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#and granted they've played these characters before
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Listen i’ve seen some OFMD kiss discussion again so let  me just put this out there. I would agree with you if that was the only kiss we’re ever going to get, but since we’re getting season two I’m actually kinda glad that their kiss was akin to two 12 year olds who have no idea what they’re doing, because that means we get to watch them improve. don’t you see? This is their first kiss not their only kiss. we get to see different types of kisses. Their first was tender chaste and a little bit awkward, but maybe their next one will be honest to god sucking face. maybe we’ll see one that starts out like the first one and then they open their mouths. maybe we’ll get one that’s slow and sensual. maybe we’ll get one that’s desperate and horny. Maybe, if we’re really lucky, we’ll get a broke-back mountain style nosebreaker. If they only ever kiss like that I will criticize that but I personally am looking forward to seeing them improve. There will be another kiss.
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highwaydiamonds · 2 years
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Nearly everyone involved with Netflix's Persuasion should be slapped in the face with a glove. They have insulted us with drivel on screen, and I, for one, demand satisfaction.
#elizabeth and mary were okay#henrietta and louisa were bearable#richard e grant as sir walter was great but that's because richard e grant is great#lady russell was terribly written - honestly the writers did her so dirty#henry golding was hot because well hes hot but his mr elliot was also written terribly and they fucked up that storyline#dakota johnson played slapstick wisecracking anne and i hated it - some of that's how it was written - and she played it up#this anne is an affront to the real anne in the book#and what the fuck was the point of the letter is anne and went worth had several chats early on#the whole fucking point is they don't express stuff because they think they've moved past each other and they repress the feelings#we got more time in scree with kids screaming about marie antoinette than we got real time to observe anne's character#no she was too BUSY GIVING MONOLOGUES IN ASIDES#and they wrote out mrs smith and nurse rooke!#i HATE the way they sewed up mrs clay and mr elliot#i don't mind cosmo jarvis's emotion - i don't mind that they wanted to play up his longing - that's a more modern take i can see#maybe a more feminist reinterp of wentworth - and it's not a gross change of character in my mind- if he ket it under wraps before#but the letter- the letter is SO DEBASED by this script and the asides and sassy quips#you can't have the bit before the title card and then the letter with all the crap in bbetween and think itwill work#also the point is he's supposed to leave the letter surreptitiously - not i the middle of a table with her name n it that she rus to radoml#i just - i hate this#so much good stuff got written out only to have crap put inn its place#just - ugh#i need to watch the amanda root & ciaran hinds version- that will take the bad taste out of my mouth#but first i want to slap the production team with a glove - and thus challenge them to duels#am i i scared of duelling them all? if you've seen the movie you know i'm not. they clearly can't hit the broad side of a barn.#tht's how ff the mark this movie was#jane austen#austen related#persuasion 2022#netflix persuasion#austen film
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tizeline · 18 days
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Asking some writers/artists I follow:
Is there anything in your fic/comic that you as the author know about, but won't end up in the actual story?
So I have a rather uh disorganized way of telling the story of the TSAU, I jump back and forth in the timeline quite a bit depending on what part of the story I wanna tell. Overall I improvise quite a bit, and because of that I can't be 100% sure what will be depicted in the story and what wont. But I might as well share some little tidbits of lore that are probably not gonna be mentioned in the main story (though they still might who knows lol)
So uh. April and Kendra are exes. Kinda. They were pretty close friends when they were younger and decided to become a couple when they were like 9 or something. This lasted for a grand total of.... 2 days, maybe? Then they had a huge fight about something silly like, I dunno, Kendra hacked April's tamagotchi as a prank and she got mad so they broke up and they've had major beef ever since.
Draxum made Mikey wear some type of artifact or gear that supressed his mystic powers as a kid for his own safety. Mikey started showing an incredible talent for the mystic arts at a very young age. Draxum was excited about this for all of 5 seconds before realizing that Mikey is a VERY small child with NO impulse control and he's definetily gonna turn himself and the rest of the family into glitter unless Draxum finds a way prevent that from happening until Mikey has the chance to develop an understanding of consequences. (He's learned to control his powers well enough to not need them by the time of the main-story, so he no longer wears the supressors)
Donnie's whole villain-act he puts on is partially a coping mechanism. He grew up never knowing anyone like himself (unless you count Splinter, I suppose) so the only times he saw himself represented in anything was characters in comics and shows and such. There were plenty of anthropomorphic reptile characters in the media he consumed, and Donnie clunged to anyone or anything that he could at least somewhat relate to. Problem is, a lot of these anthro reptiles were like.... y'know... villains. It's pretty common for super heroes and stuff to fight evil mutant reptile creatures, and even stories with only anthro characters reptiles tend to be charactarized as more villainous. Granted, turtles specifically usually don't get this treatment, but it still had quite an effect on Donnie as a little kid that most characters similar to him would be viewed as evil, which caused him to internalize that mindset. So turtle tot Donnie basically went like "Yes! This is what I am! A villain in someone else's story! It all makes sense now! This is a healthy mindset to have!" and just kinda embraced the role that human society had given to him because he didn't really know how else to deal. (Things changed after meeting April and he found out that there might actually be humans out there who might treat him like a person and not just a freak of nature! He still plays into the villain-persona, partially for fun and partially as a coping thing, but he doesn't have nearly as a negative view of himself now as he did as a tot)
And last, but certainly not least................ Draxum owns a Lou Jitsu body pillow (PURELY for research-purposes, NO other reason!)
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new-kit-on-the-block · 4 months
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Miraculous - The watered-down significance of akumatization
(This is an analysis, but it's also a sort of rant. So there's a lot of text underneath the cut. Just a fair warning.)
I have a problem with the way that the latter seasons of Miraculous handle akumatization.
There's a pretty basic rule of thumb when it comes to writing the bigger moments of your story:
If something is a big deal, let it be a big deal.
Seasons 4 and 5 don't always do that.
Let's take a look at what I mean.
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These are screenshots of the three separate occasions that characters have broken out of akumatization in seasons 4 and 5.
Take note of who these characters are and their importance (or lack thereof) to the overall plot.
On the one hand, you have Alya and Nino, the two main characters' respective best friends. It's only natural in a show like this for these two to be strong enough to break out of akumatization, it makes the main characters look like they definitely chose their friends right.
And then you have Alix's Redditor conspiracy-theorist older brother.
Why is he one of the big three who managed such a significant feat like this?
It's not like he's been shown to be particularly strong-willed. In fact, one could argue that he's even less so than most other characters due to how much further he fell into the rabbit hole of Lila's manipulation than anyone else.
His gullibility and irrationality are the entire reason he gets akumatized in the first place.
And he doesn't ever play a significant role after this, either. The only other time that he even had so much as a speaking role was the other time he got akumatized way back in season 1 for not being allowed to sacrifice someone to the Egyptian gods.
Now, these aren't the first times that people have fought back against Hawkmoth while being akumatized. But they are the first times that they've successfully broken out.
Pixelator questioned Hawkmoth's authority over him, and in response, Hawkmoth did something with his hand that started causing physical pain to Pixelator, reinstating his control over his akuma.
The only other time an akuma victim fought back was Robustus, which was a special case because he rebelled against Hawkmoth by using the specific abilities that were granted to him.
Neither of them even tried to escape akumatization.
Akumatization has always been set up as something powerful. Something that takes the worst parts of you and amplifies them to the point of no longer being capable of rational thought.
We never end up questioning why people don't try to resist akumatization if they know that they might end up hurting people. We already know the answer. It's because they can't.
Even Ms. Bustier, possibly the character who hated akumatization the most at the time, couldn't avoid becoming akumatized despite her best efforts.
So three separate people breaking free from their akumatization should imply that Gabriel's control over his victims is getting weaker, which would be a very big deal.
But nothing is ever done with that. After Alix's brother, nobody ever broke out of akumatization again. The ability to do so is used as nothing more than a plot device in these few episodes.
Another thing is that, if anything, Gabriel's grasp over his victims' emotional state should be even stronger.
His akumas are canonically more powerful than before, to make the lucky charms that Ladybug hands out stop working against him.
If bigger and more powerful akumas don't make his hold on people even stronger than before, then the entire arc of Ladybug realizing that she can create charms to prevent people from being akumatized more than once, and Hawkmoth's counter-arc of nullifying her efforts by simply creating bigger akumas was all just a complete waste of time.
After Guiltrip, I assumed that they were building up to Rose being able to break out of akumatization through her naturally positive nature alone, and then they would have an arc of her teaching others how to do the same.
Suffice to say, neither of those things happened.
Rose's "inner voice" that she's apparently had in her head this entire time doesn't serve any actual purpose other than to make her worthy of the pig miraculous.
To be clear: I don't have any issues with Rose's invisible illness never being mentioned at any point before Guiltrip. That's the entire point of an invisible illness.
