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shadynalittlesketchy · 3 years

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A Guide to Vampire Media That Isn't Twilight, by Someone Who Consumes a Lot of It

I'm NOT here to bash Twilight, just provide some other fun bloodsucker media for y'all to enjoy :) if you have any recs of your own, hit me with those bad bois!

Vampire Diaries- "a girl is torn between two vampires" is the plot for like 2 seasons but then it improves significantly. it's definitely very CW, but a lot of the vampire mythology is very very cool. and it doesnt hurt that the entire cast is ridiculously attractive. a great popcorn show! CW for blood and violence, parental death, and dub-con scenarios.

The Originals- a spinoff of TVD, but you don't really need to have seen TVD to watch this. It centers around the 4 original vampires (original as in like, the first vampires ever created) as they navigate vampire and other supernatural politics in New Orleans. Much less "teen angst" and much more "evil ancient vampires trying to be civil at dinner without murder" vibes. CW for blood and violence, and lots of spooky occult stuff taking place in graveyards.

Buffy the Vampire Slayer- literally my favorite TV show of all time. In addition to some killer vamps (team spike ftw!), there's weird demons, warlocks, werewolves- anything you can think of. it has great LGBTQ+ representation for its time, tackles social issues, and has a healthy dose of humor. CW for violence, supporting character deaths, vampire sex that destroys a building, and sexual assault.

What We Do in the Shadows- I don't usually rec comedies, but this one is too good not to. Loosely based off of the movie, it follows a group of vampire roomates in Staten Island. It is hilariously funny, and mocks just about every vampire trope out there. CW for copious amounts of blood, vomit, some pretty crass sexual humor, and dead raccoons.

True Blood- vampires in Louisiana, in a world where everyone knows vampires exist. it checks off all of my boxes for morally grey characters and weird supernatural happenings. it's an HBO show, so TW for blood/gore, violence, and soooo much sex and nudity.

Carmilla- technically a web series, not a TV show, but whatever. its lighthearted lesbian vampires, based off of the very old novella of the same name. great if you like vampires without the scare factor. and its free to watch on youtube!

Movies

What We Do in the Shadows- the movie the TV show is based off of. vampire roommates in New Zealand. also very funny, but less graphic violence/sexual references. created by and starring Taika Waititi, of Thor: Ragnarok fame.

The Lost Boys- awesomely cheesy 80's cult classic feat. Kiefer Sutherland with a bleach-blond mullet. it's fun and weird and has a cool aesthetic. it also has the same kind of vibe as the Goonies. TW for gore, and one icky scene with maggots.

Thirst

South Korean vampire drama with dark, aesthetically pleasing religious imagery. The mc returns from a mission trip with intense cravings for sex and blood and struggles to hold onto his humanity. super angsty and dramatic in the best ways. CW for copious blood and gore, spicy vampire sex, and sexual assault.

Abraham Lincoln: Vampire Hunter

a surprisingly good movie! has a fun, steampunk feel to it, and a pre-MCU Anthony Mackie, which is an added bonus. vampires kill honest abe's mother when hes a child, so he grows up to be an axe-swinging vampire slayer AND the president. this is not a movie to be taken seriously, but it is an awesome popcorn movie! CW for parental death, blood/gore, slavery (it is set during the civil war), and children in danger.

Interview With the Vampire

it is about as gay as a movie can get without the main characters actually being gay. it's a long, drawn-out story about a vampire and his life from when he's turned in the early days of america, until the present. the vampire is played by brad pitt, and he shares lots of longing glances and homoerotic blood drinking scenes with tom cruise. it is visually spectacular, even if the story is a little long. CW for blood/gore, child death, and sexual content.

Bram Stoker's Dracula

starring winona ryder and keanu reeves! it follows the book fairly closely, although it is a very 90s movie. it is WILD, but a classic and a lot of fun if you like vampires, or really any kind of supernatural shenanigans. CW for sexual content, and blood/violence.

Books

The Coldest Girl in Coldtown

non-traditional vamp book, by holly black (the same one who wrote the cruel prince). vampires live in fancy quarantined cities called coldtowns, and the MC ends up in one inadvertently. its a more dystopian/sci-fi take on vampires, but it still has a lot of traditional vampire fun thrown in, too. plus the cover is just gorgeous. CW for sex and violence.

The Southern Book Club's Guide to Slaying Vampires

probably one of the weirdest vampire books ive ever read, but in a good way. its about a group of housewives who start a true-crime bookclub, but begin to suspect that their new neighbor is a vampire. its a really good female empowerment story, and it also explores white saviorism. CW for sexual assault, racism, violence, and forced pregnancy.

Lost Souls

Poppy Z. Brite's books are like a punk-rock, gayer version of Anne Rice. lost souls has great queer rep, and is funny and weird and heartbreaking all at the same time. it's about the lives of vampires in New Orleans, but it's very unique and unlike any other vampire story out there. CW for blood/violence, sexual content, and sexual assault.

Dark Lover

this book is the peak of smutty vampire romance novels. I usually read books like this just for fun, but its actually well-written and has a compelling story outside of the smut aspects. It's about a half-vampire woman who teams up with a vamp to kill the slayers that murdered his parents. just ignore the fact that the love interest is named Wrath. CW for tons of smut, and blood/violence.

The Beautiful

I would describe this as a classic vampire story- romance between a human and a vampire in victorian-era NOLA, complete with costume balls, mysterious murders, and a secret supernatural club. CW warning for mild sexual content, and violence. (It's YA, so there's nothing too graphic.)

