first proper comic i've ever made! this is for my fic rainspeak; treat it as a bit of a "deleted scene" that takes places right after chapter 13

i never wrote anything from reigen's pov during the last few chapters bc 1) i wanted to focus on the kids, and 2) i'm not totally confident in my ability to write something compelling from that pov w those circumstances. so here's a comic instead <3

Bad time of it, all things considered (Patreon)

okay..... i think i got it outta my system

So do you have fics with Minnie and Rick or am I gonna have to scour your Twitter Thread for Minnie Rick text lore

Sorry yeah thats probably the best place to get info..... ive never really even written for Minnie/Rick except a few blurbs in a google doc like a year ago. Idk if im confidant enough in my writing skills to try and write a concise story or anything. My brain sort of only sees their lives in scenes and situations, so if i ever did write for them they'd be drabbles and oneshots anyway.

If you're looking for info though there are a few links i can share here <3

timeline for rick and minnie's lives with basic info (this is VERY old so some stuff isn't accurate anymore but theres still bones of the timeline)

general info on the central finite curve and how it affected minnie and rick

minnie and her relationship with motherhood (AUTHOR'S NOTE: i've actually retconned that minnie's second pregnancy was a donor, now its canon that that baby was rick's child)

this is a doodle dump but theres info on minnie and diane's relationship under the read more

here's some info about minnie's biology as a shapeshifter (under the readmore in this comic) . SHE LAYS EGGS

keep an eye out on my blog though, ur not the first person to reach out with trouble getting this info, so i may take the time sometime in the future to compile a more up to date timeline or at least a page of links!

i need friends /gen (slight rant in tags)

taking a moment to add my two cents i think

To get good at telling stories... writing stories... one must... practice by writing stories ;-;

hes so…… *gesturing* …………i dont know, easy to manipulate? *like an exhausted mother* what on earth am i going to do with you

I'm hesitant to outright promise anything, but I'm hoping to get to my owed replies sometime soon? At least the ones I owe for Ghost, anyway.

I'm also open to plot new threads for either Ghost or Rouxls! Admittedly, I'm not sure how much time I'll have to sit down and Discuss things this week, mind you, but I'm willing to give it a shot! Finishing my currently owed replies will have to take priority over writing any new starters or replies for new threads, though, since I've owed them for a frankly ridiculous amount of time and I feel really bad for putting them off for so long, but plotting and planning stuff is good!

i talk mad shit about ff.net but i DO get a lot more traffic on my naruto fanfics there.

After School Ghost Theory 101 with Professor Fenton

Switch to light mode or Classic Blue to get the full transparency effect!

[Image ID: A four page comic that starts with Danny Fenton standing in front of a whiteboard holding up a white cat. "Question: Do ghosts purr?” 

Tucker: “Danny when was the last time you slept?” Danny: “Irrelevant.” 

Danny info-dumps: “The answer is yes, but also no. Technically, all beings that possess a core are constantly "purring", a.k.a. Core Vibrations. Core Vibrations are a nonverbal, emotion-based communication system between Ghosts, similar to how some living species use pheromones to communicate. The exact tone of each ghost is different the same way people's voices are different. Humans can only hear these vibrations when the frequency passes through their audible range (20Hz - 20KHz), hence the 'purring' sound. When the range dips into infrasound (16 - 20Hz) it can cause feelings of fear and unease in humans that they often associate with ghosts and the supernatural. Also known as the ‘Heebie Jeebies.’”

Danny, wiping off the whiteboard: “Any questions before we move on?"

Danny’s audience consists of Wes Weston, Tucker Foley, Sam Manson, Danny’s clone Ellie, and Dash Baxter in a classroom. Wes is seated at a desk at the front taking notes. Tucker is sitting on Sam’s lap playing on a Switch, Ellie is sitting on a desk behind them. Dash is asleep at the back of the room.

