#anything even remotely halfway decent | Explore Tumblr Posts and Blogs

utilitycaster · 12 days

Text

@rowzeoli replied to your post “Do you think part of the D20 journalistic bias...”:

I rarely go on tumblr so sorry if you see me spamming your posts tonight, but I really enjoy your perspective and thoughts! I think I'm the journalist you're referencing in regards to the Fantasy High Junior Year article and unfortunately 1) journalists only get access to interview subjects at very specific junctions (usually press day before the series goes out or halfway through) 2) most publications are honestly Going Through It and cutting freelance rates and just not paying to cover AP

So I'll be totally honest - I post on Tumblr because I assume it is far more unlikely to be seen and so I can vent freely (hence the fairly harsh tone of the criticism in the original post), but I guess this is a chance to clarify. I don't expect anything to change, nor do I expect you to respond; indeed, I wouldn't blame you if you block me after this. But if readership is down (and who knows? maybe it's not and I'm the outlier), this may be illuminating.

The issue with your specific article - which I brought up relatively tangential to the larger point of "at this point I think Polygon's AP/TTRPG coverage is a waste of time to read" isn't really that it's only an early look at the series; and because Fantasy High Junior Year is at this time ongoing, it's honestly entirely valid that there hasn't been a follow-up. It's, well, the "surface-level and factually wrong" issue.

Dimension 20 was by no means the pioneer of remote recording as you claim in your article; that had long been the default of smaller recorded AP shows well before pandemic lockdown for the simple reason that if you're not a media company the overhead is very low - no need to have a dedicated space or even cameras beyond decent laptops. Burrow's End's puppetry? Critical Role's Call of Cthulhu: Shadow of the Crystal Palace did shadow puppets in 2019. They had diagetic audio on the main campaign as early as 2016. I don't even like Kollok, but that's had complex set design since 2019. Meanwhile premise of the article is yet another rehash of Polygon's "Dimension 20 is CHANGING THE GAME" constant drumbeat, while your actual pull quotes from Brennan Lee Mulligan are him musing that this is simply an entry in an ancient tradition of storytelling and isn't, in fact, terribly novel. The interview fails utterly to back up your point and indeed contradicts it; I get that the timeline was probably tight but this is outright incorrect in multiple places and your argument isn't just unsupported; it's outright dismissed by the very person you claim is proving it. If the premise came before the interview, it needed to be reworked afterwards, and if it came after the interview…I'm not sure what to say, really.

This isn't your article, and I'm putting it here to illustrate that this has been a pattern for Polygon's AP coverage specifically. This article about Worlds Beyond Number is perhaps my favorite example of "this is not serious journalism:" Rusty Quill Gaming, The Adventure Zone, Friends at the Table, and NADDPod are all theater of the mind long-running podcasts (RQG's campaign lasted a whopping 7 years of real time) and that's just off the top of my head; the idea of a long-running edited audio podcast being novel is laughable. RQG and TAZ both started at level 1; I'm not personally familiar with Friends at the Table. I don't actually think starting at level 1 vs. 2 is terribly important in storytelling in the first place other than that a few D&D classes pick their subclass at L2 and that choice can be narratively relevant, which it was in TAZ; however, some classes pick a subclass at L3 so you can still achieve this with a level 2 start (as Critical Role's second campaign does). Both Emily Axford of NADDPod and Griffin McElroy of TAZ have long been composing their own music and RQG is heavily sound designed. These are not obscure pulls, either; these are some of the more well-known names in the space.

At this point, Polygon AP/TTRPG articles - by multiple different writers - simply feel like madlibs: "(actual play show) is groundbreaking in its (thing that other shows have been doing for 5+ years); I especially liked (visual effect) and (incorrect understanding of TTRPG mechanics)."

The people I allude to in the post you responded to as having egregiously uncharitable and sanctimonious takes on Daggerheart (within, again, hours of its publication) are a frequent Polygon contributor and a Rascal editor and they further my mistrust of those publications: There is this constant insistence that everything they like be "groundbreaking" and "innovating" and they will claim this even when it's demonstrably not the case, as the above examples note. As Mulligan says in your article "it’s important to keep new artists with new experiences and backgrounds flowing in," and yet by focusing intensely on high production values (difficult for smaller indie upstarts to have) and by incorrectly claiming that a well-established media company within the space like D20 invented a number of things it flat out did not, this journalism is actively, if unintentionally, working against that goal. As I put it elsewhere, Polygon's bizarre pedestaling of Dimension 20 and simultaneous putdowns of Critical Role (which turn into wild contortions when D20 mainstays like Mulligan or Aabria Iyengar collaborate with CR; for that matter others besides me have observed that Polygon acts like Spenser Starke is two different people, the genius who created Alice is Missing and the knuckle-dragging moron who put out Candela Obscura and Daggerheart) coupled with the obsession with production values over story has the whiff of claiming they're the champion of the little guy for sticking it to the 700 lb gorilla in the space and then focusing on 500 lb gorillas while making it impossible for smaller monkeys to compete because most brand new shows without the name recognition of someone like Mulligan involved can't exactly hire Rick Perry to do their models or Taylor Moore to do sound design.

I suppose a good way to put this, since I've run into this in many spaces, not just AP/TTRPG or even journalism, is that bias on its own in a subjective medium isn't inherently bad; but if something is so nakedly biased against something I love, I will, naturally, turn to it with a far more critical eye, and if its arguments are not ironclad I'm going to start noticing every structural issue in every argument and every tiny mistake. Sure, as a fan of Critical Role, and as someone who feels that Kollok was nigh-unwatchable and that Burrow's End was promising in parts but deeply flawed, I disagreed with Polygon's nonstop mud-slinging towards the former and glowing, verging on fawning reviews of the latter two. But that's not entirely damning on its own; I do get that not everyone will like Critical Role and that some people will love Kollok or Burrow's End for valid reasons. What's damning is the journalism itself is riddled with factual errors and the analysis is so weak that to call the arguments a flimsy house of cards would be generous. The opposite is also true; if Polygon's lead editor were out here repeatedly misspelling the name of one of the main characters in Worlds Beyond Number (note: this has since been corrected) but the articles had compelling arguments, even ones I disagreed with, I'd be far more forgiving, but as is? It's offering me absolutely nothing: it's poorly researched, it's poorly structured, it's poorly written, it's poorly copy-edited, and it shits on things I like seemingly just for clicks. I'm done giving clicks.

I am deeply sympathetic to the pressures facing digital journalism and media and the arts in general; as someone who is fortunate enough not to personally face those pressures and has the income to be a patron, I would love to help in my small way (and I do, at least, financially support a number of the AP shows I love). But the quality of some of this journalism is truly so bad that I can't bring myself to support the institutions putting it out; it's "dead dove do not eat" until such time as someone whose analysis and opinions I do trust cites them (or, perhaps, until there is a sea change of lead editorship). I know that this won't help the crunch, and may make it worse, but I just can't because the quality is so poor. I don't have a good solution to how to write about something that takes a lot of time to watch and process and about which the articles pay very little in return, but the current strategy of bouncing between uninformed provocateur and utter sycophant depending on the show and creators; of drooling over such surface features as shiny production and falsely claiming everything is "groundbreaking" while getting the most basic facts wrong has driven me away.

#rowzeoli #i'm leaving this rebloggable but other people...try to be respectful i will turn off reblogs if need be.#long post

69 notes · View notes

thishazbinamistake · 4 months

Text

In my opinion, Loona is a character with some of the most wasted potential in Helluva Boss.

Though we don't have a ton of information about her background, we do know she lived in a shelter for much (or maybe even all) of her childhood. Loona is cold and distant to her adoptive father, and outright rude to many others, particularly Moxxie, who she constantly mocks and belittles. I'm thinking that this behavior is either a result of her upbringing, or perhaps it was even the reason she was put into the shelter to begin with. But until more is revealed about her past, I want to complain about the way she's currently written.

Loona is abusive, plain and simple. The way she treats Blitz, her adoptive father, goes way past simple angsty teenage rebellion and well into the abuse territory. Any semblance of Loona being remotely sympathetic was thrown out the window in Seeing Stars, when she kicks Blitz in the groin, all because he was relieved to see her and wanted to give her a hug. And all of that after she gives Octavia the "cut your dad some slack" speech.