Love in Vein

A collection of vampire short stories compiled by Poppy Z. Brite, but written by a variety of authors. there's some really different takes on the vampire myth, and it's interesting to see it played with in so many different ways. just an fyi- it gets weird af and pretty graphic. CW for body horror, blood/violence, sexual assault, and sexual content.

Bonus! Mini playlist

Bloodletting by Concrete Blonde

Black No. 1 by Type O Negative

Cure by Darling Violetta

Blood in the Cut by K. Flay

Holy Water by Bad Company

Decode by Paramore

Uninvited by Alanis Morissette

I Will Never Die by Delta Rae

Devil Inside by INXS

Death of Me by PVRIS

Hypnotic by Zella Day

Cold Blooded by the Pretty Reckless

Savior by St. Vincent

Psycho Killer by the Talking Heads

Transylvanian Concubine by Rasputina

Virgin State of Mind by Ks Choice

How Soon is Now? by the Smiths

Red Right Hand by Nick Cave & the Bad Seeds

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azeher · 6 years

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On Queerbaiting, Bad Voltron Bad, and Adashi

I finally found the time and patience to bring you this post. Take it however you want. Unfollow me, love me, fall in love with Ryan Renolds... Just take your pick.

The only disclaimer I’ll make is that the Voltron crew and the marketing team of DreamWorks are very capable of queerbaiting. I’ve accused them of doing exactly that before, but I was just getting ahead of myself. I just don’t think they’re queerbaiting us after all, not on purpose (the voltron crew at least. The marketing team can go eat a spoiled banana). But at the end this is like the Schrödinger’s Cat, we won’t know until we get to see the very last episode of the final season. I mean, korrasami was queerbait until the very last seconds before the credits rolled.

BUT, the crew has made quite the mistakes along the years, and I’m gonna make a list of them:

1- Opening their mouths. Just really, they should have stayed quiet, taken the initial praising and shown gratitude and that’s it. The very first and biggest mistake they made was thinking it was a good idea to talk about the show to the fandom. Not only they never knew how to handle it, sometimes they forced themselves to lie. By creating such an narrow relationship with the fandom they allowed them to ask them for things they wanted into the show. They allowed them to ask them questions they didn’t know how to answer and sometimes they had to be purposely misleading to avoid spoilers.

2- Believing their own misleading answers. And this is how I know they’re not queerbaiting on purpose. Because they tend to get passionate when promoting the show, they’ve said things in ways that could be misinterpreted by the audience. They think they’re saying something harmless, that the small difference between what they say would happen and what actually happens will translate well, but it’s never the case.

3- Not trying to know their fandom. This isn’t entirely their fault. It’s obvious the fandom they got wasn’t the fandom they were supposed to get. I.e., the fandom should be made up of grown ups that loved the 80s Voltron and came back out of nostalgia, and of little kids looking for cool space battles, and of teens that like action and humor mixed together. Because that was their target audience. Rather they got a fandom pertaining to an entirely different genre. They got people who don’t really care for the plot (don’t even try to argue with this. The hundreds of posts I’ve seen the last three years claiming smt along the lines of “Voltron would have to pay me to watch the show for the plot” prove me right) because it bores them, and are only focused on the one thing the show openly isn’t about: Romance.

4- The writing. Legend of Korra didn’t have perfect writing. Voltron doesn’t either. This studio puts all of its effort and talent out there, you can tell, but they still have a long way to go. Still, what they do is not bad, despite what spiteful people want to make others believe. This studio has some of the most beautiful animation out there and their strengths rely on art, humor, fight sequences, music and very dramatic scenes. Those are the five things they’ve mastered. But their writing and character focus are lacking. This is not something they can’t fix. Instead of trying to drag them down and boycott these amazing and talented artists and writers who are also human beings, we could give them the support they need to improve and keep delivering stories and characters we can fall in love with. I mean, we fell in love with these characters even when the writing wasn’t perfect. This season, whether some of you want to admit it or not, had the best writing they’ve offered so far but to dissect this statement would mean making yet another long post and just no.

5- The characters’ arcs. We’ve already established they don’t know how to write characters or romance. They’re good with other sorts of relationships but romance is the thing they’re worst at. And they also suck at being constant with characters’ arcs. The biggest proof? I didn’t know the fucking protagonist of Voltron was indeed Keith until like season 4, and I only found out cuz I watched some episodes of 80’s Voltron around that time and was struck with the realization. It was impossible to tell because so far all the focus of the story had gone back and forth between Shiro and Pidge. Then Keith and eventually Allura got their own arcs. So, how about Pidge makes that math cuz it doesn’t add up? How was acceptable for them to be unclear about who the central figure in the show was? Keith was introduced as the fourth character. And they even formatted the first half of the first episode so it looked like Lance was the protagonist. The second half they were already giving up on him and turning him into a joke and Shiro finally emerged as the central figure.

6- Romance. So they completely suck at romance and they made a good decision about leaving it out. But did they really? Cuz the show says yes, but the crew’s comments and awkward writing say otherwise. And this is what takes us to the next and saddest mistake:

7- ADASHI. I know you all read this far only to get to this point. I’m gonna include Ezor and Zethrid here as well because they’re also consequence from the previous point. Shiro is an amazing character and him being gay IS indeed a big triumph. We will forever know such a great and important Asian character is canonly gay. But the writers made all the rookie mistakes they could make surrounding his sexuality, AND Ezor and Zethrid’s relationship. Don’t get me wrong, I for once don’t mind these lesbians being on the dark side because they were still pretty badass and cool even though they were villains, but they took their ambiguous villainess too far, which wouldn’t have been a bad thing wasn’t it because they were the only lesbian couple in the show. So rookie mistake number one: Picking the wrong characters to be your representation when you’re gonna be so limited with representation. They also killed them off, which, well, they kinda deserved, but again, they were the ONLY lesbian couple, so how about give them the chance to redeem themselves (and your own writers)?