My point is that Rose's ability to break free from negative emotion-based mind control is an extremely important ability that was never even so much as hinted at before or even brought up again any time after Guiltrip.
So, once again, it's just an extremely important one-off ability that doesn't matter and doesn't affect the stakes whatsoever.
These seasons keep throwing moments at us that should be very big deals but are never treated as such.
Now let's compare all of this to an actually good akumatization-related scene.
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When Chloe successfully rejected akumatization.
When this happened, it was huge, and it felt like it too.
Not just because of how impressive the feat itself was, but also because of where Chloe was in her character arc.
Chloe was under the impression that Ladybug might never let her be Queen Bee again. Full stop.
She had potentially permanently lost a privilege that really mattered to her, Lila was starting to get inside her head, and she was becoming mean to Sabrina again.
By all accounts, Chloe should've been in the stage of her arc where she started to revert back to her old self. The old Chloe would've accepted Hawkmoth's words without a second thought.
If this was the conventional Zuko-style arc that so many writers try and fail to replicate, this would've been the scene where it seems like she may not actually get redeemed, and would fall back on old patterns of hers. Which is an interesting enough arc on its own.
But we instead have a girl who doesn't have any way of truly knowing better, has no good role models, and is close only to people who enable her worst behaviors. And she chooses to be good.
Her worst fears are starting to come true, nobody seems to have any care or respect for her, and a smarter and more experienced grown man is using all of these negative emotions against her to mind control her. And she still chooses to trust the process and work to gain back Ladybug's trust. Exactly like Ladybug told her to.
The one time she was given really good advice, it stuck with her.
This is the moment that flat-out confirms that Chloe can be redeemed, and actively wants to be better.
Not only did she not get akumatized, she almost made it look easy.
But the show still makes it perfectly clear that this wasn't an easy feat by any means.
She was visibly exhausted and scared after the akuma left, breathing heavily like she almost just drowned.
But the important part is that she did it. She didn't get akumatized. And she is shown to be rightfully proud of this fact.
It's also interesting to note that no other character has ever broken out of akumatization, mid-akumatization.
In the seasons to come, several people would be breaking out of akumatization after they had already been akumatized. But Chloe is the first, and only, person to reject akumatization before it even took hold.
That's how you give a moment like this the emotional weight that it deserves, by letting it stand on its own and not bombarding your audience with the same scene played out by several other characters.
Chloe was the only one to do this, and that shows that she could bring something special to the team if she actually got the chance to be a heroine again. It makes us consider the possibility that her stubborn and argumentative nature might actually end up being a silver lining. She can still be herself while saving people. In her own way.
She can be a hero. She can become a better person. And she doesn't have to change a thing about herself.
It would be a really nice message to send.
Which just makes it all the more disappointing when it doesn't amount to anything.
If the point of her character was that she could've been better, but became worse instead, that would've made for an interesting sort of tragedy.
But that's not what it is. I know that's not what the writers intended because if that were the case, then Ladybug would've probably had some lines about how much potential Chloe had, and how well she was doing before she went back to her old self.
We don't get any of that. What we get instead is the show and characters acting like Chloe was always as bad as she is in seasons 4 and 5.
She never actually liked Adrien. She was never kind to her father or Sabrina. She never wanted to get better.
And that's just not true.
Sorry, the main point of this post was to showcase the difference between important moments that were given the appropriate emotional weight, and those that weren't. But I just went off on a bit of a tangent there.
God. Even when this show gets something right, it gets like ten other things wrong.
Anyway, TDLR: If you want a moment to be significant, let it be significant. Let it make big changes that actually matter. Don't be a coward who's too afraid to change the hierarchy of your story in any kind of way that matters.
If you want a moment to have an impact on your audience, give it time to breathe on its own, and don't repeat it for at least a little while after.
And for God's sake, if an ability is a big deal, then don't let some unimportant side character that no one cares about also have that ability. It just makes it seem like it's not.
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countesspetofi · 18 days
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Today in the Department of Before They Were Star Trek Stars, Leonard Nimoy guest stars in "The Tiburcio Mendez Story," episode 26 of the fourth season of Wagon Train (original air date March 22, 1961). If you're playing along at home, you probably remember that Gene Roddenberry originally pitched Star Trek to the studio as “Wagon Train to the stars.”
Nimoy plays Joachin Delgado, the protégé and future son-in-law of the titular character. Mendez is the leader of a ragtag group of Californios who were displaced fifteen years earlier when the United States annexed California at the end of the Mexican-American War, and the Gold Rush brought a wave of prospectors and settlers west into the new territory. They've been living rough in the hills at the edge of the desert and robbing the occasional wagon train, partly to survive and partly to try to stem the tide of Anglo settlers.
A magistrate traveling with the wagon train believes he can get the group's original land grants restored to them if the individual members who actively committed the robberies agree to turn themselves in and stand trial. Seeing how his people, especially the children born in exile, are suffering from the harsh life in hiding, Mendez agrees to the plan. But the younger men, led by the hot-headed Delgado, resolve to stay and keep fighting.
Armed conflict breaks out between the two sides, and Mendez is fatally wounded. In tears at the deathbed of his surrogate father, Delgado promises to take Mendez's place as leader of the reunited group and see them back to California to reclaim their land.
Other Trek Connections:
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This episode was written by Gene L. Coon, one of the Founding Fathers of Star Trek. He wrote or co-wrote 13 episodes of The Original Series and produced 33. Working closely with Roddenberry and Justman, he introduced such elements as as the Klingons, the United Federation of Planets, and the Prime Directive into the Trek lore.
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Tiburcio Mendez is played by Nehemiah Persoff, who also played the delightfully bitchy Palor Toff in the Next Generation episode “The Most Toys.”
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sciderman · 1 year
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Sci what's your opinion on Cablepool? What's holding them back, why can't they just bite the bullet and go for it? In your comics it seems like Nate's all in, so what's the problem?
short answer: it's complicated
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as much as wade would like it to be so very uncomplicated
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[x]
bad communication on both sides, me thinks.
i think the main thing for me that's the most important thing that makes wade and peter work where nate and wade fail is the balance of power! i think in wade's relationships as a whole there's often an unfair power dynamic because - not only does wade often feel unworthy, he's often in relationships with characters that literally overpower him. shiklah, ness and nate are all crazy freaky powerful, and even carmelita was domineering over wade.
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historically, wade's always with very dominating partners who kind of want to control him. even nate - with all his best intentions - wanting to change wade for the better. i think it's why peter's breech of wade's trust during the break-up stung so much. he's tired of being constantly policed and judged and controlled in his relationships.
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the theme of control is so prominent in the cable & deadpool series. it's everywhere. even in the costuming. the harness? the choker? y
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LOOOOOAAAAADED.
(it's why when the popular demand for the choker to return won out, i had to give peter one too. for me the choker will always be loaded with metaphor. and the balance of power between wade and peter is so, so important to me.)
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i've joked a little about how in most of 9319 wade's relationships prior to peter, he kind of exclusively bottomed. peter's the first male relationship where wade's been on top at all (save for bob. but there was no penetracíoné in that arrangement.) so this is all new territory for wade. he's never been in a relationship like this one before, where it's a mutual give-and-receive, and peter is just as emotionally vulnerable as he is.
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in fact - you're more often to see peter wearing his choker than wade, because more often than not wade's in the position of power - power that's only granted to him by withholding his emotions, and peter often feels powerless with wade because of it.
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wade's coming to terms with that - how much power he actually holds over peter. i think it kind of takes him aback constantly, because he's so used to being the fragile party in his previous relationships, and it's made him all the more guarded.
(it's also why he expects something sinister. peter's hiding something. there's no way this boy is actually this soft and well-intentioned. surely peter's somehow still holding the cards.)
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fact is, neither of them are holding the cards. they've dropped the cards all over the floor and neither of them want to pick them up and they're both going to cry about it.
sorry - i got sidetracked. ough. cable. right. that's what we're here about.
the theme of power and control is so, so at the forefront of the cable and deadpool series. it's kind of always a see-saw of wade trying to navigate morally complex situations and nathan constantly interfering to sway him this way or that - and you're left questioning whether wade's really learning anything, or if nate just tricked him again.
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the fact is, nathan wants to play saviour for wade. wants to save him. nathan has a god complex, and oftentimes messing with wade's free will in attempts to teach him a moral lesson.
nate wants to be wade's saviour, but wade doesn't need a saviour. wade needs to save himself.
in the end-up with the cable & deadpool series there is a resolution for wade, and it proves that wade did grow beyond just seeking nate's approval. (which he does, tirelessly.)
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in the end-up, nathan's gone. and wade still steps up, in nate's stead. he doesn't need nate to be there anymore, holding his hand.
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i think it's something the series could've done better - i think nate's kind of a jerk who's redeemed by self-sacrifice and i'm not about that. so while 616 wade's all sentimental about it in canon - 9319 wade is not so sweet about it at all.
