A little busy right now Rodimus-

(Congrats on your milestone avoidghost!)

Woooooooo~ thank you, everyone! Idk man, i picked 700 just because 🤷‍♀️

To celebrate, I drew some CoD ocs that people have shared with me~

3-07 @the-ineffable-cross | Sugar Cube @callmegkiddo

Coyote @luci4theminorannoyance | 3-09 @vithoma

Sanggra & Buffy @callsign-zero | Shark @tekioshark

Ruby @eathotchipanddie | matchstick @tired-gaydumbass

Ace belongs to a sweet anon somewhere ;)

Simon's joke of "soup of theseus" is so damn good & way more layered than most people think.

Okay so first- what is the ship of Theseus?

So amongst his many misadventures and legends the ship of theseus was a ship the Athenians believed connected them to the divine living person that was Theseus. The thing is, he was maybe Poseidon's adopted kid/the King if Athen's son and probably not real (or at least if he did his misadventures were super exaggerated as royals = divity stories are) but the fate the Athenians had for him & Apollo (the 6 labors is a fun legend that explains their connection and what the original ship may have been) was so intense, they would constantly give maintence as a form of religious worship to said ship on the island of Delos (where Apollo's most sacred sancutary is) every year it would dock to pay respects.

Btw we don't need to know the specifics of Theseus but he did infamously slay a minotar and Finn did have a good exchange with the Mannish Man to get the enchiridion aka the book that sets Betty & Simon on the paths they are on now so that's neat af

So if you've ever heard about the ship of Theseus being paradox- it comes from the critique that's always existed about that ship's maintenance & religious practices tldr if you are constantly replacing each rotted and borken part of a ship, is it still the same ship?

The soup is a paradox like the ship

That paradox exists in many many scifi and adventure stories like the Nier series & Ghost in the Shell but in this instance we got to first look at the joke literally. Farm world's Finn's wife's soup is the same as the ship. The original soup farm world HW made no longer exists on a technicality, but the way Finn and his kids continue to add on and consume the soup is exactly like the Athenians. It's about the intent of carrying on the memory and keeping the soup around to honor the dead rather than the soup's original recipe {which also is incredibly sad & imples that farmworld Finn is both coping and never learned the original soup recipe}. It's a beautiful way to honor their dead mom/wife and it makes you wonder if that Finn did die if his kids will continue the practice.

But the paradox goes beyond the soup & into our reality

A lot of people have noticed that Fionna's last name is Campbell and Campbells is a real soup brand that would've been around before the great mushroom war. When Marceline gets sick as a kid, Simon goes great lenghts to get her chicken soup- that only worked out because the primordial version of the Mother Gum assisting {which is extreme Bubbeline foreshadowing}. And in that scene the can low key is a campbell design. But what if I told you there's more?

In Cheers, the tv show Simon is seen constantly watching and referencing throughout the original run of Adventure Time & in the recent Fionna and Cake had Carla Tortelli work at a Canpbell's Factory.

Neat references aside the soup ends the moment the main trio hit the remote button and I have a BA in psychology & interest in childrens media and entertainment that I want to milk for once. Metaphorical intention is beyond relevant episode specifics but actually the foundation of Fionna and Cake when it comes to the paradox.

Simon making the soup of Theseus joke is the main problem Fionna and Cake has to address

If Simon can summon his & Prismo's au from his head without proper MMS (Magic, Madness, and Sadness) where does Simon the human start and Ice King end?

As viewers who grew up alongside the series, the majority of 25+ watchers are finding Simon, older Finn, and Fionna painfully relatable because good fucking god we are all traumatized because of the ongoing pandemic.

