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#arturo ferrari
random-brushstrokes · 3 months
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Arturo Ferrari - Interno del Duomo di Monza (1899)
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fishingforwords · 10 months
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what else am i forgetting?
fernando pessoa, the book of disquiet: the complete edition || arturo ferrari, in the old street vicolo san bernardino alle ossa a milano || madisen kuhn, please don't go before i get better || james bay, let it go || imagine dragons, i was me || holly black, the cruel prince || amazon || billy collins, forgetfulness || salvador dali, disintegration of the persistence of memory
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1970 24 Hours of Le Mans : Race
Brian Redman (Wyer's Porsche 917K #20) leading Pedro Rodriguez (Wyer's Porsche 917K #21), Arturo Merzario (Scuderia's Ferrari 512S #8), Nino Vaccarella (Scuderia's Ferrari 512 #6), Corrado Manfredini (Filipinetti's Ferrari 512S #16).
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frenchcurious · 4 months
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Arturo Merzario (Ferrari 312B3) Grand Prix de Monaco 1973. © LAT / Motorsport. - source Carros e Pilotos.
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a-la-rascasse · 2 years
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Howdy 🤠✨
Classic f1 drivers + cowboy hats
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klemcoll · 1 year
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A Ferrari at Druids
We think that this is a superb photo, probably taken during practice for the Brands Hatch 1000 Km. race (sometimes also referred to as the BOAC 1000) which took place on April 12, 1970. The car is a Ferrari 512S shown braking for Druids Corner at the top of the hill which is about a half mile after the Brands Hatch start/finish line. Behind the Ferrari is the downhill right hand sweeper called…
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a110crazy13 · 2 years
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Enzo Ferrari e Arturo Merzario
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lxclerc · 10 months
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𝐩𝐚𝐫𝐢𝐬 | 𝐜𝐥𝟏𝟔
summary... romance is not dead if you keep it just yours. note... a gift for 5k followers bc you guys stick around even tho i don’t post anymore. faceclaim... victoria brono
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liked by francisca.cgomez, charlesleclerc and others
yourusername romance is not dead if you keep it just yours <3
view all comments...
yourbestfriend you’re in love and stuff. we get it
lorenzotl ❤️
leclerc_pascale i simply adore the two of you ❤️
⤷ yourusername i adore YOU so much
charlesleclerc je taime, mon amour 🫶🫶
⤷ yourusername i could not love you more
⤷ arthur_leclerc you’re so sweet i’m getting cavities
francisca.cgomez the most beautiful 🫶 ─ liked by yourusername
⤷ yourusername i love you, baby 🤍
⤷ francisca.cgomez love of my life 🥰
⤷ pierregasly hey
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liked by lorenzotl, yourusername and others
charlesleclerc Back on the front row for Sunday’s race. Great lap, amazing job by the team to bring the upgrades earlier than was planned
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user1 forza 🙌
user2 you know everything is better when charles is posting after qualifying
yourusername …can we talk about this picture tho ─ liked by charlesleclerc
user3 YOU DESERVED IT TODAY BABY
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yourusername added to their story!
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liked by pierregasly, yourusername and others
charlesleclerc It feels good to be back on the podium. We’ll work flat out to be back on the top step as soon as possible 🇦🇹
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joris_trouche VOILÀ ❤️
⤷ user1 as always, you’re absolutely right joris
user2 il predestinato ❤️
user3 missed seeing you on the podium 😭
user4 you may be p2 in austria but you’re p1 in my heart
yourusername from p12 to p2. bravo, mon dieu ─ liked by charlesleclerc
⤷ user5 this is the priv account that charles followed 👀
⤷ user6 MON DIEU???
⤷ user7 charles likes all of her comments on his posts and no one else’s
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liked by charlesleclerc, lorenzotl and others
yourusername undercover
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charlesleclerc red suits you so well, pretty girl
⤷ yourusername they say i attract the color red
⤷ charlesleclerc well you’ve got me hooked
charlotte2304 gorgeous 🫶
pierregasly a walking red flag 🚩
⤷ yourusername it’s ok pierre, no need to be salty. we can share charles
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liked by user1, user2 and others
charlesupdates CHARLES COZIES UP WITH NEW GIRLFRIEND IN AUSTRIA
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user1 well there’s that
user2 i don’t like this at all
⤷ user3 believe it or not, no one cares
⤷ user2 i’m allowed to say my opinion
⤷ user3 and i’m allowed to shit on your opinion
user4 yeah no she can go
user5 yikes
user6 this comment section ain’t it
joris_trouche the complete invasion of their privacy is disgusting along with the comments 👎
⤷ user7 tell em, joris
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liked by scuderiaferrari, yourusername and others
charlesleclerc p4 today and hopefully better tomorrow 🙃
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user1 ferrari is just straight up draining this man’s soul
user2 fire xavi and we’ll be fine
user3 in lord perceval we trust
user4 bestie you need to win tomorrow bc i just bet my kidney on the line
yourusername lovie 🙌
⤷ user5 let me innnn pleaseeee
⤷ charlesleclerc ❤️
⤷ user6 OH????