I've seen people try and defend this behavior by pointing out that Loona has childhood trauma, and this is why she has these behavioral issues. It's certainly not unheard of for victims of childhood abuse/neglect to have anger issues and poor emotional regulation, and I would have absolutely no problem with this being the case if it was shown to actually be a problem, but it isn't. Not once does Loona get called out for her behavior or face any sort of consequence for treating others poorly. If anything, this abusive behavior is treated as a joke more often than not.

It's extremely ironic that one of the most despised characters in Helluva Boss, Stella, receives so much hate for being abusive towards Stolas, when we've seen Loona do far worse to Blitz. I honestly cannot think of a logical reason as to why we're supposed to like Loona, while also hating Stella. We see Stella nearly hit Stolas and it's (rightfully) treated as being abusive. But when Loona is constantly beating up her dad for no good reason, we're just supposed to laugh? It seems extremely hypocritical on both the writers' part, as well as many of the fans'. I honestly can't tell if the writers genuinely think this behavior is okay (when it's coming from Loona) or if they just see it as a quirky character trait of hers.

If we're supposed to find Loona likeable, which we clearly are, then the writers seriously need to start making some changes. I'm not saying they should just completely retcon Loona's character and suddenly make her nice, but they do need to start being consistant with how they portray abuse, and they seriously need to stop excusing and coddling her horrible behavior, regardless of if she has childhood trauma. That is not how you grow as a person and overcome your issues. Yes, it's a process that is often long and difficult, but it hasn't been shown that Loona is actually trying to make any change at all, or that anyone is actually encouraging her to change.

If you want an actually halfway decent example of a character overcoming their trauma (at least within the Hellaverse) look no further than Blitz himself. It's clear his father was abusive and explotative towards him, not to mention he accidentally caused the death of his mother and the maiming of his close friend. Both of these things likely contributed to many of Blitz's flaws and issues as an adult. But the thing is, despite all that, Blitz himself isn't abusive to his daughter. He has shown nothing but unconditional love and devotion to his daughter despite his past. I'm not saying Blitz is a perfect character by any means (I won't excuse him literally threatening to rape his employees), but it really goes to show this whole argument of 'Loona acts the way she does because she has childhood trauma and that makes it okay' doesn't hold up to scrutiny as much as her stans seem to think.

I think a good idea would be to start showing more of how Loona's behavior negatively affects those around her, something which would give her the motivation to want to change. Show how hurt Blitz feels whenever Loona lashes out at him. We get a taste of this in Spring Broken when she hurts Blitz's feelings, but it's clear from both her dialogue in the scene as well as her later actions that the writers apparently don't want her to actually learn from her mistakes and grow as a character, which is such a shame.

Loona had the opportunity to be an extremely complex and compelling character if her aggression and violent outbursts were actually addressed as being a problem she needed to overcome, and if she actually tried changing herself for the better. Seeing the effort she puts into treating others better and breaking the cycle of abuse would have made her character feel so much stronger and more likeable. But instead, the show just treats this abusive behavior as a quirky, edgy joke and "lol that's just classic Loona!! What can ya do lol!!!"

She does have her moments where a good character actually shines through, but they're so few and far in between. I want to like Loona so much, but as it currently stands, I just can't, and that makes me sad.

#helluva boss critical #vivziepop critical #loona critical

104 notes · View notes

am-i-the-asshole-official · 1 month

Note

AITA for using a poem I wrote for my ex-girlfriend to apply for a scholarship?

I'm pretty sure that I'm not TA here, we're still on good terms anyway and it's unlikely she'll ever even find out about this unless I outright tell her, but I'd like to know if I'm committing some grievous social faux pas here.

So. I (21F) met my ex-girlfriend, who we'll call Jolene (22F) online a couple years back. The specifics of how we met will make it immediately obvious to anyone who knows either of us that it's me writing the AITA post, so I'm going to leave those out, but we were friends for a while before she asked me out, and it's relevant that we became friends over writing. We hit it off pretty well for a while, to the point where I wrote a poem being incredibly gay for her despite not (then) being much of a poet at all.

And then I went to visit her in person. Y'see, she'd come to visit me in person the previous winter, and that went fine, barring the fact that I ended up being super overwhelmed by the end of the visit—suffice to say that I'm extremely asexual, and she's extremely not. This came to a head when I went to visit her, she constantly wanted to be hanging out and doing things, and I straight up could not handle that much social interaction with anyone for that long. It got to the point where I was straight up dreading being with her, so I took a step back, examined my feelings, and decided yeah, we'd probably be better off as friends or as queerplatonic partners or something nonromantic.

We're still on fairly good terms, I'd say? Though I still feel extremely awkward over the circumstances of said breakup, she can't change how she is and I can't change how I am, and she's really happy with her new girlfriend so. Hell yeah. We love to see it. (There's also the additional complication that I might be something approaching arospec, but. Y'know. Details.)

Fast forward to today, several months after our breakup. I'm applying for scholarships for my university. I happen to be going for an English major and one of the available scholarships involves submitting up to 5 poems of any length. I remember, abruptly, the poem I wrote for her, go looking in our DMs, and—yep, there it is. Still incredibly gay.

Between that and some haikus about wildlife (long story), that brings my count of poems up to four of the five total allowed. I haven't submitted the application yet, but I've only got four days left to, and I absolutely don't have to submit my extremely gay poem alongside the wildlife haikus, I'm looking at the application right now and it says up to 5 poems of any length, presumably implying that I can have anywhere from 1-5 poems in that document.

But... I really want to. I'm not romantically in love with Mabel anymore, and while our personalities don't mesh super well these days, I still care about her a lot and if this is some giant social faux pas I'm unaware of (I'm unaware of a lot of those, I've never gotten formally diagnosed with anything but I highly doubt I'm remotely neurotypical if that's relevant) and it feels kind of like a way of saluting the relationship that was good while it lasted?

Also, and possibly more relevantly to the scholarship thing, it's a halfway decent poem. Nothing award-winning, but I'll never get any scholarships if I don't try for them, y'know? ...And I kind of really need the scholarships, due to reasons best brought up in an entirely different AITA post involving my mom.

So. Uh. Yeah. I know what I'll be doing regardless, no way this gets a solid judgment before it's time to submit, but I do want to know if it's an AH move or not. AITA?

What are these acronyms?

#aita #am i the asshole

58 notes · View notes

avi17 · 10 months

Note

for the kiss meme!!! hobie/pavitr, 24!!! if that's a repeat of one you already have, lmk<3

24) A kiss in danger

New York- whichever New York this is, Hobie doesn’t even remember right now- is spinning.

They land less-than-gracefully behind a dumpster, Pavitr’s swinging awkward and off-balance while supporting Hobie’s full weight. The piled bags make a halfway decent cushion as Pavitr sets him partway down, unhooking the guitar strap to move it aside before letting him fully collapse onto his back.

"Puttin' me right back in the rubbish, eh?" Hobie chuckles, pulling the bottom half of his mask up as though that'll make breathing with a few probably-cracked ribs any less painful. There’s blood seeping into the fabric from the gash where his forehead connected with brick hard enough to smash through. "I've slept in worse."

Pavitr yanks his own mask off, breathing hard, his perfect hair even a little out of sorts. His sweat-shiny cheeks flush darker with embarrassment. "Shut up, it was the closest place I could think of to hide you." He glances nervously down the alleyway, before snapping back to Hobie and kneeling “What were you thinking, running right back into the fight after that? You can barely walk straight, let alone swing or anything else!”

"Told you I was fine,” Hobie retorts, trying a bit pathetically to push Pavitr back and drag himself into a halfway proper sitting position. Everything around him still feels like it’s moving, as if he’s dipping through the sky between buildings rather than flat on his arse on the pavement. “Takes more’n a crack to the loaf to keep me out long.”

Pavitr obviously isn’t having it, and he pushes Hobie’s mask up further, lifting each of his eyelids in turn to examine his unfocused pupils, wiping away the still-seeping blood with the pad of his thumb. “How many fingers am I holding up?”

“Numbers’re a tool of capitalism…oughta abolish ‘em…” Hobie mumbles, which is definitely a real view he holds and not absolute bullshit to make up for the fact that right now he’s got no idea. Pavitr hisses something in Hindi that he doesn’t understand but that has to be a curse based on the tone alone. It's sweet that he's so worried.

