Tumgik
#and i'm just not as involved in general with its fandom as some of the others
mettywiththenotes · 2 years
Text
I do find it weird when I see people being like “but he/she’s a background character!! why are they getting involved!! they mean nothing!! what’s even the purpose!!”
Like idk man let’s refer back to
“Everyone is the protagonist of their own story. You were never a side-character.”
and
“This is the story of how we all became the Greatest Heroes.”
and
“Inventions are the support classes way of being Heroes.”
I mean it is continuously said over and over that anyone can help in their own way, they can be their own kind of hero (even without actually being in the profession), and even if they’re not front-and-center they are still making progress and doing something for their friends/team
Like yes I understand that for some reason you don’t like background characters being given the spotlight but you have not been reading this manga if you’re wondering why background characters are getting involved
38 notes · View notes
Text
heheheehee look i put a title
mmmm maintenance/updates to header subtext bc wow who would’ve guessed but things fucking change lol
Tumblr media
that was the old now this is the new
Tumblr media
also some shit just was missing not like new addition things or wtv lol
0 notes
Note
AITA for bitching about fics I dislike on my blog?
as a foreword, this is kind of a non-issue and no one's ever told me to stop, but I'm curious what other people think of fandom etiquette.
the fandom: a fairly small one. 2.4k fics on ao3 small. I recognize most people posting in its tumblr tag small. if I tell you the name of the source you'd almost definitely be able to find me small.
the source: pornographic, which means everyone involved is or should be an adult. it's BL with a switch MC, but the fandom overwhelmingly prefers bottom MC/top LIs (love interests), to the point where I've had people be astonishingly rude to me because my favorite character is a bottom LI and some of my friends have been outright harassed for the same. I used to not care about sex positions in the slightest, but now when I see bottom MC fanworks I can't help but remember how poorly I was treated.
the fics: wildly and inexplicably popular, even though they are, frankly, poorly written. it's eternal bottom MC turned up to 11, complete with copious amounts of OOCness in order to turn every ship into the worst ye olde yaoi gender roles dynamic you can imagine. it's things like MC, canonically a 23yo plank of a dudeguy, being written as a big titted milf in his 40s (which is made more confusing by the fact that one of the LIs is already a big titted milf). it's also things like the MC being written as disliking sex and having to be coerced into it when one of the most charming things about him is that he's a hilarious sex pest, or writing the LIs sexually harassing the MC when they really would never do that. I've likened it to replacing the characters with OCs that share the same name and my friends have agreed with me. I'm honestly convinced that the author and his readers don't actually like any of the characters if they feel the need to change everyone so thoroughly.
why I might be an asshole: it's assholish to hate on free fanworks, and I've bitched about these fics on my public tumblr blog. the fandom is small enough that there's a non-zero chance of it getting back to the author and a reasonable chance that fans of the fics have seen my bitching. I'm probably projecting the hostility I've received onto someone who's done absolutely nothing to me, and I am absolutely just straight up jealous that their fics get better stats than mine. I may also be being an asshole to myself, because being critical of other people's fics has made my hypercritical of my own.
why I don't think I'm an asshole: I think everyone has the right to be bad at things, but I also think everyone has the right to be a little hater. I don't put the fandom tag on these posts; they stay on my blog and my blog alone, and if later on I feel like I was unfairly vitriolic I'll delete the posts. I only post on tumblr because I'm certain the author in question only uses twitter, which dramatically lowers the odds of him stumbling across my posts. the fics are so popular that it's definitely possible that their fans would see my posts, but I think it's unlikely that they'd bother looking at my blog because 99% of my posts are about one of the bottom LIs. I have never and would never leave comments on the fics themselves, and I generally try to keep the bitchy posts to a minimum; it's far from a constant thing.
tl;dr - I publicly bitch about fics that (in my opinion) are poorly written and extremely OOC, under the assumption that it's unlikely the author would ever see it. AITA?
What are these acronyms?
197 notes · View notes
hms-no-fun · 8 months
Note
What's your opinion on the new HS^2 update? I'm really excited it's back but I'm a little worried. Like, the fandom has had a real problem with pretending all the horrible shit that caused it to end in the first place never happened. Is this just gonna sweep that under the rug even more? Is James Roach heading the project because he's less "problematic"? I love James roach and I'm sure he'll do great but what about all the transphobia? I just hope they finally fulfill the Toblerone Prophesy and make June Egbert cannon.
short version is, i'm cautiously optimistic! but this is a loaded question you've given me on a lot of fronts, so i'm gonna try to take it piece by piece.
to start with, the sudden revival of Homestuck^2 (now minus the squared) took me by surprise because to my knowledge, it was entirely dead in the water. my involvement with anything Official ended at Pesterquest, and pretty much the entire post-canon crew i was friends with in 2019-20 has moved on to greener pastures. i share a similar sentiment with @pochapal in that i would have put money on hs2 staying dead forever. i have, quite frankly, dreaded the inevitable day when official Homestuck media would resume production, because the fandom at large seems quite eager to sweep the ceaseless harassment and transphobia that ended hs2 under the rug and pretend that it just, like you said... never happened. when that california cafe used older Pesterquest-like character designs that omitted short chubby Terezi and black-coded Roxy, however well-intentioned and ultimately harmless that was, it felt like a sign of things to come. that, as you fear, the sharper & more personal queerness that we tried to bring to this series would be erased, in favor of something meant to simultaneously appease both tenderqueers and redditors, two sects of the fandom most responsible for the aforementioned harassment.
luckily, that really doesn't seem to be the case!
to your worry that James Roach was made director because he's "less problematic," i'll just say that's entirely the wrong way to look at it. it's not like WP (such that it even still exists) were cruising to get HS2 back up and running. by all accounts, James is the only reason it's happening again in the first place. i can't stress enough just how small an operation this Homestuck business actually is (or, at least, was when i was involved). this is not a Huge Corporation making cynical cash grab decisions. this is someone who cares about the material pushing to get something made where otherwise there would be nothing. check the new About page, where the principles of the so-called Homestuck Independent Creative Union are laid out in plain terms. this is something the original hs2 team fought for, so for this new version to start from there as square one is huge and a good sign of the possible longevity of the project.
Tumblr media
next, let's talk about the question of this new team erasing the legacy of the old one. Kate Mitchell is on the record that she was reached out to about this new hs2, approved it, and declined to be involved. i don't know if the other writers were reached out to, but i have no reason to believe they weren't. this is a tremendously important gesture of good faith and goes a long way towards easing some of these worries.
but let's look at the composition of the team itself. do you remember The Perfectly Generic Podcast? originally hosted by future hs2 writer Kate, pgen became a flashpoint for community discourse, often opening doors between official homestuck and homestuck fandom. what made that show special was that, rather than relying on the imo tired genre of the liveread, pgen focused on a different topic each episode and explored it with one or two qualified guests. Kate's goal with the show was to encourage a more adult and quasi-academic discussion of homestuck, of its successes and its failures. if you weren't there, the weight i'm putting on pgen might seem overblown (not least because you can't find it anywhere anymore except on the internet archive). but it's not! when they decisively criticized the wild contents of the Skaianet debacle in episode 19, Andrew listened and worked to bring a more diverse group of creators into the fold. in the months after the Epilogues were released, Andrew issued a statement through pgen on episode 52 about how the Epilogues are meant to create bridges and offramps for the post-canon fandom. it's an essential piece for understanding the epilogues and their relationship to fanworks! that it wasn't included as the author's introduction to the Epilogues in the book version remains to my mind an astonishing oversight, but whatever. point is, pgen mattered to the folks in charge.
so let's look again at the writing staff of this new crew. James Roach first guested on pgen in episode 7, and would go on to be a regular. Haven, who did the Vriska and Roxy sprites in Pesterquest (and probably more stuff i don't remember), guested in episodes 81 and 87. Miles guested on episode 87 as well (unless it's a different Miles, i'm not familiar with their work and ugh this damnable linkrot). Floral, creator of one of my favorite hs fanworks & huge godfeels influence Liminal Space, first guested on pgen in episode 47, and would go on to be a regular (including once during my tenure as host to talk about Jade). on the technical staff side, Kohi built the hs2 website and has remained a backend mainstay both on the WP side and on Vast Error.
all of which is to say, if you were looking for a crew to cynically erase the past and appease the haters, these probably aren't the folks that'd be at the top of your list. of course, if you *really* wanted to cynically erase the past and appease the haters, you wouldn't bother reviving hs2 in the first place!
