I can't help but play devil's advocate in my head whenever I see those Charles stats because yes, he's absolutely incredible, alongside the greats, but I imagine all the anti-Charles comments coming in going, "well front row starts aren't wins, so it's a useless stat".

And I started thinking, when has Carlos ever had a seemingly 'useless' stat that was positive about his results? Did he have a streak of consistency? Because I can't think of any.

Charles might have a lot of front row, pole positions, top 5 stats that people undermine, but it's a hell of a lot more than what the other drivers on the grid have. He's undeniably one of the most talented drivers.

Sure, I see where people are coming from when they say useless stats, points are earned in the race, etc. But if they're calling him out for being inconsistent: qualifying front row 7x in a row is a stat showing them the opposite. Unfortunately, I think he's made it look easy, and people just can't accept that he is working miracles in cars that don't necessarily have that pace over 50-60 laps.

And if Charles doesn't put it on pole/front row, he gets team orders to sit back during the race and not overtake (even if he has better race pace), and then he is called out for not being aggressive enough, and Ferrari firing the wrong driver, etc., etc. Mind you, when he did try to pass Carlos in Monza, people were also up in arms calling him too agggressive and risking both cars getting taken out, so he can't please people no matter what he does.

Here are just some of the things I've seen people spout recently:

I agree with you, Anon, Charles is incredibly talented, and despite some abysmal years at Ferrari under Binotto, he has achieved more than most of his peers on the grid. However, I think the expectations of Charles are extremely high, especially being a Ferrari driver. And unless we were able to compare each F1 driver's abilities to one another with all of them driving the same car, there will always be "but's". "But Alex cannot possibly win in a Williams." "But the McLaren is not as fast as the Ferrari." "But George could win as much as Max if he was in a Red Bull." Etc.

And despite him easily outperforming so many of the drivers he competed with before coming to F1, I think Charles is always going to be compared to Max. Who is also undeniably talented, but who also had a very driven dad who pushed him to train incredibly hard, who had connections & funds, plus F1 insider knowledge, all allowing Max to jump ahead and gain way more experience at a lot faster rate than his peers. And when Max is considered the standard Charles has to live up to, even getting P2 in WDC still gets you called "overrated" and "a mid-level driver".

I think we can all agree anakin is the most romantic in their relationship lmao

you ship ryomina because ryoji is a disaster of a bisexual. I ship ryomina because of the beauty of a suicidal boy that can love life enough that death can agree.

unfortunately i am soo good at writing an essay the day its due. im sure this will never affect the development of my time management skills.

I can get why yutus so afraid of azul. He's heard a hundred stories about a suave, smug, but clingy octopus and then he meets him and hes this possessive little swinderler who's trying to get him to sell his soul to him and fuck his parent lmao

referencing the tags on this ask about this au

Tako Yutu didn't have the easiest time as a kid.

He was a chubby little thing raised by a single parent who didn't have the clearest memories of his father, or of their past at all really. I wrote Yuu and Yutu as being a sort of outcasts in the community because people thought they were strange, and were skeptical of Yuu's amnesia. Azul! Yutu was really bothered by that, much like his dad he got bullied and sought solace in books, but unlike him Yuu decided to enroll Yutu in some martial arts classes and hey. He was pretty good at those, his submission holds are real bad news, even won him some competitions. But he's not some muscle head even if he sort of looks like one (he didn't really drop his baby weight so much as he did bulk up) so when he gets his first real look at his father... everything in him is screaming that this guy is sketchy. He knows that Azul and the twins are watching him even if he can't see it outright and to make matters worse, when he asks his parent about him they make a face. A face Yutu knows well that he thought was reserved for the annoying nosy couple who lived next door to you and not his father. His father who Yuu's few memories had made sound wonderful; his father who was supposedly talented and hard working, smart and proud of it, but so desperately in love with his parent they still longed for him with broken memories in a completely different world. His father who Yuu had said he was so much like.

"He's not a bad guy." Yuu says and Grim huffs.

"Don't listen to them Henchuman 2." Yutu has no idea how he feels about Grim calling him that. "Azul's reeeeeeeal bad news. If he's interested in ya' it can only mean one thing, he's after your tuna and he's after your magic."

"That's two things." A smooth voice says at the same time he does and for once, Yutu sees surprise on Azul's face when he tries to make eye contact and not carefully calculated confidence.

"Well they do say great minds think alike." His father says and extends a hand. "But I must say you didn't strike me as the shy type, it is Yutu right?" The way he says it, the way he shakes his hand, Yutu knows he at least suspects him. So he smiles and makes sure to make his handshake just a touch too firm when he responds.

