously pushed too hard in the early days, and everyone got very angry with me and said 'Look, stop. Don't tell us what to play.' And then you take three steps back and try and work it out again. That's happened with all of us. We all feel that suddenly we can see a path ahead and the other three can't see it at all, and that makes it really hard.
"The plus of it is that after you've had your arguments and found an intermediate course at least you've already been through a vast political process, and the stuff which does come out has been through a gigantic sieve. So I think in the end you come out with stuff which is a real group product, and it's better than any of us could do as a solo artist. I honestly think that, and that's why I'm still in Queen. I think the group is still better than any of its component parts."
So is the next Queen album going to be a rock album? (Bumped into Roger Taylor at the party and he slurred that it was definitely "very heavy — one side of the album especially will definitely give you brain damage")
"So far," nods Brian, "I think, in spite of all the shouting, it is."
When a group member leaves the fold to do his first album, it's usually "OK, here I am. Me, the Star." But Star Fleet isn't a flashy guitar album or ego showcase. What gives?
"I don't think I am a flashy kind of person really. When I come to do a solo album — maybe one day I will — I've no idea what it will be like. This isn't it. This is just an event of some people having fun together, and that's the way it should be looked at. I don't know what is me, if that's what you're asking. That's one of the difficulties I've had in thinking about a solo album. Because on the one hand I would like to do all heavy stuff, because I don't feel I've got enough outlet for the heavy stuff in Queen; on the other hand I'd like to do some guitar arrangements and continue the guitar-orchestra direction, which again we've sort of left alone for a while in the group. Then again I like to sing songs that have a lot of personal feeling for me, which also sometimes doesn't fit into the group framework."
Hasn't he ever had the temptation to leap out onstage, push Freddie into the wings and grab the limelight, just once?
"No, I'm very happy with how it is. I get my bit to do. As you say, I can be flash for a while and then blend into the group, and I'm very content with that."
That's the one thing Brian and Eddie Van Halen have in common. They're both pretty low profile guitarists in bands with the most outrageously flashy frontmen on earth. Do they feel any kinship there?
"Yes, a lot. There are parallels, obviously. The whole business of what roles people play in groups is something which interests me very much for its own sake, because you do find that the bass player is always a certain kind, the guitarist is usually a certain kind of person. I don't know whether it's the selection process or whether it's an environmental change process [I forgot to mention; he has a degree in physics!] — you can see those elements in the component parts of groups. Guitarists do tend to be like that, people who feel they have a lot to say but don't really want to be in the center of the stage doing it; they want to be at the side doing their bit and enjoying it and getting into it and not having the responsibility for what the singer does."
And if you're expecting any guitar duels on this album, forget it. Instead of playing superstars, trying to outdo the last lick, they're like a couple of polite gentlemen going "After you"; "No, after you."
"I think we're very alike, and there's no feeling of competition there because we both love what the other person is doing. Particularly in my case. My first reaction to seeing Edward was I didn't want to play with him because he's so great. And then my second reaction was I wanted to pick up the guitar and play with him. Because we're so different in playing, but we're very alike in the way we think. There's no duel there, and I'm glad you said that because I was frightened people would think Guitar Battle kind of rubbish. Just people enjoying each other's company really. And it's not just me and Edward — it's me and Alan and Philip and Fred. We were all in there, and it was a good interaction all round.
"I still think, sometimes, am I being foolish putting this out? But then every time I listen to it I get this great feeling about it. It's so real and live and personal that I hope that other people will get that feeling about it."
With all the members of Queen going their separate ways, there's always the risk that they might forget to get back together again. Does Queen still feel like a real band?
"It does again now. There have been a few crises in our history, and one of them was about six months ago, when we could have easily said, 'Look, we hate each other, let's forget it.' And it almost was that. But instead we said 'look, we're all getting very intense with each other because we haven't had a break for ages, and we've been in this endless make-an-album-tour-the-world-make-an-album cycle; so let's get out of it for a while and maybe we'll appreciate each other.' And it's worked pretty well. We got back together and we feel like a real band again."
Retrieved from The Creem Archive
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 In a touching tribute, President Biden ordered "We Will Rock You" to be played full-blast throughout the Capitol to honor the late Queen.
