.

help whats with him clinging to shit. almost every panel he is shown theres something hes clinging to

Roberto Ferri (1978-) "L'ala nera o il tocco dell'angelo" ("The black wing or the touch of the angel") (2020) Tempera on canvas

The thing about Paul is that he is legitimately kind of unhinged in his willingness to throw himself into physical danger and risk getting hurt or killed in a fight that matters to him.

The way he goes NYOOM the second he realizes that Duncan is about to fight a fuckton of Sardaukar. No shield no weapons no plan no hesitation, ready to take on the most fearsome soldiers in the known universe in his pajamas. And he would have if Duncan hadn't locked the door.

Fly through a sandstorm because it's the only escape route? Never done it before but sure. Crawl under a moving harvester the size of a building with chompy bits on the end? Worst plan ever, let's go. Bait the ornithopter gunship into shooting at him so his crush can blow it up? It was his goddamn idea. Hide quietly when the Harkonnen soldiers show up during the eclipse? Oh hell no, he is looking for a way to escalate that situation immediately. He just killed someone for the first time like yesterday and did not enjoy it. But as soon as the Harkonnens are there he is ready to throw down.

The absolute trapped raccoon energy of him just grabbing the knife blade when Feyd's trying to stab him the second time, because it's probably over but he's not gonna make it easy, and maybe that gives him the extra second he needs to pull his own knife out. That teeth-gritted look he gives Feyd when he is on his knees, beat to shit, two stab wounds, blood all over his face, and is still like bitch you THOUGHT you could out-crazy me.

Like many things about him, it's a double-edged blade. Because it's what wins him respect among the Fremen, that he's willing to go to the front lines and not afraid to take risks. It's the most potent expression of his fierce protective streak, that he'll jump into danger to defend those he loves. And it's also fucking terrifying. It just adds such a chaotic energy to all the other ways that he is scary, that he doesn't just command armies of fanatics and have the power to make the Emperor of the Known Universe bow at his feet, but that this blood-streaked feral little gremlin might show up personally at any moment and stab you in the neck.

Christina’s World, 1948

Andrew Wyeth

finding out Octavian was 20 when he joined the triumvirate is so crazy to me. He should’ve been at the club

When your bf can turn into a cat!

Based on @annczakdy post!

(I really wanna draw more of Dream and Hob but my brain I focusing on the Corinthian so maybe not rn lmao)

Part 2 of cat!Dream shenanigans

Still Life with Bowl of Citrons, Giovanna Garzoni, 1640s

the four temperaments: choleric, sanguine, phlegmatic, melancholic

in an astrological-astronomical miscellany, alemmanic german, c. 1500

source: Wolfenbüttel, Herzog August Bibliothek, Cod. Guelf. 8.7 Aug. 4º, fol. 125r-126v

Back on my Wyll script doctor because I was talking about it with a friend. Specifically imagining a version of Wyll's big Character Choice that felt like it had some actual teeth.

Imagine a world where instead of a cartoon evil hot lady Mizora and Wyll's relationship actually had some complexity to it and like. some genuine push and pull which gives him temptation to stay. I just keep thinking about this 17 year old who his whole life wanted more than anything to be a hero, who got his chance to do something heroic and selfless and save the city from certain doom, and his reward is getting kicked out because he did it the "wrong way".

Imagine if instead of forcing his silence, Mizora instead comforted him. How unbelievably cruel of your father! Well...since you've nowhere else to go, why not stick with me? We make a pretty good team, as it turns out, and I can get you a whole list of monsters who need killing. Plenty of devils and demons loose in your world targetting all sorts of innocents. Our interests can keep aligning, and you get a place to sleep when you need it.

Wyll makes his peace with it, because he has nothing and no one. And Mizora's not GOOD maybe, not by Ulder Ravengard's definition. But she's fun. She delights in his growth. And she does certainly keep direct him at greater evils, devils who really do need killing. And if she spies on his every waking moment, well, she worries. If she sends him after the occasional innocent, well, she had people who she has to answer to as well. She's a devil, how much can he fault her for her nature? She's always seemed like she knew where the line was...

Karlach (and the player) express their doubts, of course, but for act one at least he's defensive. Yes, she punished him and he hates it and its miserable but....he was in breach of contract! She's NEVER gone outside its bounds, she's always stuck very closely to their agreement. Wyll, who wants so badly to trust others and believe everyone has the chance for good, can't find it in him to believe the worst even of a devil.

