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dinitride-art · 1 year

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Why Byler Would Be a Failure of a Queerbait

Queerbaiting is used to draw in an audience and usually results in a strong fandom. It’s goal is to gather a larger audience, and the audience that would not want queer characters. What I’ve noticed about it, is that it usually is comprised to two straight characters who are good friends. They then sprinkle stuff into interviews outside the media from actors. Things like, maybe she likes her? I guess you’ll just have to find out in the next season! Or saying they could see it happening. Basically anything that would draw in people who want to see a queer pairing, but keeping a reasonable amount of doubt available to those who don’t want to see a queer pairing. Also fan service when the queer bait is being directed at an audience of mostly straight women shipping two male characters. It’s a marketing tactic.

Queer baiting does sometimes result in queer characters, but not the ones that they’re marketing. Or if it is the ones their marketing, they immediately die. The Queer baiting and bury your gays combo. See, supernatural. Having canon queer characters usually isn’t what is intended. They aren’t important to the plot, and can be easily disposed of once they’ve played their part. Their part being covering up any trace of queer bait with the argument that they actually have a queer character in their show. These characters, more often than not, are one dimensional side characters and aren’t there to stay. Main characters revealed as queer, can’t be more than one, and are only revealed at the last possible moment as not to lose the part of the audience not being queer baited.

Stranger Things has two characters that are canonically queer and are relevant to the plot. Robin on her own could be seen as potential queerbait, if byelr were at that time, popular enough to warrant baiting. The queer side character backtrack comes after pressure from a queer baited audience. Not before. Prior to season four, there were more people on tumblr who shipped Mike and El, than Mike and Will. On tumblr. In fact, there were so few byler shippers, that they were in a position where they could be targeted by Mike and El shippers with no consequences. In season three there would be no reason to even think about smoothing over anger from a baited fandom. There was no fandom to be baited. The audience being baited needs to actually be present for it to work.

With one queer character introduced there is no need for another. If Robin were a side character who died in season three then that might allow for another queer character to be introduced in season four. However, Robin is very much alive in season four. She’s not going anywhere and actually has a character arc discussing both her as a person, and her experience as a lesbian in the eighties in Hawkins. That’s pushing it for queer bait. It’s really pushing it.

Will Byers is in love with Mike Wheeler. That’s canon in season four. It’s been built up to since the beginning. If Stranger Things was baiting a queer audience, this would be a weird move. Considering that Byler shippers have never been worth noting before season four, and that Will’s the character that they built the foundation of the show off of, this is a terrible option for queerbaiting. Not because it wouldn’t draw a queer audience that wasn’t to see queer characters, but because it would push away the audience that doesn’t. That is a line that they cannot cross. Will Byers would be crossing that line, and then some. This character is not one that can be thrown away without consequence. He’s important and affects almost everything that happens. I have never seen a main character be queer, and have their story represented in a genuine manner. Never would it affect a central straight relationship. They wouldn’t dare lose a single member of a heteronormative audience.

Two queer characters that are this important are not queer bait. They are not a marketing tactic, they’re integral to the story. Their experiences are integral to the story. Robin Buckley was the first straightbait I have ever witnessed. She is a queer character who was a character first, and queer after the work was put in to make the audience see her as a person. This character is enough to say that Stranger Things represented a queer character well.

Will Byers says that Stranger Things is about queer people. He’s in love with another main character, and it’s affecting the plot. Will Byers being in love with Mike Wheeler is actively changing Mike and El’s relationship. It has been since the beginning.

You can’t queer bait an audience that isn’t there. You can’t bring in a queer character to cover your asses when no one’s accusing you of anything. This isn’t something I’ve ever seen before. Robin is introduced in preparation for Will. It’s the literally opposite of queer baiting. It’s creating a story with queer characters, about queer characters, and marketing it to a straight cisgender audience.

Queer baiting has never been done like this. Because this isn’t queer baiting. It doesn’t effectively function as queer baiting because there was no audience, and their largest audience is the one they’re testing. It is more of a problem to lose a straight audience than a queer one that barely exists.

Byler cannot be queer bait because that’s not how queer bait works. There are not two canon queer characters in a queer bait. Certainly not one of the characters the plot has been centred around since the beginning. And definitely not a character that they would lose members of their audience for writing him as gay.

Will Byers is in love with Mike Wheeler. Will’s relationship to Mike is still important to both of them even after the audience sees this. In fact, Will is affecting Mike’s decisions, and it’s stressed how much he cares for him. Mike and El’s relationship is in shambles and Will is the character they’ve chosen to get involved in that.

This doesn’t happen.

Will is in love with Mike, and he’s still someone who Mike cares about. There’s no distance put in their relationship. They actually spent an entire arc repairing and strengthening it.

Will Byers is in love with Mike Wheeler.

And he’s still alive. He’s still important. He’s still important to Mike.

I literally don’t know what to do with Mike and Will. Because it’s not queer bait. It doesn’t function as queer bait because queer bait is not an aspect of the story. It’s always marketing to an audience. Never an experience or a conversation or anything that’s significance goes further than saying there’s a queer character for the sake of having a queer character.

And it’s never a main character.

When your main character is queer, your story is queer.

They cannot use queer bait as a marketing tactic because they’ve already committed to writing a queer story. Their main audience is not queer. There’s no reason to queer bait a straight audience that doesn’t want queer characters in the first place. It doesn’t work like that. Queer baiting has never worked like this.

This isn’t queer bait. It never has been.

They’re going for it. They are actually going for it. And I can’t wait to see it.

#it just hit me #it’s always been about this #byler #stranger things #oh #I’m in this story #oh fuck #I’m gonna start crying

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tiffanys-aus-and-headcanons · 2 months

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I'm really curious about where exactly Doctor Who & spinoffs fit in to the 'scrambled universe' framework

So it's 2012. After a series of mental health events, Dan Harmon is on the rocks with his sitcom The Big Bang Theory, and is looking for a new project to do. He decides to call up his old friend Justin Roiland, who he met almost a decade earlier running Channel 101, and asks if he has any ideas for a cartoon. Roiland decides to file the serial numbers off of his old shock comedy short Miss Wonka, and the result is Adult Swim's Ms. Frizzle. Dan Harmon brings the systematic approach to story structure he honed working on The Big Bang Theory to elevate the project to something with some actual redeeming value someone could care about. The show premieres the next year, in 2013. It is acclaimed and beloved, and for a brief and golden moment in history it isn't even considered cringe.

It's 2018. Year after year, season after season, Harmon's people have edged out Roiland's people in the Ms. Frizzle writing room. Roiland has grown bored and disruptive; the show's staff only really see him anymore when he comes in to record the voices, or when he decides to play some inscrutable Epic Funny LOL Prank on them and waste their time. Meanwhile, Disney's main streaming platform, Hulu, is looking for exclusives that might draw people to subscribe, in a streaming environment that's quickly and unsustainably growing bloated. They have an easy time convincing Roiland to divert his attention to a second project. Roiland announces Dr. Who in an interview; it's the first Dan Harmon has ever heard of it. Mike McMahan (also getting picked up around this time by CBS All Access to do There And Back Again: Gollum) is the cocreator this time. Roiland has learned various bad habits while stagnating on Ms. Frizzle, so he won't put much effort into Dr. Who either, but he will at least get it going.

It's 2020. Granted a sort of captive audience by the recently-started coronavirus pandemic, Dr. Who premieres on Hulu. At a glance, it's a low-effort off-brand version of Ms. Frizzle; Roiland isn't even bothering to do a girl voice this time. If given a deeper look, there is something worthwhile there. It's a riff on an old subgenre of soft sci-fi TV, the idea of an immortal celestial time guardian figure - you see it in the BBC's long-running Quantum Leap, in Constance M. Burge's A Wrinkle In Time, and there are even elements of it in Ms. Frizzle, though they're much more concentrated in Dr. Who. The show is very episodic, though there are more serialized subplots and hints of a deeper-running plot; like Ms. Frizzle, the show is full of undisguised references to other media.

It's 2023. A legal case in which Roiland is accused of domestic abuse becomes widely publicized, followed by the dissemination of various inappropriate text messages he had apparently sent to fans. It becomes common knowledge that Roiland is a nightmare to work with, and every single project he's involved with drops him nearly simultaneously as a brand liability, even the video game development studio he founded to make Gone Home.

Every unaired project on which Roiland was set to do a voice comes up with a different strategy to replace him. Science Time: Rita & Morticia hires a new up-and-coming voice actor to play assorted versions of King Tommy, without comment. Season 7 of Ms. Frizzle replaces Roiland with Jinkx Monsoon; it's a very noticeable change, but she's still basically playing the same character, she's just doing a better job.

Dr. Who is the lesser-known knockoff living in Ms. Frizzle's shadow, so it has less to lose; it decides to make a meta joke out of the whole thing, and whips up a new sketch to start off season 4, in which the Doctor trips, falls down the stairs, and dies in front of his companion Rose Tyler. We are thereby introduced to the just-invented openly-bullshit process of "regeneration", in which the Doctor can come to the brink of death but dramatically cheat it, with the only consequence being that he'll now look and/or sound like a different guy. So, as of the opening scene of season 4, the Doctor is now voiced by Dan Stevens.

And that's how the Doctor on Dr. Who became British.

#the scrambled timeline #credit to zedalpha for the There And Back Again idea

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aotopmha · 18 days

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I haven't even started the lvl 89 Endwalker MSQ and I'm thinking about how annoying certain opinions around it are.

It's annoying me and I don't want it to distract me in my playthrough, so I'm just going to air it out via this post.

The story really clearly foreshadows what happens. In fact, it directly tells you.

But it is fairly common for people to call twists that are pretty directly foreshadowed still out of nowhere. (And of course, a text can be read in many different ways.)

And I think regardless of any of this, people still don't have to like what happens!

But I've talked about this a bunch regarding other pieces of media, and at this point, nerd criticism is so obnoxious to me because it's often so much more about telling other people how much smarter you are than the writers or the people who like their writing.

I'm not interested in listening you putting yourself on a pedestal and telling me how smart you are.

It's such a boring way to engage with art/writing to me.

In fact, it isn't even about the art, but a shitbag telling me how they would be above any of this kind of "mistakes" in their writing.

This talking point just reminds me of my most smart alec, know-it-all late teens/early twenties moments that have an air of arrogant ignorance to it. Where the criticism absolutely can have its basis, but there might be elements to the narrative decision that have issues in their own right.