"I thought about playing 'Another One Bites The Dust', but it didn't quite feel right," said a forlorn Biden. "Losing the Queen, this one is hitting hard. I still remember jamming out to 'Bohemian Rhapsody' during all those train trips ol' Corn Pop and I took back and forth to Delaware. End of an era!"
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mirriedancer · 4 months
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5 books I loved in 2023
The Hunger Games trilogy by Suzanne Collins
("The Hunger Games universe is a dystopia set in Panem, a North American country consisting of the wealthy Capitol and 13 districts in varying states of poverty. Every year, children from the first 12 districts are selected via lottery to participate in a compulsory televised battle royale death match called The Hunger Games.")
The Nome Trilogy by Terry Pratchett
("The trilogy tells the story of the Nomes, a race of tiny people from another world who now live hidden among humans. Through the books they struggle to survive in the human world and, once they learn of their history from an artefact known as "The Thing", make plans to return home.")
America by Franz Kafka
("Amerika follows the ever-changing fortunes of Bohemian immigrant Karl Rossmann as he encounters people who abuse and exploit him—and in doing so, disabuse him of his preconceptions about America. Karl arrives in America as a shamed man: He was exiled by his parents for impregnating a servant.")
The Archipelago of Another Life by Andreï Makine
("On the far eastern borders of the Soviet Union, in the sunset of Stalin’s reign, soldiers are training for a war that could end all wars, for in the atomic age man has sown the seeds of his own destruction. Among them is Pavel Gartsev, a reservist. Orphaned, scarred by the last great war and unlucky in love, he is an instant victim for the apparatchiks and ambitious careerists who thrive within the Red Army’s ranks. Assigned to a search party composed of regulars and reservists, charged with the recapture of an escaped prisoner from a nearby gulag, Gartsev finds himself one of an unlikely quintet of cynics, sadists, and heroes, embarked on a challenging manhunt through the Siberian taiga. But the fugitive, capable, cunning, and evidently at home in the depths of these vast forests, proves no easy prey. As the pursuit goes on, and the pursuers are struck by a shattering discovery, Gartsev confronts both the worst within himself and the tantalizing prospect of another, totally different life.")
Seize The Day by Saul Bellow
("This short novel examines one day in the unhappy life of Tommy Wilhelm, who has fallen from marginal middle-management respectability to unemployment, divorce, and despair.")
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jzvacationrentals · 4 months
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Denver Vacation: Exploring the Mile-High Magic
Nestled against the majestic backdrop of the Rocky Mountains, Denver, the capital of Colorado, beckons travelers with a unique blend of urban sophistication and outdoor adventure. As a city that sits exactly one mile above sea level, Denver offers a captivating mix of cultural attractions, vibrant neighborhoods, and access to unparalleled natural beauty. This article delves into the essence of a Denver vacation, guiding travelers through the must-see attractions, diverse neighborhoods, and outdoor adventures that make a visit to the Mile-High City an unforgettable experience.
Discovering Downtown Denver:
16th Street Mall: Begin your Denver vacation by exploring the iconic 16th Street Mall. This bustling pedestrian mall is lined with shops, restaurants, and entertainment options. Hop on the free MallRide shuttle for a convenient way to traverse the length of the mall and take in the vibrant atmosphere.
Union Station: A historic landmark and transportation hub, Union Station has been revitalized into a chic space featuring restaurants, bars, and a boutique hotel. Grab a cup of coffee or indulge in a gourmet meal while enjoying the architectural charm of this Denver gem.
Denver Art Museum (DAM): Art enthusiasts will find solace in the Denver Art Museum, home to an extensive collection of American Indian, Western, and contemporary art. The unique architecture of the Hamilton Building is an attraction in itself, making DAM a must-visit cultural destination.
Colorado State Capitol: A visit to the Colorado State Capitol offers panoramic views of Denver and the Rocky Mountains. Climb the steps to see the distinctive gold-plated dome and explore the interior, including the Mile-High Marker on the 13th step, symbolizing Denver's elevation.
Denver Botanic Gardens: For a serene escape, head to the Denver Botanic Gardens. Explore themed gardens, including the Japanese Garden and the Boettcher Memorial Tropical Conservatory. The gardens host various events and concerts throughout the year, providing a peaceful retreat within the city.
Diverse Neighborhoods to Explore:
LoDo (Lower Downtown): LoDo is Denver's historic district, known for its red-brick buildings, trendy boutiques, and vibrant nightlife. Explore the microbreweries, art galleries, and the historic Union Station in this lively neighborhood.