If you want to focus on the main topic you can skip this part. But if you want to get very serious for a minute, please stay. The majority of people wont to accept what I just said about the pandemic being ongoing because global governments pretending the pandemic is over, the rise of depression and escapism in real time at a social level at a global level but especially in the US where the series is being made, and the daily interactions we have with most people refusing to mask up {with a violent reaction} when there still isn't a cure for COVID has created the perfect enviroment for most people to not accept change or crave extreme change. Fionna and Cake tackles these 2 very common forms of how depression tends to manifest when it's not fully manic to be displayed through Simon (self isolation from poor coping due to loss, detachment from society, dwelling on the past to the point it effects social interactions, extreme forms of religious practice, etc.) and Fionna/Finn (pretending everything is fine, avoidance, going through the bare minimum motions to survive, escapsim and dream of grandure, not caring about sel preservation, no/lack of self control with sweets/coffee, etc.). And I've noted there's a subset of AT viewers who don't relate or find the depections too real to the point they're upset the show's tone isn't as light hearted as AT. The thing is when a global disabling event happens, unless you were under 10 when it happened and even then it's a 50/50 because you probably did lose or know somebody who did die these last several years, you will have some kind of trauma response to it whether you like it or not. Hell, some of you unknowlingly have a gap in your memory about 2020 specifically due to inconsistent sleep schedules that have nothing to do with the shrinking of the brain mass COVID causes that we all call "brain fog" and now that I pointed it out you're probably going to go stare at a wall for 5 mins {sorry btw, doubly if you have long COVID and this is how you found out what brain fog partially is}. As someone who's been dealing with depression since I was a child, it's okay to be not okay given the last several years and doubly if you've been conscious long enough to see the US freefall into fascism too {which I hope encourages those who weren't aware that's been happening to go look into that because we can't get into it right now}. Because I unfortunately know what manic depression can look like - if you find yourself relating to Simon a little too much during ep 3, please talk to somebody who is licensed and trained to do so {not me, I haven't done suicide prevention work since 2017 and am not licensed- I genuienly won't be enough of a resource} okay? Don't throw away yourself nor change yourself for others only. You need to work to accept the past, move on to live in the present, and change yourself for yourself. It won't be easy and resources are out there to not do it alone, alright?

Becuase of how paradoxial and fluid mental health (espeically undiagnosed depression) can be and how AT has it's own version with MMS, could Simon have unconscious MMS still because of Betty's with without a battery but can't tap into it because of his mental state? And could Ice King as we once knew him even be considered a proper person Simon could return too?

The original wish of why Ice King's appearance & abilities is the way it is IS because of Evergreen's impression on Gunter {Evergreen was one of the ice elementals of the past btw- go watch the original Adventure Time for that context}. So Ice King isn't even an original character, just the crown building off the wishes and manifestations of each bearer by emulating a warped version of Evergreen. And that's the main reason why I speculate Ice Thing aka Gunter the Penguin is chill af to the point he got married and can exist with less gems. His wish didn't build off of power to protect Marceline (Simon) nor the power to copy Evergreen (Original Gunter).

As the main trio jump from connected universe to connected universe, more Simons and crowns will appear that are even more removed from our Ooo's crown and it's version of Ice King or Ice Prince or Winter King will only manifest because of the prior and current wishes made. So if Simon does get a crown that isn't the Ooo crown, will the Ice King that once existed even be THE Ice King he wants to be? And will Simon want to be Ice King or an Ice King when the trio do return to his Ooo?

The crown and it's many versions is a paradox that can only be resolved if Simon and Fionna can work together but also set aside their depression to address what they both really want and what that wish's intention will do to themselves and those around them. In short, shit's deep

I applaud the team for Fionna and Cake for tackling such a layered problem and I'm excited to see how Simon's soup of emotions, Fionna's growth, & magic crown of Theseus is addressed.

Taking things much too seriously as I always do but hear me out

On one hand…

Two characters: (have a visibly toxic/abusive relationship, literally can’t stand one another, one threatens to kill/endanger the wellbeing of the other SEVERAL TIMES)

Fandom: no they love each other though, can’t you see it

On the other hand…

Two other characters: (become friends, get along well, one mourns the other when they die)

Fandom: I sleep.

If you think the former is love, uh…I don’t know what you’ve been through but that is, in fact, not love, that is dangerous, and I hope you’re okay

I understand a lot of people say “oh it’s only fiction it doesn’t hurt anyone”

…but is that really true??? Fiction can inform people and their choices, and then fiction can impact reality.

Not saying people who ship those things think abusive relationships are true love or that it’s okay, but…I automatically put up a wall and don’t trust that

Arcane fans whose favorite characters are already in game champions are so lucky. They have so much lore that they can pursue a PhD in their character. Meanwhile, Mel stans, Sevika stans, Silco stans, and the rest who aren't in game, barely have an associates.