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9319 wade differs from 616 in that he stays salty. he doesn't learn a lesson. he stays needy and selfish and mad - mostly sad. i think i like that in characterisations of wade - that actually, he's not a hero. and he doesn't have to be. he's selfish. we all are. we don't have to save the world. sometimes it's enough to just survive it. i think that's what wade embodies, to me.
i don't think - practically - nate could've been everything wade wanted from him (what with all his gargantuan responsibilities and self-sacrificial tendencies etc. etc.) and wade, realistically, can't match nate's hopes for him either. he relapses practically every time nate leaves him, and his progress resets constantly because he's consistently hit with brick wall after brick wall of overpowered messiah bullshit that makes him feel inept and undeserving.
wade might want so very badly to be deserving of nate's love and approval, but the heroic stuff isn't built into his fibre. it's just not.
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i can't stress it enough. wade does not want to be a hero. he just wants to suck and fuck and retire to the bahamas with the man of his dreams. he's a simple man.
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the only reason he even tries playing hero is for the promise of love.
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he does not want to have to prove himself over and over and over again to be worthy.
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for god's fucking SAKE can't a guy just suck and fuck and retire to the bahamas with his loving boyfriend without having to fucking save the world every week! what the fuck! what is wrong with this fucking economy!!
in that way - nate just can't give wade the companionship he needs. nate has way too many responsibilties weighing on his massive shoulder pads. nate is always going to be making sacrifices. it's in his nature. but wade - wade's constantly losing what he loves, non-voluntarily. he's sick of the sacrifice. he doesn't want to lose anymore.
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for once, wade just wants his fucking happily ever after.
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suhjihanma · 7 months
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☩ 𝕰𝖈𝖘𝖙𝖆𝖘𝖞 ☩
(Master list tag) - ☩Kink (4) : Drugs / Gunplay ☩Word Count: 1,899 words ☩Pairing: Kisaki Tetta / Shuji Hanma / Female!Reader ☩Content Warning: Gunplay and gun kink, mentions of drugs, alcohol intoxication, mentions of drug use, fellatio, intercouse with replacement of object, threesome, characters under the influence, mind-fuck, fear play. ☩Author's Note: Thank you tumblr for hiding my shit. Minors and ageless blogs do not interact. This story might contain triggering content. Another story is done. This was supposed to be written for day five, but I skipped yesterday since I was out with friends yesterday (and I was tipsy). Promise that I'll do two stories for this Saturday coming. So, apologies for my stories being out of order. Also, Tokyo Revengers Season Three is out. Rejoice. It's been so long since I wrote for Tokyo Revengers, I miss you guys. I think I had too much with this. Reblogs and likes are appreciated.
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Two arms were gently wrapped around you. 
One arm felt more warm to the touch, tender-like, while the other copied the same body warmth. By the hands, one metal piece was holstered to fingers idling across the trigger while the other hand traced circles lazily across the cheeks brazen with slight redness. 
You don't know how in the world you got yourself in this situation with these two men.
Granted, they've always got themselves in bizarre situations where you question their sexual gratification. Captivated by their interests, you wonder how the average female would present her interests. A tail between her stiffened legs would gain a reaction as she heard about the interests that both men played in the bedroom. 
And a good play at that.
Some might place the blame on alcohol imports, specifically more related to Belvedere, and a few undisclosed pills that might have been improperly pressed, still the ravaging effects of being in your drunken stupor became more heightened as the sense of fear presented itself in the spotlight. A damn was less given as your body now squirmed briefly underneath their warm arms, making its absence known as the cold weapons being placed against your face. Protests awakened as the piece was now placed on your lips. The possibility of them being trigger-happy while under the influence was approximately slim, then again the remaining conscious that you had realized that acting under intoxicated stupidity was more than enough to get your head split across an expensive bedroom. Eyes glossed over fear as you looked over at both men. It was difficult to remain focused. The sense of reality became crumbling down as a warm feeling that felt like a hug was engulfed through your body. Visions of the two men become more heightened as you stumble out for words. Words that used to have meaning were now more or less scrambled with coherent phrases. 
You didn’t know what you wanted.
 How rude of these men to be teasing you in a state of weakened vulnerability. How dare one of them trace the barrel between thighs and have it lined towards your exposed sex. Looking downwards, you see the barrel tracing the opening of your folds, prying the opening of your vagina with the success of secretions decorating the dull, darkened metal that was etched beautifully in handcraft. 
“You can take a gun better than you can take a dick, huh, baby?” Hanma laughed before a familiar weight was pressed against your lips. As your mind carelessly wandered, so did the actions of what was going on. You knew there were lips pressed against yours, you knew that a tongue was forcing itself to intervene with your tongue. 
Did I take more than one pill? 
Were there even guns to begin with as we chatted over drinks?
Why does everything feel so fucking good right now?
 Questions rot your drugged brain as you find yourself reaching to one of the men that hovered over your body. A body that was heavily intoxicated with the sense of fear, pleasure, and hallucinations, your hands began to wonder over Kisaki. The hands drenched in sweat began to mix with his body above you, appreciating the structure of his lanken body that inhaled and exhaled ever so deeply as each moan pried from your lips. As to question why you were moaning, you couldn’t fully explain. Contradicting yourself can be considered an understatement, as you are now reaching out to questions that don't have answers in your drugged stupor. Your hands now reached to the exposed cock that was facing in front of you. Everything seemed so fast from the time that Kisaki was helping you unfasten his pants and well-designed buckle. Pants and huffs were all too present in the fast pace of it all.
Everything was suddenly going fast, yet time was moving slowly.
“I wan- I want.” The words couldn’t complete a full sentence as Kisaki above you guided your head to his well-endowed cock. A small hiss escaped from his mouth as he entered himself inside the walls made of warmth. Of all the times you were reluctant to take him, you were grateful that he showed patience as you babbled out nonsense. Granted, Kisaki wasn’t a man of notable patience yet, doped up women were an exception to sexual matters. 
Kisaki shushed you as he now grabbed a fist full of hair from under you, a muffled scream was let out as you sloppily bobbed your head, whimpers of gratitude were now present as the salted weight of his girth now began to produce small amounts of precum. Either the screams or muffled cries were an absolute turn-on to this man as he continued to thrust himself inside your mouth. Curses and grunts highly encouraged. 
“I know what you want, baby.” Kisaki grunts out before gently placing the barrel of the gun on the top section of your forehead. 
“No teeth.”
The cold tip sends a nervous chill throughout your sensitive body as you look up at him with fear in your eyes along with a dick in your mouth that's aching for a quick release, silencing the pitiful pleas that murmured from your occupied mouth. Kisaki could almost describe the scenery as embarrassing. The man overlooked you with haughtiness as he forcefully pressed the gun deeply against profusely sweating skin. You drunkenly contemplated Kisakis’ next move until your eyes closed tightly shut, small tears forming at the corner of your eyes. The coldness underneath was now penetrated towards your sex, another muffled cry was let out in response as the gun moved slowly inside of you. The twisting and turns grew to be nauseating as the effects were slowly beginning to wane. The foreign object that was being penetrated inside something that needed more made you want it even further, deeper, just anything that would satisfy strunged-out hunger. 
“A possibility we might add this to your toy collection. Keep fucking yourself on my gun,” Hanma jokes in front of you as he continues on with his thrusts, ones where they became out of rhythm that made you sigh and wriggle out of frustration. 
“Yo, Kisaki, is there a way we can preserve pussy juices on a gun? She is soaking my gun like crazy.” Hanma starts to laugh again before continuing with his unforgiving thrusts. Kisaki looked at him with eyes glossed over with pure hunger for sex, the well-attached mind not fully breaking from the continuous warmth that engulfed his cock. The man’s words of choice broke his concentration for a moment before sighing out in exhaustion.
Like a parent dealing with a child’s antics. 
“Why do you always say the most idiotic shit?” Questions Kisaki before looking over at you. His eyes were now looking over the endowed breasts that bounced from each thrust that came from Hanma’s thrusting underneath. One curse word slipped out of the man as he looked over at you again before holding the grip of hand more rough, almost causing you to slip away from the cock in your mouth. 
“Fuck”, A prolonged word dragged through his deepen voice as Kisaki came down your throat. No heed of a warning. You felt him twitch from the muscle contractions, that along came the saltiness and warmth of his cum reaching the back of your throat as you hungrily swallowed every drop. You continue your drunken ravish as you greedily wrap your tongue along his head, gently cleaning the opening of the tip before running your tongue on every visible vein that was present on his skin. It was either the lingering effects of drugs or alcohol, or it could have been the urge to want more pleasure as you wanted to take Kisaki whole. The heaviness of Kisaki dwindled as you opened your mouth. His cock slowly came from your mouth in a slight bounce. Your mouth grew from a sigh to a whine as the familiar coil was suddenly about to break. Time was of the essence as you looked over at the man that was continuously fucking your face, and also at Hanma in front fucking you with his gun. As your body reached its climax, nerves were singing through blissful peace. While they screamed of peace, you screamed out in pleasure. Several things intensified your high, yet the feeling of a drugged out orgasm was nothing more than being God in a falsified heaven. 
