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#also this will be the first time i've been on my own...
tasteracha · 1 day
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the cat that got the cream.
a/n: well. i did it. also, i can't believe this is the first time i've written a daddy kink???? that's crazy. anyways. warnings: reader has a pussy, daddy!kink, minho calls reader kitten. SMUT - MINORS DNI. <1k.
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you knew minho was working; he had told you he would be occupied for the rest of the night with an apology and a kiss to your forehead, but you were horny and he has never denied you before. you pad into the bedroom, the only thing keeping you from being completely naked is his white button up shirt that you had been wearing all day.
“daddy,” you tug at the bottom of the shirt, rolling the material between your fingers.
“daddy’s busy, kitten,” he looks away from his computer screen for a moment and your face is reflected in his glasses. you look a little pitiful, your bottom lip tugged between your teeth as you give him your widest-eyed stare.
“i don’t want to disturb you, i just…” you trail off, taking a step closer to him. “need you.” 
“you can play with yourself for a bit, can’t you?” he asks, taking one of your hands in his and dragging his thumb against your skin. he returns his attention to the screen and lets go of your hand, and your body sways towards him with the lack of touch. 
“i tried,” you pout, but it goes unnoticed by him. “can’t do it without you.” 
“fuck,” he sucks in air through his teeth, glancing between you and his computer a few times. “alright, come here.” 
he stands and your entire body sings, ready for him to drag you to bed and have his way for you, but you’re stopped short when he takes his pants off and settles back into his desk chair. he pulls you by the arm and settles you into his lap, both of your legs straddling his thigh with his arms around you. 
no, not around you. reaching past you so that he could keep typing away at his computer. 
“what?” you turn your head towards his, leaning in to whisper your lips against his, but he pulls back. 
“i said i was busy,” he tuts, pushing your head back gently until your chin was tucked away against his neck. “get yourself off, kitten. i need to get my work done.”
you flush so hard you feel lightheaded - he wants you to get yourself off on his thigh while he works? you should feel offended but instead a rush of thrill sparks up your spine and your hips move on their own accord. your bare pussy slides against his thigh, the wetness from you collecting with every twitch of your body, and it feels good. 
the sound of your breathing pairs with the clacking of his fingers against the keyboard. you push past the embarrassment of him letting you use his body like this as he ignores you completely, as if you were truly one of his cats begging for his attention. you lean into it fully, bracing your hands against his chest as you roll your hips back and forth, back and forth, gasping when your clit brushes directly against his skin. 
“fuck, daddy,” you moan out to deaf ears, unable to keep the words from spilling out of your mouth. “feels so- so good.” 
you’re not close yet, but the feeling is so good that it doesn’t matter whether you come or not. you drift into the pleasure, your body moving on its own as you bury your head in the juncture between his neck and his shoulder. you don’t realize how long you’ve been going at it until you start sweating, your muscles settling into soreness as you start to slow down. 
you also don’t notice that the sound of typing has stopped, but you feel the hands that grip at your waist as if they were molten hot, the pads of minho’s fingers searing into you like a brand. he tugs at you sharply, your pussy digging into his thigh in a way that makes your entire body jerk. he pulls you back and jerks you forward again, riding you against his thigh like you were a toy. 
“that’s it,” he whispers into your ear, keeping his pase fast and brutal. “you’re doing so good for me kitten.”
the praise filters through your head even though you truly weren’t doing anything, and as you come your vision whites out and the noise in your ears turns gray and staticky. when you come back to yourself you’re still on his lap, nestled into his body perfectly. 
“thank you, min,” you mumble, nuzzling him with your head and closing your tired eyes. 
“of course, kitten,” are the last words you hear, drifting off with a satisfied smile on your face, looking like a cat that just got the sweetest cream.
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ladymiria · 2 days
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I also want to give my opinion on Chapter 424 because it's really... HUGE. As I've been saying for years, Mha is a story of two: the story of Deku and Kacchan, or rather, Izuku and Kacchan, since Bakugo hasn't used that nickname anymore since his apology.
First of all, Chapter 424 makes it clear to us once and for all that Kacchan cares about Izuku, but it goes much further than that. Kacchan cares much more about Izuku's fate than the fact that he may have lost the use of his dominant arm forever. The fact that he shows that he cares more about Izuku than himself is related to and clarifies the scenes that come after.
Showing vulnerability:
Izuku says "this isn't like you," surprised by his tears, but it's not new! It's already happened several times, especially in Deku vs Kacchan 2, and there was a lot of desperate crying and vulnerability. The huge difference is that back then, Kacchan was talking about himself. His quotes to All Might and Deku were all centered on himself and his own perceived failure. His frustration was entirely personal and Kacchan-centric. Now, his despair is entirely projected onto the injustice suffered by another, and when he turns back to himself, it's always in relation to the other person.
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His panic is about their entire future together - and I don't think it's a coincidence that he turns away right as he says these words. He's not embarrassed by the crying, but by the intimacy of the speech. In the distant past, they were friends, but with the new Izuku, he's built a relationship that is almost (almost) healthy, based on competition. It's no wonder that, having to give that up, he fears that he won't have any other kind of relationship with Izuku. It's not just a matter of desire; it's the unknown, the difficulty of relationships, and the fact that Kacchan DOESN'T know how Izuku feels. It's certainly not just Kacchan who has been solely focused on competition since the U.A. arrived on the scene.
He will probably overcome this fear soon. After all… in the end, they laugh and cry together. And their attitude is open and relaxed. They are facing each other without any challenging attitude. We've never really seen them like this before. And it is All Might himself who tells him: their relationship has changed, they have changed.
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vomitdollzz · 2 days
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Remember Our College Days
Pairing: college female reader x college art donaldson
Warnings: very little plot, cavity inducing fluff, p in v smut
Reminder: Do not plagiarize my work!
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How was it that you got here again? You nearing the end of college with your bestfriend since highschool, Art Donaldson. You two have been getting closer and closer durning your shared time together, the “coincidence” of sharing a dorm only speeding things up. So there you were, sitting on your dorm floor with Art. Reminiscing on the fond memories you two shared. “Oh gosh, It isn’t my fault you fell into the pool! It was totally Tashi’s..” You say teasingly as you playfully nudging Art’s bicep. “Don’t give me that bullshit you totally pushed me in!” He replies back with haste as he grins stupidly ear to ear. “And i’d do it again. It was worth it seeing you flop around like a wet dog’s first time swimming!” You say laughing loudly to your own joke as you notice the way Art’s face slightly blushes as he moves slightly closer to you. “You know… I am going to miss these talks with you.” Art says seriously as he looks up to you with puppy dog eyes. 
You move to lean against his shoulder as your hand travels to play with his curls. “I will too Art.. guess we just have to make the most with the time we have left.” You say, slightly hinting towards something hoping that Art will pick up on it. Were you two dating? No, but that didnt stop you from having a massive crush on him. “And what would that entail?” He asks curiously as his hand snakes around your waist pulling you impossibly closer to him. Unbeknownst to you, Art knew very what you were implying. He just liked the way your face turned bright red and you stutter over your words when he says things like that. He’s known that you’ve liked him and he’s liked you too, it just seemed like the time was never right to tell you. Now however, was the perfect time.
“Well.. I- I really dont know..” You say nervously while fiddling with the hem of your shirt. Art moves his face towards yours as he looks up at you. “Y/N.. you can tell me the truth, you know I like you too I mean how obvious can I make it.” Art says reassuringly but not stoping himself from teasing you. Your eyes widen in shock as you slightly recoil backwards hitting your head on the bed frame while doing so. “Ow shit! Art are you serious! Now you tell me after all this time!” You say while muttering small profanities to yourself. Moving his hand to cup your head to help ease the pain, Art sits in front of you on his knees. “Hey you can yell at me all you want later.. Just be careful ok? Can’t have you being so clumsy all the time.” He says jokingly while also being slightly concerned towards wether or not you were okay. "Are you joking? About liking me?" You ask slightly not believing what he says. "Of course I like you, why wouldn't I?" Art says while rubbing your head gently, feeling slight remorse for not confessing his feelings earlier.
You look into his eyes as he leans in closer to you. His hand now traveling from your head towards your jaw as he cups your head. "Can I... kiss you?" Art asks almost nervously. Your heart is beating quickly and you're sure your face is beet red. "You don't know how long I've been waiting for you to ask me that." You say, thanking god that this wasn't all some sick joke. Art kisses you gently at first, slightly whimpering as he tastes your cherry chapstick on his tongue. But he can't help himself from being more aggressive with it. Moving your body with his hands so that you're sitting on his lap as he fiddles with the strap of your tank top. "You taste so good.." Art mumbles against your mouth while he licks a thick stripe against your tongue. A loud moan erupts from your mouth as you make quick work with unbuttoning his shirt. Your hands are quick to rub against his chest as he moans at the newfound sense of contact.
"Do you- fuck- do you have a condom?" Art asks almost hurriedly as he pulls your tank top off in one quick motion. You are quick to get up and get a condom out from you bedside table. Art watches you intently the whole time focusing his eyes on your curves and the way you fumble around clumsily. You unwrap the condom as Art quickly removes his shorts, his boxers the only thing stoping you from finally fulfilling your fantasies. You watch as he struggles to get his boxers off, whimpering slightly at the friction he gets from removing them. You straddle him before spitting on his dick and stroking it gently to prepare him. "Fuck y/n your making me feel so good already. I cant believe this is actually happening." Art moans out loudly as he whimpers at the slight touch you're giving him. 
You finally manage to put the condom on and slowly begin to sink your body down on him. Loud moans come out of your mouth as you struggle to catch your breath. Art's eyes watch the way your cunt stretches against his thick member, he feels himself already getting close to his orgasm as you bounce up and down slowly. "Holy fuck.. I'm not gonna last long if you keep doing that." Art says moaning as he watches the way your face contorts at the new feeling and the way your cunt squeezes around his dick when he makes eye contact with you. His hands travel onto your hips helping to maneuver you up and down faster. "Art im gonna fucking cum if you keep going that fast.. slow down!" But Art can't help it, he's too focused on the pleasure as he ruts his hips into you making you feel impossibly closer to your orgasm. Your whole body is burning hot and your eyes swell up with tears as you feel yourself cumming against his cock. Art is quick to follow, loud moans erupting with a warm sensation filling your cunt. You slow down your motions as you try to catch your breath. With Art still filling you, you feel his dick twitch inside. You lay your head down on his chest as you adjust yourself slightly, earning yourself one last whimper from Art as he tries his best to calm down. "We still have two more weeks you know... I think we can do a lot more than this." Art says teasingly as he rubs circles on your back lovingly. You laugh slightly as you reply, "I'd like that a lot." 
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coochiequeens · 3 days
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Good news for my same sex attracted sisters.
Lesbian dating app to use facial recognition to exclude trans women from matching with biological females
By SANCHEZ MANNING and SUE REID
PUBLISHED: 19:03 EDT, 1 June 2024 
The first dating app for lesbians is set to launch – using sex-recognition technology to exclude trans women and ensure only biological females can sign up.
It is the brainchild of feminist campaigner Jenny Watson, who says there are currently no dating apps which cater purely for women who want same-sex relationships.
The current crop of dating apps, she says, are increasingly being used by males who identify as female and who say they too are lesbian.
L'App will use facial recognition technology to verify a person as a biological female.
Ms Watson said would-be users will have to go through a process when they sign up where the app scans their face via their smartphone.
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It is the brainchild of feminist campaigner Jenny Watson (pictured), who says there are currently no dating apps which cater purely for women who want same-sex relationships
The software, which Ms Watson claims is 99 per cent accurate, analyses features including bone structure, the shape and positioning of an individual's eyes, eyebrows and nose shape or size. It will also be able to detect if a person is presenting a live image rather than just putting a photo of a woman up to the camera by detecting movement, blinking motions and heat emissions.