It feels like certain storytelling tropes have become "taboos" regardless of how they're executed because of the perception of storytelling "rules"/"basics" being "broken", when in truth those have always been just "guidelines" and even the best-told stories probably have these "flaws" in there somewhere if you look hard enough.

If a major part of the enjoyment of a story for you depends on how many characters die and you obsessively count on your fingers who lived through impossible odds and who didn't, Final Fantasy 14 was probably never a story for you.

I say all of this as someone who at this point has seen The Endwalk probably dozens and dozens of times via playthroughs and cried at it almost every time.

(It's gonna be great for me when I get to it, I can tell!)

Because I find it incredibly meaningful regardless of any issues I might have with it.

To engage that critical mind for a second, if nothing else, I think the story absolutely does need to drop the fake death trope it likes so much, and firmly decide on the characters it kills and that alone would go a long way to reinstill a stronger sense of base tension.

In fact, I do agree that actually killing any of the long-term main characters might need to happen. (And it might need to be staged in a super unexpected way, at that.)

I just do not think Endwalker was the place to do it considering what it is about.

The obvious "hopeful" framing to everyone dying and you alone surviving would be for you to carry on their legacy/work, and the patches then would be finding new connections, but pulling this off could also send the opposite message and come across as amatuerish shock value.

Hey, life is suffering and a path for you to find the good in the bad, so guess what everyone you ever loved dies after everything they've been through!

But there is hope, though!

It looks "ballsy" to kill everyone on the surface, but actually might just thematically fly in the face of the entire story.

All of these characters that have suffered loss and much pain in their own right, yeah, all they get is death in the end!

But there is hope, though!

It's the second point that gets me the most. It would've felt so hateful to me (and it often wished for in such an hateful manner by those who wanted it to happen), especially for like G'raha who was stuck in a tower for a hundred years.

And just a single or few characters dying would feel wrong in a very specific "shock value" way, too.

Why those characters specifically?

That's not what FF14 ever was to me, not even in HW, the section of the story that had the most major deaths.

I think Thancred dying in ShB would'be been perfect, for example.

Main character, paving the way to another character after making peace with his situation with Minfilia.

Would've pretty automatically fixed the general tension issue, too, I think.

But in EW? I think the losses everyone already experienced and the suffering we saw across the entire game from ARR-EW are enough to make the point.

#Final Fantasy XIV #Final Fantasy 14 #FFXIV #FF14 #FF #Final Fantasy #Endwalker #EW

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surpriserose · 2 months

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i cant get over how fucking fascist the dark knight rises is which like...i knew going in it would be if only because its based on frank millers the dark knight comics (and also no mans land???) And frank miller is the biggest piece of shit in comics whos not alan moore or garth ennis but christ i think nolan managed to go even more mask off

Okay grain of salt im not the biggest comics guy i just read the good stuff sylvie sends me so im not as knowledgeable about comic stuff but i stay silly anyways im gonna go character by character thats easiest for me

So batmans barely here except to become disabled and then practically heal overnight so very cool point number one 😐 but half of the movie hes stuck in the scary pit prison (because the Lazarus pit is too silly for nolan) with all the arab guys who didnt get whitewashed and its so boring and it sucks and only white people made it out of the pit ever basically who gives a shit it sucks honestly the only reason im mentioning this is because i honestly forgot bane wasnt the main character about an hour in because like? He should be? and ill get to that

Joseph gordon levitt is there and his character has a name and i do just want to call him joseph gordon levitt instead but thats long as fuck and hes robin so im just gonna call him robin even though he sucks ass. the whole point of his character is to be the good cop to gordons bad cop but it doesnt really work because thats a shitty fucking thing you see in media all the time because they always just go for the its just some bad apples approach look at this good apple dont you love apples approach but honestly nolans deepthroating the boot so much its even worse here. and yeah dudes robin but hes like.... nolans oc as robin because thank god i dont want dick in this movie (which would bring the whitewashing count up to 4 characters) or god forbid jason todd but i think its really telling how even robin in this universe has to be a fucking cop instead of like any of the disadvantaged kids bruce actually takes in like yeah this robin is still an orphan but thats way less important to the narrative and to nolan than being a cop.

gordons also barely here and i dont give a shit about him i wish he died i mean i always wish he died because hes a cop he is THE cop in every batman piece of media (except when he was jack the ripper one time or something?) and why even the most benign batman media is copaganda because theyre fucking besties. really i just want to talk about one scene before I get to the bulk of this post bane. late in the fucking almost THREE HOUR LONG MOVIE theres a scene where gordon is rallying the cops and goes to some cops door and hes like "why did you let your wife answer the door dont you know whats going on out there?" as if women are being raped on the streets of gotham which we never even see a fucking hint of??? the actual main issues affecting gotham at the moment are food issues and even thats not a problem because aid is getting in slowly and thats actually how gordon gets MORE FUCKING COPS into the city its insane and im gonna come back to this again with bane but while we're talking about the misogny -

-lets talk about catwoman who just kind of exists doing the catwoman thing of oh im on batmans side but not really and im on banes side but not really and it sucks but lets start with the misogyny before i talk about catwomans spineless centrism. when catwoman is caught by joseph gordon levitt shes taken to prison and the cops specifically point out shes taken to a mens prison (?????) because of the new laws because shes such a risk that a maximum security womens prison cant hold her but a mens prison can because womens prisons are all knitting circles i guess. This is really just an excuse so she can be in the prison that bane stages a prison break on (based) and come back for the climax and also have a hashtag girlboss moment where she does a sexy flip attack against a man threatening to sexually assault her which is just so classy nolan. and i want to fucking point out that this is blackgate prison which in most batman media is ALREADY FUCKING COED this shit was so unnecessary and gross and i just...its still pissing me off obviously so lets get to catwomans shitty fucking robin hood shit and why robin hood narratives are rarely ever radical. yes stealing from the rich and giving to the poor is cool but here and in most narratives its really only cool because its..one person or a small group. A society wide redistribution of wealth? out of the question thats too scary just go back to helping one kid steal an apple lady and hating that bane is literally crashing wall street (based) and breaking into rich peoples homes and bringing them to sentencing trials for crimes against humanity (based). Catwoman will have no part of that thank you and will instead just kind of...hang out until batman gets back.

side note what the fuck is up with the timeline in this movie batman gets his back broken and taken to the pit which is located in....an "ancient part of the world" the batman wiki tells me which holy shit okay the racism continues forever. but batman is not in gotham and again his back is literally BROKEN until it gets healed because he....was hoisted into a standing position with a rope? and idk how long that takes whether its months or a day because the movie seems to suggest both???

okay lets talk about talia al ghul and ras al ghul really quick before i get to based bane. Ill start by saying they're really fucking whitewashed like probably the worst example ive ever seen? Talia (or miranda tate as she's called for most of the movie) is played by a white french actress and Ra's al ghul is played by white irish actor and racist liam neeson. Because the comics are also racist ras al ghul never is really given a clear country of origin besides vaguely arabic slash east asian partially because hes so old but also again the racism but hes certainly not white again...because of the racism. and neither is talia who is only slightly less vaguely chinese and arabic. nolan gives even less of a shit than most batman writers though which is a high bar. talia was so boring and poorly written i barely remember her but they gave her half hearted attempts at environmentalism (incremental and done by begging the rich for everything though of course) before saying oh its actually because she and bane want to blow gotham up with a bomb which...god its all so stupid i honestly forget the bomb shit exists because it makes no sense and seems to have a detonation timer of 24 hours which again is why i literally have no idea what the timeline is. this shit is so stupid and unnecessary except to be the secret reason banes populist revolution of gotham (based) is actually bad but its so fucking tacked on even beyond most reasons why communist characters in media eat a baby to show theyre actually bad and so is communism because communists love neutron bombs.

BANE TIME! I'll also start out by pointing out that bane is whitewashed since hes supposed to be from a fictional south american slash caribbean island prison which......man. He's just tom hardy here though. Lets keep talking about communists eating a baby so theyre bad now. I think this is a trope people associate more with the mcu which is fair the falcon and the winter soldier pulled some shit because of course it did but i think we should consider the dark knight rises as a prime example instead. Not the originator since anti communism didn't start with nolan although i wish i could blame him for that too. Banes list of crimes batman has to stop him for are killing cia agents (based), crashing the stock market which he didn't even kill anyone at (not as based as he could have been), stage a prison break as previously mentioned (based), revealing police corruption (based), forming a militia to govern gotham while theres a transition of power from the rich and the police to the people (based), killing a bunch of cops (based), exploding some of gotham including all but one of the bridges out of the city (really just a strategic decision since hes about to have the american military on his ass and needs to counter that), and blowing up the pittsburgh steelers (extremely based). hey why is this guy the villain again? hey why does gotham have a wall street now why is this such a big deal is it possibly because the occupy wall street protests happened before during and after production of the movie? no that certainly couldnt be the case theres no way nolan would hate peaceful protests and create a movie where god forbid they werent peaceful and cops were instead treated like they treat protestors so we feel bad for them instead of people who are literally sick and tired of their labor being exploited by capitalism for the benefit of the rich. like jesus christ this movie is so blatantly fascist explaining the plot should have anyone going hey wait a minute. and you may say im biased in favor of bane as a communist but jesus christ are you seeing the shit nolan is pulling im being even handed in comparison i mean the fucking climax is batman showing up to rally the cops against bane and the mostly citizens militia of gotham like jesus fucking christ. banes not even a fucking dictator hes literally just some guy in most of the scenes after gotham is taken back by the people hes not even the guy sentencing and killing the rich and the police thats scarecrow! hes just on the sides like everyone else. and while im on scarecrow (jonathan crane hes not called scarecrow in the movie but he is that judge guy) nolan treats it as unreasonable that these are not hearings to determine the guilt of the police and the rich they protect because the people have already determined that theyre guilty but they just fucking are by definition. you dont get rich under capitalism by working hard you get rich by exploiting hundreds of thousands or millions of people out of their labor and livelihoods these people are fucking guilty even if they havent killed anyone with their own hands. but because bane does kill people on screen we're supposed to think hes worse but he only kills rich people and cops and the pittsburgh steelers!!!! like holy shit i hate this fucking movie i hate christopher nolan

#rape mention #long post #needed to get this out idc if anyone finds this or not but feel free to send anon hate always #ask to tag

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kyubey-the-incubator · 1 month

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(question for elsie because I gen do not know what it is)

-mod kopi

Haiiii okay okay okay so

An explanation of…all of this. Logistics included.

Maho Shoujos!

