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#because they're human beings???
Could you keep a yeerk captive and forced to morph human or starve, then morph yeerk and learn everything it knows? Im suprised they didn't use the mind control possibilities of the yeerks morph more, tbh. It seems like a real game changer
I mean, the kids have these nagging little things called ethics. Wherein they don't kidnap, torture, enslave, and meat-puppet people. As Ax puts it in #47: they have to find a way to fight off the yeerks without becoming the yeerks.
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uncanny-tranny · 7 months
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The leftism/anticapitalism leaving people's bodies the zeptosecond you imply that disabled people who aren't "productive" still matter in society and need to be treated like intrinsic equals who have a place in this world:
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fearandhatred · 1 month
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the genocide is fucking crazy bc at the end of the day it's so extremely xenophobic. like it is genuinely unthinkable for this to happen to a western or white-passing country. it would be shut down so quick
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puppetmaster13u · 25 days
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Prompt in Memes 5
Once more, have a prompt entirely in memes because I'm too lazy to properly write one right now lol.
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vellichorom · 15 days
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✨🐀🥩 RATSHMEAT 🐀🥩✨
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boojangs · 2 months
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How she looks at her when she isn't looking:
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How she looks at her:
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How she looks at her when she isn't looking:
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How she looks at her:
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Building Trust:
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Coming Home:
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ruporas · 1 year
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#but onto this comic... i think and talk a LOT about vash's loneliness bc trigun is just. kind of central on that for a good while! esp in#the original manga he was alone for a good portion of it and he tends to keep others away like how he ran away from meryl and milly when#they tried to tag along. and he was kind of bothered when he realized ww was following him around Too. at the core even though he loves#humans and he loves deeply the people he does know -- he isnt really much of a people person and i think thats been the case since he was#young considering his initial doubts towards humans... with the exception of kids bc kids dont give him moral conflicts. so suddenly#here comes wolfwood!!! his guide. someone TRULY affixed to him until he has to get to knives. someone who isnt budging and someone whos#really good at following him around and even seems like he goes like 5 steps ahead to make sure vash doesnt run on him#in one way its - i don't want you to follow me bc i don't want to burden you and i don't want you to kill the people i want to save.#in another way its - i like this companionship. i like waking up to you and i like ending the way with you. i like talking to someone who#knows my world. i like being in your space and sometimes i enjoy talking about our day#theyre just living together. like. roadtrip buddies or theyre also under the same roof because they're going everywhere together.#trimax they mainly spend their mornings together and if they had personal business attend the other person would usually know and itd only#be during the midday. anyway bc of this kind of companionship i figure that vash eventually grew accustom to it and he really. cant go back#to the kind of loneliness from before. it's harder to imagine and it'd be harder to withstand. esp after 2 years with lina and her grandma.#ruporas art
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radiance1 · 11 hours
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Just remembered about the Vortex's lil guy au and decided to write a lil about it.
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When the Justice League arrived to stop a newly risen villain's scheme, which involved taking holding an entire city hostage with the use of a machine that could control the weather, which also involved expanded after successfully taking over the city.
When they achieved victory, they did not expect a child to be powering the machine.
Shazam, surprisingly, was the first one to react. "Danny!?" He said as he flew over to the boy, gently picking him from the confines of the machine (after they it had been deactivated) and into his arms. "Danny...?" He said a moment later, unsure of himself as his voice wavered a bit.
He shook the boy a bit, not too hard though, so as not to do any accidental harm. Blearily, the boy blinked opened his eyes, staring up at Shazam's worried face. "Shazam?" He murmured, voice rough and scratchy, as if it wasn't used often.
Either this boy-Danny-didn't speak much beforehand, or he was trapped in that machine so long that his voice became like this from a long period of disuse.
Shazam seemed to have thought so as well, and by his expression, it seemed to be more of the later as he floated down beside the rest of the League.
Danny blinked slowly before looking around the area, eyes glancing over every member present, then his surroundings and then finally back to Shazam and, with a curious tilt of his head he simply asked. "Did I get possessed again?"
A wave of concern washed over the group at the way the boy so casually asked such a question. As if it happened often enough that he grew used to it and, if the 'again' was any indication, it might just be the case.
"No." Shazam shook his head, readjusting his hold on the boy as he started to try and wiggle himself out of his arms. "Are you okay?"