RiNo (River North): RiNo has evolved into Denver's arts and creative hub. Murals, galleries, and avant-garde spaces define this neighborhood. Stroll through the Denver Central Market and experience the dynamic energy of RiNo's ever-changing art scene.
Capitol Hill: Capitol Hill is a bohemian neighborhood with historic architecture, eclectic shops, and a diverse dining scene. Take a walking tour to appreciate the well-preserved Victorian homes and immerse yourself in Capitol Hill's unique character.
Cherry Creek: Cherry Creek offers a mix of upscale shopping, dining, and outdoor recreation. The Cherry Creek Trail is perfect for a leisurely bike ride, while the Cherry Creek Shopping Center caters to those seeking high-end retail therapy.
Outdoor Adventures in and Around Denver:
Red Rocks Amphitheatre: Just a short drive from downtown, Red Rocks Amphitheatre is a geological marvel and an iconic music venue. Even if you're not catching a concert, exploring the amphitheater and hiking the surrounding trails provides a breathtaking experience.
Rocky Mountain National Park: Embark on a day trip to Rocky Mountain National Park, located just over an hour from Denver. Hike, drive the Trail Ridge Road, and witness the awe-inspiring landscapes of alpine meadows, towering peaks, and diverse wildlife.
Denver Mountain Parks: Closer to the city, Denver Mountain Parks offer a variety of outdoor activities. Visit Genesee Park for buffalo viewing, hike at Lookout Mountain, or enjoy a scenic drive through the historic Lariat Loop.
City Park: City Park, adjacent to the Denver Zoo and the Denver Museum of Nature & Science, provides a vast green space for picnics, sports, and relaxation. The park's centerpiece, Ferril Lake, offers stunning views of the city skyline against the backdrop of the mountains.
Culinary Delights in Denver:
Denver's Craft Beer Scene: Denver is renowned for its craft beer scene, with numerous microbreweries and taprooms scattered across the city. Take a brewery tour or simply explore neighborhoods like LoDo or RiNo to discover local brews and innovative flavors.
Farm-to-Table Dining: Embrace Denver's commitment to farm-to-table dining by exploring restaurants that showcase locally sourced ingredients. The city's culinary scene celebrates diversity, offering everything from innovative fusion dishes to classic comfort food.
Food Truck Culture: Denver's food truck culture adds a dynamic element to the culinary scene. Head to Civic Center Park or any of the city's food truck gatherings to indulge in a variety of international cuisines and innovative street food creations.
Denver Central Market: Located in the RiNo neighborhood, the Denver Central Market is a gourmet food hall featuring artisanal products, fresh produce, and a diverse array of culinary delights. It's a one-stop destination for food enthusiasts seeking a taste of Denver's culinary innovation.
Conclusion:
A Denver vacation unfolds as a journey through diverse neighborhoods, cultural landmarks, and breathtaking outdoor landscapes. From the vibrant streets of downtown to the tranquility of City Park and the majestic heights of the Rocky Mountains, Denver offers a myriad of experiences for every type of traveler. Immerse yourself in the Mile-High magic, and let the unique spirit of Denver leave an indelible mark on your travel memories.
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teamtriphobo · 5 months
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Weekend Wonders in Seattle: Unveiling the Hidden Gems
Introduction:
Seattle, the Emerald City, is a captivating destination for weekend adventurers seeking a blend of vibrant city life and breathtaking natural wonders. Nestled between the snow-capped peaks of the Cascade Mountains and the picturesque shores of the Puget Sound, Seattle offers an array of attractions that cater to every taste. In this guide, we'll explore both popular and off-the-beaten-path attractions, sample mouthwatering cuisine, and embrace the local way of life. So pack your bags, fellow travel enthusiasts, as we embark on a thrilling weekend journey through Seattle.
Visit to plan your trip: https://www.triphobo.com/
Day 1: Exploring the City's Icons
Morning:                        
Start your day in Seattle with a visit to the iconic Pike Place Market, the bustling heart of the city. Indulge your senses as you wander through the maze of stalls offering fresh produce, artisan crafts, and local delicacies. Don't forget to witness the famous fishmongers throwing salmon at Pike Place Fish Market, a true spectacle.