Tests have revealed that if someone tries to disguise themselves as a woman by putting on a wig or make-up, the technology will spot the deception.
Ms Watson, 32, a town planner, told The Mail on Sunday: 'There is no female-only dating apps at the moment. Lesbians need an app which they can use without being messaged by trans-identifying males.'
She said L'App had also been developed in response to many lesbians finding that they were being banned from existing apps if they dared to specify that they wanted to date only natal females. Speaking about her own personal experience, she said: 'Any time I've joined a lesbian dating app or any other dating app myself, I get banned.
'To avoid trans-identified males, I will always write a little blurb, nothing disrespectful, saying my preference is for women and please respect my boundaries.
'And every time I do that I get banned. On one app I was asked to put down my most controversial opinion, so I wrote that J. K. Rowling was right and was banned for that. It's insane.'
Ms Watson has previously campaigned to protect lesbian spaces, by hosting female-only speed dating nights. She plans to open UK's first single-sex lesbian bar.
She has been criticised as transphobic for excluding transgender women – which she rejects. Her launch comes as a court case is being heard in Australia over whether a trans woman can be lawfully excluded from a female-only social networking app called Giggle.
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tinytalkingtina · 1 day
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The True Face of Bravery
Written for the @steddiemicrofic June challenge prompt, using the word "stuff" and max 483 words.
483 words | Rating: T (for a single swear word)
Tags: Fantasy DnD AU, Tiefling Steve Harrington, Anti-Tiefling racism, Steve Harrington has bad parents, implied child abuse, first kiss
Ao3 link
"'Mi'lord', your squire is whining he can't find your club, the one with the spikes and-um." Eddie froze with his hands still on the tent flap, staring at Steve. And surely this was Steve, he had the same facial features and clothes as Stephen Harrington, heir to the Barony of Loch Nora and paladin extraordinaire. Except Stephen Harrington didn't have luminous red skin, or a pair of horns that spiraled up out of his hair and curved back over themselves just above his ears. And he certainly didn't normally have a pointed tail poking out from his trousers. Before Eddie could even begin to think of retreating, he found himself roughly yanked inside the tent. “Wait!” Eddie flailed, wrenching himself out of Steve's grasp. “Please don't kill me! As fitting as it would be for Eddie the Banished to die at the hand of a noble I really would rather it not happen today, I promise I can keep my mouth shut and—“ Eddie stopped babbling as he took in how badly Steve was trembling. Weaponless, he had only moved to block the tent flap. Steve lifted a shaking hand to his nose. "Father was right, it was always going to come down to an act of stupidity on my part. Just, let me finish this mission, please." Eddie blinked, still wrapping his head around his companion’s true appearance. "What?" "Vecna is a blight on these lands. Even if the Order is going to expel me once they know, I swore an oath to slay him. I'm asking that you wait to turn me in until we're done. I promise, I'll go quietly." "Why would I turn you in?" Steve's tail twitched when he was anxious. "Have you somehow missed that I'm the shameful reminder of my ancestor's wrongdoings?” he said, clearly mimicking something he had been told many times over. Eddie took a tentative step forward. "And what makes you think I give a flying fuck what stuff society or your Order believes? Sweetheart, I'm just impressed you've managed to hide yourself for this long." "As a child my parents wouldn't let me leave my chambers until I could cast illusion magic." Steve whispered. "But why—” "You're kind of the ideal paladin, you know?" Eddie barreled on. "Always throwing yourself headlong into danger to protect others. You're kind and funny and," he blushed, "absolutely breathtaking. If those abyssal chickens hadn't broken my lute, I would immediately start composing something about the swirl of your horns." "You would...oh." Red hands with black-tipped claws reached out to gently encircle his waist. Eddie shyly reached up to tuck a loose lock of Steve's hair behind one of his horns. "Come on, let's get some rest. You have an undead lich to slay tomorrow, Sir Stephen the Brave,” he said softly. The equally soft kiss he received in response spoke of something much longer than tomorrow.
Some tidbits of trivia/more babbling about this AU under the cut!
I've had an idea for a DnD AU for a long time, featuring members of the nobility Harringtons who made a deal with a devil in exchange for power and wealth. When their first-born son was a born a tiefling, to hide their shame, they at first kept him hidden from view, then, once he learned magic, forced him to constantly cast disguise self to appear human.
As a paladin, he is driven to helping those in need, but doesn't like anyone touching his hair (they'll feel his horns under the illusion magic) hence his nickname "the Hair". Dustin is an artificer gnome, his loyal if mouthy squire, while Eddie is a half elf bard who doesn't initially like "Mr goody two shoes shining knight".
Vecna is a literal undead evil lich causing trouble from his own pocket dimension, dubbed "The Upside Down".
Also Abyssal chickens are in fact a real DnD monster and they are adorably terrifying.
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undercoverpena · 10 hours
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15. raspberry truffle
frankie morales x f!reader | chapter fifteen of do me yourself
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summary: a meet-cute in a hardware store? impossible, out of the question. except, that's exactly what happens. a need for screws leads you to a broad-shouldered, brown-eyed man who you're sure is about to change your day, never mind your life.
wordcount: 3.1k chapter warnings: smut. 18+. jo's mirror love resurfaces and armchairs are used as more than things sat behind desks. lots of mouth to mouth resus. smut. also there's smut. frankie calls you 'rainy' (paint-related from chp.1) no other descriptions or name used. no use of y/n. an: I've had this image in my head for so long...
prev chapter | series masterlist
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“Do you trust me?”
It's a simple question. One he’s asked you time and time before, but never with the current look in his eye he’s currently wearing.
Dressed in a tight grey tee and a pair of black sweats. Hatless, teased curls frame his face as you rest against your counter. The one you’ve seen for the first time in some days.
It strikes you that the only reason you're standing in your home, to begin with, is because of the email informing you that some of your new furniture had been dispatched.
His mouth had been sealed to your neck, fingers grasping at your waist as you read it out, distracted, attention not entirely focused on him until his hand snaked between your legs, in his sheets, in his bed—the one you’d now found to be far more comfortable than your own—as he whispered, I can build it for you.
And, he did. Had done.
Putting his tool on the side as he rejoins you. A nominal irk bubbling through you that the toolbox it lives in is one foot away, it vanishing when he steps closer, presses you further against it. Cool, firmness meets your spine as his body corners you.
He looms in a way that makes your heart double as you wrap your arms around his neck, kissing him. Deeply.
“Should I trust you, handsome?”
Snorting, his laugh fluttering over your lips. “I think you should.”
Lips pursing, narrowing your eyes teasingly, you feel his thumb sliding the fabric of your top up and down your hip bone.
“You are biased though.” His head lolls from side to side as he hums, fingers pinching at the bottom of your top. “Do you think I should because you built my chair?”
As soon as he slides his arm around your waist, your back arches. Chest desperate to be flush. Heart aching to be near to his.
“No. Because you love me.”
Sighing, nodding—all playful. A smirk just there, all beneath the surface. “Oh. That thing.”
Tracing his nose against yours, a smile trying to beam, but he mirrors how you hold back. “That thing.”
When he’s close like this, it’s almost criminal when you’re not kissing him. When you’ve not slanted your mouth against his soft lips, felt the roughness of the hair on his face against your palm, buried your fingers into his curls and pulled a little to earn that groan he does. The one, if it were a thing that could be possible, you’d love etched into your brain.
The thought of which makes you want to peel your clothes off.
Already so hungry for a thing you’ve been feasting at a buffet for the last number of days. Yet, still wanting, still needing.
“You really play a long game,” you say, more sweet. And his nose scrunches, frowning as you smirk. “Waiting this long, getting me to fall in love with you, and then killing me in my own office.”
“Oh yeah, I’m a mastermind.”
Laughing, you twirl a curl around your finger, finding the hair a little longer. “Okay,” you reply, sealing it to his lips, “I trust you—you get my blood on my new chair you’ve just built, I’m going to haunt you.”
“It’s not a punishment that you’d want to spend the rest of your days haunting me, Rainy.”
His hips dip, becoming aware of the effect you have on him too as his growing bulge rubs against your parted thighs. A moan escapes, body jolting at the welcome friction. The sound leaves so softly, barely loud enough to disrupt his mouth from being on yours.
But it does.
“Do you trust me?”
The four words repeated, answered hurriedly. No game, no tease.
His mouth comes close to your ear, a chaste kiss left along your hairline as his hand clutches your waist for stability, and you forget how to breathe.
“Close your eyes, baby.”
As you do, his fingers, clean and soft, all but sawdust stained, slide over your eyes—his chest to your back as he leads you down a familiar path that suddenly feels foreign. Trusting.
Your nose tunes in. Takes in the scent that is equivocally just him, one you’re thankful has begun seeping into your home as much as he has your heart. Hearing him whisper instructions, watch this, be careful, until you're body is shifted on its axis.
His fingers slide from your vision, allowing you to blink, see him, smiling at the sight of him.
“Fuck you’re handsome.”
Backing you up against the newly painted office wall, your arm hooks around his neck again, mouth ghosting over his as a hand hovers over your hip.
“Still trust me?”
Nodding, you feel his breath on your parted lips, before he slides his mouth over yours. Searing. Burning—all determined as his tongue slides past your teeth and his fingers slide up your neck, tracing your jaw. It makes you delirious. Dizzy. Thoughts nothing but lost to you until you glance past him and see it.
The built chair, in the nearly decorated office. The desk it should be behind is still a week out, but the chair, mirror and plants are all set up—the shelves adorned with bits you have for now.
“Hey?” he says, eyes snapping back to him.
Spotting the bubbling molten in his eyes, remembering how your body is aflame—
Then the next question comes. “Can I taste you, baby?”
Nodding, you whisper your answer into the air as he leads you, guides you all over again, moving you closer and more towards your new chair. Mouth latching itself to yours, palms on either side of your cheeks, before his hand steals the cushion, and throws it down.
“You look so beautiful, baby,” he whispers, trailing the words down your neck, along your collarbone.
It makes a gasp flutter from your lips, feeling your insides knot, likely dampening the fabric between your thighs, making nothing short of a mess—
“Gonna take these off, okay?”
Your tongue thickens in your head, swallowing a whimper at the feel of his thumbs hooking inside your shorts and slipping them down your thighs. The fabric skims, sliding, before they fall with a soft thud and he's guiding you to sit down in the armchair.
Taking a breath, you stare, captivated. Frankie sinking, kneeling before you on the cushion. “Part your legs for me.”
“Shit, Frankie.”
“Baby.”
Swallowing, you do. Then, it’s delicate, soft.
The gentlest of kisses up the inside of your thighs. Aware of the heat of his fingers pushing your knees further into the arms of the armchair, tuned into the way he exhales through his nose, cool air teasing over your already slick, cloth-covered pussy—the chair groaning when you buck your hips.
“Rainy.”
He grunts it. Low—warningly. It comes from a place in the back of his throat, grating and gravelly as he stares up at you. Nothing but brown dipped in more brown holding your gaze. Usually, it would make you smirk, but instead, you mumble an apology.
One that trails off; turns into a whine when he drags his tongue over the already-drenched fabric.
You’re not sure how it’s possible but you moan like you’ve been teased for hours. Sure that with a few more, you could be close—
“I want you to look in that mirror, and see how beautiful you look as I do this.”
“Frankie, I…”
His hand slides up, right between your still-covered breasts, before cupping your cheek, thumb under your jaw, eyes searching, sweeping and locating. “Look for me.”
Flicking your eyes to it, the ornate thing you’d not been sure you wanted until he’d slid his arms around your waist. Buried his face into your neck. Told you it was nice.
You’d agreed then, you most definitely did. Nodding, letting a little whispered okay escape as he nods. Staring, trying not to pick apart what you see in the reflection. The way your eyes look tired, skin not as bright as it normally would be. That is until he nips at your skin. Pulls your gaze from your own to the back of his head.
