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#bc I apparently make a lot of comics
braisedhoney · 2 years
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I don’t know if you’re still doing the prompt thing but something with engineer!mark would be cool — if genres could be a part I’m a sucker for a hurt comfort or happier stuff in general lol but all your stuff looks cool so i’ll like it either way!!
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But I’m really not lying, when I say that I don’t mind going down with you.
The only person I trust more than myself, is The Captain.
This is a little more hurt than comfort, not gonna lie to you friend. But!! I do have a happy Mark and Captain sharing a pizza up on my blog, so uhh.. consider the prompt filled? I think? :’D
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the-valiant-valkyrie · 4 months
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everybody please consider the fact that solaris is probably a native swiss-french speaker with me okay??
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un-pearable · 6 months
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HE KNOWS. PENDERS
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puppyeared · 2 years
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When you’re a kid now but you’re a squid now idk I’ve never played the game
@poicyss
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rillette · 2 years
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so what happens in the eaglnheart and gerad run. Also what's the gerad halcarol dynamic
hiiii lolipop, havent seen u in my askbox in a bit!! welcome back ^_^ going to put this under a cut bc it got kind of long and also i decided to add panels so it got even longer teehee
englehart's run is abysmal because he wrote a lot of his own problems issues into the story (its very oversexualized) and he's the one that introduced that gross fucking arisia plotline may he rot in hell for that.
Gerards run has hal as like the precursor to geoff's hal, where he's very. he's written to be the leader type where he hates taking orders from people and he wants to do his own thing and shit which is fine, but like hal is notoriously a yes-man. i love him to bits but he would fall for an mlm scam. theres textual evidence even
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so, since that underlying yes-man tendency isn't addressed his character "growth" into a leader type role feels very hollow and forced.
he's also written as a stereotypical man's man, where he's you know what i think he's just the writers self insert probably. like they keep bringing up how many chicks he pulls and how he's great with women and then he keeps being misogynistic and its like hold on. where did the hal that got mad at carol's dad for being a capital m misogynist go. that's not hal.
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I think that gerad's run has some great plot ideas, like with mosaic and entropy, but the writing doesn't hold up and his hal characterization is shit. also they keep using that nickname for tom and it makes me mad
the gerard halcarol dynamic strips carol of all her agency as a cold motherfucker. i love carol for who she is; a ruthless bitch! and the carol in gerards run is very. hold on let me find the panel that made me mad.
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this is so. carol would never say this shit with a straight face. i can really only see carol saying this in a mean way like if she was actively trying to put hal down. carol is ruthless and capable and wayyyy more of a leader than hal is. i realize i keep saying that carol is mean but i mean this in like the best way possible she IS mean it's part of her character and it's part of what allows her to be such a successful businesswoman. she is cold and bitter and she uses that as a self-defense mechanism she is not the type of person to get sad and angsty about sitting around waiting to see if hal is okay Gerard.
i want to talk about the halcarol dynamic while im here. hal and carol work best as best friends. they are deeply deeply important to each other and i think their romantic relationship is important to both of their character growths but part of that growth is them breaking up and staying just friends.
i think that hal and carol see something in each other that they both desperately want to have for themselves. for carol i think she wants the freedom that hal has to just fuck off into the sunset and have adventures without the pressures that come from her dad and from running ferris. for hal, well. 🏳️‍⚧️. i think that hal truly does love carol but he's also in love with the idea of carol, the strong and collected buissness woman.
I think that hal and carol's relationship is them trying to fill that void inside of themselves. but their romantic relationship is doomed to fail because you can't ever truly love your reflection in the mirror.
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yeah yeah times new roman is the standard or whatever but have you ever considered that serif fonts suck and should be illegal wherever i am forever with no exceptions?
#sans all the way babeyyyyy#not sans undertale#sans serif#if i'm posting a lot of nonsense today it's bc i accidentally left my earbuds and therefore my concentration at home#so i'm just going to be v distractable today#bc music is the only thing keeping me on-task i have no idea how i did things w/o it for years#i cannot even draw w/o music :(#i will attempt to write this case summary but i have to read 20 pages in a SERIF FONT and then make my writing serif too#biggest betrayal to my essays is making them times new roman#at least i have one prof with common sense. she only accepts things in her specific formatting w calibri#and me and calibri can get along#we can be besties even#we can hold hands and gently kiss each other on the lips#we can get married and adopt many children including comic sans#he would be bullied relentlessly but we would only find him slightly ironic so it's okay#y'know i remembered today that one can take medication to solve their problems instead of just dealing w them#was reading about MDD for class and they were like these kinds of drugs can make you less depressed#and i was like. wow. you can do that? i thought you had to suffer through it??#thought that was just one of those things(tm) that we all went through and if you made it out alive then good for u#but apparently you can take meds and then stop it from happening altogether??#i knew this somewhere in my brain i think but one of my siblings got anti-depressants and they made them significantly worse#so ig i forgor that they could work#but i could never take them because i'm much more interesting as-is#do you think someone completely stable would have so much fun messing with people??#i will be a mad scientist. i was born to be one#when i get a doctorate it's over for all you weaboo shits
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eruhamster · 10 days
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not to be annoying but i do think a lot of people mischaracterize falin. shes got the most drastic canon v fanon thing going on. which i guess makes sense bc 1. we dont see much of her and 2. lot of the fan stuff are anime-onlies that have seen even less
but i think like a good 90% of the time i see falin-centric art or posts im like hrm hrm hrm thats all wrong no nope no-siree
she's just a cool chick that takes life as it comes, doesn't hold grudges even against a mother that apparently was trying to beat the magic outta her, finds her older brother the coolest person in the world, and has autism about observing life (and death, she loves the ghosts she has a connection to) and nature and taking care of things (including taking care of her brother, which is why she's even in the dungeons; she saw her scrawny mess of a brother and decided she had to fix that).
and i think my favorite part that people don't talk about is... she would have done the same for marcille or laios if it were one of them that was eaten. you could see it in her eyes:
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it's what shuro misunderstands about her. it's easy to see her feminine, cute, good girl pieces and forget the rest of her. but she loves things to an ends-of-the-earth extent; the kind of caring that makes you a little insane. and that's how I think she and laios end up on the same page with their weirdness. they have different interests, but they are the same level of committed to those interests.
it's easy to love her, because she probably loves you just as much, if not more.
