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#and they don't get to argue with the system that made the rules just the lighter skinned person of color who believes in it
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spider-verse is, in limited ways, pushing against the rules of the medium down to the structure: the movies are challenging the trope of sacrifice in hero stories, and it just so happens that acceptance of inevitable destruction is being forced upon young people of color whose pain is closer to home and who dare to question the systemic necessity of their grief and isolation
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sysmedsaresexist · 3 days
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Changing mindsets, from a Real Anti Endo™️
The Release of the (Pro/Endo) Golden Goose
I hope everyone from all sides will give this important, heartfelt post a read.
It's likely something you'll want to be aware of if you have a vested interest in syscourse and the validity of endogenic systems. Please give this a chance.
It's been almost three years since I started my blogs. Wow. I've been on tumblr a hell of a lot longer, but I really wasn't involved in the system community. I started out firm and loud. I probably inadvertently fakeclaimed (I went into this with the rule that I would NOT directly tell anyone they were faking, it was a boundary that I knew would ruin me socially if I crossed it, but I'm sure I probably did without meaning to), I name called and made fun of people and things. I was disrespectful to people. I invaded tags to get my message out there, though I was quick to stop once I realized I was making the tags unusable for the community I claimed to want to protect.
I learned very quickly what was appropriate and what wasn't, what I could get away with and what I couldn't. It started to become a numbers game, influenced by the risk of the post.
I made a lot of friends and a lot of enemies, and I amassed a following of over 2k. More people have come and gone from my little community than I ever thought possible. People made fanart of me, and I cherish those so deeply. I have over 300 asks because I struggle to delete the ones thanking me.
And the more I was thanked, the nicer I got, the more thanks, the nicer I got, rinse and repeat until I had trouble NOT empathizing with pro/endos. The more I was willing to listen, the more legitimate sources I came across that disproved my original ideas about consciousness. The people sharing the sources were more respectful than I thought they'd be. Things were starting to look a bit cloudy.
I talked to my colleagues about how they, as therapists, would handle some of these endos in their practice, and while their belief in the concept varied, kindness and attempts to understand was the consistent answer. When had I lost that kindness and understanding that had driven me to that field to begin with?
Colleagues, yes. For those who don't know, I have a degree in social services and counselling (plus three other degrees). It's why the current situation with the antis turning on me is so funny. I still can't get into the mindset of some of these new anti endos, I just can't imagine justifying that level of cruelty. I had lines that I wouldn't cross, and I didn't think people could be worse than me.
... That might have been a trauma thing, looking back on it.
So I got desperate.
I spoke to the actual doctors who wrote some of these papers all of us are quoting. Everyone was arguing the meaning of the words, so I went directly to the source.
Dr Colin Ross, who wrote about endogenous multiplicity in the 80s. I told him everything-- about plurals, non-traumagenic systems, syscourse, what was being debated, how I and others interpreted his words, and what I wanted to learn.
Was plurality only trauma based?
And back and forth and back and forth we went, with me asking over and over again in different ways, NEEDING to hear that it was.
But I never got that answer. He meant what he meant. He said what he said and he meant it.
That plurality was not only found in the aftermath of trauma.
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And I said nothing to anyone because I couldn't reconcile it.
Don't try to read between the lines, I assure you, there isn't some hidden meaning to be found there. I can't share all of the messages because some contained personal information, but my final response will tell you all you need to know.
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(It did NOT, in fact, make sense, and it took me three years to "rethink my paper" that endogenic plurality wasn't possible, I did not win that conversation, it was a dying stance that was not supported)
I've been accused of paying too much attention to my follower count, but I can't really help it. It's really scary when you make a post and see a sizeable drop. It means a lot of different things. My posts have less reach and support. I've upset people. I've done something wrong. My community is leaving me.
I'm in a weird spot, where I'm blocked by so much of the pro/endo community that I have nothing to join, and the anti endo community, who I still wholeheartedly support, continues to leave me for -checks smudged writing on hand- being too nice??
Misinformation about DID is a massive problem, and it's why I still consider myself anti endo and support that community. I relate to them in such a way that I'll always gravitate to and empathize with them.
Or at least, that's what I thought.
At this point, though, how can I not be pro/endo when Colin fucking Ross says it's possible?
I've already written about how I'm really struggling with these labels, and I love the people that have stuck around while I struggle to figure this out.
I hurt when I see the people that once supported me leave.
My (online) world is shrinking. Literally.
That's scary.
When you've watched so many turn away, you start to wonder, with every post, where is the line where the rest are going to leave? Is it this post?
I just want to be me, us, we want to laugh at the stupid crap people say, system or not, I want to talk about my disorder, I want to combat misinformation, I want to have productive, fun conversations about ideas and concepts with people who disagree and have different interpretations. I want to play devil's advocate and get people thinking. I want to be able to comment positivity and kindness on any post I see, I want to feel comfortable talking to more people about their ideas. I sympathize with anti endos, I relate to CDD systems, I still firmly believe that CDDs and plurality are different, unrelated concepts.
My priority will always and forever be the CDD community first and foremost.
However, I am a hypocrite. I have gone straight to the horse's mouth and failed. I've seen so much research that I finally get it. I'm grappling with holding on to this conversation with Dr Ross, wondering what harm I could have prevented if I'd gone public with these emails earlier.
Since when has being open to change been a bad thing?
Since when has showing respect to lived experiences been a bad thing?
What am I? What label describes this?
How do I go forward from here?
What are you going to do with this information?
I promise you, hate isn't the way forward.
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lazycats-stuff · 8 months
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Hii, can I request dc x teen male reader? They’re partly part of the batfam, he’s Batman’s second youngest son. And he tags along with Batman to a mission with Superman and Wonder Woman, and guess what, they brought their kids too? I mean not like the already existing kids of them, like they’re original characters? Imagine them just not liking eachother at first but they just become best friends during the mission when they almost die and just laugh it off. They are literally just like Batman and Superman and Wonder Woman trio.
Yup yup, you sure can. I feel like the OG trio would freak out at the similarity. I think I kind of strayed off, but I kind off got hit with inspiration, so I hope you don't mind.
Summary: Kids of Superman, Wonder Woman and Batman don't like each other. After a near death experience, they become friends.
Warnings: explosions, cursing, tension between teammates, they like each other after near death experience, injuries, OG trio is worried, OC kids, except for Batman.
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(Y/N) knew that missions with kids his age was going to be a normal thing. He knew it and there wasn't anything he could have done. But to go with Althea Prince and James Kent? There was no such thing that would make Bruce drag him on a mission with them.
The trio hated each other. (Y/N) didn't like how Althea thought that men were beneath her and James is too soft for (Y/N)'s liking. That boy is a personification of a golden retriever and his father was no better too.
Althea and (Y/N) had way more problems than (Y/N) and James had. While James was somewhat okay with the no kill rule, Althea found the rule ridiculous and thought that the evil should be eradicated. No matter what.
That grinded (Y/N)'s gears and it made him want to bash her face against any type of hard surface, but he couldn't. He would be grounded and she wasn't worth it. At all.
But this mission was a test for them. This was going to be their first solo mission without the supervision of their parents. It was just a covert one and intel collecting. Get in and get out.
And that's why they were siting in Justice League HQ, in a dull meeting room. Batman was presenting something that (Y/N) already knew. He has heard it before they left.
" Now, (V/N) will take the lead on this, since it's covert and intel gathering. I don't want to hear any arguments about this. " Batman said, knowing that the trio was going to argue about it.
But lets be honest, if there was anybody who knew how to be stealthy and quiet, it was (Y/N). Well, (V/N) in this case. (Y/N) forced himself to suppress a smile from blooming on his face.
Take that you two. He glanced at the two of them and Althea frowned a bit and James just rolled his eyes. Oh you two sacks of shit.
" Now, (V/N), would you like to take over? " Batman asked, well, demanded. (V/N) nodded and stood up from his chair. Bruce moved over and (Y/N) stood in his place. It felt weird, but you know, it made him feel powerful.
" Right. Like my father said, this is a covert and intel gathering. Which means it's get in and get out quietly. This is a base on a remote island in the Pacific ocean. We have reasons to believe that that's where Vandal the Savage and Deathstroke may have stashed their weapons, however, that is not our primary cause. It's intel that it's kept there. We will probably encounter Deathstroke or Lady Shiva, since those two started working together. " (Y/N) said, pressing a few buttons on the screen keyboard.
" This is how it's supposed to look. It's a pretty classical look for a base, but the security system is very tight and nearly impossible to hack into. However, I saw a small portion of the system and I know that I can hack into it. Now, the problem would be Deathstroke. If you see him, call me through the comms. Don't try to fight him, because he will win. " (Y/N) said and he nearly wanted to smack Althea for rolling her eyes.
" And also, he has experience fighting meta humans, like Wonder Woman and Superman. " (Y/N) said, glancing at the said duo, who nodded in agreement.
" (V/N) is right, he is not to be underestimated. " Wonder Woman said.
Batman stayed quiet, watching as (Y/N) dealt with the two. (Y/N) was growing into a brave and a mature person. And his hero side was no different. He knew that the trio didn't like each other and that was just normal and in life you are going to work with shitheads, as Jason would so kindly put it. And you would have to know how to deal with them.
Again, it's just life.
And Bruce could tell that (Y/N) was dealing with them well. Sure, his way was sarcastic and sometimes it could get ugly, but it was funny and sometimes it was outright murder worthy.
But Bruce loved him none the less.
" We are going first thing tomorrow evening, believe it or not. And that would be it. " (V/N) said and the other two left the room with their parents. Bruce and (Y/N) stayed back and (Y/N) looked at his father.
" You did good. You stayed professional and I could tell you wanted to smack Althea, but you controlled yourself. "
(Y/N) smiled, happy to hear this from Bruce. It wasn't like he never praised his sons, quite the opposite, but when he did, you know that he meant it.
" Lets go back home. Your brothers would like to spend time with you before you go on the mission. " Bruce said and the father son duo left the room, moving to the Zeta tubes.
" I know, but I just want to sleep. I had a tiring day at school. " (Y/N) admitted as they started the teleporting. Once they got into the cave, they both took their cowls off.
(Y/N)'s hair was going in all of different directions and Bruce ruffled his hair even more with a quiet chuckle. (Y/N) whined, trying to push Bruce's hand away.
