Tumgik
#beth whitman
taylorshope · 4 months
Text
Thinking about them. The unsavable characters. The ones who can never escape. The only ones who can never make it off the island, or come down from the mountain, or see the light of day again no matter what you do
57 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Leverage 3x7 - "The Gone Fishin' Job"
51 notes · View notes
peachraindrops · 2 years
Text
The votes are in!
Good Girls Appreciation Week 2022 will take place Sunday, August 7th through Saturday, August 13th.
WHAT IS IT?
Good Girls Appreciation Week 2022 is seven straight days of dedicated fans creating and sharing new content showing their love for the show. Each day of the week has a specific theme voted by fans to interpret as creatively as they like!
I don't know about you guys, but life has been more depressing than usual lately and Good Girls gives us an escape. Let's have some fun with this!!
WHAT ARE THE THEMED DAYS?
Y'all voted and here they are:
Tumblr media
WHO PARTICIPATES?
Everybody! Creators create, and the larger fandom boosts those creations with likes and (especially!) reblogs to spread the joy.
It’s a great time for people that have thought about trying their hand at content creation to give it a go!
#GGAW2022
More details under the cut.
HOW DO I PARTICIPATE?
You can participate as much or as little as you like. If just one day speaks to you, create content based on that theme. Post it on the allotted day with the designated hashtag, and boom, you’ve participated!
Several people have already expressed interest in what kind of content they’d like to contribute, but there’s no official sign-up. You can lurk for a few days, get a feel for it, and then post, or you can start planning and creating now, waiting for the official week to post.
WHAT ARE THE RULES?
I know rules are lame but we have to make this thing a somewhat official thing somehow 😂. There are 6 important rules of #ggaw2022 so that we see a #GGAW2022 post when we see it:
Keep it positive! This means when you’re focusing on your love of A, B, or C, you avoid tearing down X, Y, and Z in the process.
Spread the love! Like the posts you see and encourage content creators, old and especially new! Hit that reblog button a little more often. The fandom benefits when we support each other and encourage newbies to try their hand at creating something. Let creators know what you think they’ve done especially well by leaving positive tags and/or dropping a note in their inbox!
Use the designated hashtag! Tag all posts #ggaw2022 so that anyone following the tag can see all the new content as its uploaded.
Use headings or captions! Try to use a heading or caption that alludes to which day you are posting for, e.g. “Day 2: Favorite Location - The Park.”
Post within your timezone! The days last a little longer here in Good Girls Land where time is fake and everyone counts on their fingers! Don't worry about calculating numbers—the day starts at 12:01 am and ends at 11:59 pm in whatever timezone you happen to be in.
Do your best! Try your best to post by the designated day, but remember: this is supposed to be fun. If you miss the designated day but are still really inspired to make or finish something for it, share it anyway!
WHAT TYPE OF CONTENT SHOULD WE SHARE?
Literally anything that makes you feel some sort of way. Gifsets, videos, photo manipulations & edits, moodboards, drabbles or short fics, imagines, metas, fanart, playlists, and whatever else you can think of! Wanna make a cross-stitch pattern and share it with the rest of us? Wanna make a list of GG-inspired recipes? Want to make a movie poster? Go for it!
WHAT ABOUT PROMPTS?
The survey showed me how many ideas y'all have for this so we'll try this! Submit them to my inbox (@peachraindrops) anon or not, whatever feels best, and I'll post them all in an inspiration post a week from today, July 20th, 2022 in an aggregated (and nameless!) list. The prompts will be used for creators to draw inspiration from and maybe even hit a few of your favorite things!
FINALLY:
We all want to see these themes the way you interpret them! Again, the more creative, the better. In the end, I just hope this brings a little bit of joy back into everyone's lives because that's what we need right now, right?!
& the final finally:
thanks to everyone for all of the excitement and participation, and even more finally to @foxmagpie for letting me rip most of this post from GGAW2021. I would have been lost trying to figure this out without something so detailed to go off lol.
Reblog to spread the word!
62 notes · View notes
rioannie · 2 years
Text
Tumblr media Tumblr media
Annie realizing what everyone sees in him😒😩😶🤧
Gifs by @sdktrs12
34 notes · View notes
resovrceful · 5 days
Text
— CHRISTINA HENDRICKS in GOOD GIRLS SEASON TWO (eps. 01 - 04)
By clicking the source link, you will find #832 (#2671 total) gifs of CHRISTINA HENDRICKS as ‘BETH BOLAND’ in GOOD GIRLS, SEASON TWO. All gifs were hand made with love by me, @resovrceful​ , are all sized 268x151, and are all within tumblr’s maximum limit. 
All members of my server gain early access to gifpacks, and you can join here. Please do like and/or reblog if you found this at all useful, and if you’re feeling even more generous please consider buying me a coffee.
About: CHRISTINA HENDRICKS was born in 1975, is FEMALE and is WHITE. Please cast them accordingly. Gifs Feature: Mae Whitman, Manny Montana, Matthew Lillard, Retta. Warnings/Triggers/Other: alcohol, blood, drinking, eating, flashing lights, guns, kissing, scenes of a sexual nature.
