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#also this scene could have very well happened in canon
shut-up-danny-kun · 11 hours
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I've read hundreds of Star Trek TOS fics by now and it never ceases to amuse me how many different ways there are to fuck up Spock's characterization...now hold on just a minute - this post has a more interesting point than “fanfic writers stupid”, I promise you.
Every time, it's a spin on the massacre wheel. It's kind of amazing. Will he be overly emotional to the point where he's not himself anymore? Will he be so cold it's unpleasant and kind of hard to understand how he's lived to this point? Will he be extremely horny for no good reason? Will he speak in a way that sounds complety wrong?
I chuckle and shake my head. Of course, I KNOW what Spock is like, and MY interpretation of him is the most perfect and correct one. Obviously. He's just a very nuanced character, formed by many people in an unconventional way, with traits that seem to contradict each other at first but ultimately form a rich and unique character that so many people fell in love with specifically because he's so complicated...
Or...is he?
Let's entertain the idea that there isn't one correct interpretation of Spock, that all of these messy bits of characterization are not part of a bigger picture, but...just what they are: a product of many people with starkly different visions, working on a show that refuses to properly develop its characters. What then? Well, then Spock is a Rorschach test. Each viewer connects the random dots in their own way, and ignores the ones they don't like.
Let's use an example: me! In my interpretation of Spock (the most correct one, of course) he is, first of all, gay and on the asexual spectrum, reserved, largely uninterested in casual flirting or sex. When he is interested in the aforementioned things, he tends to be quite ashamed of it.
Makes sense, right? I can show you plenty of evidence for why that could be true. However, in the beginning of the first bloody season, Uhura sings a song about how Spock is actually kind of a heartthrob who likes to drive women insane with how hot he is, and Spock smiles. He smiles at her, as if agreeing and being very amused by all this! This interaction goes against pretty much everything I think about Spock. So what do I do? I explain it away in the most bizzare fucking way possible. See, Uhura and Spock are friends (there is no evidence for this), and Uhura knows everything I've just told you about him (through telepathy I guess? Not like he'd ever tell her!) and she's just trolling him (why would she do that? That is NOTHING like Uhura!). I need to do some Olympics-level mental gymnastics here, the opposite of Occam's razor.
“But Danny,” I hear you say, “it's just the start of the show! They hadn't figured out his character yet!”
To which I say: you can say that about anything! You can blame it all on a bad writer for that episode, and ignore virtually any scene that doesn't jive with your headcanons. It's there, and I can't ignore it.
So...how am I different from the people that want Spock to be thar heartthrob Uhura is singing about? That evidence is as much a part of canon as my favorite lines. Well, I'm not any different, that's the thing. And all those writers I complained about also have a point.
It's kind of a nihilistic take, I know, but maybe the reason Spock is such a cultural icon is because he is...whatever you want him to be: just concrete enough to spur on your imagination, yet vague and contradictory enough to let your brain fill in the gaps.
Don't get me wrong: I absolutely do not believe in this. In my mind, it just so happens that I'm one of the, like, 5 people ever who truly understood Spock (and one of them is Jim Kirk himself). But I still think it's something worth thinking about next time you're mad at a fic.
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morningstargirl666 · 3 months
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WIP WEDNESDAY
This is a snippet from chapter 36 of TBBW, a very very rough draft - I haven't done much for this chapter because I'm obvi focusing on editing. However, I'm sure you'll still find it exciting - and a hint to where the fic's plot is taking us next.
Klaus eyed the new girl standing in the Lockwood study, watching as she perused the family’s various collectables and ornaments decorating the room, admiring a painting which Klaus thought rather tacky that was hung over the fireplace. There was a scent about her, tainting the entire room, wet fur and damp earth - a werewolf. Interesting.
“You’re a new face,” he commented, making her jump. She hadn’t noticed he was there.
To give her credit, she recovered quickly, spinning around to face him, taking in his appearance with a sharp eye. Klaus let her look, stepping further into the room, his hands behind his back.
“And I take it from your accent you’re an old one,” she pointed her finger at him, tilting her head in question. “Klaus?”
He smiled down at the floor, amused by her valiant attempt to hide her fear. Unfortunately, her jumping heartbeat gave her away. 
“My reputation precedes me. Hopefully not all bad.”
She curled up her lip in obvious disgust. “A little bad. Mostly repulsive.”
His smile dropped, no longer amused at all. He couldn’t work out if her disrespect was foolishness or arrogance.
“So you’re a friend of Tyler’s-” he continued, walking closer towards her, eyes narrowed. “That’s strange. He’s never mentioned you.”
The girl clamped her mouth shut, suddenly with little to say. And that was when Klaus heard his name being said, far away at the other end of the house, by a voice whose cadence he recognised instantly: Caroline.