I think it's hilarious that someone in a Pokémon discord got pissed and blocked me because I said that Skeledirge has Día De Los Muertos references on it because "Paldea is in Spain, not Mexico".

i’m trying to catch up with as much dimension 20 as i can before fantasy high junior year, i’m currently on a starstruck odyssey, and can i just say: there is truly no greater example of ally beardsley’s dnd progress than the parallel of ally as kristen applebees willingly taking 36 points of damage, bringing kristen down to 3 hit points as kristen plummets multiple stories due to a failed attempt to use a ribbon dance as a way to fly down 10 stories, and ally as margaret encino willingly taking 11 points of damage, bringing margaret down to 3 hit points so margaret can fall 30 feet from a camera nest, walk up to a giant corn guy, and say “you suck” as all the intrepid heroes look on assuming this to be usual beardsley tomfoolery, only for margaret to walk away & trigger an attack of opportunity which gives murph as barry a chance to push this guy off a ledge & possibly win them the entire encounter & over 1 million credits. INSANE. ally beardsley i’m obsessed with your mind

Don't you hate when you're trying to go to sleep and your flatmate's hot brother keeps haunting your dreams?

Sometimes you just got to fuck off to Europe and have Realizations(tm) to get over the death of your wife, happens to the best of us

so i keep seeing posts about both performative activism and people saying that it's "okay to take a break from posting about genocide for mental health reasons" and i feel like some people are confusing activism with "triggering yourself on purpose by constantly doomscrolling to prove yourself youre Doing Something By Reblogging Posts on Tumblr Dot Com". and i also think that some people see activism as this really impossible thing to do/something impossible to do if you're disabled and or poor but that's not true? and while, yeah, it is going to be more difficult if you're disabled, because of many reasons, but you also don't have to become an asylum lawyer or whatever to make a difference. you can volunteer whenever you're able to at your local food bank, save some money (even if it's like 10€!!) and donate it to ngos every month, go to protests, it's not that hard i promise and it WILL make a difference

When I approach Yelan (or anyone else I've written), I don't just look directly at her character, but I also look at her surroundings. Both the ones that she knows by some semblance of necessity, but also those that she chooses. Like here, I talked about the Chasm, and what being 'okay' with existing down there needs to mean for a character, because it's not normal. Someone's surroundings, room, or home say a lot bout who they are and what their mindset, or specifically, their perspective is of the world. And sometimes, I think it says more about people than even the characters realize.

This brings me to the topic of the city of Fontaine. Now, I personally think it's rather obvious that a lot of the nation takes from historical France, and so when looking at it, I think it really adds to remember its monarchy, the view that the 'common folk' had of it, and its inevitable demise to non-existence today in terms of importance as a result. So my first question is, who constructed or decided on its layout? Was it Furina, Neuvillette, Egeria? Whoever it was, there's a lot that can be said about their view of the world and their placement in it when you look at locations of buildings. Look at where Palais Mermonia, its governing body, is located within the city; it sits at a rather astounding elevation in comparison to, well, everything and everyone else in the city. This frequently represents the concept of 'distance' between groups in one way or another, and seeing the consistency in other nations, this is something that is rather intriguing to me, especially keeping Fontaine's characters in mind (and considering this is the nation of 'justice'). Mondstadt has everything almost entirely uniform, with arguably the church on the highest level (but it isn't greatly elevated in comparison to all else), but it's joined with the plaza and statue which are a common gathering site for all people in the city. Liyue had the gods and adepti visibly living among the humans back in the days of the Guili Assembly for reasons of 'integration' (my apologies to numerous from our dear Guizhong!) The fact that numerous adepti now live far outside of the harbor is a different matter entirely, and the one who seems to function within a semblance of separation of sorts is Ningguang with the Jade Chamber (but I'm not one to speak on behalf of her character as I don't bear the knowledge). Inazuma also has the Tenshukaku at a higher elevation in comparison to the rest of Inazuma City. Sumeru is interesting, but ultimately Nahida was kept at the very peak of the city, far out of reach of humanity— but that's exactly the common denominator that has my interest, the distance between the 'governing body' and humanity for one reason or another.