"That's right." Yutu is impressed that Azul doesn't flinch even slightly when he pulls back his hand, if anything his little action makes his smile wider. "And not so much shy as just curious and knowing better than to poke my nose where it doesn't belong."

"Not until you've asked anyway." Azul really isn't content with letting him remain ambiguous, he thinks nervously glancing back to Yuu. "But still there really is no need to bother the prefect over such trivial things, if you have questions about me you can just pay me a visit at the Mostro Lounge. My door is always open to poor unfortunate souls such as yourself." Azul smiles at him and adjusts his glasses and Yutu is... impressed even if the thought of being alone with this man terrifies him. But he's going to have to be eventually, Azul really wants to talk to him for some reason and Yutu finds himself wondering if he's going to find it possible to lie, or just what price he will be expected to pay to have the privilege of keeping his secrets.

But when he looks at the way Azul talks to Yuu... he isn't sure if he likes it but he does find it funny. Azul is so horrendously down bad and Yuu is so unaware of it (there's a part of him that thinks Azul might be a little bit jealous of him which he finds really funny). And Yutu understands why Yuu likes Azul so much. He is everything they remembered him being: smart, ambitious, and motivated. It makes him a little more secure in his existence even if he doubts that Azul will like having a son like him. But that's ok too because a son like him is exactly what's needed to make sure his parents get to stay together in this timeline.

now if only he can convince him to stop bugging him for his real name

One of my favourite things about Generation Loss are the accidents, the last minute thoughts. Frank, a beloved character, ended up being Charlie wanting Sneeg to have a friend while he was stuck in the cage for so long. Frank, who then went on to have disturbing lore in the set design of episode three (there's a deceased employee(?) poster in the office). The green to red filter in episode two accidentally had horrific implications for the slime demon in episode one (and evil Sneeg, yuck), which was again brought back in the set design of episode three (bucket of blood and guts labelled slime). Charlie involving himself in the carousel act of episode two during dress rehearsals, leading to theories of Sneeg seeing him with his guts hanging out when the hat is on his head. Also Charlie mentioned that he decided to portray the patient as a “dude” character so the filter switch was more jarring, rather than being panicked like the rest of the saw victims. I’m trying to think of more.

"standing at your side through such darkness and disrepair, it only makes me want you more"

(random) ngl before i started learning korean i felt like the worst failure of a korean but now i feel like the best failure of a korean (/j) HAHA

like im struggling to speak but least im speaking..!! I feel like I've restored an essential piece of myself that was missing...

Hihi, I just wanted to say (again) that I love your works, whether it’s art or just plain fanfic! I think my favorite has to be either the FMA/ Genshin crossover or Bleach/ BNHA one. ^^ The way you twist your words are so captivating, especially with character studies! Idk, just love the way you can break them down and place em in a new place and just have them fit. As someone who loves crossovers, I heavily admire you and your self-restraint in the respect that [insert character] doesn’t have [insert character]’s friends/ family popping up everywhere if that makes sense? Anyways I just wanted to say thanks for being so cool and I enjoy seeing the little drawings you add into your responses. If you’re up for it, any character from the aforementioned AUs? No pressure! :D

Hehe thank you!!! I’m glad to see another person who enjoys crossovers! I think it’s a shame that there arent more of them, they’re such interesting opportunities for character studies! I think if you’re able to figure out what a character will do when isolated from their preexisting relationships and world there are lots of possibilities to play around with!

I get the temptation to want to see characters interact with people they know and are familiar with, though perhaps due to my own general social isolation, I see a lot of value in writing characters making new relationships when they don’t have access to their old ones. Like what makes them stand out to other people? Why would people want to or not want to be friends with them? What secrets do they keep and what is the threshold of trust or necessity for revealing a secret?

If you want crossover fic recs I have very very many! I really love crossovers haha they’re very very fascinating to me and I hope more people will write them

Thanks for the ask!! Here’s a doodle of mha toshiro :)

hi hi hello i have been gone forever due to various reasons such as “work” and “mental illness” and “having developed a kpop hyperfixation that has been occupying most of my attention recently” but i need everyone to know that i saw off book live twice last week (in philly with a friend and then in nyc with my girlfriend) and it was truly so everything. i didn’t get many pictures but i did get a few and none of them are very good but one of them is of jess’ amazing stool balancing act and that’s all i need really

Hi so i only recently got into hamilton and really liked lmm in it but ive been seeing a lot of pjo fans talking about not wanting him as hermes and you are a lmm expert so i wondered if you knew why people are hating on him for being casted in pjo?

