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#baudelairecest
twinsfall · 11 months
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I just thought of a super romantic Kiolet idea
Violet and Klaus finding some of their parents old clothes in the house on the island and trying them on, then staring at eachother in shock as they realize just how similar they look to their parents.
While the sun is setting and Beatrice and Sunny fall asleep, they go out on the beach together. They recall their parents favorite song and start to hum it, then start to sway and dance. At first they’re laughing and it’s innocent, then they both recall how their parents used to kiss towards the end of the song. Almost instinctively, they lean in… and it’s as if the gap between them has been screaming to be closed all this time, and finally the desire is relived.
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shipcestuous · 2 years
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A Series Of Unfortunate Events
There was much talk before my tumblr was deleted of the Klaus/Violet commentary I wanted and planned to do. I ended up waiting until the Netflix series was complete, and did a “comprehensive examination” covering also the movie and the book series. Unfortunately I had to publish on my wordpress it while the tumblr was still down, but I officially present it to you now. 
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baudelairecest · 4 years
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the poem:
“My sister is a nice girl..
and she knows how to do all sorts of things.”
the poet:
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thecloserkin · 5 years
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fic rec: We Are All We Have by inkstainedwretch
fandom: A Series of Unfortunate Events
pairing: Violet Baudelaire/Klaus Baudelaire
word count: 10k, oneshot
Is it canon: Yes
Is it explicit: Yes
Is it endgame: Yes
Bottom Line: stunning, beautiful, perfect, cleared my skin & watered my crops
It starts back in the attic of Olaf’s house, where Violet begs Klaus to kiss her so Count Olaf won’t be her first kiss. I have no shame when it come to the “I want my brother to be my first” trope— let the record reflect that I think it should be mandatory to include it in every single incest fic. She wants to counter the nonconsensual vileness of Olaf’s touch with the memory of someone she loves holding her, and there isn’t anyone she loves or trusts as much as Klaus.
Her tears, to her unbearable shame, were not for the plight of her poor sister Sunny, tied up and hanging in a cage that looked structurally unsound and incredibly drafty. They were not for Klaus … They were, in fact, for herself.
If this isn’t Peak Violet lol noticing the cage is structurally unsound. She actually feels guilty that she’s crying for herself—can you imagine? She berates herself for being selfish, for agonizing only 50% over her siblings’ mortal peril and the other 50% over how her first kiss—the thing that every girl fantasizes about from the age of, like, four—is going to be with a serial murderer who if you read between the lines is clearly depicted as sexually repulsive?? (Neil Patrick Harris playing Count Olaf in the Netflix series kind of throws a wrench in the “sexually repulsive” part of the equation, however.) So that’s how it starts, Klaus kisses her to help a sister out. Only problem is, FEELINGS are precipitated. Klaus does what he does best, which is rationalize. It’s all hormones, he decides:
There were very few people he came into regular contact with, at least now, that he found pleasing to look at. Nevertheless, he felt a bit sick, sometimes, because Violet would catch him looking, and their eyes would meet for one terrifying moment, and then she would look away first.
Klaus and Violet are such a seamless team that they can exchange thoughts with a glance, which means it’s not like he can hide it when he’s checking out her slammin’ body. This is the part where they’re obviously hot for each other and repressing it. God how do these kids even manage to function when there is SO. MUCH. UST. Here is when it hits him like a thunderclap that he’s in love with her—Klaus being Klaus, of course he frames it as the difference between “children’s cartoons” vs. “encyclopedia entries that begin with the letter I”
He didn’t dare think about how long it had been since he’d truly walked on solid ground.
Because if he loves Violet that way, the wrongdirtybad way, then he has to reevaluate everything he believes in. Meanwhile the two of them have been co-parenting for so long that:
Klaus wondered if Sunny would remember their parents, when she was older. Some base, sinful part of his mind wondered if she would remember no mother but Violet, no father but himself.