They introduced Adam and established he and Shiro simply didn’t work together but then killed off Adam without allowing us to get to know him, and without allowing him and Shiro to get some kinda closure. But the crew, again, didn’t know how to handle the way to go about hyping the show, and were yet again misleading by letting us believe we’d spend some time with Adam. They genuinely thought there was nothing wrong with killing him because he was no longer part of Shiro’s life and because war’s like that. So rookie mistake number two: Not being honest about the fate of one of the two confirmed queer characters in the show. When you have so few queer characters, and you really think you had to kill one of them, don’t treat it like a spoiler, BE honest, so the public knows what to expect. Soften the blow. Maybe they could have said he wouldn’t be in the show too long, and we would have made our guesses. Rookie mistake number three: Pick him as one of the casualties. I understand the intention of this was to make Shiro lose someone because of the war, but did it really need to happen? Did Shiro really need to lose someone? I’m sure no big plot point in the story would have changed if Adam had lived. Rookie mistake number four: Kill him before we got to know him and before he talked to Shiro again. If the purpose of his death was to impact Shiro or us, it would have had a much bigger effect if they had had time to interact again.

Now, could Voltron as a whole fix all of these mistakes? Yes. Yes they could. For starters, they should start talking with the truth. That would actually help to heal the fandom a lot. At this point, being quiet won’t serve of any purpose. Now it’s their real time to talk, but honestly.

Second, it all depends on how they wrap season eight. If they’re really planning on making a healthy queer relationship canon and explicit, that could be their salvation. They’d have to do it right, and it is possible, but fairly hard, especially with romance not being their strength.

Third. Adashi. Yes. Again Adashi. Remember when I said I had complicated feelings about what they did to it? Well, aside from what I already said, there’s this extra bit. And it is that they truly could have had a good reason to kill off Adam. I know that it makes you angry, but this is a possibility. Maybe the point is to let Shiro move on, find love again. He’s healthy now, not fearing about dying anytime soon and he’s matured. He wouldn’t make the same mistakes. And there are not reasons to believe Adam won’t be featured in another future flashback that could deliver that sense of closure we and Shiro need. So, in short, the reason I’m not as angry as I should be, is because this can still be addressed in the show.

It’s easy to be pessimistic and not to trust the ending. For all we know, eighth season might be just 13 episodes of quiznak writing and the mice founding their own theme park, but until the box gets opened we won’t know if the cat is dead.

#adashi #queerbaiting #voltron #vld spoilers s7 #and these are my final thoughts #this is what i think and this is what i feel #so don't bother me anymore

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thesffcorner · 4 years

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Birds of Prey (and The Fantabulous Emancipation of One Harley Quinn)

Birds of Prey, and the Fantabulous Emancipation of One Harley Quinn, is directed by Cathy Yan, and stars Margot Robbie as the titular Harley Quinn, following the events of Suicide Squad.

After breaking up with the Joker, and announcing it to the world, by blowing up the chemicals factory that made her into his partner in crime, Harley finds herself at the sharp edge of gangster Black Masque (Ewan McGregor), with no protection. To survive she has to track down a pickpocket named Cassandra Cain (Ella Jay Basco), who may have stolen something exceptionally valuable from Roman, but she has to compete against singer Dinah Lance (Journee Smollett Bell), cop Rene Montoya (Rosie Perez), and vigilante (Mary Elisabeth Winstead), and every other mercenary in Gotham.

For the most part I haven’t liked a lot of the DC films; this movie’s predecessor Suicide Squad was entertaining in that all the characters were great and their dynamic was fun and interesting, but also terrible, because that film had no plot, no stakes, and had the hatchet taken to it by editors so bad, entire scenes that were plot-crucial were missing.

But we aren’t talking about Suicide Squad; we are talking about Birds of Prey, and this film is great. It’s got a plot like a Tarantino film, with each separate character having their own plot-line which intersects with the others and then culminates in an explosive ending. The action is brutal, well-choreographed, and some scenes are downright inspired like the fight in the Trap at the end or the fight in the police station. There is some really clever use of slow motion, Yan knows how to stage a scene so that we have enough wides to see the characters fighting, and all the actresses and their stunt doubles did a great job.

I think Harley is the best fighter in the film; the way she fights is very creative, and fluid and I could just tell that both Robbie and her stunt doubles loved being part of it. The other girls are good, but not quite on the same level; I’d say the weak link is Montoya, but her excuse is that she’s drunk for like 80% of the film.

The plot of the film is pretty straightforward: Roman wants the diamond, Cassie has the diamond, and the girls have to find a way to keep her and it away from Roman. However, the way Harley, who is also our narrator tells the story is hilarious, and chopped up in smaller sections that flip flop through time. I won’t lie, there were points I was lost; for some reason I was under the impression that the night Harley blow up the factory is the same night she got drunk at Roman’s club, but it isn’t. However, for the most part, I loved how the film set up the story and chose which information to share and which to keep up its sleeve.