and that's the crux of the matter here. what cash is there to grab? what clout could possibly be chased? i struggle to think of a decision less obviously profitable and popular than continuing hs2 with a new crew right where it left off. i have to believe this is happening because the people involved want to make it.
so, yeah, i'm cautiously optimistic. i like this crew, i like the contents of the first upd8, and i'm glad as hell it's not a reboot! i'm grateful that by reviving hs2, the hs:bc crew have instantly yanked the epilogues & the post-canon project back into relevance in the broader community. and i always liked hs2 a lot! i was excited to see where they were going! i'm really looking forward to seeing more YIFFY!!!!!
but the thing is, this won't be the hs2 i wanted. i know that, and i'm not expecting it. my greatest hope for hs:bc, for this crew, is that they get the chance to take up the reins and drive this thing in whatever direction they feel most passionate about. if that winds up looking like the hs2 that was originally planned, great-- but more than anything, i want everyone on this team to feel just as empowered to leave a profound and personal mark on this series as the original team did, as i did working on Pesterquest. i hope the outline changes! i hope they take some really wild swings! i want to be surprised!! i want to be challenged!!!
above all, i want them to have the chance to pick a course, sail it, and see it through to the end regardless of what the public thinks. they deserve the chance that the original crew didn't get.
i have plenty of bitterness and cynicism in my heart over the events and circumstances of 2019-20, but as far as i'm concerned it has no place here today. i would never, ever wish the trauma and stress of that era on anyone. let the fandom at large react in whatever way it will, but i want things to be different this time. this is a second chance-- not just for hs2/hs:bc, but for all of us. even people who hate homestuck post-canon! this is an opportunity for everyone to choose to be better this time, and to push back when others might squander that opportunity. this team is not a group of celebrities, not an abstract fiction on the other side of the world, they are human beings who took a job. they've earned the opportunity to do that job, and they deserve to be treated with the respect and dignity that was so often absent a few years ago.
as to your last point, about june egbert and the toblerone. i've been saying for years that andrew's confirmation of june was less "the granting of a wish" than it was "a spoiler shared without input from the creative team." that there is any doubt about june's providence in hs2 can only be attributed to willful, aggressive ignorance on the part of people who refuse to engage with the written word in any way other than plodding literalism. the original team didn't unveil june ~immediately~ because they didn't think of june as a wish, they thought of her as a character in an ongoing story who needed time to develop naturally. i have never not felt entirely crazy about how thick everyone has been about this!
but will the new team make june canon? obviously i have no way of knowing for sure, but i'm gonna go out on a limb and say that probably the answer is "yes, when they're good and goddamned ready." just, please, for the love of god, don't go after every upd8 like "where's june? where's june? why hasn't june yet????" this was one of the worst results of the toblerone spoiler and it put INSANE pressure on the hs2 team. so just... just let this story be what it is. let this new team make the homestuck continuation they want to make.
and in the meantime, if you're really hungry for june... there's always godfeels :)
367 notes · View notes
txttletale · 8 months
Note
so when Palestine fights back by killing civilians, including children, you go: it's justified
but when Russia invades Ukraine and kills civilians, including children, and Ukraine fights back in defense, you go, Ukraine should settle for peace
and you say Israel can just stop the occupation, they have that power and then they could avoid their civilians dying by simply deciding to that, yet you don't see that the Ukraine war stop just as "easily", by Russia stopping the invasion. They invaded, they started the war, just like Israel occupied Palestine, they are the one who can stop it
I know these are two different situations but I cant help but notice how different your approaches are, like adjusting your theory according to who is attacking who.
also, you said it would be strategically impossible (im paraphrasing you) for Russia to stop their invasion, well, wouldn't it also be strategically impossible for Israel to stop their occupation.
Also, if Ukraine settle for peace (I want them to, I generally agree with your points on the topic) and Russia gains something from it (as their peace treaty will most definitely assign a lot of Ukraine land to Russia), then Russia gets the message that invading other countries is successful and a good way to go about things. I mean, obviously the peace work will begin after they settle for peace, preferably working with Russia, im just curious to hear your thoughts.
English isnt my first language but I hope you understand
volodymyr zelensky might have something to say about this comparison. obviously to be clear his comparison is fucking ridiculous, but is illustrative of a key difference--that all of the force of NATO are arrayed behind ukraine (a privilege not enjoyed by palestine) and that the government of ukraine is aligned with NATO rather than its own people--which is why it's selling everything that's not nailed down to the predatory west.
i do of course think that russia should stop the invasion! i respond flippantly to most people asking this because they rarely ask in good faith, but let me say it unequivocally--i'm a communist, i think that the fall of the soviet union was a tragedy and the oligarchic mafia state that rose from its ashes is an insult to everything it stood for. putin is a far-right anticommunist and the oligarchs that he represents are scum. in the case of russia vs. ukraine, russia is straightforwardly the agressor and it would be a good thing if russia withdrew immediately.
but when i talk about the need for a peace settlement, i'm not (no matter how much nationalists and the NATO fandom will yell that i am) advocating for an unconditional ukrainian surrender. i'm talking about the maximalist positions about 'punishing russia' and ensuring some imaginary total defeat that the NATO bloc advocate for and push the ukrainian position towards. the US and their allies have made no secret of they fact that they seek to prolong the war, use it as an opportunity to open ukraine up to US investors, and don't care about ukrainian casualties:
Tumblr media Tumblr media Tumblr media Tumblr media
[1] [2] [3] [4]
& ultimately, there is the fact that i (and almost all my followers) live in the imperial core--as communists there is nothing any of us can do to push russia towards peace. that's a task for the russian communist and peace movements. what we can do, however, is obstruct and protest NATO's involvement in the war. this is what the union of ukrainian communists have said in their statement on the war:
We appeal to the Russian workers as a fraternal class, bearing all the burdens of war on its shoulders, also suffering from impoverishment, unemployment, and the elimination of fundamental rights and freedoms: seek the defeat of the bourgeois power in Russia, turn your weapons against the Russian oligarchs and their political acolytes. We are ready to fight with you to turn the imperialist war into a class war against the power of capital and for the communist revolution. We appeal to the workers of the countries belonging to NATO: To stop the threat of the destruction of humankind in the nuclear clash of imperialist war is only possible in a struggle not for abstract peace, but for the overthrow of the power of the bourgeoisie of their countries, who are waging these wars and profiting from them. Work for the defeat of the bourgeois governments and the NATO bloc in this war, put forward the task of turning the war between nations into a war between classes, turn the weapons produced by workers' hands not against the workers of other countries, but against the capitalists of your own countries, against their power.
—Union of Communists of Ukraine, On The War And The Tasks Of The Working Class
so--people in the west are powerless to do anything to prevent or weaken russian imperialism, short of supporting their own imperialist powers--which, if you care at all about human life or the working class, is robbing peter to pay paul. however, those same bourgeois western governments are the ones supporting the israeli genocide--this is a case in which the Western proletariat can and should mobilize to suppress the imperialism and colonialism of the aggressor, because they live in countries that directly support it.
of course, there are also massive differences in the actual circumstances of the relations between russia and ukraine--russia is not, for example, built on stolen ukrainian land, nor is ukraine an open-air concentration camp whose water and electricity are provided by russia only sparingly, nor has ukraine seen in peacetime regular brutal massacre, invasion, bombing, and murder as palestine does every single year of so-called 'peace' that passes between israel and palestine. the situation of 'peace' between russia and ukraine before 2022 was not one of totally intolerable one-sided massacre, as the situation of 'peace' between israel and palestine has been.
as such, there are in fact multiple parties who can pursue peace in ukraine, including parties that we, communists in the West--who are the people i blog as and for--can pressure and organize against effectively. there is only one party that can pursue peace in israel. the situation is not comparable, either on its face or in the relation the West and as a result communists in the West have to it.
225 notes · View notes
disruptivevoib · 11 days
Text
Hey so since I don't actually involve myself SUPER heavily within the fandom, as seen by the "whats chainsaw Mind" thing earlier today- among other stuff.
I wanted to ask what are common headcanons the fandom has? Or just maybe headcanons any of yall have in general (though specify lol if its a common one or personal one you hold that's less popular etc)
I know a few, but I'm not gonna say I know all of em, esp cause most folks seem to have headcanons amongst their groups!
But anyways- would be curious to hear some?
77 notes · View notes
Text
This will be a long post but I've been thinking about this since last night.
I get a pit in my stomach when I think about the new Fallout TV show and the chance TES may get a show if the Fallout show is super successful.