And Mizora is FOND of Wyll, loves him even in her way. As a cherished pet, as a trusted tool, as a best-laid plan. Never enough to choose his own well-being over her own agenda, never enough to see him as his own person. He's her little project, the long shot noble brat she gambled on when Tiamat decided to get too big for her britches. And it paid off! Wyll always pays off, currying her all the favor from Zariel she so desperately craves. And who are you, or anyone, to come between them? She's treated him well. As she's quick to remind him, she wanted him when no one else did, aided him while the rest of his city slept snug in their beds. And if Ulder Ravengard didn't want a son with a whiff of infernal, then do you REALLY think he'd want you with lovely horns and Avernus in your blood?

You discover his father's been taken. Beyond igniting a lot of old feelings, it brings up a question of succession. Of course, Florrick isnt giving up on him, but if not...there aren't currently any likely candidates to take over the Flaming Fists. Not trustworthy ones. Florrick will take the position, but everyone knows in the back of his mind Ulder never really stopped planning for it to be Wyll. With the city in chaos and a cult army on the rise, they may need an answer sooner rather than later. Wyll feels the call of the Gate, but knows just as well that Mizora wouldn't want him to return in such an official capacity.

For the first time ever the leash starts to chafe in a way he can't keep pushing through.

Act 2 rolls around. Mizora sends up the Warlock signal. After potentially some encouragement from the player, Wyll (NOT THE PLAYER. I DONT KNOW WHY ITS THE PLAYER IN THE GAME ITS WEIRD) hesitantly proposes that maybe, if he does this....they can do a renegotiation of his contract. Not break it, he assures her quickly! Just....reopen the terms, take a looks at the agreement. Maybe discuss an exit ramp? After all....I mean, neither of us truly thought I'd be doing this forever, did we?

Based on Mizora's reaction. Yeah she did.

But fine. She agrees. And Wyll's not mad that it turns out you're rescuing her, not a nameless "operative" for Zariel. He would've done that on his own had she asked. Its the fact that she apparently didn't feel like being honest, that she let him fret and worry about potentially handing Zariel back some runaway for basically no reason. Its the fact that she came here to check in on the cult that abducted his FATHER just to see if Zariel could make any use of them. And its the fact that she seems surprised and annoyed that ANY of this bothers him.

All this builds, of course, to the final confrontation. The basic elements are the same. Mizora outside the coronation (this time needling at Wyll, "I'll be at camp if you're not too high and mighty to consort with the likes of me anymore"), Ulder tadpoled and fighting it. Mizora makes her offer. I can end the contract now, and you're free to go running after daddy (who won't want you btw! not like I do!). You'll lose all your powers, all my aid, all those juicy quests to chase down the greatest monsters in the hells. Take on your father's job and settle in for a life of misery and compromise and only doing as much good as the nobles will let you. Or: pledge yourself to me, eternally. I'll give you a boatload of new powers and eternal life to boot, so long as you serve as my sword and shield.

From there I think three endings branch out, and with it three classes for Wyll. If he stays with Mizora, accepts a relationship where he will never be an equal or a free agent in exchange for the affirmation he wants so badly from his father, he remains a Warlock, with some juiced stats and extra spell slots, along with shiny new gear. If he pledges to follow in his father's footsteps, he instead becomes an Oath of Devotion paladin, pledging himself in service to Tyr, if with a sense of doomed finality. The Blade of Frontiers is officially retired, and along with it any identity he has outside of being his father's son. Or the third path, break the contract without taking his father's role. He will look for his father, yes, but whether or not you find him he's going back to his roots, travelling around to do some good in the world (as the Blade of Frontiers) or kicking ass in the Hells with Karlach (as the Blade of Avernus). In this timeline he becomes a fighter, with a default preference for Eldritch Knight.

What's important: if he breaks his contract then Mizora is NOT hanging around camp. She will leave in a fury, accidentally bound by her own word to withdraw her influence completely if he breaks his contract. She may still approach the player some night to sleep with the player, framed for high approval/romanced players and her trying to take something back from Wyll. But Wyll will have to learn how to define himself without her breathing down his neck, without keeping her happy dominating his every thought. Its nervewracking, and even lonesome at times...but its freedom. And, perhaps, that's worth a little bit of lonesomeness.

two shells and a pearl, 100x100cm, egg tempera

Lloyd Steel, Untitled, c.1955 tempera

Me: Why do some people like to picture Romeo as an Italian playboy-an aristocratic, skirt-chasing boulevardier？It doesn't feel like him！

Also me: *painted Italian-style Playboy Romeo*

I've been painting this for a very long time... paired arts with Beefleaf♡

Untitled (Marine Fantasy with Tamara Toumanova), Joseph Cornell, circa 1940

Collage and tempera on paperboard 21 x 13 ½ in. (53.34 x 34.29 cm) Smithsonian American Art Museum, Washington, DC, USA

@monwillica & @merrybaekmas asked: which EXO member is most like you?

JONGINIE