This is an R rated film, and it’s an R. While there aren’t any scenes of explicit sexual violence, (THANK GOD), there are many implied moment, one in particular which made me so uncomfortable I wanted to jump out of my skin. I won’t spoil it for people who don’t want to know, but just know that the violence towards the female characters does verge into sexual territory (even if in this case it’s not one of the leads).

The rest of the action is brutal; we see brutal limb-braking, child murder, skinning people alive, as well as a variety of other kinds of violence. What made this film different from say, something like Deadpool, is that the action wasn’t as stylized; it felt a lot more real, more akin to Atomic Blonde, so it felt a bit more graphic.

Cathy Yan helms this film with utter confidence; she is great at the action scenes, excellent at the comedy, and her shot composition is beautiful. It toes a very fine line between being artistic and close to the comic medium, while also still making her shots and flow dynamic. I could make a whole thread of just the most beautiful shots in this film, that’s how gorgeous it was.

As for the characters, they were all great. Huntress was a character that was at once tragic and awkward, while being super cool. Her banter with the other girls was funny, she had some great action scenes, and honestly, I want an entire film about her becoming the Huntress in her Sicilian house being trained by her three dads.

Montoya I was torn on; for this film they make her a hard-boiled detective, a very classic, Dirty Harry type cop, who is disillusioned by the system, speaks in 80’s cop one-liners, and breaks the law for justice. She’s a lot closer to the OG’s question, than Montoya’s Question, but she worked well for the film she was in.

Cassandra Cain was not in fact Cassie. This character is a completely new invention for the film; the only thing she has in common with comic Cassie is her name and that they are both Asian. I didn’t mind this change, as I found her character here equally entertaining, and her dynamic with Harley was funny and sweet. However, if you were hoping to see Cassandra Cain, don’t, because you will be disappointed.

Black Canary was fantastic. Again, she isn’t really like Dinah from the comics in backstory, but she is in personality. She is snarky, has a temper, is a kick-ass fighter, has all her mommy issues and I really liked the build up of her powers, as well as the reason why she hid them. The only thing I wasn’t 100% down for was her relationship to Roman. Like… how did she not realize what kind of monster she was working for, for years? He’s not subtle about it.

Speaking of Roman, let’s talk about him and Zsasz. I know more about Zsasz than Roman, and he was perfect in this film. This is even the toned down version, because in the comics he gets off on murdering and skinning children. Chris Messina did an excellent job; I have never been more unnerved or uncomfortable watching a character in my life, that’s how good he was.

I don’t know how I feel about the film queercoding both him and Roman, but it’s never used as a joke, and Zsasz’s jealousy over people getting close to Roman is an actual plot point. They are also not the only queer characters in the film; Harley is shown to be bi/pan and Montoya is a lesbian.

Roman was entertaining and also horrible. He is a villain, but he is somewhat charming. The film gradually shows us exactly how entitled and evil he is, and how his neuroses are not an excuse for his awful behavior. I don’t think I’ve ever cheered for a character to be defeated as much as I did with him; people in my theater clapped.

Finally we have Harley. Robbie clearly loves this role and this character; she produced the film after all. She is 100% committed, and she delivers on everything that Harley is. I love that the film kept reminding the audience that she is a psychiatrist, that she can understand and read people, that she is smart, even if she’s very impulsive. She is a strong character, but she’s very flawed, and she slowly becomes a slightly better person as the film progresses. Robbie is funny, amazing in the action scenes and worth the ticket price alone.

Also the soundtrack is kick-ass.

Go watch this film; it deserves all the love.

letterboxd

#birds of prey #bop #bop review #birds of prey review #Film Review #moni talks

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theboykingofhell · 7 years

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So I see you're disappointed abt the Heathers reboot, too? :(

1) the last 5-10 years have just been remake after remake of cult classics because originality in hollywood is fucking dead and they just want to make money off of millennial nostalgia now that we have money to spend on the same sht we watched as kids but ~diversified~

2) it’s honestly DISGUSTING how the cry for representation is being turned into something people think they can just slap onto any series. there’s no point to it! colorblindness is just not a thing! when you change any trait to a character that involves them going from an oppressive position in life to an oppressed one, it changes the story! it changes the character and what that character is supposed to mean!!! sometimes it works well because those changes highlight themes that already existed in the source material. sometimes it works BETTER than the source material because of that! like making spiderman black and how that INSTANTLY brought up themes of police brutality and antiblackness and gentrification with absolutely no effort at all because it was tasteful and it was palatable to the audience, especially to the audience it was representing

3) YOU CAN’T REMAKE HEATHERS IN A MODERN ERA ANYWAY BECAUSE IT WOULDN’T WORK. i was talking to a friend about it yesterday but i think the reason why they changed JD’s action of pulling a gun out at school in the movie to just having a fight scene with the bullies is because the idea of that being allowed in school without him getting immediately expelled for it is so out of line that the audience would have instantly been taken out of the story. the movie came out before columbine, and it was so heavily affected BY its existance because JD wore a trenchcoat. idk about yall but you were pretty much not even allowed to wear a trenchcoat in my high school. now, i didn’t bother watching the longer trailer that i heard apparently exists maybe so i don’t actually know if this new heathers is.. taking place? in? like, 2017? but if it is, man.. schools don’t work like that anymore.

