“But if Yang gets labeled as a lesbian that means we’d have 5 official lesbians on screen, isn’t that a bit much?”

No as a matter of fact I think we need more. Next question.

people will really write rose as a badass girlboss as if her main character trait isn’t hubris. as if her main story arc wasn’t her fucking things over for everyone time and time again by assuming she was better and wiser. oh you think rose is a girlboss? rose who intentionally allowed herself to be corrupted by morally ambiguous terrors because she thought it might give her a slight mental advantage on the game? rose who willingly went along with the manipulation of a groomer because she thought his idea of putting a tumor into the universe was smart? THAT rose? that rose??? why don’t you ask her where the green sun is. since she’s such a competent and intelligent boss bitch

I wish y’all’s appreciation and praise for black writers/representation was as loud as y’all’s hatred. Because these stupid ass critiques are just as old as the tropes a lot of you claim to be tired of. I truly want a lot of you to write what you want to see and shut the fuck up. 😭

Marisha's comment about how Relvin is one of those parents who ended up with a child they didn't know what to do with really gets to the heart of it, i think, and is such a good way to tie the fantasy element of Imogen's powers into things more tangible. because there are really a lot of parents like Relvin in real life, who have a child with the person they're happily married to and never expect to be left alone with the kid. or who expect a ""normal"" (read: cisgender and heterosexual, able-bodied, relatively neurotypical and obedient, etc.) child and end up with one who's ""difficult"", who demands more or different of them than what they believe they signed up for. and that's not entirely entitlement on a parent's part- many cultures' common frameworks of parenthood and child-rearing do not include space for these children. it makes sense that Relvin was unprepared. raising any child is difficult, and raising a child whose needs you were never taught how to accommodate, who the world is so cruel to, is even more challenging.

and yet. and yet, the person who bears the brunt of the harm in these situations will always be the child. they're the ones who have to live every moment of how the world treats them, without the support that their parent is supposed to provide them. and when asked to care for his child even when she turned out to be ""difficult"", Relvin couldn't. for entirely sympathetic reasons, of course. he tried, in his own way. i don't think he's a bad guy. but he's let his own broken heart bleed onto his daughter. he hasn't been able to give her much else.

I think Amber was genuinely so good for Wilson. She understood him more than most people, and she encouraged his independence. She genuinely wanted him to put himself first and do things he wanted instead of just doing things he thought others wanted. And a lot of that was able to happen because she herself was incredibly independent. She wasn't the stereotypically "needy" person Wilson had been drawn to before, so she wouldn't stand for his attempts at being a martyr. She stood up to House, too, but she also cared about him in her own way because Wilson cared about him. She appreciated their relationship and went out of her way to work things out with House for Wilsons sake. I have a lot to say about why I think all of Wilson's female relationships failed and why I think that was caused by his internalized struggle with his sexuality, but I stand by the fact that I think Amber was actually good for him and one of, if not the most, healthy relationship he had in the show.

hannibal is a feminist go argue with a wall

"Stop taking away the features that make Jiang Cheng interesting!" JC antis cry, whilst simultaneously ignoring or denying all his good traits.

like i see people say stuff like “rei is a deconstruction of the idea of like the perfect girl in a male gaze-y way” and and i'm ready to agree until they go “it’s because she’s creepy and weird and bad!” like no. rei's a deconstruction of misogynistic ideas of womanhood because they’re ideals forced upon her that damage her, not because she’s in any way “creepy”. like, the fact she’s a fourteen year old girl who was basically used as a substitute wife by her father bc she looked like his own dead wife is not something that is meant to make rei look bad like holy shit.

like both rei and asuka are very obviously like. showing fantasised and misogynistic ideas of an idealised woman don’t work irl yeah. shinji's misogynistic view of them is wrong. but that’s not because rei and asuka are bad people it’s because like. “fourteen year old who's flirty and seductive” and “fourteen year old who's a quiet obedient object” are major signs of abuse and trauma and anyone actually acting in those ways at that age clearly isn’t normal. asuka is desperate for attention in any way she can get it, even unhealthy and dangerous ways. rei is at the very least I has a weird pseudo-incestous enmeshment filled abusive relationship with her father, even if she's not actively being sexually abused. asuka is seeking support, rei is a grooming victim. these are not things that are flaws in their character the entire point of subverting the expectations is to show how those expectations are unhealthy to rei and asuka like. god.