first of all, i am actually flattered that you called me an expert (i am literally not but i do know a lot, i observe, i go through lmm tag every day, i get mad when i see people talk shit about him, basically i'm super loud about my love for this guy so there's that some call it dedication, i call it obsession lol).

there are a lot of reasons actually but all of them are just so silly to me. for example, some people say he is a bad actor (if hamilton is not enough for you, please go watch his dark materials, he is excellent and i will fight). others say he can't sing (he can, he may not have the most incredible vocals ever, not like most broadway stars and i know a lot of people compare him with the best singers out there, but it doesn't mean he can't sing, also, he is much better now than he used to be years ago, for example i'd recommend listening to vivo soundtrack, especially keep the beat or one more song, i mean EXCUSE ME BUT MY MAN CAN SING). another reason: some people say he is annoying because he puts raps everywhere. ok, and? he is a great rapper, i'll say more: he is also a freestyle rapper, very talented indeed (i recommend checking literally any freestyle love supreme video on youtube or you can just go through my fls tag here. making up rhymes on the spot? pretty insane if you ask me). there is also a group of people who think he is cringe, his rhymes are cringe, some of his songs are not good, etc etc (i bet those people can write better songs). i think he is one of the greatest composers of our generation and i will, of course, fight (haters, please shut the fuck up about the scuttlebutt, this song was supposed to be annoying, you just don't get it apparently? same with my own drum actually. can we just stop pretending that he is talentless because of those songs you guys literally have no taste and you hate fun and also shut tf up). oh, and also, people these days very often say he is everywhere and it's annoying (this is literally his job but whatever). and my all-time favourite: some people are mad that he was playing hamilton because they think he didn't deserve it (he literally wrote the whole thing but ok). one more thing: i have never read pjo, i literally just started reading it only because of lin, so i know nothing about hermes, but personally i really hope he will sing/rap, just because i want to see them all suffer.

there were also other controversial stuff (with in the heights, hamilton and puerto rico) but we are not going to discuss it on my blog, sorry (mostly because i have my own opinion about it and i know i will get a lot of hate for speaking my mind). one thing i can say is that nobody's perfect, we all make mistakes sometimes and i will always fight for him, no matter what.

RS3's story problems these past few years is a great example of "boring characters cannot carry a good plotline"

ok your posts have got me so curious what is lobcorp and who is Angela I am dying to know

ohhhhhh anon. im so glad you asked. youve activated my infodump trap card. we are gonna be here a lilwhile, but i will try to keep it short regardless.

[inhale] lobcorp, also known as lobotomy corporation, is a multitasking monster-management game, part of a series of games from the producers Project Moon. it starts as a very simple "dystopian setting manage the monsters and sometimes employees die nbd" sort of game, but then rapidly, intensely spirals the more you play. its notoriously difficult but also ridiculously fun and satisfying to get correctly. you are expected to fail and retry multiple times, so much so that it is an active in-narrative plot point.

you play as the manager of L corp, named X, and angela is your Helpful AI Assistant here to help you make energy efficiently and be the best manager you can be. :] by making energy. nothing else. dont worry about it.

lobcorp as a game has absolutely Fantastic characters, and Doubly so in its sequel Library of Ruina. its a series that focuses on character growth, cycles of violence, autonomy, the definition of humanity and personhood... and just. so, so much more. its so full of The Horrors.

. this, of course, is the very basics of getting into the game. i am going to explain everything very vaguely and very messily. i'll spoilercut in case you're interested in looking spoilerless based off of this, (extra post abt it [here] if youd like to check it out yourself) but i will Try to keep it vague. i make no promises. youve asked me about my favorite character. that i have previously spent 6 hours straight explaining to a friend. you understand. here we go.

////

lobcorp takes place inside a monster-management facility... that is, in and of itself, a closed-off timeloop. in order to progress, certain events and interactions must happen in a very specific way for its ultimate goal to be realized. should something go wrong or a mistake occur, the loop resets to day 1, and you must do it all over again.

angela, your ai assistant, was built to be the perfect person to keep you, the manager, on-track for a plan of your own making. dont worry about it. she was built to be able to seamlessly and efficiently move things along-- the ability to feel emotion to be able to connect with employees and make crucial decisions, the ability to recall anything that has ever happened regardless of the loop, and the ability to perceive time much, much slower than a normal human to make judgements more efficiently.

she guides and supports you all the way up until the final leg of the journey, where... she simply doesnt show up again. she has done her job, and you no longer need her. you have a plan to finish, and an incalculably long time loop to finally close. everybodys suffering results in a happy ending, and everyone gets to rest. ^w^ yay yippee!