Tumblr media Tumblr media
17 notes · View notes
Text
Pairs from Round 1:
1. ‌The Curator x Dr. Hill – Nick Kay x Salim Othman x Jason Kolchek – Jacob Custos x Nick Furcillo
2. ‌Fliss DuBois x Julia – Laura Kearney x Hannah Washington – Kate Wilder x Julia
3. ‌Hannah Washington x Jessica Riley – Matt Taylor x Ashley Brown – Salim Othman x Dar Basri
4. ‌John x Angela – Conrad x Jacob Custos – Kate Wilder x Jamie Tiergan
5. ‌Mike Munroe x Jessica Riley – Conrad x Beer x Rachel King – Conrad x Fliss DuBois
6. ‌Daniel x Taylor – Hannah Washington x Emily Davis – Nathan Merwin x Joey Gomez
7. ‌Charlie Anderson x Hodgson expedition – Rachel King x Clarice Stokes – Nick Kay x Salim Othman
8. ‌Jeff Whitman x Marie Whitman – Emily Davis x Ashley Brown – Revenant Carver x Judge Wyman
9. ‌Abraham Alastor x Tabitha Milton – Alex Smith x Julia – Nick Kay x Rachel King
10. ‌Kurum x Balathu – Lady Bradshaw x Ellis van Huyten – Hannah Washington x Ashley Brown
11. ‌Emma Mountebank x Kaitlyn Ka – Eric King x Nick Kay – Eric King x Nick Kay x Rachel King
12. ‌Beth Washington x Emily Davis – Beth Washington x Sam Giddings
13. ‌Jason Kolchek x Salim Othman – Erin Keenan x Rachel King
14. ‌Mike Munroe x Jessica Riley x Emily Davis – Conrad x Brad Smith
15. ‌Granthem Du'Met x Kate Wilder – Granthem Du'Met x Jamie Tiergan
16. ‌Mark Nestor x Kate Wilder x Jamie Tiergan x Erin Keenan – Adam Jones x Jonathan Finn
17. ‌Emily Davis x Jessica Riley – Kate Wilder x Erin Keenan
18. ‌Joseph Lambert x Amy Lambert – Mark Nestor x Kate Wilder
19. ‌Joe Roberts x Charlie Anderson – Tanya Clarke x Vince Barnes
20. ‌Danny x Olson – Ashley Brown x Chris Hartley x Josh Washington
21. ‌Emily Davis x Sam Giddings – The Curator x Player
22. ‌Dylan Lenivy x Chainsaw – Tabitha Milton x Taylor
23. ‌Brad Smith x Fliss DuBois – Emma Mountebank x Abigail Blyg
24. ‌Beth Washington x Laura Kearney – Conrad x Brad Smith x Fliss DuBois
25. ‌Kaitlyn Ka x Ryan Erzahler x Dylan Lenivy – Jamie Tiergan x Erin Keenan
26. ‌Laura Kearney x Kaitlyn Ka – Granthem Du'Met x Erin Keenan
27. ‌Laura Kearney x Max Brinly – Sam Giddings x Jessica Riley
28. ‌Conrad x Josh Washington – Emma Mountebank x Kaylee Hackett
29. ‌Matt Taylor x Jessica Riley – Brad Smith x Dylan Lenivy
30. ‌Rachel King x The Ancient One – Dar Basri x Eric King
31. ‌Ashley Brown x Jessica Riley – Kate Wilder x Erin Keenan x Jamie Tiergan
32. ‌Chris Hartley x Ashley Brown – Ryan Erzahler x Dylan Lenivy
33. ‌Kate Wilder x The Curator – Becky Marney x Felicity Graves
34. ‌Sam Giddings x Hannah Washington – Nick Furcillo x Abigail Blyg
35. ‌Josh Washington x Chris Hartley – Laura Kearney x Travis Hackett
36. ‌Max Brinly x Laura Kearney x Travis Hackett – Nick Kay x Jason Kolchek
37. ‌Josh Washington x Jessica Riley – Kate Wilder x Shelby
38. Fliss DuBois x Julia - Mark Nestor x Joseph Morello 39. Emily Davis x Ashley Brown - Kate Wilder x Michelle Morello
32 notes · View notes
Text
Meet the Competing Voice Actors!
After the preliminaries and days of deliberating, here are you VOICE ACTORS COMPETING! One will take home the spot of Tumblr's Favorite Voice Actor!
A note before they are introduced! If you would like to support any of them send in an ask or make propaganda, any propaganda you make and post yourself should have me tagged! As well using the tags #favevabracket or #favevabracket2023!
And a quick reminder about the two rules that will be staying active!
No harrassment, hate, or vitriol will be tolerated. We are here to celebrate the work of voice actors not tear each other down
This is all for fun! Do not take it super seriously!
Good luck to all of our competitors!
Kirby Morrow
Rob Paulsen
Robbie Daymond
Tiana Camacho
Alex Hirsch
Khoi Dao
Megumi Ogata
Ray Chase
Sungwon Cho
tara strong
Yuri Lowenthal
Alejandro Saab
Billy Kametz
Billy West
bryce papenbrook
Cree Summer
Grey DeLisle-Griffin
Kevin Conroy
Phil Lamar
Zach Aguilar
Zeno Robinson
AJ Michalka
Alex Brightman
Allegra Clark
Ashley Johnson
Christopher R. Sabat
Daws Butler
Eartha Kitt
Erika Harlacher-Stone
Frank Welker
J. Michael Tatum
Jack De Sena
Jason Griffith
JK Simmons
John DiMaggio
June Foray
Kristen Schaal
Mark Hamill
Richard Horvitz
Steve Blum
Tom Kenny
Wendie Malick
Aaron Dismuke
Aaron Paul
Aimee Carrero
Alison Brie
Ami Koshimizu
Angela Bassett
Ashley Ball
ashly burch
Avi Roque
Ayumu Murase
Ben Schwartz, baby!