"Yep." Said Danny, not even taking a moment to consider the question. As if he didn't just come out of a machine that feed upon his powers for who knew how long. Shazam's eyes narrowed in a glare that could almost give the Bat's a run for his money.
"Danny." The Champion of Magic chided, and the boy's eyes glazed over for a moment as Shazam simply readjusted his hold again. A moment later the boy blinked, a small purse to his lips and the vaguest amounts of concern slipping onto his face. "Oh," The boy said, no longer trying to wiggle himself from Shazam's hold. "My magic is acting weird, that's not good."
"Well yea since you, you know, had your powers drained and all?" Green Lantern said, the end of his question dipping into a question as the boy turned his head in his direction with too empty eyes that, for some reason, unsettled him.
"Who're you?" He asked with passing interest.
Whatever unsettlement Green Latern felt, it was immediately replaced with the vaguest amount of offence as the boy's words somehow wounded his ego more than such a simple question should have once it registered.
Who then immediately proceeded to ignore him.
The boy then blinked again, turning to Batman and giving the man a small wave. "Hello again, Batman." The Dark Knight simply grunted in his direction and nodded. Then pointed to each and every member present and slowly called out their names.
"Wonder Woman, Superman, Martian Manhunter, " Both of the aliens names were whispered with an underlying awe. "The Flash and Aquaman." His finger than landed on Green Lantern, and the boy furrowed his brows. "So who're you?"
"How do you know spooky but not me?!" Green Lantern ignored the Bat's glare in his direction at the use of the nickname, wounded pride and genuine bafflement allowing him to do such a thing.
"We met before." Danny state simply, as if that was the answer to all questions. "You?" He asked again.
This could not get worse. Green Lantern thought.
It could get worse. Green Lantern realized a few moments later after trying-and failing-to get the boy to recognize him as the members present were snickering at his plight.
Even Wonder Woman was trying to hold down a smile.
His eyes accidentally wandered in Batman's direction to see his reaction and he let out a quiet sigh of relief to see the man unmoved with only the slightest amount of disappointment that he didn't crack. Though it was wildly overshadowed by his ego being salvaged-
Batman's lips quirked up into a smirk before falling so fast that he had trouble believing if it was even there in the first place.
Green Lantern's jaw dropped as he stared at the Bat incredulously, who simply stared back. Unmoved, like a stone. As if he didn't just smile at him.
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lordadmiralfarsight · 6 months
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Revolution fetishism is a horrible political view, especially in this context
Okay, rant incoming, partially related to recent events, but also to earlier thinking on my part.
There are, on the Left, a fair few people that romanticize or outright fetishize the concept of Revolution, of violent popular uprising to wrest power out of the hands of a corrupt elite and give it to the people. Very romantic, very righteous (self-righteous pretty often), very good and nice and sexy. And by the grace of revolutionary fervor and ideological purity, everything will be better after.
Except no.
See, a lot of this romanticization of Revolution comes, to my knowledge, from my own country of France. We have romanticized our Revolution a fair bit, and honestly, looking at the first part, fair. A serious go at giving women rights, a no-cause divorce, abolition of slavery, privileges thrown out, equality between people proclaimed loud, enfranchisement given to minorities ... in 1789. A LOT of good and progress, especially for the time.
But then it got fucky, VERY fucky. The Reign of Terror, under the caring leadership of Maximilien Robespierre, was a fucking nightmare on Earth, caracterized by mass executions on political basis, and by this I mean anyone that opposed Robespierre got beheaded. Political plurality? You mean anti-revolutionary sentiment ! Unacceptable, kill everyone.
A rumor of the time said the Place de Grève was covered in a layer of blood that was ankle deep. Is that an exageration ? Yes, certainly. But the fact it got to that point should tell you something about how intense the murdering was. And that was just one square in Paris, there was the rest of the country to consider too.
But surely, after Robespierre fell victim to his own system and was executed, something better emerged, right?
No. Sweet mother of fuck, NO.
What followed was roughly 70 years of political instability and violence, warfare and civil war, several dictatorships, including attempts to restore absolute monarchy, that undid most of the good brought by the first part of the Revolution. And finally, France stumbled onto political stability in 1870 when the temporary 3rd Republic, that was supposed to wait until the presumptive heir to the throne (who wanted an absolute monarchy) croacked did what temporary things do best and became the permanent system (until its fall).
This was not thanks to the Revolution. It was pure randomness.