4) heathers as a story only works if they’re all conventionally attractive white people. listen, the musical fills up diversity where it can, and it does it smartly. idk if mcnamara is written to specially be a nonwhite role but i’ve only ever seen it being played by nonwhite people. which is cool! it’s not distracting and honestly it makes sense. considering what happens to her, considering her suicide attempt which does disappropriately affect poc, considering she becomes the next outcast in a line of outcasts because they’re all so SO quick to turn on her, it makes sense!! IT DOESN’T MAKE SENSE if they’re all minorities. especially if the heathers are made up of all minorities while veronica is still, presumably, a conventionally attractive cis white girl (who honestly looks like she should be playing chandler, but okay). what is that saying??? oh no this poor white girl is being bullied by evil minorities what MONSTERS, let’s just KILL THEM ALL

5) because even tho duke and mcnamara don’t actually get killed, they’re meant to? they’re ALL targets. and to make ALL the targets stand out so much as minorities, where, in the trailer, it also looks like it’s pretty much an all white school ANYway IS GROSS

6) listen. listen. the whole thing with kurt and ram is gross. ‘haha it’s the 80′s and we’re homophobic so let’s mock them by claiming they were gay! HA!’ it was gross. they did not make it any better in the musical. but, like. i heard they’re actually making them queer in the remake? honestly i’m praying that’s not true because :) you’re going :) to shoot :) to death :) two teenaged gay boys are you Fucking Kidding Me

7) ... wait now that i’m thinking about it, isn’t one of the heathers supposed to be a lesbian too like IS THAT... chandler??? :) you mean the first person who gets murdered are you fucking kidding me

8) duke is just gonna be another catty character to add to the collection of catty white queer characters in popular tv and i’m tired

9) just let heathers die like you got lucky with the musical man just leave it be just. just stop remaking. shit. stop. stop touching it. please. heathers isn’t even objectively that good lmfao like JUST, CMON, IM BEGGING HERE,

10) i have not heard of literally one(!) thing about the new JD but just know that i’m sure i’m gonna hate what they did to my Babie

#heathers #pls can we not have this show be a thing when there's literally so many terrorist attacks all over the world rn #ike JD? is? a? terrorist can we acknowledge that #can we not make a show romanticizing.. this..#cuz i can't imagine them doing any OTHER part of heathers right #also isn't it? a? tv series?#what more is there to even add to it.........#like WILL duke and mcnamara even live to the end #how many people are they actually going to end up killing #like it just... ahh... no #hanamayhem #ask tag

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thecomedybureau · 7 years

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The 100 Best Things in Comedy We Were Witness to in No Particular Order of 2016

2016 is officially, finally, thankfully over (as long as you don’t think about time largely being a human construct, a new number of year doesn’t make things automatically better, and Trump becoming POTUS).

So, it’s time for our year end list, The 100 Best Things in Comedy We Were Witness to in No Particular Order of 2016.

For reference of how we do our year-end, best of lists, which is a far cry from most other comedy best of lists anywhere else, check out our lists from past years: 2011, 2012, 2013, 2014, and 2015.

Got it? Great.

Here’s 2016′s edition:

1. Jake Weisman's Send Up of Peter Travers Reviews-Rolling Stone has gone through so much recently, you might have forgot this amazing NSFW parody that Weisman made of Travers movie reviews.

2. Rory Scovel’s set on Conan Where He Went Into the Crowd-Rory Scovel pushes the envelope in stand-up in the best ways imaginable and this latest Conan set is evidence of his juggling of being fearless and silly at the same time.

3. Conan Without Borders-Conan O'Brien's trips overseas to Berlin and South Korea highlight every single comedy gear that Conan can shift into and proves that he can almost make any situation hilarious.

4. "Killer" by Matt Kazman-Kazman achieves one of the best comedic payoffs on screen in 2016, including film and TV, with this incredibly crafted short film.

5. The Jackie and Laurie Show-Jackie Kashian and Laurie Kilmartin found a way to make a podcast where comedians talk comedy and have it be original, damn funny, and crucial.

6 Hebecky Drysbell-Reigning all time UCB Cagematch champions Heather Anne Campbell and Rebecca Drysdale showcase such virtuosity as an improv duo that is as hilarious as it is, when we think about it, beautiful.

7. Chris Estrada-If you’re looking for diamonds in the rough right now, we’d say catch Estrada’s next set and you’ll see how great his jokes are drawing from his life growing up in LA.

8. Cool Sh*t/Weird Sh*t's Neighborhood Walking Tour-the LA outfit of the experimental comedy show brilliantly took its audience, one night, around the block and staged such moments as a couple fake fighting in a real Food 4 Less, a woman crying trying to explain the plot of a movie in a Walgreens, and running into an adult orphan waiting to be adopted off the street.

9. Womanhood with Aparna Nancherla and Jo Firestone-Nancherla and Firestone compliment each other so well in being goofy on this show that goes through absurd explanations of “womanhood” that it should be the next web series that gets made into a full fledged TV show.

10. Fleabag-Phoebe Waller Bridge has the UK's fantastic, epic answer to You're The Worst.

11. Giulia Rozzi's True Love-Rozzi’s hour achieves what a good rom com achieves by skewering love and all of its faults as much as it celebrates it.

12. Mike Leffingwell's 12 Angry Men: The One Man Show-The concept of a single man doing a solo show adaptation of the classic courtroom drama 12 Angry Men is funny enough, but Mike Leffingwell then pulled off performing it perfectly.

13. Josh Sharp doing an hour while dipping in and out of singing D'Angelo's Untitled (How Does It Feel?) with a live band-Sharp's stories are wonderfully crafted and told, and then, accentuated by his lovely voice singing D'Angelo’s most well known song like there's no tomorrow.