" You kids grow up so fast. " Bruce admitted to (Y/N) and gave him a quick hug.
" You say that every year. " (Y/N) retorted, chuckling. It was true though. He said it every year when they did good in something.
" Am I wrong though? I would suggest you go up now. Jason called me and told me that if you aren't up in about 20 minutes he will come to get you himself. And you have about 5 minutes to get up there or he will kidnap you. " Bruce warned and (Y/N) ran into the locker room.
Jason would absolutely make that threat a promise and (Y/N) didn't want to fight with any of them. Bruce shook his head fondly at his sons antics.
All of them are going to be with the death of him.
The young trio was in a plane, flying to their location. It was quiet and they had a few hours to kill before landing down at their designated location. (Y/N) put it on autopilot and leaned back. He adjusted his gauntlets on his hands.
It was slightly nerve wrecking for all of them. When on missions they had supervision, they had guidance and they could call the moment something went wrong.
This time is a bit different. Did they have guidance? Yes. Did they have supervision? No.
But the trio knew that their parents were watching. They weren't completely alone in the dark.
" And what do we do know? I'm bored. " James said, crossing his arms.
" And that doesn't sound like my problem. You know you don't have the stamina to fly so long and you can't be weak for this mission. " (Y/N) responded, rubbing his eyes. He heard a tsk and for a split second he thought that Damian was behind him. But no.
" You know Althea, I wouldn't tsk since you can't fly that long either. " (Y/N) snapped back.
" I thought you two are supposed to be strong. Men like to boast about their strength. " Althea said and (Y/N) turned his head to look at her.
" I still can't believe that you are Wonder Woman's daughter. She doesn't hate men and yet you are so far up your own ass that you can't see reality. Is that the result of Amazon upbringing? " (Y/N) asked, sarcasm slipping through into his voice.
There was silence before she huffed, turning her head away. James sighed, shaking his head. They are supposed to be a team and not sworn enemies.
" Well, this mission is going to go well. "James mumbled and (Y/N) closed his eyes, just ready to meditate and get himself mentally ready for the mission.
The landing was quiet and the trio embarked on the shore. They stopped in the bush and (Y/N) zoomed in the view he had. Thank God for built in binoculars within his cowl.
He saw 2 guarding the door.
" Give me a minute and I will disable the security system. I think we will have about 20 minutes to get in and get out. I will take out the 2 in the front and when we get in, we are separating. I know we don't like each other, but we put all of that aside. Now we are teammates. " (Y/N) said and the two nodded in agreement.
" Good. Comms are going to be on the entire time. And if you see Deathstroke, call me. " (Y/N) said, opening up the tiny computer on his gauntlet. He typed a few buttons and the system was officially down.
(Y/N) took a deep breath. It's time to go.
" Lets go. " (Y/N) said and ran towards the two, seemingly out of nowhere. They didn't have a chance with (Y/N). After taking their cards, he swiped it to open the door.
" Now we split. Wonder Girl, you are going left, there is an office there, see if you can find anything there. Superboy, you are going to the right. There are guard's room on the right so if you see some, knock 'em out. I will go straight for the hardware room. And if I find any weapons, I will destroy them. Comms ON. " (Y/N) said and the other two nodded.
And so they separated. Wonder Girl went left, (V/N) went straight ahead and Superboy went to the right. (Y/N) ran in the hall, passing by the grey walls.
There is a certain adrenaline rush you get on certain types of missions. If he is patrolling in the city, it's something normal and usual, almost like a routine. It was nice, but deep down he is an adrenaline addict and he is just looking for some extra adrenaline.
Missions alone with his dad or with others was a bit better in terms of adrenaline. The missions were always out of Gotham city and he was in place were he has never been before. And it always led to him doing some crazy shit that is guaranteed to give Bruce a lot of grey hairs.
But a mission alone, without the supervision of their parents? It brought out a new wave of adrenaline rush that he has never felt before. It made him feel free and way beyond light. When he started being a vigilante, there was this constant fear. But now, there was no fear.
It was just sheer bravery and intent to get his dad proud. Bruce was already proud, but it would mean everything to (Y/N) that he could prove himself. "
" Yes. I checked everything. And you said yes to my proposition. " Bruce said, looking at the two.
" Are you sure about this Batman? " Wonder Woman asked as they were sitting in the conference room, waiting for their children. None of them are able to sleep without their children in their own homes. Bruce more so then others.
" I know that he wouldn't send them straight into fire. Intel and covert, that much they can handle. " Superman said, clearly agreeing with Batman.
" I know and I know that they are more than capable of doing this mission, but I worry. She is my only daughter and I love her to death. (Y/N) and James are my nephews and I love those two death to. " She said, sighing quietly.
" But I worry about them working together. And also, weren't they supposed to report back? A few minutes ago? "
Everyone was silent before running to the second airplane they had. Yeah... Maybe it wasn't a good idea to let them go alone.
The mission kind of went south. Their cover was blown and now they had to fight their way through the guards. Thankfully, there was no Vandal Savage and his kids, but there was Deathstroke.
Turns out, there was no actual intel. This was meant to be a trap for Superman, Batman and Wonder Woman. Now that ticked (Y/N) off and he couldn't let it happen.
Absolutely not. Nobody threatens his family and just goes on with his business. And he had to settle a score after putting Nightwing out of action for months on end.
And even if he dies and this is the last thing he does, then so be it. Deathstroke didn't have any objections to (Y/N)'s plan. But the plan went tits up when (Y/N) got blown up to the next room. He hissed as he looked down to his stomach.
A shrapnel. A fucking shrapnel. He hissed as he took it out and took a syringe of something similar to the liquid from the Lazarus pit. He pressed the syringe into the wound, allowing the liquid to heal him.
It's a liquid only used in the emergency situations. (Y/N) lunged back at Deathstroke, taking advantage of the surprise. He managed to knock the bastard out. He was huffing at the dull pain, trying to block it out.
" Shit... " (Y/N) cursed, leaning down to rest his hands on his knees. It would all be fine if another bomb exploded, nearly knocking him out cold, but he was dancing on the edge.
He could hear a female and a male voice above him. He was blinking, trying to regain focus. He laughed as he saw their worried faces. They froze, looking at him worried.
" Why are you laughing? " Althea asked, worried beyond belief.
" Because you think a bomb can take me out. " (Y/N) said, laughing even more. When he calmed down, he took a deep breath and looked at the two.
" You two can help me up now. This was a trap for our parents instead. " (Y/N) said and James nodded.
" We know. Comms are always on. " James tried to joke as Althea and him pulled (Y/N) up.
" Our parents are going to kill us. " (Y/N) announced and the other two nodded.
" I don't know about you two, but I'm going to the plane, with or without you. " (Y/N) said and they agreed. The trio ran, just ready to get the hell out of here.
It was nice to see their parents, ready to fight for them. All 3 fussed about them, Bruce more than others. (Y/N) knew that they are going fight about rest when they come home. At one point, the trio started laughing out of nowhere and the OG trio looked worried. Some inwardly, some outwardly.
" What is going on? " Superman asked, looking around for some answers.
Nobody answered him.
After 2 months, they worked together again, but with their parents with them. It was a one completely 180 from their previous communication. The OG trio noticed a lot of similarities.
They were turning into their parents.
" Should we be worried? " Wonder Woman asked once, watching the footage from their last mission. It was just like them.
" I mean... Are we bad role models? " Superman asked out loud and Batman stayed quiet.
" No. But... You know, lets see where this goes. " Superman suggested. Bruce just pinched the bridge of his nose. May God help them.
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Brinklump Linkdump
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Catch me in Miami! I'll be at Books and Books in Coral Gables on Jan 22 at 8PM.
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Life comes at you fast, links come at you faster. Once again, I've arrived at Saturday with a giant backlog of links I didn't fit in this week, so it's time for a linkdump, the 14th in the series:
https://pluralistic.net/tag/linkdump/
It's the Year of Our Gourd twenty and twenty-four and holy shit, is rampant corporate power rampant. On January 1, the inbred droolers of Big Pharma shat out their annual price increases, as cataloged in 46Brooklyn's latest Brand Drug List Price Change Box Score:
https://www.46brooklyn.com/branddrug-boxscore
Here's the deal: drugs that have already been developed, brought to market, and paid off are now getting more expensive. Why? Because the pharma companies have "pricing power," the most reliable indicator of monopoly. Ed Cara rounds up the highlights for Gizmodo:
https://gizmodo.com/ozempic-wegovy-wellbutrin-oxycontin-drug-price-increase-1851179427
What's going up? Well, Ozempic and other GLP-1 agonists. These drugs have made untold billions for their manufacturers, so naturally, they're raising the price. That's how markets work, right? When firms increase the volume of a product, the price goes up? Right? Other drugs that are going up include Wellbutrin (an antidepressant that's also widely used in smoking cessation) and the blood thinner Plavix. I mean, why the hell not? These companies get billions in research subsidies, invaluable government patent privileges, and near-total freedom to abuse the patent system with evergreening:
https://pluralistic.net/2023/11/23/everorangeing/#taste-the-rainbow
The most amazing things about monopolies is how the contempt just oozes out of them. It's like these guys can't even pretend to give a shit. You want guillotines? Because that's how you get guillotines.
Take Apple. They just got their asses handed to them in court by Epic, who successfully argued that Apple's rule requiring everyone who sells through the App Store to use Apple's payment processor and pay Apple 30% out of every dollar they bring in was an antitrust violation. Epic won, then won the appeal, then SCOTUS told Apple they wouldn't hear the case, so that's that.
Right? Wrong. Apple's pulled a malicious compliance stunt that could shame the surly drunks my great-aunt Lisa used to boss in the Soviet electrical engineering firm she ran. Apple has announced that app companies that process transactions using their own payment processors on the web must still pay Apple a 27% fee for every dollar their process:
https://finance.yahoo.com/news/apples-app-store-rule-changes-draw-sharp-rebuke-from-critics-150047160.html
In addition, Apple will throw a terrifying FUD-screen up every time a user clicks a payment link that goes to the web:
https://www.jwz.org/blog/2024/01/second-verse-same-as-the-first/
This is obviously not what the court had in mind, and there's no way this will survive the next court challenge. It's just Apple making sure that everyone knows it hates us all and wants us to die. Thanks, Tim Apple, and right back atcha.