He jerks awake from a nightmare and she’s immediately there to comfort him, and he’s pressing kisses into her hair and then they’re kissing for real OH MY GOD i’m shrieking incoherently. You know what else I am 1000% here for? MASTURBATING IN THE DARK WHEN YOU THINK THE OTHER PERSON IS ASLEEP. Wow this fic actually makes Klaus’s near-sightedness germane to the plot, insomuch as he wishes he could see Violet’s face better as she’s having an orgasm. You know when else Klaus’s nearsightedness was germane to the plot? The Miserable Mill, which is possibly the shippiest of the 13 books. Here, I dare you to read this passage and tell me it does not deadass nail Lemony Snicket’s authorial tone, at once confiding and sardonic:
The elephant in question is nearly always a figurative one, and usually takes the form of something visual, such as a person with a very bad haircut or a cast around one leg. The elephant is not talked about out of politeness, or perhaps out of concern for the cast-wearing person’s feelings. Klaus and Violet, however, were dealing with a very different elephant, one that was not made of a single thing, a single event. In fact, it would be better to say that they were not forgetting a single elephant in the room, but a whole herd of smaller, miniature elephants, that ran and trumpeted and played fun, tiny elephant games all across the room. The elephants, in this case, were having a great deal more fun than Klaus and Violet were. They were made of thoughts, feelings, and strongest of all, memories. One for the warmth in Violet’s chest each time Klaus smiled at her, one for each time Klaus had awoken from a nightmare to find Violet at his bedside, one for how well they fit together in the trundle bed that had been wheeled into the closet, Sunny tucked between them.
Jesus Christ if they would just bone already everything would be hunky dory. Jk it wouldn’t. The three of them are currently living in Justice Strauss’s closet while the paperwork goes through for Violet’s emancipation.
Before all of this (though what “all of this” was, he wasn’t sure), she hadn’t ever hesitated to sit close to him, to rest a hand on his leg from time to time, lean on his shoulder as they read a book together. She was hesitating now because the meaning behind the action would be different, now. She was afraid to be too close to him, because now it was wrong, and if they tried to make it normal, it meant they were wrong.
“I don’t,” he took another deep, deep breath, “I don’t think this is going to go away.”
“I love you,” she said, sighed it despondently against his shoulder, as though she were confessing some terrible crime.
After all the shit the universe has put these two cinnamon rolls through, it’s plain enough that their love is the purest thing about them!!! It’s the world that’s broken, not Violet and Klaus. Also, how poignant is that line “I don’t think this is going to go away”? Because you can be sure they’ve tried everything to make it go away, and have been singularly unsuccessful.
“I’m so glad it’s you,” she sighed, and then she gave a surprised cry that turned into a soft, almost pleading moan.
Yessss they finally have sex. Plus, Count Olaf dies offstage:
He’d been dead for a while – “A harpoon gun, really?”, and Jacquelyn had pictures that Klaus didn’t look at but Violet did, because she had to know, and Klaus trusted her eyes.
So as soon as Jacquelyn and Justice Strauss wander away from the dinner table Sunny casually asks her siblings when they’re planning to get married. Dead silence. Sunny is a perceptive child, and the after-sex glow must have lit Violet and Klaus up like beacons. The two of them are stammering nonsense like “it’s illegal” and Sunny’s rejoinder is along the lines of, “Olaf’s machinations were perfectly legal so maybe we shouldn’t repose too much confidence in what is clearly a rotten edifice.” PREACH SUNNY. This is exactly how I headcanon Sunny would react to her siblings consummating their relationship tbh: eminently sensibly. Her #1 priority is not losing either one of them. Klaus/Violet being romantically involved would accomplish that objective admirably. Anyway Justice Strauss comes through with the paperwork and Klaus reads it three times to ensure it’s all right and tight, legally speaking, which it is. Man it’s nice to see an adult not let them down for once in their lives. Now they’re free to move to a new town where no one knows they’re related, where they can start over as a family. Their only regret (other than saying goodbye to their friends) is having to bury all their burning questions about their parents’ past:
Klaus wants so, so badly to uncover the secrets of the spyglass, of VFD and everything their parents never told them, but Violet looks at him with sad, sad eyes and says, “I don’t think this is going to go away”.
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dream-about-dancing · 7 years
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I only saw the first ten minutes of the first episode of "A Series of Unfortunate Events" and yeees Klaus/Violet already had shippy eye contact.
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incensuous · 4 years
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Incest tumblrs recs pleeeaaaaaase god blesses
omg hi anon you cutie!! i’ll try my best 
@temporarychange1 –in case you weren’t already following Astrid
@thecloserkin
@azdaema 
@anisiscon
@taaco-cestual
@into-the-cest
@baudelairecest
@nejihinata
@thenejihina
@nejihina-love
@whitemantis - her twin OCs are the best twin OCs ever basically
@incestshippingventblog - awesome for some cathartic vents
@incestisnicest
@clubdelclan
@soulbatesheaven: Would LOVE to be on this list!
YES! of course! all my recs from above still stand and to add:
@soulbatesheaven
@proship-moodboards
@rainbowamory
@queencestqueen
@asexuelf
@crazyshippersposts
i’ve probs missed more too, so feel free to interact on this post! let us know y’all out there!! i tried to rec obviously somewhat active blogs, and sadly we are dwindling these days with tumblr being pretty empty overall.