BETH MAY
bill farmer
Bill Scott
brandon rogers
Caitlin Glass
Casey Kasem
Cassandra Lee Morris
Cecil Baldwin
Christine Cavanaugh
Clark Duke
Colleen Clinkenbeard
Daman Mills
Dan Castellaneta
Dan Provenmire
Dani Chambers
Dante Basco
Dave Fennoy
David Tennant
Deedee Magno Hall
Deven Mack
Doris Grau
Doug Boyd
Dylan Marron
Elizabeth Maxwell
EG Daily
Elijah Wood
Ellen McLain
Eric Vale
Erin Fitzgerald
Josey Montana McCoy
Greg Chun
Gu Jiangshan
Guilherme Briggs (brazilian)
Haley Tju
Harry Shearer
Haruka tomatsu
Helen Gould
Hynden Walch
Jack McBrayer
Jackson Publick
Jaime Lynn Marchi
Jason Griffith
Jason Liebrecht
jason marsden
Jennifer Hale
Jerry Jewell
Jim Cummings
Jim Ward
John Burgmeier
John Swasey
Johnny Yong Bosch
Julie Kavner
Justin Cook
Kaiji Tang
Katey Sagal
Kdin Jenzen
Keith David
Ken Sansom
Kent William
Kevin Brighting
Kevin R Free
Kieran Reagan
Kimberly Brooks
Kimiko glenn
Kyle Igneczi
Kyle McCarley
Laura Bailey
Lauren Tom
Leah Clark
Liam O’Brien
Lorenzo Music
Lucien Dodge
Lucille Bliss
Lydia Mackay
Lydia Nicholas
Maddie Blaustein
Mae Questel
Mae Whitman
Maggie Robertson
Mara Wilson
Mark Oliver
Matthew Mercer
Matthew Zahnzinger
Maurice LaMarche
Max Mittelman
Mel Blanc
Melissa Hutchinson
Michael Adamthwaite
Micheal Sinterniklaas
Mike Judge
Monical rial
Natsuki Hanae
Nicole Tompkins
Olivia Olson
Olivia Wilde
P.M. Seymour
Parker Simmons
Patricia Ja Lee
Patrick Pedraza
Paul Castro Jr
Paul Frees
Penny Parker
Pete Gustin ( i think thats how it's spelled)
Peter Cullen
Phil Harris
Phil Hartman
Ricco Fajardo
Roger Craig Smith
Roz Ryan
Sandra Oh
Sarah Miller-Crews
Sayaka Ohara
Scatman Crothers
Scott Adsit
Scott Mcneil
Stanley Tucci
Stephanie Beatriz
Stephen Merchant
Steve Whitmore
Tabitha st Germain
Takaya Kuroda
Tom Kane
Tress McNeil
Veronica Taylor
Vincent Tong
Will Arnett
Yasuo Yamada
Zach Callison
Bobbie Moyinhan
Josh Brener
Andrew Francis
Brent Millar
Sebastian Todd
Kestin Howard
Lizzy Hofe
Andy Cowley
Todd Haberkorn
Yoshimasa Hosoya
Russi Taylor
30 notes · View notes
dear-indies · 1 month
Note
Hello hello! Please could I get some fc help? I'm looking for a female fc with a bit of a punk/grunge/edgy/alternative look - probably 30s but age is not a big deal at all! - bonus points if the fc is queer and/or not purely super femme-y
Thank you!
Beth Ditto (1981) - is queer - has spoken up for Palestine!
Fefe Dobson (1985) Afro-Jamaican / Unspecified First Nations, White.
Jurnee Smollett (1986) African-American, possibly other / Ashkenazi Jewish - in Harley Quinn: Birds of Prey and The Twilight Zone.
Roberta Colindrez (1986) Mexican - is queer.
Alba Flores (1986) Romani - is a lesbian.
Diane Guerrero (1986) Colombian - in Doom Patrol - has spoken up for Palestine!
Mae Whitman (1988) - is pansexual - in Jack.
Ritu Arya (1988) Indian - in The Umbrella Academy.
FKA twigs (1988) African-Jamaican / White, possibly Egyptian.
Hannah John-Kamen (1989) Nigerian / Norwegian - in Resident Evil.
Katy M. O'Brian (1989) African-American, and white - is queer.
Mary Galloway (1990) Quamichan and Unspecified White - is queer - in Querencia.
Sarah Kameela Impey (1991) Indo-Guyanese / British - in We Are Lady Parts.
Jessica Henwick (1992) Chinese Singaporean / English - in The Matrix Resurrections.
Devery Jacobs (1993) Mohawk - is queer.
Hope this helps!
2 notes · View notes
mistressheroine · 4 months
Text
WIP Whenever
Thank you for the tag @im-immortal 💚
I'd just like to take a moment to say a massive thank you to whoever nominated me for The Moonshine Awards this year! I was blown away by how many I got and I'm so honoured to be considered amongst so many amazing writers, artists and content creators! I never thought that I would be writing fic on an almost daily basis this time last year but all the friendship and support I have recieved has meant so much to me and has given me so much confidence ❤️
I've yet to make a start on chapter 6 of Keep Me (hopefully at some point this week) as I've been focusing all my attention on my Valentine's Day fic for BHF23! So here's a little preview for Can You See Right Through Me?