Shit, he's fuckin' beautiful. Both of him.

…Alright, that's not great, maybe Pavitr's got a point. But Hobie managed to string up his universe’s Vulture last week with his eyes still stinging and watering from tear gas- whatever the villain of the week can throw at him, he’s had worse. And this one’s no fuckin’ joke- he’s not leaving Gwen and Pav to deal with it on their own. Not that he doesn’t trust them- ‘course he does, and he can’t say that for many- but he’s not about to let them be the ones to get hurt because he let himself get knocked around one too many times.

Spiderman always gets back up- nah, that’s bullshit. He doesn’t care what Spiderman is supposed to do. But Hobie Brown does always get back up, without anyone but himself telling him that he has to.

He pushes again, harder this time, and manages to get a foot and a hand under him, ignoring the wave of nausea that hits him as he starts to rise. “Alright, I sat for your li’l checkup, let’s get back innit.”

He opens his mouth to say something else, but doesn’t quite manage, on account of Pavitr grabbing a handful of the front of his suit and yanking him in for a kiss.

Surely he can blame the concussion for the way his brain all but short-circuits.

He’s…fuck, he’s dreamed about this, even if this isn’t remotely how he pictured it happening. He’d have a hundred questions right now if his head didn’t feel like it was full of rocks. As it is, all he can think is how soft Pav’s lips are, warm like sunshine- perfect, just like the rest of him. And hell, it’s such a cliche he’s almost embarrassed to think it, but it’s like time stops for those few moments, letting them breathe the same air, letting Hobie memorize the feel and the taste of him in case this never happens again.

He doesn't even notice the twinge of his spider-senses, because they've been screaming for hours as it is-

-Until a nasty crash echoes from the direction of the fight and Pavitr's lips pull away from his, and he moves to sit, to follow them- and he can't.

...Wanker's webbed him to the goddamn wall. He'd be angry if he could see straight, if he was in any fit state to tear his way free. As it is, he's a little impressed, and more than a little struck stupid by the lingering feeling of the other boy’s lips on his. Pavitr is glaring at him, nostrils flared, and now is absolutely not the time to tell him that he looks even more gorgeous pissed off like this.

"If you are too stubborn to take care of yourself, then I will do it for you,” he snaps, wiping a smear of Hobie’s black lipstick and blood- far too attractive on him, criminal really- from his mouth before pulling his mask back on, disappearing back under Spiderman’s blank white eyes. “Gwen and I can handle this, I promise. I’ll be back the moment it’s safe.” His voice sounds softer, gentler than it did a moment ago, cracking a little as the worry slips through. He sounds more like himself, he sounds...it sounds like he really cares. And yeah, they're friends- or...something now, who knows what- but Hobie's still getting used to people caring.

...Or maybe Hobie’s just starting to hallucinate. Jury’s out.

Pavitr begins a running start down the alley to web himself back into the air, only to turn awkwardly mid-step, gesturing to the dumpster. “Just- stay there, okay?” he calls back, and Hobie snorts, wheezing out a pained laugh.

As if he’s given him any choice on that.

“Oi, Pav, hang on-” he starts, struggling pointlessly, but the other Spiderman is already gone, leaving him with the rubbish and the absolute mess of his thoughts.

“...Bollocks.”

#chaipunk #goldenpunk #hobie brown #pavitr prabhakar #hobie x pavitr #spiderverse #across the spiderverse #atsv #kiss meme #concussion #pre-movie i guess #fun fact loaf means head in cockney xD #though i think that was obvious in context #it's shortened from loaf of bread #pav is still a sunshine boy but he is very capable of being mad xD

124 notes · View notes

redmyeyes · 6 months

Text

for @wincestwednesdays, prompt: trapped

day 1

Sam woke to the scent of gardenias and pine wafting through the open window. The temperature was mild, the sky blue and cloudless. Next to him on the bed, just now blinking his eyes open—his brother, his partner, the love of his very long life. "I still can't believe you're here," he whispered, leaning over for a soft kiss. No morning breath, that was a nice touch. "That we're here," he amended. "That this is— is this real? Feel like I'm dreaming."

Dean brushed a thumb across his cheek and Sam leaned into the touch. "Feels real," he said softly. "Told you though… I hadn't even slept until last night. Felt like one long drive to me."

"I wonder how time works here. You think it felt the same to everyone? Like, fifty years just passed while we were sleeping?"

Dean flicked him between the eyebrows, and the past dropped away. Every time Dean had ever done this to him, from age eight to thirty-eight, merged into one, and he was straight back there, here, now. "You think too much."

It wasn't until much, much later that Sam roused himself enough to ask, "Do you think we should… I mean, everyone's here right? We should— visit?"

"Time enough tomorrow," Dean said, and Sam, relieved, nodded in agreement.

day 45

Sam woke to the scent of gardenias and pine wafting through the open window. The temperature was mild, the sky blue and cloudless.

"You think it ever rains here?" he asked Dean later from his rocking chair on the porch. The view was better than anything he could have dreamed up—tall pines surrounding their little clearing in the woods, the ground soft with years of fallen needles, a crystal-blue lake peeking through in the distance. He still wasn't used to it.

Dean frowned like the thought had never occurred to him. "I dunno. Maybe… if we wanted it to? Try real hard, Sammy, concentrate. Bring in the clouds."

As hard as he thought of thunderstorms, the sky stayed blue and cloudless.

day 337

Sam woke to the scent of gardenias and pine wafting through the open window. The temperature was mild, the sky blue and cloudless.

Dean had taken up whittling. The results of his efforts lined every windowsill in the cabin, starting from those very crude first attempts and ending with something halfway decent. He hadn't tried whittling since that summer they were trapped in a cabin when Sam was sixteen, but Dean had always been good with his hands and it didn't take him long to pick up the skill again.

"You know, it just hit me." The whittling paused as Dean looked back over his shoulder at Sam from his perch on the front steps. "We still haven't gone to see Bobby yet. Or Dad, or Mom. Or, hell, even— your kid? You think he's—"

"Maybe tomorrow," Sam interrupted lazily from the rocking chair. He closed his eyes and leaned back, the breeze gentle on his face. "No rush."

day 1384394

Sam woke to the scent of gardenias and pine wafting through the open window. The temperature was mild, the sky blue and cloudless.

Dean still whittled. Sam still rocked.

Rows and rows of wooden animals lined every surface. Only ever animals. He'd gone through a realistic phase, and then a cartoony phase, and lately he'd been doing a kind of hybrid—personified animals, with the most delicate of human expressions. A grumpy cat in a nightshirt, clutching a stuffed mouse. A spotted lizard, a butterfly tickling its nose. A fox dressed in ghost-sheets with a little bowtie. No two were remotely alike.

Sam couldn't remember if they had ever left their front porch. It didn't seem important.

He had a vague memory of the lake.

Everything beyond that was formless.

day ???

He woke to the scent of gardenias and pine wafting through the open window. The temperature was mild, the sky blue and cloudless.

Time passed.

They were seated on felled logs beside a campfire out back. The little area around them glowed golden from the fire. Outside of that was black. When he looked up, stars shone brightly through the gaps between the pines. Perfect.

He was whittling. A frog, this time. He watched it come alive in his hands. Its hind legs were tensed, its arms outstretched. Halfway through a leap. One perfect moment, preserved.

When he finished, he held it up to the light, thumb stroking its little belly, his mouth quirked up in a fond smile. "What do you think?"

"Lemme see," he said, taking the frog from his hands. "Perfect," he said after a moment. Then he tossed it onto the flames.

#a particularly buddhist view of heaven #don't mind me #wincest #wincest wednesday #redrites

12 notes · View notes

dweetwise · 7 months

Text

[Riconti] The Runaway

A silly little Wild West AU that nobody asked for 🥰 Rated T | 600 words | ao3 link

"—And bring him back unharmed. Do we have a deal?"

Caleb huffed. "Y'know the Sheriff wants him on a noose. Payin’ bail ain’t gonna cut it this time."

“I know.” Richter’s expression didn't even flinch. "But Sheriff Tapp isn't here, is he?"

Caleb bit back a smirk. Richter was usually a real stickler for rules who put his business first and anything remotely fun second. But pull the right strings, and he was apparently ready to take some shortcuts with the law.