⤷ user7 this is as close to a confirmation we’re going to get i fear
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liked by charlesleclerc, pierregasly and others
yourusername me after charles mega hard launched us
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pascale_leclerc love you both 😘❤️
pierregasly about the damn time
⤷ yourusername i knew you secretly liked me
⤷ pierregasly i like you when youre not stealing my girlfriend OR my boyfriend
⤷ francisca.cgomez shut up, pierre
⤷ yourusername yeah. shut up, pierre
⤷ pierregasly i hate u again
charlesleclerc i simply adore you too much
⤷ yourusername got me kicking my feet and shi
arthur_leclerc ha! i told you i wouldn’t be the one to reveal it
⤷ charlesleclerc are you expecting a thank you for that, arturo? 🙄
⤷ arthur_leclerc yes actually
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racingcore · 5 days
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Ferrari to have special blue livery at the Miami GP
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THE SF-24 WILL FEATURE ELEMENTS OF BLUE IN ITS LIVERY
The canonical livery of the SF-24 seen this year – characterized by traditional red (alongside the white and yellow stripes present on the sides of the car), will be modified for the Miami Grand Prix. There will be a return of a historic colour for the Scuderia, light blue! Two shades of blue will stain the Ferrari of America.
One is Dino blue, a deeper shade which was one of the favourite colours of Arturo Merzario and Clay Ragazzino, who wore it in 1974. Since then, Ferrari’s suits have always been red, with a few exceptions with white overalls. Up until then, blue was also a typical colour of the employee uniforms in Maranello, as evidenced by photos published by Ferrari itself.
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The Azzurro La Plata, on the other hand, is the lightest colour common in the Argentine flag. It also recalls the tracksuit worn by the legendary Alberto Ascari during his most successful seasons. Ascari used to wear a blue shirt with a matching helmet, which he considered lucky. Other drivers who wore blue were John Surtees, Lorenzo Bandini, Ludovico Scarfiotti and Chris Amon. Another person who cannot be forgotten is Niki Lauda, ​who also ran with some blue in his first year with the Scuderia Ferrari. Whilst blue is not typically associated with the Scuderia, the history is there.
Ferrari will present the new livery of the SF-24 directly in Florida, in Miami.
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feraltwinkseb · 9 months
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Pope John Paul II receives as a gift from Ferrari President Luca Cordero di Montezemolo, Michael Schumacher, Rubens Barrichello, Jean Todt and mechanics a 1:5 scale model of the car that won Ferrari both the championship and constructor title in 2004 during a meeting at the Clementina Hall January 17, 2005, in Vatican City Source: Arturo Mari-Vatican Pool/Getty Images
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hillside-dangler · 10 months
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The Case of Jeffrey Dahmer:
Sexual Serial Homicide from a Neuropsychiatric Developmental Perspective
J. Arturo Silva, M.D
Michelle M. Ferrari, M.D
Gregory B. Leong, M.D
)c(
"Sexual serial homicidal behavior has received considerable attention during the last three decades. Substantial progress has been made in the development of methods aimed at identifying and apprehending individuals who exhibit these behaviors. In spite of these advances, the origins of sexual serial killing behavior remain for the most part unknown. In this article we propose a biopsychosocial psychiatric model for un- derstanding the origins of sexual serial homicidal behavior from both neuropsychiatric and developmental perspectives, using the case of convicted serial killer Jeffrey Dahmer as the focal point. We propose that his homicidal behavior was intrinsically associated with autistic spectrum psy- chopathology, specifically Asperger’s disorder. The relationship of Asperger’s disorder to other psychopathology and to his homicidal behavior is explored. We discuss potential implications of the proposed model for the future study of the causes of sexual serial homicidal criminal."