14. Not Safe with Nikki Glaser's Remote Segments-Glaser fed porn stars lines for scenes, visited a foot fetish convention, and highlighted sex in such a fun way that wasn’t attempted by any other TV show.

15. Last Week Tonight with John Oliver's Make Donald Drumpf Again-Oliver and company's take down of Trump was one of the best researched, strategized, written, executed pieces on Trump during this whole election cycle.

16. Disengaged-Jen Tullock and Hannah Utt's web series following a lesbian couple rushing into marriage was one of the best pieces of romantic comedy we saw in 2016

17. [F*ck This] Late Night Show with David Brown-In a way, David Brown sees Eric Andre’s rebellion against the traditional late night format and raises it some more chaos. He has a separate creative team ruining his talk show as it happens via flashmobs, waterboarding, etc.

18. Baron Vaughn’s Blaxisential Crisis-Baron Vaughn’s latest album oscillates perfectly between deep and crucial issues of race, class, purpose and flights of imaginative fancy putting Vaughn almost in a class by himself.

19. Crabapples with Bobcat Goldthwait and Caitlin Gill-the odd couple pairing of Goldthwait and Gill is unlike anything comedy has seen before. Because it lives in truth (they really are roommates), it’s one of the best hosting duos in comedy today.

20. Megan Gailey-Gailey, with her stand-up, is simultaneously an undeniable delight and a force to be reckoned with, which only doubles up how delightful she is to watch.

21. Liartown USA-When it comes to parodying covers for books, magazines, Netflix menus, etc., Sean Tejaratchi might just do it better than anyone as you can see above.

22. This Bill Burr joke: “How many Toyota Camrys do you have to see before you realize most people’s dreams don’t come true?”-We usually refrain from transcribing jokes out of context and in print, but we haven’t stopped laughing at this searingly honest joke from Burr since we first saw him work on it several months ago and felt it imperative that it be on this list.

23. Sing Street-The 80s, Ireland, young love, and diegetic musicals get married perfectly in this film by John Carney that spent far too little time in theaters.

24. Derek Sheen's Tiny Idiot-This album made it clear that Sheen could be an heir apparent to Patton Oswalt, bu very clearly has his own, unique comedic take on the world today.

25. Stephen Colbert's Close to His Election 2016 Live Special-For once, the world got to see the real Stephen Colbert who is so intelligent, well spoken, caring, and one of the only people that could pull of dealing with immediate aftermath of an impending Trump win on TV.

26. Will Hines' A Soundly Defeated Man-Hines, in a series of sketch vignettes, takes the comedic self-deprecation to a new level of artistry by showing how defeated one man really can be.

27. The Lobster-Yorgos Lanthimos might have made the best dystopian rom com in recent memory and, possibly, for several years to come.

28. Jena Friedman's American C*nt-Friedman is unrelenting in her dismantling of the patriarchy amongst other several other controversial issues. She handily deals with them in this special, placing her in a very important position in comedy going forward in 2017.

29. Jamie Loftus-Loftus is that amazing rare breed of comedian that blends dark, absurdist humor with genuine vulnerability and she can do so in her stand-up or through own self-styled animation (ex. doing her own animations for old tapes of how to tell children about someone dying).

30. Chris Duffy's You Get a Spoon-Duffy’s NYC based, curated variety show is filled with so much positivity from celebrating the favorite things of his favorite performers that you almost can’t leave the show without a smile on your face (or winning a prize).

31. Bear Supply-The quick, music fueled scenes of Mike Castle, Shaun Boylan, Joey Greer, Jordan Bull, Morgan Christensen and James Heaney is impeccable improvisational comedy.

32. The Cooties-Musical comedy is alive and well with the satirical power pop songs of The Cooties.

33. Aparna Nancherla’s Just Putting It Out There-Aparna’s album is proof positive that her wondrous version of self-deprecation can be ultimately uplifting.

34. Hunt for the Wilderpeople-Taika Waititi continues his film streak with a charming-as-can-be film about a troubled youth surviving in the wilds of New Zealand.

35. Don't Think Twice-Mike Birbiglia gets really close to hitting too close to home for some people in comedy, but that draws out one of the best depictions of life in comedy (or attempting to do so) that has ever been put into a movie.

36. The Opening of The Pack Theater-The DIY, punk rock, spirit that runs in the veins of much of LA comedy got a new, wonderful outlet at The Pack Theater.

37. Jetzo-Chad Damiani and Juzo Yoshida mash-up improv, clowning, kimonos, dramatic live musical accompaniment, and breaking the fourth wall to make the marvelous whirlwind known as Jetzo.

38. DJ Real (Nick Stargu)-SF comedian Nick Stargu’s alias DJ Real mixes an uncanny command of musicianship with an über-clever style of comedy that dazzled and had us doubling over laughing at the same time.

39. Daniel Webb-Hailing from Austin, TX, stand-up comedian Daniel Webb is a splendid rush of charisma that probably has a better Obama story than almost anyone you know.

40. Laurie Kilmartin's 45 Jokes About My Dead Dad-Kilmartin’s special, born out of jokes she tweeted while her dad was passing away, is so darkly funny and has an unmistakable humanity, which has us rethinking that maxim of comedy equals tragedy plus time.

41. Kristin Rand-LA got a brief glimpse of the unstoppable charm of Rand when she moved here from Denver and was all the better for it.

