Pérotin [magister Perotinus magnus] (Parigi, 1160 circa – 1230 circa) - compositore francese, appartenente alla celebre Scuola di Notre-Dame a Parigi. Il musicologo inglese, noto solo come “Anonimo IV” (probabilmente uno studente inglese che lavorava presso Notre-Dame a partire dal 1270), menziona i compositori Pérotin e Léonin all’interno di un suo trattato musicale, assegnando quindi un nome ai maggiori esponenti della Scuola di Notre-Dame che sarebbero stati altrimenti anonimi. Pertanto Léonin e Pérotin sono tra i compositori più antichi di cui sia conosciuto il nome. Nonostante essi siano morti solo cinquant'anni prima che Anonimo IV scrivesse il suo trattato, egli li descrive come eminenti teorici e parte della tradizione della musica. Assieme ai lavori di Giovanni di Garlandia e Francone da Colonia, il trattato di Anonimo IV, è la principale fonte per capire la polifonia della Scuola di Notre-Dame. Una delle opere musicali attribuite a Pérotin è il “Viderunt Omnes” a quattro voci. Fu eseguito per la prima volta nella cattedrale di Notre-Dame a Parigi il giorno di Natale del 1198 e questa è la prima data certa di tutta la storia della musica.

Latin

Vīdērunt omnēs fīnēs terræ salūtāre Deī nostrī. Jubilāte Deō, omnis terra. Notum fēcit Dominus salūtāre suum; ante conspectum gentium revelāvit justitiam suam.

English

All the ends of the earth have seen the prosperity of our God. Rejoice in the Lord, all lands. The Lord has made known his prosperity; in the sight of the nations he has revealed his righteousness.

two-headed calf by laura gilpin

hey. hey anon? youa re. so right,

just had my 3 week post-op and i’m officially done with the bandages! i’m so glad i can really enjoy my chest now and not have it covered up 99% of the time. i still can’t believe how good it already looks, shoutout to my surgeon for doing a fucking incredible job.

Freddy seeing butterflies for the first time.

He’s either scared for his life from looking at their faces (SpongeBob and Patrick), or extremely happy. That’s for you to decide.

EEEEE

Freddy isn't used to the outside world yet...

concept: playing a video game on a robot girl using her hands as controllers and her faceplate as the screen and of course the only way this works is if you're sitting in her lap and furthermor

no please, continue

Gin x Farmer would be a perfect match!! They both have that chill comforting vibe

call that shit double cuntry boy action

I'm literally buzzing with excitement for the Wind comic thing :> I've been coming up with my own theories of what it could hold, and even making a video based on those theories! Tho, it'll take some time to finish XD It's like...A big project. Love your works!

This ask made me so happy I blacked out and this appeared on my screen.

I have the comic planned and sketched out with placeholder dialogue between the rodent sisters I just need to finalize it when I can!

could i perhaps ask what brush(es) youve been using in your work recently? specifically for lineart; or if you use some kind of effect to get that specific look? totally cool if you cant say for whatever reason or dont wanna give it out, just thought i'd ask ^_^

I usually use the default photoshop soft round brush :-)

Theres not much of a line (no pun intended) between my sketches and lineart these days I usually start very rough and just keep redrawing over the last sketch on a new layer until I decide it's neat enough to color. Sometimes that only takes one or two passes but sometimes it takes more. After that I use a new layer on multiply with a different color to darken parts of the lines I want to emphasize and clip a lighter color over areas I want to make more faint

What would satoru do in his son first's day of elementary school? I bet he would be crying in the car with Ijichi cause his baby is growing so fast :(

Satoru doesn’t cry when he’s dropping of his son. He takes way too many pictures and holds him for way too long—physically, in his arms, even as he’s made his way into the classroom, Satoru doesn’t want to set him down; walks around the whole room pointing out cool things, but it’s just to stall, just to keep his baby boy with him for as long as he can. He doesn’t cry or make a scene when it’s time to leave, other than give your son many many many kisses and tell him to have a super awesome day so he can hear about it later. He’s awfully cool, he’s smiling, your son is smiling, the teachers are smiling, hell even some of the other kids come up to Satoru because they always want a first day of school congratulatory fist bump. He’s Satoru—he’s the coolest in the room, and he keeps it together.