EDIT: for the love of god stop reblogging this only to add some comment or tag or reply saying 'op you forgot [BLATANTLY FANON INTERPRETATION]'. falin as we know her is not a pushover/people pleaser/infantilized, see this version of my post. also stuff like 'female shuro was in love with laios in the genderbent comic' and 'falin was going to marry shuro because she felt bad' are just things you made up in your head
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redstarwriting · 11 months
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the clash | vi. (with someone you shouldn’t’ve)
hobie brown x goth!reader
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word count: 2.2k
genre: enemies to lovers
warnings: language, insults, hobie hating you (sort of), you hating hobie, angry hobie, death, there’s a murder, SORT OF GRAPHIC death scene, injuries, ANGST, a plot twist!, sort of allusions to s*icide
a/n: ok y’all. this one’s a lil shorter, but this is where it starts getting whacky. the way i’m writing this is sort of like if i was writing a comic book, so this is a WHOLE ASS PLOTLINE that i could see being illustrated in my brain. i hope you enjoy, bc it’s about to get WILD. don’t worry tho the fluff will come bc i’m soft(ish)
previous chapter: v. ever fallen in love
now reading: vi. (with someone you shouldn’t’ve)
next chapter: vii. i wanna be sedated
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First thing’s first, Hobie needs to find out where the Prowler of your world might be. He could always call Miles and ask him where his Uncle Aaron lived, but that seems a little… insensitive. If there’s anything he knows about the Prowler, he knows that he’s a thief. So, Hobie snatches your police dispatcher and listens for some burglaries being reported. Getting any type of assistance from the police pains him to his very core, but he’s not about to wake you up and let you know what he’s about to do. He crouches on the railing of your balcony and stares out at your city. He hears calls about someone robbing a Bloodega, not the Prowler. Some kids snuck into a club, also not what he needs. “Come on, pigs,” he mumbles, “give me somethin’ useful here.”
That’s when his ears perk up.
“Reports of someone lurking around of Oscorp Labs, suspicions that it might be the Prowler. Units on standby for Spider-Goth, do not engage with the Prowler.”
Do not engage? What the hell? Isn’t he a villain? Hobie quickly understands what’s going on.
He works with the cops.
Fuck this assshole.
He leaps off your balcony, webbing his way through your city. It may not be his style, necessarily, but it’s a nice place. He can see why you like it so much. He’s actually been webbing through it more than he ever expected to with how much he visits you. He knows deep down that he’s visiting so much only to see you, but outwardly he likes to pretend it’s just to see Shadow. He knows more about your world than Miles, Pav, or Gwen’s which is interesting considering he’s known you only about 3 and a half months. Luckily, you live only a short web swing away from Oscorp, so he can’t get too lost in his thoughts about you and can end this guy faster. He lands on the top of the building and glances around. He notices a perfectly cut hole in the glass a few floors down, so he crawls down and through into the building. It’s dark. He tries to stay as quiet as he possibly can because he knows that’s how you would do it, but damn. He just isn’t good at stealth. And this is factual apparently, because he gets the feeling someone is watching him and just barely jumps out of the way from what looks like a whip covered in spikes. He lands on the ground in a crouched position when he hears a somewhat familiar sounding voice. “Who the hell are you?”
“Can ask you the same question, mate,” Hobie says, “The answer will make this whole thing so much easier.”
“You one of that freak’s friends?”
“Something like that,” Hobie responds. “I take it you’re the Prowler?”
“The one and only,” he says, and Hobie rolls his eyes under his mask. “Mate, do I have some news for you,” he snorts, and the Prowler flicks his wrist. His whip makes some mechanical noise and green and purple light starts shining through it in little places where the metal isn’t completely welded together. Hobie motions to it. “Bet you’re proud a’ that. What are you? A cybergoth? cyborgoth?”
“I’ll ask this one more time. Who are you?”
“Name’s Spider-Man, also known as Spider-Punk,” Hobie says, and the Prowler groans. “There’s another one? You’ve got to be kidding.”
“There’s a lot more than just me and them, mate,” Hobie crouches down, ready to leap out of the way if need be. “Why are you here? Where’s my insect at?”
Hobie doesn’t like the way he called you his. “They’re not yours,” he hisses at him. The Prowler is quiet for a moment before laughing. “Oh. I see. Didn’t know they had a boyfriend,” he says, before whipping towards Hobie. He jumps out of the way in time, but almost doesn’t because boyfriend? Excuse me? “Not their boyfriend!” he yells, landing on the ceiling and glaring down at the Prowler. “No? Then why are you here? I figured it was because of how badly I beat them. Their screams were so entertaining.” Hobie hates this man. He clenches his jaw. “Nowhere near as entertainin’ as yours’ll be, dickhead,” he grunts, jumping down and shooting a web at the Prowlers legs. Luckily, the Prowler wasn’t expecting that, and Hobie is able to yank his legs out from underneath him. He falls hard, and Hobie smirks. “Oh sorry, did that hurt?” Hobie says, and the Prowler growls, standing up faster than Hobie anticipated. “I’ll kill you.”
“Not if I kill you first, mate,” Hobie says, anger seeping out of his words. “A spider that willingly kills, huh? Is that why you came to find me?” he chuckles, “I feel like you and I could be good friends,” the Prowler’s chuckle turns into a laugh, and it pisses Hobie off even more. “I’d rather die than be friends with someone like you,” Hobie shoots another web at him, but this time the prowler dodges it. He flicks his wrist, and Hobie feels the whip make contact with his side. He grunts in pain. This must be what got you earlier today. “That can be arranged. You’re even worse than your little partner,” the Prowler says, and Hobie can hear the smirk. He wants to punch that fucking smirk off his stupid face. Hobie stands again, grabbing his guitar. If it’s a fight to the death this fucker wants, it’s a fight he’ll get. And Hobie will not be dying tonight. “Oh, what are you gonna do? Power chord me out of existence?”