“I’ll do a quick sweep upstairs, why don’t you see if there’s anything we could use.” Daryl whispered before he cautiously mounted the wooden staircase, still on high alert. Beth watched as he ascended into the shadows above, his footsteps causing the floorboards above to creak despite how lightly he was treading and she let out a sigh of relief when she heard him call that it was all clear a couple of minutes later. She ran a hand over her damp hair before removing her backpack, a cloud of dust dancing around the air as it hit the floor and began to search through the kitchen cupboards. It had been untouched, a rarity after all this time since the Turn, the crockery and glassware was all stacked up neatly inside. She found an old box of unopened crackers and a few cans of soup and beans which she laid out on the kitchen counter. It was then that she spotted a wooden box with a faded piece of paper placed neatly on the top, its edges curling and yellowing slightly from the exposure to the air and sunlight but Beth could still make out the handwritten message that had been left behind: There is always hope. Beth reached out with hesitant fingers for the note, remembering the last time they had come across shelter that was seemingly too good to be true. She heard Daryl making his way back down the stairs and towards where she stood in the semi-darkness of the kitchen, carrying a lit candle. As he came closer and cast more light across the room, Beth saw that the wooden box had an inscription carved into the lid surrounded by groups of delicately painted violets. She recognised the quotation from a long forgotten class in high school, a quote paraphrased from a Walt Whitman poem - We were together, I forget the rest. “Found some candles and a few blankets tucked away upstairs. They’re dusty but they’ll keep us warm enough if it gets any colder. I’ll get the bike covered and try to find some wood for a fire ‘fore the rain gets too heavy. What’d ya find?” Daryl asked, spotting the piece of paper she still had pinched between her fingers. Beth glanced over her shoulder at him, his face bathed in the warm glow of candlelight as he placed it beside her on the counter. Another memory flashed across her mind, another candlelit kitchen and his face bathed in warm light.  “Whoever used to live here, they left something behind for whoever came along.” Beth whispered, her throat suddenly dry as the image of his ocean blue, intense gaze across the kitchen table that night at the funeral home refused to leave her mind. She shook her head as he leant past, his arm brushing lightly against hers as he ran surprisingly delicate fingers over the lid of the wooden box. Beth unfolded the piece of paper and found a short message written inside which she proceeded to read out loud. 
I'll tag @sasusc @olpie @boltthrutheheart and anyone else who wants to share 😘
6 notes · View notes
warningsine · 3 months
Text
Having finished season 1 of "Good Girls," let me say that:
It is a hilarious series with 3 disaster leads (affectionate), but for all of its slapstick humor, its heart is: working class women trying to stay afloat.
Retta, Hendricks and Whitman give amazing performances that complement each other. Their chemistry truly is the biggest strength of the show.
Joan on "Mad Men" was understandably guarded, so it's refreshingly different to see Hendricks let loose as Beth. The way her voice switches from sweet and girly to sharp and authoritative on the spot? 11/10.
Retta nails both the comedic and dramatic bits with ease.
Whitman is charming as emotionally immature yet completely lovable Annie.
Truth be told, the season drags a little towards the second half despite the fact that the series is fast paced in general. They could have gotten away with 8-9 episodes instead of 10.
Yes, the concept is not entirely believable or original, but who cares? Didn't see anyone criticizing "Breaking Bad" for its straight up cartoonish moments. Why do we have to be so harsh when it comes to soapy delights that do not take themselves seriously like this one or "Why Women Kill"? Prestige dramas are good and all, but please give us a break from the typical male antihero narrative.
My point is, it is not the most scathing or poignant take on #MeToo and feminism, but so what?
Watching Beth hit the guy that almost rapes her sister reminded me of that moment in "Kevin Can F*ck Himself" where Patty injures her brother to protect Allison.
They paraphrased "Thelma and Louise" during that very scene. <3
Allison Tolman, here you are again being a total gift. If only she had more screen time/were a regular. Let her extort the ladies all she wants, but get rid of Leslie.
Say whatever you want about Dean, but Matthew Lillard's scenes with Hendricks are [chef's kiss].
Really loved Annie's child. Ruby's was also a delight. Both family arcs were touching.
Ruby and Stan. What a loving relationship. It was inevitable that the lie would leave their marriage in shambles, but it still is upsetting when that happens.
For a moment there, I was afraid that they were going to make Nancy the 1D "bitchy" wife so that the audience would root for Gregg and Annie (I do like them, but I do not think they will work out). Suffice to say, I gave a sigh of relief when they had Annie sympathize with her and call Gregg out on his shit.
I do not get the hype about Rio. He was funny in the beginning, but his generic/1D bad guy shtick got repetitive and annoying pretty fast. He shows up, puts on that growly voice, recycles 3 facial expressions while threatening the ladies and flirting with Beth, leaves. It does not help matters that Hendricks outshines the actor in every scene they share. From the way people talked about him, I thought he'd be more of a male Villanelle (s1 Villanelle), but without APD. Mea culpa. Knowing that they were actually initiating a romance, not just sexual tension between them, does not surprise me in the least, but it does leave me unimpressed.