Ellie, now holding the cat: “Is this Vlad’s first cat!?” Wes: "Could you tone down the floating eyes before the next part? They're kinda distracting." Danny: "What eyes?" Wes: “Please stop gaslighting me.”

A transparency trick on the last page reveals dark shadows and eyes all around Danny when viewed in dark mode. /.End ID]

An Extended Image ID is available under the read more because it’s over 1k. Side by side light and dark mode versions of the transparency trick is also available under the cut.

[Extended Image ID: The post contains a four page comic. The first page shows two comic panels with white borders. The top panel features a bedraggled looking Danny Fenton from the waist up holding a disgruntled fluffy white cat. There are bags under his eyes, his hair is messy, his arms are covered in bandaids and cat scratches, and his nails are painted black. He’s wearing a white shirt with red sleeves and a red oval on the front. In a large green text bubble he says “Question: Do ghosts purr?” A small orange text bubble under it asks “Danny when was the last time you slept?” “Irrelevant” Danny replies. 

In the bottom panel Danny is standing on the far left side of the panel in front of a whiteboard in a classroom with the cat under his arm. He’s wearing baggy jeans with holes in the knees and his classic white and red Converse shoes. The whiteboard behind him has partially erased doodles around the edges including some flowers, stars, and Phantom’s DP symbol. There are a few balls of paper on the floor. Partially out of frame on the wall behind Danny is a poster of  Einstein and above it a clock. Pointing at the whiteboard with a marker Danny says “The answer: Yes but also no” His words are written on the whiteboard. Under the words is a drawing of a stick figure and a green bedsheet ghost with a circle between them. The circle is surrounded by green squiggly lines radiating out from it. Under the circle, an arrow is drawn pointing to it with the words ‘core vibrations’ written on the board. A green text bubble in the space under the whiteboard says “Technically, all beings that possess a core are constantly "purring", a.k.a. Core Vibrations.”

On the second page there are two blocks of text, each followed by a drawing. The page background is a pale, greenish-grey with subtle scuff marks imitating the look of a whiteboard. The first block of text at the top of the page reads “Core Vibrations are a nonverbal, emotion-based communication system between Ghosts, similar to how some living species use pheromones to communicate. The exact tone of each ghost is different the same way people's voices are different.” Under the text, imitating the look of dry erase marker, is a drawing of two simple ghosts smiling and waving to each other. They both have a small green circle drawn on their chest area with green squiggly lines radiating out from each ghost. Between the two cores, two parallel arrows are drawn, facing opposite directions. Under the arrows is the text “core to core communication.” 

Under the ghosts is a second block of text reading “Humans can only hear these vibrations when the frequency passes through their audible range (20Hz - 20KHz), hence the 'purring' sound. When the range dips into infrasound (16 - 20Hz) it can cause feelings of fear and unease in humans that they often associate with ghosts and the supernatural. Also known as the ‘Heebie Jeebies.’” Under the text a red arrow points from the words ‘heebie jeebies’ to a simple drawing of Dash Baxter holding a flashlight and looking scared. There is a cobweb with a dangling spider drawn to his right and a bunch of green blob ghosts behind him to his left. In blue text the blobs say “you forgot to update your mailing address with the IRS” and “you filed your taxes incorrectly.”

The third page once again shows two comic panels. In the top panel Danny takes up the centre. He’s stretched across the whiteboard in a dynamic pose erasing the drawing of frightened Dash with a big swipe. One hand is braced on the board as he looks over his shoulder and asks “Anyone got questions before we move on?” If the image is viewed in dark mode, there are five, messily drawn eyes of varying sizes surrounding Danny. If viewed in light mode, the eyes are absent. 