The name “magical girl” or “Maho Shoujo” comes from a trope in anime. They’re typically girls (often but not always teenaged) who transform into (often but not always really pretty and feminine) powered-up forms (often but not always with a classic “magical girl transformation sequence”) to fight for…like, Justice and love and stuff!

Typical example: PRETTY CURE!! AAAAAA MY CHILDHOOD!!

but like I said, they’re not always girls!

Cure wing my beloved I have never watched your show nor do I know your personality but if anything happened to you I would cry

anyways even the guys tend to be effeminate but ehhhhhh I ignore that for this.

The magical girls are usually fighting sadness itself, which (despite the fact that the shows’ tones tend to be very lighthearted and all-ages-friendly) can be handled with surprising maturity. Pretty cure is known for this. Note that animation in Japan is not as associated with children’s media as in the west, so stuff like Sailor moon (which…what age is sailor moon even for?? Like…guys???) can exist lol.

Madoka magica

ANYWAYS, every canon has its own rules, and Taocc runs on the Madoka system of magical girls!

Create a contract with this little guy, make your wish, and BAM! MAGICAL GIRL!

What could go wrong? WELL I’LL TELL YOU.

You see, madoka is a subversion and a deconstruction of the genre!

(TW going forward for very dark themes concerning despair, depression, and suicide. As well as spoilers for the main series of madoka Magica and magireco, but not rebellion)

The “sadness beings” here are called witches, and they are HORRIFYING. And consistently brainwash and kill people en masse (one witch organizes the mass suicide of like 20 people it’s insane), or trap them in psychological nightmare fuel dimensions called “labyrinths”. It’s WACK /pos.

Magical girls fight witches to sustain their soul gems. The witches drop grief seeds, which “purify” the gem. It acts kind of like a power meter, magic well, and reflection of the girl’s sanity. What happens when the soul gem breaks? The girl dies. If it fully taints…well, where do you think the witches come from?

TL;DR, I’d you take the contract, you’re doomed to become an eldritch monster. The wish is fulfilled almost exactly as you wanted, but that often has consequences you didn’t expected. No monkey’s-paw shenanigans, just your own shortsightedness.

This seems like a good time to explain exactly what the madoka-Taocc lore/functionality is, because I play VERY fast and loose with it. Get ready for logistical MADNESS.

The Kyubey part functions as normal. Madoka’s epic sacrifice to “destroy all witches forever” DOES NOT FUNCTION IN TAOCC. I REPEAT, IF YOUR CHARACTER WITCHES OUT, THEY STAY A WITCH UNLESS THEIR SEED IS RECHARGED.

Rebellion is not canon/has not happened yet. If any of you have seen rebellion, you know the elephant in the room that would mess up everything.

The Doppel system from Magireco does function, but is powered down. You can summon a version of your witch form and use that to clear your soul gem, buuuut it’s not going to function as a replacement for grief seeds, and often goes very out of control. See: Kitsune during sun’s wedding.

A character can use a witch’s grief seed as a weapon. This is not canon at all to the madoka universe, and is Taocc exclusive. Possessing a grief seed allows you to use the witch’s weapon and some of their powers. Recharging the seed with grief enough allows the chance to summon the magical girl, but nobody else can see them or really interact with them.

The “familiars turning into witches” thing does not function here. No way am I getting into that.

Magireco is only somewhat canon, as an isolated timeline, and ONLY ARC 1 IS CANON AT ALL. The Doppel system works, but Infinite Iroha, like Madokami, basically does not exist for the sake of simplicity.

Yes, the world of madomagi is connected to the circus, but not in the same way as, say, the kingdom. To them, the circus is inside a computer. No, you cannot go there.

TBH, quick retcon: Kitsune’s old team’s names and personalities are not what they were up until now, they’re unnamed. She was the one who crashed sun’s wedding. Canon characters, for the sake of our sanity, do not functionally exist and will not be doing anything. Only the system exists in the circus.

Trust me, almost none of the mechanical/canon messes really exist to do anything but make things easier on me. The supplementary material makes things a logistical MESS, so almost none of it is canon except the doppels from magireco. I all but boiled the system down to its basic components for everyone’s sakes.

I am. This close. To decanonizing Madoka’s crossover and trying to just make an expy instead. For my own sanity.

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jiangwanyinscatmom · 2 years

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Honestly it baffles me to see people trying to make Hua Cheng's love for Xie Lian completely unexistent. Come on, dude fought 33 gods and burned down their temples, lit up 3 THOUSAND LANTERNS FOR XIE LIAN. Died like, 3 times for him, waited 800 years for him, you can't even TRY to argue that Hua Cheng isn't a simp and doesn't love Xie Lian. Now, say that Xie Lian is boring... Anon dearie, you either didn't read the fucking books or your reading comprehension is absolutely flawed. Sure you don't have to love the main character (tho why even like the story if you don't like the protagonist or smt), but at least you gotta respect others and stop trying to push an agenda only you are seeing. Besides, Xie Lian is awesome and I don't know how you can say he isn't. Anyways, Sorry abt the rant Ava, I'm just getting absolutely fed up with this anon and I'm about to throw hands, Calamity style - 🐉🦋

By all means I encourage it!

As you said, you don't have to have a deep attachment for it by any means, but at least understand the basics of the plot that are textual information as comprehension. I spoke of something similar just earlier with @ladypfenix, she said something that is very apt in regards to the fandom (at least the western side of it):

"And probably because they want to treat her (MXTX's) works like marvel fandom where people get shoved together on a whim and a decent author can create more chemistry than the movies do and it just doesn’t work that way."

And this has a lot of truth to it, mainstream western media is given almost nameless slates for fans to project on to garner further revenue, the fans are what are made to fuel and funnel that interest themselves and when others of course join, they are met with something honestly lackluster and you are left there going "this is what was so hyped?". It's an interesting phenomenon that is pretty unique to the western sphere of fandoms. They are made to fill holes that very few creators want to bother with and don't care about character inconsistencies when they're are 20 others also writing a plot. Ironically with many not even actually meeting each other to really discuss the scripting.

This is also why the usual love of "crossovers" doesn't quiet feel so easy to do with MXTX's works, there are rules of her being worlds, that are not interchangeable, nor are the characters interchangeable to fit anything and everyone. They are on such different spheres of experience and personality, I dare say most would not interact with each other of their own choosing. When characters are that deeply explored by the author, there really isn't anything to make "better" or fix without it being a horribly shallow mediocre rendition that loses the charm of the original.

Really one major theme that can be shared by the love interests of her works is their devotion to who they love with their all. And as I have said before, it is not about if that love is deserved, because they don't want to feel as a burden or troublesome to that beloved. It is meant to be a very unselfish romantic love despite all the traumas they may have faced, it is not because of who they loved and they will never see it as such.

Hua Cheng wanted others to stop placing unbelievable expectations on Xie Lian, since saving a nobody at the time that nobody else cared about, was able to save that life. Lan Wangji wanted others to realize that Wei Wuxian was always good and placed the burden of protection of others on his shoulders despite the harm it ultimately did to Wei Wuxian, it wasn't about being right, but being human and caring. Luo Binghe wanted someone to see him at his most awkward and real, to be able to be seen as vulnerable without being tossed away for showing that side of himself and being looked on with the usual disgust if he did fall.

It's an endearing theme for them to be able to finally find someone to have that with and be virginal because you simply are waiting for someone to share that with. Thinking of love as something precious as well as sex isn't something to scoff at, given how much of media tells is the opposite while also degrading those that are casual.

#mdzs #mo dao zu shi #tgcf #heaven official's blessing #svsss #scum villain

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uglypastels · 2 years

Text

Eddie's character arc - what went wrong (imo)

OK, so I know I´m not the only one angry at what happened in the final episode of season 4. I´ve talked about it a bunch of times, just like everyone has, but now I think I might have figured out why it´s just so insufferable.

What is necessary for a character and a story to develop is conflict. Either external or internal, but in Eddie´s case, he has both:

External: (person vs. person) the entire town is set up against him, convinced he is a ritualistic cult leader and serial killer.

Internal: (person vs. self) His need to prove himself to not be a coward, to not run but fight + guilt over Chrissy.

So, yes, these are the main things driving him on, but they are not for Eddie. These conflicts in the storytelling are for us, the audience, to understand his reasoning, his motivations. Conflicts are explanations of characters and their actions. They aid us in viewing the story and help us figure out who/what to root for.

Now, this is my opinion: Personally, I did not have any interest in his internal conflict. Yes, I noticed it and wanted him to get over this personal hurdle, but I never had the need for him to actually prove himself to be a hero since he already was in the eyes of the story. He was the good guy that had been through a LOT and that was now antagonised by almost everyone he knows!

[Not to mention, his actions had been completely valid!!! Oh, a girl gets possessed by a demon and dies in your trailer? Yeah, you fucking run! Those are called survival instincts and if it had been an actual horror movie, he would be the one sane character everyone wants to be. Everything Eddie did, I think, was perfectly valid and nothing to be ashamed about so, again, no need from me for him to prove anyone wrong]

Watching the show, I did not need Eddie to redeem himself, but I needed the fucking town that was about to start a maniacal witch hunt on the innocent man to get a grip and show themselves not to be actual monsters.

Of course, the internal conflict is what helps us learn more about Eddie on a personal level, but that is not what had been driving his story. It was basically sub-text and yet, the writers decided for that to be the climax and the conclusion of his story.

What that left me with, was a very big feeling of incompleteness. The entire time watching, I had been hoping for one small step to be made in Eddie´s un-scapegoating, having been shown any kind of attempt at proving he was not the villain everyone thought he was and literally no progress had been made AT ALL.

The final scenes that we get a mention of him (publically) is the fucking NEWS where he is being called a cult leader and murderer. That is not progress or development, and if they leave his character at this, it might be some of the worst writing I have ever experienced in media...

-Oh no, sorry, we got a conversation between Dustin and Wayne, the two people Eddie was probably the closest to and who knew him the best, talking about how he is not what everyone thinks he is. Wow. Yeah. Cool.