More than likely, the doped out feeling grew to be intense as your hips bucked to the motions of the gun that Hanma held in between your weakened legs. He couldn’t help but smile at the state that you were in. Once he recognized that you were satisfied about how much of a mess you made on his gun, he placed one of his fingers against your slickened folds. With fingers now laced with the orgasm you gave on yourself, Hanma places your wetness across his tongue, licking off each digit of his contaminated fingers. You whimpered and closed your eyes. Exhaustion soon gets the best of you, as you enjoy the false scenery of colors dancing across your eyelids. The visions that hit across your closed eyes became woven with the heightened sounds around you. The sound of heavy breathing becomes more plentiful as you enjoy the debauchery of the afterglow. That is until you hear a click.
Your eyes widened as you looked over at Hanma still in front of you with his gun still inside of you. Hanma’s fingers wrapped against the trigger and a cold sensation flew across your body. The effects of everything were now starting to wear off as you looked over at him with a blank-written stare. Thoughts were at a standstill as you looked over at him in complete awe. You didn’t know what to do as you finally shifted your body to the left, gathering what just happened.
The man above you smiled softly and patted the front of the barrel to your still-slick sex.
“There’s no bullet in here. I'm just fucking with you.” Hanma chuckled.
“Quite, literally,” Said Kisaki above you, his words of choice growing from a joking remark. “Still, the drugs that Sanzu gave us were intense.” Looking over the leftover pills scattered across the table, one of his free hands mindlessly rubbed the front of his forehead as he looked over at you with a gentle smile. 
“Still, you were really out of it.” Kisaki's eyes wander across your body pooled with shock laced with sweat and then towards the man in front of you. A smirk oversees the soft smile from earlier. You knew that smirk of his read nothing but trouble, but curiosity was going to kill you in the most brutal way possible. For what it’s worth, both men could do this all day with their sadistic tendencies. As submissive as you were in front of them, the fearfulness of it was steadily lurking at bay once the man in front of you nibbled against your ears, causing you to weep out from the sensitivity. His voice longed for honey and venom as he continued while suckling gently at the earlobe. 
“Then again, you would be more out of with our powder supply. Want to try it while we’re balls deep in you?”
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anyoldfandom · 1 month
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Okay fuck it here we go it's been one minute. Pack Leader Rex AU time.
First off, it is not an AU where Rex is evil. It's more of a...I guess placement swap? Between VK and Rex. In this AU, VK was found and captured by Providence a year ago to study his nanite absorbing powers, and Rex started befriending and collecting EVO pals until they eventually formed the Pack, and found Abysus to be a place Providence would not enter.
So in this universe, Rex, Bobo (yes unfortunately he's there but he's MY version bc I refuse to look at him in canon), Biowulf, Breach and Skalamander are the original Pack members, people Rex picked up like he picked up the Hong Kong crew before. The fic idea does also start with them picking up Circe - so she remains as someone new to the Pack, trying to figure out her place. The Abysus castle becomes a safe house for all the EVOs they've picked up over the years - an actual community of incurables, with those that they can cure being returned via Breach portal to their families.
That's the general setup - really just, a swap. What makes the AU so exciting for me though is the character dynamic, I'm a sucker for Found Families with Barriers.
First off, Six and Holiday still work for Providence. They both still believe in a cure, and when Providence discovers this EVO that can cure people and is also seemingly amassing an army, they try to get their mitts on him and stop this threat in its track. Six ends up being the first Providence agent to make contact with Rex - and the first agent to realize this is a child they're dealing with, not a monster. Holiday knew this, already - but they have to work on figuring out ways to help out Rex and look out for this kid without jeapordizing their jobs. Six can't abandon White, and Holiday can't abandon Beverly. They're stuck having to earn Rex's trust (granted, not that difficult compared to earning the trust of other Pack members). White is in charge of Providence still (idk how his ass got bleached yet), and instead of blaming Rex for his divorce and seeing the kid as a threat bc of the giant robot bullshit, he sees him as a threat for the potential army bullshit. Ironically he's the one that treats Rex the most like an adult, because he assumes malice from the kid for a long time.
On the flip side, the Pack is very close. They're actually friends, unlike canon. Breach and Rex and Circe hang out a lot, Circe and Rex don't have the initially antagonistic part of their relationship, but Circe still thinks Rex is stupid for trusting people so easily. Breach and Rex just kind of play Minecraft in her pocket dimension sometimes and have talks, and Skalamander,,,,doesn't have a whole lot of stuff to work with in canon so I'm still figuring him out. But Biowulf is the closest thing to a "parent" of the Pack, and he's bad at it. More of an anxious dog that still refers to Rex as Master (as much as Rex hates it, tries to tell him not to), still worships the kid to a degree while Rex is constantly trying to get Biowulf to just. Chill out. Tell him about his worries and talk things out.
There's definitely also an arc in mind where Providence does capture Rex and Holiday and Six have to struggle to protect him the best they can while White tries to bargain with the kid and the Pack freaks out and tries to figure out how to break him out.
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utilitycaster · 10 months
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Is it just me or are some of the more intense Imaudna folk…kind of mirroring Imogen’s over-defensiveness of Liliana? Or at least uncritically accepting Imogen’s assessment of her, without acknowledging her “bias”? (as we are now apparently calling the characters’ family - so K-pop of us)
I’m not saying she’s a terrible mother - she’s literary moving heaven and earth for Imogen [and herself] - but she’s helping bring about what could be an apocalyptic event, on the off-chance that it could relieve them of their powers.
And I get why people wanna ignore that in favor of Imogen reuniting with her Mom and building a relationship with her. But it’s frustrating when you remember that some of the people her Mom has fucked over include Kiki and the Ashari (not just Orym) and that she’s working with a guy that allowed Trent’s abuse of Caleb, who Beau has spent years working to take down, and we still don’t know what’s happened to those two.
Again - shades of gray, and we all love villains and complicated, messy women. But it’s quite the slice of cognitive dissonance to see fandom *really* pile on Fearne’s parents for abandoning her (especially when it was only six years as far as they knew), but even after she’s party to nearly murdering Kiki, we shouldn’t be assuming the worst of Liliana?
(Just read this back and…I don’t think some these Imaudna fans are actually Marisha fans)
I don't think it's mirroring Imogen, per se. Or rather, I think this is all part of the larger trend I've touched upon for some time: there are a segment of shippers with absolutely no empathy for or generosity towards anything that interferes with the ship. Ideally, they'd like to also support Imogen and Laudna as individuals; but even then the ship comes before the characters. As you said, they're not really Marisha - or Laudna - or for that matter Imogen or Laura fans. They're fans of them playing characters who are in a relationship together.
When Imogen was upset with Laudna for breaking the gnarlrock, there was a pretty prevalent attitude of "but it wasn't LAUDNA's fault, so why is Imogen upset, that's unfair" even though the rock is still broken and it happened when it was in Laudna's possession and, frankly, had Imogen not given the rock to Laudna, she'd still have it. In retrospect this has gotten even more wild, because since then, they've leaned very far into the negative effects Imogen experiences as a result of her powers as an argument as to why she's allowed to do whatever she wants, but at the time if you pointed out Imogen found relief from the rock and is justified in having an emotional response, you were met with screams of HOW DARE YOU BE MEAN TO LAUDNA. This hypocrisy is of course tied into the lack of empathy, because said lack of empathy rests on granting infinite grace to those who support or even merely recognize the ship, no matter their other actions (eg: Otohan), and dismissing the feelings of anyone else.
When Laudna died, it was a pretty common attitude among Imogen and Laudna shippers (I would say Laudna fans, but quite honestly almost every post grieving her was just as much about the ship as the character) that Orym would have been happy to have remained dead because he was a widower. This is a horrifying mentality to have - people's partners do die young, and most people choose to continue living - and was also notably untrue based on Liam's statements both in and out of game. You'll notice that "Orym doesn't want to die and felt like this was a massive failure" on 4SD never took off, but "Orym can't be objective" on 4SD has been blown to ludicrous proportions that show a stunning lack of understanding of like...basic human emotions and their role in decision-making. Because there's no consistency except The Ship.
When the party went to Whitestone, and Percy was in fact played as someone with very complicated and layered feelings about death and dying, and who was not going to change his developed principles for a stranger, he was lambasted. The fact that Delilah Briarwood is just as responsible for his trauma - repeatedly so, she was the architect of both his family's murder and the reason why Vecna achieved godhood, she's literally why his brother-in-law is dead, the Briarwoods have been responsible for two of Vex's deaths - was completely ignored. The fact that Vex and Pike were not spiting him in the end, but rather developed a mutually acceptable plan that permitted Laudna's resurrection with a contingency plan to kill her if Delilah returned led to some pretty harsh criticism of them as well.