3 notes · View notes
kwebtv · 11 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Oppenheimer - BBC - October 29, 1980 - December 10, 1980
Historical Drama / Biography (7 episodes)
Running Time: 420 minutes
Stars:
Sam Waterston as J. Robert Oppenheimer
John Carson as Narrator
Christopher Muncke as Colonel Kenneth Nichols
Jana Shelden as Kitty Oppenheimer
Kate Harper as Jean Tatlock
Edward Hardwicke as Enrico Fermi
David Suchet as Edward Teller
Manning Redwood as Lieutenant General Leslie Groves
Peter Whitman as Robert Serber
Matthew Guinness as Hans Bethe
Bob Sherman as Ernest Lawrence
John Morton as Robert Wilson
Garrick Hagon as Frank Oppenheimer
Liza Ross as Jackie Oppenheimer
Barry Dennen as Isidor Rabi
Peter Marinker as Haakon Chevalier
Phil Brown as Lewis Strauss
Sarah Brackett as Priscilla Duffield
The series aired on PBS' American Playhouse from May 11, 1982 to June 22, 1982
7 notes · View notes
toughgirlchallenges · 3 months
Text
Beth Whitman - completed the Grand Slam Plus with Racing the Planet. This included running 5 separate events, each 250K, across Georgia (the country), the Namib Desert in Namibia, the Atacama in Chile, the Gobi in Mongolia and Antarctica.
Beth is a traveler first and foremost. With 35 years of travel experience, each year she spends three to four months abroad, combining her love of adventure with vacation and business. 
For 15 years she has been running WanderTours, focusing on women-only tours, where she encourages and inspires women to dive deep into cultures and to challenge themselves by getting out of their comfort zone.
She recently discovered running and, at age 50, ran her first marathon. She then discovered ultra-running and has been using these as an excuse to explore remote destinations around the globe that few people ever see.
Most recently she completed the Grand Slam Plus with Racing the Planet. This consisted of running five 250K stage races across four deserts: the Gobi in Mongolia, the Atacama in Chile, the Namib in Namibia, Antarctica and, the one non-desert race, a run across the country of Georgia. 
While many people have completed these races, she is part of a small group of competitors (only seven women!) who have completed them in a year's time (OK, slightly longer due to Covid).
***
We first spoke with Beth - Feb 11th 2020 - Running her 1st Marathon at 50, completing the Snowman Trek in Bhutan. 
***
 Don't miss out on the latest episodes of the Tough Girl Podcast, released every Tuesday at 7am UK time! Be sure to hit the subscribe button to stay updated on the incredible journeys and stories of strong women.
 By supporting the Tough Girl Podcast on Patreon, you can make a difference in increasing the representation of female role models in the media, particularly in the world of adventure and physical challenges. Your contribution helps empower and inspire others. Visit www.patreon.com/toughgirlpodcast to be a part of this important movement. 
Thank you for your invaluable support!
***
Show notes
Who is Beth Whitman and what she does
Speaking with Beth at the end of 2019 where she shared more about running her first marathon and completing the Snowman Trek in Bhutan. 
Going back to the start of 2020
4 desert races - with Racing the Planet 
Wanting to run these 4races in 1 year (Namib Race (Namibia), Gobi March (Mongolia), Atacama Crossing (Chile) and The Last Desert (Antarctica))
Continuing to run and train, even when races and borders were getting closed
Not knowing what was going on, and continuing to hope that the race would go on. 
Running every street in your city/neighbourhood  
Having a purpose to get up every day and go running
The rules of the ‘running every street’
The mental side of always being ‘on’ while running 
The challenges of running a tour company during covid
Dealing with uncertainty 
Her first race - running Georgia (country) in 2021
Dealing with stress
Using mediation and becoming more aware of her thoughts
Needing to know what was happening and starting to doom scroll
Becoming more aware of her habits
Cutting back on caffeine and sugar
Moving on quickly from each trip/race
Needing to spend more time in reflection and appreciation for what’s been achieved
Revenge travel
Having 7 weeks between the Georgia race and the next ultra in Namibia
Fuelling ultra marathons being a mostly vegan 
Magical moments and highlights from running 
Running in Antarctica and the challenges with the terrain and weather
The mental struggle and thinking that she wasn’t going to be able to carry on while running in the desert
What kept her going during the tough times
How to find out more about Beth and her tours
Being most active on Facebook
Final words of advice
Having something to look forward to 
The power of making a plan 
Why you are capable of so much more than you think 
  Social Media
  Website:
www.WanderlustAndLipstick.com 
www.WanderTours.com 
  Instagram:
@bethwhitwa
@wandertours_pics
  Facebook: @bethwhitwa
    Check out this episode!
0 notes
starsallalight · 5 months
Text
Tumblr media
Leave a like/comment if you'd like a starter from:
Alison Heywood
Belle Sauveterre
Beth March
Christine Daaé
Daisy Brooke
Dominic Marshall
Edward Ledoux
Ella Ledoux
Queen Feraine
Princess Gwyneira
James Stringer
John Brooke
Lila Whitman
Lucy Pevensie
Lady Rosamund
Sonya Rostova
Susan Pevensie
Vlad Rostov
I'll be attempting some drafts and opens as well.
1 note · View note
your-own-scifi-nerd · 11 months
Text
I don’t know why I’m doing this, but I am. Here’s a list of all my OCs, and what their names mean. Guess which one is for which fandom. Some are easier than others. 