“Beautiful—”
“Frankie,” you sigh.
Hand coming over your face, heat blooming in your cheeks as you feel him kiss your inner knee. Thumb stroking at your skin, circling, before he taps. A silent request, a reminder: look at yourself.
You do.
“You are so beautiful, Rainy.” He dips his head—becoming aware of the finger sliding in the gusset of your plainest underwear, dragging the fabric, pulling it from your soaked core all the way to the side.
“I thought it when I first saw you.”
Air blowing across your core, before he places the most delicate, softest kiss against your swollen clit.
“Think it now, seeing you sat in your new chair, in your new office.”
You feel your chest heave, see it. Staring at the way the muscles strain in your neck from not moving, before he drags a long, slow stripe up from your aching hole to your nerves.
And he groans, low and dull. It vibrates against you before his tongue swipes again, hands pushing your inner thighs apart before he dives again. Sliding his tongue between your folds, licking, drawing.
He’s slow in his movements, measured. Delves as much of himself into you before wet, roaring heat swirls around and encases your clit as his growl sends flames up your spine.
That’s when he slides his fingers in. Curls them. Moves them in slow thrusts.
The whine of his name you let escape is sinful, practically unrecognisable. Your hips moving, unable to tear yourself away from staring at the way your mouth hangs open, panting, moaning, as you rock your hips, fuck yourself on his fingers, on his tongue, as you hope his other hand on your hip will leave a mark. Half moons or bruises, or even fucking both—
“Frankie, please.”
The angle of the mirror not only allows you to see the sight of him taking you apart, but how the act seemingly undoes him. How his shirt is stretched across his shoulder blades, how his muscles ripple under the thin fabric as you hold on to every thread as the pads of his fingers curl more into you. All come hither, beckoning the incoming wave you know is going to wash over the two of you.
And it turns you on.
“You like it, querida? Like watching yourself.”
“Like watching you.”
And you swear you feel him smirk as your hips lift, desperate for more, eyes speckled with spots as your nails grip the arm of the chair, the other lost and tangled in his curls.
It’s so good, so fucking good.
He’d make you confess, make you tell him everything—no matter the secret, you’re sure he could pull it from you like this. Have you spilling, as though he’s cracking you open, and even helping him translate the parts of you he’s yet to understand or know.
“So perfect squeezing around me, baby. Love how you taste—always taste so fucking good.”
Your back is off the chair, grinding into him, so close you can’t even think, can barely speak.
“Want you to come on my tongue, Rainy. Need you too.”
“Fuck.”
“That’s it. Let yourself feel good, baby. Use me, use—”
And you do.
Fuck. You do.
Your cry echoes and bangs around the walls before slamming into your ears. Legs shaking. Mind sludge as you come down from your high to his soothing touch, to his whispers, to his words that make you feel like you’re in heaven. Not just here, with his shoulders supporting your knees, but all the time.
It’s why you bring his mouth to yours. Messily, all disorientated from the high of him as you taste yourself on his mouth, on his tongue—the tang of what he’d done to you evidenced.
It makes you want, need.
You’re not sure how the two of you made it to the bedroom so cleanly.
His clothes are scattered, left in the hallway; a path that leads from one moment to the other. Your knees were likely bruised from how you dropped to them in the doorway, straddling the hallway and bedroom as you palmed him through his underwear, eyes wide, looking up.
“I love your cock, Frankie.” Hooking a finger in the band, dragging the fabric to his ankles, to the ground. “Like how heavy it feels on my tongue cock.”
Hand slowly wrapping around him, pumping once, twice.
“Fuc...”
His curse isn't able to form when your mouth wraps around him, taking him in your mouth. As much of him as you could. Hearing him groan, grunt—seeing his nostrils flare before his forehead presses into the crease of his elbow as he leans it against the door. His breath stammers, palm cupping the back of your head casually as he tenses, muscles straining, body stiff.
All you can think is you wish this image could be painted, commemorated; hung somewhere for your eyes to see everywhere, every day.
Because he's backlit by the afternoon, shadows cascade from the half-drawn curtains of your room, bicep flexing as you take him down your throat, loosening it as much as you can until the tip of your nose finds itself in his curls.
“So big, Frankie.”
He groans, at the same time as you taste salt, it pooling at the back of your throat. Your eyes flick up to see his jaw slackening, nostrils flaring when your tongue swirls around the tip, hollowing your cheeks, feeling him twitch in your mouth—
“Bed.”
It’s hissed, strangled, as he pulls himself from between your lips and spit trails over your lower lip and chin.
“Now?” you tease.
“Now.”
His hands, all capable and strong, haul you to your feet. Finding a home on your hips, directing and shifting you until you’re on familiar sheets, turned over, stomach flush to your mattress as he trails his mouth down your spine.
“Wanna fuck you.”
“Then fuck me.”
It’s different, the way your bodies come together. The way he swallows your hiss when he bottoms out, stretching around him, fingers clinging and clutching at him.
“Y’too good to me, Frankie.”
“Impossible,” he whispers.
Mouth sliding up over your neck, nose catching on your skin, his hand dips between your bodies—where you’re joined, where you’re full and stretched around him. It’s bliss. Perfection. One you endure so regularly but don’t become used to, each time as taken back by how good it feels to be seated fully inside you as his fingers tease your swollen nerves.
It’s with a smooth thrust do your fingers brush over his face, finding his cheek, mouth and nose, guiding with your eyes closed for his mouth to seal itself over yours. Hips moving, thrusting, meeting him each time as you grow slicker, making a mess of him and the sheets beneath you.
Mouth slotted over his, moaning passed his teeth, hands clutching his cheek, the back of his neck, fingers teasing his curls. “Fuck, Frankie. Fu—“
He grins, you feel it. His hand slides from your slick-covered clit to your hip, along your waist, travelling and travelling until his palm cups your breast—until his finger and thumb are pinching your hardened peak. All the time kissing you, open mouths, breathing one another as his pace quickens. As you feel the early signs of your thighs tremoring, seeking something to grip, to hold on tight—
“Love how you take me.”
You whine. Gasping.
And he’s smooth with it. The way he slides your hand from his cheek and down towards the bed. Hingeing you, making you go down onto all fours as he kisses down your neck, trails his tongue, leaving a searing wet line before he’s under your arm, snaking his mouth over as much skin as he can get.
“Baby—“
“I know,” he grunts, puncturing it with several thrusts. “Feels good, you always feel good.”
Your eyes clench shut, mouth falling open at the angle. At the way it makes your toes curl in nothing. Something tightening, something that makes the corners of your vision blot and darken. It close. Liquid heat forming, swirling in your stomach, in your need and you—
A whine rips from your throat. All stained in disappointment, in loss as he pulls out. Leaves you empty, desperate.
You almost hiss. Throwing your head over your shoulder as you glance back to see him breathing heavily, chest oiled with sweat, hand squeezing himself at the base, a lopsided grin spread into his cheek as his other hand slides over your side. Urging, silently requesting.
“Roll onto your back, Rainy.”
It centres you, roots you when his elbows come down on either side of you.
Warm, hot mouth sliding over your jaw, his hand gripping yours, holding you tight as he teases, slides the tip of his cock through your messy folds, taunting your swollen clit.
“I love you,” he groans, pushing himself in, completely to the hilt, all in one smooth movement.
You swear he's deeper. Always say so until he trails his hand up the side of your leg, lifting them, hooking them over his waist as you wrap them around his back, and dig your ankles into his lower spine.
“Feel so good.”
“You make me feel so good.”
Your chin tips up, feeling him press open-mouth kisses to your throat. Likely feeling the vibrations of your moans against his lips, his tongue.
“Yeah?”
Nodding, rustling your head against the dishevelled sheets as his breath fans over your collarbone, “Only you.”
His pace quickens, snaps his hips to yours, grunting, moaning—the sounds making you clench around him. Chasing your second orgasm, walls fluttering around him as your fingers tighten around his, as he grasps your hip and fucks into you. Spears into you.
“I love you too,” you moan.
“I’m close. So close. Want to feel you, baby. Can you come, baby, come for me—”
Fingers knotting tighter around his, vision spotting, it all pooling, all set to spread.
Then, it snaps, splinters.
You cry out. Body erupting.
Nothing but heat and fire surging through you as you are washed in it. Drowned it. Never wishing to be saved as you go under, as your hearing fades and your eyes blur. Only aware, distantly, of the way your skin tingles as it lights with a blaze.
But, you do catch his guttural groan. The way he stills, paused, as his eyes clench and your name is buried into your ear—feeling him collapse on you.
A weight you love.
His heart hammering against yours, breath strained, difficult as you clutch at him, pulling him closer if that is at all possible. Even if it's just for a moment, before steam fills your bathroom and soap suds slide down both of your skin.
Because it's a weight that makes you smile every time, every day. One you adore. One you never want to not know.
You say as much against his mouth as your lips sloppily meet his, smiling, grinning against his mouth.
I love you.
Love you too, Rainy.
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an: this was almost titled the last smut. (because of the series coming to an end, not because of some unhappy ending)
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yukipri · 1 day
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Some thoughts on Cara
So some of you may have heard about Cara, the new platform that a lot of artists are trying out. It's been around for a while, but there's been a recent huge surge of new users, myself among them. Thought I'd type up a lil thing on my initial thoughts.
First, what is Cara?
From their About Cara page:
Cara is a social media and portfolio platform for artists. With the widespread use of generative AI, we decided to build a place that filters out generative AI images so that people who want to find authentic creatives and artwork can do so easily. Many platforms currently accept AI art when it’s not ethical, while others have promised “no AI forever” policies without consideration for the scenario where adoption of such technologies may happen at the workplace in the coming years. The future of creative industries requires nuanced understanding and support to help artists and companies connect and work together. We want to bridge the gap and build a platform that we would enjoy using as creatives ourselves. Our stance on AI: ・We do not agree with generative AI tools in their current unethical form, and we won’t host AI-generated portfolios unless the rampant ethical and data privacy issues around datasets are resolved via regulation. ・In the event that legislation is passed to clearly protect artists, we believe that AI-generated content should always be clearly labeled, because the public should always be able to search for human-made art and media easily.
Should note that Cara is independently funded, and is made by a core group of artists and engineers and is even collaborating with the Glaze project. It's very much a platform by artists, for artists!
Should also mention that in being a platform for artists, it's more a gallery first, with social media functionalities on the side. The info below will hopefully explain how that works.
Next, my actual initial thoughts using it, and things that set it apart from other platforms I've used:
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1) When you post, you can choose to check the portfolio option, or to NOT check it. This is fantastic because it means I can have just my art organized in my gallery, but I can still post random stuff like photos of my cats and it won't clutter things. You can also just ramble/text post and it won't affect the gallery view!
2) You can adjust your crop preview for your images. Such a simple thing, yet so darn nice.
3) When you check that "Add to portfolio," you get a bunch of additional optional fields: Title, Field/Medium, Project Type, Category Tags, and Software Used. It's nice that you can put all this info into organized fields that don't take up text space.
4) Speaking of text, 5000 character limit is niiiiice. If you want to talk, you can.
5) Two separate feeds, a "For You" algorithmic one, and "Following." The "Following" actually appears to be full chronological timeline of just folks you follow (like Tumblr). Amazing.
6) Now usually, "For You" being set to home/default kinda pisses me off because generally I like curating my own experience, but not here, for this handy reason: if you tap the gear symbol, you can ADJUST your algorithm feed!
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So you can choose what you see still!!! AMAZING. And, again, you still have your Following timeline too.
7) To repeat the stuff at the top of this post, its creation and intent as a place by artists, for artists. Hopefully you can also see from the points above that it's been designed with artists in mind.
8) No GenAI images!!!! There's a pop up that says it's not allowed, and apparently there's some sort of detector thing too. Not sure how reliable the latter is, but so far, it's just been a breath of fresh air, being able to scroll and see human art art and art!