The bottom comic panel reveals Danny’s audience to be Wes Weston, Tucker Foley, Sam Manson, Danny’s clone Ellie, and Dash Baxter. In the bottom left corner, Wes sits slouched at a desk at the front of the classroom with papers and an open notebook spread out over his desk. He’s wearing a red zip up hoodie with white sleeves. His hoodie is unzipped showing a green shirt underneath that matches the colour of his eyes. At the desk beside him Tucker and Sam share a chair with their focus on Tucker’s Switch and not Danny’s presentation. Tucker is sitting in Sam’s lap with her arms around his waist and her head resting on his shoulder. Tucker is wearing a red beanie with short dreads, goldenrod yellow turtleneck sweater, green cargo pants, and white shoes. Sam is wearing a black crop top with a fishnet layer over top, purple pleated plaid skirt, artistically ripped purple leggings, and black combat boots with bright green laces. Tucker has the tips of his dread dyed green and purple. Sam has streaks of purple, green, and orange in her hair. Ellie is sitting cross legged on top of a desk two rows behind Sam and Tucker. She’s wearing a cropped hoodie with the same colours as Danny’s shirt and black track pants with white and red shoes. Her hair is tied in a high ponytail and she is holding the squirming fluffy white cat up in the air. At the very back of the classroom behind Wes’ left shoulder Dash can be seen asleep slouched over his desk. Wes has one hand resting on his desk holding a mechanical pencil the other partially raised with his hand open. In a beige text bubble with red text he replies to Danny’s question with an unimpressed look on his face “Could you tone down the floating eyes before the next part? They're kinda distracting.” Under his text bubble a small blue text bubble from Ellie asks “Is this Vlad’s first cat!?” If the image is viewed in dark mode, there are three visible floating eyes off to the side of the panel. If viewed in light mode, the eyes are absent. 

The final comic page is a single, full body shot of Danny standing in front of the blank whiteboard. He’s looking over his shoulder, slightly turned with his back mostly towards the classroom and the eraser in his hand. He has an incredulous look on his face. If the page is viewed in dark mode, the background looks dark and Danny is surrounded by dozens eyes of in all different sizes. If viewed in light mode, the eyes are absent. In a green text bubble Danny asks “What eyes?” In the bottom left corner Wes replies “Please stop gaslighting me.” /.End ID]

my blog recommendations are constantly rotating between miku furry and yuri blogs

Oh God oh fuck my Sunday school class is talking about marriage tomorrow

I've been wanting to do this post for a while now so here is EVERYTHING I CAN TELL YOU ABOUT THE GHOULS' IMPERA COSTUMES.

Buckle up because I have a LOT to say about those, this is gonna be a very long one.

The costumes were designed by B Åkerlund, a Swedish costume designer who's worked with Ghost since at least Meliora (that's as far back as I was willing to scroll on her Instagram page lol). B Åkerlund has also worked for many other musical artists such as Lady Gaga, Beyoncé, Madonna, the Rolling Stones, Ozzy Osborne, Blink 182 and Hollywood Undead (information from her own website)

The masks were made by Bob Basset, a visual artists who works a lot with leather. I find his work fascinating, you can look him up on Instagram (nsfw warning, there's a few naked ladies).

Fun fact! The horns are real cow horns. That's the reason some of them have gold tips, to hide the imperfections that come with working with actual horns.

He does have a shop where he sells his items, there's a mask there very similar to the Impera ones. You can also buy Papa's batwings if you happen to have 2500$ lying around!

The jackets are made on the same model as one of Papa's. The back is decorated with a spine-like design made from leather and cording. It's adorned with a few of our classic Impera buttons. Some of the hems were left raw and some deliberate weathering was done to make it look old and worn.

Fun fact! The shoulder pieces are not sewn into the garment, I would assume for easier cleaning. I don't know if they're held by strong magnets or snap buttons.

The vest (my beloved 😩) is made from flocked velvet in a paisley pattern, the front hems embellished with satin piping. It closes in the front with custom metal clasps that are riveted into the garment. The D parts are attached with what seems to me like wide elastic, which would lessen the pression on the clasps when moving around a lot. The back is made from two different types of fabric, I'd have to touch it to be able to tell you what they are. I assume the panels closer to the sides have some mild stretch to them. The top of the shoulders are decorated with Impera grucifix patches.