Caleb knew that feeling all too well—after Bayshore and the warden, many of his Hellshire boys had gone right back to their outlaw ways. And after dealing with sour sheriffs and incompetent militia on the regular, some days Caleb was very close to joining them instead of continuing this gun for hire bullshit.

Luckily, Richter wasn’t interested in his gun.

"Bounty's for dead or alive," Caleb drawled. "What's stoppin' me from puttin' him down and gettin’ the bounty for his corpse?"

"The fact that I'm tripling the bounty if you bring him to me," Richter immediately countered.

If his broken jaw still let him, Caleb would have whistled. He didn't know why someone with Richter's status would bother throwing away that much money on some low-life scum, but he wasn't about to complain about a well-paying job.

"It ain't gonna be easy," Caleb said. "A lotta bounty hunters are gonna be after that gold, an' a rat like him's not gonna just let himself get found."

"That's why I'm asking you and not them," Richter simply said.

It was almost a compliment, but Caleb didn't care. They both knew he was the best tracker in the business.

"Alright," Caleb said. He pushed off the wall he'd been leaning on to rest his bad leg. "I'll bring 'im in."

Richter smiled from behind his desk. "Always a pleasure doing business with you."

Caleb grunted an affirmative and went to walk out of Richter's office.

"Oh, and Caleb?" Richter said once he was halfway out the door.

Caleb stopped but didn't bother turning to look at him. "Hm?"

"Unharmed," Richter stressed.

Now that Richter couldn't see it, Caleb was free to roll his eyes. It was like people took one look at the Redeemer and thought he went around harpooning people for fun.

Well, he did. But only those who deserved it.

"I got it," Caleb said.

Not waiting for a reply, Caleb slammed the office door and straightened his hat while he walked through the pompous manor. Because Richter supposedly lived alone, Caleb did his best to ignore the numerous Spanish books tucked into every bookshelf and the pair of boots in the entryway that were too small to be Richter's.

He already had a good few ideas where to start looking for his target. The bastard had a bounty in almost every state around these parts, but knowing him he’d just ignore the danger and hide in plain sight in one of the big cities. Poking at a few contacts would probably be enough to get a decent lead; after last time, Caleb had asked a few of his boys to keep an ear to the ground for sudden new gambling rings or snake oil merchants.

After all, this was already the third time in as many months that Caleb had been hired to drag Visconti home.

#caleb quinn #riconti #felix richter #dweetwrites #dbd fanfic #dbd #dead by daylight

13 notes · View notes

geryuthespacesquid · 3 months

Text

Hi I'm a nobody asked digital artist, here's my thoughts on all the digital art programs I've tried. These are based entirely off my own memory, and I'm not picking up any of these programs again to test them. Just going off vibes.

Autodesk Sketchbook - Mobile:

This is more or less the definitive Draw You In To Art program. No exaggeration, I think if you asked maybe 50 digital artists in the modern day, most of them would've tried this one at least once. It projects an illusion of polish to distract you from a number of critical missing features, but overall, it's not even remotely bad to start out with. I think if my mobile tablet had a halfway decent degree of pressure sensitivity I could make something okay with it.

A more detailed explanation of my thoughts is hard, but to sum it up, this program bombards you with a million brushes for free, something rarely done by digital art programs, but, it also has extremely limited layer behaviors, you can't change canvas size anymore, and the stablizer is pits. I won't say it's bad. It's not. It's just not good. 5.8 out of 10.

Ibis Paint X - Mobile:

Comedically simple, this is the program you pick up when you're doing digital art a little better, and want to actually have fun. Bread and butter of the mobile digital artist. It has literally everything you need, it's just not fancy in any way. Getting every brush isn't worth paying for, but you'll live. They recently tried to step into AI and got punched in the gut so hard they stopped, which I like.

In general, this program doesn't do anything in particular extremely well, but it also doesn't do anything poorly. It's well rounded. I'd say if you're gonna do digital art on mobile, you'll always find yourself coming back around to this. It's just too solid. 7.8 out of 10.

Medibang Paint - Mobile:

I am biased against this program. I just don't like it. Maybe I was using it wrong, or maybe the mobile version is just worse, but it felt like drawing with mashed potatoes and gravy. Also it seems to be no longer available on my tablet, so fuck it.

In truth, my memory on this program is hazy despite me using it probably the second most out of all of these. No clipping mask, limited layer styles, an extremely limited number of brushes, no way to get more on mobile, anti aliasing made everything pixelated, and I don't think it can change canvas sizes, or if it can, I never figured out how. I just don't like anything about how the program feels. 3 out of 10.

Clip Studio Paint - Desktop:

Goddamn. I wanna recommend it. I really do. But. You have to know things.

First and foremost, the new subscription model for CSP essentially means that after a year, whatever version you have is obsolete, and won't even get updates while you have it. You have to pay a yearly subscription to get the updates for your current version. if you pay for the 3.0 version when it drops in march, it will be 10 dollars extra to get any of the updates to the 3.x version until 4.0 drops, when you can pay 25 dollars to upgrade to that and get all the 3.x updates, plus whatever came in 4.0. On top of that, it can cost anywhere from 25 to 200 dollars depending on which version you get, and if it's on sale.

But goddamn. It's pretty worth it. The brush engine is fluid, works great for making your own, I've never seen the program fail to do something. It has limits, but I've never hit them. 8 out of 10.

Rebelle 5 - Desktop:

Listen to me carefully. This one is extremely specific. You have to WANT a digital art program that replicates IRL media PRECISELY. If you don't care about that, this program is not worth it. I got it on sale for 10 dollars. Can I reccomend it at that price? Heartily. But at the near 200 dollar price point it usually goes for? FUCK NO. Rebelle caters to a specific demographic. Nothing else matters.

That said. When it works, it works well. I do like how rebelle feels and works. But not enough for me to ever tell someone to get it for full price. 4 out of 10, but if you really want to replicate traditional media, 9 out of 10.

Corel Painter - Desktop:

Never before has a program sent me on such an emotional rollercoaster as this one. It's just so much. It's a midpoint between Rebelle and Clip Studio, but for the worst. It's expensive beyond comprehension, you can't make your own brushes, only pay for new ones, it's a yearly format meaning a new, barely distinguishable version goes on sale every year for another 300+ dollars, and I only got it as part of a Humble Bundle for 25 dollars, and I still feel like I wasted my money.

And you know what? I didn't just dick around in this program. No, I made a full drawing in it. Nothing spectactular. Just a simple drawing. And I felt accomplished. and I went to export it, to share. Only to find out you can only email images to the email associated with your account to get a regular image version. Now. This made me irrationally angry, but, I calmed down, and tried it.

It only works with microsoft emails, and I have a gmail account associated with my Corel account.

This program is 300 dollars, and lacks the functionality to simply export a png to your computer. 2 out of 10.

#squidzard.txt #squidzardart #art #artists on tumblr #digital painting #digital art #digital illustration #art programs #rant

3 notes · View notes

inochinoyomikata · 1 year

Text

Inochi no Tabekata 2 ch 1-4 Translation

1-4 Asamiya Shinobu– Pursuit of Happiness Worldview

Why can’t we meet? I can’t even see her face. With that in mind, Asamiya Shinobu visited the hospital where Takatomo Miyuki was hospitalized.

He had nothing else to do. After class was over, he tried to talk to Otogiri, but he seemed to have something to do. For some reason, Otogiri must’ve been worried about Shiratama Ryuuko. There was also the idea that if Otogiri went to the infirmary to check on her, he would go with him. But he might get in the way so he can’t. He didn’t think it’d be a good idea for two guys to rush into the infirmary where a sick girl was resting. In general, he was not particularly close with Otogiri.

Takatomo was still in the intensive care unit. Of course, he would not be allowed in the ICU, and visitors who were not family had no way of knowing the patient’s condition. Takatomo’s mother was on the third floor of the main building where the ICU was located. Asamiya had long been called “Shinobu-kun” by her because her house was nearby. She told Asamiya about her daughter. She also had hopeful news.

“You know, Shinobu-kun, Miyu, she might be able to move from the ICU to the general ward. It won’t be long, but she might be able to get off the ventilator.”