“More like beat your ass until you kick it,” Hobie growls, “but if ya want me to do it with style, I’ll play ya a song over your dead body.”
“Bold of you to assume I’ll be the one dying tonight,” the Prowler says and uses his whip again. Hobie jumps out of the way, and his eyes widen as he dodges two bullets in midair. He lands on the ground and sees that the Prowler’s gauntlets are guns as well. He scoffs. “How much that suit cost ya?”
“Would have cost a lot if I didn’t steal it or invent it myself, but I did,” Hobie dodges two more bullets, but lands directly on the Prowlers whip, causing him to slip and fall. “Luckily my agreement with the police got me the state-of-the-art tech that I needed,” the Prowler confesses. “Fuck,” Hobie grunts, jumping up as quickly as he can. “I’m gonna love telling Spider-Goth I took down their boyfriend.”
“Not their boyfriend!” Hobie yells, jumping out of the way of his whip, and more bullets.
“I find that very hard to believe.”
“Look, how ‘bout we settle this without any gadgets, eh? See who wins then?” Hobie says, and the Prowler scoffs. “If you can’t beat me at my best, you can’t beat me at my worst.”
“Actually, yeah I can. Dunno if you’re realizin’, but I’m still alive and breathin’,” Hobie says, jumping out of the way of his whip yet again. This time, though, Hobie was prepared. He webs the whip and yanks it as hard as he can. The Prowler is airborne as Hobie swings him to the other side of the room. He lands with a thud, and Hobie webs over to him, doing a flip to land a kick directly to the face. The Prowler manages to get his whip wrapped around Hobie’s ankle and flings him back across the room. He crashes into some glass wall and groans. “As much as I fuck with your ‘fuck the establishment attitude,’ Spider-Goth ain’t gonna be too happy with me if I destroy another buildin’,” Hobie says, shaking his head, hearing some glass fall down next to him. Then, the alarms start blaring. ‘Great, probably broke somethin’ important,’ he thinks before noticing a piece of glass stuck in his arm. ‘Gotta make this quick,’ he thinks, grunting as he pulls the glass out of his arm. “Like I give a fuck what makes them mad,” the Prowler says, running towards Hobie. He leaps out of the way, webbing his leg again and causing him to slip and fall. Hobie then delivers a blow to the side of his face with his guitar, but thanks to his armor, it just hurts him more than anything.
Then Hobie hears hissing. He leaps up onto the ceiling just before a mechanical snake was about to sink its stupid metal fangs into him. “Made yourself friends ‘cause ya ain’t got any? I’d be gutted for you if ya weren’t such a dick,” Hobie says, webbing the snake and jumping off of the ceiling. He does a flip in midair, swinging the snake with him and throwing it at the Prowler. He dodges just in time, but Hobie is able to deliver another blow to him. This time, Hobie goes for his leg. And he hears a crack. Just as he wanted. The Prowler shrieks out in pain. 
Hobie lands next to him and bends down. “Hope that hurt, fucker,” he spits, striking his other leg in the same fashion. He dodges the mechanical snake again, grabbing it and using his strength to break it in one squeeze. He throws it to the side and dodges more bullets from the Prowler’s gauntlets. Unsurprisingly, Hobie goes for both arms next. He stops when the man is rendered completely useless, rolling the Prowler over on his back. “I win,” Hobie says, and even he is taken aback at how menacing his voice sounds. The Prowler grunts, “You sure you’re a good guy?” Hobie ignores him and stands beside his head. “I do what I want. Any last words?”
The Prowler is silent for a moment before speaking. “Tell them that their boyfriend would have been able to save–”
Hobie doesn’t let him finish.
In fact, Hobie has trouble stopping even after he knows the deed is done. He didn’t even give Osborn this kind of disrespect. But this guy is different. All Hobie has to do is think about the state of your back, how you still blame yourself for what this motherfucker did to someone you cared so much about, and he’s swinging his guitar again.
He only stops when there’s nothing left to hit.
He breathes heavily, observing what he’s done in the flashing red lights as the alarm blares in the background. He walks back to the window, glancing back at what he’s done before leaping out and webbing away as fast as possible. He hopes no one saw him. Doesn’t want anyone confusing you for him.
He lands on your balcony and sees Shadow waiting for him inside the doors. He opens them and hears the cat meow at him. He leans down, giving him a few scratches, before opening a portal to his world. He goes home, falling on his bed. He groans, feeling the injuries he got for the first time. The adrenaline was keeping him going that entire fight. He gets up, and begins mending his injuries. Halfway through the last set of stitches he has to give himself, he gets a call on his watch from Miguel. He rolls his eyes, ready to get yelled at for, ‘interfering with the fate of the multiverse, yaddah yaddah yaddah blah blah blah boring boring boring.’
“Yeah, what d’ya want?” he answers, finishing up his stitches. “Get to Spider Society immediately.”
“I’m a little busy here, mate can it–”
“NO! It can’t wait, Hobie! Get here now!” Miguel screams, hanging up. Hobie groans. He was supposed to go back to your world so when you wake up, he would be there and explain why he did what he did. He could just go back… but then Miguel might show up in your world. And he sure as hell doesn’t want that. Sighing, he opens a portal to earth-2099, walking through and ending up in Miguel’s multi-screened research room. “Do you know what you did.”
“Killed a bloody villain, what of it?” Hobie asks, already annoyed. Miguel pounds his fist on the desk. “You interfered with (Y/n)’s timeline, Hobart!”
“I was protecting them!”
“YOU CREATED AN ANOMALY!” Miguel screams, and Hobie frowns. “How did I–”
“You killed a villain not a part of your own world, a villain who played a role in a major canon event of (Y/n)’s and now–”
“Would you come off it with the fuckin’ canon events?! Whatever it is will be resolved in one way or another!”
“Hobie you don’t understand–”
“He hurt them! Was I just supposed to stand around and let it happen?!”
“YES! We’re Spider-People it’s part of the job,” Miguel screams, and Hobie rolls his eyes. “I thought you hated them anyways, why did you want to protect them so bad?!” Miguel asks, and Hobie freezes. That… is actually a good question. He sees your injuries in his mind again and his frown deepens. Why did he want to protect you? Surely, he doesn’t… like you? No, he wouldn’t have done what he just did for a just a friend, though he would have still hunted the Prowler down. But the thought of him hurting you drove him to do unspeakable things… which he did. Is it… does he like you romantically?