I've been hearing the show has been pretty good, but ive also heard some grim rumblings and worries about certain directions Bethesda/Amazon are taking lore-wise in the Fallout show. Apparently Todd has said everything in the show is canon.
I've not watched it myself as I'm not a huge TV watcher in general, but I don't know if I want to see Bethesda or an outside studio make massive changes to TES lore which affect both past and future installments in TES purely for the sake of "making good TV".
I am most certainly not a "modern Bethesda" hater or of the opinion that modern TES/Fallout games are bad. I pretty much love them all. (I even enjoyed Starfield, huge glaring flaws and all!)
I genuinely believe they are trying their best to make fun games. I also understand they have had a lot of struggles over the past decade+, particularly in company direction and budgeting of necessary resources (pre-Microsoft acquisition).
The old Zenimax upper management was awful (Trumps brother was literally on the Zenimax board of Directors before he died). And infamously refused budget allocations towards serious game engine improvements that were desperately needed. Bethesda has had alot of struggles but I feel they have always tried to do the best they can, even if the final result is middling.
I am also not a Todd hater. Even if he's not necessarily the best game designer, he has a lot of heart and passion and seems to genuinely care about Bethesda and its employees. I am glad he seems to have a genuinely good relationship with Microsoft and I have high hopes for Bethesda's future in the long term.
All that said, there are just certain changes that can happen when "Hollywood comes knocking" per se., even if most of the main creative decisions still come from Bethesda. TV shows can be fantastic and lauded with praise but if they are based on an established property with established lore, they often ultimately go in creative directions which negates the lore and other non-TV entries in the series.
Just look at GOT. It started off amazingly, and GRR Martin had a direct hand in all the early series. It was the best show on TV until suddenly GRR was no longer involved directly and the show runners started making their own decisions. They started ignoring established lore and making "changes and improvements" which nose dived the series by the end.
Perhaps I am paranoid, but I can see something similar happening to Fallout if the show is big and keeps getting new series. Furthermore, I hold a deep dread that TES may be next. Just think, how many people talk about GOT anymore? How many people are hyped for the next book(s) in the series? The books didn't get bad right? Only the TV show did.
But that's my point. If Fallout or TES have these big smash initial hits on TV but begin to fail after a while, it damages the series as a whole, not just the TV show. Don't get me wrong, I'd love to see TES/Fallout TV shows be nothing but great. I just worry as I've been hearing of major major lore changes being made by the Fallout show. These changes are irrevocable and utterly change the lore of that series, and not necessarily for the better. I'll try to refrain from further judgment on that, but I'll leave with this question:
What if TES had a super quality and popular TV show which negated large parts of pre-Oblivion lore? Suddenly, due to the show, innumerable people/places/things which were iconic to the TES series were no longer around or perhaps not even canon anymore? What if those things were just lost or written off for the sake of a TV show?
As a fan of TES, and maybe even of that TV show, how would that make you feel?
I'm am not trying to stir controversy here, but I think we as a fandom need to have more public discussions about this. We also need to be prepared to not dump on any new changes to the series or lore without giving them a fair shake. Something being "new and different" does mean its awful. Changes can be good or bad but they must be carefully considered.
I hope this new Fallout show's premiere will provide us a good chance to consider the future of TES media and lore outside the games before any changes are announced or made.
140 notes · View notes
strrwbrrryjam · 7 months
Text
i always wondered what it was that endeared the younger of the gang members to arthur.
i mean, arthur is an intimidating man, he's large, he's tall, he's covered in scars and most importantly, he's not just loyal to the gang, but protective also (and picky about who they work with, if you consider arthurs first meeting with seamus) so of course he's going to do his best to intimidate any new members to join.
but he has a very good relationship with each one of the younger gang members.
with john its obvious, i mean, its one of the most talked about relationships in the rdr2 fandom, as despite not being biologically related to one another, with the way they act together, whether it be picking fights, picking on, with the way they argue, or how even though they spend so much time at each others throats, there is still genuine care shared between the two of them
with lenny they're able to have a drink together and drink to excess, he's comfortable making a fool of himself, he invites himself on jobs with lenny, whether to get a piece of the cut, wanting to spend time with him, or making sure that lenny is okay. lenny is comfortable coming to arthur about his troubles (his talk with arthur about what happened in strawberry comes to mind), in a way he isn't exactly comfortable coming to dutch, lest he is accused of doubting him, arthur also tells him outright that its fun spending time with lenny, that he enjoys it
with sean, he isn't afraid of "making fun" of arthur, or joking around with him, he's comfortable enough to do so, whether because he knows arthur wont attack a gang member in the presence of the rest of the old guard (dutch and hosea and susan), or he knows that it just isn't in arthurs nature to come after you for making a joke out of him, and he apologizes when he knows he's gone too far (seans party, when he said strauss was having more fun at the party than arthur was, and once arthur replies, he apologizes soon after) he wants to spend time with arthur, coming on jobs uninvited and when he does come on jobs, he's generally happy about it, having fun. he's tells arthur he loves him, in a joking way or otherwise
with javier its very much the same, in fact, all of the younger gang members arent afraid to quip about arthur, he's excited to invite arthur along on jobs (whether it be actual jobs or otherwise, like fishing), he offers to go out of his way to make things for arthur (if of course arthur gets the resources he needs to make things for arthur), he's comfortable enough to share his frustrations with arthur, whether small, such as his relatable irritation with the english language, or the direction of with the gang is going
with the girls, its been established in the fandom that he's one of them, that arthur morgan is one of the girls, and its true, he is! arthur isn't afraid of being vulnerable with them, often giving him good advice and reassuring him that his actions are not him, that he can, and has done better, and that he is a good man, they invite him in on conversations that most men back then wouldn't be the most comfortable with (such as their discussion of the future of women's rights) and they, like the men, are comfortable making quips about arthur (he's also seen to be very gentleman like, I'm recalling the gifset of arthur being a gentleman and most of the gifs involving arthur and the girls (and albert))
with mary beth, they both share a love of writing, whether fictional, in the case of mary beth, or nonfiction, in the case of arthur (though if someone were to actually read some of the parts of arthurs journal, you'd think he'd be writing fiction, with the case of the vampire for example) and both share their relatable frustrations of writing, their insecurities about the topic and what they write, arthur is protective of her and whose she's around, gang member or not (arthur inviting himself on a job with sean because he doesn't think sean will be able to make sure mary beth is safe), he doesn't mind dancing with marybeth, and has fun doing so
with tilly, he's known her most of her life, she came in young after a very traumatic experience in her life, and her, like john, have grown up viewing arthur as some sort of older sibling, she likes to share her frustrations about some of the older gang members, like susan, and is comfortable joking around with him, where arthur returns those jokes back to her, they share a love of playing games together, and likes to go on jobs with him and she knows that no matter what, arthur will be there to protect her and not out of duty or anything like that, but because he generally cares about her
(and we cant forget to mention that out of all the gang members, she was the one who had her own goodbye for arthur, one where she got so emotional she couldn't get the words out, yet, arthur knew, arthur always knew)
with karen, out of all the girls she is the most likely to call the men, especially arthur out on their bullshit, shes confident enough to argue back against arthur, she likes to sing and spends time with him, and by the fact that she knows arthur is an incredibly messy drunk, i don't think its too far to say that she and arthur have shared some misadventures like lenny and arthur did, and despite all the snark she can give arthur, she out of all of them knows that he can do better, that in his heart he is a good man, a kind man
and with abigail, he has proven time and time again that he only wants the best for her and young jack, to the point where he's even had the thought of marrying her himself, just to make sure she gets by, she isn't afraid to tell him her thoughts on things that are taboo, such as mary or dutch, and she knows that despite his reluctance in the beginning, that she can rely on him, she, like the rest of them, can also have a laugh at arthurs expense in jest, she, like tilly, also enjoys to play games with him and knows that jack cannot be safer with anyone else than he is with arthur
i mean, even with molly, a person arthur doesn't spend so much time with, he is always polite to her, holds sympathy for her and even she knows that if she wishes to discuss something that cant be said in public, she knows that out of all the members in the gang, arthur is probably the safest option to go to
out of all the members in the gang, arthurs least problematic relationships are usually with those who are younger, either because they know that they can rely on him, and they know that they are safe with him, and it doesn't usually come with a whole heap of complications than it does with some of the older gang members, specifically dutch
192 notes · View notes
genericpuff · 24 days
Note
From the standpoint of someone who doesn't even like LO that much. Reading through this gave me a strange sense of discomfort? I think. Something about the combination of the essays, and the digs at the author in a lot of posts, and making a community based on it, and the ranting. It made it feel a lot more group ragging on something than normal fandom re-writes. I can't help but want to say something on the subject (0/3)
Tumblr media Tumblr media
Gonna respond to all your asks together if that's okay, from what I can glean there's a word limit on mobile (?) so it makes it very interesting to see who's able to put all their thoughts into one big ask vs. who has to cut them up into parts 😆
So I can understand that discomfort, it's actually one that I also initially felt towards the community when I discovered it. Though even more so because when I found out about antiLO being a thing, I was still a MASSIVE fan of LO and my thought was "wow, these people are losers" LOL but then a lot of what they were saying resonated with me more as I realized the story was going nowhere (it was around the trial arc when Eris was revealed to be the 'reason' for Persephone's wrath).