FCG was pretty popular among the shippers for quite some time because he wanted everyone to get along and wanted Imogen and Laudna to make up after the gnarlrock fight (note: this is also true of Ashton and Orym, both of whom as discussed have since fallen from grace because they continued to exist as characters with their own thoughts and motivation) and had a lot in common with Imogen. However, a series of things occurred that led to their fall from grace among the shippers. The first was that FCG's coin is why Orym was resurrected instead of Laudna. The second is that Shared Dream was not, in fact, intended only to let Laudna go into Imogen's dreams, but rather allowed anyone in the party to go. The third is that FCG started to find a purpose beyond "help others no matter what," particularly after realizing they had a soul and were in fact a person, and specifically began exploring religion. Religion is unpopular with Imodna shippers particularly after 3x49 and Imogen's consideration of the Vanguard, but there's also definitely a mix of obvious ex-fundamentalists who never unpacked their feelings and instead just want all their fiction to validate their new beliefs. The fourth is that FCG/FRIDA "stole" the first canon relationship spot (which also confirmed that FCG was, in fact, shippable rather than some kind of robot eunuch with nothing better to do than push Imogen and Laudna together). And so you get some really fucked statements. Like, when I say I've seen "I hope someone makes that robot eat their stupid coin" that's not exaggeration; it's pretty much verbatim. That's not a post that a person who makes any attempt to understand experiences other than their own can make in earnest, but it does make sense from the perspective of someone who has decided Imogen and Laudna's relationship is the heart of the show and is angered that five other main PCs exist and have their own interests.
Ashton occupies a truly fascinating space, in that they're oddly popular, in part because their scenes with Laudna are genuinely unmissably fantastic scenes for Laudna. It's one of the only places where Laudna takes off the mask (though she's started to with Orym too). He also overlaps with a lot of what makes Imogen popular, except it's canon where Imogen's is subtext, or it's obviously more severe (Imogen's mom left? Ashton's an orphan. Imogen's had a few headaches? Ashton has chronic pain). So they hated when he pointed out he'd been abandoned by his friends in a way Laudna hadn't (also because Ashton and Laudna's conversation in 3x49 was just far more honest than Imogen and Laudna's, and because Laudna sought them out), but they like him when he's supportive of Laudna. They're constantly on the thinnest of ice because of this and because they're a genuinely compelling character, but because of that, might get in the way of what said shippers want, namely, a hundred episodes of Imogen and Laudna sipping tea at Zhudanna's and having a lovely time.
Following Imogen considering joining the Vanguard, Orym fell out of vogue despite his previous interactions with Imogen, because he very justifiably pointed out, as I've said, that the Ruby Vanguard killed his husband and his father-in-law (whom he saw as a father figure himself), and used a toxin that ensured they couldn't be brought back. I've talked about this a ton and so I'm not going to rehash every aspect, but the fact remains that while I like Imogen's choice to do this - conflict is fun! It makes sense for her character! - it's an incredibly insensitive thing to say. (It blows Ashton's statement about loneliness out of the water, for sure; incidentally, Ashton pointing out the more general hey girl they murder everyone who disagrees did NOT sit well with the hey let's harass everyone who disagrees crowd.) And when you mix it in with the god stuff discussed regarding FCG, Orym has become the periannath non grata of choice to the point of a similar response to the gnarlrock fight - if you sympathize with him, they see it as an attack not just on Imogen but on Laudna, for...not talking about Laudna as well. This has only gotten worse with Orym firmly committing to destroying the Vanguard, to the point that there are, generously speaking, misunderstandings or misrememberings of the text, and less generously speaking, outright lies. A notable one is that Laudna begins to tap into Delilah before Orym nods (Marisha's mention of the purplish hue is at 2:52:02 in episode 3x63; Orym's nod is at 3:01:42, a solid 9+ minutes later); he supports her decision, but he is not responsible for it.
Then there's the guests. Deanna was obviously made to ask Imogen about Laudna. She's here to ask them if they're married. She's here to encourage Imogen to follow her heart. She's definitely not here to have her own active and interesting love life and personal feelings about the gods (that conflict with Imogen's) and history and perspective. Oh she's...she's calling out Imogen's nonstop use of psychic powers? She's having a three-way with Chetney and Fearne? FRIDA is hooking up with FCG and admitted their anger about the gods was mostly due to projecting their personal anger about feeling powerless and having been awoken without their consent? Uhhhhhh Deni$e was obviously made to to ask Laudna about Imogen. She's definitely not here to be a connection to Dariax and have her own active and interesting love life and personal feelings about the gods. Wait, no, maybe Bor'Dor will ask about it? Uhhhhhh *flips coin but not in an FCG way* Laudna will *rolls dice* mentor Prism and this will...make this ship happen? Oh, won't these people with their own distinct personalities and motivations who keep having conversations with Orym and Ashton and each other stop doing that and just presume that a specific one of the four other people in Bells Hells they've never met and probably don't remember the names of is married to Laudna? Won't someone stop playing their character as a fully fleshed out person whose life is entirely unaffected by Laudna and Imogen's respective love lives? Oh and then Bor'Dor did ask about the relationship, and it was because it was a weakness and he was trying to infiltrate.
Quite literally? It goes as far as the gods! Why didn't they save Laudna? To which I'd say sure, let's explore what happens if they did! Let's follow this thread! Do they just save Laudna and maybe her family and no one else? Why Laudna? Does she get saved at the expense of some other dark-haired girl in Whitestone? Or perhaps they save everyone. Perhaps the De Rolos remain in power, and Campaign 1 doesn't fucking happen I guess, and Laudna grows up, and she lives out the rest of her life in Whitestone, and she's a woman in her 50s now - maybe even married, perhaps with children - and has never been to Marquet and wouldn't know or care about some random 20-something with purple hair. Like, what are you driving at here? Maybe the gods let Laudna die because that was the only way to bring her to Imogen. Ever think of that? (alternately: how do you know they didn't? What if Laudna's undead state has to do with Vecna? You didn't specify if it was the Primes or the Betrayers, or how she gets saved; she's still living after a hanging, which some might consider a miraculous gift. What if it was the Dawnfather acting through the Sun Tree? Can you describe what you want the gods to have done and where that puts us in 843 PD or do you just say shit hoping no one will ever poke at it?) When do the gods intervene? Do they make sure nothing bad ever happens to anyone? Are mortals just dolls the gods move around with no free will?
So anyway. I don't think these feelings about Liliana are based on mirroring Imogen's thought process. I do not think there is a level of consideration that Imogen and Laudna have motivations (motivations mean they can be something other than perfect flawless victims who found each other). It is simply "Imogen wants this, Laudna will validate anything she does, and so it's correct." The party line for anything else "fuck your trauma, fuck your dead family and dead loves, fuck your own hopes and dreams and goals: you exist only to fawn over two random-ass women. It doesn't matter if they are strangers to you. It doesn't matter if you've only met one of them. It doesn't matter how they act towards you. It doesn't matter if you're one of them, if you step out of line. This is your sole purpose, and if you fail, you're not a person to me." There's absolutely no thought put into the implications of anything they say beyond "it supports the ship, or, if not, it perpetuates the blameless, perfect and thus boring frozen state of the characters."
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gabessquishytum · 11 months
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Warprize!Hob is wonderful, but consider the other way around.
Bandit!Hob stops a handsome young lord alone in the forest. The lord smirks, informs Hob he's traveling with no money--he took the shortcut but he sent the valuables the long and safe way. Hob points out that Dream has a horse. Silver buttons worth more than everything Hob is wearing. Fine clothes. And Dream himself must be worth a handsome ransom. Before Dream can react and take advantage of the fact he is on horseback, Hob gets in close and cuts the saddle strap, sending Dream crashing to the ground.
Dream looks good at Hob's feet, a little dirty and a lot angry. Hob would have to go a long way to find anyone with enough money to buy Dream's clothes, and ransoming a lord will get him more attention from powerful people than he likes. He fists a hand in Dream's hair and tells him there's a way Dream can walk (not ride, Hob's keeping the horse) out of here unharmed and fully dressed.
The only thing better than Dream's mouth is the way he glares at Hob the whole time. Hob really wants to try his arse. Fortunately, bandits aren't expected to keep their word. He uses the horse's reins to tie up Dream and drags him back to camp, where he promises his friends they can have a turn as soon as Hob is finished.
Dream is so perfect. Angry and defiant but obviously fighting his own desires more than the bandits. Convenient too--offering up Dream's mouth gets them drinks at the pub, convinces the sheriff to leave them alone.