Afterward, make your way to the Space Needle, Seattle's most recognizable landmark. Take the elevator to the observation deck for panoramic views of the cityscape and the surrounding natural beauty. Capture unforgettable photos and marvel at the majesty of the Seattle skyline.
Afternoon:                                 
Head to the Chihuly Garden and Glass, located near the Space Needle. This mesmerizing exhibition showcases the brilliant glassworks of artist Dale Chihuly. Wander through the ethereal installations, where glass sculptures mingle harmoniously with vibrant flora. It's a visual feast for art enthusiasts and nature lovers alike.
Next, immerse yourself in Seattle's rich cultural scene with a visit to the Museum of Pop Culture (MoPOP). Delve into the worlds of music, science fiction, and pop culture through engaging exhibits and interactive displays. Explore the history of rock 'n' roll, admire iconic movie memorabilia, and unleash your inner geek.
Evening:
As the day draws to a close, embrace the local dining scene. Head to Ballard, a vibrant neighborhood known for its diverse culinary offerings. Savor fresh seafood at Ray's Boathouse or indulge in farm-to-table delights at The Walrus and the Carpenter. End your evening with a stroll along the Ballard Locks, where you can watch boats navigate the complex system of locks while enjoying the serene beauty of the surrounding gardens.
Day 2: Hidden Gems and Natural Beauty
Morning:
Escape the city's hustle and bustle and venture to the serene Bainbridge Island. Catch the Washington State Ferry from downtown Seattle and enjoy a scenic 35-minute ride across the Puget Sound. Once on the island, rent a bicycle and explore its picturesque landscapes, charming boutiques, and local art galleries. Don't miss the Bainbridge Island Museum of Art, showcasing regional and national contemporary artists.
Afternoon:
Return to Seattle and head to the vibrant Fremont neighborhood, often referred to as the "Center of the Universe." Visit the Fremont Troll, an eccentric sculpture lurking beneath the Aurora Bridge. Snap a photo with this quirky icon and unravel the neighborhood's bohemian atmosphere as you stroll along the streets lined with unique boutiques and eclectic eateries.
For a touch of nature within the city, visit the Washington Park Arboretum. This urban oasis encompasses 230 acres of meticulously manicured gardens, lush forests, and scenic walking trails. Explore the diverse flora and fauna, and revel in the tranquility that the arboretum offers.
Evening:
Cap off your weekend in Seattle with a visit to Capitol Hill, the city's vibrant nightlife hub. Enjoy a diverse range of bars, live music venues, and bustling restaurants. Unwind at one of the craft cocktail bars like Tavern Law or venture into The Crocodile for live music performances. Experience the city's thriving LGBTQ+ scene at R Place or explore the trendy boutiques and art galleries that dot the neighborhood.
Smart Travel Tips:
Transportation: Utilize Seattle's efficient public transportation system, including buses and light rail, to navigate the city easily. Consider purchasing an ORCA card for seamless travel across multiple modes of transportation.
Weather Readiness: Seattle's weather can be unpredictable, so be prepared for rain at any time. Carry a lightweight waterproof jacket, comfortable walking shoes, and an umbrella to stay dry and comfortable.
Local Cuisine: Sample Seattle's culinary delights, including fresh seafood like salmon and Dungeness crab. Don't forget to try the city's renowned coffee at local establishments such as Starbucks Reserve Roastery or independent coffee shops like Victrola Coffee Roasters.
Stay Hydrated: Seattle's temperate climate may trick you into thinking you don't need as much water, but staying hydrated is crucial. Carry a reusable water bottle to refill throughout the day.
Conclusion:
Seattle offers an enchanting blend of natural beauty, cultural attractions, and vibrant neighborhoods that make it an ideal destination for a weekend getaway. From exploring iconic landmarks to uncovering hidden gems, indulging in local cuisine, and immersing yourself in the local way of life, Seattle has something for every travel enthusiast. So grab your map, venture beyond the tourist hotspots, and let Seattle weave its magic on your weekend journey. Happy travels!