All that said, I don't think I was wrong to feel off back then even though I don't feel that way now. We have our own takes and ways of approaching certain subjects, and how we feel is how we feel.
I will say that I can't, in any way, take credit for 'creating' the community. AntiLO pre-existed me by years and I was simply welcomed in as my opinions of the comic changed. I was a lot more involved in UnpopularLoreOlympus when it was born around the S2 finale of the comic. So... don't give me any sort of credit in 'owning' this community or anything of that sort, I came in during a period when criticism of the comic was becoming more common practice. I'm just also someone who's very verbose and loud in their opinions which appeals to a lot of people in this community, so I get why people might see me as some kind of "pillar" within it or like I'm the loudest person in the room, but I promise you that doesn't mean I have any sort of ownership over this part of the fandom or that I feel my opinions carry any more weight than the people around me. It's just a community, after all, not a religion.
It's true that saying I'm not making money off Rekindled doesn't mean I'm not benefiting off it in other ways. But the 'benefits' are still kinda... nothing? in the grand scheme of things? like okay great I have loads of people reading my stuff every update but like, this is still just Tumblr lmao none of this is real and as soon as Rekindled is over, I might be lucky to bring some of the readers over into my next project, but I doubt whatever I do next will get as popular as Rekindled was. All the "benefits" I get are virtually the same as what people writing fanfiction get on AO3 get or what people doing redraw videos on Youtube get. It's fake Internet points for making fan creations.
And that's okay, because that's sorta just the nature of fandom in general, throughout any niche community. People will be naturally drawn to what's familiar and what I do here appeals to the people who are familiar with LO and the criticisms of it, often people who agree with those criticisms. The Zelda community has LinkedUniverse, Pokemon has Hanamusa, Attack on Titan has communities that are dedicated to loving the anime, hating the anime, and even dunking on people who don't 'get' the anime, Undertale has every single crazy rewrite and rewrites-of-rewrites that have been spawned from its fanbase. Did you know there's an entire community of people who discuss and argue over fire alarms? I didn't, but when I found out about it, it was after listening to a video on Youtube discussing all the interconnected drama of the fire alarm community. Like that's wild and seems so stupid and pointless... but it matters to the people who are in it, and my opinion of how they operate isn't going to change how it makes them feel to be a part of that space. That's kinda just human nature, we create our own little microcosms of things to bond over so for people within those microcosms, any amount of disagreement or discomfort will feel massive in proportion.
I guess the point of what I'm trying to say is that a lot of this stuff feels crazy loud but it's really only that loud because it's occupying a single room.
The reality is that Rekindled is still a very niche project dedicated to a niche webtoon that's a part of a niche medium. As loud as it is within here, it's still only because it's such a closed community. Anyone outside of the Webtoons community has zero clue what it is. The 'attention' that I'm getting is still from other niche people who occupy a very specific interest.
And that's not even exclusive to Rekindled, despite Webtoons attempts to sell LO as a 'worldwide phenomenon', a lot of people don't know it exists and couldn't care less. Does that mean my rantings about the comic and its creator matter any less to me or the people who are interested in them? Not really. Is it all pointless? Maybe, but not everything really needs to have some bigger point. We're all kinda just here spending time talking about something we both love and can't stand. What I say about LO and do with Rekindled is undoubtedly inconsequential and pointless to people who aren't in the room. That's fine. That's why I keep it all in my own house. There are definitely people who talk about it outside of the home but that's far from what I can control.
That said, I think LO also does fall into a very unique category where it's very easy to do rewrites and redraws of it simply because it, in and of itself, is a rewrite. Rekindled is far from being the first "fix it" fic, not only of LO but also of any piece of media in general, it's not really a new phenomenon (but again, when it's loud, it can be easy to go "well clearly YOU had to influence this"). People are drawn to retelling LO or 'fixing' it because LO is based on Greek myth. If it weren't for that, no, I don't think people would be as interested in doing so. It's because we literally have a solid foundation of reference material - the myths and original poems - that we can go "hey, why did LO do this? it should have / could have been xyz". You can't really do that as much with a purely original work besides wish fulfillment of "what if xyz happened" because whatever an original piece of work winds up being is clearly what it was meant to be. We have nothing to compare it against.
But with LO, we know what it could have been because we know what it was trying to be since day 1 - a retelling of the Abduction of Persephone. That's not to say we always knew exactly what Rachel was planning on doing with it, but it's not hard to be disappointed when we see certain mythical stories being established in LO - such as the tale of Eros and Psyche, the Titanomachy, etc. - only to see them get dropped or completely mishandled.
On the one hand I could use HADES and Stray Gods as examples of popular media that don't get 'rewritten' the same way LO does because while they have their own unique interpretations of the myths they're based on, they still feel like properly thought out stories that appreciate the source material. LO, by comparison, feels like it's written by someone who hates Greek myth.
But on the other hand, those rewrites may absolutely exist and I'm just not aware of them because I don't occupy those rooms! The world is only as big as we perceive it to be.
That said, it's always sort of ironic to me when people say Rekindled is "riding off the coattails of LO" because while I can understand their sentiment - because obviously it's a direct re-creation of LO - that opinion seems to operating from the assumption that LO was ever not riding off Greek myth's coattails to begin with.
And no, I don't think my criticizing of LO on an LO-focused blog should in any way be conflated with "media isn't allowed to be bad". I've said this before and I'll say it again, I'm into loads of bad media. I'm also fully capable of enjoying a piece of media but also shit-talking it without actually feeling any sort of vitriol towards it. House M.D. is one of my favorite TV shows but goddamn some of the plots are just so dramatic and out-of-this-world that you can't help but laugh at them (and that's why we have spaces like /r/okaybuddyvicodin LOL). One of my favorite games growing up was Starfox Adventures because I had never played the original Starfox games but I had played loads of Zelda and Adventures was basically Zelda but with Starfox, and I know there are plenty of people who will go "but puff, that game is ass!" and I know! But I love it regardless.
With LO, it's not a matter of "bad media shouldn't exist!" it's a matter of observing what makes it so bad and why that's had a negative impact on both the audience it attracts (primarily teenagers and children) as well as the culture it's taking its ideas from. If LO was just some "so bad its good" webtoon that was easy to enjoy but also poke fun at, I would have zero issue. It's the fact that it's blatantly problematic in its writing and intentions but still hailed as the #1 webtoon on the platform (webtoons in and of themselves being a medium that I've lived in for over a decade so it's virtually impossible to get away from whatever is influencing the culture as a whole) while winning all these accolades for being "brilliantly written" and its creator is given a voice over Greek culture when she herself is not Greek or even well-read on Greek culture in any capacity - that's the issue and why I've spent so much time talking about LO. And if it wasn't me, it would be anyone else, because the problem has been around for ages and people have been trying to get the word out about it for years.
I don't necessarily think every 'fix it fic' is built equally. I think it's a case by case thing. A lot of people are deadass just doing it for fun and to be a part of a community, and I think that's wonderful. There are also people who try to do this but ultimately disrespect whatever the creator was going for by somehow implying that their own original ideas were inferior just by existing, or using their fix-it fics as a way to deliberately harass the original creators (ex. whatever the fuck 'art lore' is on TikTok, based on what I've seen it seems purely made for bullying budding artists and talking shit which is... gross af, but I don't think it's anywhere near the same as readers of LO calling out its highly successful award-winning creator for having zero clue what she's doing with her comic lmao). I don't think a blanket statement of "fix it fics are bad" accomplishes anything because it depends on a variety of factors like the person's intentions and what they're trying to accomplish. Many fanfictions in general could be called 'fix it fics' even if the creator 100% loved the source material with zero issue - because they're still saying "what if xyz happened instead"?