To be clear, Cara's not perfect and is currently pretty laggy, and you can get errors while posting (so far, I've had more success on desktop than the mobile app), but that's understandable, given the small team. They'll need time to scale. For me though, it's a fair tradeoff for a platform that actually cares about artists.
Currently it also doesn't allow NSFW, not sure if that'll change given app store rules.
As mentioned above, they're independently funded, which means the team is currently paying for Cara itself. They have a kofi set up for folks who want to chip in, but it's optional. Here's the link to the tweet from one of the founders:
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And a reminder that no matter that the platform itself isn't selling our data to GenAI, it can still be scraped by third parties. Protect your work with Glaze and Nightshade!
Anyway, I'm still figuring stuff out and have only been on Cara a few days, but I feel hopeful, and I think they're off to a good start.
I hope this post has been informative!
Lastly, here's my own Cara if you want to come say hi! Not sure at all if I'll be active on there, but if you're an artist like me who is keeping an eye out for hopefully nice communities, check it out!
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sylusheart · 2 days
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`let's talk about caleb/xia yizhou
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i've decided to complie a (sort of) categorised list of all the theories so far regarding caleb's character/identity (and his possible importance to the story of lnds in the future) from posts i've gathered from other players here on tumblr, reddit, and on twt, including some of my own personal theories/questions that i haven't seen anyone speak about yet (to my knowledge) and wanna share, feel free to tell me your thoughts too! oh and please let me know if there’s any potential theories regarding caleb/xyz that i haven’t included in this list yet, i’ll be sure to add them as soon as i can :3 anywho~ let's start off a little simple... ૮˶ᵔ ᵕ ᵔ˶ ა ♡
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ᰔ caleb will return
as a caleb girlie i have ruthlessly hunted around for anything and everything that i can find to support this idea (of course) but let's begin with some small details that a lot of people have noticed.
he's the first character to have a phone call with the mc, as well as a text message conversation. only the love interests have these types of interactions with mc so far so it sets him apart from the usual side characters. infold are clearly doing as much as they can to intergrate caleb into the mc's life, further signifying how much of an important character he is to the mc and to the story.
there's also many visual scenes of his character model doing all sorts of animations, not even tara or any of the other male side characters like thomas or jeremiah have this many (or at all). and yeah, most of these animations are probably just default ones which may also be the exact ones used for the boys but even so, why would infold put a lot of time in animating him (and his multiple changing expressions) if they were truly just going to kill him off seconds later?
his design was made as carefully as xavier, zayne, and rafayel's designs were - the proof of this is his original outfit. not too sure why they decided to change it (maybe it was too 'dark'? it might've been too much of a in-your-face hint that caleb would return as a possible antagonist?) but it was clear that they went through the effort of changing it for a reason... personally i love his og outfit more, it makes his necklace stand out more and he just looks so itty bitty scrunkly wunkly.
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there's some other things i want to add. we know that mc gave caleb the 'when u come back' necklace before he left for skyhaven and after the explosion, caleb sort of 'returns' it. and by returns i mean when the explosion happens caleb's necklace is found right in front of her. with the engraving, it sort of foreshadows him coming back. now, to analyse the explosion a bit more, it happens very suddenly - like as soon as caleb goes into the house and closes the door. of course this makes it seem like he was affected by the explosion but how come caleb's necklace was found in one piece right in front of her? he was wearing it after all, so for it to be the only thing (other than caleb's... remains) in front of her makes it seems like him 'dropping/leaving' the necklace was kind of intentional. we see caleb using his gravitational/telekenisis-like evol in a segment of chapter 4 when he takes the necklace from her, so it makes sense for him to use it again when he's giving it back to her, right? adding onto this little theory about caleb using his evol in the explosion, mc was pretty close to the house when it exploded but is quite far from it after the explosion. now obviously this is due to the explosion blasting her back, but i did see someone mention that caleb possibily used his evol to push her away so that the explosion wouldn't severly hurt her. this makes sense, seeing as she was only slightly injured from the explosion, nothing too serious. but then again, we don't know the true extent of caleb's evol, is he powerful enough to be able to do that? i wouldn't put it past him though, seeing as he is a deepspace pilot and i'm sure he uses his evol for work which means he must've been training with it. going back to my previous point about him using his evol to intefere with the explosion, if he really did push mc away then it's possible he managed to keep himself safe from the explosion using his evol too. but if he managed to get himself and mc to safety then what about grandma? with her condition it's probably not possible that she managed to escape on her own and we don't know whether during that time where caleb and mc were outside if she was still in the house or not. could she have been kidnapped? i'll add more about what i think about the relationship between grandma and caleb further down in another section...
and who exactly was that guy that injured mc in early chapter 4 before caleb found her? from what we can gather with such little info we have, he could've been sent by sylus/onychinus or maybe even caleb himself. the attacker/random guy makes a comment which gives off the sense that he knows mc and this is probably because whoever sent him ordered the attacker guy to be a diversion and lure mc out of the house, via the wanderer/energy fluctuations. if caleb was the one who 'sent' this guy, why would he make that quip about avenging mc for that guy hurting her? is he keeping up with some sort of false façade so mc doesn't question his motives? it seems unlikely though... i think he was genuinely upset over seeing her get hurt and how she proceeded to lie about it to him.
another thing to add, the explosion doesn't go off as soon as caleb and mc are out of sight, this means that the aim wasn't to kill just the grandma but caleb too seeing as it happens as soon as caleb enters the house. but with this theory, it means he had no idea about the attack. in a way this all adds up, meaning that him using his evol to push mc out of safety was out of impulse. we can assume that an important part of the explosion was to ensure mc was kept alive, and this futher implies that the explosion could've been the work of onychinus or more specifically sylus. they're interested in finding the aether core after all (from what’s implied), but if it really was them, how would they know mc has it? only a few people like zayne, dr.noah, and grandma/joesphine (and also maybe xavier, jeremiah, and rafayel? it's not too certain in this timeline...) know that mc's heart is infused with the aether core. i do have a feeling caleb knows as well, it just makes sense as he’s the ‘older brother’ figure so he must know certain ‘family matters’, but then again as caleb is so secretive we don’t have a concrete answer on what he does and doesn’t know which is what makes him suspicious. could he be the one who potentially/accidentally implied or informed sylus/onychinus about the aether core having to do something with mc? is that why he faked his death, so that they’d assume caleb and mc were the ones in the explosion and not caleb and grandma? i’ll also make a seperate post on sylus seeing as there's one month left until he will be officially introduced (i am so very excited) as he’s after the aether core (perhaps he was the one that put it into mc’s heart in the first place? or he created it?)
back to caleb, him 'losing' his necklace admist the explosion is almost like him letting go to his past self (?) is he going to use this explosion as some sort of... rebirth or character development? will he let go of his soft, puppy-like persona? it sounds like a bit of a stretch but i do think he has something shady going on. maybe letting go of the necklace is like letting go of the 'big brother' title so that he can return into mc's life as a love interest and not as an older sibling-like figure. i think caleb tries to show us that he's upset mc still see's him as a 'brother' just because they grew up together. comments are thrown around, like how she should just trust him now that they're grown up and how they're not little kids anymore - this all makes it seem like they don't have to keep seeing each other like they're siblings and that they're mature enough to articulate their feelings.
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ᰔ caleb's 'arguement' with mc was forced/intentional
so there's a part in the beginning of chapter 4 where caleb informs grandma and mc that he submitted an application for a long-term care ward for grandma (did he do this to keep grandma out of the way? knowing that she could interfere?) mc is suprised about this, as is joesphine (grandma) and when mc asks him why he didn't say anything to her about it all he does is laugh and look away - brushing it off. later on, when mc decides to hide/lie about the fact that she got attacked by someone caleb gets quite defensive and hurt over her not telling him about it. in the moment, mc doesn't mention the fact that he has kept things from her too (such as the care ward thing) probably because it slipped her mind due to caleb reacting the way he did, or because if she did mention his hypocrisy, it would probably make things worse or end a little more bitterly than it did.
however, we know (from the phone call with caleb at end of chapter 1, as well as a part in chapter 4) that these two are aware that they both tend to keep things from each other. claiming it to be 'top-secret' or 'classified information', but then again this is to do with work related sort of stuff - getting hurt by some random dude on the street or submitting an application to a care ward isn't exactly associated with their positions as a hunter/pilot.
i think it's pretty obvious that the reason caleb joined mc when she left to search for wanderers wasn't because he needed to collect some groceries. if you want some visual proof - when he confronts mc he isn't holding any grocercy bags or anything, nor does he bother making a joke about how the store didn't have any of the things she requested or how he forgot to bring his card with him, and that's probably because he wasn't gonna bother keeping up that act seeing as mc had already caught onto it when she told him not to follow her. again, mc doesn't point out any of this and maybe it's because she's too caught up with the emotions in the conversation or maybe it’s because caleb’s reaction/behaviour is sorta making her feel guilty and in the wrong.
so why did caleb follow her? was it because he wanted to speak with her alone? it was clear he had something on his mind before he hesitated (more on that later) or was it because he needed to buy some time so that the 'bomb' could be placed and set off? anyway, the reason why i'm suggesting the 'arguement' was forced is because maybe caleb wanted mc to despise him so that she would be less hurt over his 'death'? or that when he returns she'd forgive him instantly because she would regret the way things ended before his 'death'... i'm not too sure on the reason, but the way he went about the situation was kiiinda suspect, like he was purposefully trying to rile up emotions.
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ᰔ caleb the villain
do i think caleb will return as an antagonist? yep. and if you think about it, like reaaaally think about it, it makes a lot of sense because why would he need to fake his death in the first place if not for something shady. no deepspace pilot needs to be doing all of that. but if, for some reason, he stays dead (... guys c'mon he won't trust me) then he merely was just a civillian that fell victim to a wanderer-associated explosion. not a shred of evil in his soul. i’ll add more onto the idea of evil/dark caleb later but for now i'm going to expand more on this in the section below~
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ᰔ caleb is (not) sylus?
i've seen a lot of players debate over the idea of the shadowy figure at the end of chapter 8 being either caleb or sylus... or both? personally, voice wise (english voiceover) ... i think they're pretty similar. i haven't compared both mysterious guy and caleb's voice in the other languages yet, but if all the other voiceovers had similar caleb's and sylus' i'd assume more people would've put more attention on that, as that would sort of be a little bit of confirmation that the similar sounding voices were intentional or something. but still, it wouldn't be enough. now appearance wise, i also think they look quite alike. yes, the hairstyles are different but if caleb really did fake his death then he'd change up his appearance and embody a sort of new persona, right? i mean he'd still be the same caleb we love and know, but i feel like there would just be a new aura to him. i saw another player saying that perhaps the chapter 8 guy probably is caleb but with his face surgically modified due to the explosion which sounds like a really good theory, seeing as these brightened photos of the mysterious guy just looks like a more sharper/defined version of caleb's puppy-like face.
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a lot of other players also said that the mysterious guy might be thomas, as it would make sense for rafayel to be talking to thomas but i really think that's not the case. now do i think caleb is sylus? maybe. but truly, i think caleb is most likely just working closely with sylus/onychinus meaning that sylus and caleb are in fact two different people (perhaps they’re actually twins or related somehow??)
however, after chapter 8 came out and the devs made this post on weibo:
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a lot of people took this in as confirmation that the mysterious guy from chapter 8 was not in fact sylus. so could it be caleb instead? but then that would go against the theory of caleb being sylus, seeing as this post says that sylus has not appeared yet... i'll go into more detail about all of this in my sylus post.