#eddie munson #stranger things #stranger things spoilers #stranger things 4 #stranger things volume 2 #volume 2 #st spoilers

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xgryffinwhore · 3 years

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Hey! Can I request a jaeden martell x reader where basically their charters are dating on a tv show and they are really really good best friends in real life and they they both go on the Jimmy fallon show and he keeps on asking if they’re dating because everyone thinks they are and when they say no he obvi doesn’t let it go lol and it ends up slipping up that jaeden did/ does have a crush on reader and they maybe end up sharing a kiss in front is Jimmy & audience & stuff😶just an idea i had 😂:)

i love this idea wow, thinking i’m going to put my own little twist on it but i think you’ll still be pleased ;)

just friends

warnings!: suggestive topics, fluff

word count: 2.1k

five

your face was being touched up with powder, the cotton pad dabbing at your nose as the white powder absorbed into any oil your face may have had.

four

you look over at jimmy, this wasn’t your first talk show, but it had been the biggest one with the most following. it was intimidating, you bounced your foot up and down and played with your hands.

three

behavior jaeden had grown to recognize. he knew you better then you knew yourself, your anxiety was worse then you put it out to be. “you ok?” he questioned, “fine, i’m fine” you painted a small smile on your face. but he wasn’t easily fooled.

two

he grabbed one of your hands and rubbed circles into your palm, this sent vibrations of relaxation down your spine.

one

his eyes locked with yours, you swore they were a different color each time you saw them. sometimes more blue, sometimes more green, sometimes dark with mystery, sometimes light and playful.

‘aaand where on air’

you wiped the hand that was interlocked with his off on your dress, it was clammy. the curtain came up fast, and your vision was soon flooded with bright lights and silhouettes of bodies.

making out the faces in the sea of people was impossible, but you knew your friends were out there. they had flown out to see you, a) they could go see new york and b) you were on national television, and they wouldn’t miss it for the world.

jimmy was talking, you knew that much, but your nerves took over and honestly you weren’t registering a damn thing he was saying. the crowd cheered, you snapped out of your daze.

“and here tonight, we have jaeden martell and y/n l/n from the new HBO tv series: turning tables”

he turned to both of us, and gave everyone time to clap. he tired to speak over the loud hands, moving on with his show, but the crowd made that difficult. eventually the clapping died out and he could continue.

“now, i’ve watched all of the episodes but, for the people who haven’t seen: can you explain what the show is about?” he looked a jaeden, you let go of a breathe you had held in.

“s-sure” jaeden turned to face the audience more, he was soft spoken and shy, so it was important he projected as much as he could.

“turning tables is a teen drama. it’s about families of poverty in the seattle washington area and how they struggle to go to school and work. my character, jennings cooper, is the main protagonist. the show is mainly from his point of view, and how he struggle to support his family.”

jimmy nods and smiles, he looks pleased with his explanation. i’m truth the show wasn’t that simple, he knew that. but, it would take so long to explain.

“and y/n, who do you play?” he knew the answer to this obviously, but you were becoming a crowd favorite. everyone loved your personality, and you were an up-and-coming a list celebrity.

“i play parker marlow, jennings girlfriend” you blushed at this statement, the crowd giggled and ‘ouuu’ed. jimmy rubbed his hands together, getting excited at the upcoming topic of discussion.

“so, your romance on season one was steamy” you thought back to the scenes you did together. all of the kissing, which felt normal at this point. he wasn’t a bad kisser, in fact- you didn’t mind it at all. your romance through the season built up to a sex scene, your mind flashed through the memories of filming it.

filming those scenes isnt half as steamy as you think it is. it’s awkward, you laugh a lot. you had never felt that exposed in your life! however watching it was different, it looked so real, so perfect.

you blurred out your thoughts, mr. fallon still speaking on the subject. “can we expect more -“ jimmy searched for your ship name, it was on the tip of his tongue. the combination of your first names on the show didn’t make an attractive combo. it was either jarker or pennings. your last names matched a little better.

“-carlow” jaeden finished for him. jimmy nodded and smiled “yes- carlow- can we expect more carlow next season?” you both looked at each other and smiled. the writers for the show already had the next four seasons laid out. you knew that carlow was a continuing relationship on the show.

“yes, you should expect more of that sort of content from us” you stated. the people in the crowd had a positive responce to this, the applause lapping until it died out once again.

“right, your characters have so much chemistry in the show. two struggling teens just trying to break even.” jaeden agreed “yes, our characters balance each other out, and being from the same background helps them associate. jennings is kind of a bad boy-as the ladies say- he’s a felon, he steels cars and sells them to counterfeit manufacturers and dealers for money. parker, y/n’s character, has a job at a diner. she shows him the light at the end of the tunnel if he chooses to go down a good path.”

“yes, parker gets jennings a job at the diner with her, and he falls for her sweet disposition even after everything she’s been through” you add.

jimmy licks his lips and pops another question: “so id imagine the chemistry in the show heightens the real life thing?” he cocked an eye brow, the group gasping at the intrusiveness.

“jaeden and i are just friends” you blurt out, your nerves working up again. it was hard, you liked jaeden ever since you had your first kiss with him.

“y-yeah” he stutters, he obviously wasn’t expecting this either “friends” jimmy shakes his head and puts his finger on his lip “recently, you both have been showing a lot of pictures of you two together on social media.”

the audience ‘awwwed’ at the photos that displayed behind you. on the screen, there were pictures of you and him that were on both of your instagrams. you two at gardens, getting food, even watching movies at each other’s houses.

“for just friends, these photos looks intimate , wouldn’t you say” a bunch of ‘yes’’s and ‘mhm’’s came from the crowd as both of your faces became red.

“we’re just best friends, honestly” jaeden laughed nervously, he fixed his hair with his hand has he always does.

“right right- can you tell me when this photo is from?” jimmy asked, the last picture flashing on the screen. it was of you both, you had just filmed your first scene together.

the first scene you filmed together was episode two, he saved you after you fell into ice cold water. it was how the characters met, and it was filmed at a cove on a windy august day.

the picture was a little blurry, but it added character. he had his arm around you, both of your hair soaked, and you share a huge towel. you remember how cold you were, your teeth chattered so rapidly. his hair was stuck to his forehead and more small pieces went up. and your lips were almost purple, half from the makeup, half because you swore that was the coldest water you had ever went in.

“that’s from when we first started filming, it was the first time we met in the show” you recited, re living the memory in your head. you remember jaeden pulling your head into his chest when the wind began blowing. you remember his thumb trying to create friction on your back to make you just a little warm.

“yes yes- you two look so adorable!” jimmy squealed, he was the most teenage-girl-grown-man you had ever met. his hand opened one of the drawers in the faux desk he sat behind, pulling out a small blue camcorder.

the camcorder.

you know how on tv shows, there is special footage? sometimes it’s just behind the scene specials but sometimes- sometimes - it’s footage the actors document when they were just having fun? yeah it was one of those camcorders.

the camcorder was brought in by the two other co hosts wyatt oleff and finn wolfhard (i know this cast is sooo original not really) they played jaedens two best friends on the show. while they weren’t filming, they’d dick around and talk about stupid stuff. you’d never seen what they filmed, but you had been featured quite a few times; their by them pranking you, or invading your personal space.

you looked over at jaeden, you watched his adam’s apple bob and a thin layer of sweat flush over his face. he bounced his leg slightly, a habit he had picked up from you.

“let’s just review our material here” jimmy teased, his tongue darting out between his teeth. the video began to play, the sound was loud; assumingely for jaeden quiet voice in the tape.

the video started with wyatts unsteady hand, him and finn were running around set, they stopped at jaeden, he was playing on his phone in his trailer.

“jaeden wesley we have come for you” finn yelled. you could see jaeden shoot up from his chair. “hey guys” he waved. they talked for around a minute, jokes and all. then finn started to giggle, wyatt zoomed in on jaedens face.

“so jaeden, how’s y/n?” he chuckled, jaeden blushed “she’s ok i guess dunno.” wyatt stopped zooming in when the only thing in frame was jaedens head. “the kiss was good hm?” wyatt asked. jaeden continued to play on his phone, he nodded. “yeah, she’s pretty cute too.”

the video cut to another segment, this was filmed after the sex scene. you knew because jaeden laid on the bed you, in the same underwear that he wore during the scene. the boys were jumping on the bed, and jaeden took the camera and talked to it.

“this is for memory and memory ONLY! h-hey y/nnn” he was talking to the camera like it was you “you’re amazing and cool” you could hear finn explode into laughter as he stole the camera back and started running “yeah! and he wants your babies and loves you so much-“ “SHUT UP FINN!!!” and jaeden chased him around.

the video was taken off the screen. your face had become close to ghostly white. it was weird, it was almost like he was dumb enough to think finn wouldn’t give jimmy this blackmail goldmine. you looked at jaeden, he hit his bottom lip until it was red, he itches his neck and laughed it off.

“yeah ok-ok jimmy, maybe i liked her back in the day” jaeden tried so hard to be casual, but jimmy hit him with a heart stopper: “but mr martell, the last clip was filmed less then a month ago!”

your mind flickered with memories and ideas of him.

your first time meeting, how good his hand felt in yours. when you wiped icecream off his chin, and him dotting icecream on to the top of your nose. the way his hair always fell perfectly above his eye brow. and SHIT how he always smelt so fucking good. how he let you fall asleep in his arms and how he never complained when you put on some stupid romcom and-

“y/n?” jimmy questioned. “huh?” you spaced, come on y/n you gotta stop doing that. “i asked how you felt about all of this.” “well, there isn’t a right word i can use.”

jaeden took this has a bad reaction, he did a small wave to the crowd and stood up to get off the stage.

you stood up, grabbed his hand, and laid one right on him. kissing him felt normal, but now that there was emotion behind it, it just felt so right.

you both stopped for air, the crowd went wild. jimmy was clapping too, you could barley hear them, your heart was pumping throughout your whole body. you swore jaeden could hear it.

after the show, you sat in your dressing room for a bit, contemplating the events of tonight, and how they were all broadcasted for your embarrassment. but it was only the beginning. only the beginning of what was to come for mr. and mrs. jaeden martell.

#jaeden martell #jaeden martell fic #jaeden martell x reader #jaeden martell fluff #jaeden wesley #jaeden lieberher #jaeden #jaeden fic #bill denbrough #bill denbrough x you #bill denbrough fanfic #it move #imagine #it fanfiction #aged up

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writing-in-april · 3 years

Text

Erotica Explained

Spencer Reid x Female Reader (Spencer’s POV)

Summary: Spencer discovers his girlfriend’s writing.

A/N: Hey Heyyy- this is my twenty-sixth fic for my 30 fics in 30 days for April! It’s based on this request- and I did end up using a small snippet from one of my other fics! Sorry this ones out late too lol had a very difficult day. Feel free to leave me an ask here (I promise I don’t bite) Thanks for reading and hope y’all enjoy!