Me, personally? I'm someone who loves Greek myth and who used to adore LO. I was very discouraged and upset when I saw it turned into what it became, and I wanted to try my own hand at creating something new out of the rubble that could give me closure. It's what I choose to do with my time and other people seem to enjoy it as well. I'm sure there's loads to criticize and speculate on regarding my 'intentions' in creating it, but at the end of the day I'm sorta just doing what I want to do with my time because I have a lot of thoughts and ideas I need to get out of my head and many of them are thoughts and ideas that other people like reading about.
If you feel uncomfortable by the amount I talk about it here and the way I talk about it, that's fine. Those are your feelings. There are loads of other antiLO-themed blogs to read that might not give you that same vibe. Even I have certain icks towards certain opinions within the antiLO community, I've seen some people be genuinely shitty and I'm sure that's ironic to hear considering you're describing your own discomfort towards my stuff, but we all have different tolerances towards different things at the end of the day.
I do my part to keep things in my own house of a neighborhood that's really small in the grand scheme of things. It just feels like a big neighborhood if you don't travel. There will inevitably come a day where I'll pack my boxes and move elsewhere, talk about new things and write essays about other topics. That's obviously not today but I definitely don't want this to just be like, my entire identity or the rest of my life LOL it's just something I've chosen to spend my free time doing and I'm content with that. Maybe a year from now I'll feel differently, who knows? At the very least I'm hoping to one day finish Rekindled because no, I don't want this to actually be my identity for the rest of my life, change is a good thing LOL but what that change will bring is, for now, a mystery. Here's hoping wherever I end up at least brings its own uniquely good times like I've had here :' )
Sorry, that was a very long response with a lot of sorta aimless muddling over the topic at hand, but thank you for the opportunity to discuss it regardless ! because I do think it's important to find that 'grounding point' when it comes to stuff like this. because as much as I get riled up over LO, yeah, at the end of the day, it's just a dumb webtoon and I don't wanna go soiling myself over it LOL but I'm also just like... running a Tumblr blog with my personal thoughts and ideas, no more or no less. Even the "attention" I get is still only 200-400 notes per new episode of Rekindled, which pales in comparison to any real metrics of "success" imo LMAO again, it just feels loud because this is a niche community made up of a lot of the same names and faces; step outside of it and no one gives a shit LOL
61 notes · View notes
silvermoon424 · 8 months
Text
Wuxing and Its Influence Over Sailor Moon
Tumblr media
NOTE: if I get anything about wuxing wrong, please correct me! I did research for this post but I'm sure I greatly simplified things.
I don't recall seeing a post about this on Tumblr, so I figured I'd be the change I want to see!
Anyway, something I don't see discussed often in the Sailor Moon fandom is the fact that much of the Inner Senshi's powers and personalities are based on wuxing, or the Chinese system of Five Phases. Well, okay, technically wuxing influenced the Japanese naming system of the 5 planets known since antiquity (Mercury, Venus, Mars, Jupiter, and Saturn), as wuxing was originally used to refer those planets in ancient Chinese scholarship before it took on a broader meaning. But I still think Naoko Takeuchi was influenced by wuxing and not just the Japanese names of the planets themselves!
Anyway, you can kind of think of wuxing as similar to the Western idea of the classical elements, but it's far broader in scope. In traditional Chinese fields, it's used to explain a wide range of phenomenon, such as cosmic cycles and the succession of political regimes.
However, this post will only be exploring how wuxing is used to classify the planets and how that influenced Naoko Takeuchi when she created Sailor Moon. The elements and their planetary matches are:
Water: Mercury
Metal: Venus
Fire: Mars
Wood: Jupiter
Earth: Saturn
There are also certain mental/emotional qualities assigned to these elements:
Water: Wisdom, wit, intelligence, flexibility, resourcefulness, softness, anxiety
Metal: Determination, strength, ambition, self-reliance, strength of mind, rigid, leadership
Fire: Passion, intensity, resolve, spontaneity, dynamism, restlessness, hate
Wood: Warmth, generosity, idealism, cooperation, courage, kindness, anger
Earth: Patience, thoughtfulness, nurturing, honesty, stability, agreeableness
So yeah, I think there are some clear parallels here.
Sailor Mercury: Ami Mizuno means "Asian Beauty of Water" and Sailor Mercury has powers over water in all its states of matter (fog, water, and ice). I've sometimes seen people be confused over why Sailor Mercury has water powers when the planet Mercury is so hot and devoid of any semblance of water; well, it's because of wuxing! Anyway, Ami herself is also known for her intelligence and wisdom as well as for her soft heart.
Sailor Mars: Rei Hino means "Spirit of Fire" and Sailor Mars commands control over flames. Sailor Mars is known as the "Senshi of Flames and Passion," and lives up to that name by being one of the most passionate and intense Senshi in the series.
Sailor Jupiter: Makoto Kino means "Sincerity of Wood" and while Sailor Jupiter is commonly associated with electricity, her powers really encompass nature as a whole. In the manga/reboot anime, she has a number of attacks that involve plants. Mako is loved by her friends for being incredibly warm and generous, and Sailor Jupiter is known as the "Senshi of Courage."
Sailor Venus: Minako Aino's name ("Beautiful Child of Love") and her powers overall take much more inspiration from the Roman goddess of love and beauty, Venus, than from wuxing. However, she does still incorporate metal into her attacks, especially in the manga and reboot anime. In the manga/reboot this is done via her trusty chain, which is utilized for most of her attacks. Regarding personality, Minako is very self-reliant, ambitious, and determined, and of course is the leader of the Inner Senshi.
Sailor Saturn: There's not much to say here, because I don't think Naoko Takeuchi was inspired much by wuxing for Hotaru. However, "Earth" is reflected in Hotaru Tomoe's name- "Firefly Sprouting From Earth"- likely because the planet Saturn follows the wuxing naming convention in Japanese (it's called “Dosei," or "Earth Star"). That being said, Hotaru is very patient, thoughtful, and honest (I would not list "stability" as one of her qualities though, considering the whole "possessed by an evil alien and then reborn as a rapidly aging baby" thing lmao).
Anyway, that's it from me! I hope someone out there learned something new!
175 notes · View notes
olderthannetfic · 1 year
Note
i was listening to the fanficmaverick podcast episode you did on fanfiction history, in which you mentioned (~55 min in) that you were one of the main people writing the terms of service for AO3 and bringing up the types of "would this be allowed" test cases, that these were not "oh it's a slightly problematic kink" but "violent snuff porn of gillian anderson, not scully, but gillian anderson" — and that you all eventually landed on "kinda gross, but legal in the US, and therefore would host." question: was this the most contentious case? any other memorable/notable test cases, or other interesting discussions you can remember?
i'd also love to hear more about how the major archive warnings were decided on — on what basis were these chosen? which others were considered? — if you happen to know!
sincerest thank you for all the work you've done for fandom and the preservation of fandom history. ❤️ seriously, such a feat, and so interesting!
--
I think even then my personal level of wallowing in annoying wank or looking at horrifying fic was vastly higher than everyone else's, so this was pretty much the example we looked at.
Though, if you want to laugh, astolat's original post is still up on LJ with the comments, and there were totally people going "I'd be interested in this new archive project, but not if it includes RPF!" or "Not if it includes any underage fic at all!" etc.
--
On usenet in the 90s, there was somebody or somebodies who were reaaaaally into that specific type of snuff story. I remember noticing how many of them involved not only hangings but very specific imagery of one high heel falling off. I was 13, so I really couldn't tell you if it was one dude with a specific fetish or genuinely super widespread. But it made an impression.
The alt.sex.stories hierarchy was a wild time.
Anyway, in practice, badwrong RPF of female celebs that sounds like it's aimed at straight dudes ends up on fetish sites for whatever the fetish is, not on fic archives for the most part, but I thought it was a useful example because it was so far into actually offensive to AO3y types. We're not talking the weaksauce shit people are always asking me about on here like "Oooh, what if someone posted [bog standard slash trope] to AO3?" as though it's a gotcha.
--
Man... were there other test cases? I'm trying to remember. This was all in like 2008, and of course, I didn't keep internal documents when I left OTW. Not that half of this was stuff I'd have had documented on my computer anyway.
My memory is that the general shape of the content policy had been decided by the founding Board before Content Policy started up. I don't think we were actually making the ruling on RPF ourselves.
I'm pretty sure most of what we were up to was looking at wank and trying to determine how to head off shitty behavior with the ToS. Trying to define harassment is a mega pain in the ass, let me tell you.