The shirts were not custom made for the ghouls, altho they were altered. The original shirt in the vintage painter linen shirt from Punk Rave and it is still being sold. Some of the cuffs were altered, removing the ruffles for some of the ghouls, but not all. They were removed for Dew, Mountain and Phantom, Aether's didn't have them either. As far as I can tell, all the ghoulettes still have them.

An unfinished piece of linen serves as an ascot, that piece is decorated with a metal devil skull. The colour of the skull doesn't appear to be consistent between each ghoul, Dew's looks gold almost bronze while Phantom's is a silver-like colour.

Another modification is the buttons, a small portion of them were removed in favor of our Impera buttons. Some of the ghouls have more buttons replaced than others, which is still a mystery to me.

The pants are called Jodhpurs, they were invented in the 1800s as horse riding pants. The wide part at the hips and thighs allowing for better movement. The ones the ghouls wear don't reach all the way to their ankles, they stop a bit past the calf muscle, hidden by the boots. (Yes, the ghouls are effectively wearing capri pants)

The boots are motorcycle riding boots, decorated by a grucifix. Like the shirt, they can still be bought online through the All American Boots website, altho the price tag is... Headache inducing to say the least.

The cape is a piece of costume that was only briefly worn on stage by the ghouls, Aurora being the only one who still wears one. I would assume it gets in the way of playing very easily. The cape itself is made of two fabrics, a light blue satin and a dark grey suede. The two pieces are not sewn together at the bottom, they move freely from each other. The cape is attached on the left shoulder with a harness piece that has one strap across the chest, decorated with a metal buckle, and one under the armpit.

Aight that's it for me, have a nice day byyyyye!!

Pairing: Miguel O’Hara x fem!reader

Warnings: 18+, NSFW, Perverted Reader, Mentions of Male Masturbation, Female Masturabtion, Pillow Humping, Sexual Fantasies/Dirty Thoughts

Summary: Is it a blessing or a curse that you and Miguel share a bedroom wall? 

A/N: Here you go WHORES (affectionate <3)

Word Count: 1.4K (Not Edited)

Pt.1 Pt.2

You can hear him. 

You’re not trying too, although you can’t say you’re typically upset about it. It’s just… the walls are paper thin and the layout of each apartment is basically copy and paste. Which means his bedroom is separated from yours by a singular wall, and- guessing by how clearly you can hear everything- both of your beds are pressed against that shared wall. You promise that you’re trying really, really hard to ignore it even though you did take off your sound canceling headphones. In your own defense, they were starting to irritate your ears from how long you were wearing them.

And it totally has no correlation with the fact that your next door neighbor is very clearly fucking his hand on the other side of your bedroom wall. 

At first, you had thought it was an auditory hallucination. Something your mind was making up after being deaf to the world and doing nothing but processing notes and videos and textbook pages. But then you heard it again and again and again. A faint, consistent wet noise followed by low breaths. You furrowed your brows, face gravitating to the wall until your ear was pressed against the cold plaster. Your hands had gripped at the pillow in your lap, hands tightening around it when Miguel’s muffled moan floated into your ear. 

You had scrambled back, readjusting your crossed sitting position so you could press your thighs together. It was embarrassing how a singular, muffled moan had you hot and bothered. But it isn’t a singular moan. No, it’s more. He just keeps going, hissing and grunting on the other side of the wall as the wet noises get faster. You don’t even realize that your ear is pressed back to the wall, brain too focused on your neighbor and the pulsing heat that is starting to burn between your thighs. 

It’s too damn hot. 

You have to strip yourself of your plaid pajama pants or else you’d die from the heat. Your panties are just so uncomfortable with your wet and sticky arousal that it only makes sense to get rid of them, too. This is okay, you chant in your head as you reposition your body, knees digging into the mattress as your forehead sinks into your pillow. Your ass is forced into the air, the pillow that was once on your lap now resting in between your legs. There isn’t anything wrong with this, you reassure yourself as your hands start to trail down your body. 