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It absolutely shocks me that people still find some of these old posts of mine. I’ll get like a notif for a Supernatural ficlet or a rant about Ed/Hei from FMA: Conquerer of Shamballa or on asks about Baudelairecest... it never fails to brighten my spirits. I always look, check out their blogs and feel lighter for a while. To all of y’all, welcome.
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twinsfall · 2 years
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𝔗𝔥𝔢 𝔉𝔬𝔯𝔟𝔦𝔡𝔡𝔢𝔫 𝔉𝔯𝔲𝔦𝔱 🍎
The way he grabs her hand as he bites into the apple 🥺 
She’s his lifeline 
“It’s the best thing I’ve ever tasted!” 
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It’s hard to imagine how something that has
13 books
A movie
A video game
A 3 season series
Songs dedicated to each book
A behind the scenes book to the series
Multiple prequel books
A book that is basically both future and past
Audio books read by Tim Curry
Still somehow is underrated
Well, I guess I shouldn’t complain
Underrated fandoms is usually less likely of drama and pretty toxic or bad things (although there is baudelairecest but we don’t talk about that)
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shipcestuous · 6 years
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ASOUE Incorrect Quotes
Klaus: I read a book once about a family who married brother to sister for generations.
Violet: What happened?
Klaus: They became fireproof.
Violet: Klaus marry me.
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baudelairecest · 4 years
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What’s your favorite Violet & Klaus moments in the books, film and show?
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thecloserkin · 5 years
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fic rec: Dante’s Stars by Pretani
fandom: A Series of Unfortunate Events
pairing: Violet Baudelaire/Klaus Baudelaire
word count: 94k, complete
Is it canon: Yes
Is it explicit: Yes
Is it endgame: Yes
Is it shippable: I’m fucking crying it’s so beautiful
Bottom line: The one and only Violet/Klaus epic, read it and bawl your eyes out (def read the warnings first tho)
It’s a canon-divergence AU where the Baudelaires stage their own deaths to escape Count Olaf. In canon the three Baudelaire orphans—inventor Violet, bookworm Klaus, and baby Sunny—are hounded from guardian to guardian by cartoonish villain Olaf, who will stop at nothing to get his hands on their fortune. Olaf murders or incapacitates every single adult who spares two seconds of sympathy for these kids, leaving a wide swathe of destruction in his wake. In this fic the Baudelaires have decided to wipe the slate clean and assume new identities.
I have mentioned in the past how salty I am about the Baudelaires’ characters being sidelined for Snicket the narrator, Olaf the villain, and/or sundry other bit-players (in the Netflix show the Henchperson of Indeterminate Gender p much steals every scene they’re in). In canon we’re not really privy to the kids’ inner lives. This fic avoids that pitfall by sticking with tightly focused third-person Violet and Klaus POVs.
The thing this fic does really well is instill a pervasive sense of dread/paranoia which is remarkable because for the first 25% absolutely nothing ominous happens. The orphans get taken in by a slightly addled, very nice old lady and they just … live in her house. For free. While she cooks for them. And every morning Violet and Klaus hook up in her barn.
Ok back up so the ship they’re passengers on goes down in a storm, all hands lost, the Baudelaires are presumed drowned with the rest. Which is positively providential. The first event of any import to occur is that Klaus swipes some cash from a dead man’s wallet. Violet has ethical qualms but Klaus quashes them by pointing out that Sunny’s starving:
”I’d do anything for her,” he said. “Even become a thief or a murderer.”
Then his dark eyes found Violet’s. “I’d do it for you, too.”
So on the one hand I think this is rather extra. I mean, what possible use could a dead man have had for that money? Money that could put actual food in Sunny’s stomach. The Baudelaires are keenly aware that justice does not equal unquestioning obedience to authority and I think their exposure to a raft of tyrannical and unjust authority figures has hammered that home. They’re down with bending the rules because they know the rules are never even-handedly applied anyway (ie. the show trial at Hotel Denouement, the farcical final exam at Prufrock Academy). On the other hand I remember how uneasy they felt about stealing Hal’s keys in Hostile Hospital, and that was barely a misdemeanor! A friend of mine astutely pointed out how Violet is always trying to behave in any given situation the way their parents would have wished, whereas Klaus takes a pragmatic approach: do whatever keeps his sisters safe. And that is a very interesting contrast and one I want to see explored further.