But Fontaine really takes separation to a different level in my opinion (and again, think of this when you think of the person having designed the whole city), not only because of the above which I'll elaborate more on in a moment, but also its separation from the outside world. Now, this is interesting to think about if you keep in mind that it was perhaps done in eventual protection of the city's inhabitants in terms of the prophecy (which means that this would have been constructed anywhere during or after Egeria's reign), but then why is only Palais Mermonia far above the water's reach? If the walls surrounding the city were ever breached during said prophecy, all its inhabitants are pretty much immediately caught in the flood and would drown, which tells me nothing positive of the city's 'architect' or whoever signed off on the designs. But if not done for the prophecy, then why? Stand in the middle of the Court of Fontaine and really look around you, the only sights you really have of the outside world are the sky, and it's obstructed by a fair bit of the waterways and gardens that hang overhead, which you can only properly enjoy when you take the ages long elevator to the upper level where the palace is located (which, credit due, seems freely accessible to everyone in present-time). But if you don't venture up, how much of the outside world do you get to see? It feels very secluded, very much under lock and key. On some level (and this is one of the many reasons why I think that the Meropide is so excessively important in Fontaine and it's likely why we spent so much time there; it's all to show the ever, ever important contrast and nuance between this 'autonomous nation within Fontaine' and, well, 'Fontaine'), it almost feels like a prison, regardless of how pretty it may look or come across (and despite not 'lacking rights'). And considering how people in the Meropide speak of not always wanting to return back to the 'overworld' following their sentence, I think that there's definitely quite a bit of truth in that. But again, stand there and look around for yourself.

Now to return to the original topic, but keeping the last one in mind as well, look at one other thing that I'm unsure how many have really kept an eye on: the massive effect Palais Mermonia's level has on the rest of the area (inside and outside of its walls). Have you ever walked through the city of Fontaine at any given time of day or night, north to south, east to west, clockwise or counter-clockwise circling through it; have you ever seen how it overshadows an immense part of the streets below it either entirely on its own (which to me signifies a very domineering presence), or together with those outer walls that surround the city? I know how I've spoken thoroughly with people before about how much I enjoy Fontaine and how dark it is in its storytelling, but despite how gorgeous this region with its water- and landscapes are; its city bears quite a heavy weight to me. I don't know who designed it, or ordered it to be constructed in this way, but nothing about the city itself truly, rationally, shows a healthy perspective versus its citizens.

Me: /continues on to ramble in tags because I'm me and I'm a nuisance with always more to say than I know how to coherently put into these posts.

➤ MAINS. [ ; ]   Hello hiya— here with an announcement of sorts for Jayce!

◈ I am making the decision to prioritize threads with @hexcoremagician when it comes to his muse — that meaning, *their Viktor will be his main Viktor.

We’ve developed these two a ton ooc & though I still have yet to write out my verses properly for Jayce thus far, I think I’m comfortable enough to say that our lore is heavily interconnected.

my frail whimsical mind cannot comprehend people watching a show/reading/playing a game and that's it. You're not gonna research and analyze, pick it apart and take what you will from it? You're not gonna read (write) fan fiction or look at (draw) fan art? What about every thought you can spare towards fantasizing and putting your little guys in scenarios and letting the narrative take over and consume your mind? And pouring hours into figuring out what a character would and would not say? Some people move on and that's...woah

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ANOTHER ONE

I saw the Stillmaker for the first time and knew immediately that it was my Durge's weapon. I know there's a lot of headcannons about Orin's weapons-- especially her dagger-- being Durge's, but for me it is Stillmaker.

Look at this beauty. I don't care how many weapons do more damage. I want to use this one. It's his sacrificial dagger he uses in rituals for Bhaal and my brain refuses to believe otherwise.

Cirque Colors - Paradiso

This seemed like a good one to show off for the last few weeks of summer.

(Top picture was taken indoors in indirect light, picture below was taken outside in direct sun.)

Paradiso is a gorgeous light minty-teal with purple shimmer and tiny holo glitters. I really wanted to do something with a retrowave feel and loved how these turned out. The patterns really remind me of the carpet of a local mall (which has been demolished for many years at this point) that I have a lot of fond memories about.