Warnings: 18+, Smut, Sub!Spencer, Unprotected sex, A little bit of grinding, A little bit of overstimulation, Creampie

Main Masterlist Word Count:1.7k

I don’t use technology often, if I can help it I don’t use it at all. But, I had to use it right now, there was something I needed to look up on the computer. It wasn’t for a case or anything, I was just too curious and too impatient to wait to go to the library.

Because I don’t use technology often at all, I didn’t own a personal laptop. The only one I regularly used was the one I was given at work, and that was done begrudgingly. Though I couldn’t use that one right now as I was at my apartment I shared with my girlfriend. My girlfriend however, happened to have a laptop that she wouldn’t mind me using.

When I opened up her laptop, it was already unlocked with a tab already opened. My eyes unintentionally quickly glazed over the page, my eyes widening as I flitted across the page. It was some sort of story, one that contained things that made me blush. At the end of what was visible without scrolling down it read,

His fingers twitched at his side when you blew cool air onto his length, you sneered again, “If you touch me I’ll stop.”

My own trousers started to grow a little tight after reading that, then confusion made its way into my face, wondering what in the world I was reading. I clicked around, not really knowing what I was doing and I fell into a wormhole of reading. It wasn’t until I glanced up to see who owned the documents it all clicked together. They were my girlfriend’s stories.

They were her stories about a slew of characters that already existed in other media, the first one I had read even happened to be about a Star Wars character- Poe to be specific. Once it all clicked together I slammed the computer shut, feeling like I had invaded her privacy. Then I swiftly got into a cold shower, ready to freeze my arousal and wash off my shame.

—-

My foot was tapping even crazier than normal as I sat next to my girlfriend. We had decided on a night in, choosing to order take out and watch a few movies on a rare night off for me. It was her turn to choose, and unsurprisingly she chose Star Wars.

“What’s wrong?” She asked me when I started to basically vibrate when Poe came onto the screen. I couldn’t keep it in any longer, the guilt was eating me alive sitting here while I watched a constant reminder of what I read.

“I’m sorry-“ She was about to open her mouth to probably ask me why I was apologizing, but I steamrolled over it by ranting, “I looked at your writing- the erotica you write. I- I think it’s about already existing characters? Which I hadn’t heard about before-“

She finally did get a chance to cut me off by calling out my name, getting me to stop my nervous rant, “Are you mad- that I umm am writing about someone who’s not you?”

“No! It’s natural to be attracted to different people even while you’re with someone…” I was already falling down into another rant, this time however I caught myself and found the point I had been looking for, “I actually think it’s kind of hot.”

“Oh yeah?” Her eyebrows had shot up almost high enough that they were up into her hairline. I flushed a little at that, feeling vulnerable under her gaze even though I knew she always kept me safe.

“I- um actually was wondering if you could do to me-“ The words died on my tongue when my eyes met hers again, and just by her eyes I could see that she knew what I wanted. She just wanted me to say it out loud.

“What do you want me to do to you?”

“Wh-hat I read- can you umm-?”

She didn’t let me stumble any longer, cutting off my stuttering, “You want me to do the things you read about to you?”

I nodded vigorously, but that wasn’t enough for her. She leaned forward, grabbing my cheeks between two of her fingers, then prompting me, “Use your words.”

I whimpered at that, remembering seeing it in one of her writings. I learned from the character, who had mouthed off in the fanfic, instead breathily answering, “Yes, I want you to use me like you wrote.”

Soon enough my clothes had been taken off by me as I had to follow her command to ‘strip’. She did so as well, then straddling me, starting immediately to grind on my cock. I moved my hands to her hips to try to get her to do something more, but they were quickly pushed off. She then pinned them above my head, leaning forward to whisper into my lips, “No you don’t get to touch unless I tell you too.”

“Yes, Miss!” I gasped out instantly, wanting to be perfect for her.

“Mmmm good boy.”

That made me keen even more, loving the praise she gave me a dash of, I craved her showering it onto me. She kept her course of action, grinding onto my cock until her own arousal completely soaked it. All it would take was for the head of my cock to notch at my entrance, she was so wet I could slip in easily. But, all I could do was wait until she let me have her. I’m sure if I begged she’d only smirk at me, so I kept my mouth shut and took what I was given.

She finally sunk down onto my cock, though it was excruciatingly slow. I tried to fight my instincts, keeping my hips flush with the couch so I wouldn’t get scolded for moving without permission.

When the backs of her thighs finally hit the tips of mine, I groaned unintentionally. She seemed to love it, starting to buck her hips enthusiastically at my response. My hands balled up into fists, knuckles turning white from how hard I was gripping them. It was taking so much to not cum already, her hands pinning me and how beautiful she looked above me making it overwhelming.

“Awww are you already so close? You love getting used like this don’t you?” She goaded once she realized how much I was fighting my release with my squinted eyes.

It took me a minute to find the words, as all my mind could focus on at the moment was how she felt around me. My IQ was completely slashed to 60, but I did eventually get out, “Yes miss”

She sped up her pace at my words, alternating from grinding down into me hard and bouncing vigorously on top of me. When she lent forward to give me a bruising kiss, she swallowed all the noises I was making, until she dipped her head down to mark up my collarbone. It was all too much; I didn’t know how much longer I could hold on.

“You’re such a good boy for me Spencer.” She gasped above me, writhing on my cock while she continued to bounce. It was getting so hard to bear, especially with more praise, but I wanted to wait until she came. She looked like a goddess, especially just as she was about to cum, which she soon signaled by saying, “Oh god baby, you’re gonna make me cum!”

All I could do was watch as she removed one hand from where they were wrapped around my own to rub circles into her clit. She tipped her head back, mouth dropped open in a moan, and thighs shaking as her orgasm washed over her. She shook above me for a minute, hips stuttering as she tried to continue the pace she built while her orgasm was ripping through her. Once she had come down from her release she then focused on mine, building the pace back up to be even faster than her original one.

“Go ahead and cum baby boy.” With one more swivel of her hips, I fell off the edge at her command, filling her all the way up with my release. She held my hands up above my head still and still moved her hips while I rode out my high. When she stopped her movements once I whimpered loudly out of overstimulation, she finally let go of my hands.

I let myself relax as she slumped over onto me, resting her head onto my still somewhat heaving chest. With my hands once again free I wrapped my arms around her middle, entrapping her this time.

Looking up I then noticed the movie was still going, completely unobstructed by our actions. It was towards the end of the movie already, telling me how long we had been going at it. Though I didn’t care that I missed it, I got to act out a partial storyline from it, even if it was a made up one. The movie could only hold my attention for so long, there was someone far more interesting with me.

“So are you gonna write some with me?” She giggled out while tracing her fingers up and down my chest, lingering over my sternum. Her proposition was an intriguing one for sure, especially now that she explained some of it to me. Though, I think my writing style is more suited for more of an academic setting.

I snorted a little, giggling a little myself, then brushing my hair out of my eyes so I could see them more clearly. When I tipped her chin up with my fingers and their eyes met mine, they were full of mischief. She was definitely trying to get me riled up again, but I had a quip back of my own, “I don’t think I’d be good at it- but maybe you’ll let me read from now on? I wouldn’t mind editing some as well, it sounds fun.”

Ask Me Anything

——

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All Works: @shotarosleftpinky @90spumkin @kyra-morningstar @spenxerslut @boxofsparklingmuses @multixfandomwriter @takeyourleap-of-faith

All MGG characters: @muffin-cup @willowrose99 @princesssmooshie @peterpanouat @anaagraceeberr @ashcakes1918 @reid-me-a-story @cosmic-psychickitty

Spencer Reid/CM: @calm-and-doctor @destiny-tsukino @safertokiss @slutforthegubes @onlyhereforthefanfics @jareauswifey @princesssmooshie @peterpanouat

Sub Spencer: @thatsonezesty13 @pastathighs @virtualpeanutartisanjudge @calm-and-doctor @princesssmooshie @peterpanouat

#spencer reid #spencer reid x reader #spencer reid smut #matthew gray gubler x reader #matthew gray gubler #matthew gray gubler smut #mgg #mgg x reader #30 fics in 30 days

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sunandmoongobrrr · 3 years

Text

Korra and her Brutalization: A Legend of Korra Meta

In honor of International Womens’ Day, I want to talk a little bit about Legend of Korra and the treatment of Korra (and to a small extent other women) throughout the show. Content warning: there's some disturbing scenes that I show here, but if you've watched all of LoK, you should be fine.

Korra starts off confident; she is a young avatar who is eager to learn and feels suffocated from the isolation she is kept in from a very young age. But that doesn’t stop her, and like the headstrong girl she is, she moves to Republic City to make a difference and step into her role as the avatar.

Korra immediately starts to doubt herself; she becomes unsure of her abilities and frustrated with herself, and through that she learns to become emotionally vulnerable with Tenzin. To me, this was really great. It showed that you can be confident and vulnerable, and that the two aren’t necessarily independent of each other.

(I’m going to be honest, the 2nd season I didn’t really remember much of, so I’m just going to skip over that. Because what I really want to talk about is season 3.)

In season three, Korra faces the Red Lotus, an “anarchist” group that essentially wants to kill her. And they get pretty close. First, I want to talk about how Tenzin is beaten by the Red Lotus. This has been brought up in Lily Orchard’s (in?)famous LOK video, and while I disagree with her on many many topics of the show, I really think she has a point here. When Tenzin is being brutalized by the Red Lotus, the camera pans away. It is SO painful to see him like this, and the directors know it. It’s TOO painful to see it, so they don’t show you it, and the episode ends before we can see him be defeated.

Contrast that with Korra. They show you every detail of this. And I mean every detail.

It’s disgusting, and they refuse to treat her with any sort of decency or respect like they do Tenzin. It’s almost like they want us to enjoy her torturing. It’s genuinely gross.

People will often refute this by saying “LoK is just a darker show! Look at what they did to the Earth Queen!” And while yes, it is marketed towards an older audience, there’s still no point in brutalizing Korra this way. The main difference between Korra and the Earth Queen is that… well, Korra’s the protagonist. We’re supposed to be rooting for her, and while the Earth Queen being suffocated was definitely dark, it wasn’t unprecedented. The audience was never supposed to like the Earth Queen—she exploited and kidnapped her own people, so of course we wouldn’t care THAT much if she died. But we’ve been with Korra since the beginning. We’re supposed to want her to be happy, and why on earth would we want her to be tortured brutally in such a disgusting way that gives her absolutely no dignity? If we want her to succeed?