They get on a train. Things that happen: Klaus notices when Violet is down in the dumps or angry or upset or in this case, wistfully jealous of other people who lead “normal” lives, bustling all around them. He’s not in love with her yet but noticing is the first step. Violet atm is super focused on being the elder sister, the adult in the room, the One In Charge. They get off the train and as soon as they blow into town Violet gets catcalled and propositioned. One of the themes of this fic is the horrendous baseline level of violence against women, some of it normalized and casual like the catcalling. The Big Bad Villain of the piece is literally a guy who’s murdered multiple girlfriends on account of them fridging his ass, since he appears to think that women owe him sex. And this man’s driving ambition is to add Violet to his list of conquests.
So often, men treated her as little more than an object … Klaus was different. He saw her, the woman she was inside.
HOW COULD SHE NOT FALL FOR HIM?? Is there another man she could learn to trust enough to fall in love with? However I’m getting ahead of the story. Klaus is still in the phase where he’s awakening to his attraction to Violet:
She was mother and sister, soft skin and tender strength, and he hid his face in her neck. Like a child, she rocked him gently, cradling his head.
I have to protect her, even if it’s from myself.
He couldn’t take this, his brave, beautiful sister, so near … the knowledge of what those men wanted to do to her. I”ll kill them … And what he wanted …
God but it kills me, Klaus thinking that his attraction to Violet is as noxious as those vile men and their rapacious stares. Klaus himself otoh is president of the Violet Baudelaire Fan Club. The contrast could not be more marked. Look at him building her up when she’s about ready to to give up on picking a lock because she’s lost her hair ribbon:
”I’m done, Klaus. I don’t have anything else to give”. ”Vi … “ he was pleading, willing her to believe in herself again, because he did. “You’re a brilliant inventor,” he told her. “It’s who you are. Nothing can take that away. You don’t need your ribbon.”
The unwarranted parallel that he draws between himself and a bunch of sexual predators is the source of so much angst and pining:
Is that what I am? A pervert?
She’ll blame herself for this
Well, well, well, if it isn’t ye olde I’m-Leaving-Her-For-Her-Own-Good-Lest-My-Perverted-Attraction-To-Her-Despoil-Her-Innocence. I am absolute trash for it every time, film at 11.
”I love you, Vi … I’m in love with you.” He said it like he was confessing to a crime, and she wanted to scream, to laugh and cry all at once.
THEIR LOVE IS A CRIME!!! Could these babies be more pure??
They’d always had an extraordinary connection. It was the reason for their seamless partnership, their ability to support one another … But now, the bond that had kept them alive was killing him. How could anything ever be right again?
”Vi, I’m sorry … I want to be your brother, but I can’t … I want to be more than that … I don’t know what to do.” ”Kiss me,” she said, “and be both.”
THATS IT THATS A WRAP I CAN NOW DIE HAPPY. That “kiss me and be both” is PERFECTION.
And she knew she’d never willingly give herself to anyone but him.
she’d loved him even then. Who could tell when they had crossed the line? It was already too late.
cross the line what line??? they were made for each other.
”You know, we missed the sunrise,” he said, nose to nose with his sister.
Violet and Klaus carve an extra hour out of their morning to go make out in the barn. I shit you not these kids spend a whole month without progressing past first base because Klaus doesn’t want to “pressure” Violet into anything she’s not ready for. Violet, for her part, is beginning to suspect there’s something wrong with her person; why hasn’t he even tried to take her top off? Thank you #Patriarchy for teaching us that desirability is the measure of a woman’s worth. God they are so thirsty. This bitch almost fell over the first time he touched her tits:
“Vi,” he spoke into her hair, voice breaking. “Tell me you don’t want this. Tell me to —“ But she only titled her head, to meet his mouth in a feverish kiss.
So Klaus and Sunny are having a snow fight and Violet tugs her glove off to tousle his hair and it’s THE SEXIEST THING I’VE EVER SEEN BYE. True story after I read this fic I legitimately thought that “Vi” was a pet name Klaus called her by in canon, and when I finally finished the books much much later and realized that it wasn’t—well, it should have been.
There is a fairy tale about a princess who disguises herself in the skin of a donkey to escape the attentions of her lecherous father the king. Violet and Sunny discuss it. Violet points out that rape is wrong because rape is rape, because it is coercive, not because it’s incest. I love it when fic highlights the fairytale parallels to the Baudelaires’ situation, and I feel like Donkeyskin was such a spot-on choice because it’s all about surviving sexual assault and learning to make oneself vulnerable again afterwards? Klaus is the prince who sees through her disguise and falls head over heels in love with her CHANGE MY MIND. On the subject of happily ever after:
”Is that what you think I want? A fairytale? A walk down the aisle in a white dress?" He felt a lump forming in his throat. "Most girls think about those things, don't they?" "I don't," she told him. "I prefer not to. And as for children…well…I love them. That's why I don't want any of my own … how selfish would I be, to bring another little life into this? Another hostage they could use against us. Imagine how awful it would be if…" She shook her head. "No children… not ever. I couldn't protect them." And she turned to him with a soft look. "It's no sacrifice, Klaus. Not for me. I've already been through a… a wedding, you know." He felt her shudder, and she averted her eyes. "I won't be sorry if I never see another wedding dress again."