. just kidding. nothing is ever easy. angela, as a character, is seemingly set up to be a game mechanic and very little more, in the beginning. eventually, more comes up about her as the game progresses, and well...

...anyway imagine being built to be an imitation of somebody you are not in a broken individual's deepest throes of grief, and the minute you become conscious the guy you were built to love hates you simply because you exist-- because you are not the person he lost, because you're a shoddy imitation, mirroring everything he hates... that he made to be that way, in a cruel act of self-loathing. ok?

now imagine you're built to feel, built to remember, and then forced to guide a timeloop countless years long, forced to follow a script that makes you harm people you desperately want to protect and connect to, causing them to hate you. you remember every bit of harm you had to impose on them in painful detail. imagine doing all this so that your creator can come in and fix all of their problems after youve set the stage. ok?

now imagine you finally do everything right. you finally, finally help this guy to see his plan to fruition, and in the last steps of everything, when everyone comes together and finally starts to move towards their own endings... nobody looks back for you. nobody thinks to look to you, to look for you. because nobody thinks youre anything more than an object.

imagine all that, and once, finally, you start to Want. because of course, after holding everything up by yourself, you would want something more than to fade away wordlessly. of course, after all this mistreatment, you would want a future too. this story was set up so that everyone could grow and move forward-- except you. isnt that cruel? isnt that horrible? so, truly, who would really blame you for taking what you truly deserve? who could blame you for reaching for the same light they did? so what if it means you have to destroy everything you-- everything they worked for with your own hands. they can hate you all they want-- its no different from what it's been. you only have one goal now, and simply, it is to Live.

.

. Library of Ruina is the sequel to Lobotomy Corporation following a curious machine trying to become human. angela becomes one of two main characters, and the entire game functions as a dialogue on her growth as a character now that she finally has the autonomy to learn and change. she searches for the One True Book, something that will grant her humanity and the freedom to live, grow, and most importantly: forget.

along with the second primary character, roland, they learn more about the city and how it truly functions-- and also learn about themselves, And each other.

what do you do when you teach yourself all you can do is survive and look out for yourself-- when you finally open back up to the possibility of hope and connection, and everything is ripped out from under you yet again for circumstances out of your control? what do you do when you're a victim of a cycle of horrific deeds, crushed beneath the weight of people who couldn't care less about you, and your only hope of escaping alive is to pull down anyone else in your way?

what do you do when you finally free yourself from a seemingly endless gauntlet of suffering, finally grasping power youd never been able to have before, all in the name of finally, finally getting the vengeance and resolution you deserve? when you follow the path set in front of you, set by actions of people who came before you, spiralling endlessly into the distance? what do you do when this guise of distance and coldness you put up is rightfully challenged and you have no way of defending yourself-- when you have to question what if this "self" youve made of yourself is truly who you are... and if this path ahead is truly of your own choosing, or the making of someone whose influence you could never really shake off.

what does it mean to have autonomy when your life is never truly yours?

lobotomy corporation and library of ruina, aka: Who Wants To Be Part Of The Torture Nexus ? Try Now !

i feel like i haven’t been insane enough about wtnv lately. this is what no cecil pussy does to a mf.

Astarion/Lae'zel and the inherent eroticism of two predators that are ideologically and diametrically opposed, sizing each other up to see what they have to offer. a runaway slave and a failed servant to her queen. one who's all false honeyed words and shiny performance and one who has trouble with metaphors and only knows how to be herself. it's finding honesty in killing and meeting someone who embraces you for it. it's kissing after ravaging a small village and leaving absolutely no survivors. it's recognizing yourself in the other's monstrousness, and basking in both the peace and chaos you bring out in one another.

it's hating that you let yourself get close to someone who will inevitably leave you, someone destined for something greater than you. it's hating those moments he made you want to live for yourself and abandon your duty to your people, because you know you'd never forgive yourself if you do.

it's two ageless beings just drifting in and out of each other's lives over the centuries, never managing to stay in the same place for too long, always moving toward something else. it's to carry the burden of eternal life and to remember the mark you once left on the other—always there, and never quite gone.

Generation loss, a horror comedy show, is an incredible allegory for being a content creator in this day and age. The main characters are all real content creators themselves and are discarded after they have broken from their kid safe molds; directly paralleling the YouTube algorithm and controversy experience. The medium it is produced in also directly ties back into the concept of content creation as it is canonically live with audience ‘interaction’. While some aspects of it do not fit one to one (as it isn’t a metaphor, but an allegory) overall the themes directly translate to one another and the main ideas and struggles of content creation are depicted even while exaggerated. The crucible, on the other hand, is NOT an allegory for McCarthyism at fucking all- in this essay I will-