“Is that so? That’s good for her. Um, is she conscious…?”

When Asamiya timidly asked, Takatomo’s mother’s eyes suddenly clouded over, becoming like old lenses that didn’t reflect anything. She shook her head.

After that, they talked for another fifteen minutes or so, but Asamiya mostly just answered what he was asked. They talked about things like school and Asamiya’s family.

When he was about to leave, Takatomo’s mother pleaded with him “Please, take care of yourself, Shinobu-kun.” No matter how careful you are, bad things will still happen. Of course, he can’t say such mean words. Asamiya just replied, “I’ll be careful.”

When he got home, as usual, no one was there. Asamiya had an older brother, but he entered a private university in Tokyo two years ago. In addition to his house loan, his brother’s school fees and remittances seemed to make it difficult for his family, and his parents were working hard. Both of them leave in the early morning and come home relatively late. Their small, two-story built-for-sale house was cluttered everywhere and had an indescribable peculiar smell.

Asamiya had decided that he would work part-time when he entered high school. He didn’t like studying, and he wasn’t suited for it, so it was unlikely he would go to a prestigious university like his brother. He got into a decent university, and he’d get a decent job. He was told if he somehow talked with his mother about that on New Year’s, he wouldn’t have to think about it from now on.

When he was taking in the laundry that had been hanging out to dry in their narrow garden, he suddenly became disgusted with everything. Asamiya stopped work halfway through and sat down at his living room table. His father often slept on the sofa, so he didn’t feel like sitting on it. He operated the remote to turn on the TV. He didn’t want to see it. He wanted it to make sound.

When he vaguely talked about his future on New Year’s Day, he was asked by his mother “is there anything you want to do?” and Asamiya immediately responded “Wha?” She laughed when he said, “Hurry up.” Asamiya thought about Miyu. What happened to Takatomo Miyuki?

If he remembered correctly, Takatomo used to say that she wanted to be an ice cream shop owner. For some reason, some girls wanted to be ice cream makers. She would change again when she became a junior high student. What was likely was a nurse or a childcare worker. Or a beautician. There was nothing for Asamiya. Each time something like a questionnaire was properly written and submitted. Manga artist. Employee. Athlete. It was all a lie. Asamiya has never thought of wanting to be something, or wanting to do something.

What about Takatomo? Something must have happened. Takatomo was a solid person, clearly she was, and she got along well with various types of men and women. Her grades were pretty good too. The exact opposite of Asamiya. Takatomo must have had a dream. But would she heal? Takatomo’s mother was hopeful that she would. She hoped she got better. Even Asamiya hoped so. To be honest, he didn’t believe that she would ever recover. Takatomo may not regain consciousness at this rate. Asamiya can’t help but wonder if he could not do something.

It was no use thinking about her.

He couldn’t do anything anyway.

He couldn’t do anything now, or in the future.

Asamiya turned off the TV with the remote. He would rather have sound than silence. He turned the TV on for it, but it was raspy and irritating.

He wanted to talk to someone. Anyone was fine. He wanted to be heard. To have no opposition. He had friends. Some people he had registered as friends in a game. However, with those friends, he could only talk about games and videos he was addicted to. Nine out of ten people got annoyed when he talked about anything else. He doesn't play games much these days. He couldn’t keep playing. There was no enjoyment.

A smartphone notification sounded. Where did he put it? He found it on the edge of the table. Asamiya picked up the smartphone.

[You were invited to Hapieva. Let’s use a new SNS!] Such a notification was displayed on the screen.

“...Hapieva?”

Asamiya unlocked his smartphone. He found an unfamiliar icon. Hapieva. Had he installed such an app? He didn’t remember.

“That’s kind of suspicious, but…”

When he launched it, he heard an explanation with an animation that Hapieva was an abbreviation for ‘Happy ever after,’ and that it was an SNS for many entertainers, artists, and streamers to participate anonymously. Photos that looked like celebrities flickered one after another. Among them were musicians and comedians that Asamiya knew, as well as streamers who were often the subject of internet news. Users could say anything. There was one caveat. Log in once every 24 hours. If you don’t log in, your account will be deleted, along with the log. Conversely, if you want to withdraw, you don’t have to log in.

“...That’s too much, isn’t that suspicious?”

When he unintentionally wryly smiled, the app instructed him to choose symbols. It seemed that the username was a combination of symbols, not letters. After randomly choosing four, another option appeared. Interests. Favorite things. He was not good at it. Good at this kind of thing. Don’t think too much, just answer appropriately. However, Asamiya’s hand stopped at the next question.

[Are you worried about something?

・Human relations, actually.

・Future things.

・About money.

・Love and affection.

・No dreams or hopes.

Choose as many as you’d like!]

“---No dreams or hopes, or something like that. Body and cover, also, right…”

It was terrible. Asamiya chose only [No dreams or hopes] and proceeded to the next step. As soon as the timeline screen was displayed, a message like [Welcome!] and [Nice to meet you~] popped up.

[Oh! Participant found! Nice to meet you!]

[Hope you’re comfortable~]

[People with no dreams or hopes, get along well.]

[Despair Alliance W]

[...I wonder if this is what you’re saying to me. It’s amazingly welcoming. Those who have no dreams or hopes, yes, but…]

The messages that flew to Asamiya eventually calmed down. But his timeline kept updating.

There were daily reports such as when people woke up, when they slept, what they ate, when something happened that made them feel uncomfortable, and that made them want to cry. There were also complaints. If someone laments, someone else will sympathize with them and encourage them to do their best.

It was a little strange. He didn’t see any objection that they didn’t want to hear complaints. Was everyone ignoring them? He wondered if Hapieva users didn’t think so. Was it an SNS used by open-minded people?

However, while skimming through messages such as [XXX’s Neapolitan is the best], [If XXX appears even for a moment, I will change the channel immediately], and [Tomorrow, I will go to XXX], Asamiya noticed it. This SNS seems to have a function to make some words obfuscated. Were they proper nouns? People’s names, places names, store names, etc.

“Is it that? Is it like privacy protection? It seems that people could be roughly identified by the name of the place or the name of the store. It seems that you couldn’t post images…”

Maybe negative remarks were filtered out and invisible. If that was the case, he wouldn’t even notice if someone scolded. If nobody noticed it, it was the same as not being condemned.

“...This is crap. It’s nothing but comfort.”

While thinking that, Asamiya couldn’t take his eyes off of Hapieva’s timeline. His fingers moved on their own.

It doesn’t matter what you spit out in a place like this.

If you feel empty, just stop.

#inochi no tabekata #inochi no tabekata translation #e ve

7 notes · View notes

blockedragon · 2 years

Photo

I saw the new art and mini of the Dragonnel and...

What the heck is this?! Why are the wings connected to the arms, does it only use them to jump backwards?! This might be acceptable for a very cartoony art style but anything as remotely realistic as this style needs to have better anatomy or it’s gonna look stupid. How does this thing even move? Even folding its wings would be more awkward than it needs to be, let-alone flying with them!

Most of the D&D dragons have halfway decent anatomy, they’re not perfect, the wings usually don’t connect as far down as they should, but they’re generally nice looking with like two exceptions, not counting this one. Not only is this bad on it’s own, it looks out of place when viewed alongside the others!

They don’t need to be perfectly scientifically accurate because science and dragons don’t actually mix well most of the time, no amount of internal gas or weird wing tricks are gonna get a dragon off the ground unless they’re really tiny or on a planet smaller than Earth... But the same is true of giant birds but you didn’t see LOTR put their eagle’s wings on sideways because of that fact.

#dragonnel #dragon #dragons #D&D #D&D dragon #Wing Anatomy #Petty rant about something stupid #DnD #DnD dragon

7 notes · View notes

cyberneticlagomorph · 2 years

Text

REDSTRING.BOARD.NET, a shady conspiracy theorist forum akin to somethingawful, reddit and 4chan

A hotbed for mundane humans to explore and discuss their experiences with the supernatural (real or imagined), it's become the canary in the coal mine for many secretive organizations looking for breaches in the collective charade.

It's harder than you think to find what you're looking for, the forum's a barely moderated mess oozing with crazy people who think they're sane and sane people who think they're crazy.

In the end you stumble across a thread that piques your interest.