Did the French Revolution bring good things? Yes, it did. In its first part. The second part brought chaos and misery for multiple decades. And it took a lot of work and efforts to bring back what the Revolution, the peaceful part, had brought in.
And far too many people on the Left fetishize and romanticize the whole thing, as if we couldn't have had the first part without the second, as if the progress and hope and betterment somehow needed the chaos and murder that came after.
Yes, there would have been a period of conflict, European monarchies would not have accepted quietly a realm the size of France doing away with monarchs. But did we REALLY need the political purges ? Did we REALLY need the paranoia ? Did we REALLY need the massacres ?
But you will find people that answer yes, and say the spilled blood somehow made it pure, or good. And those same people are looking at what Hamas is doing and are cheering. These people don't celebrate the first part, the progress and hope. They claim to be, but they aren't. They celebrate the Terror. They yearn for the unjust "popular tribunal" AKA mob "justice". They dream of executing political opponents or anyone they think is "bad" on light or even absent charges.
And That's why they cheer for Hamas rockets and massacres. That's why they sing when Israeli children are murdered. That's why they attack Jews that don't live in Israel. Because they hope to vicariously live this period of unchecked violence.
Know who was celebrating the RIGHT part of the Revolution ? The Israeli working with Gazan to build understanding. The Gazan protesting against Hamas. The Israeli Arabs risking their lives to save the lives of fellow Israeli and of foreigners, regardless of skin or creed. The Gazan trying to improve things in their homes against the wishes and efforts of Hamas.
Know who IS celebrating the RIGHY part of the Revolution ? The Israeli protesting the way the IDF is bombing Gaza. The people decrying the hypocrisy of blood-thirsty leftists. The people calling for Peace and working to make the political change to allow it.
But the Robespierres of the time, drunk on their own self-assurance, condemn and insult them, claiming that blood must be spilt. But it doesn't have to be. The French Revolution started relatively bloodlessly. It didn't need some great orgy of violence. Oh it wasn't clean, but it was far cleaner than the armchair Robespierres would like it to be. Because it didn't need to be.
And that's my point, really. The people fantasizing about and fetishizing the Revolution always dream of torrents of blood washing away the injustices, of seas of corpses forming a fertile ground upon which progress can grow. But that horseshit. All you get with that is, like the Place de Grève, a sinister place that stinks of rot and death, and flocks of scavengers gorging on your crimes.
All you get is a chance for a Napoleon to arrive. Or Stalin's USSR that so casually carried on with the crimes of the Tsars. Or Polpot who murdered 25% of his population.
If you look at the French Revolution, the right lesson to learn is that you need to know when to stop, and that's before you get to indiscriminate killing. Because once you get to that point ... people that thrive in those settings get in power and perpetuate them.
And to apply that to the situation in I/P ... knowing when to stop means realizing that Israeli are still humans, that Gazan are still humans, that their lives have worth and should be protected, that supporting child killings when it's done by "brown people" is not anymore alright than supporting child killings when done by the IDF. And you people should very well consider the possibility that people inside the IDF are doing all they can to reduce Bibi's ability to order war crimes.
And you should recognize that there are efforts on the part of the IDF, sometimes token efforts, sometimes more than just that, to limit the number of dead civilians. Point me to a case where Hamas did the same. Point me to a case where they tried to get Israeli civilians out of the way instead of targeting them.
Hamas is not a Revolution you want to succeed. It's not about being free. It's about killing. This isn't a "glorious revolutionary action", it's a prelude to the wholesale slaughter and ethnic massacre they dream of. It's a tiny window into their ideal, blood soaked world.
Violent revolution should be a last resort, when there is no other option available, when the system is so utterly broken and shattered that nothing can move, and it should be stopped as soon as the system is unfucked enough to negociate. The I/P situation is not at that stage. Look at how much efforts the fascists of both sides have to invest in maintaining this. Look at how much time and money and efforts they have to invest to keep each other in place. And despite this, people of both sides reach for peace, argue and protest for it, even at the risk of their very lives (especially true in Gaza).
And if you refuse to consider all this, if you insist on following Robespierre, remember this : La Veuve came for him too, in the end.
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tadfools · 4 months
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I don’t want to say this where this comment was added because while it was rb’ed from me, the root post isn’t mine and I don’t want to drag op in a circus tent. Do we really need to put homophobic on the highest shelf up from the tik tok folks?