His eyes widen. It would make sense if he felt that way. He was around you 24/7. These past two days were torture. He likes the way you challenge him. He likes the way you look, he likes the way you speak, he likes– “Hobie. Answer me.” His thoughts get cut off by Miguel, and he swallows hard. “I… I actually can’t answer that right now,” he says, and Miguel frustratedly runs his hand through his hair. “Hobie. What you just did…”
“Is bad, I know–”
“It’s not just bad. It’s detrimental.”
“What do you–”
“Do you know who you killed?” Miguel asks, and Hobie scoffs. “Obviously. I killed the Prowler, probably some variant of Aaron Davis or–”
“The Prowler on Earth-666 is not Aaron Davis,” Miguel says, frowning at him. “Did I kill Miles? You know his voice did sound kind of familiar…” Hobie asks, feeling a little worse about the way he handled the situation. “No. It wasn’t Miles, either.” Hobie looks up at Miguel, who takes a deep breath. “The Prowler on Earth-666 was Hobart Brown.”
Hobie feels like he just got hit with a pound of bricks. This is too much for him to process in one night. “I… what?”
“You just killed yourself.” Hobie shakes his head. “I–”
“He sounded familiar because he was you. Just without the English accent,” Miguel says. “Did (Y/n) know?” he asks, less concerned with the fact that he technically killed himself, and more concerned with the fact that he did all of those things to you. Miguel shakes his head no. “They didn’t. They were never supposed to know,” Miguel affirms, and Hobie lets out a shaky breath. He unclenches the fists he didn’t realize he formed. He feels the indents his nails made on his palms, but he doesn’t care. He was genuinely scared for a minute there. How would you react towards him if you know he was the one torturing you for so long? He nods. “Good.”
“There’s something else I need to tell you, Hobie,” Miguel says, and Hobie looks at him. “You changed a canon event. So far, the world seems stable… but you’re not going to like what will happen next,” Miguel says, turning away from him. Hobie jumps up to the platform Miguel is standing on. “Will (Y/n) be okay?” he sounds a little too frantic, and Miguel glances over at him. “You care too much for them.”
“Bollocks,” Hobie retorts, and Miguel sighs. “I knew you would like them,” he mumbles before pulling up information on your Earth onto the monitors. Hobie sees the Venom symbiote pop up and frowns. You haven’t had to deal with that yet. “The Venom symbiote was meant to bond to Hobart Brown on (Y/n)’s Earth. Now, the symbiote is going to bond to (Y/n), which is bad. This symbiote is unlike the other Venoms. It’s angrier. Deadlier. He would have been the worst enemy they ever had to face. I’ve been mentoring them as a secret way to help them train to be able to defeat him because… well…”
“Cause what?”
“Hobie Brown with the Venom symbiote would have been unstoppable,” Miguel says, turning to Hobie and delivering information that makes a chill run down his spine.
“Hobart Brown was meant to kill (Y/n) (L/n).”
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imrllytootiredforthis · 9 months
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Do you have thoughts on himbo mingi? 😌(I want to breed him so bad)
i got lots of thoughts on himbo mingi-bc i too, want to breed him😌
poor boy doesn't know how to use his head all the time, it's a good thing he's so pretty.
at a bar or whatever else he's getting hit on by all of these people, but he doesn't realize it. he thinks they're just being friendly, biting their lips, eyes blatantly checking him out. one time, a woman even let her hands slide all over his body, down his chest and hips (he thought she was just a bit touchy-he's the same way🥺)
you leave him for a few minutes to grab the two of you drinks and you come back to him laughing with someone else-the girl almost sitting in his lap with how close she is, her hand resting on his bicep.
"mingi."
he looks up at you.
"mhm."
it's almost comical the way his eyes practically sparkle, his pupils heart-shaped. the adoration burning in his gaze apparent, almost overwhelming. puppy-dog like and adorable. the poor thing having no idea what's elicited the steel in your tone. his eyebrows furrow slightly and you can almost see the question mark floating above his head.
*sigh* it's a good thing he's so pretty.
"what's wrong?" he sounds almost sad now as he reaches for your wrist but you don't let him.
you know he'd never cheat on you, know that it would never even cross his mind. he's too obsessed by you, wrapped around your finger almost as much as you are his.
but it makes your blood boil seeing all of these people feeling him up, flirting with him all the while he's completely clueless.
the girl glares, clearly annoyed at the interruption as you pass him a cup.
"i have to go to the bathroom."
you turn on your heel and walk, knowing he's right behind you.
even as you lead him into a room that he's fairly (but not certainly) sure is not a bathroom. even as you lock the room behind you, crossing your arms against you chest as your foot taps on the ground.
you look unimpressed and the disappointment written across your face-it's enough to make a whimper build up in the back of his throat.
"what'd i do?"
he's so fucking clueless, it's dumb. so innocent and pretty. all beauty no brains.
you only sigh frustratedly, your hands flying to his shoulders, pressing down enough for him to fall to his knees in front of you. "what'd i do?" you mock, watching him look up at you like a kicked puppy.
anger flashes in your eyes and he knows he's in for it.
you reach down, grabbing his jaw in your hand, cupping it almost gently if not for the nails digging ever so slightly into his skin. "you're fucking mine. you hear that baby? mine." you spit, hot and angry and standing over him, fuck. he can't think properly like this.
he whimpers, hips almost imperceptibly grinding against your leg. enough for you to catch though, enough for you to press your leg harder between his spread open ones.
"say it. say you're mine, not that stupid bitch's you were practically fucking out there, what were you gonna let her do? jerk you off in the middle of the party? are you that much of a whore mings?"
he doesn't have the clarity to properly deny it, only crying out as he moves faster and faster, trying to get off. shaking his head no, muttering pleas and apologies against your thigh as he hides his face against you.