One major internal wank there was was deciding whether to allow Original Work. I was the one who'd been in anime fandom, and I was very used to archives that have an original section, often for the "original slash" and "original yaoi" that had nowhere else to go at the time. (These days, you'd just become a "m/m romance" author, as I in fact have.) Fanfiction.net had spun off its original years ago at that point, but a lot of the non-English archives and a lot of the archives in other parts of English-speaking fandom found fannish-but-original to be a normal thing.
I am a grudgy bitch, and I am still not over how much pushback I got on this.
AO3 went live with a ban on original work, but the policy never ended up being heavily enforced. We waited to see what would happen with posting, and it was predictably that people from those backgrounds outside of US Media Fandom posted some original without even thinking it might be banned, but they didn't post so much it overwhelmed the archive.
The big fears had been that #1 people would flood AO3 and drown out the fic. This was predicated on the idiotic notion that original = inherently not fannish, so there's no dividing line. In reality, the people who were used to posting original to fic archives had an internal sense of what belongs and what doesn't. Fear #2 was that people would try to post chapter 1 of a commercial story and then go "See here to buy the rest". Little did we know that this would soon be a problem with fucking fan fiction itself. (Also, commercial spam was always against the rules and needed no extra anti-original work rule.)
People didn't just disagree with me: they looked at me blankly.
Pretty sure I vented about this on that podcast too though. Anyway, most of the shit people find contentious now was already decided before we started writing the ToS, I think... though I don't really remember clearly. We were more looking to plug up holes in the rules that nitpicking trolls could use to harass.
The kinds of things we were deciding were often like the policy that AO3 doesn't necessarily tell you if someone reported you. If they need info, they'll contact you, and if they decide you broke the ToS, you'll hear about it, but obviously bogus reports don't get passed on. This is to remove the temptation to use the team as a proxy to harass a target. An official e-mail, even if it's "You're fine, actually", can be disturbing.
--
Re the warnings themselves, I know I'd done a survey of what archives were out there at the time and had come up with a list of a few dozen. This was early on in OTW's development process, not just for Content Policy. You can still find the list somewhere on that LJ group. Anyway, for the ToS writing, we looked at the commonplace warnings from archives past, which were basically character death, character death, and also character death.
It always cracks me up when people are like "Um, rape makes sense, but how dare they downplay these other bad things with a character death warning?" Old fandom places were full of unwarned for rape, but woe betide the person who posted surprise character death of a main ship!
We needed an under-18 warning because we had a lot of Australian fans who were like "Dude, my government is a bitch, and I cannot use this archive at all if I can't filter that out". Past archives had mostly just banned it entirely or been full of death eaters raping teenage Harry Potter characters with nary an underage warning in sight.
I don't remember why we picked the violence one. It really wasn't common, but maybe we wanted to make a philosophical point that sex doesn't have more cooties than violence.
CNTW was a compromise with older fandom standards where people objected to literally any warnings existing. A lot of the really oldschool warnings debates aren't about which ones you should have but about whether you should have them at all.
I think people around here miss how non-universal warnings are and how many other communities and spaces even today don't think you need all that.
I don't recall if we seriously considered any specific others. I don't think we had a big list, then ruled them out. It's more like we accreted a few must-haves as we went along. We probably looked at the metadata for the eFiction archives that actually had ticky boxes for search (as opposed to the very low-metadata norm on many archives). But a lot of those filters would have been fandom-specific or redundant or hella vague.
One thing to keep in mind is that this was an Era of Archives, so there were fucktons of examples to look at, though only a few flavors of example since a bunch used eFiction or otherwise copied each other's design. It was possible to make some judgements about past norms on archives, not just go "Are we copying FFN or not?" A lot of fans now see fic hosting as the big three or see AO3 as the only option, but we were used to having many archives with many designs.
I know we wanted a short and manageable list of warnings, and we wanted unambiguous things that could be effectively enforced. If I'm populating my hard-coded 90s website with other people's fics, I can go through each for dubcon before I post it (not that you'd ever have warned for dubcon in the 90s). On a big fic archive, making judgement calls on vague ass categories like dubcon is a nightmare.
We did do some focus groups where other interested fans came in and critiqued our work. I can't recall how much was about our ToS wording and how much was about the actual policies. But we did workshop this shit extensively with people who were around at the time. I think many of the whiners now assume it wasn't enough of a community effort (since we didn't decide things they like). But actually, a bunch of people weighed in. Maybe elf remembers what we actually asked them. I think she was in a focus group.
556 notes · View notes
bonefall · 8 months
Note
How do you feel about "character joins bloodclan" aus? Im curious about ur thoughts since youre really in tune with the themes of the series but personally i just hate them bc its ALWAYS aimed at 'unfortunate' characters and always ALWAYS ignores the fact that bloodclan is a horrible place in-canon and that they're just reflavoring the abuse and trauma the characters qent through to be more emo or goth themed.
Ravenpaw is ALWAYS a prime target for this and its like. Great. You took the character being abused by their mentor figure and is being harmed from the violent culture the clan has generated... and giving them an EMO mentor figure who will inevitably abuse them and harm them as a result of the violent culture the emo clan has generated. Sasha is another one I've noticed- you've put the woman who lost her kit and is struggling to survive with the others while being controlled and abused by someone who sees her as an outsider (aka alone and easy to isolate), and are gonna put her in a faction who specifically separates kin from one another to easily control them and who have canonically tried murdering those who stick with their family. What was gained here.
Like i know bloodclan is revamped in ur au (thank god for it) but in canon bloodclan is HORRIBLE. People ignore that in favor of putting their favs into bloodclan bc bloodclan is cool and killed tigerstar that one time bc of revenge. Ravenpaw becomes Scourge AUS are SO SO SO much worse bc of this too- sure you manage to point out how scourge and raven has roughly similar stories in their youth but you could also do something interesting and make an au where raven and scourge are FOILS and do a firestar/scourge thing, while pointing this comparison out!! Instead you just went "Ravenpaw emo now and is sad about beating up Firestar his friend" and basically kept everything the same.
Sorry im basically venting here but i just dont like how people forget that scourge in canon does NOT look out for the 'little guy', he's a murderer and abuser who wants to keep his subjects afraid and separated so that he alone has power over them. Bloodclan is not the cool strong goth group, its the group where two cats slaughter eachother over a piece of twoleg scraps, only for the survivor to die bc the food was poisonous to cats and no one knew bc theres no cohesive group that can pass that knowledge around. its a fucking horrible place to live. Im not saying that you cant do interesting "character in bloodclan" aus (a Rusty who lives in bloodclan who STILL wants to do good but is shaped by the horrid reality of bloodclan would be fun imo) but its so often used with already traumatized characters as a 'solution' or 'fix-it with some emotional issues involved' that i just foam at the mouth and howl like a rabid animal on principle at this point.
Hmm... I think for me, it doesn't tend to read that way for me when the fandom makes AUs for it. I'm coming at BloodClan from a point of really deep critique and frustration.
BloodClan's not a REAL place, and what that means is, every speck of how horrible it was is a choice the writers made to justify its treatment. It was something they actively decided, because, BloodClan was a tool to suddenly invalidate the previous 5 books of TPB so that the series could comfortably conclude there was no need to upset the status quo.
If you haven't read it before, I recommend this post I made on how Darkest Hour Is A Personal Disappointment, but anyway;
We spend a whole series on how Fireheart challenges a broken society, because he is different. Their xenophobia, how isolationism and glory get people killed, the way that Tigerstar's greatest asset is how respected he is... these are bad things. They're things that Fireheart fights for several books.
But then, in the LAST book, in the 11th inning, they introduce BloodClan. They're just evil. They have no nuance. The narrative bends over backwards to stress that this group of evil foreigners LOVES murder, hates friendship, and doesn't believe in our good god.
Suddenly, the Clan cats have to be EXTRA xenophobic and glorious to kill these filthy, murderous foreign hordes. Clan cat belief in their good god makes them stronger than the bloodthirsty barbarians. Firestar kills Scourge and we can feel happy and triumphant about it, when Tigerstar was killed a few chapters ago and given a tragic sendoff.
So, I encourage you to step back from an emotional response to how Filthy and Murderous this group was portrayed, and look at it as a writing choice.
When Tigerstar, known cat-racist and murderer of mixed-race people, is killed by Scourge in self-defense, he is grieved by Firestar and commended for his "good qualities". (and then they retconned in that it was actually secretly revenge all along, not just self defense, so this killing is extra evil)
When Scourge is killed, Firestar just thinks about how it's cool he's not going to heaven, and how all of the previously ferocious BloodClan warriors look so inferior to the forest Clans.