Athena Sapphire Sencen (Thena)
Athena(first name): the greek goddess of wisdom
Sapphire(middle name): a gemstone related with royalty
Sencen(last name)
voice claim: Juman Malouf, ‘Agnes’ “Fantastic Mr. Fox”
Phoebe Rose Black (Rosie)
Phoebe(first name): bright or radiant
Rose(middle name): a flower that represents romance, love, beauty, and courage
Black(last name)
voice claim: Sophie Aldred, ‘Ace McShane’ “Doctor Who”
Star Rosemary Niche (Rose)
Star(first name’s e): a star in the sky
Rosemary(middle name): dew of the sea
Niche(last name)
voice claim: Kristen Bell, ‘Anna’ “Frozen”
Faye Elena Barnes
Faye(first name): loyalty or belief
Elena(middle name): sun ray, shining light
Barnes(last name)
voice claim: Estelle Swaray, ‘Garnet’ “Steven Universe”
Susan Alice Sullivan-Smith (Suzie)
Susan(first name): lily of the valley
Alice(middle name): noble, exalted
Sullivan-Smith(last name)
voice claim: Vivian Nixon, ‘Millie’ “Helluva Boss”
Lilith Alex Coulson (Lily)
Lilith(first name): belonging to the night
Alex(middle name): defender of humankind
Coulson(last name)
voice claim: AJ Michalka, ’Stevonnie’ “Steven Universe”
Penelope Hestia Jackson (Penny)
Penelope(first name): weaver
Hestia(middle name) the greek goddess of hearth and home
Jackson(last name)
voice claim: Sarah Silverman, ‘Vanellope Von Schweetz’ “Wreck-it-Ralph”
Aine Cedar Ward
Aine(first name): brilliant, happiness
Cedar(middle name): a tree that represents strength, longevity and resiliency
Ward(last name)
voice claim: Daisy Ridley, ‘Rey’ “Star Wars”
Rune Alena Vagerson
Rune(first name): secret
Alena(middle name): tower
Vagerson(last name)
voice claim: Billie Piper, ‘Rose Tyler’ “Doctor Who”
Alexandria Rose Tyler-Williams (Alex)
Alexandria(first name): defender of humankind
Rose(middle name): a flower that represents romance, love, beauty, and courage
Tyler-Williams(last name)
voice claim: Ellen McLain, ‘Glados’ “Portal”
Asterin Mori Eraline
Asterin(first name): star
Mori(middle name): God is my teacher, forest
Eraline(last name)
voice claim: Zeno Robinson, ‘Hunter’ “The Owl House
Amaris Mallory Kenobi (Mar)
Amaris(first name): promised by God
Mallory(middle name): unlucky
Kenobi(last name)
voice claim: Mae Whitman, ‘Katara’ “Avatar: The Last Airbender”
Astra Blossom Pendragon
Astra(first name): star
Blossom(middle name): flower-like
Pendragon(last name)
voice claim: Deborah Watling, ‘Victoria Waterfield’ “Doctor Who”
Elaine Christine Rothschild-Kirk (El)
Elaine(first name): sun ray, shining light
Christine(middle name): follower of Christ
Rothschild-Kirk(last name)
voice claim: Ashleigh Ball, ‘Rainbow Dash’ “My Little Pony: Friendship is Magic”
Caroline Jane Foxer (Genesis Gwendolyn G.)
Caroline(first given name): free woman
Genesis(first chosen name): new beginning
Jane(middle given name): God is gracious
Gwendolyn(middle chosen name): blessed ring
Foxer(last given name)
G.(last chosen name)
voice claim: Isabel May, ‘Veronica Duncan’ “Young Sheldon”
Elizabeth Rebecca Quinn (Beth)
Elizabeth(first name): God is my oath
Rebecca(middle name): bind or tie
Quinn(last name)
voice claim: Jodi Benson, ‘Ariel’ “The Little Mirmaid”
Fern Prentice Tyler
Fern(last name): sincerity
Prentice(middle name): apprentice, learner
Tyler(last name)
voice claim: Chiari Queen, ‘Victoria’ “Metal Family”
Jacob Kane Kirk
Jacob(first name): supplanter
Kane(middle name): battlefield
Kirk(last name)
voice claim: Michael Ark, ‘Arvo’ “The Walking Dead”
T’Laura Amanda Kirk
T’Laura(first name): achievement
Amanda(middle name): worthy of love, lovable
Kirk(last name)
voice claim: Mae Whitman, ‘Amity Blight’ “The Owl House”
Soren Leonard Kirk
Soren(first name): stern, strict, severe
Leonard(middle name): lion's strength
Kirk(last name)
voice claim: Jorden Fry, ‘Lewis Robinson’ “Meet the Robinsons”
0 notes
Text
Round 3
Alex Smith x Julia - Matt Taylor x Jessica Riley
Ashley Brown x Jessica Riley - Emma Mountebank x Kaitlyn Ka (Mounteka/Banka)
Emily Davis x Ashley Brown - Jason Kolchek x Salim Othman (Jalim)
Dylan Lenivy x Chainsaw - Sam Giddings x Hannah Washington
Laura Kearney x Max Brinly - Conrad x Fliss DuBois
Becky Marney x Felicity Graves (Gravey) -Ryan Erzahler x Dylan Lenivy (Rylan)
‌Hannah Washington x Jessica Riley - Beth Washington x Sam Giddings
‌Emily Davis x Jessica Riley - Josh Washington x Jessica Riley
Jeff Whitman x Marie Whitman - Jamie Tiergan x Erin Keenan (Jerin)
‌Dar Basri x Eric King (Daric) - Nick Kay x Salim Othman
Kate Wilder x Jamie Tiergan (Wildgan) - Rachel King x Clarice Stokes (Clarachel)
Mark Nestor x Kate Wilder (Markate) - Conrad x Brad Smith (Conbrad)
Laura Kearney x Kaitlyn Ka (Kearka) - Mike Munroe x Jessica Riley
‌Josh Washington x Chris Hartley (Climbing Class) - Laura Kearney x Hannah Washington
Emma Mountebank x Abigail Blyg (Blygbank) - The Curator x Player
The Curator x Dr. Hill - Fliss DuBois x Julia
13 notes · View notes
elisaenglish · 1 year
Text
The First Romantics and the Invention of the Self: How a Circle of Friends and Lovers United Nature and Human Nature
Mind is invisible nature, while nature is visible mind.