-----

Thread started by USER: comradewaffulz (CW)

DATE: AUG 5th 2121 06:54

"URSUMBA/URSUMBRA ONLINE REAL?"

CW: [a video of a black rabbit shaped creature with glowing eyes looming over a child's crib, taken from the doorway to the child's bedroom]

CW: ok but, i'm not crazy right? this looks like one of the enemies from that ursumbra game everybody played back in high school?

CW: like??? there's been a spike in missing children's cases lately and when the cops go to check out the crime scenes theres always black goo around and the parents mention at least one of their kids toys is missing, thats *too* close to the main storyline to be a coincidence right

UrsumbraUnderlord (UU): [user was banned for this post, reason: unrelated]

[DELETED USER] (AG): oh my god how is a bot on here

[DELETED USER] (PR): lol get fucked

PR: but you're right CW, it is stupidly similar. if it wasn't for the fact that kids are actually disappearing i'd say it was a PR stunt.

AG: are you a PR stunt lmao

PR: shut the fuck up

AG: you'd think they'd test the goo tho

PR: maybe they have.

AG: good point…

CW: id say its weird that none of this has hit the news yet but lbr if anything on this board was in the news iit would be for the wrong reasons

PR: it'd be fucked up if the devs tried to claim this shit.

CW: but like... is this happening BECAUSE of the game or did the devs know about these creatures and make the game based on them

PR: if there's anything remotely like the game they're probably absolutely exhausted of this shit

KintsugiKitsune (KK): LOL COULD U IMAGINE?? BEING A WHOLE ASS NIGHTMARE AND SOMEONE MAKES A STUPOD GAME ABOUT U GRTTING YOUR ASS BEAT BY A FUZZY BUNNY

KK: ID GO APESHIT TOO LOL

PR: people are going missing KK

KK: SUCKS TO BD THEM LOL

[CW has kicked/banned KK]

CW: God you suck

CW: anyway

CW: I wonder if anything fucky has happened in game since this shit started

PR: I mean I doubt it, that would be too on the nose right? Some true creepy pasta bullshit

CW: ok but, has anybody checked?

AG: game's basically dead, the dev team abandoned it shortly after launch cuz it wasn't making the money they hoped it would.

AG: wasted big bucks on pop culture tie-ins for merch and item skins too

AG: if anybody still plays they've probably been around since day one

PR: I heard they quit cuz they couldn't get Server Moon to host for them

AG: por que no los dos?

AG: the original game was pretty ok for an rpgmaker project, dunno why the studio that bought it thought something that intensely personal would translate into an MMORPG though

AG: anyway, if you wanna see if the game is borked you'd have to do it yourself CW

CW: fine, I will

-----

The last message is dated a week after the thread started and merely asks if anyone has seen comradewaffulz.

There are no further replies or answers, no other threads on this topic.

The gap in your knowledge stares back at you like an empty eye socket and chills you to the bone.

This isn't an isolated incident, this has been going on for at least a year.

Maybe even longer.

And nobody's noticed.

You thumb the little foil packet in your hand, feeling the chip inside floating delicately in its bath of stasis gel.

You wonder if this is really worth it.

If you couldn't just… back out now and find a halfway decent lawyer to cover your ass when the Tower comes knocking.

…but now you're curious.

#ic #action post #ask to tag

4 notes · View notes

mostlygibberish · 2 years

Text

I liked the part with the rat bones.

I came into this wondering why so many people were rating this movie so poorly. I had many questions. Could it genuinely be that bad? Was the backlash just a product of unreasonable expectations and disappointment fuelled exaggeration? Had Hayao Miyazaki's departure been a deathblow to the studio?

Surprisingly, the switch to 3D animation was far from the worst aspect of Earwig and the Witch. I actually thought it looked pretty decent, though obviously lacking the signature Ghibli charm. I also enjoyed the soundtrack, though it was wildly unfitting, and the few times a song had vocals the lyrics were terribly written.

Just about every other aspect of this movie was deeply flawed. The plot was practically non-existent, the dialogue was stiff and oddly delivered, and the protagonist was simply unlikeable. Most egregious of all, when something significant finally happened, it didn't mark a turning point in the story, but instead the sudden and totally unexpected ending.

The movie seriously just stopped dead in its tracks, on a cliff-hanger no less, without anything even close to a proper ending. It felt like the movie-length pilot for a TV show, though I know that wasn't the case. It's like they gave up making it halfway in and just slapped credits onto what they had so far. I can't possibly overstate how unfinished this movie felt.

There is no way that this final product reflects what it was originally intended to be. See that poster art with Earwig fronting a rock band? Nothing even remotely like that takes place in the movie. I'm going to be generous and assume that Covid was a severe detriment to production here, because the alternative is too depressing to think about.

Just... shockingly bad.

#earwig and the witch #earwig and the witch 2020 #movie review #a disappointing end to miyazaki mondays

3 notes · View notes

forebodingprophet · 9 months

Text

Moirai || Clotho C4P1

“Shit, it got away,” Minoru spat as he went to collect the unconscious Ofthalmós.

“Wouldn’t have happened if you were halfway decent at your job, fuckwit,” Roul spat. “Having to do this twice in one day is not my idea of fun, but 3 out of 4 will have to do. After all, the main prize is this guy. That thing wouldn’t have kept anyways if it can teleport,” he cackled, hefting Théo as Minoru handed the man over. “He doesn’t look like he has any powers, but he’ll still fetch quite the pretty penny. Enough to offset the cost of raising the other two and losing that egg at least.”

“After all the effort we put in though, it’s such a waste.”

“Wouldn’t have needed to be an issue if you’d done what I told you and raised him up the way they said to.”

“And we wouldn’t have needed to sell him if you hadn’t jumped the gun,” Minoru growled. Raoul scoffed. “You and I both know that raising him to be one of us never would have worked. That house would have dug it out of him one way or another, and it’d have been a lost cause. And even with this plan, it was a crapshoot at best. We got lucky when he managed to snag the young patriarch, and you ruined it by throwing a fuss over a children’s fight.”

“Hey. Don’t forget I’m the one in charge here,” Raoul spat. “Yeah, we lucked out that the holy brat himself came to do the investigation, but the whole thing was too delicate to leave to some kid. I’ll just be glad to finally be rid of him. I always thought it was a dumb idea.”

“You’re not the one that had to play dad for 12 years,” Minoru hissed. “And all we had to do was get him to bring the kid back to the house just once, and we’d be good. Kids fight all the fucking time. If you hadn’t taken him outta the picture, catching the other one probably would have gone a lot easier!”

“As if! I don’t know what kind of idealistic scenario you were imagining, but that guy had no interest in coming into the house. I doubt that brat would have made the situation any easier. And I still did a better job in the last month than you did in those 12 years!”

Minoru scoffed. The man hadn’t lifted a finger in the month or so they’d been there. He hadn’t even spoken to the boy.

“I swear, I don’t know why they keep sticking me with fuck ups like you.” Raoul opened a panel in the floor before dropping Théo inside and shoving him in next to Hikaze and Itsu so the panel would close properly.

Minoru scoffed but didn’t bother trying to argue. This man wasn’t the type who would accept anything but total agreement. This was all way too much trouble. They’d just gotten here a month ago, and now they had to move again. He’d been excited when he first got this assignment, but now he wanted nothing to do with it, even if the payout was supposed to be fantastic. It was too much of a long game.

“Now help me pick up the rest of ‘em,” Roul ordered. “We can’t have it lookin’ like something actually went down. Damn thing’s useful in the moment, but I’m not using it outside again.”

“It’ll alter their memories and perception though, so what does it matter if they all wake up in the street?” Minoru grumbled, trudging back outside.

“Fucking idiot,” Roul spat under his breath. “We still gotta clear out. It’s going to be at least a day. We can’t have anyone realizing that something’s up before we take off. Not to mention, the holy brat himself will probably be the one doing the investigating again. If anything is even remotely off, we’ll be in trouble! The organization’s managed to stay under their radar all these years because of this thing. We can’t let those bastards catch onto us.”

Minoru’s eyes drifted to the pocket the creature was being kept in. The spheres were only good for a single-use, but they were effective every time. To make them even more convenient, only certain people could see them, although he wasn’t entirely sure of the requirement. However, they were never given to someone as low on the ladder as Minoru, so he had no idea how to even use one.

