hello ! i know it's been more than a week since wad but i wanted to do a little something for: @danrifics (who started all this !!), @dnphobe @manchesterau @phan-tasia @less-amazing @phulge @hmfakeaccount and @oriharakaoru who bought tickets for 150 people (!!!!) to watch the show + the afterparty !!
as it was probably the case for everyone else that entered the giveaway, it wouldve been hard to buy a ticket myself, living on the other side of the world where the economy is very much fucked up kdhdk so thank you guys so much for this opportunity !! its also the first time i get to see one of these guys' live shows, well, live; and it was very exciting to get to experience it alongside so many people, i had lots of fun !!
anyways, all of you guys are more than welcome to request doodles in my asks/dms, if you so wish😌 could be dnp, could be anything ! (mostly) if not, *pushes this little guy toward you* there ya go. have a lovely day !! 🧡
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I SAW YOU DO HCs. Will you do Law and Zoro with an SO who accidentally woke them up from a nap? Than you!
((this caught me off guard; thanks for requesting!))
S/O Waking Partner From Their Nap
Characters: Law, Zoro
Warnings: mild cussing (like 3 curses), mostly fluff
GN!Reader, everything used for the reader is neutral
ZORO
- Honestly he's pretty used to be woken up from his naps.
- Actually, it's more surprising you managed to wake him up without it being an actual emergency.
- You saw him sleeping in the yard and decided to swing down for a quick look.
- But, then you're in the air.
- Luffy ended up launching into you, laughing about wanting to play something before you both realized you were in a free fall.
- That was a whole lot of screaming for a few seconds.
- You didn't hit the ground though. Sure, you were now being squeezed, but that was better than the grass.
- Maybe.
- When you looked up the Captain's face had met with Zoro's hand. His other arm was wrapped around you.
- "Can't you both keep it down? I'm tryin' to sleep."
- Luffy apologizes; he doesn't look apologetic.
- Zoro's decidedly too tired to deal with it. Sometimes it was better to walk away anyway.
- Though maybe he could have put you down when he decided to do that?
- You're decidedly too interested in where you're going to put up a fight this time around.
- He carries you away from Luffy (who was complaining about him stealing you) with a huff and finds a more reclusive spot. "Nap with me," he stated. "Don't want you gettin' into trouble if I'm not there."
- You tease him about how soft he's being.
- "Shuddup," he grumbled, messing up your hair and kissing your forehead. "I ain't soft for no one. This is just punishment for wakin' me up."
- You want to call him a liar, but he's already out. So, you curl up against him and join him in dream land.
LAW
- Let's be real, he doesn't nap often as it because he doesn't sleep.
- The crew had finally convinced him to go lie down after a stressful day and that was a win!
- Then they told you to go check on him a few hours later and that was a lose.
- "Come on, (Y/N)! Law loves you, he won't be mad if you wake him up!"
- The wonder twins kept claiming that, but shame on you if you don't believe them.
- You just didn't want to disturb the little sleep he got, but here you go anyway (after a lot of literal pushing).
- You walk into Law's room, very quietly, and quickly make your way to the bed.
- Still breathing? Yep. Still asleep? Yep.
- You turn on your heels to get out as fast as possible, taking one more look back.
- Woah does he look cute. It's almost surreal to actually see him sleeping.
- fUCK YOU TRIP
- Oh never mind you're on something soft.
- A moment passed and then you quickly realized your situation, scrambling to get up.
- "Calm down already," Law sighed, reaching over and gently patting your forehead. "I'll toss you to the floor otherwise."
- You calm for a moment to thank him for saving you and then proceed to apologize profusely in the same panicked tone.
- He's just content messing with your hair and watching you talk though.
- Really he's waiting for you to shut up, but he's not complaining. Well, mentally he's not.
- "(Y/N), you're too loud for such an echoey room. Why don't we enjoy the peace before everyone comes looking for you?" he suggested.
- You both did rarely get peace... So, you agree.
- Thus, he pulls you close and you both enjoy a rare few minutes of intimacy and calm before the door slams open and the captain returns to his duties, blaming the rest of the crew for waking him up.
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HELLO MY COMMISSIONS ARE OPEN
I'm officially offering two things right now, but if you'd like me to draw something else please free to message me about it and we can chat!! :]
Sketch Headshots: a shoulders-up drawing of whoever you want, with loose marker-style coloring. 10 dollars!