(here Zaheer uses the same technique used on the Earth Queen to suffocate here on Korra. for some reason)

In Season 4, the main focus is on Korra and her healing from the brutal things the Red Lotus did to her. She is clearly still struggling, and it could have been another great way to show how being physically strong and confident doesn’t mean you can’t be vulnerable. But they make a lot of bad choices in this season.

One of my main gripes is that in order to heal, she has to return to her abuser, Zaheer, and HE has to teach her how to feel better.

I don’t want to compare LoK to ATLA, although it’s very important to mention that a show that’s a direct sequel, uses its old characters, and banks off of references, should be able to be compared to its predecessor. But I think it’s important to compare Korra’s arc here to Zuko. This doesn’t come out of nowhere; Korra has a lot of similarities to Zuko. The chopping of her hair is a significant turning point in her arc, and there’s an episode called “Korra Alone” (which is clearly a direct callback; shown below).

The difference between Zuko and Katara is that, a. Zuko never had to accept his abuser, and b. Zuko started off as a villain.

One of Zuko’s major points is when he confronts his father—his abuser. He does not bow to him and give in, saying that maybe he had a few good points or his heart was in the right place, but he directly says that Ozai was wrong for what he did. This isn’t the case with Korra. For some reason, Korra has to learn to trust her abuser. The person who did this to her:

And she has to hear him out.

This leads me to my second point, and what’s basically the complaint I have; despite being a protagonist, the show treats Korra like a villain. It frames her torture scenes as if we’re supposed to be excited that she’s being brutalized, as if we’re supposed to think she deserves it. And it’s not even handled properly as one of the villains we know so well—Zuko, who was able to overcome his abuse and become a protagonist who we root for. Again, Zuko and Korra aren’t directly the same characters, but there are parallels between the two and the show encourages their comparison. When it comes to Korra, however, we’re supposed to believe that she deserves everything that comes to her; the brutal scenes and the lack of dignity, even if she is a protagonist.

And in the end, that’s what we’re meant to believe; that Korra deserved what happened to her. In the finale, Korra says, “I finally understand why I had to go through all that. I needed to understand what true suffering was, so I could become more compassionate to others.”

This is, to put it short, ridiculous. I hate this so much I can’t even begin to say how much I hate it. No, Korra did not have to go through the torture she went through. She did not have to go through the mercury poisoning. She did not have to go through every hardship she did. This “what doesn’t kill you makes you stronger” is so harmful because Korra’s healing revolved around accepting her abuser and thanking him for the awful things he did to her. Korra wasn’t even that cocky by the end of the first season, so what it’s essentially indirectly teaching girls is that if you’re confident, you’ll pay. It’s disgusting.

Zuko got a banishment to the Earth Kingdom, got to have his ideas and practices challenged, but he never got physically tortured. I truly, truly believe that one of the main reasons why Korra is quite literally villainized by the show is because she was a confident, brown teenage girl. None of the male characters are treated with such disrespect and we never get told that they need to be “humbled” by abuse.

This is not completely resolved to LoK; there are some aspects in ATLA that I think could’ve been fixed had there been more women in the room. I tag her a lot (bc her metas are awesome), but I really recommend you read @araeph 's Katara: Consumed by Destiny series. I also have a meta here about how Katara is treated in ATLA, specifically in “The Fortuneteller.” (I want to emphasize that while I am anti-Kataang, I don’t believe that Katara’s treatment had to do with the ship itself or that kataang is inherently anti-Katara. It’s just a note about how her character is treated in this episode and beyond.)

I’ve heard a lot of people say that they’re ‘glad’ that LoK didn’t feature Suki or Mai or Ty Lee, because they can’t imagine how poorly they’d be represented. And honestly, I can’t blame them.

This isn’t to say that we need to stop watching LOK or even ATLA. I think the internet has this weird problem where we’ve been told that the way to get rid of problematic media is to just stop consuming anything even remotely problematic altogether. But certain aspects of media will always be relatively problematic, since as content creators we sometimes input our biases into the things we create. The solution, then, is not to banish anyone who puts any harmful stereotypes into their content from society, but to actively and healthily criticize it. Bryke are not God, but they’re also not demons put on the earth to suppress woc. They’re white guys that have implicit biases that have worked their way into the content they produce. I think the lesson learned here, is to have women, especially BIWOC, in writing rooms, to prevent atrocious acts from happening to future Korra's.

Happy International Women’s Day, y’all.

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lucky-sevens · 4 years

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so, you’ve heard about the mechanisms, but have no idea what they are or how to get into them?

the mechanisms are a steampunk folk concept band! if you’re familiar with the decemberists, some of the stuff david bowie has done, or steam powered giraffe, it’s a bit like that- each album tells a story! (the albums are all tragic space operas, with the added bonus of being very queer!)

the bit where it starts to get complicated is the band itself. they’re all playing characters, and they do their shows in character! so, basically, the narration on the albums isn’t omniscient- it’s being narrated by the mechanisms, who have opinions about the story and tend to get involved in it at some point. to differentiate them from the actual band, i’m going to refer to them as ‘the crew of the aurora’!

further details under the cut! (edit: added some links!)

the albums

they have 4 main albums, which you can listen to on spotify, bandcamp and youtube! just look them up, there's a youtube account called TheVoidSings that does lyric videos + album playlists, as well as the mechanisms official account! in addition, they are all linked at the end of this post.

(note: the albums are all tragedies, and there’s some pretty intense stuff that can happen- i wouldn’t let that steer you away from it as they are very good and well done, but if you tend to like lighter or happier stories, be a bit careful going in? a lot of queer characters tend to die- because 1. everyone dies and 2. everyone is queer- which, while it’s not bury your gays, i know some people like to avoid.)

album descriptions

-once upon a time (in space)- based on european fairy tales! stars snow white and her attempt to rebel against the evil king cole and his intergalactic empire and rescue her sister, rose red! also has a lesbian romance at the center!

-ulysses dies at dawn- based on greek mythology! stars four 'suitors'- orpheus, oedipus, ariadne, and hercules- trying to break into ulysses/odysseus' secret vault on a job for the olympians, an elite mob family with a stranglehold over the planet it takes place on

-high noon over camelot- a steampunk western based on arthurian legend! features poly arthur, guinevere, and lancelot on a quest for the G.R.A.I.L, the control center of the abandoned space station they're trapped on

-the bifrost incident- based on norse mythology! a locked room mystery around what happened to the ratatosk express, a train that disappeared eighty years ago with all of the asgardian ruling class on board. this album is also rock, versus the earlier ones which were folkpunk.

you can listen to them in any order (i've summarized them in order of release), but you should listen to the album of your choice in order/all the way through! (my personal favorite is high noon over camelot!)

the crew

the crew of the aurora is a group of nine queer space pirates! they’re all immortal, mostly because of dr carmilla, a morally ambiguous, very lonely lesbian vampire who has a slight problem with experimenting on dying children. they all have a mechanical part of some kind- for example, ashes o’reilly has mechanical lungs, because they originally died from smoke inhalation. that part is called their mechanism, and it’s what’s keeping them immortal! (also, their immortality works by having them come back from death, rather than being unable to be harmed. this can result in them doing really stupid shit, dying, and then just coming back. they murder each other a lot to bond) there’s a lot of found family vibes, which is quite nice! in general, despite being tragic figures themself, they add an air of humor to the albums with their banter and the like!

each of the crew has their own backstory, mostly from quite different genres! if you’d like a fairly comprehensive version of all their backstory songs, i’d recommend this recorded show and if you’d like just an assessment of their general vibes/a good intro to everything, i’d suggest looking up ‘the ignomious demise of dr plitchard’ (one of their stand-alone songs)

bonus content

recorded gigs- there are quite a few out there, and i’d highly recommend listening to them, because the shows were the original way the media was supposed to be! there’s a ton of in character banter, they’re all in costume, all that!

death to the mechanisms- the mechanisms’ last show! it has a very bittersweet vibe, but there’s also incredible lighting, as well as proper recordings of tales to be told and drunk space pirate (the songs they play at the beginning and end of each show!) there’s also a lot of lore there that’s nice to know, including what it says on the tin: how they all, eventually, die. note- there’s a stream and an audio version. the stream is choppy and cuts out a lot, and the audio version is nice and clean, but the stream is still nice to watch because of the lighting and the visual jokes.

tales to be told volumes one and two- compilations of all their standalone songs! some of them fit with albums, and some of them are their own retellings that work on their own! this is also where all the backstory songs are compiled, though i’d recommend watching the recorded show i linked instead as that has the relevant exposition.

frankenstein- a standalone, 10 minute album on youtube about the story of victoria frankenstein and the rogue ai she created.

dr. carmilla albums (exhumed and [un]plugged + ageha prototype edition, available on bandcamp)- songs telling the backstory of doctor carmilla, the mechanisms’ creator! they’re in a different style than the rest- think girl in red. lots of yearning lesbian music vibes.

mechanisms fiction- this is on their website! has a lot of very interesting lore and character things, and i’d highly recommend reading all of it! it’s also very well written. personally, i’d recommend ulysses and narcissus go to the seaside, the quickest draw, archive footage, and bedtime story for the writing, and ever after, the story of the toy soldier, who killed dr carmilla, and ghost in the machine for lore!

resources

links to almost all the mechanisms content out there!

album links

once upon a time in space- spotify/bandcamp/youtube

ulysses dies at dawn- spotify/bandcamp/youtube

high noon over camelot- spotify/bandcamp/youtube

the bifrost incident- spotify/bandcamp/youtube

bonus content

tales to be told, volume 1- spotify/bandcamp/youtube

tales to be told, volume 2- spotify/bandcamp/youtube

frankenstein- spotify/bandcamp/youtube

mechanisms ‘supplementals’ (songs not in the albums, alternative versions, etc)- youtube

exhumed and (un)plugged- bandcamp/youtube

ageha (prototype edition)- bandcamp/youtube

mechanisms fiction

additional short story

tumblr (mostly an inactive blog for the band to post about shows they were doing, but features some in-character posts)

twitter (ditto)

---

gig compilation post

fiction compilation post

blog compilation post

deep lore post

fanfiction recommendations list

#the mechanisms #the mechs #gonna tag this with #because a lot of tma people end up wanting to get into the mechs #the magnus archives #my posts

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thefrostqueen · 3 years

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Hanyo no Yashahime

Season 1 Review

It’s review time

Hanyo no Yashahime is the sequel to the classic anime InuYasha, in which a teen from present day travels back to Feudal Japan where demons and magic are very much a reality. The sequel follows the children of the main characters from InuYasha and puts them on their own adventure to save the world.