This is about Kethric and ????? Homophobic coded??? Statistically and logically speaking, there are going to be queer people that you do not get along with and that you don't like in real life. That's just the way people are. And it's not because we're queer, it's because we're human
Kethric doesn’t hate Aylin because she’s a lesbian. He despises her because she is the child of Selûna, because he believes that she corrupted Isobel - not with queer cooties but with the love of a goddess who he felt betrayed him
If Aylin was a man, the hatred would not be diluted at all
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coquelicoq · 5 months
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we get a lot of really great stuff in system collapse about murderbot's relationships with ART and ratthi, which makes sense, because it spends almost the entire book with them. but i also love how even though mensah isn't there for most of the story, other people keep reminding mb of her:
chapter 2, page 25: “From ART’s personnel file, she [Karime] was older than Mensah and she didn’t look like an intrepid space explorer, either, even in the protective environmental suit.”
2, 27: “It took Karime three seconds to process the abrupt statement. (She was almost as good at not looking annoyed as Mensah was.) She kept her expression neutral and patient.”
2, 28: “In the underground colony room, Karime lifted her brows. ‘Another occupied site?’ I thought she was being careful not to show too much reaction. It was the way Mensah would have played it.”
4, 70: “Iris looked at me and I saw her hesitate, because her hesitation looked a lot like Dr. Mensah’s hesitation. And I realized I really didn’t want to go down there.”
5, 104: "Iris has that same thing as Dr. Mensah, the thing where she’s able to look and sound calm under circumstances where shit is possibly about to go down.”
it's spent so much time with her and it knows her so well and respects her so much that she's the model against which it compares all other humans. it thinks about her when they're not together. it's protective of her. it has such total faith in her competence. it (non-romantically) loves her and doesn't want to not see her again. idk man, it just gets to me! and they were teammates (oh my god they were teammates!!)
bonus:
I said, aloud, "You have to be kidding me." (ch. 2, p. 28)
seven pages later, in reaction to the same thing:
Mensah had had time to review the feed video. She muttered, "Oh, you have to be kidding me." Yeah.
twinsies 🥰
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aroaceleovaldez · 7 months
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funniest answer for "what happened during Jason's fight with Krios" is, rather than Jason having a physical one-on-one unarmed fight with Krios, Jason just tears Krios a new one re: legislation by chewing him out for unauthorized activity in a state park. Because one of Jupiter's big aspects is law!
Jason sends the entirety of the Titan Army forces in California marching out of Mt. Tam State Park with their tails between their legs with one strongly worded argument and some threats to inform San Francisco Fish & Wildlife. And he gets made praetor for it.
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jessepinwheel · 1 year
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my very serious writing advice for people who are trying to write more morally complex characters is to stop caring about their morality and focus instead on their individual motivations
it’s hard to articulate exactly what I mean, but the essence of it is basically: when a character does a murder, not only do I not care about whether they’re justified in doing so, it’s straight-up irrelevant. a character’s moral standing from some nebulous universal standard has no bearing on the plot or their interactions with other characters and has no use in the story for me as a writer. what does matter is why the character thought they were justified and then if it comes up to other characters, what they think about it.
you can obviously think about your characters’ morality but it’s not your job as a writer to interpret your stories for your readers and tell them how to judge your characters. your readers can see the evidence for themselves and draw their own conclusions. your job is just to understand why a character is motivated to act in a certain way and have it make sense
focusing on character motivations is a much more versatile framework than trying to give them specific personality traits or moral alignments, and frankly more useful to understand why a character would do a certain thing instead of just what they do. that way when something fucked up happens and your character starts acting differently, there’s an actual logical reason for it that isn’t you forcing characters to do things because it’s what’s required to make the plot go
when you write your characters with the understanding that people are not static and they act differently under different circumstances, complexity in character and morality follows naturally.
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angrybatart · 1 month
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Quick comic of an idea I woke up to this morning.
I imagine Poké Puffs being like those fancy dog treats sold at Petco. They look tasty, but are NOT made for humans. So yucky tasting.
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puppetmaster13u · 8 months
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I finally made a fully grown Ancient Danny design I am content with (for now lol)
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Does MerKiller like cool and shiny thingamabobs? I have plenty of cool and shiny thingamabobs and he can have them all.
Also, how are Dust and Horror in the Mer AU? :0 They can also have thingamabobs. As a treat.
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Killer: oooo
Thing Horror Is Eating: very big burger
Nightmare In Killer's Imagination: pat pat
Killer In Nightmare's Imagination: chomp
Bonus Comic: also
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