Just after the revolutionary work he recounted in Awakenings, Oliver Sacks wrote in a note to the music therapist at Beth Abraham Hospital: “Every disease is a music problem; every cure is a musical solution.” He was quoting Novalis—the young German poet and philosopher who, while working in a salt mine and studying mathematics, geology, physics, and biology, was composing tortured and transcendent poems inspired by the death of his teenage beloved.
Novalis is one of the characters who animate Andrea Wulf’s Magnificent Rebels: The First Romantics and the Invention of the Self (public library) — the story of a circle friends and lovers in late-eighteenth-century Germany who refined their ideas in ricochet—ideas that shaped our present understanding of art and nature, mind and reality, the world and ourselves as function and functionary of it.
After the formidable Germaine de Staël popularised their ideas outside Germany, the tendrils of their influence went on to touch Coleridge and Emerson, Whitman and Joyce, sinking into the very soul of the modern world and its self-regard.
Having previously written about Alexander von Humboldt and the “invention” of nature—in the sense of the birth of its modern conception—Wulf now chronicles the “invention” of the modern self, the Ich, in the intellectual kiln of the same time and place, revealing the two to be inseparably related, reminding us that we can’t understand nature if we don’t understand ourselves or care for one without caring for the other.
She calls them the Jena set, after the town in Duchy of Saxe-Weimar where they constellated their portable universe of radicalism, and writes:
“They were rebellious and felt invincible. Their lives became the playground of this new philosophy. And the story of their tiptoeing between the power of free will and the danger of becoming self-absorbed is significant on a universal level. The Ich, for better or worse, has remained centre stage ever since. The French revolutionaries changed the political landscape of Europe, but the Jena Set incited a revolution of the mind. The liberation of the Ich from the straitjacket of a divinely organised universe is the foundation of our thinking today. It gave us the most exciting of all powers: free will.”
Against the grain of their time, they exercised their free will in open marriages and long-term monogamies without marriage. With names that sounded alike and intellectual passions that fired alike, they became a kind of hive mind fixated on celebrating the self and set out to “symphilosophise”—a term they invented for the intellectual symbiosis and symphonic creative collaboration at the heart of their life. Wulf writes:
“Taken together, the knowledge available in the minds of those who lived in Jena was like a great living encyclopaedia covering a vast range of subjects from antiquity to comparative anatomy, from electricity to Spanish literature, from philosophy to poetry, from history to botany.”
Among them, of course, were Goethe and Schiller, whose intergenerational friendship was the intellectual and creative anchor of both of their lives. Humboldt flits in and out of the scene, with his experiments in galvanism and his passionate devotion to the web of life. But there are also central characters now nearly forgotten—the influential brothers August Wilhelm Schlegel and Friedrich Schlegel, who believed that they were “all part of the same family of magnificent outlaws” and stood against Rousseau in their conviction that both boys and girls deserved a rigorous education; the young Friedrich Schelling, who at age eleven had informed his teachers that they had nothing else to teach him and had become the youngest professor appointed at the University of Jena at twenty-three, who “radiated infinity,” and who believed that “mind is invisible nature, while nature is visible mind” and told his students:
“As long as I myself am identical with nature, I understand what living nature is as well as I understand myself.”
There was Novalis, who “regarded the ordinary with wonder” and “slept little and worked hard”—at his poetry and in the salt mines—and believed that we and the world are an integrated system, each indispensable to the other, so that our task is to “catch sight of ourselves as an element in the system.” Wulf writes:
“His notebooks are filled with more than a thousand sections which analyse, synthesise and connect everything from music to physics, poetry to chemistry and philosophy to mathematics. And he did so with a fluidity and lightness that reveals a mind wide open to everything. Novalis began to assemble his ideas and material under conventional headings, such as archaeology, religion, nature, politics, medicine, and so on, but also under more unusual groupings, such as “theory of the future,” “musical physics,” “poetical physiology” and “theory of excitation.””
It was Novalis who offered the closest thing they had to a founding credo of Romanticism:
“By giving the commonplace a higher meaning, by making the ordinary look mysterious, by granting to what is known the dignity of the unknown and imparting to the finite a shimmer of the infinite, I romanticise.”
But by far the most colourful character is Caroline Schlegel, who was to the German Romantics what Margaret Fuller was to the American Transcendentalists. Vivacious, opinionated, educated far beyond the gendered limits of her time, Caroline spent time in prison for her revolutionary leanings, had a baby by a young Napoleonic soldier after a fiery one-night stand, and was animated by what she called “a firm, almost instinctive need for independence.” She besotted both Schlegel brothers, married one in what was at base an amicable friendship, and took the young Schelling as a lover, becoming the great love and muse of his life. The slight squint of her blue eyes cast the spell binding everyone into the “magic circle” of the group. “We have to build a poetic world out of ourselves,” Novalis told her as he declared her the beating heart of that world.