The second you’re off of school grounds though, he’s a mess. He freezes the second he sits down in the car. He doesn’t blink, he doesn’t move, he doesn’t even breathe when it finally hits him that he just dropped his kid off at school. That he’s old enough to be at school. Not daycare for half a day—this is school, it’s going to be eight whole hours before Satoru sees him again and his world physically stops. Ijichi asks him if he’s okay, and that’s when Satoru snaps out of it. He feels like crying, but he doesn’t; he doesn’t mask that he’s not really okay, for once, either. Ijichi can tell, and offers what comfort he can.

Satoru really loses it when he comes home. It’s quiet. It’s empty. There are not little footsteps, no bowls clanking together, no animated kids series playing on the TV, not even a stray stuffed animal. Only when he gets to the kitchen and sees those few spare cheese cubes that didn’t make it into his lunchbox is when Satoru really starts crying. His thoughts aren’t logical when he calls you to weep—“But—but, it’s the Muenster cheese he really likes and now he won’t have a balanced lunch and then he’ll be cranky and he won’t nap, and he might wake up the others and—oh, god, will he have enough energy to make it through the day? Baby, I have to—we should go give him more cheese. What if he wants more and he can’t have any because I’m not there for him and—”

And that fear of not being there for his son comes spiraling out and Satoru can’t stop it, and you have to remind him that it’s okay—that he’s Satoru’s son and he’ll always be okay, and that, “You’ve done this before, yeah? Megumi was a little older, but he was hard to let him go—but he turned out just fine because he always had you, Satoru. He still does.” Satoru just nods his head through sniffles. You literally have to coach him out of his fear but it's just :( he just loves his baby and he wants to take care of him forever.

And even though your kid is old enough to go to school on his own, that night all three of you end up cuddled together in your bedroom. Satoru in the middle with you on his left, and your son practically on top of him on his right, and he wouldn't rather be anywhere else in the world rn :( (Getting them to let go of each other is even worse the next day; you swear they share a single (empathetic, but single still) brain cell and that's how Satoru sends his dramatic feelings down to your son).

hi! may i ask how do you get the cool fonts you use on your art/character refs and such? the fonts you use look always so fun...

THANK U 🫶 i love fonts forever and always

heres a quick list of sites i use for fonts

fontspace ( heres one of my fave creators on there )

fontdiner

dafont

homestuck fonts ( sorry but not rlly )

speeches and cream ( halftone hospital is ... MWAH love it )

^ and a list of my most favorite and most used fonts : )

since I have no style, what about floyd in something cheesy from the target pride collection

one of his brothers got it for him (because he's proud and a sibling! it makes perfect sense!) & now he just wears it ironically everywhere.

look at Cloud's body language in THAT moment in the trailer!! bro fr leaning in with Aerith

the way he’s looking at her. so unflinchingly staring. his hands holding her when he was SO touch averse (the high five??). no one ever tell me they’re sibling coded ever again, or that they weren’t ever written romantically, or that he doesn’t even like her. that’s done. no one can try that anymore. and that’s even before we consider the whole thing is played with HER THEME, the main theme of the game, and the lyrics are indisputably a reply to hollow… the main theme of remake, and a song about his feelings about her. heroine, love interest, they gave it all to us, i’ll never recover ever 😭

I just hace one question, why did you hear the album before? why when it was leaked? I know that's not gonna make Taylor richer or poorer but it's kinda... weird. I just don't know.

if i had been in the garden of eden i wouldve eaten that apple

I think the next best queer rep poll should be Killing Stalking vs Boku no Pico (for all intensive purposes this is a joke)

Ignoring the content of this ask to bring up a small pet peeve of mine, and if this changes the behavior of even one person, it’s worth saying.

The phrase is “for all intents and purposes”. Not “for all intensive purposes”