You’re pressed right against the wall and from your new spot against it, you can more clearly hear Miguel’s sounds of pleasure. You shove your head deeper into the pillow, biting down to muffle the small whine that escapes you when your fingertips brush over your clit. You have to be quiet. Not only because you don’t want him to know what you’re doing, but also because you don’t want to snuff out his muffled noises and eliminate the risk of him stopping. 

Your fingers flick at your bud, rubbing and pinching at it. You try to mimic the way Miguel had touched you in his kitchen. It doesn’t feel the same. Your fingers are too soft, too dainty. You try to press your hips into them, huffing against the pillow. It feels good, but it’s not enough. From the other side of the wall, Miguel hisses out a quiet curse and you close your eyes. 

You can see it so clearly in your head. Miguel laying back in his bed, pants pulled down right under his balls. His shirt lifted up slightly so he can get a good view of himself, exposing his stomach. His large, rough hands fondling his balls as the other tugs up and down his length. You bet he’s big, in both length and girth. You had been too dazed when he walked you out of his apartment to pay attention to his obvious hard on, and you whine into your pillow at your stupid brain. But he has to be big. A man that large must have the equipment to match. His cock a demanding thickness that stretches you out, tip effortlessly parting your pussy lips as he pokes at your entrance. You moan at the thought, fingers sliding down from your clit and through the wetness coating you. You bite down hard on the pillow as your fingers penetrate. 

Your walls are extremely warm, your two fingers pressing and scraping against them. You know two of your fingers would equal one of his, and you wonder how many of your fingers would equal his cock. Maybe four fingers? No, no that still feels too small despite knowing trying to shove four of your fingers into you would be uncomfortable. Maybe- oh god maybe- it would be closer to your entire fist. Your hips buck at the thought. He would absolutely destroy you. But you’d take it happily. Would beg him to rip you apart and ruin you. Your tight walls would hug him snuggly, and your body would shiver from each drag of his cock. You would be able to feel every vein and twitch of his raw cock. Your body would buzz as he spilled his seed into you, warming your stomach with it.

You wonder what he’s thinking about as he moans again. 

You hope it’s you. You hope he thinks dirty, deranged things about you. Hope he’s replaying the moment in the kitchen over and over in his head just like you have. Your mind wanders back to the image of him jerking off, to his hand wrapped around himself. Is he thinking about you as he touches himself? Is his hand white knuckled as he desperately tries to make it as tight as he’d imagine your pussy to be? Is he trying to finish to the thought of spilling into you? Or is he thinking about something else? Maybe, instead, he’s thinking about how your mouth would feel around him. Instead of thinking about your tight cunt, he’s thinking about how your throat would contract with a gag as he forced you to take it all the way to the base. Imagining how thin your lips would stretch around his thickness and the warmth of your mouth. You’ve never sucked someone off before and you hope your inexperience wouldn’t turn him off. 

Your dirty thoughts make you more horny and more frustrated. Your fingers aren’t doing it. They aren’t hitting that spot inside of you that stays untouched. A spot that you know Miguel would easily reach with his fingers or cock. Your hips drop as your fingers leave your entrance, both of your hands coming up to wrap around the pillow your face is shoved into. You groan when your sensitive clit rubs against the rough texture of your pillowcase, hips shifting and bucking until you find the right angle. Your clit drags against the pillow perfectly, a burning pleasure that you’ve only felt with Miguel starting to swell in your stomach. Your whines and whimpers are absorbed into the pillow as you start to move your hips faster, crying out from the delicious friction. 