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ᰔ the apple motif
a player pointed out that we're seeing some sort of re-telling of fairytales through the love interests, i.e. sleeping beauty, ice queen, the little mermaid, etc. and that caleb is the 'snow white' of this theory, you know, with the apple and all. i like this theory because it suggests mc being the knight in shining armour, having to save her boys. and i'm a little (very) curious on what sylus' fairytale would be too, or if he’ll be an iconic sort of villain/morally grey character like maleficent? i feel like we'll see more of these 'apples' throughout the story... even if caleb stays dead (he won't) also, kind of unrelated, but one of my favourite book series - which is sorta like a fairytale to begin with (it's called once upon a broken heart by stephanie garber, if you end up wanting to read it don't physically go and buy it/support the author... she's a z!onist, i can give you an epub file to the book so you can read it for free so that it doesn't give her any money lol) - has a character who's got a curse where his kisses are deadly, and if he kisses anyone who isn't his 'one true love' then they'll die. the thing is, he doesn't know who his 'one true love' is or if this person will even be someone he reciprocates feelings for. he surpresses his urges to kiss by eating these magical (?) apples and somehow it's enough for him to not go on a murdering spree. again, as this is off-topic and of course will most likely not happen, i'm mentioning this only because it'll be interesting to see if there's some sort of significance to why caleb likes apples so much? is it because mc likes them? we know that mc likes apples through a line she says to xavier in one of his memories:
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but also when caleb steals the necklace mc got/made him and he mentions that it's in a style that she really likes. which is probably refering to the little apple pendant thingy? but yeah, maybe it has something to do with their childhood i'm not too sure. besides that, if you look closely in some scenes where mc is in her apartment you can see a framed picture/painting of an apple in her bedroom. did caleb give that to her? or was it commissioned?
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ᰔ what's the beef between grandma and caleb?
so as far as we know, grandma took in mc and caleb. she was looking for mc and found her in an orphanage/foster home (?) and took her in because mc recognised her somehow despite all of the experiments she endured and the 'incident' (chronorift catastrophe) that happened in linkon city, i'm not too sure if we know how grandma found caleb (though if anyone knows where it may have been mentioned pls let me know), but for now let's assume they were taken in at around the same time or similar. if that were the case, then perhaps caleb was also a subject for the 'experiments' that joesphine and her colleagues were conducting. since mc has her memories wiped regarding that time, which was most likely due to her aether core or her evol, i think if caleb was truly a victim in these 'experiments' then maybe he might still have memory of this? though, why would he allow joesphine to take him in if he knew what she did/does? or maybe he was too young to understand anything and only later came to a realisation when he grew up - probably after finding some files/photos that tied joesphine to mc/himself before the 'incident'. we all know caleb is pretty secretive, so if he did find something out he would've not made it obvious. but then again, mc did tell zayne (i think, or maybe it was monologue) that there was barely any trace of joesphine's research/work around their (old) home. so if caleb did find something out, then it must've been from an outside source - and i get the feeling an outside source would be someone from the N109 zone.
whatever happened, i think grandma is weary of caleb, like she knows that he's been associating himself with the wrong kind of people or that he'll end up not being a constant in mc's life e.g. his sudden death (if it was planned/faked in the first place) which is why she entrusts mc to zayne instead of caleb. it seems that she really wants to match-make zayne and mc together - we know from her trying to get mc and zayne to have lunch together if she had to be placed into a hospital, and from her telling zayne to look after mc when she passes. maybe she actually knows more about zayne (and his past lives) than we think, which is why she's more reliant on leaving mc to zayne because she feels she knows more about him rather than caleb because as i said, she appears to be a bit skeptical of him. there's even a part in the 'world underneath' stories where she hesitates to say caleb's name, (maybe because that's not even his real name??) but that's to assume if she was even referring to caleb here:
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ᰔ what was that flash of light that made caleb change his mind from explaining to mc?
i haven't seen anyone mention this i think but caleb seems to give up on what he was saying as soon as something flashes by. it's almost like he comes to a certain realisation as soon as this happens. he looks really sad and hurt, so what was he about to say? if you listen closely to chapter 4 segment 3 'within reach', the flash of light that passes by and is reflected on his face is acompanied by the sound of a car going past. he doesn't look at this car, but is he somehow reminded of zayne? as far as we know he's the only male love interest (other than rafayel, but caleb doesn't know rafayel... right?) that drives a car (he has multiple actually… rich daddy) and as well as this, doesn't zayne live close by to caleb's/mc's childhood home? (i'm not too sure on this, correct me if i'm wrong...) so it could actually be him. i assume that since lnds is set in the future - public transport would be much more advanced and faster than how it is now which is why many people would opt to use it more often rather than using personal vehicles, so it's possibile caleb could have recognised the sound/look of zayne's car? which is why he decided to put an end of the conversation there - being reminded of zayne and his position in mc’s life, probably thinking that zayne would be mc's first choice if she were to confide in someone. but of course, if that really was zayne we may never know. caleb sort of laughs/scoffs (?) to himself and looks down right after he pauses and the flash of light passes by. it's like he's coming to terms with something, maybe accepting the fact that in mc's eyes he'll always be seen as the 'brother' figure and he can't have what he really and truly wants. aaaand drumroll, this brings me to my next point...
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ᰔ caleb and his relations with zayne
their designs are pretty similar, in fact they could even pass off as twins seeing as their hairstyles sort of just mirror each other. but no, i don't think they're actually related, though i do get the sense that there might be some sort of jealousy going on (?) maybe not so much from zayne's side but the way caleb says the line "even the world's busiest guy has to eat. i haven't seen him in a looong time. we should invite him over for dinner, right?" (in chapter 4 segment 1 'family') it sounds a bit... strange to me. the way he says it is like how one would challenge prey into enemy territory. but then again, i really think i'm just looking too far into it. caleb naturally has a spontaneous and joke-y way of talking anyway, so maybe it probably is nothing malicious, but give it a listen if you really want to.
we don't know caleb's exact age (yet) and i don't know if he'd be older or younger than zayne, but hopefully in the future there's more on what their relationship is like - seeing as they're almost like polar opposites, i feel like their dynamic would be fun to witness. i presume those two didn't keep in touch over text/call like how caleb does with mc, so it would be nice to see them finally interact after so long. even a flashback with mc, caleb, and zayne as kids would be good... i'm begging for anything at this point...
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that's all i have for now, i'm probably missing a lot of potential lore that could help with these supposed theories because the only myth cards i've completed so far is zayne's foreseer myth. i think in the lumiere myth cards there was a bit about the 'incident/catastrophe' (?) but since i lost the 50/50 to raf i've been a bit pouty and haven't watched a reupload of it or anything (i really wanted his solar pair ok...) anywho, i'll perhaps edit/correct this as more of the story comes out or if you guys want me to add/change anything :3 thank you for reading! i hope you enjoyed me rambling on about caleb. this is basically my manifestation post so that he comes home... we miss you xia yizhou. "૮₍ ˶•⤙•˶ ₎ა
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rvzcvx · 3 days
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hey hey!! how is your mood? still bored? anyway, i hope you have everything according to plan and nothing bad! i'm sorry, i didn't have any ideas to offer you something, so i have a damp thought in my brain.
how about smut with dom Bill x sub female reader, where they both date from an early age, like 12-14 years old, but they've never had anything very intimate except kissing cheeks and forehead with hugs (clearly, they're both virgins). now that they have grown up and are still dating each other, they decide to spend time together, cuddling and lying on Bill's bed. their hugs turn into more insistent kisses, which they had not had before, so reader blushed a lot because of embarrassment and her innocent nature, which touched Bill a little, since he is also an angel, but not that much. Bill sits reader on his lap, continuing to kiss her, after which they both came to a decision - to lose their virginity. Bill gently claims his rights to reader by entering her while she lies on her back and holds onto Bill's biceps, squinting in discomfort, to which Bill kisses her face and comforts her, worrying about her, since this is the first sex at all for both of them. when reader is already used to it, she gives Bill permission to move, everything happens gently and passionately. after reader cums, and Bill doesn't, he takes her legs and throws them over his shoulders, moving rougher and more insistently, tearing reader's pelvis off the sheets and overexciting her, after which they both cum. everyone is pumped with comfort and experiences.
i know it looks like some kind of banal idea, but my mind gave it away, well, it's at least something, not nothing. if it's inconvenient for you to write this, then i understand!! good luck ;)
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FIRST TIME
pairing: bill kaulitz x female reader
warnings: kissing, p in v, smut
a/n: sorry its so short but i didnt have any ideas:( i hope youre gonna like it. im waiting for new requests, cause i dont have any ideas what to write
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I've been dating Bill since we were 12 years old. We met in middle school and became inseparable from the start. Our relationship was always innocent and sweet - we would hold hands, share our first kiss on the cheek, and cuddle while watching movies. But as we grew older, I couldn't help but feel a burning desire for something more.
One day, while lying on Bill's bed, our innocent cuddles turned into something more intense. We looked into each other's eyes, and I could feel my heart racing. Bill gently brushed a strand of hair from my face and leaned in for a kiss. This wasn't like any kiss we had shared before - it was passionate and full of longing. I blushed, taken aback by the intensity of the moment.
"Is everything okay?" Bill asked, noticing my embarrassment. I nodded, unable to find the words to express how I was feeling. Bill must have sensed my nervousness because he pulled me closer and whispered, "We don't have to do anything you're not comfortable with"
But I wanted to. I wanted to take this next step with Bill, who had been my rock for so many years. I nodded again, giving him my consent. Bill's face lit up, and he gently laid me down on his bed. His touch was tender as he undressed me, taking his time to explore every inch of my body.
As he entered me, I felt a sharp pain that made me wince. Bill noticed and stopped, looking at me with concern. "Are you okay?" he asked, his voice laced with worry. "Yes, I'm good" i nodded, telling him to continue. As I got used to the feeling, Bill began to move gently, our bodies moving in sync with each other.
"You feel amazing" Bill whispered in my ear, his breath hot against my skin. I wrapped my legs around his waist, pulling him closer to me. Our rhythm grew more intense, and I could feel myself reaching the brink of ecstasy.
"Oh, Bill" I moaned, my voice barely above a whisper. He quickened his pace, his body tensing as he approached his own release. I could feel myself building up to my own climax, my body shaking with pleasure.
And then, suddenly, I was there. My orgasm washed over me, and I cried out in pleasure. Bill followed soon after, collapsing onto me with a satisfied sigh.
We lay there, our bodies entwined, for what felt like hours. I traced my fingers over Bill's chest, marveling at the strength of his body. Bill kissed my forehead, his lips lingering on my skin.
"That was incredible" he whispered, his voice husky with emotion. I nodded, unable to find the words to express how I was feeling.
As we got dressed, Bill took my hand, his touch reassuring. "I love you" he said, his eyes filled with sincerity.
"I love you too" I replied, my heart swelling with emotion.
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lu-is-not-ok · 11 hours
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*rises from the grave*
*trips and falls flat on my face*
Heyyyy, it's ya boy, your favorite chronically exhausted Hong Lu identity that forgor about posting to Tumblr. Hi. Hello.
So. Timekilling Time, huh? Very fun, very exciting, we love focusing on Sinners that are misunderstood both in and out of character. We love Rodya, Hong Lu, and Ryoshu focus. We love Ryoshu's butch mustache swag.
Anyway, allow me yap about it a bit, because I took frame by frame screenshots of the teaser and I haven't yapped on Tumblr in a while. I'll also give a general update on how I've been doing at the end of the post for those who are interested.
The first thing I've noticed in the teaser is Dante actually lays out the exact traits that their choice of Sinners would need. These being (exact wording):
Someone who can support Dante
Someone who can remain laser-focused on the case
Someone who can be free from biased judgement while making rational, quick spur-of-the-moment decisions
In other words, we need Sinners who will help Dante out, are able to stay focused, and who can think on their feet without relying on their own internal biases.
I think it's important to lay those out as clearly as possible, because it makes the selections made by Dante and Verg very interesting, and also kind of funny.