Dream is still Dream, playing mortal for one day on Death's insistence. He was going to send a lifetime of nightmares to Hob, but he likes the taste of Hob's dreams, the strange mix of lustful and domestic fantasies he has when he looks at Dream. And it turns out that subspace is a great stress reliever. He is Dream of the Endless--he is capable of fulfilling his function and indulging a mortal for a brief time, especially when that indulgence is making it easier for him to do his job the rest of the time.
It is not until well after Hob has left the bandits in search of change and honest work, taking Dream with him, and confesses to Dream one night that he may have sold both their souls, that Dream realized how long it's been and that at least one of his siblings is paying attention.
Akajdjdjd. Dream spending a day as a human, getting kidnapped, discovering subspace and accidentally falling in love with a scoundrel of a bandit? Very in character, I love that for him.
He's totally going to punish Hob for his crimes. Totally. But he's kind of distracted by the taste of his cock and the way it feels to lie in his arms, being held and teased and smothered in affection. Hob may be a rogue and a criminal but he wears his heart on his sleeve, and he's not afraid to show how much he likes Dream. He gives him cuddles and kisses and the nicest cuts of the food they've poached from the woods, all the while teasing him for being a slutty little lordling who just wants to be fucked and taken care of.
Death thinks all of this is hilarious, and of course she grants Hob immortality so that her little brother can spend as long as he likes being fucked and pampered like a common whore. God knows, he could do with a holiday, and Hob Gadling isn't so bad. Death is pretty sure they were made for each other.
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jackfrostvn · 5 days
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Hello, hope you're doing well , I did asked some questions before and thank you for talking your time and answering .
I like to ask some atore questions.
1 . About the first question one , about what will happen if MC ask Jack to take Coyne after finding out that he is not human . I Did ask that before but I wanted to you how will Coyne react?
2 . What kind of games did Jack play as a kid ? Did he play with his magic? Did he Show it off to MC ?
3 . did he Teach MC games from his country and did he learn games from MC ?
I showed my sibling your game and they enjoyed the Demo ^^ .
They've noticed that when Jack introduced himself he said " I'm called Jack frost " and not " my name is Jack frost " so they think that it not his full name
. What do you think ?
4 . They like to ask about the characters Favorite food .
Hey again! Thanks for the questions!
1. Coyne would definitely be upset by the MC’s choice and would probably be resistant to leaving at first.
2. This goes into a spoiler territory so I’ll keep it to a minimum, but Jack did not play games as kid he was rather lonely and spent most of his time with Goose. He has not shown the MC at all his magic.
3. Rather than teaching the MC games, the MC taught Jack human games like hopscotch and tic-tac-toe and other stuff like that. Which he found stupid at first but slowly learned to enjoy these games.
4. Jack’s favorite food is mushroom soup, Goose’s favorite is Shepherd’s pie, and Blaise’s favorite is spicy birria tacos.
And to answer your question about how Jack introduces himself- he does have another name- his true name. So in the Faebles lore, faeries have a true name and knowing that information grants you access to control the faeries’s soul. So faeries will not give out their true name EVER unless necessary.
And thank you again!
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clangenthriftclan · 3 months
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A little bit of a Thriftclan lore summary
It's actually pretty long, and since I've only dropped bits and pieces of information in different places I figured I'd consolidate it. Under the read only link will be mentions of death (even kit death)/violence/possible spoilers. Sorry its a little weird ! The whole thing is imporv using the prompts I get from Clangen, and I typically play only 10 moons in advance. It might have been more put together if I played the whole run and plotted after, but its kind of a writing experiment for me! Also if you have questions you can ask living Thriftclan characters things directly! My ask box is open!
Cherryclaw and Wishstripe, the founders of Thriftclan, were from a previous clan known as Waveclan. Cherryclaw served as the deputy while Wishstripe, Wishkit at the time, was the leader's grandkit. 
Cherryclaw was especially close with Wishkit's mother Pinksea, even though Pinksea was actually involved with the medicine cat Littlewhisker. Beyond her lovesick catgay pining on Pinksea things were going alright. As alright as clanlife typically is at least. This is until Littlewhisker gets an ominous omen from starclan, which foretold the destruction of most of Waveclan, with the promise it will grow back stronger.
Cherryclaw is wary of this omen at first, but her faith in starclan starts to falter, and she seeks ways to prevent the omen from ever happening. This is seen as disobeying the will of starclan in Redstar's eyes. This faith is tested as more and more cats suffer, and Pinksea loses most of her kits. Cherryclaw tries to convince Pinksea to run away with her and she refuses, and her questioning of faith is noticed by her other clanmates and more importantly her leader.
As things get worse and worse, Cherryclaw believes her only action she can take to save the last kit in the clan is to take Wishkit herself and find somewhere safe to raise her. Wishkit is too young to remember her origins, but she knows even from an early age that Cherryclaw isn't her real mother, influenced by a shadowy figure that has haunted her and Thriftclan since the beginning. Despite its ominous presence, it seems to want to guide Wishstripe throughout life, and even try to open her eyes to the truth. Though originally it seems benevolent, its presence in the clans has taken an almost overbearing turn at times.
Cherryclaw's guilt of what she's done weighs heavily on her, and though she believes she did what was right to ensure the young cat's safety, she no longer sees herself fit to be a deputy. Despite being respected as a founder and senior warrior in the new clan she refuses to take up deputyship again.
Thriftclan has been subject to hostilities from cats they don't know. (And a dogs, which are unaligned its just a dog) Despite assuming that these have been rogues, most of the cats they've run into have been harmless and even friendly. The new cats presence has been more and more noticeable until they have admitted they have settled into territory surrounding Thriftclan's.
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In the newest moon, its officially revealed that Waveclan is back. And, because of Cherryclaw's betrayal, and technical kidnapping of the leader's granddaughter, they're not particularly happy with this new arrangement, declaring war on the new clan by attacking the leader and deputy. Cherryclaw is the only one capable of recognizing the hint Shrewkick managed to snag before he was killed. Sharpstar survived with her other lives either by Cherryclaw being mistaken for the leader, or by their attacker not believing that she'd be granted actual lives from starclan by questioning the legitamency of this clan.
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Other things in the comic/clangen run that might be lore relevent are: -Starclan travels with its clans. Before starclan was formed for Thriftclan, there was only the shadowy figure looking after Wishstripe. When Cloudjump passed away, he was the first resident of this starclan. In its brand new state its almost like a void, and it will be built up by the residents over time. They established a connection point with the living through an eternal flame ignighted by lightning.
-Shrewkick's history involves a flood, just to maybe get you thinking
-Pinkpaw was named after Pinksea. Also she is a dream walker, and has been present in dreams and starclan sequences.
Some refs of Waveclan cats you've seen so far:
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kurisus · 1 year
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Chapter 104 thoughts
I'm back from posting purgatory and have rewritten, more or less, what Tumblr deleted, so now it's time for my favorite game: Ina Tries To Figure Out What The Fuck Happened In The Latest Noragami Chapter. Spoilers under the cut.
So at the beginning we see trash dad cut himself free from Fujisaki and revert to his original form, while Fujisaki wakes up in Yukine's old house, far from home. I'm really interested to see how much he knows, which I said last time--whether he was aware he was being used or if he's basically been unconscious for the past year. I think he has to be aware on some level, because he knows Father's true name and has to invoke it to summon him from Yomi, but it would also be funny if he flies into a panic, follows the newly created lake, and ends up with the main cast. How far are they from the house, anyway?
Come to think of it, I've been reading Alive since last month (Adachitoka's first manga, which was written by their mentor while they drew the art) and while I'm not done yet, the north of Japan features prominently as a setting for that story and as the final showdown for this one. I'm not sure why, maybe they're from there, but it's interesting.
I'm so glad Yato slammed into trash dad after he insulted Mizuchi. It shows he does recognize her as a victim, and is willing to let things mend between them, since she's had her own character arc since Yato released her name. Don't get me wrong, that was still the right choice for him at the time--but they've both changed since then. And I always love the character development in this manga so this had me bouncing in my seat.
YATO ALSO SAYING HE'S NOTHING BUT A DEAD PERSON LIKE YESSSSSS GET HIM GET HIM KILL HIS MISERABLE ASS
Ahem. I wish Yato had been able to land at least one punch on this horrible man, but it's time for a shounen powerup.
Using the koto no ha on himself grants trash dad access to Izanami/Izanagi level powers, which I think is a temporary powerup that will end with Izanami taking him back to Yomi, because of how he can "feel her breath" on his neck. He plans to then escape again, and possess another body.
This new power is an ass pull as fast-moon put it, but it's also not the first of its kind in Noragami. Think back to Yukine getting cut in half and becoming a hafuri, Amaterasu appearing out of nowhere to give Hiyori the hint that saved Yato's life in Yomi, and how the main characters were saved from the covenant which provided the entire basis for the current arc (due to unresolved tensions between them and the rest of heaven). Basically, in Noragami these things happen with good reason and/or hugely impact the rest of the story, so I think it's best to wait and see how this trash dad development plays out before making judgments on how it affects the writing quality.