"not her, not her, i-i promise, only-only you." he pants.
you sigh, fingers twirling through the strands of his hair. enjoying the way he desperately humps you like a puppy in heat, sounding like one as well.
he's so cute, you guess you can forgive him-just this once though. "good thing you're so pretty mingles, who knows where you'd be without it."
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hotvintagepoll · 1 month
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Propaganda
Ruby Myers (Typist Girl, Cinema Queen)— I just recently saw a documentary about her and thought that besides being really pretty, she had a very interesting life. She was born in the early 1900s in India to a Baghdadi Jewish family, and became the first woman to act in an Indian silent film. In the 1930s she started her own film production house, Rubi Pics, way before most female producers in Hollywood broke through. More info can be found in this Golden Globes webpage on her life [link]
Ginger Rogers (Swing Time, Top Hat)—Look I’ll level with you, I’ve never seen her in a musical and I know that she’s an amazing dancer and she’ll be even hotter when I finally watch Top Hat but I’m not submitting her as a dancer I’m submitting her as an ACTRESS. Her comic timing is impeccable!!!!! She’s full to bursting with life and in every role she seems to be having FUN, you can practically feel the twinkle in her eye. With her natural warmth it’s like she’s letting you in on the joke, y’all get to have this fun together! Making me laugh is hot!!! [If you'd like to see Ginger dance, videos below the cut]
This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Ruby Myers:
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Ginger Rogers propaganda:
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She needs no introduction! An undeniable powerhouse on the dancefloor, and no less talented an actress. I once watched a compilation of cinema's greatest dance scenes and one of her and Fred Astaire's dances was featured, and one of the talking heads said he pitied her for 'having to keep up with him' - or something to that effect. Bullshit, I cry. Ginger Rogers was his absolute equal, and underplaying her incredible skill is downright criminal. I want the 'Cheek to Cheek' sequence from Top Hat to be permanently burned into my memory.
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"Backwards in high heels", as the saying goes (though the pedant in me must point out that she in fact spent her fair share of time leading or dancing side-by-side). One of the earliest twinkle-toed ladies of the silver screen, and in terms of acting/persona, her balance of wide-eyed cuteness and movie-star glamour has never quite been replicated.
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we all know her beloved string of musicals with fred but ginger also has an extensive and varied non-fred filmography that she's great in! a few ginger moments that are important 2 me personally ginger singing “we’re in the money” in gold diggers of 1933, complete with a verse in pig latin bc this whole movie is kinda mocking the concept of anyone actually being in the money in 1933; ginger and una merkel singing a verse of “shuffle off to buffalo” in 42nd street, providing some statler & waldorf-esque commentary on newlyweds from the upper berth of a railway car (interesting that belly was apparently a risque word in 1933 - maybe its bc the lyric is innuendo-ing about out of wedlock pregnancies - and that panties was a term for men’s underthings!); a favorite fred & ginger number
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Ginger Rogers could do everything! She could sing, dance and act. She was hilarious in comedies, moving in dramatic roles (she won an Oscar for Kitty Foyle in 1940) and absolutely gorgeous!
Listen, no shade to Fred Astaire at all, but she both kept up with him step for step and then later went on to WIN AN OSCAR FOR ACTING. (which he did not.) truly a double threat!!!
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One of the best dancers in Hollywood! Her work with Fred Astaire is just incredible.
ONE LINE: "Everything Fred did, Ginger did backwards and in heels" AND THEYRE RIGHT! Rogers was a total dance badass, and a lot of movie buffs know the story, but the Never Gonna Dance number from Swing Time took almost 50 takes, and allegedly by the end of filming it her white shoes had been stained pink because her feet were bleeding. As a note, she looks crazy gorgeous in this number. Watching these two dance is insane. They match up to each other in a way my mom describes as "divine" and she's right. DANCE NUMBERS!
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Let's Call The Whole Thing Off (Shall We Dance, 1937, dancing starts at 3:14, they're in ROLLERSKATES)
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(Ginger Rogers is the hottest woman ever to live in this number. seeing this as a teenager altered my brain chemistry)
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(also watch her feet and how she moves opposite Astaire in this one. We all know our boy Freddie had that precision demon but jesus christ Miss Rogers, let a girl live!)
Pick Yourself Up, Swing Time 1936 (Everyone's seen this one but by god you are going to see it AGAIN!)
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Shall We Dance, 1937 (duet begins at 2:34)
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Smoke Gets In Your Eyes, Roberta 1935 (There's just something about Ginger Rogers in a slick black dress man)
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The Continental, The Gay Divorcee 1934
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God she's MAGIC in this one.
Gay Divorcee's Ending Montage 1934The infamous table and chairs spin happens at about 0:49. Pay CLOSE attention to her in this bc it looks like witchcraft and I feel lightheaded whenever I watch this movie bc shes THAT awesome.
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She is a miracle to watch. Sorry for the sheer amount of clips. My entire family is like madly in love with Ginger Rogers.
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lemonisntreal · 5 months
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Some sketches because it's been months since I drew these idiots oops☝️🥰
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HI THERE. It's been a minute, sorry about that lol. I took a tiny out-of-nowhere and sorta involuntary break from the fandom because I lost interest for a second, but I'm slowlyyyy making my way back. With art, and some news about Tone Deaf for the people who are still wondering about that.
Also I see there's some asks in my box, I'll get to that eventually, I see you ;-; dw
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As stated, I momentarily lost a bit of interest with this movie- partially because I've recently been ensnared in a new fixation that will not be named right now, but yeah. I'm digging my heels in rn, because the last thing I wanna do is abandon this project. But, also, I've clearly bitten off more than I can chew with this being a comic lmao. In over my head and going through all 5 stages of grief and currently on acceptance.
The story got bigger. Like, a LOT bigger. Too big to capture every thought in a drawing and panel it and put it out as a perfectly polished comic without seriously burning myself out. It really doesn't help that my art style evolves by the second too apparently, so I've reached a middle-ground:
Tone Deaf is going to be a fic with some comic-like segments in it. An illustrated fanfic bc I still love showing and not telling a little too much.
This'll help me not only get stuff out faster, but also to help me fill in the gaps I didn't know how to draw with just text. So I can focus on just drawing the juicy shit. This also means it'll all be collected over on Ao3 in a neat little package, and I honestly prefer that over having a bunch of posts of pages that might be hard to find. So yeah, that's the plan.