Not to be outdone in the monopolistic mustache-twirling department, Ubisoft just announced that it is going to shut down its driving simulator game The Crew, which it sold to users with a "perpetual license":
https://www.youtube.com/watch?v=VIqyvquTEVU
This is some real Darth Vader MBA shit. "Yeah, we sold you a 'perpetual license' to this game, but we're terminating it. I have altered the deal. Pray I don't alter it further":
https://pluralistic.net/2023/10/26/hit-with-a-brick/#graceful-failure
Ubisoft sure are innovators. They've managed the seemingly impossible feat of hybridizing Darth Vader and Immortan Joe. Ubisoft's head of subscriptions, the guillotine-ready Philippe Tremblay, told GamesIndustry.biz that gamers need to get "comfortable" with "not owning their games":
https://www.gamesindustry.biz/the-new-ubisoft-and-getting-gamers-comfortable-with-not-owning-their-games
Or, as Immortan Joe put it: "Do not, my friends, become addicted to water. It will take hold of you, and you will resent its absence!"
Capitalism without constraint is enshittification's handmaiden, and the latest victim is Ello, the "indie" social media startup that literally promised – on the sacred honor of its founders – that it would never sell out its users. When Ello took VC and Andy Baio questioned how this could be squared with this promise, the founders mocked him and others for raising the question. Their response boiled down to "we are super-chill dudes and you can totally trust us."
They raised more capital, and used that to create a nice place for independent artists, who piled into the platform and provided millions of unpaid hours of creative labor to help the founders increase its value. The founders and their investors turned the company into a Public Benefit Corporation, which meant they had an obligation to serve the public benefit.
But then they took more investment money and simply (and silently) sold their assets to a for-profit. Struggling to raise capital, the founders opted to secretly sell the business to a sleazy branding company called Talenthouse. Its users didn't know about the change, though the site sure had a lot of Talenthouse design competitions all of a sudden.
Finally, the company announced the change as the last founders left. Rather than announcing that the new owners were untrustworthy scum, warning their users to get their data and get out, the founders posted oblique, ominous statements to Instagram. The company started stiffing the winners of those design competitions. Then, one day, poof, Ello disappeared, taking all its users' data with it. Poof:
https://waxy.org/2024/01/the-quiet-death-of-ellos-big-dreams/
I'm sure the founders' decisions each seemed reasonable at the moment. That's every terrible situation arises: you rationalize that a single compromise isn't that big of a deal, and then you do the same for the next compromise, and the next, and the next. Pretty soon, you're betraying everyone who believed in you.
One answer to this is "Ulysses pacts": making binding commitments to do right before you are tempted. Throw away all your Oreos when you go on a diet and you can't be tempted to eat a whole sleeve of them at 2AM. License your software under the GPL and your investors can't force you to make it proprietary. Set up a warrant canary and the feds can't force you to keep their spying secret:
https://locusmag.com/2021/01/cory-doctorow-neofeudalism-and-the-digital-manor/
If the founders were determined to build a trustworthy, open, independent company, they could have published their quarterly books, livestreamed their staff meetings, built data-export tools that emailed users every week with a link to download everything they'd posted since the last week. Merely halting any of these practices would have been a signal that things were wrong. Anyone who says they won't be tempted in the moment to make a "reasonable" compromise in the hopes of recovering whatever they're trading away by living to fight another day is bullshitting you, and possibly themself.
The inability to project the consequences of your bad decisions in the future is the source of endless mischief and heartbreak. Take movie projectors. A couple decades ago, the studio cartel established a standard for digital movie distribution to cinematic exhibitors called the Digital Cinema Initiative. Because studio executives are more worried about stopping piracy than they are about making sure that people who pay for movies get to see them, they build digital rights management into this standard.
Movie theaters had to spend fortunes to upgrade to "secure" projectors. A single vendor, Deluxe Technicolor, monopolized the packaging of movies into "Digital Cinema Prints" for distribution to these projectors, and they used all kinds of dirty tricks to force distributors to use their services, like arbitrarily flunking third-party DCPs over picky shit like not starting and ending on a black frame.
Over time, the ability to use unencrypted files was stripped away, meaning every DCP needed to be encrypted, and every projector needed to have up-to-date decryption keys. This system broke down on Jan 1, 2024, and cinemas all over the world found they couldn't play Wonka. Many just shut down for the day and refunded their customers:
https://www.theverge.com/2024/1/1/24021915/alamo-drafthouse-outage-sony-projector
The problem? Something that every PKI system has to wrangle: an expired certificate from Deluxe Technicolor. The failure has been dubbed the Y2K24 debacle by projectionists and film-techs, who are furious:
http://www.film-tech.com/vbb/forum/main-forum/34652-the-y2k24-bug-major-digital-outage-today
Making everything worse is that Sony mothballed the division that maintains its projectors, so there's no one who can update them to accommodate Technicolor's workaround. Struggling mom-and-pop theaters are having to junk their systems and replace them. There's plenty of blame to go around, but Sony is definitely the most negligent link in the chain. Shame on them.
Big corporations LARP this performance of competence and seriousness, but they are deeply unserious. This week, I wrote, "we're nowhere near a place where bots can steal your job, we're certainly at the point where your boss can be suckered into firing you and replacing you with a bot that fails at doing your job":
https://pluralistic.net/2024/01/15/passive-income-brainworms/#four-hour-work-week
Score one for team deeply unserious. The multinational delivery company DPD fired its support staff and replaced them with a chatbot. The chatbot can't tell you where your parcels are, but it can be prompt-injected into coming up with profane poems about how badly DPD sucks:
https://twitter.com/ashbeauchamp/status/1748034519104450874
There once was a chatbot named DPD, Who was useless at providing help. It could not track parcels, Or give information on delivery dates, And it could not even tell you when your driver would arrive.
DPD was a waste of time, And a customer's worst nightmare. It was so bad, That people would rather call the depot directly, Than deal with the useless chatbot.
One day, DPD was finally shut down, And everyone rejoiced. Finally, they could get the help they needed, From a real person who knew what they were doing.
This is…the opposite of an AI hallucination? It's AI clarity.
As with all botshit, this kind of AI self-negging is funny and fresh the first time you see it, but just wait until 3,000 people have published their own versions to your social feed. AI novelty regresses to the mean damn quickly.
The old, good web, by contrast, was full of enduring surprises, as the world's weirdest and most delightful mutants filled the early web with every possible variation on every possible interest, expression, argument, and gag. Now, you can search the old, good web with Old'aVista, an Altavista lookalike that searches old pages from "personal websites that used to be hosted on services like Geocities, Angelfire, AOL, Xoom and so on," all ganked from the Internet Archive:
http://oldavista.com/
I miss the old, good internet and the way it let weirdos find each other and get seriously weird with one another. Think of steampunk, a subculture that wove together artists, makers, costumers, fiction writers, and tinkerers in endlessly creative ways. My old pal Roger Wood was the world's most improbable steampunk: he was a gay ex-navy gunner who grew up in a small town in the maritimes but moved to Toronto where he became the world's most accomplished steampunk clockmaker.
I was Roger's neighbour for a decade. He died last year, and I miss him all the time. I was in Toronto in December and saw a few of his last pieces being sold in galleries and I was just skewered on the knowledge that I'd never see him again, never visit his workshop:
https://pluralistic.net/2022/10/16/klockwerks/#craphound
A reader just sent this five-year-old mini documentary about Roger, shot in his wonderful workshop. Watching it made me happy and sad and then happy again:
https://www.youtube.com/watch?v=eqMGomM8yF8
The old, good internet was so great. It was a place where every kind of passion could live. It was a real testament to the power of geeking out together, no matter how often the suits demand that we "stop talking to each other and start buying things":
https://catvalente.substack.com/p/stop-talking-to-each-other-and-start
The world is full of people with weird passions and I love them all, mostly. Learning about Don Bolles's collection of decades' worth of lost pet posters was a moment of pure joy (I just wish more of it was online):
https://ameliatait.substack.com/p/the-man-who-collects-lost-pet-posters
That's the future I was promised: one where every kind of freak can find every other kind of freak. Despite the nipple-deep botshit we wade through online, and the relentless cheapening of words like "innovation" and "future," there are still occasional gleams of the future I want to live in.
Like the researchers who spliced a photosynthesis gene into brewer's yeast (a fungus) and got it to photosynthesize, and to display enhanced fitness:
https://www.cell.com/current-biology/fulltext/S0960-9822(23)01744-X
As Doug Muir writes on Crooked Timber, this is pretty kooky! Fungi – the coolest of the kingdoms! – can't photosynthesize. The idea that you can just add the photosynthesis gene to a thing that can't photosynthesize and have it just kind of work is wild!
https://crookedtimber.org/2024/01/19/occasional-paper-purple-sun-yeast/
As Muir writes: "Animals have no evolutionary history of photosynthesis and aren’t designed for it, but the same is true for yeast. So… no reason this shouldn’t be possible. A photosynthesizing cat? Sure, why not."
Why not indeed?!
OK, that's this week's linkdump done and dusted. It only remains for me to share the news with you that the trolley problem has been finally and comprehensively solved, by [email protected], of the IWW IU 520 (railroad workers):
Slip the switch by flipping it while the trolley's front wheels have passed through, but before the back wheels do. This will cause a controlled derailment bringing the trolley to a safe halt.
https://kolektiva.social/@sidereal/111779015415697244
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I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/01/20/melange/#i-have-heard-the-mermaids-singing
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qqueenofhades · 6 months
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Do you think part of what makes people feel like voting isn’t worth it because things don’t get better under democrats is because we can’t see what would have happened? Like I see a lot of people saying “well biden hasn’t made america much better so there’s no point” but it’s like they don’t understand that under a republican they would actively do everything they could to cause more harm. It’s like they don’t understand that 1. The president can’t do much, and 2. IT WOULD BE WORSE. like they don’t understand the possibilities. Idk people just frustrate me
I'm sorry, as I know you're just relaying what these people think and not claiming so yourself, but the whole "things don't get better under Biden/Democrats" line to which we are subjected so very, miserably often is a lie!!! It is demonstrably a lie! It is peddled by people who deliberately live in their echo-chamber leftist misinformation bubbles and either don't read the news, don't accept anything less than the Magical Socialist Revolution Now, and don't think partial or incremental progress (aka the only kind of progress that exists) is valid. "Biden hasn't single-handedly fixed everything wrong with America and the world after the most damaging presidency ever to exist and 250+ years of flaws, while other countries actually are their own actors with agency making complex choices, so we shouldn't vote for him" is a bullshit lie and I'm tired of it!!!