And so, with all that said,
I'm 100% in favor of how the fandom widely looks at this, says, "fuck that" and just makes them the Cool Goth Group. I'd argue pretty strongly that the least nuanced idea of that is still infinitely better than canon.
There was nothing there. It was literally just Xenophobia-Is-JustifiedClan. They literally hated love and friendship and banned families so that Clan cats would look good in comparison. Banned families. You don't get this level of stupid evil from anything else but an 80s cartoon.
Maybe I just don't see the AUs you tend to see (I curate my Tumblr experience very well and generally hang out in more adult-oriented spaces, I can imagine a place like Amino being mostly kids who tend to be immature. Edgelord Angstpiddle is just a normal part of growing up), but every project I see that gives me a glimpse of BloodClan Ravenpaws and Sashas come with such tweaks already assumed.
Like, these are examples I've seen,
They'll have Raven be involved with the formation of BloodClan
Scourge will actually be a character with some pity and mercy, like how he was in Rise of Scourge when his abusive siblings begged him for food, and he fed them before sending them away.
no ban on love and friendship. Lol. Lmao, even.
More of the social structure will be based around acquiring food for people in a 'harsh' environment, leading to that battle, instead of just Evil Foreign Greed (which canon!scourge only had after being almost killed by tigerstar, because he said "actually, in light of new information that you are a murderer, i need to reconsider our deal.")
BloodClan will be overhauled completely. I've seen this a few ways. Connecting them to SkyClan, or the Oakstar raids on Chelford, or even as a positive entity; a surprise ally. (VERY common with BloodClan Ravenpaw AUs I've seen).
Anyways... (Shrug), I dunno dude, it doesn't bother me that much.
128 notes · View notes
demonslayedher · 3 months
Text
A messy ramble about sword decor
Kimetsu no Yaiba was sleeping on menuki, man.
That came back to mind today while visiting a museum exhibit of very fancy sword mountings (like so), because I am me and admiring very realistic metal insects and tiny metal carvings of Tale of Heike battle scenes will always come back to my fandom brain rot. The menuki specifically were on my mind because they are decorative pieces on the handles that hide the mekugi, which are key structural elements--pegs where the handle is attached to the blade, and where some might say a soul is put into a sword.
And, a few years ago while KnY hype was at its height, I heard some people who seemed to try to talk down the hype, saying, "the swords don't even have mekugi! Those aren't real Japanese swords!" Which means a lot to most non-nerds, I'm sure.
True, a lot of the Nichirin-to don't include visible pegs in their design, which you could argue is just because they are covered up with other wrappings on the handles. But realism really isn't a concern since Sanemi and Shinobu would probably constantly stabbing themselves with those tsuba.
So anyway!! The tsuba! The handguards and what they say about the characters is a very, very nice touch, and I love wondering if the swordsmiths designed those fully based on their own imaginations and perhaps what crows told them about the kids (like "he was a charcoal farmer" or "he's a Rengoku") or if the swordsmen got any chance to put in their own requests on the regular ("I was a charcoal farmer, I don't know what to ask for" or "Sabito had one like this"). It's also fun to see the creativity involved in creating the scabbards for unique swords like Shinobu's and Iguro's.
But we can do so much mooooore!
I love the simplicity of the Nichirin-to. They are elegant and purposeful, with engravings being earned and standardized. But they are also beautiful, and the general idea must be "if those swordsmen are putting their lives on the line, we will give them powerful tools, but they might as well get to enjoy something decorative for the rest of their likely short life." The menuki would have been such an opportunity for this, though the details would be hard to spot in both anime and manga format. So instead I just want to ponder the possibilities.
Shinobu:
I was very inspired by all the metal inlay bugs and the butterfly motifs I saw today. I love the elegant engraving on the scabbard, and that her tsuba takes part of the traditional Shippou (Seven Treasures) pattern to make a vague butterfly shape. But I also saw one today that have a wisteria shaped menuki (and other bug motifs!!). But also, knowing her, she might be pleased to have a decorative little fish tucked behind the cords.
Sanemi:
I LOVE THE VIOLENT PINWHEEL. What a whimsical way to express wind! Speaking of bugs, why not give him a rhinoceros beetle, symbolic of fighting spirit? After all, I even saw realistic little snail ones today, anything goes. And while we're thinking wind--
Rengoku:
Wind chime??? Even the balloon flower pattern like was on the wind chime in that scene makes a lovely metal engraving pattern on other mountings on the scabbard. Totally unrelated, but today I say a brand of tangerines called "Shiranui" (the same name as the First Form of Flame Breath) for sale at the store, so heck, why not an apricot theme somewhere too? Orrrrrr you can also work with a "heart" theme to compliment all the flames. Oh, speaking of hearts--
Mitsuri:
Mitsuri's tsuba might look like four hearts, but this is actually an uncommon but traditional spin on a cherry blossom motif. Aside from all the possible ways you play with a cherry blossom motif, the traditional "inome" protective pattern is nowadays considered romantic because it looks like an upside-down heart. There's a lot of nice ways of using that shape, like a window in the a tsuba, or in her case, maybe to frame some other pattern used as part of an engraved piece. Speaking of "inome" though--
Inosuke:
"Inome" means "boar's eye," though it looks more like a boar snout. Kanamori could have done all kinds of things with this motif, or even used little boar-shaped menuki! Not that any of those efforts would have mattered.
Iguro:
Clearly the snake theme could be used a lot, but why not be more creative? He's actually a pretty sensitive dude, and my read on him is that he seems to like scenes that imply "purity," partly because he ses himself as so tainted and doesn't dare taint anything pure. Nature motifs like snow, or the elegant snow-moon-flowers triple motif suit his poetic soul nicely, and snakes are considered a water element (makes sense that his Breath stems from Water Breathing), so some water related theme could work too. In this same vein, snakes are generally considered as much as water element as dragons, so giving him a dragon item would also fit just fine with a snake theme.
Himejima:
Hard to think of this one in the same way as the others, but I'm sure there are methods for decorating it. Like, what does he even use as a scabbard? Maybe he has a nice strong brocade or woven cord for wrapping up the chains? There are so many ways you could work in Buddhist themes for him, especially the six characters used to write "Namu Amida Butsu" (but that's already all over his haori). There's gotta be good themes out there (both of Buddhist origin or general Japanese folk and/or poetic culture) to play on the idea of "strength." Oh heck, just give him a little Benkei-related motif, or a motif related to a famous demon slayer of the past.
--ON THAT NOTE--
Wouldn't it be cool if, like there are "Tale of Heike" themed menuki, there were menuki celebrating famous moments in Corp history? Maybe it was suddenly very popular to make menuki of Uzui vs Gyutaro once that momentous battle occurred? Uzui would love that. You could also have more subtle history, like motifs shaped like The Marks, which the swordsmiths have maintained in their traditions without knowing why certain symbols became associated with certain Breaths. If Yoriichi hadn't been disgraced, he probably would have been a common theme too.
Uzui:
ALL THE DECOR, but what about fireworks all over the shiny lacquer? Or the scene in Tale of Genji in which Genji stands in a storm at the beach (a hidden reference to the names of each of Uzui's wives)?
Muichiro:
GINKGO LEAVES, MAN. And the moon because it would be ironic.
Tanjiro:
What if he had a little SUNSHINE on a simple menuki?? Something nice and understated! Or even his fox mask!!! Or--oh, oh, oh---
Giyuu:
WHAT IF THEY HAD MATCHING FOXES
Also, it would be very nice if there was some useful of the waves and clouds pattern on the metal pieces of his scabbard.
Zenitsu:
There's already a lot of lightning and triangle on this sword, and I like how his matches Kaigaku's. I could see this being a situation of Zenitsu getting his sword polished and using the opportunity to ask for any number of cute and auspicious decorations and being flat out told, "no, this is what Thunder Breath swords look like."
Kanao:
Freaking flowers everywhere, but I also saw a crest today that had three butterflies in a circle around a flower, and it was repeated all over the sword, especially the lacquer of the scabbard. Wouldn't that be a cute reference to the sorts of people who inspired her to learn Breath technique and then sneak off to the Final Selection?
Genya:
He has such a very typical straightforward tsuba you'd actually see in real life. You one of the menuki themes I saw today? One one side, it is a "speedy demon" running off with a stolen stupa (which has the relics of Buddha inside), and on the other side, a Buddhist protective deity running after the demon with a sword. WHAT A FUN PAIR. Something like this would be such a cool way to reference his reliance on the Nenbutsu for Repetitive Action, too. But give that deity a glock.