“Dammit, the girls get the easy job while we have to clean everything up before we can leave,” Minoru grumbled, picking up one of the townspeople by their arms and dragging them into their house. “Hurry up! We don’t have long before someone comes looking for him!”

◊◊◊

The first thing Hikaze registered was a profound aching that covered almost his entire body. His back was especially bad, but his shoulders and arms clearly didn’t like anything about the way he was laying. His stomach and ribs were also in some pretty intense pain. He recognized the clattering of wooden wheels and the dusty smell of a wagon, but couldn’t immediately remember how he’d gotten there. The carriage went over a bump, knocking him a few centimeters into the air before gravity mercilessly brought him back down, slamming his head, hip, and shoulder into the hard wood and making him cry out. He moved to sit up only to realize he was restrained. No wonder his shoulders hurt. His feet were bound too. Hikaze groaned as the memories came back. Right, he’d been beaten within an inch of his life by his uncle, but he couldn’t remember anything after that. Did his family decide to move? He started looking around, trying to find Itsu, but all he saw were unlabeled boxes and bags. What caught his attention, however, was the sight of another person, laid on his side with his semi-long black hair fallen over part of his olive-tanned face.

“Théo?” Hikaze asked weakly.

“Good morning, Hikaze,” the man replied, in his usual polite tone.

“Why are you-”

“I came to deliver the young master’s pay for you. They, unfortunately, got the better of me.”

Hikaze grimaced. “I’m sorry.”

“Well, given that you’re also tied up here, unless it’s some elaborate ploy to earn my trust-”

“Never!” Hikaze cut in, looking genuinely horrified.

“-it’s not your fault,” Théo replied, smiling reassuringly. “But we should probably be quiet. If they know we’re up, they may come to check on us.”

Hikaze felt his heart stop for a moment and nodded carefully. Then, as if to further cement that fact, the tarp at the back of the carriage pulled aside. Hikaze instinctively closed his eyes as soon as the light hit him, but his breathing wavered. He hadn’t been able to get a good look, but the adrenaline rushing through him made even the clacking of the wooden wheels beneath him sound muted. Heavy footsteps fell between them, and while he couldn’t see it, Hikaze could feel their owner shifting to stare down at him.

“You got a shit poker face, boy,” came the gruff voice of his uncle before Hikaze felt himself launched into the side of the wagon. Having taken another kick to the stomach, his eyes shot open, and he gasped for air, trying to get his bearings but struggling since his hands were bound. “Don’t try to play dead on me.”

“Well, I wasn’t awake before,” Hikaze grunted out with a cracking voice, “but I am now. Should you really be manhandling the merchandise?”

His uncle scoffed. “You still clearly have enough energy to mouth off, so don’t push your luck, or I really will beat you within an inch of your life. And enjoy it.”

Hikaze huffed and blew a lock of hair out of his face.

“Just be quiet and behave yourself. The more I gotta deal with you, the worse you’re gonna get. We’re almost there anyways, so just shut up and stay put.” With that, his uncle turned around and jumped back out of the moving carriage. Hikaze briefly caught a glimpse of two horses, one of which was mounted, and realized escaping wasn’t going to be as simple as he’d hoped.

“You alright?” Théo whispered, re-opening his own eyes.

“Yeah,” Hikaze replied, still sounding a little pained. “I’ll be fine.”

Théo sighed in relief. “I have to say, I was rather surprised when I woke up to see you laying across from me,” Théo added. “I hadn’t been permitted to meet with you, but I never would have expected you to be here.”

“You and me both… Hey, they captured Itsu with me. You haven’t seen him, have you?”

Théo sadly shook his head. “Apologies. I haven’t been up much longer than you have, so I cannot say.” The two of them looked around the carriage as best as they could. It was filled with boxes and chests stacked at most two high, some of which had toppled over, and although Itsu may have been in one of them, it was impossible to tell unless the little soldier started making noise. Hikaze sighed and returned his attention to Théo.

“So what-…” Hikaze hesitated, unsure if he actually wanted to ask this question. “-what’s going to happen?” Even though he knew some of the stuff Esaias had gone through, what few stories Esaias had been willing to tell him had been vague, and he wasn’t sure he wanted to know what was going to come next.”

“Well…” Hikaze could tell that Théo was hesitant, and he couldn’t blame the guy. Hikaze was technically 12 years old, but he had the memories and experiences of an adult in his head, so he should be able to handle it better than a normal 12-year-old. ‘Should’ being the key term. “I can’t speak for what will happen to you, but the fact that you haven’t been killed yet despite how beat up you look raises your chances. I’m not saying they won’t kill you, it may have just been inconvenient for them at the time, but given that you haven’t, they may see some further value in you. It means they may be thinking about selling you.” Hikaze pulled a face of disgust, but, in Théo’s eyes, this was a good thing. Having value meant they wouldn’t kill you or do anything that might lower your value before a sale is completed, which insured some degree of safety, although Hikaze’s perceived value wasn’t particularly great right now, but the man wasn’t about to tell him that.. “As long as you hold value, they won’t do anything that might jeopardize their ability to profit from you.”

“Are you kidding? I don’t need a mirror to know I look like shit right now.”

Théo gave a wry laugh. “I can’t deny it. When I first woke, had I not seen that you were bound, I would have thought you dead. With any luck, you may receive some degree of medicinal treatment once we arrive at our destination,” he replied optimistically.

“… And? What about you?”

“If I’m lucky, I’ll be sold off as a male concubine to some noble, I’m sure,” Théo replied. “I don’t have any powers, but it isn’t entirely rare for the gift to skip a generation. There’s no shortage of nobility around the world who covet the house’s powers.”

“That still sounds disgusting,” Hikaze replied, his face pale.

“Which is why we should probably come up with an escape plan,” Théo replied.

“Well, I can tell you one thing we have in our favor: all we got holding us back are ropes,” Hikaze pointed out with a smirk. C’mere, I’ll chew through yours if you chew through mine. Then we can start looking for Itsu.”

“An excellent idea. I was about to suggest the same.”

◊◊◊

To most of the rest of the house, Anastasios was almost the picture of a perfect patriarch; calm, always on the moral high ground, and able to solve most any situation without even letting so much as a hair getting out of place, so to say that his family members were alarmed to see him sprinting through the quiet halls would be an understatement. He all but skidded into the teleportation point and had to pause and lean in the doorway to catch his breath. The woman there, an aníschyros in her late-20s, stared at him like he had two heads.

“Wow, Stasi, did you run anyone over on your way here?” she asked sarcastically.

“Shut up,” he hissed between breaths as he brushed loose hair out of his face. “Just tell me what’s going on. Why is Skirí here, but not Théodore?”

“Beats me,” she replied, exasperated. “Skirí can’t communicate telepathically yet, so I haven’t been able to learn anything in the ten minutes it’s been since I sent you the messenger. All I can tell is that she’s pretty shaken.”

Anastasios looked over at the Espurr in front of her who was holding out her little paws as she walked towards him on unsteady legs. First things first, Anastasios had to figure out what’d happened. He crouched down on the floor, reaching forward and scooping the furry thing into his hands. Skirí had been with Théo since not long after Théo had become Anastsios’ attendant, so she and Théo had gotten incredibly close. She’d never been able to communicate telepathically, but that had never been a problem… until now.

“Skirí, where’s Théo? What happened?”

The Espurr squeaked and mewled pitifully, but, unfortunately, Anastasios couldn’t get anything out of her other than that she was scared and confused.

“Celia?” The Darkrai rose out of Anastasios’ shadow and took the small Pokemon in his hands. The Espurr mewed at her for several moments, and then Esaias set her down.

“It would appear that Théodore has been abducted. Unfortunately, Skirí’s memory of the incident is somewhat hazy. All she remembers is that something was called out and struck everyone present with debilitating fear. Whatever it is can also tamper with memories, but Théodore gave her the order to run before it could fully affect her. She has some pieces missing, but she does remember that Hikaze’s family is involved.”

Anastasios was struck with a strong sense of dread. Now, beyond a shadow of a doubt, he knew that someone was going around abducting members of House Ofthalmós, and, to make matters worse, they’d taken his attendant. Théo was privy to a number of classified pieces of information about how the house ran itself, including information about where family outside the house was located and, of course, what times Celia left the house unguarded. Being Anastasios’ attendant gave him far more value than simply being from House Ofthalmós. He had to find him before they realized that or it wouldn’t just be Théo in danger, but the whole house.