Another bonus is that the frames can now be a lot more polished and nice looking [in glorious color] rather than hastily mashed together due to my bad habit of going overboard on singular frames without realizing it.
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Tldr; Tone Deaf is technically still gonna be a comic, it's just now gonna be supplemented with word-based fic mixed in because I made the project way too fucking big [the first Act has like 20 chapters I'm going to literally die]. Also it's gonna be on Ao3 and I'll probably be posting all the art here alongside any updates I make so huzzah! Help me :>
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drbased · 11 months
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A guide on how to be a radfem AND an actual leftist!
So say you see this comic shared by a radfem online:
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OK, so straight off the bat we have a kind of... suspicious portrayal of a trans person. In my experience, if a comic has this kind of overly polished art style, well, it's probably not made by a radfem, and it's probably made by a man. In fact, the comic style this reminds me of the most is stonetoss, a barely covert neo-nazi, whose comics I have seen, once again, shared on radblr!!
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(fyi this isn't the exact comic bc I couldn't find the one i saw on radblr a while ago, but you get the idea)
If you're an actual committed leftist, you probably don't want to be platforming outright neo-nazis.
And unfortunately for us feminists, a lot of neo-nazis are also anti-trans. So if you're about to share something from outside the radfem bubble, you just might wanna check first to see if it's thinly veiled hate speech that this guy MrPumpkinFace (whose name is in the comic, just to make searching easy for you!!) supports and -
oh - oh god -
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Yeah, doesn't take much of a search to find out exactly what kind of politics this guy supports. I repeat:
It doesn't take much of a search to find out exactly what kind of politics this guy supports.
Also, here's a bonus stonetoss comic for ya:
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So that's your definitive guide for not being a
complete fucking moron
In the name of 'owning the transes'!!
All you have to do is use that famous radfem pattern recognition and the equally famous radfem common sense and the equally famous radfem ability to check sources - all of which goes out the window when it comes to this subject apparently!!!
(Sorry, did I say this was a guide on how to be a 'leftist'? Sorry, I mean this was a guide on how to do the BARE. FUCKING. MINIMUM.)
Please, please, please don't leave it to random idiots like me to have to keep doing basic google searches for you all, and good fucking luck getting your average mainstream leftist to have any sympathy for you when you're uncritically sharing literal nazi comics on your supposedly feminist platform!!!
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sunxstreaker · 6 months
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i don't really get simpatico but i would love to understand it more bc its such a big part of transformers now. if you're willing, you can do that big post on simpatico here?? if you wanna??? i'd really appreciate the help 🥺👉👈
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The thing with Simpatico is that i didn't exactly Get it at first too, most of my exposure was through fan content and reading the thing i was just Yeah it Makes Sense people ship this, but then it kind of bestowed on me more how these two people are just two parts fitting together perfectly in a way they wouldn't with others, and it's not even inherently Romantic to me, even if i see them as very much in love and conjunxed post MTMTE/LL story.
Their relationship is quite silly in the context at first. Brainstorm's profile calls him a conflicted Perceptor fanboy. The only thing we get, up to this point, is his Annoyance with how his genius is overshadowed by Perceptor. While Perceptor doesn't seem to give him his time of day at all, more concerned with his work and what Rodimus wants from him than what Brainstorm is up to.
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It's honestly just my personal interpretation of either characters, but Perceptor is finally allowed to fullly get back to science again, he's not expected to be holding his sniper rifle (even though he was never expected to! He had himself believe that holding a weapon will make him of more value!), while Brainstorm is there with his own super secret super important agenda.
Brainstorm is, apparently, an MTO, while we don't know what for, but MTOs have a very sad track record and usually have a lot of baggage as they're usually "born" and then kicked into the heat of battle, barely having any chance to learn who they are, just what they're for. Yet Brainstorm has never killed anyone - and despite that, he's still LIED about being an MTO.
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Here they're talking about the concept of Constructed Cold, but there were TWO waves of them - pre-war and post-war. What Brainstorm is talking about he was not even born to witness yet.
They're both people who, one way or the other, "defying" what they are. It's a common theme with tf ships for me, but in case with this, it's Perceptor believing that he has to be more, and at the point of MTMTE, perhaps, not feeling entirely whole, and Brainstorm WANTING to be someone He actually Wants to Be.
Brainstorm feels threatened when his intellect is belittled by people calling Perceptor the genius. Brainstorm is quite egotistical and selfish, but it all ends up being just a facade, just as much Perceptor's cold and perfect exterior he cultivated throughout years during the war, of someone he thought his side needed.
Up until Brainstorm's time travel shenanigans, we saw them interacting sometimes, and a lot of the time, it was Brainstorm trying to impress Perceptor somehow, or just being himself that draws attention of Percy nevertheless.
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And then we see Percy smiling the most he's ever smiled throughout the comic, calling Brainstorm a genius himself, impressed by the intricate work of Brainstorm.
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Perceptor gets up to clap for Brainstorm at his trial, and i think it's the moment that sold Perceptor for his respect to Brainstorm. Everything he ever knew about Brainstorm - the careless egotistical and cowardly scientist - turned out to be nothing but means to an end, making way to a dedicated, caring, kind and brilliant person into his mind.
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I think their finale just says it all regarding these two, honestly.
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"I always wanted recognition for what I am."
"Me too."
Brainstorm spent his life on science and to be recognized. He didn't hide the fact he's an MTO just because. He wants to be seen for his achievements. Perceptor's war trauma had him feel useless to his comrades, who's "purpose", who's Genius, was ultimately the thing people saw in him, brushing off his personal achievements, maybe even the fact he could be more, his person, the way he feels Brainstorm could understand, too.
They're simpatico for a reason, and its just one of them, but pretty crucial and at the very core of why they're so compatible.
While i understand simply thinking of them as "science duo" they're so so much more than that.
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ingravinoveritas · 1 month
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hey, if you watched comic relief, did you think david looked unbearably tired? he sounded near tears at times and idt it was just bcs of the charity videos
Hi there! I'm not in the UK, so I wasn't able to see Comic Relief while it aired, or any clips until now.