The World - Wholeness, Achievement, Fulfilment, Completion My final piece for Lilijana now that our VTM: Dark Ages game has come to an end. It is always sad to say farewell to my characters. But Lilijana did everything she set out to do. She guided her Coterie, she lead a freaking army and at the end took the crown. I couldn't be more proud of her and glad I could give her a good send off. Goodbye Sweet Prince of Reval, Long may you Reign!

haha oh no im definitely not at all disturbed by the prevalence of leftists on all platforms who are loudly 'anti-genocide' when it comes to the palestinian cause (and a couple others at best :3c) yet the only time ukraine [ʊkrɐˈjinɐ] leaves their mouths is in critique, in stark comparison to the former or in complaint about their (american) government sending aid.

at first what i saw often was pointing out the differences in western media framing [ukraine vs palestine], and that's fair (until the words and the agenda of western journalists are used to paint, as a whole, ukrainians who have been actively going through genocide as some kind of white supremacists hogging the blanket of global attention when they kinda just want to live and have the rights to their own land, culture, names and families)

but no one is even caring to do that anymore, today bitches just invent metaphorical scenarios and people to get mad at and to throw an entire ethnos away because wahhhh i decided that you care for X but not for Y!!!.... all while doing the exact thing they are condemning. the exact absolute same and they don't even hide it but do lack the self-awareness to realise

The dramatic irony of everything happening with Jojo Siwa is so fucking hilarious

First she exploits a disabled child -not hilarious- repeats the cycle of abuse that she was subjected to on dance moms with her own show, allegedly cheats on her girlfriend, etc, etc. then she goes through her “switch” and goes through her 14 year old emo phase at 20.

Tell me why this kid has the audacity to sing a song called Karma.

She tries so hard. She’s trying so hard to make it seem like she’s making the most dramatic change of her generation, she’s completely changed, no more rainbow glitter dance moms now we have emo sparkle darkness revenge fairy. She wants people to think she wrote Karma. She talks about her writing process, and she says how brilliant she is for thinking it up, but she also says that it was pitched to her a few times so we can’t accuse her of lying.

I think on paper this plan was probably a great idea, a chance to break out of her reputation for bows and glitter, but the execution is nothing but a disappointment. I think instead of going emo and taking inspiration from things she doesn't understand and being genuine, the switch honestly could've been welcomed with open arms but she's not genuine and she doesn't want to make a natural switch. She wants to be risky because she thinks it'll make her look cool or someone higher up decided for her and she went along with it because that's what'd make more money or maybe her mom made her.

Once it came out that Jojo didn't only not write the song herself, she wasn't even the first one to record it, that's when the irony of the situation kicks in. I know absolutely nothing about Brit Smith but she's and icon and I love her with my whole heart.

Brit Smith releasing her version of Karma and it doing better than Jojos is my favorite form of dramatic irony because of course this all happened to a song named Karma.

I really don’t get the “Lol Velma is so FAT”- jokes in the new Velma series. Like….almost everyone picks on her weight and the way she looks….I don’t get the joke. You finally have a show with a plus sized MAIN character and of course they’re just surrounded by “I’m big” jokes because LOL EDGY ADULT SHOW, EVERYONE IS AN ASSHOLE. Can we please have a show with a plus sized main character that doesn’t need to be the butt of a joke for how they look??? I’m so tired of adult shows having this environment that’s just “lol everyone is a dick to one another cause….adult show”- like come up with something new and not offensive thank you.

how to bring up to your dungeon master that your character might be better if she got railed

think I've figured out what bugs me so much about Natasha Pulley's work - every female character who could potentially interfere with the ~gay couple~ is portrayed in a negative light

hunter tf you mean “grimwalkers can’t feel love?????” hello????? wanna say that again to camila? to gus??? to luz?????