#travel #seattle
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parkerbombshell · 7 months
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Just Another Menace Sunday w 1121/ The Dandy Warhols
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New Shows Sundays 4pm EST bombshellradio.com Repeats Wednesdays 1pm EST and Fridays 6pm EST Archival Shows Daily 6pm  EST "Just Another Menace Sunday" radio thing. Hour 1: A "fun" 2008 Conversation with The Dandy Warhols and their bohemian Musical Sandwich - first time it's aired since then. !! Hour 2: New Melodic Rock 'n Roll from: Bleachers, The Julies, Orchestral Manuevers In The Dark, Aysanabee, Bombay Bicycle Club, underscores, Viji, Walter Sickert & The Army Of Broken Toys, Pkew Pkew Pkew, Yoke Lore, The Vaccines, Johnny Marr, Petey, and Red Rum Club (U.S. Premiere and next week's Hour 1 guest!)   This Week – Episode #1021 A 2008 CONVERSATION WITH THE DANDY WARHOLS & THEIR MUSICAL SANDWICH. (09/24/2023) Theme Song Just Another Menace Sunday Theme (Dennis The Menace) - Mighty Six Ninety Hour 1 A 2008 CONVERSATION WITH THE DANDY WARHOLS & THEIR MUSICAL SANDWICH. Hour 2 NEW MELODIC ROCK & ROLL OPENING SONG: Modern Girls – Bleachers (Dirty Hit) Hotline – bby (Glassnote) Angels Of The Underground – The Julies (Lost In Ohio) Slow Train – Orchestral Manoeuvres In The Dark (White Noise) Somebody Else – Aysanabee (Ishkode) Turn The World On – Bombay Bicycle Club (AWAL) Johnny Johnny Johnny – underscores (Mom & Pop) Karaoke – Viji (Speedy Wunderground/PIAS) Keep My Head – Walter Sickert & The Army Of Broken Toys (Self Release) The Night Jon Buck Hit Three Home Runs – Pkew Pkew Pkew (Stomp) Shake – Yoke Lore (Yellhouse) Heartbreak Kid – The Vaccines (Super Easy/Thirty Tigers) Somehow – Johnny Marr (BMG) I Tried To Draw A Straight Line – Petey (Capitol) Skip This One – Petey (Capitol) CLOSING SONG: Undertaker – Red Rum Club (Modern Sky) Read the full article
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mysterymirrors · 8 months
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Check out this listing I just added to my Poshmark closet: Carve Designs Stinson Catalina Swimsuit Top - Indo/Ocean Blue - L.
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movementors10 · 9 months
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A Comprehensive Guide to move to Madison, Wisconsin
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Relocating to a new city is an exciting chapter but challenging. If moving to Madison, Wisconsin, is your new destination, you're in for a rewarding experience.
Known for its natural beauty, vibrant cultural scene, and prestigious educational institutions, Madison welcomes newcomers with open arms. To make your transition as smooth as possible, here's a comprehensive guide that covers all aspects of relocating to this charming city.
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Research and Neighborhood Selection
Madison boasts diverse neighborhoods, each with its character and amenities. Whether you crave city life or a quieter suburb, there's a neighborhood tailored to your preferences.
Consider proximity to work or school, safety, transportation options, and nearby amenities.
Downtown Madison: If you thrive on urban energy, downtown offers a bustling scene with cultural attractions, dining options, and entertainment.
Near East Side: This historic district is known for its community spirit, eclectic shops, and proximity to Lake Monona and Capitol Square.
Willy Street: The Williamson-Marquette neighborhood, or "Willy Street," offers a bohemian vibe with unique shops, galleries, and a vibrant food scene.
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Managing the Cost of Living
Madison's cost of living is generally moderate compared to larger cities, but it's wise to budget for essentials like housing, utilities, groceries, transportation, and leisure activities.
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Exploring Employment Opportunities
Before making the move, explore job prospects in Madison. The city's economy spans various sectors, including healthcare, technology, Education, and government. The renowned University of Wisconsin–Madison is also a significant employer.
Getting Around
Madison provides diverse transportation options
Metro Transit: The Madison Metro bus system is convenient for daily commuting.
Cycling: Madison's bike-friendly infrastructure makes cycling a viable and enjoyable way.
Driving: A car can be beneficial, especially for exploring surrounding areas or maintaining a flexible schedule.
Navigating Education
For families, researching the local education system is essential. Madison offers a mix of public and private schools and the world-class University of Wisconsin–Madison.
Healthcare Considerations
Prioritize finding a healthcare provider and understanding available medical facilities, including the University of Wisconsin Hospitals and Clinics. Ensure you have adequate health insurance coverage.