42. James Fritz's Still Together-The way Fritz exquisitely channels rage and bleakness into this debut album is magnificent.

43. Roast Battle-What started as two open mic’ers fighting in a parking lot has now earned its way to a March Madness style tournament shown on Comedy Central and we’re betting that Roast Battle still has much more potential ahead of them.

44. Josh Fadem-Fadem made a return to performing more regularly in 2016 and his magnetic positivity and pure, unabashed goofiness (complete with impromptu costumes) definitely got us through the whole of last year.

45. Sam Jay-Jay moved to LA from Boston and took her insightful, brash, unfiltered comedy (that happens to come through the lens of being a newly married lesbian) and has become a the LA scene favorite almost instantly.

46. Dave Waite's Dead Waite-Dave Waite's latest hour takes being a goofball to new heights of brilliance.

47. Of Oz The Wizard by Matt Bucy-Absurdity doesn't get more pure than Bucy's re-editing the classic film version of The Wizard of Oz and alphabetizing the entire thing, start to finish.

48. This Friday Forty-Most other quiz shows can’t compare to Scott Gimple and Dave Holmes' This Friday Forty that not only has topical trivia, but fantastic sketch characters to introduce said trivia.

49. Jay Larson's Human Math-Few comedians so deftly explore the minutia of human nature like Larson does on this album.

50. Josh Gondelman's Physical Whisper-Gondelman's craftsmanship in observational humor is exceptional on this album and accentuated nicely by his sunny stage persona.

51. Kyle Mizono right after the election-There was a lot of raw nerves exposed in comedians right after Trump's win and few did it so purely and well as Mizono. For a whole set, she screamed her jokes with legitimate fury, but without being off-putting (well, if you’re not a Trump supporter that is).

52. Lady Dynamite-Maria Bamford’s truth and Mitch Hurwitz’s wildly imaginative way of making episodic television combine for a comedy series that is blazing its own trail at a time where that gets harder and harder to do in a show about the life of a comedian.

53. Hail, Caesar!-The Coen Brothers’ latest comedy set in Hollywood’s Golden Age is one of their sharpest and most beautiful works that has plenty of scenes that could be amazing short films on their own.

54. Moses Storm's Sweater-Moses Storm never ceases to amaze us as he, this time, wore a sweater that had several strings attached to it for audience members to grab so they could literally be connected to him while he's telling a story.

55. Full Frontal with Samantha Bee-Samantha Bee has cemented a legacy in her short time on the air with her take-no-prisoners-and-then-some style of satirical news coverage.

56. Gene Wilder and Fidel Castro's New Year's Rockin' Eve (in Limbo)-UCB’s Beth Appel and Rose Marziale put a hell of a show to end 2016 with as they used the whole of the UCB Sunset complex to have an immersive comedy show (a la Sleep No More) that included karaoke with dead celebrities, a fake newsroom, and the woods where Hillary Clinton is living.

57. Morris From America-Chad Hartigan’s refreshing coming-of-age story following an American black kid trying to grow up in Germany with his single father hit a very sweet, feel-good note that everyone needs to see (especially since it had a short theatrical run).

58. Britanick’s “The Foul Line”-Though BriTANick had gone a few years without a new video, this absurdist folly makes up for all that time lost.

59. 20th Century Women-Mike Mills' latest is a great follow up to Beginners and is an award worthy comedy that might actually be able to compete with heavily favored dramas this year.

60. Three Busy Debras-The comedy trio of Three Busy Debras got to play Carnegie Hall through this devilishly fun crowdfunding campaign.

61. Paul F. Tompkins' on Political Correctness-One of comedy's best gave one of the best explanations of political correctness' necessary role in comedy.

62. The Dollop-Shining a light on the dark corners in American history is as important as it has ever been and Dave Anthony and Gareth Reynolds do so with a devilish laugh and their effortless riffing up comedy gold.

63. Floor Knobs-This AOK sketch from Heather Anne Campbell is one of our absolute favorites and, rather than spoiling anything, we'll just leave it at that.

64. David Gborie’s Late Night Stand Up Debut-Gborie takes an unexpected move in his opening to this performances that sets up a truly wonderful late night stand-up debut.

65. Cholofit-Frankie Quinones' cholo exercise guru is done so well that it leaves you wanting it to be a real exercise program.

66. Oh, Hello-John Mulaney and Nick Kroll took two characters from just being a small bit to the heights of Broadway. George St. Geegland and Gil Faizon are just so fully realized and funny that it doesn’t matter if you miss one of their references or not.

67. Chris Garcia's Laughing and Crying at the Same Time-Garcia meshes deeply personal stories and utter silliness that do the album title justice.

68. Cole Escola-Escola’s solo show follows him playing several outrageous characters (switching wigs and costumes while on stage) allowing for another fun layer in between the cavalcade of delightful, short monologues.

69. Catastrophe season 2-Sharon Horgan and Rob Delaney have kept their devastatingly funny look into an unplanned family up to the very high standard they set in season 1.

70. Triumph the Insult Comic Dog's Election Watch 2016-Robert Smigel might have not known that having a dog puppet on his hand roasting people to their face for years would be the perfect preparation for covering the 2016 election (on both sides of the aisle), but, as the handful of Hulu specials prove, it really was.

71. Joel Kim Booster’s set on Conan-Just telling the story of being adopted by a Midwestern white family from Korea and being gay is fascinating enough, but Joel Kim Booster made that story blisteringly funny on late night.