Note: All opinions are my own. This is a critical review of entertainment media, and will include criticism. If you do not agree, then simply ignore.

The Plot

Early on, it was established that Towa and company would seek out the dream butterfly and get back Setsuna’s dreams/sleep. Treekyo told them they would have to defeat Sesshomaru and Kirinmaru. After many episodes, this plot line was unimportant and almost discarded. Passing and fleeting, the true motive of the girls quest is sporadic and mentioned sparingly, and for many episodes it seemed they were only there to slay high level demons.

Mysteries and questions were extremely abundant and established early on, and as the episodes went by, it was clear they wouldn’t be answered. At least this season. One thing the fandom has noticed is how many questions there are, and how in some crazy way sunrise managed to withhold all answers and key plot points from the plot for so long. Treekyo? Not that important apparently. Her prophecy? Never mentioned again. The dream butterfly? Seen not explained. It’s connection to Kirinmaru and Zero? Contradicted in the show. InuYasha and Kagome? Just as forgotten as Moroha when there is a fight.

The pacing of this show was all over the place and inconsistent, providing too much focus on filler in some episodes and not enough plot in others. And in the episodes where we got to come back to the main story, we would get info dumps. I mentioned in my mid-season review how info dumps are cheap in the scheme of writing and plot outline, and I’ll say it again because I was surprised as the episodes went on how inconsistent everything was getting.

Now, don’t get me wrong, InuYasha had lots of fillers too, but unlike Yashahime, they established a lot of exposition and plot within the first 12 episodes; we got the main characters and their ambitions/conflicts, the main villain, the dual antagonist (Sesshomaru, at least he was a villain for a bit anyway) and the basics of the magic system was established and explained. Yashahime did set up the character’s goals, but the character’s quickly seemed to forget them, while in InuYasha their goal of finding the jewel shards was always at the forefront of the majority of the episodes. The main villain was supposedly Kirinmaru (his careless attitude throughout most of the show did not provide the antagonistic “high stakes”) and he sent demons to battle the girls, but the girls were so overpowered and perfected their powers so quickly that the demons provided no real challenge or added any stakes or drama.

The ability/powers of characters were retconned. This was odd and not something I expected. One of the most notable examples is how certain abilities are apparently genetic and inherited through dna instead of through the swords that harbored them like the original series established. An example is Moroha’s “Crimson Backlash Wave” where it mimics the ability Tessaiga has where it sends an opponent’s own demonic attack right back at them, destroying them with their own demonic energy. Moroha does not use Tessaiga, she uses Kurikaramaru. The backlash wave was said to be unique to Tessaiga, and only able to be used with Tessaiga, but that lore was weirdly chosen to be retconned. It is unclear wether or not this will be expanded upon in season 2.

In episode 19 of Yashahime, there was blatant homophobia and transphobia. No excuse, there was. InuYasha also had homophobic and transphobic characters. Yashahime could have changed that, but it perpetuated that instead, and it was extremely disappointing. In episode 20, Shiori, a beloved character from the original series, is shown changing into her human form during a solar eclipse. Yashahime chose to whitewash the character by lightening her dark skin. In InuYasha, several characters had darker skin, like InuYasha himself, and when he turned into his human form, his skin would stay the same. There is no excuse for this. Both of these episodes blighted Yashahime’s potential to step away from those things, but it continued to do it instead.

The final episode of the show was fast and full of unanswered questions. The dream butterfly was still not explained, Rin did not wake up, InuYasha and Kagome were not even mentioned, let alone released, and Kirinmaru parented Towa and Setsuna better than their own father. Zero flees, using spider silk (she strangely has many parallels with Naraku, even down to spider imagery) and sets herself up to be the main villain. And Setsuna dies, and Sesshomaru doesn’t seem that worried at all. It was interesting however to see Kirinmaru fight the girls, and he basically began teaching them about their moves and powers. Another interesting aspect was how Sesshomaru is apparently, potentially, time traveling. He shows up and hands Towa the Tensiaga, and the rain stops, and when she takes it, the rain starts again. Towa looks up and it is shown Sesshomaru has vanished instantaneously.

The Characters

Towa Higurashi: In the first two episodes, Towa was portrayed as a tomboy who kicked ass and cared for her family. She was confident and had ambition. Once she came to the feudal era however, her entire personality changed. Her surroundings and the people/beings she met were indeed something she had never encountered, but she suddenly became a moralist, and cautioned Setsuna and Moroha to never fight, despite she herself being notorious in modern day for fighting bullies and bad people. It is almost like her fighting persona in modern day had never happened. Overall, it felt her character was overly gullible, and though she meant well, her sudden drop from “school fighter” to “naive moralist” was odd and seemed to contradict the character they set up in the first three episodes.

Setsuna: Like father like daughter, Setsuna retains her father’s most iconic personality traits, and is focused on her ambitions and remains cautious around people and demons alike. She was, perhaps, the one out of the three princesses to have the most backstory and character focus (despite Towa being the main character) The mystery of her connection with the dream butterfly was genuinely interesting, though it did feel like it dragged on for too long in certain aspects (some lore even felt contradicted) Writing wise, Setsuna felt the most consistently written character of the three girls, both in personality and in development.

Moroha: The perfect mix of her parents, Moroha has had little to few familial relationships and friendships in her life. Her goal of earning money seemed petty at first, but when Moroha finally got her own episode, it was revealed to have a deeper meaning. That episode highlighted Moroha’s strength and perseverance. What was a poor move on behalf of Yashahime’s writers was the strange choice to constantly omit Moroha from vital fights (and even basic fights) It happened pretty much every time, and Moroha was never around for key information about her parents or their quest. It is unclear why her being there for the information would be a bad thing. Her relationship with Towa and Setsuna was shallow, and their bonding had no real emotional impact. In fact, Towa and Setsuna openly mention how they need her for her abilities, not because they like her. The one episode they tried to make them bond fell flat due to the lack of build up and relationship development.

Conclusion

Hanyo no Yashahime was inconsistent and fell flat with several character relationships and motivations. Plot point execution was sporadic and lacked emotional depth and coherent understanding, leaving viewers more confused than awed. Characters from InuYasha were out of character and felt hollow; some of them were not even involved as much as one would think and one didn’t even show up. Kirinmaru is perhaps the most interesting new character to come out of the series, and his respect for the Great Dog Demon has led him to enter a deal with Sesshomaru, and even protect the three princesses. This contradicts several actions he took, and makes a compelling mystery in certain aspects. In conclusion, the show felt rushed and lacked emotional and character depth, and presented several problematic and harmful themes.

Note: Again, all opinions are my own. You are free to comment, but please be respectful.

#hanyo no yashahime #kirinmaru #yashahime #yashahime thoughts

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izzielizzie · 3 years

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Can we talk about romance and the Bayview girls for a moment? So often in mainstream literature, girls are thrown into a relationship whether or not they need one or they are compatible with the person, or their entire story is about them finding love and nothing else. But Bronwyn, Addy, Phoebe, and Maeve? They spend their books growing independently, and falling into or out of relationships when it suits them.

Let’s start with Bronwyn, shall we? She begins the book by talking about Evan, who she considers a good prospect for a solid senior year relationship. Bronwyn’s got the grades, the extracurriculars, and the family that fits her “rich ivy league legacy” appearance. To her, having a good boyfriend is the icing on the cake. But there’s no passion and joy. She’s just checking boxes. Enter, Nate Macauley. Bronwyn doesn’t fall in love with the bad boy because he’s sexy and irresistible (although that’s part of it), but instead she falls for his scars and broken pieces. She learns to care for others instead of focusing on herself. Because, based on her interactions with Maeve, she’s book smart but not always people smart. She pushes people to get what she wants, and Nate is the one who shows her that sometimes she needs to take a step back. Which is so important, because so many girls feel the need to defy every expectation because from day one the odds are stacked against them. It was wonderful to watch Bronwyn learn to love while still retaining everything that makes her a badass.

Next is Addy, who is almost the opposite of Bronwyn. Addy started dating Jake when she was fourteen, which is basically still a kid. Her life, her thoughts, and - let’s be honest - her body was controlled by him. Her mother pushed the idea that she needed a man in her life, and her friends praised her for dating Jake. But Addy was voiceless, her autonomy taken away. She made one decision and it nearly cost her her life. Now, it could have been so easy for her to be paired up with TJ at the end of oouil. Her life was getting back on track: she had good friends, she’d moved out of her toxic mother’s house and into her wonderful sister’s apartment, she joined a sports team that made her feel happy. Having a boyfriend could be the next step in her recovery from trauma. But she makes the personal decision to shut the door in TJ’s face. Because she’s deciding that a boyfriend isn’t necessary. And in oouin, she’s happy. She might not be on the stereotypical path for post high school grads, but she’s making her own money, living her life, and making her choices. And it could have been so easy for her to gripe about becoming the seventh wheel when Maeve went through her existential crisis about Luis, but she didn’t. Because Addy was perfectly content with her relationship status and passing on her happiness. She’s grown so much from the shallow popular girl we first saw her as.

Speaking of popular girls, Phoebe Lawton is probably the most underrated main character, but her love story is amazing. She admits herself that she chose Brandon Weber because she thought she wasn’t worthy of loving anyone else. She made one choice, much like Addy, and it cost her her happiness. She lied to her friends and her sister, leading her to be a target in a vindictive game. She was called awful names and treated terribly because she made the choice that so many of the boys in the books made. I love Luis Santos, but he hooked up with as many people as Phoebe did, and he was celebrated for it. Phoebe is an amazing commentary on sexism when it comes to sex, but that’s not the point. This is about the romance, or rather, lack of it. Phoebe ends things with Brandon in the eighth chapter. That’s pretty early in the book, and we watch Phoebe struggle with the way she’s perceived for the rest of the book. But do you know who never says a word? Who never judges? Knox. Maeve seems judgey at moments, but never Knox. I know many people (including me) are annoyed that Phoebe and Knox weren’t together, but I’m so glad Phoebe herself is acknowledging that she’s not in a good place. She’s like Addy, but a little different. Addy is happy to be single for the foreseeable future, but Phoebe wants to be in a relationship. Not because she feels she needs one but because she likes being in a relationship. And that’s completely okay. It’s great that wanting to be in a relationship after her mental heath is stable is something that the characters, especially Knox who could have continued their kiss, understood.