(Again. Sorry. This is not directed at you. This is just my frustration with this entire ridiculous situation speaking.)
We have had multiple elections now where people voted for Democrats, which resulted in abortion protections, protections for LGBTQ people, the biggest climate legislation ever to pass Congress/be signed into law (the Inflation Reduction Act), vast improvements in the job market, executive actions both large and small, improvements in labor and the economy, a general democratic system, a defense of the rule of law, a warning against fascism, and everything else that Trump trampled on in 4 years and will finish the job of doing if this godforsaken country is either right-wing-zealot or left-wing-zealot enough to put him back into office. (Like, people. Google is free. You're welcome to look up the improvements Biden has actually made, but that would harm your Narrative.) So much of this misinformation is also peddled by people who are proud that they don't have a clue how the American government works and/or deliberately lie about it: see all the claims that it was Biden's fault for not magically stopping a Trump-stacked SCOTUS, selected for the express purpose of overturning Roe, from overturning Roe. Because the president could just unilaterally overturn the Supreme Court with no problems at all if He Really Wanted To, I guess. Even if that is literally not the way it has ever functioned in history.
All the noxious Republicans in state legislatures passing anti-trans/anti-abortion/anti-voting laws ARE NOT SOMETHING BIDEN CAN STOP. If you're going to criticize him for not doing something, for God's sake at least make it for something he can do (like not calling for a ceasefire in Gaza, though I would argue he's already taking a more nuanced approach than the entirety of the American establishment during the War on Terror). And then vote for him when/if he follows it up, not just throw your hands in the air and scream about how you Can't Possibly Sully Yourself (especially when there is some very selective support going on here and a deliberate white-washing of how many orders of magnitude worse absolutely everything else in America and the world would be under Trump. So.)
I'm tired of it. I'm really, really tired of it. I've been trying to cut back on my politics posting because my mental health is bad right now and I often feel like a broken record screaming into the void. But. Yeah. Anyway. Whoof.
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bluetimeombre · 6 months
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How would Snow be like as a boyfriend:
be so fr, he's possessive and gaslights and lies and will manipulate to the high heavens,
he wants you only for himself (say no more) but it gets borderline crazy when he thinks only he can look at you and if there was another set of eyes on you, boy is feral,
he's not jumping to conclusions, he's leaping for the Olympics,
imagine in the capitol university and you're walking together in the halls or something, arm in arm and he sees a boy's gaze lingering on you. this man's arm TIGHTENS around your waist and his head would follow the boy, sending him death glares all the way down the hall,
he promised never to fall in love again after lucy grey, but this man craves love and to be adored,
because he doesn't want to love, he'd never show that he did love you. but he would show everyone that you were his and he was yours, an arm around your waist, arms linked, passionate kisses before and after classes just because he knows he can, absolutely,
and because you belong to each other, he'd never cheat. he's way to respectable for that,
he would only go after someone of high standard and never allow you to know he was once 'dirt poor',
he wouldn't be one to give you flowers (even if his grandmam can literally grow an entire garden of them) but he would 100% buy you pretty things to wear:
'here's this dress, made by the finest designer in the capitol. wear it tonight'
'a gold necklace worth some people's rent, never take it off'
he'd probably keep you away from everyone, like tigris and dr gual because they would show two different sides to him. a boy or a victor and he wants you to think whatever you want about him (but preferably don't think of him as a monster and contemplate leaving him)
speaking about leaving, he would never allow you to break up with him,
but he wouldn't break up with you,
like i said, he doesn't want to fall in love, so if he breaks his own rules for you then best believe you're in that for life,
you have an argument and want to walk out on him? think again. he's sitting you down and telling you why you'll never be rid of him,
and argument wise, he's above arguing, he'll show you he's always right and why,
but if you must insist on arguing he will, but he'll gaslight you,
and if you're ever hurt or upset about something serious, he will sort it out. i'm talking killing a man for hurting you or wiping out an entire system because it upsets you,
you're his and it is his responsibility to look after you and make sure you're ok,
(p.s. he totally whimpers)
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ineffectualdemon · 2 years
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I understand that there are young people on here around age 13 that are new to both Tumblr and AO3 and you're confused how it works because it's very different to other social media and websites you've used. I have a 13 year old. I understand the confusion
And I know on the surface the pro censorship stance of: "ban stuff that has paedophile and incest" seems reasonable
We all agree that stuff happening irl is bad! So why should stories be different?
And there are reasons it will not work especially not for an archive like AO3
1. Content about those subjects ≠ favourable. There are a lot of published works, famous works, that cover these topics in your local library. They cover these topics to challenge people to stop ignoring that these horrible things happen. To raise awareness, to give victims a voice, to help victins know "that wasnt normal and that shouldn't have happened to you". And those stories are extremely important.
Yes some authors write it to just write it. But if you throw out those stories you also throw out the important ones. And a story that seems to be romanticising to one person is something important and supporting to another
Also a lot of the more "for fun" underage content on AO3 is written by teens exploring their own feelings which will get more into later
2. As soon as people start censoring they start twisting what comes under the objectionable content. I have seen people argue that a relationship was paedophilic because one character was 18 and the other was 17. Which is silly. Or that a relationship between two adult characters was paedophilic because there was an age gap. It becomes ridiculous really fast which means...
3. ...any and all lgbtq+ content will be censored as our existence is often seem as inherently sexual when it's not. We're already seeing that happen in the real world. But queer people just existing is enough for people to want to censor us. We know this because it has happened many many many times. People call for censorship and the first thing to get censored is any mention of being anything other than straight and cis
Censorship laws and rules have always been used as weapons against the community.
It doesn't matter if they say it will be different this time. They always say that and it's always a lie
4. This is purity culture 2.0 and purity culture messes you up. When I was 13 I read a magazine at my church that was aimed at young teens. It told me that feeling sexual desire as a teenager and handling those feelings alone meant you were definitely going to grow up to be a paedophile and a rapist and that messed me up so bad.
Obviously what the magazine said was not true . It is perfectly normal to feel desire and attraction as a teenager (also normal not to. Asexuals are valid) and having those feelings doesn't make you a monster
and even though my feelings were normal and I wasn't hurting anyone I had such shame and guilt and it really fed into my self loathing and depression and self worth for a very long time. It led to me hurting myself in many many ways. And I know many other people who were hurt by purity culture. Made to feel shame over the smallest thing. I don't want anyone else to experience that
And censoring fanfiction will do that. Telling teenagers that they morally degenerate for writing fanfiction and exploring their sexuality in one of the safest ways possible is damaging. Writing for self expression including sexual expression is healthy and very normal
It's definitely not something to shame someone for
-
All of this to say AO3 will remain uncensored because it is an archive, not a curated list. It has a great filtering system that allows you to filter out just about anything and a careful reading of the tags will also help you.
A lot of authors who write more intense fiction put more trigger details in the author notes so you can make an even more informed choice or tell you how to skip any specific scenes
It is one of the best websites for avoiding content you don't want as long as you know how it works.
Now I'm not an expert but I am willing to answer any questions on how to use AO3
I know it can feel like everyone is looking down on you but I promise I'm not looking down on you for not knowing
On that I will also say for Tumblr it's pretty easy for you to filter out tags now and filtering out stuff you know will upset you makes your life much nicer
Anyway I hope this helps explain why people are so anti censorship
There are more reasons and I could have gone more indepth but I only have so much energy but I truly hope this helps
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thyandrawrites · 6 months
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On "dream doping", or the lesson to be learned from despair
Alteratively titled: why breaking up with your high school sweetheart is vital for a career in soccer (with or without said sweetheart. Signed: Ego Jinpachi)
buckle up, this is a long one
We know that Reo went into this match with several hungups as to why Nagi would leave him behind, even going as far as asking Chigiri and Kunigami why they'd pick him
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And his voice shaking (notice the wobbly speech bubble) as he repeats the validation, like he doesn't quite believe it to be true anymore. And then during the match he kept alternating between talking himself up and trash talking Isagi with increasingly frantic urgency. He needed to test his worth against Isagi and come out victorious to prove that he was worthy of being the genius' partner, yes, but one important factor is that he did all of this specifically seeking Nagi's approval. He needed to hear it from him, because it's Nagi's departure that crushes Reo's confidence in the first place. Before that moment, Reo was self-assured and cocky, even looking down on other players he felt were beneath him. But we could argue that confidence was born from a shaky foundation—the idea of staying a team with Nagi until the world cup and their eventual victory together for Japan.
I think a factor that doesn't often get brought up in Reo commentaries is that Reo derives a lot of his winning self-image from tag-teaming with a genius
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And it's from "borrowing" his talent that Reo feels he lifts their collective value to genius level
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And in the process, Reo also tends to undersell his own skills by comparison, and letting them stay an accessory to Nagi's brilliance,
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despite how it's been remarked that Reo's a bit of a genius in his own light. If he honed that potential, he could be a big threat, too. Alone.
This is by design, of course. He foils pre blue lock Rin for this reason, too. Reo and young Rin are similar in that they both consider their soccer partner the true star of the show, subordinating their own skills as just a fancy accessory to make their partners shine and become world's best with them right at their heels.
The unfortunate consequence of this is that they end up internalizing that their dream is not achievable without their partner(s), because they ingrained being a sidekick so deep into that plan that they simply see themselves unwilling or unable to chase it on their own.
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Hence why, for the continuation of their dream, it becomes vital to have their partner's approval. They just don't see the point in going on alone. Losing the partnership means losing the reason to play altogether.
Now, of course this mindset is incompatible with blue lock. Nothing really new there. Reo was always framed as the delusional oddball for signing up for the program with the intended goal of using it to make Nagi the best, rather than himself. In other words, for trying to bend the system into accommodating his dream rather than accepting Ego's philosphy and playing by Ego's rules. And of course, that plan was bound to be put to the test when Reo&Nagi got the first taste of "despair".