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random-brushstrokes · 4 months
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Arturo Ferrari (Italian, 1861 - 1932) - Ponte dell'Ospedale Maggiore in via Francesco Sforza
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fr0gg13b413 · 7 months
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TRYING TO SOLVE MY IDENTITY LIKE A HOMICIDE, TO FIND THE MURDERER IN THE MIRROR; ON IDENTITY
portrait of fryderyk in shifting light, richard siken // @/angelcommunist // Edward hopper interior, model reading (1925) // joan didion on self-respect (via @/girlfictions) // james tate selected poems (via @/heartshop) //arturo ferrari, in the old street, vicolo san bernardino alle ossa a milano // fernando pessoa, the book of disquiet: the complete edition // memento mori by welder wings // How we Fight for our Lives by Saeed Jones (2019) // The Prisoner, Emily Brontë // Evening - Maurice Pirenne // Emily Dickinson, letter 182 // Donte Collins, Grief, Again // Mahmoud Darwish, Memory for Forgetfulness // Portrait of a Lady on Fire (2019) // Everything Everything, Nicola Yoon
my first web weave :>
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opera-ghosts · 6 months
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Aureliano Pertile (1885-1952) was a celebrated Italian tenor who enjoyed a 35 year career in major theaters on both sides of the Atlantic. The son of a poor shoemaker and his wife, Pertile was born in Montagnana…just a few blocks away and 18 days after the birth of fellow tenor Giovanni Martinelli. His vocal talents were apparent from a very early age. In 1894, Pertile began singing alto with the choir of the Cathedral of Santa Maria Assunta. At his parents’ insistence, he apprenticed as a goldsmith during his teens, but continued singing. At age 20, he was heard by composer Vittorio Orefice, who invited the young man to study with him in Padua. After five years of work, Pertile made his debut as Lionel in Martha at Vicenza’s Teatro Eretenio on February 16, 1911. In May, he sang the role of Vinicius in the Italian premiere of Jean Nouguès’ Quo Vadis? at Milan’s Teatro dal Verme. Reviews were stellar and the tenor’s career took off quickly. Over the next two years, Pertile made appearances in Brescia, Torino, Asti, Padua and Genoa, with his international debut occurring in Santiago as des Grieux in Manon Lescaut during the fall of 1913. While in South America, the tenor also sang in Buenos Aires and Valparaiso in such works as Un Ballo in Maschera, Mefistofele, Tosca, and La Traviata. Late in 1913, Pertile returned to Italy, where he spent the next few years appearing in Naples, Palermo, Florence, Bologna, and Rome. His La Scala debut occurred on February 22, 1916 as Paolo in Francesca da Rimini, leading to a lengthy association with the company.
By 1921, Pertile had appeared at most of the major theaters of Italy, Spain and South America. Following his Mexico City debut as Faust in Mefistofele in August, Pertile began his only season at New York’s Metropolitan as Cavaradossi in Tosca on December 1. Henderson of the New York Sun reported, “His voice has a tendency toward whiteness, but in its fullest volume it is warmer and resonant. His acting was that of the everyday tenor.” …not exactly the definition of a glowing review. In addition to Cavaradossi, he also sang des Grieux in Manon Lescaut, Grigori in Boris Godunov, Turiddu in Cavalleria Rusticana, Canio in Pagliacci, Radames in Aïda, and Julien in Louise. Sadly, the New York public never quite warmed up to Pertile. After only 13 performances of the aforementioned roles, as well as a pair of Sunday Night Concerts, Pertile was finished in the U.S. His Met career had lasted exactly seven weeks.
Pertile fared much better in his homeland. Arturo Toscanini, who had recently taken the reins at La Scala, invited the tenor to join him for a production of Mefistofele in March. This began a decade long alliance between the two, a highlight of which was Pertile’s creation of the title role of Boito’s Nerone at its premiere on May 1, 1924. Other world premieres entrusted to Pertile during his La Scala tenure were Wolf Ferrari’s Sly in 1927 (under Ettore Panizza) and Mascagni’s Nerone in 1935 (under the composer). The tenor was a superstar at La Scala, with “Pertile Nights” marketed to an adoring public. After Toscanini’s departure in 1929, however, Pertile’s importance in Milan began to diminish. Although the tenor would remain at La Scala until the early 1940s, he was no longer the central figure he had been during the 1920s.
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frenchcurious · 29 days
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Carlos Pace (SEFAC - Ferrari 312 PB #0896) 2éme avec Arturo Merzario des 24 Heures du Mans 1973 © Rainer Schlegelmilch / Motorsport. - source Carros e Pilotos.
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a-la-rascasse · 2 years
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We are racing at Monza today!!! leeet's make it v i n t a g e ✨
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