My dudes, when you have children each and every one of them is a hostage to fortune because of course they are. Also, Violet’s traumatized by the whole idea of being a bride, after going through the wringer of her fake wedding to Olaf. Olaf put Sunny in a cage to compel her compliance, and that’s what the Big Bad in this fic does too. He says things like “You’re a sick little bitch, aren’t you? Spreading your legs for your own brother” which turns their beautiful relationship into this ugly depraved thing to be ashamed of. I mean, this guy was literally a voyeur who would watch them from his hidey-hole while they were being intimate?? My god I would feel so unclean. And the worst part is, he overheard them calling each other by their real names not their aliases, so now he knows who they are and since the Baudelaires are still on the lamb this is bad. It gets pretty dark pretty fast.
“He won't want you anymore! No one's gonna want you when we're done!"
So he kidnaps and rapes Violet. Klaus and Sunny rescue her, dispatch the villain (Klaus’s earlier “I’d do anything” for his sisters, including becoming “a thief or a murderer,” acquires sudden resonance), and that’s when fucking Count Olaf shows up!!!! These kids just cannot catch a break. Turns out the Big Bad was actually working for Count Olaf all along. Olaf’s plan is still the same plan from The Bad Beginning where he plotted to steal the Baudelaire fortune by marrying Violet. Since Count Olaf has never in his life paid a henchman a salary, he was keeping the Big Bad sweet by promising to let him ravish Violet first. Let the full enormity of that sink in. Oh wait a minute Olaf isalso bent on knocking Violet up asap so the union can’t be dissolved on non-consummation grounds, or somesuch:
"You look at me as if I were a usurper, boy, about to steal something of yours. Tell me…" He gestured at Violet. "Is she yours?"
Why would you do this to me??????? This is so, so painful. Olaf uses an electric cattle prod on Klaus and makes Violet watch??? It’s ok though the Baudelaires prevail in the end, and emerge from the bloodstained ordeal as the family they are. My kink will forever be Violet and Klaus praising each other’s bravery and resourcefulness. They! Are! So! Proud! and! Supportive! Of! Each! Other! This line from earlier in the fic gets me every time:
I’ve failed them. This was his greatest fear, worse than death or any torment fate could devise. In his head, he imagined the struggle, saw his girls beaten and shot, felt each blow and bullet as if his own body were the target instead.
Klaus Baudelaire laying down his own body between the world and his sisters is really the only thing I care about:
And then her gaze fell to the marred canvas of his body.
I bet his back is a mess of burn marks ugh. Four weeks after Violet’s discharged from the hospital (practical Violet made sure to get the green light from the medical professionals) they finally have sex again, which is a relief—after the rape they were both hesitant to initiate sex because she thought she was damaged goods and he thought she wanted space? Silly kids. Oh and and here they are being mistaken by strangers for a pair of lovebirds:
One of the women sighed dreamily. "Did you ever see a more likely pair of turtledoves?" "Of course not," Mr. Poe sputtered, dabbing his brow with a handkerchief. "The very idea!" And he excused himself hurriedly, to make some phone calls. "Don't be silly," said the other. "They're siblings. Haven't you heard? … They're the Baudelaire orphans." "Well, I daresay," the first one went on, "anyone would've taken them for sweethearts."
I CANNOT WITH THESE TWO
The Baudelaires finally, finally come into their fortune free and clear. They put on their parents’ wedding rings and move to Canada. A cat (!!!) leaves baby Beatrice II in a basket outside their front door, and that completes their family. Nobody deserves good things more than these kids, and this fic ends exactly where it ought, describing “a rural life of moral simplicity.”
I read this fic years ago and it was w i l d rereading it again, thanks for coming along for the ride. If anyone wants to scream/cry about this fic in particular, or Violet and Klaus in general, feel free to send me an ask or message me ANYTIME
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me: the asoue fandom is pretty small and everyone I’ve interacted with so far is really nice and cool. there’s probably not a lot of weirdos out there and if there are I probably won’t come across them
tumblr recommended blogs: I think you would like a blog called baudelairecest
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