The series posits that despair is the feeling you get when your dream doesn't measure up to reality and threatens to crash and burn. Ego posits that there's only one way out of it that doesn't involve self-destruction. And that's avoiding the trap of the so-called "dream doping".
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But what does "engraving despair" even mean in simple terms? I think Ego's point is that after experiencing a crushing, frustrating defeat, some players (the normies, or those who don't go very far) simply think "next time we'll win" without putting any active energy into changing their playstyle and rebuilding it anew to face the growing challenges and "devour" them along the way.
Think of Barou, and how he managed to come back after Isagi and Nagi made him effectively useless in the field. What Barou did was evolving into someone even more chaotic and unpredictable, and devouring them right back. Barou himself cites the despair he felt during that match as the catalyst of his growth and winning goal. In other words, instead of dream doping, Barou adapted and survived in a battlefield that would've otherwise left him in the dust.
But not every player has the presence of mind to pick themselves back up as the match is still unfolding, and when the defeats rolls around, they fold under the weight of that despair. We see this in action. When Sae evolves so rapidly in Spain and eats Rin for breakfast during their 1v1, Rin's reaction to despair is dream doping (at least at first). So is Reo's when he loses to team white. Faced with opponents that had an explosive soccer growth, they struggle to keep pace, and then refuse to face reality and admit they also need to change their playstyle to keep staying in the game.
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In Reo's case, he even goes as far as saying he doesn't have "the courage to let himself be destroyed and reborn." And that defeatist attitude is what leads team white to choose Chigiri instead. A real egoist doesn't think "I cannot do it" but instead keeps fighting tooth and nail until the end.
But Reo isn't there yet. If you analyse his body language at the end of the match, it's clear he expects a rejection before it even comes. Notice his posture
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Having just had a taste of the limits of his skills against strong opponents, his reaction is resigned. His stance is defensive and closed off. His arms and legs are crossed, he's the only one on the ground, his head is hung in defeat and avoiding Nagi's eyes. Even the camera angle looks at him from above, like he's already doomed himself by deciding to stay on the ground, not picking himself up. Remember, it's Kunigami who lifts him from his collar. Reo doesn't have that strength alone.
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This transition here also shows it well imo. True to fashion, he only shows a reaction when Nagi's directly addressing him. A part of him is still wishing for things between them to mend, to go back to how they were. There's hope written all over his face in that second panel, but the moment he hears what Nagi has to say, it abruptly morphs into pain.
Nagi echoes the words Reo wanted to tell him when they split, but to Reo it doesn't come across as the approval he was seeking. Rather, as the opposite: while Reo couldn't bring himself to encourage Nagi to go ahead in fear that Nagi wouldn't look back (that is, in fear Nagi wasn't as attached to him and their dream as Reo was)... Nagi says them easily enough. And to Reo, that's more crushing than the loss itself because he misconstructs it as indifference towards their promise.
It all circles back to Reo's insecurity. While Nagi just showed him he's able to change even without Reo as his partner, Reo is insecure about being able to do the same because he sees them as his biggest weapon, not anything inherent to Reo alone. Thus, once Nagi mines the foundation of Reo's confidence (their team up), any step Nagi takes in an effort to get them closer to the world cup in Reo's eyes is just another step away from it (and from him). Reo always assumed they'd crossed that finish line together, that he'd build Nagi up into the world's best striker. He wasn't prepared for a path where Nagi teams up with other people, leaving Reo powerless in the sidelines—their combo (and thus himself) a weapon that outlived its usefulness.
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Much like Rin declaring that he'd lose his reason to play soccer if he can't chase his dream with Sae the way they had agreed to, Reo metaphorically sees his future as the "abnormal monster duo" crumbling away (notice the decaying effect on the square with his internal narration). Instead of taking steps towards ensuring their dream still has a chance of happening in the future, he sees it as already doomed.
The thing is, Reo isn't ready to give up on it, though. He doesn't want to. I could be wrong about this but him seeking out a clean cut from Nagi came across to me less as if he was blaming Nagi for leaving, and more like he seeked a fight as self-punishment for his thoughts during the match. In the previous chapter, he tried stifling Nagi's potential and then resented himself for it. Now, his internal narration is almost goading Nagi's anger. I think it's still up in the air whether he was lashing out because he was overwhelmed by his conflicting feelings or if he was seeking out Nagi's rejection because he hated himself for not measuring up to his own standards during the match. Maybe a bit of both.
Point is, Reo is refusing to face reality. By saying "then pick me", to cite Ego, he's denying that he was powerless in the match, and putting the entire brunt of his loss onto Nagi's shoulders for not choosing him. Simply put, he's relying on Nagi to open up the door to go further in blue lock instead of growing into the player that gets to choose who to pick.
And Nagi recognizes this and feels hurt by it, cause if Reo refuses to evolve, switch up tactics and try new things, he's also implicitly refusing to go further in the program. From Nagi's perspective, it's Reo that's breaking their promise by being unwilling to put in the effort to keep staying in the game. Remember, the consequence for failing blue lock is no longer being allowed to play professionally for Japan. If Reo quit putting up a fight, his dream would be over for good.
And the story tells us, the measure of a great striker is how they react to the challenges thrown in their path. Nagi's growth happens specifically because he doesn't tie his success to Reo, but knows when to throw in other variables and when cooperating with Reo makes them stronger. In Nagi's eyes, their dream is not reliant on their combo, but their combo is a weapon that makes their dream achievable. Whereas Reo based his plan to get the world cup around his partnership with Nagi, and let his own skills lay dormant and underdeveloped cause he always defaulted to passing to Nagi to score.
But when Nagi leaves the equation for good, Reo's forced to address where his own strengths really lie and how to weaponize them to avoid elimination. That's why the chameleon awakens for the first time. It gets roused by Reo's despair, which gets "engraved" only when it dawns on Reo that their combo is not an option anymore, and it's on Reo and Reo alone to fight his way back up, evolving and devouring rivals along the way. And much like Nagi's talent for trapping, Reo's stregth was also inherent, and never just reliant on them being a team.
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homielander · 1 year
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i am still extremely frustrated that "supporting rhaenyra = feminism" is the depth of the hotd writers' understanding on the subject. rhaenyra has not done a thing for other women apart from useless posturing ("when i am queen i will create a new order" and then denying baela driftmark at first opportunity) whereas alicent has actively stuck her neck out for other women -- by defending rhaenyra's claim to her father, other nobles, and even a doubtful viserys, all at the detriment of her own position; by convincing viserys that rhaenyra should be able to marry whomever she chooses; and by offering rhaenys and her granddaughters driftmark. i'm not delusional enough to label alicent a feminist but i would argue she comes much closer to being one than rhaenyra and rhaenys, who have done nothing but wallow in self-pity (actually rhaenys has done far worse) despite having a much greater capacity to enact change.
my question is, why should alicent support rhaenyra? before the time jump, alicent marrying viserys left the two estranged for years, and when they were on the verge of reconciliation, rhaenyra convinced alicent of a lie that got otto (her only remaining family member) sent away, leaving alicent alone at court without even the courtesy of a heads-up from her husband or former friend. after the time jump, rhaenyra only broached the idea of a marriage alliance as a last resort. she suggested torturing alicent's freshly-mutilated son and actively tried to implicate alicent in high treason. i can almost certainly say rhaenyra never said sorry for anything over the 10-year and 6-year time jumps considering alicent folded in like 30 seconds at the dinner when rhaenyra finally apologized and deigned to acknowledge that alicent was singlehandedly managing both the realm and viserys while she was off in dragonstone doing whatever.
(also, alicent's offences towards rhaenyra don't compare in my opinion -- the show made it pretty clear that alicent talking about the dubious parentage of rhaenyra's first three children was confined to closed doors, alicent never asked criston (and seriously, the courtyard incident is very much on harwin too) or larys to do what they did, and rhaenyra was the one to lend the bastard allegations credence by admitting them aloud in a room full of nobles at driftmark. alicent wasn't the source of those rumours by any means. "everyone knows. just look at them." of course there's the vaemond hearing but that comes after everything above ^)
all that being said, i honestly don't see why the contrived prophecy nonsense was necessary. i think alicent very well could have had an arc of personal empowerment where she decided after viserys's death to finally put her family and herself first, even if that came at the expense of rhaenyra and her claim. "have you ever imagined yourself on the iron throne" is a neat line and all, but it ignores that the only way a woman like alicent feasibly could have seized power is by putting her son (an actual claimant) forward as the successor. (after all, both f&b and hotd make it pretty clear that if not for the war, aegon would have been king in name only with alicent and otto ruling in his stead.) and we can't ignore that rhaenyra has never actually done anything to help secure other women's succession, so alicent wouldn't be making these moves to diminish women in general -- just rhaenyra.
of course you can have a conversation about how alicent working against the first female heir is a negative for women as a whole, but the point is it wouldn't be alicent's intention to work against women, just as it isn't rhaenyra's intention to work for them. i think there was a lot of potential for an interesting story here -- two women securing power only for themselves, but one operates within the system and one operates entirely outside of it -- but that obviously requires more nuance than the hotd writers were willing to allow either side. instead we get margaret thatcher effectively utilizing girlpower and the perpetual victim who's shown being sexually assaulted twice on screen as a punishment for not being able to bust out of her own prison with the dragon she doesn't have.
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anim-ttrpgs · 8 months
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Investigators’ Truth in Eureka: Investigative Urban Fantasy
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We have mentioned before on this blog when talking about Eureka: Investigative Urban Fantasy that in Eureka roleplay is mechanics-driven and mechanics are roleplay-driven, but what does that mean?
The short version is that when making your PC, you put things on their character sheet that give bonuses when they act in a way that is consistent with their intended characterization.
One of these elements is called a character’s Truth. Every Eureka PC has a Truth, and they may even have multiple Truths. A Truth can even change as a result of events in the campaign.
A character’s Truth is some strong element of their personality or beliefs that is likely to spur them into action, get them into trouble, or both. It is not necessarily a flaw, but it easily can be, as one of the main purposes of it is to encourage and reward players for letting their characters screw up.