I realize that a lot of this is very casually referencing motifs and hidden cultural details I've referenced elsewhere in various posts throughout this blog. I am far, far too lazy to go link those. Hopefully they're all properly tagged as "KnY Nerdery." Anyway, since you've come this far, here is an obligatory "SWORD BABY" photo because I always like photos when I get to hold tamahagane.
LOOK, A BABY SWORD, ISN'T IT BEAUTIFUL???
Tumblr media
55 notes · View notes
hamletshoeratio · 20 days
Note
you say i can like a characters and acknowledge their flaws. Okey, did you acknowledge Kate and anthonies flaws???
What's y'all's obsession with Kate and Anthony? Genuinely asking here because some of the anons I've gotten have been saying absolutely vile things about Kate and Simone Ashley, which I refuse to post or give the time of day.
But anyways, I have been critical of Anthony before, particularly of how he handled the "love triangle" in season 2. I also hated his treatment of Sienna in season 1. I can acknowledge that his and Sienna's relationship was an important arc for his character, how ever much I hated his treatment of her. She deserved better. Additionally, a certain section of the fandom has to check their misogyny because the language used to talk about her is absolutely vile - and beyond hypocritical when compared to how the same people talk about Anthony.
Kate was mishandled by the writers. Full stop. The changes from the book were most detrimental to her and Edwina. I think Simone did amazing with what she was given, but they took out so much of Kate's development from the book. Most of my gripes with show!Kate are just frustration with writing decisions.
A lot of the writing decisions in general are just tone deaf. There's been a lot of rightful criticism on how the show has handled its bipoc representation. How Ruby Barker was treated in real life by netflix and the producers was disgusting. The way they've treated both her and her character has been vile. I hope to god her story in the show does not end the way it did in the books because that would be beyond horrific. If you're going to tell stories involving mental health issues, do so respectfully and responsibly. Otherwise, don't do it at all, because you're just doing more harm than good. Additionally, we've only had two minor queer characters for a show that prides itself on its representation. And those characters only appear in season 1. I'm not counting Brimsley because he only got proper characterization and arc in QC, and we have literally no clue where Reynolds is in the present timeline. And, while I enjoyed QC on the whole, the romanticization of Queen Victoria's birth as some sort of win for feminism took me out of the fantasy every single time. I'm not expecting the show to be historically accurate at all, the costuming confirmed to me that it wasn't trying to be back in season 1 and thats ok because its fantasy, but my god the way they include elements of real life history is beyond tone deaf.
Penelope herself was also mishandled by the writers. By making lady whistledown a far more active force in the show, they did not take into consideration what that would mean for her as a character. In the books, the Bridgertons react to the LW reveal like "oh OK, ride on Pen!" because LW hasn't been as destructive a force as she's been in the show. In the show, it makes no sense for them to react like that given what's been written about them and the impact that its had. LW, in the books, was far less harmful. By giving it a more active role in the story, they've unwittingly made her an antagonist because of the harm she's caused. Harm, I may add, that she's been mostly apathetic to. Show!Penelope needs a redemption arc, but she's probably not going to get one.
31 notes · View notes
thecluelessdoctor · 7 months
Text
ok ok fine I'll make the rant I've been planning for like.. a week now.
It's about time I talk about Helluva Boss, It's fandom, and it's creators themselves.
i personally really love helluva boss, even though it definitely has fallen short since the last season. I think the most recent episode is probably going to be their best one and they'll go back to falling. but, personally, I like the show! It's goofy and when it's not being srs, it does it's jokes well! Normally. There is one joke I hate though (if yk, yk. It's in happy campers 💀) ANYWAY
Character design in the show is... okay?? I guess???ammon looks like a Christmas tree so idk man.
But we aren't here to talk about the show itself rn. I just had to say some praises before I start bashing it otherwise stans will come after me and that's not a fun brawl.
ANYWAY *SLAMS ON UR DESK* AA
I wanna talk about it's fans. Some of its fans are really chill (like myself) and only get stirred up if something really bad is being made of is happening. But other fans are more.. intense. It's in every fandom so I won't say too too much on it, but yall- stans please chill out- let bigons be bigons endless its something immoral. (Like more than murder. Yk what I mean)
The major reason I wanted to make this is to talk about Viv, and spindlehorse in general. Mainly because of my recent AU, I really need to make this clear.
I do not support Vivziepop, or any of viv's actions.
Ive been reading about all the controversy and discourse involving her and Brandon (yeah he's not innocent here don't act like he is) (we will only be talking about recent things, basically from Hazbin to now)
And jts.. something.
Abusive work, transphobia, ablelism, favoritism etc etc. yeah so that's fun.. it's hard to know what is stated is true or not, so I'll just settle on saying this
Viv is juvenility petty. Like, I'm still pretty young, but this is just insane. I grew out of these behaviors by 11ish, and I'm still younger than 16. She's what- 30ish now?!? She shouldn't be acting the way she is at her age, just saying.
I also wanna touch a bit on Brandon (even though I know less about him than I do Viv) but I.. highly dislike how people are claiming Brandon to be innocent and Viv isnt. Like- that's not fair. Let me point this out, viv and Brandon are working TOGETHER on this, all the writing and shit. Meaning Brandon also gave the "yeah this is good" to all of her petty shit.
Anyway let me wrap up by saying don't attack anyone mentioned or implied here, because doing that is cringe and it just waists your time. Anyway I'm dotty, and I'm a homosexual
87 notes · View notes
zoroshark · 1 month
Text
Tumblr media
Hey! This is Zoro coming with an update about my health as quite a few things have happened the past couple of months. As some may know, I've been dealing with chronic pain and illness since February of last year as mentioned in this post here.
A quick summary of it was that I have been dealing with constant bladder and stomach problems suddenly that were disrupting day to day life as they were painful and constant. Despite the multiple hospital visits, nothing was really done and at the time I could only wait to see certain specialists (which required a lot of money to see). Recently however, I finally got an answer to what was causing me pain in one part of my stomach! The culprit was my gallbladder and it has been removed!
The rest of the post will be caught off so for those who want to read in more detail, but one issue has been solved (at least i hope so)!
I also want to note here and thank everyone who's been supportive of me during this rough patch in my life. I also want to thank those who sent money for the GoFundMe! However, due to a few circumstances which will also be explained in the read more section, I will be refunding it all to those who donated.
TLDR version of my reason is that I was advise to do so for the eligibility medical/financial benefits I've been looking into. The refunds should be sent in about a week, so keep and eye out!
TW for Medical related subjects such as surgery.
For what was causing me pain in my stomach, or at least one of the reasons:
Turns out I had gallstones that somehow CT scans and ultrasounds didn't pick up last year, despite the pain and discomfort I was in from them. It got to the point where the pain was so unbearable, I was crying for about 2-3 hours before going to the ER. They found one stone had thicken walls through the ultrasounds and my gallbladder was infected from these stones.
Because of the findings, I underwent surgery to completely remove it during my stay in the hospital. I am now close to two weeks post-op and so far it has relieved most, if not all, of the constant pain I've been in my upper right. While I still have issues elsewhere in my body, it feels nice to have one issue solved. I just hope I don't need another trip to the ER anytime soon.
As for the detailed explanation for refunding the GoFundMe donations:
A few months back I after the go found me, I was accepted in a financial assistance program that made doctor's visits way cheaper. From close to hundreds of dollars to 3 dollars, that was way more an affordable price range for me. Despite that, i kept the donations on hold just in cause anything changed or something wasn't covered by the program until now.
Along with that, I've been applying for disability as I am considered disabled by my psychiatrist due to my mental health. After talking to a few folks who knew about the system, they mentioned that the money from the fundraiser could harm the process in gaining these benefits. Their recommended course of action was to refund the money as a precaution, so I'm following their advice. After the refunds have gone through, I will be closing the fundraiser.
------------------------------------------------------------------------------
Again, I want to give a massive thank you everyone in general who have supported me through all this. Its been difficult, especially since I had to accommodate to the pain and changes in my body. There has been MANY ups and for sure downs, but I'm still holding on!
Thank you for reading on this update, and expect to see me slowly become active again on here! I'm still in my Zonai phase so expect more content revolving around that, along with possible Zora content. Original works not involving fandoms will also (hopefully) be posted too!
Im also thinking of opening commissions in the future! I'll need to ask about that first due to what I mentioned above, but as far as I'm aware, I should be okay to do so (but don't quote me on it). So keep an eye out!
31 notes · View notes