The final performance ended as all the preceding ones had: a single character, Meg Giry, kneels alone on the darkened stage. Lit by a spotlight, she holds the Phantom’s mask, gazing out in fear and wonder. The last person alone on the stage for the final performance of this legendary musical was Sara Esty (GHS ’04). 

Sara recalled, “That final moment in Broadway history was transcendent. How this fell to me, I will never know. But life led me there.” 

Photo by Matthew Murphy.

Parallels - Good Omens Seasons One & Two - Part One

Links to [ Part Two ] [ Part Three ] [ Part Four ]

Time traveller: *moves a chair*

Timeline:

oil paintings on wood by Angela Lane (1974-)

retired 🩶

If Shen Yuan would have transmigrated after realizing his sexuality, SVSSS would have been even more unhinged.

Like, he already notices the beautiful men he is surrounded by, but now these beautiful men could be an option for him. Sure, not LBH because he is the protagonist of a stallion novel, he will get his harem of pretty flowers, but the others! After all, if all women belongs to the protagonist, maybe it wouldn't be frowned upon for the men to be cutsleeves. Right? His cute little white sheep will have all the peerless beauties, but the other men who also deserve love and appreciation and care will have no one and that would be a crime.

Now, he just has to figure out which one of his beautiful and handsome and reliable and strong martial brothers is open to have a... a closer relationship with him. I mean, one of them has to be at least a little bit queer, right?! That's just statistics!

The real reason everyone makes fun of Dicks Discowing outfit is because he's the only one that can somehow pull it off

Every superhero and vigilante has has a costume like that at some point, something daring or a bit ridiculous that in hindsight that they just couldn't make work for whatever reason. Nightwing? The pretty motherfucker not only made it work, he slayed in that outfit. It looks ridiculous by itself on display in the batcave but not when Nightwing puts it on

The only reason Dick doesn't know this is because all his siblings have collectively gaslit him into thinking that it's his worst costume to date.

David Tennant opened the BAFTAs with a fuzzy swaeater, pride pin and a dog, subjected the cream of Hollywood to a staged skit and gay flirting with Michael Sheen, wore a slutty kilt, insulted trump and nobody else, spoke French, delivered puns like a pro, thirsted over Andrew Scott and Paul Mescal, flirted with Bradley Cooper, wore 3 of the most flamboyant outfits - all which slayed, fanboyed over Michael J Fox and was aggressively Scottish the whole way through

I’m sorry if you’re watching the BAFTAs for any other reason you’re wrong

You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.

The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.

It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.

there is an upsettingly small amount of pissa outfit swap content and i won’t stand for it any longer

im so sick looking at these two frames during more than anything. husk's exhaustion, angel's hesitance, pentious actively crying, vaggie's warm and loving smile, alastor looking nearly genuinely supportive, niffty's happy little grin??? please i need one million more episodes of them living together

I mean…😶

I can't help but find it kind of hilarious that the entire TMA fandom (myself included) collectively decided that Jon is actually the most beautiful person to ever walk the earth, meanwhile every vague description we get of them in the podcast is just hammering home what a Fucking Wreck they are

It feels illegal to have Doctor Who be this high budget. I’m not complaining, it’s just so strange it’ll take some getting used to lol