I didn't notice the tiredness at first, but it definitely seemed to become more visible later in the show, as did the sounding near tears. This moment (which I got from a fan on Twitter who compiled all of David's bits) in particular really got me, as it's so apparent here...
As to what could've been causing this, I think there are several things that could have been happening, possibly even all at once. Up until I got into Good Omens/David/Michael, I wasn't at all familiar with Comic Relief, but having watched the show for a few years now, there are some really striking things I've noticed about how it's structured and what it involves.
On the one hand, you have lots of famous actors and comedians and musicians putting on a show and telling jokes...and then on the other, you have emotional videos of people in dire situations, both in the UK and abroad. And because Comic Relief is live, it's much harder to build in transitions between these two things, so you end up dramatically shifting from lighthearted to serious and back, and it leaves you with a bit of whiplash as a result.
So if those abrupt tonal shifts are difficult for us an audience, they must be even more challenging for the host(s), including David. I think the live aspect of the show makes it very similar to theater and how David might have reacted in differing moments during Macbeth, because we're seeing emotional reactions in real time, without the benefit of editing. Tonight was also the last occasion of Comic Relief that Lenny Henry was hosting after nearly 40 years at the helm, so I feel like that probably made David emotional as well, given how much he has worked with and admires him.
As for the tiredness, it seems there were at least a few interviews that David did prior to the broadcast, so he was probably running around all day trying to get everything done. Then you add to that the chaos of multiple hosts on stage and everyone trying to find their marks (which seems to have been something David was stressing out about a bit in one of the interviews today), plus the charity videos, and it's no wonder that he looked so drained.
(Another thing I also wonder is if David's demeanor had anything to do with sharing the stage with Davina McCall, who was allegedly outed as a TERF last year. Given the attacks from the anti-trans loons that David and Georgia have endured over the last several months, I can imagine that he might not be comfortable co-hosting with someone who espouses such views. And for the record, there was something about Davina that inexplicably annoyed/seemed off to me long before any of the TERF stuff came to light. It seems like my instincts have been confirmed in that regard...)
So yes, those are pretty much all of the things that came to mind regarding David's demeanor at Comic Relief. He's probably been running himself ragged lately with new projects since Macbeth ended (the Genius Game hosting gig, for one, and an appearance on the SmartTV game show, plus multiple upcoming Comic Con appearances), so hopefully he can find some time to relax and breathe in between all of this, because he more than deserves a break.
I hope this helps to answer your question. Thanks for writing in! x
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comradekatara · 2 months
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with another atla revival on its way (I hate Netflix) I’m starting to see “shipping wars” again and I’m hating/fighting for my life with all these z*tara shippers. I guess, for me, people who ship them together fundamentally don’t understand or even like Katara and yet they will hail themselves as the only people who get her (in what universe…) and claim that Zuko would have treated her infinitely better than Aang (I can’t with people). I’ve had a look on your page and FAQ and I think we share the same thoughts on the ship with the whole coloniser x colonised aspect (this is not to say I don’t like Zuko, but still). I guess what I’m asking is do you think these people get her as a character? ALSO finding out that the comic book writer shipped them and broke up Mai and Zuko made me feel some type of way.
i like how you said “on its way” only 22 hours ago (as of 2/29) despite the fact that natla fully came out a week ago. that said, i still haven’t seen it, so in my mind it also doesn’t exist (at least until i do actually watch it tomorrow). also, for what it’s worth, i do think that breaking up zuko and mai is the right call, it’s just that the execution was fucking awful, because gene yang cannot write for shit and doesn’t understand these characters. but it’s also really funny that he apparently ships zvtara (like, that tracks) but also their only prominent one-on-one interaction in the comics is when he physically restrains her…. lol. lmfao even.
as for the way zvtara shippers talk about katara and aang it truly is bonkers insane the lengths they’ll go and the reaches they’ll make to justify why their personal preference is, in fact, morally correct. i mean, intellectually correct is one thing, because i believe in making a persuasive argument and citing your sources, but morally correct??? they’ll act like aang is some awful toxic misogynist (yes, i know) and that zuko is in fact a paragon of support and respect for women. when we’ve all seen firsthand how he behaves as mai’s boyfriend (sidenote: the fact that they’ll claim that MAI is the one who is “abusive” to ZUKO is crazy. people hate women so fucking much it’s unreal).
in terms of how they discuss katara, it’s not so much the fact that the ship is literally colonizer/colonized (although it is), but the way that shippers deliberately play into these colonial biases and dynamics when portraying them. i actually think had zvtara shippers not been egregiously racist about it for so long, i wouldn’t really mind the ship itself. like, they are very obvious narrative foils who parallel each other in many ways and their arcs are inextricably bound up in each other and incredibly meaningful to both of them. i can understand why people read katara touching his scar in the catacombs or zuko jumping in front of lightning to save her as romantic. not my personal cup of tea, but like. it’s not NOT there. i don’t even object to people calling them soulmates tbh, because like. yeah. they are???
however. the complete lack of understanding as to what colonialism is or how it functions (ive literally seen ppl say that zuko isn’t a colonizer bc he never personally occupies territory, as if he didn’t BURN DOWN SUKI’S VILLAGE, and that the swt was colonized by the fn because they don’t explicitly occupy land like they do in the ek) really pervades the (romantic) interpretation of this dynamic as i’ve observed it over the years. a lot of katara in fire nation reds, as “fire lady,” abandoning her culture for zuko’s sake (despite this apparently being egregiously problematic when katara does this for aang’s sake). one time i came across a literal pocahontas au?!?!?? like. it’s SO dire.
and beyond the very obvious racism, the way they paint shipping zvtara as feminist and progressive is insane because, as you say, they do hate katara. i don’t know how to explain to these people that sanding down all her flaws and turning her into this angelic maternal endless well of compassion and emotional labor means you don’t actually like her character as it is presented in canon. acting as if katara lacks flaws (she is, in fact, deeply flawed) or so much more mature than the rest of her friends and must suffer that burden every day (hint: she’s not and she doesn’t) until the noble zuko comes along and is so gracious towards her and her alone (he’s literally the most immature of the lot, screams and whines at her, and at everyone) is just. a really impressive amount of editorializing. and they turn aang and sokka into these whiny, idiotic babies to justify that decision, as if aang and sokka are not highly intelligent, wise, capable, and responsible in their own right.