Miguel’s own moans and hissing is becoming constant too. Dragged sounds that feed into your own approaching release. Your eyes are squeezed shut, imagining Miguel bucking into his hand desperately. His back is arched, mouth dropped open as he gets closer and closer to his climax. Your own is right at its peak, and your hips are a frantic mess as they try to get you to the finish line. From the other side, Miguel lets out a guttural sound, long and dragged out. He must have finished. You whine out, your own release triggering. Your body stiffens as you finish, heaving as you pant. 

You lift your face from the pillow, the spot you had bitten down on dark with saliva. Your cheeks flush as you remove the pillow from between your legs, dark streaks of arousal staining it. You throw it on the floor, promising yourself you’ll take care of it later as you roll onto your back. Your chest is still heaving, and your arm is slightly tired from fingering yourself. You throw one of your arms over your eyes, sighing out as you think back on what you just did. You’re in the middle of scolding yourself when one last noise on the other side of the wall makes you freeze up. You get up quickly, pressing up against the wall to hear clearly. You pray he does it again, just to reassure yourself that you’re not going crazy. 

Because- and you swear with everything in you- Miguel O’Hara moaned out your name.

Part 4

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This is the public statement from @alepresser and myself which went up at Webtoons tonight.

Now for some ranting. Just from me, not from Ale—she's innocent of the art crimes I've committed in the past, and boy howdy have I committed art crimes.

This is the first page of my first webcomic, A Girl and Her Fed. I started this thing back in 2006. (I don't actually need a head count of those reading this who weren't yet born in 2006. I'm sure you're delightful and I wish you well in college.)

And this is the last page I drew in early 2020 before I turned art duties over to Dr. Beer. It's better, right?

Well, these days, A Girl and Her Fed has pages like this:

I drew this comic for fourteen fucking years because it's a story I wanted to tell, and I thought webcomics were the perfect format for it. I didn't know how to draw. I got better through sheer obstinate perseverance and sticking to deadlines as best I could for, again, fourteen fucking years. I sought out a replacement artist when I ran into time constraints and couldn't do art plus writing anymore; I'm a much better writer than an artist, so I had no problems whatsoever kicking art to the curb.

The first time Ale sent me art that would go up on the website—art I hadn't needed to draw myself—I literally cried in relief because I had been grinding myself down for, yet again, fourteen fucking years.

So when I read comments from people who say they want to make a webcomic but can't draw themselves and therefore need to resort to AI, that little line between my eyes gets dangerously deep.

This isn't like I'm some old dude who's bitching over student loans getting cancelled after making regular payments. This is me, someone who threw raw art onto the internet like a monkey hurling fresh poo, because I wanted to make a webcomic and the art is part of the process of storytelling via webcomics! I could've (arguably should've) hired an artist right out of the gate, and that would've been part of the process of making comics, too: a partnership between an artist and a writer is also something which grows and develops over time.

For example, after Dr. Beer and I spent two years working on AGAHF, we decided we enjoyed our partnership so much that we set out to make another webcomic! It's great! It's got wonderful art and consistent storytelling! You should read it!

But turning art duties over to unaltered images generated by AI because you want to make a webcomic but "just can't draw" is, frankly, a bullshit excuse. I'm not talking about persons who are physically unable to draw due to disability—I'm talking about people who say they want to make webcomics but simply don't wanna do the art part.

Friends, if you don't want to show your entire ass in front of God and country, you don't actually want to make a webcomic.

Do the thing yourself.

If you're scared, don't be. Take the plunge. Set a goal of twenty strips and do the thing yourself. If you can already draw but can't write? Great! Write twenty strips, write forty panels, etc. You might surprise yourself. If you can write but can't draw? Great! Draw twenty panels and see what happens.

Whatever comes out of it, it's a thing you've done yourself. It's something new you've given to the world, no matter how big or small. Be proud of that. And if you need to partner with someone else to make your comic dreams work? You can do that, too! It's still a thing you've done yourself, and many projects are stronger when done together.

...but maaaaaaaaaybe hire that partner before you've busted your own ass for fourteen fucking years. That one's on me.