There's an old Noragami theory that Father is Izanagi, or stole his power, and it's been mostly dismissed in recent years (but there's an echodrops post about it here if you're interested in the points it made) and even more so since we got snippets of his backstory, but I think it's worth bringing back up now. Izanagi has been suspiciously absent from the manga, and I'm not sure he's even been mentioned, so I wonder if the koto no ha ties into that somehow. Honestly if Izanami killed him in this version of the story and used his power to make the koto no ha, good for her.
Anyway, trash dad reveals he's not just some human who came back from the dead. He can use these powers of creation; it's unclear whether he's used them before, but Yato has never seen him do so--Mizuchi seems to know what he's doing, but it's also unclear whether she's seen it either. I said years ago I don't think it was easy as him just returning from the dead and being granted godlike powers, but I haven't been insistent on it so much because I did a reread of the official translation two years ago and that version heavily implies the only thing trash dad did to get his powers was come back from the dead. I wonder how they'll reconcile that when this volume gets translated (please hold for another 2 years, lmfao).
Is this Izanagi's power, or Izanami's? Did he steal Izanagi's powers next after he paid Izanami a visit? Did he know what using the koto no ha on himself would do? Was it an educated guess based on Izanami's power? Is it still possible he could be a reincarnated Izanagi that believed himself to be human? I don't know if I'd like that last one, but these are the questions I hope to have answered.
Taking a brief detour to discuss that Kiun and Mayu have joined forces to look for their gods, and Ookuninushi is alive but has with him three freshly reincarnated gods--Yatagarasu, Kagutsuchi, and Shinatsuhiko. I'm shocked he lived and they died, but it may lead to an interesting change in heaven where he has to reconcile how they threw away their shinki lives even after they were explicitly told not to use them. The way heaven (and most gods) treat their shinki as not people but disposable tools has been a long-running theme of this manga, and it's been clear larger-scale changes need to be made.
So back to the main event, trash dad creates a biblical sort of flood, but one that brings images of the past. Alongside the tree where a young Yato named Sakura, we also see a cottage and a multi-level house. The cottage may be where Yato and Hiiro were raised, or it might be the one from the Father flashbacks: Check them out side by side:
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(103-2; page 1 [Father and Kaya village]; 104, page 21; 45, page 33 [Yato, Hiiro, Father cottage] if you want to check for yourself)
Next, there's that multi-story building, which could be the place where Yato made his first kills, or Hiyori's grandmother's house. There isn't much visible, so it's hard to tell, but here's another side by side:
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(46, page 9 [where Yato made his first kills]; 104, page 21; 85, page 42 [Hiyori's grandmother's house])
If this enchanted world functions similarly to Hiyori viewing Yato's past while he's asleep, Hiyori will get to experience trash dad's past as it really happened. I've mentioned before it bothers me how the gravekeeper has been narrating the events even though he wasn't present for any of them, so it's entirely likely Father manipulated the facts of his history, or they naturally changed over the course of a thousand years.
I also think Hiyori could find out trash dad's weak point, his true name, if/when she witnesses his past. She could then become his lifeline and decide to let the secret die with her. Or he could possess her, but I'm being optimistic.
The tree she sees is the tree where Yato named Sakura, but it could also have some significance to Father and Kaya; if the cottage where he raised Yato and Hiiro was in the same general location as that village, he could have some memories there.
So if we get Hiyori and Sakura interaction I will cry. If we get Hiyori and Kaya interaction I will also cry.
Next few chapters I'm really excited to see where this enchanted lake dimension thing goes. Yukine could also be caught up in it, depending on how far it has spread, and it'll be interesting to see how Amaterasu reacts to it too.
I don't normally say this, but reblogs are appreciated. This post required a lot of skimming older chapters to tie my thoughts together, and my original draft got half erased when I was just finishing it up so I had to rewrite a lot of it. Plus it seems like everyone was pretty confused by the events of this chapter, so a reblog would help to spread it around and hopefully shed some light on the events. Thanks!
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recurring-polynya · 16 days
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*raises hand slowly* major fan, love your work! I actually only recently discovered your Bleach works in the last few years and I think I've reread all of them at least 3 times. But after reading your "The Greatest Family in Soul Society" series, I've been wanting to ask: How do you think they reacted/handled the aftermath of events in the Bleach Special One-Shot? Specifically Ichika, who possibly for the first time witnessed one of her parents in legitimate danger?
But anyway, CONGRATS ON 1 MIL!!! YOU DESERVE IT! :)
Thank you very much!! 💕
So for starters, if the Hell Arc every actually becomes a thing, I strongly suspect that this will be get addressed on-screen. Kubo clearly intended both Ichika and Kazui to have prominent (although probably not protagonist-level) roles. If this happens, Rukia and Renji will probably either handle this in some terrible way that causes Ichika to feel like she has to go against them and redeem herself or they'll get, like, trapped in Hell or something and she and Kazui will have to go rescue them. It is incredibly rare to see good relationships between parents and their children portrayed in fiction, and my expectations are on the floor for this one.
I talked to my husband about this for a long time this morning because I couldn't think of a single example of a good parent-child relationship in media where both characters have roughly equal narrative weight, and he couldn't either. Usually, the choices are a) parents dead or out of the picture, b) parents are awful and selfish and learn the error of their ways, or b2) generational trauma, which is the same, but parents bad behavior is excused because their parents did it to them. There is also c) stoic parent with lifelong duty raises stoic child to fulfill the same duty, which is the best of the lot, but it's still not great. It's also not really Renruki's style, especially because they've got Byakuya right there as an example of what being raised like this does to a person. 
Maybe Kubo will come up with something interesting, though! I would love to see it if he did!
With all that out of the way, I'll lay out how I think it should go, or how it would go if I were writing it, I guess.
For starters, we are still in a shounen anime. Bleach plays the "young person witnesses an act of violence and is saved" card constantly. As anime goes, I think Bleach actually does a fairly decent job of acknowledging the trauma that goes along with this, but it's also usually deployed as a thing that spurs the "witness" character to want to get stronger. Furthermore, the witness character usually has no sort of support system and receives no comfort after the fact--Kensei saves child-Shuuhei and then calls him a wuss before peacing-out. I doubt Shin'ou had any sort of trauma support group for Renji, Momo, Izuru and Shuuhei after their disaster fieldtrip --in all likelihood, the attitude was more like "wow, you got to see Captain Aizen in action, how lucky for you!" Even in the aftermath of the scene where Renji rescues Jinta and Ururu, Jinta is shown sitting by himself rather than seeking comfort from either of his "parents" (who, granted, are focused on healing Ururu).  That one has an added bonus ofJinta-has-always-treated-Renji-extremely-disrespectfully and then Renji saves him and gets gored pretty gruesomely.
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In contrast, Rukia and Renji have both been on the "witnessed the trauma" side of this before, and never had adult figures in their life to help them process anything. They lost and buried three friends before they even went to shinigami school. I think they know how much that sucked and how much damage it did to them psychologically and would be pretty sensitive to what Ichika is feeling. It's actually kind of funny because if they hadn't gone through a lot of trauma together, they might just be stoic about it and think that maybe their own kid should just suck it up, but they were definitely able to see how much it affected the other one. Like, part of the reason they even had a kid was to try to make up for the shitty childhood the other one had to go through.
Rukia and Renji probably run a pretty weird household because on one hand, they spent their own childhood taking care of themselves and making their own decisions and living with the consequences. They did a lot of actual crime, like a lot. Trying to tell their kid what to do would feel like a weird overreach to them. On the other hand, they're soldiers, so they are used a formal discipline system where sometimes you get punished because that's how you learn and make up for your mistakes. Overall, though, I think they respect Ichika as a person they are trying to guide to adulthood, much the way you guide a green recruit into becoming a strong officer. Yeah, she shouldn't have snuck along on a mission for lieutenants, and now she knows why. They're probably still going to yell at her and make her sweep the yard or something, but that's she's their kid, and they know that waiving the punishment would make her feel even worse.
Also, while this may be the first time Ichika has witnessed her dad getting stabbed (and it may not be), it's not like this idea is new to her. I'm sure Rukia and Renji have come home with injuries before, or not come home, and she had to go visit them at the Coordinated Relief Station, or possibly had even go stay with Uncle B for a while. (Uncle B, whose own father actually did die in the line of duty and I've read at least one fanfiction where he was there). A thing I like about Rukia and Renji as characters is that they respect each other's decisions about what danger they are willing to walk into. If they err, it's generally on the side of not stopping each other enough, and I think that is both very stupid and very charming of them. It speaks to the overinflated confidence they have in each other, and also I am tired to death of overprotectiveness being spun as romantic, when 90% of the time it's just patronizing or selfish.