katara and zuko are in fact flawed in similar ways. they’re both impulsive, self-righteous, stubborn, myopic, callous, and filled with an unquenchable, blinding rage. it’s clear that when they are aligned in that rage, their dysfunction feeds into each other and they block the rest of the world out to satisfy their impulses. katara is able to pull back at the last moment in “the southern raiders” in a beautiful culmination of her internal character arc, but the entire build-up to this moment sort of showcases the ways in which they might not be great for each other as a couple. but people will do some incredible mental gymnastics to explain why they are nonetheless always right about everything, and why aang and sokka are always wrong and don’t understand katara at all. also, fwiw, reducing “the southern raiders” to who is right vs who is wrong when it’s actually about how various characters approach and process their grief in a deliberately subjective way is just. god. exhausting. i’m exhausted.
the thing about atla is that it is a well-written show, especially as far as its main characters are concerned. katara is so dear and special to me specifically because she is allowed to be so flawed and three dimensional and realistically human. and ignoring zuko’s myriad flaws means ignoring the depth that apparently makes him the most interesting character to 90% of atla fans. there really isn’t a need to editorialize and reduce canon to fit a neat little narrative, when the narrative that already exists is just. already really solid. and the thing is, i don’t even think you should have to change canon all that much to justify this ship, because it’s one of the central dynamics of the entire show. and yet, people still do. they really do. so i think that’s telling, don’t you?
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slaygentford · 2 months
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every matthew mcconaughey romcom, rated
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ive never really had a pet white man. ive had many pet white men characters, yes, but never a little pet white man actor who I wish to give treats and pats to like a purse dog. I never before really understood the phenomenon until my 5th or so rewatch of true detective in the year 2024, at which point something demonic was unlocked in my brain. why? how? a mystery for my therapist, when I had a therapist, but I don't anymore, so now it's a mystery for you. overcome with the insatiable urge to tape his picture to the front of my binder and write "hott" underneath it in sharpie I mentally detransitioned and, embracing my latent teenage girl (the girl I was, perhaps, in another world, one parallel to ours; a darker world, but of equal worth to our own sphere, damned as it may be) --began to watch every Matthew mcconaughey romcom ever made.
listed in my watch order, which was random.
how to lose a guy in 10 days: this is a near perfect 00s romcom, too much secondhand embarrassment to be a real mainstay for me, but it nonetheless hits every beat with aplomb. particularly tickled to see them playing bullshit the card game which was a family and friend group fave for me growing up. he and Kate Hudson have probably fucked, which added a lot to the chemistry. in one scene Kate Hudson described how cute he was rubbing his face into her tits and her friend says, do you want to date him or adopt him? at which point I saw into the void, which then saw back into me. instantly it became apparent to me that he will act circles around whoever he's paired with to the point that it actually becomes kind of comical how good of a performance he's giving in a movie that includes not one but two scenes of a dog pissing on a pool table. that being said bebe neuwirth CARRIED this film on her BEAUTIFUL lithe back. 1 instance of no shirt, unfortunately brief. 7/10. vape I hit at midpoint also a 7/10, coincidentally
NB: after watching this movie I had a dream that I was at the beach with him and Kate hudson and I hated her because she had stolen may man.
the wedding planner: when I watched this I got extremely caught up in two things 1 the fact that he went on a date with another woman while engaged and almost kissed her and 2 jlo playing an italian girl. this led me to think about what race is/was in 90s-00s, colorism, borders of the latinx body and codemeshing. something interesting about the wedding planner is that the leads are in every way the opposite of the character they are playing, with little effort to no effort to make up for that diff (Matthew not at all acting like a wholesome pediatrician and rarely seen with children/jlo not at all acting (like) or being an italian). as a result the fourth wall in this movie is made out of wobbling cellophane, an upsetting and uncanny experience. Matthew doing a tango meant a lot to me as a fan of rust's deranged impromptu norteñas tutorial in true detective. as he is a texan, I think he is essentially one of my people. 0 instances of no shirt. 2/10
failure to launch: at the first incident of animal slapstick (chipmunk related) I had the thought while the scene wore on and on, I feel like I'm on drugs. that's because I was on drugs, which I then remembered, but a joint doesnt deny the truth, only reveal it. there are many sports, and Matthew doing sports. I wouldn't be surprised if the original conception of this movie was more like lars and the real girl or silver linings playbook which then had to get repackaged as a rom com bc some parts of this kind of push at the seams of the haha funny tone which makes for a shockingly bad film but a very interesting way to think about process and what this writer's passion project would be. by the final animal slapstick incident (dolphin, second appearance) I really said what the fuck out loud, like actually out loud in my home. we started off strong with some shirtlessness and a calf shot during the sex scene, but the chipmunk to dolphin to bird to iguana to dolphin pipeline really took the wind out of my sails. 1/10
ghosts of girlfriends past: This is doubtless Matthew's worst performance--and yet what a triumph it is, purely because for any other actor, it would be the peak of a career. Matthew has an incredible naturalism. About 15 minutes into this movie, Matthew gets belligerently drunk at his brother's rehearsal dinner. Through half-lidded, glassy eyes, he delivers with thoughtless verve the exact sort of diatribe a man not only uncaring but also unaware of his cruelty can; and yet, in that passivity, he unearths pathos. I consider it an underpainting--a little window which peeks out of a bad script to a fully conceived person. Throughout its runtime, the film degenerates into a pantomime, even parody, of itself: but with just a series of slow blinks, Matthew conveys a complete psyche, an entire lifetime. I truly believe that he comes to roles even those he dislikes with an inescapable talent and sensitivity. If I could bring half of his effort and spark and originality to my own creative pursuits, that would make for a very good career indeed. His integrity as an artist really is why watching his worst films is so fun: in a game of limbo, Matthew can do the lowest backbend of all. Strong calves indeed. anyway, this movie is REALLY bad. 0/10
fool's gold:
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10/10
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