✨🐀🥩 RATSHMEAT 🐀🥩✨

I napped instead of attending the meeting tonight, but the Excessive Stick Project drama is getting... hilarious. Getting caught in lies and hinting that this shit is shadier than we thought. Which is awful.

Oh and since it’s beginning to look a lot like Shitscram, we should be getting some good/damning articles in the media. If the “charity” side of this family’s activities gets in the spotlight, I’ll post a link. Seriously, if the articles get good enough, it’s worth risking my location being revealed.

I’m still tempted just to photograph those fucking corporate-sponsored vehicles they have. I get unnerved seeing the dead exploited like this. D:

I’d like to propose a performance of Hamlet in which the audience is addressed, looked at, and treated as if they were there but ONLY by characters who have gone mad.

in Act 2, when Hamlet’s pretending to go mad, while in the presence of Polonius and others, he sort of pretends to look at the audience, but always glancing over, looking sort of in the wrong direction, putting on a show for the only eyes he thinks are watching. When he’s alone and doing his soliloquies, it’s clear that he’s talking to himself, even though we’re listening in.

And it continues this way until Act 3 Scene 4, when Hamlet runs Polonius through with the sword. For a moment after the deed is done, there’s a shocked silence on the stage. As Hamlet goes to examine the body, he falters, slightly, as he becomes aware of just how many eyes are on him. And slowly; he looks at us, and through the rest of the scene his attention is torn between the audience and his mother, until the ghost appears (perhaps in the audience as well) and he’s… sort of put back on track. But from then on, all his soliloquies, asides, he begins to talk to us, in the audience.

And we notice the change, sure, but we don’t really get what it means, not until Ophelia goes mad, and while onstage she begins to give audience members flowers, to talk to them as the others call her crazy. And at that point most of us can make the connection.

From then until the play is over, Hamlet can’t fully ignore us. Every other character will, and does (besides maybe the gravediggers if you wanted to include anyone else), but we’re ever present in his sight. As he dies, we’re the ones he refers to when he says ‘you that look pale and tremble at this chance, that are but mutes or audience to this act’

I want Arthur to get some rest.

One thing I love about Clone Wars fanart is how much of it is just various characters napping on each other. We all took one look at them and decided that what they really need is snuggles and sleep.

I recently found some old sketches for my Kentucky-based fakemon project and decided to clean em up. These two lines are based on the state butterfly, the Viceroy, and its Müllerian mimic, the Monarch.

Both would be a simple bug/flying combo, but I think it'd be cool if they had abilities that played together when they're sent into double battles. Maybe something that increases evasion and defense when they're on the battlefield at the same time, or maybe something niche like a chance to poison opponents when hit with Lick or Bite.

Nepeta: :33< the pawbility to say "i dont have a tiktok" in social situations makes me f33l so powerful. like the general reaction is "shock, confursion, then this weird 'thats probably a good thing' response" its so fun

when i cant find the motivation to work on my actual video projects i gotta do something goofy instead

I love the shapes you use to draw machete, or really any character!! The way you draw noses, ears, bodies, fur, it looks like of I were to reach my hand out I could actually feel it, the bumps in the skin the squish of the flesh the softness of the hair. Not to mention the colors you use are very pleasing to the eye. So lovely... keep up the phenomenal work!!!

Ah, thank you so much!

Seeing as it's Black History Month, I'm gonna take a break from your regularly scheduled girlblogging to be a film nerd and beg every single person reading this post to go and watch Within Our Gates (1920).

Within Our Gates is a feature-length silent film written and directed by black filmmaker Oscar Micheaux and it is a miracle that we have it today. The film was believed to be lost for years until a SINGLE surviving print was found in Spain, translated back into English, and recut to match the original as closely as possible. (This is actually not uncommon in the realm of old film a lot of lost films get found in random closets but ANYWAY.) The film tells the story of Sylvia, a southern schoolteacher who travels up north to raise money to keep her school open. It explores how her life and family have been affected by racism, abuse, and sexual violence, as she falls in love, works to save her school, and grapples with her place as a black woman in the antebellum south. If that's not enough to get you interested, the film is also kinda batshit. There are shootouts! Affairs! Someone gets hit by a car! It's wild and dramatic and incredibly engaging.

You've heard of Birth of a Nation, right? Maybe you've even seen it. That insanely racist piece of film history premiered in 1915. Oftentimes people will defend D.W. Griffith and the film itself as being "a product of its time." Well, Within Our Gates premiered in 1920, and it is a product of its time. It depicts white mob violence against black Americans, and how that violence destroys innocent lives and rips families apart. It is written and directed by a black man. All of its lead actors are black. It is an absolutely heart-wrenching, moving, and intelligent film, produced on a shoestring budget, that explores what it meant not only to be a black American in 1920, but what it meant to be a black woman. Different characters have different approaches to coping with racism and strategies for protecting themselves. It's complicated, and upsetting, and one of the most impactful films I've ever seen.

If you can spare an hour and twenty minutes, if you happen to have access to the film through a streaming service (in addition to being FREE ON YOUTUBE, I believe it's on Amazon Prime, Paramount+, MGM+, and some Hulu plans) or an institution (you may have access to Kanopy or a similar platform via your local library or university), it's worth a watch. Play whatever music you want in the background if your version doesn't have any added! Even if you can't watch it for whatever reason, I'd encourage all of you to look into Oscar Micheaux and the history of "race films," films created outside of the Hollywood studio system by and for black Americans.

Don't buy into the false narrative that the only black representation in historical film was minstrelsy and Griffith-style garbage.

Happy double 5k! Both twt and tumlr🎉

Tumblr are cowards tho and won't let me post the full pic so head over here for some hot and spicy Ghoap 🥳

I love that moment in language learning when you learn a word purely through context and then it keeps coming up in almost every media you consume in that language. Every time this happens I'm like -

AAA I recently finished my scarlet playthrough and I was thinking of Sun Moon characters

I just think they should all hang out!!

May I request art of 403 Sans by o4ktree?

(If your okay with drawing other sans OCS that aren't the main few!) (I love your art!)

:-D sans OCs are fine, although i do prefer the og cast (or anyone from my two fave aus), it really depends on how much time i have and if i can get any ideas for a doodle jsjs

403 by @o4ktree

will with guns but in a traumatic way