“… Did you see Hikaze?” Anastasios asked, hesitating. The name tasted like pith in his mouth. Skirí chirped, and Celia shook her head.

“She doesn’t remember seeing him. She remembers being told that they couldn’t meet with him. They said he wouldn’t leave his room, but something about it felt off.”

Anastasios knitted his brows. Hikaze must’ve left with Itsu on his own journey without talking to his family. For now, Anastasios needed to think out a new plan of action.

“For now, I’m going into town. Skirí, I’d appreciate you taking me there.”

The Espurr hesitated, chirping quietly. She was obviously terrified, and it’d be cruel of him to force her to go back, but, without her, the trip would take hours, and he didn’t have time for that. Finally, Skirí nodded,, and Celia handed her over to Anastasios.

“I promise, I’m going to find who took Théo,” Anastasios assured her before turning to the other Ofthalmós in the room. “Cosíma, if I’m not back by dinner, assume something has happened.”

“Uhhhh… don’t think our Patriarch will be happy with his heir going off on his own like that,” the woman pointed out.

“Well papu can suck it!” Anastasios spat. At that moment, the messenger Cosíma had sent to him finally arrived, breathing heavily and carrying Fotiálos who vigorously wiggled about in his arms, trying to get to Anastasios. Apparently, when Anastsios took off, the small flame soldier had tried to follow after him but couldn’t keep up. Everything about him screamed ‘Take me too!’ Finally, the person holding him let go, and he darted over to Anastasios’ side.

Celia shook her head. “The training regimen you’re used to is complete,” she said to a confused Fotiálos. “We are not going to see your brother and his trainer.” Fotiálos looked up at Anastasios. Until now, every day had been spent with Hikaze and Itsu from the day he’d hatched. Perhaps that had been a mistake. However, at the time, even Anastasios believed that they would all be going on a journey together. The fact that such a thing would no longer come to pass made his chest clench. He didn’t want to admit that he’d been looking forward to it more than he let on. But he’d made a mistake in how he handled the issue of Hikaze, and now, no doubt, the boy would want nothing to do with him. He needed to distance himself from anything and everything to do with his former best friend. No matter how much that may hurt. What he was doing now was more important. But the small voice of Esaias inside of him said that there was no way that Kazuya would abandon Esaias over something like this, and that went the same for Hikaze. If he just apologized properly-

Anastasios bent down again and patted the soldier on the head. “We won’t be seeing them again,” Anastasios told him, trying his best to keep a neutral face. “Hikaze and Itsu have left.”

Fotiálos snorted in indignance. ‘Why would they leave? We were all supposed to go together.’

“That’s just how it turned out.” He couldn’t bring himself to tell him that they left because Hikaze was rightfully angry with him. “We’ll be on our own from here, but right now there’s a different problem. I’m going to investigate, so you have to stay here.”

“Bring him along. Was such a thing not the point of all that training he did?” Celia pointed out.

“True. I don’t expect a battle this time, however-” He hadn’t exactly expected a battle last time either, and even if he took Skirí, she wasn’t equipped to handle battle. He glanced down at the small cat in his hands who still seemed to be working up her courage on whether or not to come. “Yes, you’ll come along too, Fotiálos. Does that help, Skirí?”

Skirí hesitated but then nodded. She would take them.

“Good. Let’s hurry. The sooner we investigate, the sooner we can catch up.”

#swearing tw #Anastasios #Hikaze #Celia #Return of the Progenitor || Sun!Verse #Moirai || Clotho #Clotho || Chapter 4 #((Do I need to tag human trafficking? No; genuine question: anyone here triggered by that because that's a running thing on this blog.))

1 note · View note

sohannabarberaesque · 10 months

Text

Postcards from Snagglepuss

Somehow, planning for wilderness camping can get rather crazy

DENVER: It certainly took our own sweet while to try and find anything remotely resembling a decent outfitting shop who would be willing to as much sell some decent supplies for a few days' wilderness-type camping out near Estes Park as give us some advice on how to manage the survival process.

And for some reason, we managed to find it in the form of a somewhat John Denverish-looking outfitters shop not that far from downtown. Whose staff, mind you, seemed to look like hippie types from the 1970's, even ... and yet, Huck and yours truly were able to get the whole shebang, so to speak, of advice.

And what we had in mind was basically hammock camping. To which one of the clerks suggested getting a decent rain tarp, considering how quickly storms can develop afternoons in high elevations, with plenty of rain even.

Not to mention some portable cookstoves with special fuel to ensure such burns cleanly, as opposed to the so-called "white gas" commonly deployed--"although," as Huck explained, "we were aiming for more of a what you'd call a 'leave no trace' approach; would you recommend something on the order of meal replacement shakes such as the supermarkets sell?"

Which, as the clerk explained, was something of a new one on him; still, though--and considering what a certain Yogi Bear has been known to go through--when you're considering wilderness camping, it's definitely advisable to have special bear-proof cannisters kept well away from the campsite.

"So," Huckleberry asked, "might dehydrated food best be the answer, even if such sounds a little like The Jetsons?"

The clerk recommended a few menu options, along with the advice to make sure the packaging was packed up and hauled out once leaving. Even to the point of separating recyclable and non-recyclable garbage.

"Still, boys, at any rate," Hokey Wolf was quick to chime in, "it will be rather interesting to know what camp food actually tastes like, even if such has to be prepared on a camp stove portable!" (Though Huck and I admitted that the meal-replacement drinks will be more in the vein of a light lunch, and breakfast would probably have to be instant oatmeal or Malt-O-Meal with evaporated milk.)

The sales clerk was also quick to suggest that up in the mountain country, lake and stream water was bound to carry diseases such as giardia; hence, the need for a portable water filtration system as could deal with giardia and other associated water conditions. Hopefully, the filtration can be cleaned out easily.

"Oh ... we do plan to try our hand at swimming, snorkelling even, in the waters of one of those mountain lakes," added I.

"I think you might need a wetsuit," the clerk explained, "considering how cold the lake waters can get. Not to mention the likelihood of swimmer's itch and giardia." (Pause) "By the way, what was the idea you have in mind for so snorkelling?"

"Just for the experience," admitted yours truly.

"Augie, my son," Doggie Daddy was quick to admit, "THIS is going to be a rather interesting camping experience unlike anything we probably ever experienced in camping, to begin with!"

"Well, I should say so, Acme of Fatherhood," Augie chimed in.

Wally Gator: "As for this alliugator, imagine what sort of response this Florida boy has in the mountains of Colorado in the face of bears, mountain lions, bighorn sheep--"

Which had Huckleberry telling Wally he might be getting a little too ahead of himself--bound to happen with an alligator like Wally, when all is said and done.

But still, another of the outfitter's clerks spotted our motorhome parked just across the way and wondered why it wouldn't be better to just use the motorhome as a base camp to begin with, hoping some halfway-decent road would lead us to the ideal camping site. To which I remarked, "What ... and miss out on the adventure inherent in just parking the motorhome close to trailhead, hiking a few miles to the campsite and setting up camp over a couple of days just for the sheer sensation?"

After a short and utterly stunning silence, the sort that could have you hearing the proverbial pin drop even, Huckleberry Hound was quick to remark: "What's there not to like about the experience of wilderness camping?"

"Brace yourselves, boys!" was all Hokey Wolf could respond.

"Oh, and one more thing," the clerk added. "Because cell phone reception is impractical in the mountains, you might also want to rent a satellite phone from us; you never can tell when you need to call someone."

You can only imagine how this is bound to turn out.

@warnerbrosentertainment @joey-gatorman @theweekenddigest @xdiver71 @archive-archives @thebigdingle @screamingtoosoftly @princessgalaxy505 @themineralyoucrave @thylordshipofbutts @warnerbros-blog1 @iheartgod175 @jellystone-enjoyer @haiyis-dark-void @warnerbrosent-blog

#hanna barbera #fanfiction #fanfic #road trip experiences #snagglepuss #colorado rocky mountain high #outfitting #wilderness camping #pack in pack out #leave no trace #hammock camping #hannabarberaforever

1 note · View note