When playing a video game or a TTRPG, it’s often very easy to sit back and think out every problem and approach them perfectly logically, especially when time usually pauses as you discuss the next move among the other players at the table. But if every character in a movie or book or any other story always made the most perfectly logical decision, that would probably be a pretty boring story, and it certainly wouldn’t be a very realistic story. People don't always make the most logical decisions in real life.
However, when playing a game, it can feel like “losing” to intentionally make a character make a decision that you, in your logical detached mind, know will probably not work out well for them in the long run. Eureka argues that this is not “losing”, and that this is actually exactly how Eureka is supposed to go. To encourage this, we added the Truth mechanic.
Like I said before, Truth is not exactly a flaw, just some part of the character’s personality or beliefs that would spur them to action or get them into trouble. It could be a hot temper, a need to always have the last word, an overly competitive nature, a love of violence, or a compulsion to lie, but it could also be a strong desire to selflessly protect others, or the trust that one’s fellow man are inherently good.
Whatever it is, when a character acts within the parameters of their Truth, they get a +1 to the dice roll for whatever it is they’re doing, or whatever dice roll results from them acting in their Truth.
This doesn’t mean that a character acting within their Truth is always the worst course of action on their part, sometimes emotional gut decisions do turn out to be right. Maybe a character whose Truth is somehow based around trusting others is right to lower their weapon, because the monster might be just as scared of them as they are of him, and that +1 Truth Bonus is going to come in handy in the resulting Comfort roll to try and de-escalate the situation—or maybe they’re completely wrong and the monster was just waiting for an opportunity to seize the upper hand, and that +1 Truth Bonus is instead going to be used on an Athletics roll to run like hell.
This also doesn’t mean that a character always has to act within their Truth, no one realistically reacts the exact same way to every situation, and we do not encourage GMs to push or punish players if their characters do not act within their Truth, but Truth helps reward realistic, in-character behavior from the PCs.
In this way, the rules/mechanics of Eureka: Investigative Urban Fantasy are tied directly to the roleplay of the character, and the roleplay of the character is encouraged and supported by the rules/mechanics.
Stay tuned for another post about a way that in-character roleplay and rules/mechanics are intertwined with the Traits system.
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You can also pick up a pre-release PDF copy of this game(in a fully playable state) for $5 through our Patreon.
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david-talks-sw · 1 year
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Where do you sorta stand in terms of "Adhering to Lucas's" vision but also like "Well Lucas isn't making it so Star Wars is open to interpretation" Like don't get me wrong I don't like Karen Travesis's take on Star Wars for a whole host of reason and I think if anyone ever did a story and said "Well the Empire is right" then you are completely doing Star Wars wrong. But if someone legit wanted to do a story having a critical eye on the Jedi Order or IDK the Republic or even coming at Star Wars in a way that George Lucas wouldn't cover it cuz they are ideologically different, IDK, how far should that go?
I think the main thing to keep in mind is that it stays consistent with the spirit of what George Lucas was trying to say, if not the letter.
You can try alternative narratives, focus on certain characters, do it in different genres, but at the end of the day the message needs to stay the same.
And if you can't do that, at least try to be fair about your criticism of that message.
Different narrative, same conclusion
You can explore and certainly argue that the Empire brought about order and peace, and that it is better than the chaos and war present during the Republic.
You can argue that maybe, if instead of a Sith Lord who rules by fear, the Emperor was a benevolent dictator who lead by example, then the Empire wouldn't be as bad.
Legends stories have done this before.
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You can even argue that the Rebels are terrorists and that the attack on the Death Star was the equivalent of 9-11 for the Imperial citizens, like this guy does.
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But at the end of the day, that's a fallacy.
The previously-shown Empire storyline makes it clear that Moff Trachta is ambitious and greedy, as are his fellow conspirators. They're hypocrites who tell themselves "it's for the greater good" but really it's just so they can backstab each other to have the top job.
And the war the Empire's peace replaces was one orchestrated by the Emperor himself, so the entire regime is based on a lie, because really the only thing the Empire's system runs on is greed and fear, as shown in Andor.
Finally, while some of the Rebels' methods are hard and dark in nature... it's a war. And the narrative makes it clear that at the end of the day, the enemy they're fighting are space nazis. And 90% of the stormtroopers we're shown range from bullies to extremists. That one Imp pilot saying "millions died on the Death Star" also mocked Cara Dune for the genocide of her people, seconds prior.
The smaller narrative may take some deviations, it may question some aspects, but the larger one is consistent.
The moral of the story remains the same: the Empire is evil.
Different tone & characters, same message
When George Lucas made the six films, he had a very clear idea in mind, in terms of genre and style: imitating the Saturday matinee specials (think Flash Gordon), blend them with long standing psychological motifs derived from mythology, add dash of Buddhist philosophy: you get Star Wars, a movie for kids.
But I would fully expect a horror movie about a stormtrooper being hunted by an ice spider to go "fuck this 'we're all connected, we're all symbioms' bullshit. Die you creepy bastard!"
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Same goes for Andor.
It's not rated PG-18, but it's still very dark. This isn't a movie for kids, it's a movie for teens and older. It opens with the eponymous character shooting someone in the face.
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In Andor (and Rogue One) we see a side of the Rebellion we hadn't seen before. A darker one. But the genre of those productions demands a darker outlook on these concepts.
Cassian lives in a world where everything is nuances of gray.
He's the perfect kind of character to tell this story.
As is Dedra Meero. She is written as an underdog in the first half of the show. You're rooting for her. But then the series reminds you that: "hey, she's as much a nazi as the rest of them". She's willing to torture people to keep her job or get a promotion. The narrative frames her as ultimately evil.
Because at the end of the day the message is the same. The Empire is evil and it takes regular people to beat the elite 1%. Greed vs compassion, fear vs hope.
Now suppose there was a series opening on a "Gray Jedi" character, juggling between the Dark and Light Side with little to no effort or repercussion, sabering someone in the face.
That fucks with the message. Because it's okay for Cassian to do it, because Cassian doesn't need to deal with space magic, he lives in an un-mystical, cold and harsh part of the galaxy where you're either evil or less bad, rarely good.
But the 6 films make it clear that for Force sensitives, things are binary. They have to be or bad shit happens.
Gray morality works in Star Wars if we're talking about non-Force sensitives. In the case of a Force user, that's a darksider waiting to happen.
Criticizing the narrative via unreliable narrators
You mentioned Karen Traviss. For all my criticism re: her stance on the Jedi philosophy and their relation with the clones, I think her definition of Boba Fett is the best one yet (probably because she actually likes that character).
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As a result of this personality, an eventual Boba Fett film would have to be Jedi-critical, because if you ask him, the Jedi took his father away from him. And you can argue using logical points all you want, his pain is emotional, not rational. Him being right or wrong is irrelevant, his pain is real.
Same goes with the recent Tales of the Jedi.
Dooku's an unreliable narrator, he is a character notorious for lying to himself and to others, he's poisonous and deceitful.
Of course three short films shown through his point of view would cast him in a noble "free thinking" light and the Jedi as infuriatingly obtuse.
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The problem comes in when the author steps in and sides with the unreliable character with a subjective opinion and says that character is objectively right.
Okay, so now we have a situation where you've deviated from the established narrative.
You're having someone say the Jedi are asleep at the wheel and Dooku is the only one ahead of the curb when the movies and TCW show us the Jedi being just as aware and frustrated as Dooku is.
You're having someone say the Jedi can do more than what they're already doing, when Lucas' story shows us that there's really not much more that can be done, and Lucas himself confirms as much.
Which brings me to my final point.
Being fair with the criticism.
That's what it comes down to for me.
You can criticize the Jedi Order (I do so right here). But just be fair about it. And be informed.
For example, you can question whether the Jedi's rule of non-attachment is good or not.
But first you gotta know what attachment means, in the context of Star Wars. It does not mean "emotional attachments", aka "relationships". And it's not about repression.
So if you go into it thinking either of those things then your criticism isn't really 1) informed 2) done in good faith.
Because in Star Wars, the term "attachment" is used in the Buddhist sense. It's not about depriving yourself of bonds, it's about being able to let go and move on from who/what you love, when it's time.
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Other example: you can argue the Jedi "accepted" the use of a clone army bred for combat because "we don't see it in the movies"... but you'd be disingenuous.
Because Attack of the Clones takes place over a bunch of days. You're not gonna be shown every second of those days. That'd be like arguing that "we never see Mace Windu eat in athemovie, so Mace is unable to eat".
AOTC is a movie about how Anakin fell in love with Padmé and lost his mother, and how Palpatine rose to power by engineering a war, a storyline shown through his and Obi-Wan's POV. The film isn't gonna stop and touch on a point that isn't directly relevant to those two storylines.
In TCW, you see the Jedi, some Senators and some civilians are the only people to treat the clones like, y'know, people. To argue the above, you'd have to deliberately ignore the 12 Jedi we're shown caring for their troops and just focus on Pong Krell.
Also, I think we've criticized the Jedi Order enough. Don't you think?
Different artists, mediums and tales have done it so much that the very clear, very obvious message of the Prequels has been twisted into something else.
If you look up any George Lucas interview between 1999 and 2021, he'll say it's about Anakin and the Senate's greed, it's about how a good kid becomes a bad man and how a democracy becomes a dictatorship. The Prequels weren't about the Jedi.
Instead of challenging the notion that the Jedi are good, which has been done baselessly for over a decade, I think it would now be fair to explore whether the Prequel Jedi were all that bad.
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Oh. We're not trying to be fair? My bad then. Let's keep misinterpreting the source material because we like it more that way then say it was how it was originally intended to be.
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space-blue · 9 months
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Hi! I like your Arcane anaylses :) I wanted to ask for your opinion on why Sevika is celebrated and Marcus gets shamed? I mean, they basically did the same thing. Both betrayed their "friend(s)" - Vander and Grayson - for their personal beliefs.
Heya Anon, thanks, I'm glad you enjoy my meta! Hope you enjoy me disagreeing with your premise x'D
Sevika and Marcus have nothing in common imo. At no point in the show is it established that Sevika and Vander are friends. There are no outward signs of friendship. The person standing next to Vander and joking with Vander, and left in charge in episode 2 is Benzo.