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I guess to sum up, I'd say I would like to see Ichika come out of this with more respect for the gravity of her parents' job (vs. the 'dad and Ikkaku went to have fun without me no faaaaaiiirrr' attitude she started the one-shot with). It is interesting that she was able to see the Hell-guys when the lieutenants weren't able to. I hope that isn't something that just gets dismissed (and if nothing else, I think this is a case where Kyouraku as Head-Captain would be like "no I want to hear this" where Yamamoto would have been like "I don't listen to children!") I would prefer to see her get included in the action intentionally, where she's nervous about it, but trying to put up a front of bravado (both because she doesn't want anyone to know how much it scared her seeing her dad get stabbed trying to protect her and also because this is peak Young-Rukia-and-Renji behavior). Seeing what her parents are like on the job, realizing they're both extremely cool but also huge doofuses, and slowly gaining real confidence in herself because they show confidence in her would be a pretty refreshing story, imo.
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difeisheng · 1 year
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okay I'll bite: what is dmbj and why should I watch it?
OH!!! OKAY. An opportunity to ramble, thank you very much :D
(Disclaimer: I myself am a newcomer and have quite literally only been into DMBJ for just under a month. There are lots of things I do not know yet, and I'm nowhere close to taking in all of canon. That being said:)
DMBJ or Dào Mù Bǐ Jì (called either The Lost Tomb or The Grave Robbers' Chronicles in English) is a franchise based on a book series of the same name by Nan Pai San Shu (real name Xu Lei). It's a sprawling universe with lots of side stories and characters, but the main narrative follows Wu Xie, who's the youngest member and heir of an established tomb-raiding family. Different parts of DMBJ follow him at different points of his life as he explores ancient archaeological sites with his friends and allies (main ones being Zhang Qiling and Wang Pangzi), and attempts to solve mysteries using clues left behind by the generation(s) of tomb raiders who came before.
The books have been adapted into many TV shows and spinoff movies. Each one follows a different part of the story, and they're not adapted in chronological order (creators pick and choose what they want to cover basically and the details of the overarching narrative aren't always consistent between adaptations). It can get confusing. Each adaptation also usually has a completely different slate of actors, even though the characters are the same. There are some actors who show up in more than one adaptation, either reprising a role or playing a different character each time, but for the most part people are switched in and out.
Now, some of why you should start on DMBJ (imo):
The RELATIONSHIPS and character development. The dynamics between everyone, regardless of the nature of them, are just great. Keep in mind the books are not BL but there are a couple consistent pairings that show up in this fandom (see: Pingxie and Heihua) and there are VERY GOOD REASONS for that. Overall it's so satisfying to watch bonds form between characters in general though, and how those bonds change depending on how long they've known each other and what the tone of that adaptation calls for. Even if other aspects of the shows can be handled less well, the emotional beats hit.
Action and plot! There are definitely slower portions and questionable pacing in (some of) the adaptations, but it's a fun, adventure-based narrative that reveals clues well. There's exploration of creepy places, running from supernatural entities, and actual proper human fight sequences, all wrapped up in uncovering mysteries. I mean, it's centred around tomb-raiding, what do you expect, and these shows certainly deliver although you're going to have to suspend your disbelief sometimes.
Shifts in tone and casting. Granted, some people might prefer to stick with a consistent cast and mood throughout the franchise, or just care to stick with a particular actor, but in my opinion this is a really smart technique because it keeps the whole thing fresh. You can compare different shows and see how various actors adapt/play a character, and with the tone changing sometimes between adaptations it means there can be something for everyone. For example, something like Ultimate Note (2020) is more light-hearted than Sha Hai/Tomb of the Sea (2018), which is a darker and more serious show among the adaptations. Choose what you like!
As for actually selecting a point to start watching DMBJ and get into the characters, it can seem overwhelming and understandably so. You're not obligated to start at the chronological beginning of the franchise, either. I picked up on Ultimate Note, then watched Sha Hai, and now I'm on Reunion: The Sound of the Providence (or The Lost Tomb Reboot) and I was able to jump into the plot and follow along pretty well.
If you want some help here, foxofninetales has this excellent guide to help you choose a place in the franchise to get going, depending on your preferences (I used this when trying to start DMBJ myself). There's also this character guide on Ao3 to help you visually understand who is who across adaptations, and another which goes into more detail on each character, although watch out for some spoilers.
Hope this is convincing enough and/or helpful for a basic rundown on DMBJ and why I like it!
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ya-boy-polaris · 2 months
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Demon!Emmet being summoned by character of your choice (COYC) and is instantly attracted by their scent. He wants to instantly claim and dick down COYC. He wants to bite mark, piss mark, anything he could feasibly do to show his claim of COYC. He'll even create a cum plug just to keep all of his spunk inside COYC. Could you write something like that?
anon I know who you are and I'm biting you but because I'm horny I'm doing this.
Emmet is a notable demon in the world of magic. He and his twin brother, Ingo, are known as the twin dukes of hell. Former humans turned demons who usurped the royal hierarchy and granted themselves the title of nobility due to their immense powers.
Summoning demons is challenging work, typically done with immense malice and hatred; in pursuit of eliminating or cursing a subject. Typically, the stronger you are, the stronger demon you can summon.
So Emmet finds himself summoned into the human realm; his senses excited and eager to hunt. When he arrives, he finds himself towering over a human witch. The human witch's eyes are blown wide open as they realize what they've done. "A demon?" they tilt their head curiously. "Oops. You're not supposed to be here." They started to consult the floating tome beside them while Emmet boringly stares at them until he takes a deep breathe, taking note of the way the human smelled.
"Little human," Emmet calls out, stepping out of the cauldron and onto the floor. "Don't you know how these summon contracts go? You summon me, I give you something in exchange. Looks like you made a mistake but I can't leave until I give you something..." Emmet saunters forward, using his finger to make the witch's head tilt upwards at him.
Emmet is quick to corner him against the wall, "W-what are you doing?!" The witch stammers before Emmet grinds his thigh against their crotch. He gasps, and in that moment, Emmet is quick, using his claw to slash away the human's clothes. "You smell so good..." Emmet growls as he breathes in the human's scent, before biting at their shoulder. Honey cries out a moan, his smaller form clutching at the demon's. "You taste as sweet as you look, human..." he chuckles as his tail wraps around the human.
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A whirlwind of events happen next, Emmet kisses the human witch, sealing a forced contract with them. The environment fades into his personal home, in the demon world. A lavish, pristine white bedroom that feels too ethereal for a demon to sleep in.
The human finds himself unable to break free from the demon's strength, letting out whimpers as Emmet traces his tongue on their neck, giving licks until he starts sucking. "Mine," he says playfully as he raises one of the human's legs, his clothes melting away like oil on water as his inhumane cock is revealed. The cock is unlike any penis the human had ever seen before, larger than the average human by a substantial amount, starting off pale as white as the rest of the demon's body before it shades to a black, pointed tip, adorned with ridges for extra stimulation. "I-I'm not ready-" the human cries as Emmet summons a bottle of lube, stroking his dick, lining it up and thrusting inside. The human lets out an unrestrained moan, their body weight sinking into the bed as Emmet fucks them brutally. "I, I can't-" the human cries as his perfect pussy walls clench the demon's thick cock. "Cumming already?" Emmet says with an amused tone, "You were made for me. Such a pretty play thing. All mine," he says, snapping his hips hard. Grabbing his other leg, Emmet folds the human in half as he bucks his hips into him, going back to suck the human's neck. The human clutches his hands on Emmet's head but can't pry him off as the demon makes his mark, sinking his teeth into their neck. Emmet was using the human as a flesh light, the only thing on his mind was to chase his own orgasm, but his eyes widen and his cheshire grin gets even more twisted when he feels the human cum around his cock. The human's eyes widen for a brief moment, weakly staring at Emmet before he breaks, sobbing and moaning, "I, I can't take it a-anymore. P-please, I'm a good boy-"
Emmet goes in for a sloppy kiss, the human no longer resisting as the pleasure overwhelms them. "Such a good boy," Emmet says as he watches the human's pleasure filled face eyes roll back. All his, his to fuck, his to claim, his to make this human his pretty new toy. "All mine, you're mine!" He says loudly as he picks up the pace, going harder than his previous precedent before slamming his penis deep inside, as far as he could go. The human was nice and filled...
He relents in letting go of the human's legs, who lays there with their arm covering their eyes, taking deep greedy breaths. He smiles to himself as he watches his cum ooze out of the human's pussy, pressing his thumb inside to try and force it back in. Sex had never been so perfectly ruined before, no other cock could compare. The witch weakly looks at Emmet when he feels something enter inside. A cum plug. He lifts his head to look at Emmet wearily. "There!" the demon says with glee. "Now you'll have something to remember me by."
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