Toony Style: a full-body drawing of whoever you want in my silly toony style that I use for doodles and comics. 10 dollars for one character, +5 for each additional character in the drawing. (I may add a limit to how many characters can be in one drawing) They will be standing in a blank void/simple abstract background unless requested otherwise. I can do simple short comics and stuff in this style, so if that's something you'd be interested in let me know and we can talk about prices!
I take payment upfront thru PayPal or Venmo!
Please have reference images ready. This can be your art, photo collages, video game screenshots, whatever! As long as I have something to work from.
Turnaround won't be more than a few weeks. I'll let you know if and how many people are ahead of you in line when you message me.
(thank u to my besties @luvlorne and @thebigolbee for letting me use their OCs as examples hehe)
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Margaret of Anjou’s visit to Coventry [in 1456], which was part of her dower and that of her son, Edward of Lancaster, was much more elaborate. It essentially reasserted Lancastrian power. The presence of Henry and the infant Edward was recognised in the pageantry. The ceremonial route between the Bablake gate and the commercial centre was short, skirting the area controlled by the cathedral priory, but it made up for its brevity with no fewer than fourteen pageants. Since Coventry had an established cycle of mystery plays, there were presumably enough local resources and experience to mount an impressive display; but one John Wetherby was summoned from Leicester to compose verses and stage the scenes. As at Margaret’s coronation the iconography was elaborate, though it built upon earlier developments.
Starting at Bablake gate, next to the Trinity Guild church of St. Michael, Bablake, the party was welcomed with a Tree of Jesse, set up on the gate itself, with the prophets Isaiah and Jeremiah explaining the symbolism. Outside St. Michael’s church the party was greeted by Edward the Confessor and St. John the Evangelist; and proceeding to Smithford Street, they found on the conduit the four Cardinal Virtues—Righteousness (Justice?), Prudence, Temperance, and Fortitude. In Cross Cheaping wine flowed freely, as in London, and angels stood on the cross, censing Margaret as she passed. Beyond the cross was pitched a series of pageants, each displaying one of the Nine Worthies, who offered to serve Margaret. Finally, the queen was shown a pageant of her patron saint, Margaret, slaying the dragon [which 'turned out to be strictly an intercessor on the queen's behalf', as Helen Maurer points out].
The meanings here are complex and have been variously interpreted. An initial reading of the programme found a message of messianic kingship: the Jesse tree equating royal genealogy with that of Christ had been used at the welcome for Henry VI on his return from Paris in 1432. A more recent, feminist view is that the symbolism is essentially Marian, and to be associated with Margaret both as queen and mother of the heir rather than Henry himself. The theme is shared sovereignty, with Margaret equal to her husband and son. Ideal kingship was symbolised by the presence of Edward the Confessor, but Margaret was the person to whom the speeches were specifically addressed and she, not Henry, was seen as the saviour of the house of Lancaster. This reading tips the balance too far the other way: the tableau of Edward the Confessor and St. John was a direct reference to the legend of the Ring and the Pilgrim, one of Henry III’s favourite stories, which was illustrated in Westminster Abbey, several of his houses, and in manuscript. It symbolised royal largesse, and its message at Coventry would certainly have encompassed the reigning king. Again, the presence of allegorical figures, first used for Henry, seems to acknowledge his presence. Yet, while the message of the Coventry pageants was directed at contemporary events it emphasised Margaret’s motherhood and duties as queen; and it was expressed as a traditional spiritual journey from the Old Testament, via the incarnation represented by the cross, to the final triumph over evil, with the help of the Virgin, allegory, and the Worthies. The only true thematic innovation was the commentary by the prophets.
[...] The messages of the pageants firmly reminded the royal women of their place as mothers and mediators, honoured but subordinate. Yet, if passive, these young women were not without significance. It is clear from the pageantry of 1392 and 1426 in London and 1456 in Coventry that when a crisis needed to be resolved, the queen (or regent’s wife) was accorded extra recognition. Her duty as mediator—or the good aspect of a misdirected man—suddenly became more than a pious wish. At Coventry, Margaret of Anjou was even presented as the rock upon which the monarchy rested. [However,] a crisis had to be sensed in order to provoke such emphasis [...]."
-Nicola Coldstream, "Roles of Women in Late Medieval Civic Pageantry," "Reassessing the Roles of Women as 'Makers' of Medieval Art and Culture"
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