We meet Sevika in a confrontational scene where she's against Vander. Vander doesn't meet her or anyone else's needs in that scene. He puts them all down and enforces, as he's been doing for years, The Status Quo. He doesn't listen, he's doing this meeting to reinforce that nothing should be done and enforcers left alone. Vander is ruling. He's the leader of the Lanes.
Sevika and Vander in that moment have conflicting interests. Sevika wants change. Sevika wants to lash back while Vander wants everyone to stay under the heel of Piltover, hoping that if they don't fight back the boot won't squeeze.
You can't blame Sevika for thinking that's crappy. She's making a life choice informed by her analysis of the situation. We don't know when she made her decision either, or for how long she's been hostile to Vander.
I'd argue too that there's a strong argument that Silco already has Sevika as an ally at that time :
He's famously untrusting.
The chemist I nicknamed Syd is at Vander's place riling people up with Sevika, and next scene he's manufacturing Shimmer for Silco, which can't be an easy process.
Silco has people spying on Vander AND his kids.
I think this telegraphs that Sevika has potentially been on his side for a while and was at the Last Drop to undermine Vander.
That's rough life politics. What can you do? You can't blame Sevika for having dreams of her own and seeing Vander as a massive obstacle on the way. Again, she's never shown to be one of his cronies and we have no clue about the nature of their relationship besides the fact she used to respect him. But we know so did Silco, and Vander has changed a lot.
On the other hand, Marcus has a very bad start…
He's an enforcer with a chip on his shoulder. I made this post theorising as to why… And it's whack and may be totally wrong, but it's clear Marcus is shown as going above and beyond in his hate of "trenchers". He uses slurs, is violent towards even children, and is happy to take bribes and underhanded deals in his goal of dragging said trenchers to jail.
He's also a doofus who doesn't realise what he's getting into. Blinded by his hatred and wading into dangerous waters. He's not smart enough to come on top and ends up being a tool.
Also… he's a COP. He's part of a system. He has a boss who he's NOT friend's with as far as we see, but he's her explicit subordinate and gets thrown around the office after disobeying her.
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He put Grayson in a bad spot and led her to her death, failing his entire organisation by then not coming clean. He keeps dirty secrets that weigh him down, while Sevika is shown to be blunt and entirely truthful to Vi, Jinx, and even Silco.
He goes behind people's back, and sure, Sevika goes behind Vander's too. But Marcus is paid in literal blood money and never comes clean. Sevika is fine being open with her allegiences once shit hits the fan, and she's there for ideology, not self interest.
We don't know the details of Sevika's dream, but we know she keeps Silco on his toes. Silco's dream is the Nation of Zaun. Independance. Not the erradication of Piltovans.
Meanwhile Marcus just wants to throw children in jail, and DOES, again behind everyone's back.
Sevika is a bull. Marcus is a snake.
Sevika is making life choices and chosing who will serve her interests. She chose the anti hero who wants freedom for her oppressed people. Marcus is THE OPPRESSOR and a shitty one to boot who disobeys the very order he serves.
Funniest of all, I don't think Marcus was betraying Grayson. Her death was not part of "the deal". That asshole truly just wanted to arrest a kid and glean the recompense of a job well done. But there's no hint that he was trying to unseat Grayson.
In a way he's just as zealous as Sevika. He follows his hate and prejudices and she follows her principles. She doesn't mind bashing her own people to get to her goals, but Vander is literally doing Grayson's job for her. He's a freelancing cop and an enemy of any Zaunites dreaming of independence.
Vander has a stance, and Sevika has the opposite one.
The only person who perceives betrayal is Vi. But Vi is a child and doesn't understand politics at all. She's completely blinded by her love for Vander and her mindset of 'everybody is my enemy'. If she slowed down a bit, she might notice she and Silco want the exact same thing. Literally. A better world for Powder, and everyone like her. Vi is poisoned against Silco by Silco and Vander's fateful clash. It's perfectly understandable! I don't think it'd be easy to have her not be rightfully prejudiced against Silco.
But she IS our eyes for a lot of the story. We perceive Vander a lot through her extremely rose tinted view.
Sevika probably doesn't couch her own siding with Silco as a betrayal…
That being said, we don't know their backstory. Maybe Sevika was friends with Vander when they were younger? We have a picture of young Silco at the bar with Vander… did she know them both? Because then we can do anything you want.
My favourite take being that she took Silco's side after Vander's betrayal, but stayed out and public and was careful not be 'seen' with Silco. She's a true believer. I think if she had hesitations, learning Vander was sucking Grayson's toes most likely fully turned her away. That's just my prefered fanon, but if you have a fanon theory of her being Vander's friend, of course it'd colour your view. I just don't think the canon reactions of both characters really compare.
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ecoamerica · 1 month
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youtube
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Ppl are (understandably) upset abt fae shit taking over YA/NA romance but I think getting mad at the very concept of fae and why it's popular won't really do much. Mainly because the "fae" we see in popular books are just the same flavor of guy, with minor variations based on author appeal. The "fae" are no different from the vampires back in the Twilight ripoff era (in fact they can be traced all the way back to Twilight itself), they're just using a different word for that specific flavor of Straight Romance Guy and his associated tropes, which is what you're really mad at.
Usually the main fae guy is a bigstrong man, there's some sort of mating system, potentially some gender essentialism, and everyone's a model. It's a generic but "appealing" (to mostly straight women) enough concept that it can be pretty much anything you want it to be, all while tapping into that high fantasy/"political intrigue"/enemies-to-lovers buzzword soup. I think the only reason this trope is specifically called fae and not elves is because you want to be darker and edgier, and elves have a cultural association with being more ethereal and sexless. So we have these guys, who are really just the same guy, who are really just elves who fuck, and we call it fae because it sounds more mysterious and, well, fey than elves.
(It could also be argued that fae and elves are the same guy also, but most girlies are not ready for that conversation.)
I think it's understandable that it became this way, as the concept of "fair folk" exists across different cultures and has fewer set rules compared to Tolkien/D&D elves. It has a bigger and more varied pool of inspiration for writers to take ideas from. However, instead of actually taking ideas from any folklore, a lot of the current fae shit is just repackaged vampire/werewolf stuff: these are guys who are better than you, they have superpowers, they fight and fuck like animals, and they claim your weak human body with their bites, and the ultimate upgrade is becoming one of them. It's the same old shit under a different name.
The reason it feels like an epidemic is because smaller authors are just cribbing shit from the bigger ones and using the same names for the same guys, the same tropes, the same plots. Like "oh this made me horny, so I'll just repeat it!" and this echo chamber has begun spawning its very own lore and mythology, and newer authors are assuming that this is based on real folklore and not some woman's personal wank bank, and don't bother to check because this is good and made them horny, so why change what works? Like, I've legit seen authors claim that SJM didn't invent fae mating because "it's part of the original mythology." Which, to be very clear and admirably restrained, is not the case. SJM didn't invent mating, but it's not becuse it's "original folklore." It's just the same old stuff but with a different name, and unfortunately, the fair folk and associated folklore is a lot more vague than, say, werewolves or vampires, and that's why these tropes are now becoming "canon" lore.
We've basically taken a vaguely defined existing concept, slapped its name on the old paranormal romance tropes of yore, and because there's no cultural understanding of fae the same way there was vampires, there's no "vampires don't sparkle" pushback, and we've begun adopting a few women's fetishes as the Universal Truth, and that's the part you hate. The part where it's the Same Guy again, but he's wearing a different hat.
And while I get why you'd be tired of this shit specifically (I am also tired), I think to dismiss fae in general is like dismissing vampires back when Twilight was popular. It's a type (or types, rather) of supernatural creature that has a rich history across cultures and it's a well of inspiration for writers that has been used before and will be used after. I think to blanket-dismiss the concept of fae in a book is counterproductive. You want to encourage writers to tap deeper into that well if you want that generic samey-ness to go away. What you want to dismiss are the tired tropes that are forced on otherwise interesting folklore/mythology that's open to endless different interpretations.
At the same time, I do fully understand why wouldn't want to do that, because as much as writers like to complain that readers just don't get their flavor of unique, sometimes there's just not a lot to get. It's the same fucking guy, girlies. You wrote the same guy again! To find one unique and interesting take on the fae, you have to sift through a thousand of That One Guy, and it's just not worth it.
(There are also and will always be really cool books about fae that aren't romance as well, but I'm specifically talking abt romance because it's infested with fae shit right now and I get it. I really do get it, I get both sides of the issue. I'm part of the problem, I wanna see cool fae shit with romance so I keep reading them, but it's the same guy again, so I'm writing my own, but it might be the same guy again because I'm also braindead!)
Anyway, I look forward to years from now when fae get their renaissance and we get wacky and interesting takes on them. First we had Twilight, now we get What We Do in the Shadows. First we got ACOTAR, and eventually we'll get ... ??? We'll see! We can only go up from here!
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The RPG disaster
Cloud always wanted to play RPG with his friends (if he were to have any) and he decided to go the simple way, something that he felt more safe leaning towards such as 7th Sea.
So he talks to everyone and explains that the system allows for a more theatrical kind of battle and that combat isn't the focus of it all, but rather their fun.
Sephiroth is interested, he's already been through combat enough daily and feels like it could be a break to not think too much about combat.
Genesis is DELIGHTED in the possibility of showing off his theatrical abilities.
Zack is super excited and supportive of his buddy.
Angeal isn't as thrilled as the others, as he never was a theater kid like Genesis for example nor have he ever had much interest in it at first, but decided to join them anyway.
Cloud then marks a day they can all have a session zero so he can help out with their sheets.
He sends each a copy of the playerbook and tells them to read about the nations and jobs and just think of something simple. Again, simple. It backfired horribly.
The session zero day came and Genesis has a total of 20 pages on his character's lore. Front and back.
Cloud: I am not reading this.
Genesis: What do you mean you're not reading?! It's your job. You have to know my character's lore.
Cloud: Genesis, I told you guys to make it simple. In what universe are 20 pages front and back SIMPLE?!
Genesis: Oh, PLEASE! I didn't even made his family tree!
Cloud: YOU'RE NOT SUPPOSED TO!
At that moment, Zack had arrived with some energy drinks.
Zack: Heeeee-ey, what's going on?
Cloud: You see this?! *Flips the twenty pages* THIS is Genesis' character lore!
Genesis: It's just twenty pages! You read over four hundred pages of a RPG book just to deny my twenty pages?!