Embracing the Climate
Madison experiences distinct seasons, so pack accordingly. The city's weather offers diverse outdoor opportunities, from snowy winters to warm summers.
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Enjoying Leisure and Recreation
Madison's outdoor beauty and cultural vibrancy provide ample recreation options:
Parks and Lakes: Explore green spaces, lakes, and trails for outdoor activities like boating, hiking, and picnicking.
Cultural Scene: Attend local events, festivals, and performances that showcase Madison's creativity and diversity.
Culinary Delights: Savor the city's culinary scene, from farm-to-table eateries to international cuisine.
Building Connections
Meeting new people is vital for a successful transition. Join local meetups, clubs, and events to connect with like-minded individuals. Online platforms can also facilitate social interactions.
Exploring Beyond Madison
Capitalizing on Madison's central location, venture out to explore nearby attractions, cities like Milwaukee and Chicago, and the scenic beauty of Wisconsin.
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Navigating Local Services
Update your address with the USPS, update your driver's license as needed, and register your vehicle promptly after your move.
Immersing in Madison's Culture
Embrace Madison's unique culture by engaging in lectures, art exhibitions, live music shows, and community events. Becoming part of the local scene will enhance your experience.
In The End
Move to Madison, Wisconsin, opens the door to a fulfilling adventure. Your transition will be positive and enriching by researching neighborhoods, budgeting wisely, and embracing the city's charm. Remember, patience and an open mind are your allies in making your relocation successful.
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lonelyasawhisper · 2 years
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Royal Gum-Up
J. Kordosh, Creem, 1st June 1984
QUEEN - The Works (Capitol)
To tell you the truth—a thing I’m not addicted to, by the way—I’ve been a professional liar when it comes to Queen. Even while making light of their very existence (in print), I’ve been a regular listener of their records (in real life). Do I feel small about this? Mighty small, B’wana. Why did I ever write many terrible things about this band? Because I’m a big disgrace, that’s why. So don’t look me up under “Mr. Critical Integrity,” OK?
Look up Queen on The Works, though. It’s not their best album— Greatest Hits is one of the world’s top 10 in staying power—but it’s a darned fair 13th album for any band. I’ll try to be careful here. The Works is an uptempo recycling of Queen’s greatest formula, to be sure—Brian May “relying heavily” on “We Will Rock You” for “Tear It Up” and Freddie Mercury “borrowing freely” from “Crazy Little Thing Called Love” for “Man On The Prowl” as two examples. But, since we’re facing facts, Queen does have a powerhouse repertoire with which to plagiarize itself. These songs wouldn’t become intolerable until the fifth go-round or so. You love “Killer Queen”—admit it.
In any case, the industry rumor is that Works represents a commercial comeback for Queen (in the wake of commercial comedowns like Hot Space and various eccentric solo projects) . And the rumor is (in the words of Jerry Lee Lewis) true, so true. Roger Taylor’s “Radio Ga Ga” is being offered as the 45 and, yes, it’s a pleasant little thing with an expected/unexpected Queen juxta-chorus to redeem it—but don’t be deceived. There’s better stuff on Works, particularly the stuff written by Mercury. He’s the band’s best writer—possibly because he’s the voice, but possibly not—and his tunes are inevitably so damned Queenish as to be logical (and deserving) focal points.
The rockabilly-ish “Man On The Prowl” has been mentioned, but— as an addendum—entertain no serious notion that Brian Setzer can belt this type of warble any better than Ready Freddie. He can’t. “It’s A Hard Life” is a good (not great) 29th version of “Bohemian Rhapsody,” a catchy anthem that reaffirms Mercury’s status as a master of phrasing. No up-and-comer can even pretend to match Mr. M. at this particular art—his only serious competition is Bob Dylan. But, of course, he’s everybody’s serious competition.
Mercury delivers the real goods on Works with “Keep Passing The Open Window,” by far the most “ambitious” (that’s the accepted critical word) effort on this particular album. “Window” is Queen at their de facto best—sweet piano, ambiguous-yet-vaguely-ominous lyrics, a bass riff lifted from “Nobody But Me”...a song that’s actually elusive. (Queen are superb when they're elusive and Quiet Riot when they're obvious.) “Window” is a bona fide something-or-another, which makes it the culmination of a very good album.
Did I forget to mention that lying about records doesn’t bother me in the least?
Retrieved from The Creem Archive
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