They all believed in the power of language. “You have not just to carry out revolutions,” Friedrich Schlegel wrote, “you have to speak them too.” No one spoke them more revolutionarily than the young Schelling, whose lectures enchanted a generation of thinkers with a whole new way of seeing the world—his students called it his “poetry of the universe.” Wulf writes:
“For millennia, thinkers had turned to their gods to understand their place and purpose in the unknowable divine plan. Then, in the late seventeenth century, a scientific revolution began to illuminate the world. Scientists had peered through microscopes into the minutiae of life or lifted new telescopes to the skies to discover Earth’s place in the universe. They had dissected human hearts to learn how the body functioned and classified plants, animals and minerals in neat categories to impose order on the world in which they lived. They had calculated the distance between the Sun and Earth, described how blood circulated through the body, and sailed to Australia, a “new” continent some ten thousand miles away on the other side of the world. They had discovered oxygen and used mathematics to define the laws of planetary motion and gravity.
The Enlightenment had truly enlightened. But this new rational approach had also created a certain distancing from nature and excluded the roles of feeling and beauty. Nature had become something that was investigated from a so-called objective perspective. Light, for example, was no longer appreciated for its kaleidoscopic play of iridescent colours, Novalis said, but for its refraction and “mathematical obedience”: hence its elevation to the term “Enlightenment” itself. This was why Schelling’s students fell for their young professor. He reunited what the scientific revolution had separated: nature and humankind. No matter how much scientists observed, calculated and experimented, there was something emotional, something visceral and perhaps inexplicable about humanity’s connection to nature. However we feel it, nature can soothe, heal or simply fill us with joy. Schelling gave us the philosophical explanation.
And by doing so, his philosophy of oneness became the heartbeat of Romanticism.”
In consonance with William Blake’s lifelong devotion to turning art into a lens on the universe, the Jena set understood that because we are part of nature, the products of our creative imagination are how nature examines itself, comprehends itself, and coheres. Wulf considers how Schelling’s System of Transcendental Idealism “became the philosophical underpinning of Romanticism”:
“An artwork—a painting, a sculpture, a poem—was therefore the expression of the union between the self and nature. Whatever an artist produced was created by nature through him or her. Nature—the unconscious product of the self—and the conscious self came together in the artistic creation. Art was therefore essential in order to make sense of the world, Schelling declared. Neither rational thought nor the most accurate scientific instruments held the key to understanding the world. Art was the finite or concrete representation of the infinite. Art opened “the holiest of holies,” Schelling wrote. It was the revelation of the universe through the creative production of an artist.”
These were ideas the entire Jena set shared. Friedrich Schlegel proclaimed that “all art should become science and all science art.” Novalis insisted that “science in its perfected form must be poetic” and that “laboratories will be temples.” Caroline Schlegel prophesied that “when the world goes up in flames like a scrap of paper, works of art will be the last living sparks.”
Works of art only ever spring from the particular vantage point of a particular authentic self—an Ich—and this is the enduring legacy of the first Romantics.
But all great ideas, if followed not critically but cultishly, run the risk of metastasising into dogmas. Today, we are living with one such metastasis of Romanticism in our staggering epidemic of selfing—rather than connecting us to each other and the living world as kindred elements in a system, the inflamed Ich has folded us unto ourselves: living proteins of ego. It is by returning to the original philosophy, before its mutation, that we stand a chance of reclaiming the self as a crucible of creativity and a portal of connection to nature.
Wulf reclaims the legacy of the Romantics:
“Life is a negotiation between our rights as an individual and our role as a member of a community, including our responsibilities towards future generations who will inhabit this planet. How can we live a meaningful life in which we determine the direction of our path while also being a morally good person? How do we reconcile personal liberty with the demands of society? Are we selfish? Are we pursuing our dreams? Are we treading on someone else’s liberty? Are we looking only after ourselves? Or others? Or both? We have entered a social contract with each other and with our governments, agreeing to abide by laws and conventions—yet this only works if we are free and trust one another at the same time.
The Jena Set believed that we have to be conscious of our selves—to be “selfish” in the sense of being aware of and in control of our own being and free will.
[…]
The “Art of being Selfish,” in the context of Schelling’s Naturphilosophie, also means understanding one’s place in this great interconnected living organism that is nature. “Since we find nature in the self,” one of Schelling’s students concluded, “we must also find the self in nature.” Being selfish in that sense means comprehending and recognising the concept of unity with the universe. Not harming the planet therefore means not harming yourself.”
With an eye to Novalis’s insistence that “without perfect self-understanding we will never learn truly to understand others,” she adds:
“Only if we are fully aware of ourselves—of our needs, our wishes, and of our thoughts—can we truly embrace the other. This emphasis on the Ich means being “self aware” as the prerequisite for “being aware and concerned for the other.” Only through self-awareness can we feel empathy with others. Only through self-reflection can we question our behaviour towards others. Self-examination in that sense is for the greater good—for us, for our wider community, for society in general and for our planet.”
Complement Magnificent Rebels with poet, painter, and philosopher Etel Adnan—a modern-day Romantic, writing in her nineties—on the self and the universe, then revisit the Schelling-influenced Emerson on how to trust yourself and Whitman’s Humboldt-inspired poem “Kosmos.”
Source: Maria Popova, themarginalian.org (28th November 2022)
0 notes