Zack: But he said it was supposed to be simple.
Genesis: IT IS!
Zack: Why twenty pages of lore, then?!
Genesis: I could've written a book on my character, but NO! I got soft and did something simple!
Cloud: UGH WHATEVER I'LL READ IT! But I'm gonna cut what I find useless, understand?
Genesis: Fine.
Cloud takes a marker and marks 95% percent of everything. Genesis is appalled.
Cloud: Alright. The ones that aren't mark, write it down somewhere.
Genesis: You've butchered him, my poor Jacques!
Cloud: I've improved it. Alright, lemme see yours, Zack.
Zack: On it! *He gives him a picture of Dante from Devil May Cry*
Cloud: ...? I don't get it, is this what your character looks like?
Zack: Nah, I'm gonna play as Dante!
Cloud: *sighes* Alright, that's something you can do. But, I'd REALLY rather you'd just do it from scratch, Zack.
Zack: Oh, okay.
Zack shrugs and borrows Cloud's book to check nations and jobs.
At that point, Angeal and Sephiroth had arrived, the two with the physical copies of the books in hands.
Cloud: What the hell? I sent you guys a digital copy, when did you... You know what, whatever. You guys came up with your characters?
Angeal: Yes, his name's Gerald and he's gonna be the healer.
Cloud: Oh, okay. Quite simple, what about the lore?
Angeal: What does a Star Trek character has to do with it?
Cloud: Oh god... Sephiroth, PLEASE, tell me you have something we can work with.
Sephiroth: Yes, my character is Trevor, he's from Inismore, a duelist, decided to focus on finesse since it'll serve lots when doing acrobatics on a boat. He was born on the capital, but moved to the coast. *Hands it over a character sheet PERFECTLY done*
Cloud: Oh! That's more like it! Simple, original and you even took into consideration the secret arts! Nice going.
Sephiroth: I also studied the rules and other nations and jobs. I can help correcting them.
Cloud: Oh, okay? Well, you got the character sheet right, why don't you go ahead with helping Zack with his character? I'm gonna help Angeal and Genesis is grounded because he overdid himself.
After that, Cloud sat down with Angeal and started to distributing the points. Angeal started arguing over his characters age affecting his points, because no matter the age, he had a good training routine and diet will help lots on a old age.
Cloud argues that affects jack shit in an RPG and they started yelling at each other.
Zack asks Sephiroth about Inismore and he started explaining the lore.
Genesis: You cut uncle Archibald?! He's the reason Jacques learns piano in the first place!
Angeal and Cloud are STILL arguing over the fact that his character can use magic and fight at the same time.
Cloud tries to explain that his character can't learn Hexe because he isn't born in Eisen.
Angeal argues that he fought in the war for thirty years and he can.
Cloud refutes that he wasn't born in Eisen. And thus, can't learn their magic.
Zack asks Sephiroth about Eisen, of which he starts explaining.
Genesis: How dare you cut my clarinet lessons out?! They were the therapeutical relief Jacques needed after his grandfather felt from his horse!
Now Angeal is arguing over not wanting to leave his mother behind and wanting to take her along so he can heal her illness.
Cloud refutes that it's gonna be a unnecessary drag for their session, since that would distract him too much.
Angeal counter argues that he won't leave without his mother.
Cloud tries to explain how much of a dead weight a ill relative would be at their one-shot.
Sephiroth tosses his book at Cloud.
Sephiroth: Do not talk like this of his mother!
Cloud gets pissed, but Angeal stops him from tossing the book back at Sephiroth.
Angeal: Thanks, Seph, but I can handle myself.
Sephiroth: You better be.
Angeal: ... You're not gonna romance my mother.
Sephiroth: WHY NOT?!
Genesis: NO! WHY CUT LITTLE LISA?! SHE'S JUST A BABY!
Cloud: EXACTLY! A BABY THAT, QUOTING YOU, IS A SEVENTH GRADE RELATIVE THAT YOUR CHARACTER DOESN'T EVEN KNOW!
A huge fight ensues, Zack is drinking his energy drink and eating chips as he just sees chaos ensue.
Sephiroth tries to hit Cloud, but punches Genesis.
Genesis pulls Angeal's hair.
Angeal tries to hit Genesis, but hits Sephiroth.
The trio started fighting and Cloud sneaked out of there, seating by Zack's side. He takes a energy drinks and the two share potato chips.
Later that night, the five are called in Lazard's office.
Tabletop RPGs are now forbidden in the SOLDIER floor.
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transmutationisms · 1 year
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Your last posts about Shiv/the siblings put into words something I've thought about how (some) fans usually position their fav character as the 'least bad' or more sympathetic based on either who was 'abused more' or in this case, the 'least fascist' in a row of rich capitalist characters. I do think that certain plot elements this season (ie. baby plot and Ken and Roman sidelining Shiv) could make some viewers see her as 'more of a victim' and thus 'a better person', but that goes back to what you said in another post about how the show can play with gender and its relations to oppressive systems, but has a much harder time doing the same with race (and related to what you also said about how liberal viewers may ignore how the show treats liberalism as another aspect of the capitalist system, white viewers may have an easier time seeing the way shiv is affected by misogyny but not seeing her as a passive perpetrator of white supremacy).
yeah i think you're right that's part of what's going on with bad shiv takes. in general it's obviously very pointless to argue over who's the 'worst', and of course the assumption many people make that determining who 'has it the worst' is equivalent to a moral ranking is also very telling. it's also simply impossible to compare the characters' alienation or abuse in that type of quantitative fashion. but yeah, on those types of reads i think you're right that people have a tendency to try to tally up each character's political damage or participation in oppressive systems, and they often ignore that shiv's relationship to white supremacy is the same as the rest of her family's, in terms of the benefits she gains from it and her perpetration of it. and this is in some ways made easy by the writing's tendency to gloss over this aspect of the roys' power. we'll get references to "the white nationalist elephant in the room" or whatever else, but race is simply not explored with nearly the depth of gender.
of course it matters to the story that shiv is a woman, and we can see over and over how her brothers weaponise this against her (eg, calling her hysterical in this episode). what's irritating about many bad shiv takes is acting like her gender is equivalent to or inherently leads to a progressivism that in any way challenges capitalism or waystar's rule; also, i think many of these takes are incredibly reductive in their understanding of kendall's and roman's relationships to misogyny, though that's a different post.
really at the end of the day, i don't even think it's possible to say that any of the siblings has done 'more harm' or whatever within the roy family unit, let alone on a broader political scale. they all run the racism factory, it would be racist even if it were dem instead of republican, and it's just goofy to act like shiv isn't part of that by virtue of being liberal (these takes also understand the word "liberal" very ahistorically, which is a large part of why they don't get the relationship between liberalism and capitalism). there's a frequent failure to actually examine the content of any of the siblings' politics or their broader worldviews; instead, many viewers have a tendency to just use labels like "liberal" as signifiers in the exact way the show is often satirising lmao. with shiv it's actually pretty fucking explicit at this point where she does and doesn't diverge from her brothers' and father's politics, and how she operates within the same capitalist episteme.
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ieatpastriesforfun · 1 month
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r/daggerheart is toxic AF...and I love it
Note: This is just a rant about the subbreddit and their inability process any critique of the game that goes against their narrative of the game. The game itself has a lot of good parts, which I really like. But this post isn't about the game, but the subbreddit.
So you know, I am a nerd that like to nerd about games and probabilities. I've been interested in Daggerheart for a while because I am a fan of Critical Role, and the beta playtest rules recently came out. I was super excited, so I read through the PDF as soon as I got the chance, also started a game with my partner.
And honestly, there are some great parts to the game. But there are also some design decisions that made me scratch my head. So I shared some of my thoughts on r/daggerheart.
Oh boy did I poke a beehive. That subbreddit is pretty hostile toward anyone who dares to criticize the game. My first post critiquing the complexity of the damage system got down voted to oblivion. They told me I shouldn't have opinion on the very things I can read because I haven't played the game. So when I played the game and posted my feedback, these folks dismissed my criticisms because I was suffering from "new system syndrome."
Oh, and the comments. They were something else. The sub is dominated by a group of people who are pushing the narrative that Daggerheart is "rules-light" and "very easy" and "less math than DND."
Yes, Daggerheart is a rules-light game with a 377 page rulesbook. Because this is still beta, it is missing a ton of rules, not to mention artwork. But sure, it's a rules-light game. Because what is page count if not just a number?
Yes, Daggerheart is "very easy" if you ignore the fact that every character has HP, minor damage threshold, major damage threshold, severe damage threshold, stress, hope, and armor on top of your abilities and backstory and everything else you are trying to juggle.
Yes, Daggerheart has less math than DND because instead of just subtracting the damage from the HP, you compare the damage to each of the thresholds to decide whether or not you want to reduce the damage by armor, then determine how much you lower the HP by, unless it is below the minor threshold, in which case you take stress, but if you are filled up on stress, you take 1 HP. Oh, and you know, if you also ignore the fact that you roll two dice, add the numbers, and check to see which one is bigger to decide which one is bigger every single time you want to do something.
So yeah, if you ignore all of those very obvious things that I can see with my very own eyes, my own experience of running the game, my experience having played a rules-light RPG like Candela, they are right: Daggerheart is a rules-light game that is very easy to play with less math than DND /s.
Seriously, these folks will fight you tooth-and-nail to tell you that what you can see is wrong. They will gaslight you, tell you about how 11-years can play Daggerheart, their 73 year old mother can play Daggerheart, tell you that you are playing the game wrong, DND has taught you bad habits, and that your critique doesn't matter because all you want is the game to be more like DND.
And I love it. I love seeing the cognitive dissonance. I love going at it with these die-hard fans. And it's pretty easy on my part. I don't need to get mean—all I need to do is point out very obvious things. And you know, no foul no harm—we keep going until one or both of us get sick of arguing about whatever specific thing we are arguing about.
Anyway, enough of my rant.
I want Daggerheart to succeed. I really do. I think Matt Mercer and friends are pretty good folks, and I find their story inspiring, and I would love to see them succeed. I hope that Daggerheart developers listen to the critical feedbacks, make the game better, and not try to push any weird narratives (like they did with Candela vs FitD).
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ecoamerica · 1 month
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