And finally, my favorite, Maeve Rojas. Maeve hardly spoke ten words in the first book, but it was easy to tell that she was closed off and resisted affection. And it’s easy to see why: she’d nearly died before, and she knew that she scared the people she loved. I mean, she heard her father’s prayer about replacing her, and she made it her mission that he would never feel that way again. She’s so busy with making sure she doesn’t hurt the three people closest to her that she doesn’t have the willingness to let someone else love her. Because, let’s be honest, this girl needs to be loved. Which is where Luis comes in. He falls for her hard and fast, and she falls into him, like he was an old friend. She takes her time to open up, and in return he gives her space when she needs it, has her back when she isn’t able to protect herself, and isn’t afraid to call her out on her shit. It could have been so easy for Luis to be portrayed as “saving” her: the popular, handsome boy falling in love with the quiet girl who had cancer. But he doesn’t see it that way, and by extension, neither does Maeve. They supplement one another: he’s loud when she’s quiet, kind when she’s fierce, understanding when she can’t find the words. And the way she loves him is important too. If this was any other book, she’d probably suddenly become bold and willing to forget her entire past so they can be that popular couple with intense pda. But she doesn’t. She’s still broken and vulnerable and hiding being a façade, but she’s also learning to trust. She slept in his lap, which proves that she’s willing to try to love him in ways that are scary, and I think that’s so important: Maeve is learning to trust, something that is sped over in many other types of media.

#one of us is lying #one of us is next #bronwyn rojas #nate macauley #addy prentiss #jake riordan #tj forrester #phoebe lawton #knox myers #maeve rojas #luis santos

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livlepretre · 3 years

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Are there any real life moments or feelings that have made their way or informed scenes in any of your fics? Not asking about anything very deep or personal (unless you want to go there). For example, something as small as knowing specific places or sensations and using that to inform scenes better.

Oh tons and tons!

I did get lucky in two respects with writing tvd fic specifically--

I'm actually a painter in real life, so all of those details about using oil paints are from long years of personal experience, as well as all of the parts about drawing. The show is dreadfully wrong about the technicalities of how paint works, like, in just about every scenario, so it does grant me some satisfaction to write about it for real. (and to pretend that Klaus isn't an awful painter) (Writing about Elena as a writer is so much the same, though-- it's special as a writer to get to access a character who also writes, because there's that immediate connection to the process and the feelings that go with it)

The other is that the Originals happens to be set in Nola (for some reason), which I know better than any other place on earth. When I write about that, I'm really writing a love letter.

In general, I try to write about the places I really know well-- Nola and NYC are both pretty drawn out as portraits of those places just because I've spent so much time there (but, ummm, notice that all they seem to do in NY is drink and look at art, which is basically how I spent my 20s there ha) I picked Barcelona for SWBS in particular because I've actually been there, so I could write about my impressions of it (which get heightened in memory... and maybe that's a good thing for fiction) so much better than if I had picked, say, Marseilles where I've never been. That also extends to writing about the feelings certain places evoke-- the descriptions from the Met and the Frick, the air of nostalgia about them, the descriptions of the hall of broken Greek statuary, are all taken from a journal I was working in back when I was spending the winter in New York City and having a bizarrely melancholy time spending all day by myself at the Met.

Experience in the landscape is part of that. Every rural place feels different, and drawing on the physicality of the locations I've spent a lot of time hiking in like New Hampshire for example has really grounded the work. Also, paying attention to the things that are interesting-- I paint landscapes, mostly, so the shape of the land, the color and quality of the lighting, the kinds of flowers and trees and rocks, even the weight or lightness of the air itself, are all things which draw my attention anyway, so it's very natural for me to want to add them to fic-- and they all evoke really powerful sense memory for me, so I try to overlay that with any writing about emotions or introspection.

A lot of the details that fill the story in are just taken from personal interests-- like the books Elena reads in the library are almost all books I've read and loved, and which are influences one way or another on that story. Same for the hapless cooking experiments.

There's obviously also a ton in FE that I've gotten from talking to other people-- I personally have a knack for killing all plants I touch, but my mentor loves to garden, and invites me to paint in his garden all the time, so that's taken from him; I'm far too impatient for yoga or meditation, but again, that's the sort of thing my sister really benefits from, so I've talked to her about the experience of it a lot.

I think the creeping around old houses and snooping through shut in antique curiosities is like a very prime memory from my childhood. My grandfather had this ancient enormous ramshackle house from the 1860s that definitely used to be lots of different smaller buildings but were at some point seamed together; now, my grandmother was a legitimate hoarder (I'm being completely literal, like she makes the hoarders on TLC look like jokes), and there were lots of rooms that were shut off from the main part of the house because they were so full of dusty old interesting things, as well as a few outbuildings like that. My grandfather was very old, in his 90s, when I was a child, too old for him to really keep the house up, so my cousins and siblings and I used to run wild all through this house playing hide and go seek in those shut off rooms and corridors and finding lots of weird and inexplicable objects my grandmother had bought at auction back in the 50s and 60s and piled up high at the house. There were six hundred year old vases mixed in with old record players from the 60s, sewing kits from the 30s and boxes full of letters my great-grandfather had written and little statuettes from India and China and Vietnam sitting atop little two hundred year old painted tables. Just the wildest mix of mundane artifacts from my grandparents' actual lives mixed in with all of these beautiful old objects my grandmother used to collect. I think a lot of Elena's creeping around and hunting through drawers and going down corridors to peer into secret rooms probably stems from that childhood immersed in my grandfather's house, and then all of the time I spent as a teenager helping my mom go through it all and try to make sense of it after he died-- there's probably a weird level of specificity to the names and mechanics of different antique objects and furnitures in FE because I had to learn all about it to help my mom categorize and sell all of those things.

And that kind of takes me to one of the main things I really wanted to write about in this fic-- a detailed and empathetic dive into depression. It's never sat well with me that depression is so often so poorly depicted in media, especially on tv, and that it gets treated like a story arc (tvd season 4 is one of the worst offenders in this regard-- Elena's depression and grief from her brother dying is like a 4 episode arc and it's offensive). I had very severe depression as a teenager, compounded with a lot of grief, and I will probably always be melancholy because some things are just indelible. As a teenager, I was very much so hemmed in by death, and I was very frightened all the time; I was really broken by that experience, and I used to think the loneliness had sunk so deep inside of me that I couldn't even feel lonely anymore, or wish for anyone else. I was probably about 26 before I finally healed from this. These feelings are all probably major reasons why I'm drawn to Elena Gilbert as a protagonist, and why I read her as I do-- I know there are a lot of people who disagree with my interpretation of her, and it's possible that I am so convinced of my character reading of her because I was 20 and still battling in the heart of all of that trauma from my teen years and I felt a resonance with her. So, in writing FE in particularly, and SWBS to a lesser extent, I wanted to write about depression as honestly, openly, and lovingly toward the depressed as I could. I also wanted to write about loneliness, and grief, and what it's like to emerge from those things-- slowly, painfully, with lots of stumbles and hard, hard days. I can recognize that the depictions of depression in FE are ultimately just a reflection of my own personal experience wrestling with it-- but I'm trying to tell an ultimately hopeful story, capable of staring down into the deepest darkness and still clawing its way up into the light. Learning to write honestly about these feelings was hard-- I was so used to protecting myself and pretending that I wasn't something that had once been smashed to pieces that I found myself downplaying the emotions in my writing, being less honest. There came a point there where I realized this story was only ever going to be what I wanted it to be if I did get really honest, as much as possible. I often think of this story as being especially dedicated to the readers who recognize that experience-- and I hope it does, ultimately, read as a story about healing, as dark as it is.

#sevensistersofsussex #asks #on writing #fairytale ending #swbs #personal

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rabidbehemoth · 2 years

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Kishimoto treats his entire female cast like trash

Sakura never does anything with genjutsu

Hinata is a prop to get hurt and make Naruto rage

Ino’s a love rival to Sakura and nothing else

Tenten is….nonexistent.

Even the female kages get tossed around like garbage on the regular. Tsunade’s most impressive feat in the whole series was using all her chakra to keep people alive. Which is really really cool. But it’s something that is accomplished off screen.

The only female character that has any kind of profound impact on the narrative and doesn’t come across as a prop was Chiyo when she uses Sakura as a literal prop and then dies so Naruto can have Garaa back

Aaah, the ask came back!

To clarify, I still see where you're coming from, but don't agree with this entirely, anon. If this were true, I don't think fandom would be able to engage with kunoichi the way it does--it would be like trying to get excited about furniture. Naruto, for all its faults, does pass the sexy lamp test. If we could truly replace all the female characters with sexy lamps without affecting the story, I don't think even the most imaginative fans would want to draw/write/discuss them. I don't think this ask would exist, because we both would've dropped the story from the beginning and not given it a further thought.

For me, the majority of the frustration with Kishi's depictions of women is around aborted potential--how sometimes the characterization of various kunoichi is *promised* and seems to actually be going somewhere positive, but then ends up disappointing at best.

Sakura is canonically gifted at genjutsu...but then it's never mentioned again. Her relationship with Ino could have grown into a great friendship...but it stays largely centered around the rivalry over Sasuke before kind of petering out. Tenten does exist...until she basically vanishes from the narrative.

Lots of broken narrative promises, yes, but those promises were real and implied. If you're familiar with the writing proverb about Chekov's gun, the idea is that a writer should never introduce a gun (or any other narrative element) without also planning for it to go off. For something, anything to happen with it. But that's what Kishimoto does over and over again throughout the series: introduces the seedling of a good idea, then proceeds to completely ignore it in favor of whatever his flavor of the moment is. And it's almost always a development that favors a male character, especially his favs *coughUchihaclancough*

To be fair, he smashes that abort button a whole lot, not just with respect to female characters. That whole thing about how the ninja system Might Be Unethical After All? It was introduced as far back as the Zabuza/Haku arc, then actually developed as an idea all the way through the various sad backgrounds of Akatsuki, the reveal about Itachi, the many attempted destructions of Konoha...as an idea, it got plenty of narrative development over a long period of time, and even that was eventually just handwaved and shrugged off as eh, ninja system is fine after all, nbd.

If Kishi could do that to something that was becoming the main fucking theme of the series??? I mean. At least he's consistently disappointing, lol.

If you want to dive more into exactly how/why depictions of gender in Naruto are disappointing--because they are uniquely so regardless of Kishi's other narrative failures--I recommend this post by sub-textual: https://sub-textual.livejournal.com/29019.html

Personally, I always say fuck the canon and enjoy what you want. Life is too short to stay mad long about disappointing media, no matter how egregious.

#asks #fanalysis #haven't used this tag is aaaaages lol #believe it or not this blog actually used to be about meta #how far we've fallen

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