Let's look at Dante's picks - Yi Sang, Meursault, and Faust. These are all, at a surface level, decent general picks, as all three of them are seen as smart and rational. However, if we look at them while keeping the previously mentioned traits in mind, it turns out these three might just be some of the worst picks Dante could ever fucking make.
The biggest issue - none of these bitches can think quickly. Faust is especially notorious for this, as it's consistently pointed out how she always needs a long time to come to a conclusion or otherwise has to pause to come up with answers. We also know Yi Sang is the type of person to get lost in his thoughts and just meander instead of getting to the point. Meursault is a bit of an outlier in that we see that he can think quickly, but if he's not given any orders he's never gonna act on those thoughts. Admittedly, he has been getting better at speaking up over time, but he's still mostly in this "only does what he's told to do" mode of operations.
This is where their issues split up a little bit.
Yi Sang is probably the most likely to be supportive of Dante out of the three - we see that he cares about others and has learned to interfere and give advice when he feels it's necessary (though who knows if he's doing well enough to keep that up after Canto 6, oof). No, rather his other issue lies in the focus department. This is the guy who, as I previously mentioned, meanders all over before getting to the point. Again, like Meursault, he has been getting better at not doing that, but he's still got ways to go.
Faust and Meursault on the other hand have the opposite issue. While they're fairly goot at staying focused on what they have to do, the issue is that they never fucking speak up. They're probbably the furthest from being supportive of Dante. They're most likely to learn info and just keep it to themselves until everyone has wasted way too much fucking time. Hell, Meursault would probably make a decently good detective if allowed to do the case all on his own, but since he's meant to be a part of a group, he's unlikely to help out that much without Dante directly ordering him around.
Now, onto Verg's picks - Rodya, Hong Lu, and Ryoshu. This is where things get really, really interesting. Because we have the reverse situation to Dante's picks - on the surface the choices seem random and counter-intuitive, but if we look deeper, it turns out they all fulfill the requirements surprisingly well.
I'm about to go on a tangent here, but I find it extremely important that we're focusing on this group of Sinners in the first Intervallo between what I consider to be the most thematically different arcs within Limbus. The first half of Inferno has been pretty squarely about confronting one's past, whether learning to face it properly after running away from it (Gregor, Rodya, Sinclair), or learning to move past it after refusing to let go of it (Yi Sang, Ishmael, Heathcliff).
However, looking at the Sinners we have left, it feels like the second half of Inferno might be focused less on the past specifically, but more about the Sinners' general reality. Especially the next upcoming trio of Cantos - Don Quixote, Hong Lu, and Ryoshu - have some heavy thematic focus on the idea of one's perception of reality, especially fitting for the three Sinners with weird eye shit going on.
With Timekilling Time focusing on the Sinners most misinterpreted by others in-character (and out of character), it feels like the perfect intro to this switch in thematic focus - exploring the actual realities of people who are otherwise hard to understand.
Anyway, back to discussing how Rodya, Hong Lu, and Ryoshu fit Dante's requirements.
Supportive of Dante - this is the requirement all three fulfill pretty well. Let me explain.
Rodya is probably the most obvious - she's a hypegirl through and through, and happy to take the reigns in some way or another if nobody else is able to, as we see in Canto 2. She's often one of the first people to point out when someone is not doing well, and shares a lot of her insight if in the mood, but she also knows when discretion is necessary.
Hong Lu is a fun one here - he's extremely perceptive and insightful, often sharing his thoughts with very little prompting. His only issue is that he tends to backpedal when he feels like he said something wrong, or generally just words shit in weird slightly offensive ways. He's supportive, he just doesn't always talk like he is.
Ryoshu is one I find most interesting here, as a lot of people seem to miss this about her character - despite her short temper and peculiar manner of carrying herself, she's actually pretty understanding and helpful towards people she's on amicable terms with. She always explains her acronyms if asked (and when she doesn't it's usually because people stop asking or Sinclair translates instead), she listens when told to stand down or otherwise do something when asked of by Dante or Sinclair, and the reason she tends to stay quiet is because she only speaks when she feels what she has to say is important.
Staying focused - this one is a bit harder to judge, but I'd say the only one who might not fulfill this one is Hong Lu, but only by a margin. Ryoshu is shown to get so focused she gets impatient when she can't get to the point, and Rodya always has her goal in mind even when she might act like she doesn't. Hong Lu is a bit harder to judge, as he seems to be the type to prioritze gathering information and satiating his curiostiy over the main goal, but in a case like this that might just be a massive plus.
Unbiased quick thinking - again, all three fulfill the quick thinking part very well. Rodya shows it constantly throughout Canto 2, Hong Lu shows it best in social interactions, and Ryoshu just doesn't want to waste time and so she naturally thinks quickly as well. It's when we come to the unbiased part that things get extremely interesting.
As individuals, Rodya, Hong Lu, and Ryoshu are all very biased people. Rodya sees the world from the perspective of someone who suffered in the poor Backstreets. Hong Lu sees the world from the perspective of a rich Nest dweller coming from a family of dubious morality. Ryoshu sees the world from the perspective of (probably) an ex-Ring member obsessed with the art that is reality. Their backgrounds color the information they take in a lot.
However... this means that as a group, all three balance each other's biases out. Rodya's cynicism gets balanced out by Hong Lu's idealism, which is balanced by Ryoshu's realism. Their backgrounds couldn't be more different, and thus give the widest possible perspective when put together.
I think this is the point Verg is making with this selection. Dante's selection is the easy way out. It's people that Dante already knows how to deal with, and would rather pick even if their skillsets don't fit the situation. Verg is making Dante learn how to work with Sinners who might be harder to deal with, but have skillsets more fitting for the situation at hand.
Dante can't keep half-assing everything by always turning to the same few people. Every Sinner in the group has their use and are smart in their own unique ways. They have to figure what every Sinner's strong point is, otherwise they'll end up putting everyone in danger by relying on people who are simply not good in a situation while ignoring those who could help.
So... that's what I think.
Anyway, personal general update - I'm still alive! And also very swamped with college and constant exhaustion. So, things will have to change a bit moving forward.
Number one - I will not be returning to old analysis requests. There's too many at this point, and I just don't have the time to sit down and write longass posts whenever I want anymore. However, that isn't to say E.G.O and Sin analyses will never return! I have plaaans for what I want to do with those moving forward, it just may take some time to materialize.
Number two - I'm generally just more active on Discord than on Tumblr. Yapping on Discord feels more natural for me, as it's just... less formal than making a full post I guess. So, if you want to discuss things with me, or if you're on a server that you think would do well with having me yapping in there, feel free to shoot me an invite link in replies (or in DMs if you don't want it to be public)!
Number three - Go check out the Absolute Pride Resonance event on Youtube! I'm not a part of it maybe next time wink wink nudge nudge, but you should still check it out cause it's a bunch of cool people doing very scuffed streams, as is fitting for the scuff Project Moon is known for.
Alright, that's it. I still don't know how to end Tumblr Posts. Bye.
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sobasluuurp · 2 days
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Ok. About Tenko.
I understand why so many people are angry that he's dead. I really do. I would've loved for him to live as well. I cried when he died.
However.
Just because he's dead doesn't mean his character has been handled poorly. In fact, all things considered, this ending (even though it makes me real fucking sad) makes the most sense for both his character and his story. Let me explain.
First and foremost, there's the matter of Shigaraki's characterization and arc. It goes without saying, but he's an angry, used, and abused child who grew up into an adult who wants nothing more than for everything to end. His goals have always been destructive to an extreme and honestly, the logical end to "let's destroy it all" is LITERALLY everything, including himself. He's also had absolutely zero agency since the moment his parents even thought of conceiving him, and has been struggling to become his own person since the beginning of his arc. He, against his abuser, who covets immortality and eternity.
What better a way for a person such as himself to assert his agency is there than to go out the way he did? To shift his focus away from the faceless masses and to the (similarly faceless, lol) abuser who caused his pain in the first place? To destroy the control AFO has held over him and prove to him that he was always his own person? To say, this is who you molded me into. And because I am who I am, I will now kill you, and take myself down with you, and be glad for it.
(and in the process, destroy the worldview AFO showed us in the Star and Stripe arc, that the ones who survive are the victors. AFO has completely and eternally lost, but Shigaraki is victorious to his last.)
It's his first moment of complete agency in his life -- acting entirely against anyone else's wishes for himself or his actions. And he uses it to do the one thing he's been itching for his whole life -- to destroy the source of his pain.
It's a negative character arc, in a way. It's not what any of us would've wanted for him. In a perfect world, he would be able to recover and readjust, building a life for himself and his found family in peace. He'd be able to experience life fully for the first time, and see that the world is not so bleak after all.
(I'm choking up just thinking about what's been lost. It's a fucking tragedy.)
But not every character arc gets to end happily. Sometimes people do slip through the cracks. That's always been what Shigaraki's character is about.
....and what every other member of the League's characters have been about.
Because here's the thing. The story of Shigaraki's life and death would be incomplete without his relationship to his found family. He's their leader. Their symbol. Their All Might.
Shigaraki's death is not the grimdark, fuck-the-audience, senseless kind of tragedy. He is a martyr, yes, but the people he stood for will in all likelihood survive. He died for the League. His life -- his existence -- brought them together, gave them purpose, and showed them a bright future. It is my steadfast belief that he will be the only death among the main villains. Because this is a story about saving to win, after all. And given that My Hero doesn't like to kill characters off too often and each one of them still has a path to recovery, I think it's a safe assumption to make. Especially since (especially in Toya's and Toga's cases) each of them had a moment of reconciliation at the end of their fights -- the kind of thing that can help them move forward.
And to be honest, we've known for a very, very long time that BNHA is the kind of anime that likes to turn old cliches on their heads. Kacchan did not become a villain during Kamino. La Brava's literal power of love was not enough to win the battle. Deku fought tirelessly to talk-no-jutsu Shigaraki into redemption, and while he did get through to him, he still couldn't save him after everything that happened. It's nuanced and messy in a way that I've come to expect from BNHA.
So yea, Shigaraki died. But Shigaraki also lived. Despite everything that AFO and Kotoro wanted from him (despite the fact that he was never meant to really be alive in the first place), he lived on his own terms and fought so that the people he cared about would be seen. Because he lived, the old world was destroyed, and from his ashes, a better one can be built. He achieved everything that no one thought he could, and reclaimed his life in the process. What better ending could you ask for a tragic character?
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dorthyanndrarry · 1 day
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i'm so sorry I fell off the face of the earth. I didn't mean to😥.
I was renovating the house I was living in while getting ready to move for the first time in 12 years then moving and staging the house I had been living in (my parents owned it, they paid me a percentage of the house sale for the work I did) Oh and I was also moving in with my sister who had been in s korea the last eight years.
So I might have burned myself out, a lote.
I've been trying, very very slowly, to start writing again. I don't know if there's anyone here anymore but I forced myself to at least post and say something even though my anxiety says I'm a terrible person and I'll be yelled at. it's like the opposite of that meme, except instead of getting a good grade in therapy, I'm gonna get a bad grade in tumblr. But I've been on tumblr long enough to know we are all f students, and I think that's kind of the point?
anyway. I've started by editing/rewriting one of my old stories cause that's less stressful. And I'll post it here, if anyone wants to read it? fingers crossed I can gently ease myself back into this without doing another crash n burn
and also I've missed you all🥰
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sibylsleaves · 2 days
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This isn't a Buddie established relationship ask so feel free to ignore this but I'm curious...what do you see Buck and Tommy eventually breaking up over? Or what would you want them to break up over?
anon do you want to get me killed
no, i'm totally kidding, this is an interesting question! and im sure everyone is going to be completely normal about me answering it right guys
(under a cut for length)
I think if I'm being super honest, my #1 choice would be Eddie. Both for Buddie reasons and for established narrative reasons--Eddie has been haunting the narrative of BuckTommy, so to speak, since the beginning and it makes a lot of sense to me that it would come back around to him in the end. In 7x04, Tommy says it was "never his intention" to come between Eddie and Buck. He also says Buck "isn't the only one" who can get jealous. In 7x05, Eddie says "this doesn't change a thing between us." Maddie in 7x05 also says that line about "if there's something you need to tell Eddie, you will in your own time."