72. Angie Tribeca-Physical comedy and sight gags would almost seem out-of-turn in comedy these days, but the proudly silly Angie Tribeca on TBS is thankfully changing all of that.

73. Trump vs. Bernie-While ‘Trump vs. Bernie’ will probably be a presidential candidate match-up that more people will long for than ever, Anthony Atamanuik and James Adomian's Trump vs. Bernie will go down as one of the best bits (that includes the live tour, the Fusion series, and album) of comedy to come out of one of the worst elections in U.S. history.

74. Joe Pera’s Set on Seth Meyers-Pera’s weirdness is one-of-a-kind in comedy as it’s very warm and inviting. He got to share that with the world with his set on Late Night with Seth Meyers.

75. Vice Prinicpals-When Danny McBride and Walton Goggins’ diabolical teachers one-up, in the best way, any other teachers in any other comedies that go off-the-deep-end in this HBO series.

76. Brad Neely's Harg Nallin' Sclopio Peepio-Neely's latest creations seems to offer up bits from the weirdest corners of Neely's mind and this animated sketch show is all the better for it.

77. Hari Kondabolu's Mainstream American Comic-Much is deservingly said about Kondabolu’s expertise in talking politics, class, race, etc. in his comedy, but this album also shows that his comedy is stellar no matter where you fall on the political spectrum.

78. Jon Glaser Loves Gear-Glaser does meta comedy better than almost anybody else working right now and his new show on TruTV is proof of that.

79. How to Win at Feminism by Reductress-This whip-smart manifesto about feminism solidifies Reductress’ place in modern satire next to The Onion and Clickhole.

80. Great Minds with Dan Harmon-Harmon getting to spend time with some of history's most notable figures ended up being one of the best shows that the History Channel has done in years.

81. Derrick Brown-Very few poets can reach the point of being laugh out loud funny and still deeply emotive quite like Brown, both on stage and in his book, Uh-Oh.

82. Natalie Palamides' solo show Laid-Palamides makes a solo show that's so absurd and funny, it might almost be in a unique category of its own.

83. W. Kamau Bell’s Semi-Prominent Negro-Bell explores all of today’s hot button issues (racial inequality, transgender identity, gentrification, etc.) comedically, as he is very skilled at doing, but does it in such a jovial way that they don’t seem so controversial anymore.

84. Other People-Chris Kelly’s hilarious and heartbreaking movie based on his own life in dealing with the passing of his mother from cancer is one of Kelly’s finest work, which is even more impressive as his first feature done while being an SNL writer.

85. Emo Philips improvising with Jason Van Glass-Emo's comedic prowess is so great that he can improvise with Van Glass like they're a veteran improv duo.

86. Return of MST3K-Of the things from our childhoods that are being brought back, Mystery Science Theater 3000 returning with a sweeping mandate in the form of a record breaking Kickstarter campaign is one that deserves to be revived.

87. Wyatt Cenac’s An Angry Night in November-Cenac’s EP captures lightning in a bottle (it’s his set from his weekly Night Train show) of immediate post-election comedy that is pure, raw, and biting.

88. Justin Sayre’s Gay Agenda-Sayre makes a compilation of his “meetings” as ‘Chairman of the International Order of Sodomites’ that give a hysterical look into the many great, complex layers of LGBTQ life.

89. Ahamed Weinberg-Both as a stand-up and a filmmaker (watch Rasberries), Weinberg is on a path to being another great modern comedy multi-hyphenate.

90. Jon Dore Gets a Bad Backstory-Dore once again shows how to toe the line when entering the darkest territories of comedic material and do so successfully while being utterly absurd.

91. Ron Babcock videos-A dying reel and an ad for his old CRV really showcase the cleverness and ingenuity of comedy’s Ron Babcock.

92. Reggie Watts’ Spatial-Watts’ latest special is his best and most ambitious one yet as it includes his beatboxing, a faux sitcom, tap dancing, and way more.

93. Alex & Jude-Alex Hanpeter and Jude Tedmori have figured out how to give slapstick, physical comedy the proper twist for 2016 audiences, which includes a literal bit of audience participation of making Jude a target.

94. Conner O’Malley-O’Malley takes satirical field pieces to a whole new level as he plays and wholeheartedly commits to dark, fully realized characters inspired by vaping, Alex Jones, and Cubs fans. He interacts with real people at Trump rallies, vape conventions and outside of Wrigley Field and goes along with whatever happens.

95. Doug Stanhope’s No Place Like Home-Stanhope has an amazing take on mental illness in this special and opted to shoot it in his own hometown of Bisbee, AZ. Overall, No Place Like Home ranks high up in Stanhope’s extensive catalog of stand-up.

96. “Tond” by Kelly Hudson-Hudson’s short film is one of our favorite bits of existential absurdity of 2016, a year seemingly saturated in nothing but questioning ‘what it all means’.

97. Brett Gelman's Dinner in America-Gelman's last special on Adult Swim is one to remember, especially for how searing the satirical commentary on race relations are in it.

98. Miguel Marquez-Marquez bridges a gap, almost literally, between art and comedy as his wry art installations are way funnier (intentionally that is) than nearly anything you’d see in an art museum.

99. Chris Fleming's Silver Lining-The week following the election seemed as hopeless can be if you voted for Hillary and Fleming offered up a powerful, albeit one with a bit of tomfoolery, message of hope.

100. Norm MacDonald on Conan-Not only is there the expected long, winding roads of Norm’s jokes and stories in this particular appearance, but Conan does an impression of Norm out of frustration that’s spot on.

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