Right now these are just lines that mean what they mean at face value BUT they are also ripe with potential to be foreshadowing for an eventual break-up/Buddie feelings realization arc. I do think the Bi Buck arc/Tommy arc in general is an excellent catalyst for Buddie feelings realization because. well. it DOES change the equation in a fundamental way. And it's like. slow burn romance 101 to have one character pining over the other while they're in a relationship, so. the stage has been set.
But what form that takes exactly, idk. If I'm the one in charge, I think I'd want Eddie feelings realization -> pining while Buck is with Tommy -> separate Buck feelings realization -> break up with Tommy -> mutual pining for a while -> eventual Buck confession -> they get together. With like some more messy fun things thrown into the mix idk.
I'm less enthused but still intrigued by a Tommy realizes BEFORE Buck arc leading to a break up. I think it makes sense as an echo of Buck's bi realization--Tommy was the catalyst there and it wasn't until he kissed Buck that Buck came to terms with his feeling so I do like the narrative parallels there.
But from a character perspective I think I just really want Buck to get there on his own because one of his prevailing character flaws is that he just kinda...does not know what he's doing or what's happening in his brain ever. He says to Connor and Kameron in season 6 that he "doesn't know what he wants." and in 7x05 he says to Tommy he "doesn't know what he's ready for." And Maddie says in 7x05 that Buck "isn't sure of his own feelings yet." So. I'd like to see a growth where he IS sure of his feelings, where he DOES know what he wants and what he's ready for, and is able to take the initiative and be the one to break things off with Tommy (learning from his mistakes with Taylor/Lucy).
If it's not Eddie (or perhaps Eddie is just PART of the equation) then I think it could go a couple different routes. Route 1 would be a fundamental incompatibility, something like...idk. Tommy not really taking Buck seriously as a partner. This would kind of harken back to their first date (and also to Buck's relationship with Abby) and Tommy cutting out because he thinks Buck "isn't ready."
Or maybe they break up because they don't want the same things in life. I've said it before with other Buck relationships on the show but I would actually love to see an amicable break up because Buck wants kids and his partner doesn't. As Buck gets older, I REALLY would love for the show to really delve into his desire for family/kids, and this particular storyline I don't think I've ever seen portrayed. And it's a very normal reason for a couple to break up!
Or maybe Tommy has to move away for a Cool Helicopter Job and Buck contemplates moving with him. Maybe he even decides he will. But then something Happens and at the last minute he realizes he can't leave his family and that his home is in LA and he has to let Tommy go. This would give me a lot of found family feelings so 🥺
Or maybe they end up together and there's no break up arc. Anything could happen tbh.
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sunflowerwizard · 2 days
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We Don't Talk About Abdel: the ""Canon"" Gorion's Ward and Why I Hate Him
If you've only played Baldur's Gate 3 you may have heard of Abdel Adrian. The Hero of Baldur's Gate, late Grand Duke, and Bhaalspawn who died, badly.
There is, unfortunately a lot you might not know. Spoilers ahead for the original Baldur's Gate, Baldur's Gate 2: Shadows of Amn, and Baldur's Gate 2: Throne of Bhaal. And their shitty novelizations you should not read.
Your choices matter. Allegedly.
There are many ways to handle continuity in a series of choice-heavy RPGs with custom main characters. There's the approach the original Fallout games did, by setting the second installment long enough after the first, that your player character can be vaguely alluded to without much friction. There's the Bioware approach, of uploading your save data from previous games to slightly effect the world in the next one. And then there's the Baldur's Gate series, which splits the difference and makes the worst of both worlds: a century has past and there's no cheeky vagueness to transplant your own player character as the Hero of Baldur's Gate. It is Abdel Adrian's world and we are merely living in it.
I'd argue there's one thing that very clearly separates a Commander Shepherd from an Abdel Adrian, and that's serving a role in a game that lines up with the story being told.
What's the deal with Bhaalspawn?
I'd like to get one thing out of the way first. Bhaalspawn =/= The Dark Urge. I only mention this because I've seen some people assume all Bhaalspawn operate on the "sleeper cell turbo murderer" framework that the DU does. The majority of the first Baldur's Gate game, the player character themself doesn't know they're in any way unusual. You get ominous dream sequences as the story progresses, up until the Big Reveal.
At which point, one of the themes reveals itself: nature versus nurture. Your PC is a 20-something year old young adult who lived inside a walled town, and had their entire support system torn away the second they left. Unless you've chosen to roleplay that way, they may not have ever felt a particular inclination towards violence. This is in stark contrast with Big Bad, your half-brother Sarevok whose upbringing was filled with struggle and violence.
It's even more apparent in Throne of Bhaal, when you're confronted with it outright: what if your places had been switched? Maybe you would've committed even more atrocities than your half-brother.
We now have to talk about the books. Unfortunately. Canonically the novelization of Baldur's Gate is the origin of Abdel Adrian. He is Philip Athans' brainchild and there's fuck all we can do about it. Unless I get a word of god response from Wizards of the Coast or story beats are directly contradicted in other BG-related media that has come out since, I am treating the events of the books as canon.
A narrative treadmill of a character arc
The game starts out in relatively bog-standard hero's journey fashion. It's morning in Candlekeep, you're leaving home for the very first time with your adoptive dad, and he's been very cagey about the details other than "we need to leave, I'll explain later."
Abdel Adrian, has already left Candlekeep at the start of the novel. He's already in his mid-twenties, and has been traveling the Sword Coast as a sword-for-hire for nearly a decade (presumably cornering the child soldier market). He also really likes killing people, hence his line of work. The big inciting incident with Gorion happens because he sent Abdel a letter about needing to talk, at which point Sarevok shows up, kills Gorion, who tells Abdel to seek out Jahiera and Khalid with his dying breath.
I'll break down my issues with this point by point. -Abdel is very clearly not a level 1 character. Perhaps this is a petty point, but isn't half the fun of this style of fantasy story watching the protagonist grow in skill, until they can eventually face off against the seemingly indomitable Big Bad? Spoiler: Abdel is already at the peak of his Swordsmanship Power™ and we will not see any growth on that front.
-What are the stakes, actually? We went from "everything I know and love has been torn away from me. I'm a level 1 adventurer in a big, dangerous world and cannot go home." to "I'm a big tough fighterman with a penchant for murder who's going to avenge the father figure the book tell-not-shows you I cared about" Like my previous point, we have no baseline, no sense of what the main character has truly lost. I'm much less interested in watching someone start from the middle and fight their way to the top, than seeing someone from rock bottom getting there.
-His Bhaalspawn heritage manifests itself as murdergremlin tendencies. If you've not encountered a player with murdergremlin tendencies while playing a ttrpg, you've almost certainly heard horror stories about them. The guy who loves to escalate encounters into combat, who threatens and maims because "it's what my character would do" and often times view themselves as the main character.
If that sounds exhausting, this is the character whose head we're trapped inside. A guy whose two big motivators are murder and sex, whose external moral compass is his love interest (Jahiera deserved better). AND EVEN THEN by the end of the second book, the only growth he has experienced as a character is "maybe sometimes I won't murder everyone who makes me angry" when he just point-blank refuses to kill the antagonist of BG2. Oh, but not before he had sex with and violently murdered the other main antagonist who was also a woman.
"Okay the books are awful, but why be angry at Abdel?"
Because by virtue of WOTC continuing to use "Abdel Adrian" as THE Hero of Baldur's Gate and a canon character, those books are still canon. SOME elements had to be retconned for being incongruent with the games (did I mention in the first novel Abdel leaves Khalid to die during a fight in the first novel?) but otherwise? I've seen no revisions to his base character. And now every piece of Baldur's Gate media is built on this shitty, rotten foundation.
Are these points somewhat petty? Yes! Either Wizards should've come up with an entirely new stand-in Bhaalspawn to wash the shit taste of those novelizations out of everyone's mouths, or they should've written future material to only vaguely allude to BG 1&2's protagonist. The Bhaalspawn saga was wrapped up perfectly fine in Throne of Bhaal. Either he should've stayed dead with Cyric taking on his domain, or find another way to bring him back. Abdel Adrian having .0001% Bhaal Juice still in his blood and thus turning into The Slayer is a "Somehow, Palpatine returned" way of doing it.
On the off chance anyone is morbidly curious about the terrible novels, me and some pals did a live-reading not too long ago. If this post gets 100 notes I will make a Greatest Hits compilation of terrible moments. Spoiler: one of them includes the "spider in her cleavage" scene.
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respectthepetty · 2 hours
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Pride Petty Watch (The Untamed) 1/?
I let the crowd pick which two blacklisted shows I would watch from my Petty List, so I flew through the first one knowing I had this 50-episode beast waiting for me. People have warned me that the first two episodes wouldn't make sense, there are a ton of characters to keep track of, I need to watch it at normal speed, and I need to keep the sound on. Therefore, I was already mad before I hit play, yet somehow I started the first episode, blacked out, and emerged five episodes later.
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Which means I like it so far, and here's some quick reasons why:
Before I start, these two better be an item because they are my favorite BTS song aka "🔥" and since I haven't seen them in the present yet, I'm fearing something happened to them in that great battle in the past, and if so, I'M GOING TO BE BE LIVID! I've had them for three whole minutes, and they are everything to me, so I feel this story is going to fuck me over.
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Everyone is chasing after this golden black snitch, yet nobody is catching it, so although there is a lot of death happening, I'm laughing.
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If you squint, My Stand-In and The Untamed are the same. Boys who fell off a cliff come back in another body only to live the same life with the same people and make the same bad decisions. Cool cool cool.
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This current lecturer is stating nobody could find the body but he fell into fire/lava, so what body were they thinking they would find?! Also, don't think I didn't catch homeboy getting in trouble in the past for asking in class what happens when a spirit demands revenge and the instructor got upset because look where we are now! Possession of a body for the sake of revenge. Should've entertained the question, professor, because sixteen years later, it will come back to haunt you, literally.
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And homeboy applied his own theory of making the possessed bodies work for him to fight the other body. He is a smart cookie, and that's why the original Moo Moo person gave his body up to him.
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@dribs-and-drabbles, if this is why you told me I needed the sound on, I'm confident I'm not going to remember this melody. And how is he playing a leaf right now?
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I can't take this seriously. This feels like an 80s music video, and he is about to hit me with the hottest synthesizer intro.
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And the sword has the golden black snitch in it. *Pikachu face*
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I can't play an instrument but for a DIY flute made out of bamboo on the spot, I thought his playing was excellent. For people being saved from being squashed, they are some haters, and I would have stopped playing just so they could suffer.
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I picked up that sister is dead in the future, but her kid is a brat, and I would've been mean to him too.
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And did the brother really kill him in that battle on the hill because when the entire crowd was like "you killed him, right?", he was looking like . . .
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So this is the brat's daddy? It would make sense that a man who shut down an entire hotel for his party would have a son who sets 400 traps so nobody else can catch anything. The privilege is genetic.
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I like him AND I respect him. He has priorities and they are to drink and party because even when he came back in that other body, he snatched the liquor. As the opening showed, he's here for a good time, not a long time.
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I don't like Fuddy Duddy. He can remember 3,500 rules (this place is where fun goes to die), but couldn't remember to tell my party bro that his sister and brother were inside? Everybody just left homeboy without a note saying where they are, and Fuddy Duddy had the information, yet was too busy lecturing about rules. AND committed the ultimate party foul and wasted the liquor. Make that the 3,501th rule! He's lucky he can lay the synthesizer so well.
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This is where the big battle is/was (Nightvale, Nightshade, NightWhatever), and I hope this man died in it because he is doing TOO MUCH! "I don't fear death; I fear boredom" YOU'RE boring! Shut up and go collect the pieces of that dumb rock, Thanos Jr., so we can get this battle going.
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HE BROUGHT A BIRD INTO CLASS! This is the everyday American high school class.
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Why is everyone in the Fire Nation so pissed? Is it because it's hot there? All of y'all are doing too much except for that sister and her brother. I know that brother was the zombie guy from the statue fight, so that means the main homeboy was talking to Fire Nation sister at the graves. That was her family's grave, and she must be a good person, who is probably dead now too.
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So they can all play magical instruments? They're like Josie and the Pussycats, playing gigs between fighting crime.
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The brat's dad is gold, the Cloud Recesses (what is this name about because they should be a lot more fun with a name like that?) are white and blue, and the Fire Nation is red, so it's odd that homeboy had the dark blue robes with red underneath before coming to school, and keeps getting really friendly with the fire people. Plus the cloud people's power is blue, but his comes out in bursts of red. Is his daddy really Fire Nation? Get Maury on the line.
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So his bird buddy gave him porn, which he gave to Fuddy Duddy, who then ripped it up. No wonder why he is so good at school and remembers 3,500 rules. Got nothing but time on his hands since he isn't using his hands doing anything else by being so repressed.
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Fuddy Duddy just said he doesn't touch people, yet in the very beginning he snatched homeboy's hand without hesitation, so he wouldn't fall to his death. Then, he snatched that premium liquor for him. I see you and your heart on your sleeve, my man! Just like this water demon, the feelings are sneaking up on you and snatching you up!
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Should've bought her the comb, bro, because she's going to be dead after that big battle since she was sent to snoop for the Fire Nation. Even though she is trying to help her brother, I feel this will be y'alls Romeo and Juliet moment.
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So the brother was always going to come back from the dead since he already was cursed(?), and my homeboy is once again proving to be a friend to all. I like you, and I will learn your name, hopefully by episode 28.
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Only three marks healed in the present, so whoever is the last mark has to be one of these hoochies, and the more backstory I get, the more I think it's going to hurt when I find out who the last mark is.
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Half these people have already died leading up to that big battle and the other half will die as homeboy sets out on his Kill Bill journey, so like . . .
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"You and I have unfinished business"
*slams on the 'next' button*
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suffersinfandom · 1 day
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Heyo, @nidmightcookies! This is my response to your reply on Atticus' post over here -- I didn't want to take away from the message of that post or the additions from other POC.
Sidenote: I'm extremely white and have no credentials that make me qualified to talk about race (I'm just a person who reads and tries to listen), and my takes are probably going to show that. That's another reason I didn't want to clutter up the original post with my reply.
In response to this
“Why is it racist to depict Ed as uncontrollably violent?  Because he's not actually depicted that way in the show.”
you talk about Ed baiting the crew to murder him and committing other violent acts. The original point is stating that Ed is not depicted as uncontrollably violent in the show, not claiming that he perpetrated no violence full stop. Yes, Ed does violence. No, he is not uncontrollably violent.
What Ed does is purposeful, not uncontrollable. He doesn’t push Lucius off the ship after he gives up all hope because he’s a violent guy who just does stuff like that, and the mutiny situation in S2E2… as allthinky said in a response, “that’s Ed at the end of his rope,” not him being uncontrollably violent. He’d been working towards suicide ever since he started baiting Low. As a backup plan, he’s been working the crew hard, disregarding their well-being, and being an overall awful boss in an attempt to incite a mutiny. 
Yes, he was “a serious, immediate threat to his crew” by the time he was out of other ideas to make someone take him out. Ed commits acts of violence -- I don’t think I’ve seen anyone claim he doesn’t -- but he always does so with some amount of reason (not necessarily good reasons) and control. 
“Upon reflection, my biggest issue may be with the people who argue that Ed's never been shown to be violent, or that any time he has resorted to violence, he's absolved of blame by the fact that someone was mean to him first. Which... I don't think I've seen you make either of those arguments at any point in the past.”
I’m really glad that you mentioned that OP hadn’t made either of those arguments (that you know of), that was genuinely very cool. As for the rest of it, I don’t believe I’ve seen anyone say that Ed is “never shown to be violent” or that he can always be “absolved of the blame” unless you want to remove all of the nuance from common talking points. 
He is never shown to be more violent than the average pirate and, due to his deep-seated trauma relating to his own capacity for violence, he’s actually on the less violent end of the pirate spectrum. He can’t be absolved of all blame for his actions because he’s a grown man who makes his own choices (and saying otherwise robs him of his agency). What I’ve seen said is that Ed’s actions are informed by things like trauma, abuse, and racism. His actions make sense. They’re not spontaneous violence committed because Ed flies into rages and homicidal spirals out of the blue.
“Not saying we shouldn't consider it [that is, are we “assigning more weight to Ed's violent actions than those of other characters or assuming he's worse than he actually is”], but I mean. If a white character on the show had cut off his employee's toes and fed them to him, shot him in the leg, ordered his death, held a gun on his other subordinates, marooned some/tossed one overboard, threatened to drown the ones that remained... because he was pushed into it, with the same combination of abusive childhood/hostile work environment... would he be equally deserving of that consideration? Would it be an overreaction to call him dangerous?”
Probably, but if everything was the same except Ed Is White Now, his baggage and his relationship with Izzy wouldn’t be exactly the same. Ed's race isn’t inconsequential. We can't really remove race from the story and end up with the same character, y'know?
Also: I do think it’s inappropriate to turn this question back on POC. I don’t think that POC are obligated to reconsider biases against a white character.
“Izzy is crew”
Ed’s relationship to Izzy is not comparable to his relationship with the crew. The crew have done nothing wrong and haven’t behaved antagonistically towards Ed. Izzy and Ed have a complicated, toxic, and difficult relationship (regardless of where you stand on whether or not Izzy’s abusive), therefore any harm caused to Izzy has to be considered differently than harm caused to the rest of the crew.
“Even if we say that he doesn't count, Ed still pushed Lucius off the ship.”
Yes, Ed did do that, but I think that Atticus is talking about Ed’s S2 actions in that point, not what happened in S1. Most (I think all?) meta I’ve read does consider Ed pushing Lucius off the ship an act of violence that Lucius himself did nothing to provoke. 
This might be controversial, but I’d put Ed pushing Lucius overboard on par with, like, a particularly unjust firing in a workplace that isn’t a pirate vessel. When we watch OFMD, we have to adjust our physical violence meters to account for the fact that we’re dealing with an environment that’s full of physical violence.
“Also, emotional abuse directed at the rest of the crew is still abuse”
I don't consider Ed emotionally abusive. He works the crew hard. He’s a terrible boss who doesn’t give his employees vacation days or paid time off and then throws them a sad pizza party. That sucks, it’s not okay, and his final death spiral in S2E2 is terrible and he never should have involved the crew in that. 
Abuse is a pattern of behavior that’s meant to control people. Not all harm is abuse. When I say that Ed isn't abusive, I'm not saying that he didn't hurt people.
“So... I was raised by a physically and psychologically abusive parent. I get that Ed's been hurt, is still hurting, and why. The "why" doesn't matter for the question of "did he or didn't he", though. It may or may not be his fault, he may or may not have done it because he felt unsafe. The point is, his actions did hurt people.”
Same, friend, and I'm sorry you went through that. (That’s actually one of the reasons I’ve always been wary of Izzy. What he says and does in S1 is too familiar to me, sometimes to a point where I can’t watch certain scenes.) I don’t think anyone’s saying that Ed isn’t hurting anyone, or that all of his actions can be attributed to abuse. If that’s not what you’re getting at here, apologies for misunderstanding.
“His boss that he was trying to control was brown.  Was that a factor in his power play though, or was it because Taika wound up being cast as Blackbeard? Any other (white) actor in the role, would Izzy be as bad for trying to control him? Would the scripts have gone a different way?”
Here’s the thing. In the show we have, Blackbeard is played by a Maori/Jewish man, and this fundamentally alters the character. There are things in the show -- whole episodes, if you want to look at S1E5 and the fancy party guests who treat Ed like exotic entertainment and not a peer -- that wouldn’t be the same if Ed was white. 
And yeah, Ed being brown changes the dynamic between Ed and Izzy. It would still be bad if a white guy was trying to control another white guy, but it wouldn’t be bad on the same level. Same goes if they were both brown. A white man trying to control the behavior of an indigenous man is worse.
“Izzy got permanently disfigured, crippled, and dead, while Ed came out largely unscathed in a physical sense, due to Muppet logic. Not to say one is more deserving than the other, but for a bunch of fans, there's probably a sense of Izzy getting the short end of the stick, to consider.”
That’s fine if some people feel like Izzy got the short end of the stick. It’s fine that some people feel like Izzy’s arc was kinder to him than it should have been. It’s okay to feel whatever! We connect emotionally to different characters and that biases our opinions and meta. That’s not a crime. We just need to be aware of our biases and why they exist.
The thing with OFMD is that Ed is a main character with more background and a story that, at every turn, asks you to sympathize with him. We’re given a look into Ed’s psyche. We understand at least some of his trauma and hurt and why he acts the way he does. Izzy has virtually no backstory and we’re never offered a glimpse into his mind; we don’t know why he’s like that. You can totally like a secondary character (or even an antagonist!) with no real canonical background or mental groundwork. It’s fun to ask why characters do what they do when canon doesn’t offer us any answers, and who doesn’t love a mystery box? 
But with OFMD, it can raise eyebrows when people say their main concern is the suffering of a white man who behaves antagonistically towards a brown man, especially when that brown character is a well-developed lead who also suffers (and suffers at the hands of aforementioned white character). It’s not inherently racist for someone to care more about Izzy than Ed, but it’s also not unreasonable to ask that someone to think about the possibility that subconscious racism could be factoring into their point of view.
“I don't think it's fair discussion to have a rule saying ‘even though you didn't directly call out the brown man, your argument is still racist’... even if it's true in many cases, it effectively means that no criticism of the character can ever be considered valid. If someone wants to argue ‘removing your employee's toes and feeding them to him is abusive behavior’, they can't, because of the unspoken skin colors involved? I don't know what the solution to this is.”
No one is saying that all criticism of a character of color is racist or invalid. As allthinky said in response, we’re saying that “those critiques have to be based on real evidence, and placed in a careful context, so that their actions can be understood as human, and not just the brutality of some brute.”
Criticize, but criticize with evidence and with awareness of the context of the criticized behavior. 
With the Izzy example, you have to consider the context of their relationship and Izzy’s actions throughout S1. Izzy isn’t just an employee: he’s a trusted second-in-command who has been insulting, controlling, and disloyal; he endangered not just Stede but also Ed and the rest of the crew; he told Ed that he was better off dead than acting as he was, and that Izzy's loyalty belongs to the violent worksona that Ed wants to shed. Is Ed being abusive when he’s reacting in response to abuse from his abuser? 
“[T]he show has layers (like an onion). Sometimes the meaning is not entirely surface-level, and everyone has a different level of comprehension. Sometimes obvious things to us aren't obvious to other fans/vice-versa. There's a whole 'nother discussion of media literacy to be had.”
I think that Atticus said it best here: “This is not a subtle show. That's not to say it's a simple one [...]. It's amazingly layered and emotional responses by characters are often extremely complex. However, when the show is trying to tell you something, it's not subtle and it never tries to hide it.”
There are a lot of things in OFMD that are subjective and open to interpretation, and those things are fun to discuss even when we have different takes. There are also a lot of things that are very clear. When people try to subvert the messages and ideas that OFMD is conveying loudly and openly, other fans get suspicious and wonder if the folks doing the subverting have an agenda, a bias, or just misunderstand what the show is saying.
I hope that reply was sufficient!
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