“You’re kidding me? Klaus?” 
Klaus turned his head slightly, frowning as he listened in more intently. He could practically hear the wince in Tyler’s response.
“Yeah, and I really don’t want to piss him off so…You should go to the party. I’ll be fine here.”
“But I’d rather hang with you,” he heard Caroline reply, so tentative and so very hopeful.
Regardless, Tyler shot her down.
“Trust me, I am no fun right now.”
Why would Tyler turn her away? The petty, vindictive boy Tyler was, no doubt he’d jump at the chance to have Caroline on his arm while Klaus was in the house. A childish fuck you, since he couldn’t turn the hybrids protecting him away. So why say no? His mother was out, so she wouldn’t intrude, he was alone in the house except for-
Klaus’ gaze fell back on the new girl, looking at her in a new light. Suddenly, her presence took on an entirely different meaning, one that Klaus didn’t like at all.
“And I think I know why,” Klaus continued, shooting her a smile that was all teeth.
“Okay. Well, I’ll see you later then?”
“Yeah, I’ll call you,”
“Yeah, okay.”
Klaus felt his hands clench behind his back, an anger settling his chest at sheer disappointment and hesitance he heard in Caroline’s voice, like she had done something wrong. The nerve of this boy-
“Tell me…” he trailed off, pointedly looking at the girl.
“Hayley,” she answered quickly.
“Hayley,” Klaus echoed, beginning to circle around her. “Tell me, Hayley, how did you and Tyler meet?”
She shifted her weight to one side, folding her arms around her chest. Defensive. “I ran with the pack he sought help from.”
“To break my sire bond?” Klaus asked, her face confirming his suspicions. He waved the panicked look in her eyes away. “Yes, I know all about that. So, you are one of the Outcast then.”
Hayley frowned, shaking her head in confusion and looking rather impatient, as if he was rambling nonsense. “Outcast?”
“Werewolves like yourself and Tyler: descendants of the same wolves that stabbed their brethren in the back for a chance of mercy. Doomed to forever wander in aimless, disjointed  packs,” he explained, stopping behind her, forcing her to turn to face him. His mouth curled into a sneer of his own. “Traitorous little things.”
She scoffed, smiling a little. “I literally have no idea what you’re talking about.”
“No. You wouldn’t,” Klaus drawled, tilting his head again, in that wolf-like way. Her smile fell. “Allow me to enlighten you,” he continued, pointing a finger at her, “You see, werewolves like you, like the others I made my hybrids - they know not of our nature. Instead of making a stand, staying to fight against the vampires and witches alike - your ancestors ran and hid. And in hiding, they failed to teach their children the ways of our kind. The traditions, the knowledge, the culture. All was lost until they were so far from what they are, they believe their wolf is a curse. Outcast. Alone. Forgotten.”
“Lycanthropy is a curse.”
Klaus grinned. “Is it?”
Her eyes narrowed, taking a step back from him, clearly ill at ease with what he had just said. “What would you know of our histories? You’re more vampire than wolf, I know that at least.”
“My father is what we call an Alpha of Alphas. A King,” he said, closing the distance between them, not allowing her to escape. “Do you know what that makes me, Hayley?”
“Am I supposed to say Prince Charming?” she sneered, all disgust and foolish defiance.
Something dangerous settled in Klaus’ gaze, violent and spiteful.
“Werewolves follow power. They do not follow weak Kings.” His hand shot out, enclosing around her throat and lifting her up by the neck. His eyes bled black and gold, veins crawling across his cheeks. “Do I look weak to you?” he growled out through sharp fangs.
“No,” Hayley choked out, fingers scrambling at the hand holding her throat.
“Then tread more carefully then, because unlike my father, I am not prone to mercy," he snarled in her ear, tightening his fingers around her throat for emphasis. "And learn to curb your tongue or you will find yourself without it,” he said, almost as an after thought, before letting her go. She dropped to the floor, gasping in lungfuls of air and curling over, coughing. Klaus cocked his head, his expression suddenly serene once more. He looked almost bored. When she looked up at him with wide, frightened eyes, he raised a brow, gesturing to the door impatiently. “Go.”
She didn’t need telling twice.
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yourqueenb · 4 months
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You have no idea how happy I am to see that other people like you don't like blades 2 as well. Like yes it was decent, but on the same level as book 1 in the LEAST.
And I agree, book 3 seems like an excuse to get fans off of their back about the writing. The finale felt extremely disappointing, compared to the thrill you could feel in book 1 end
Yeah, I’m still gonna play book 3 and (foolishly) hope that it’ll be better. But those hopes aren’t too high because book 2 was not a good set up for book 3 at all in my opinion. There’s so much going on. I don’t like that Valax is a part of our friend group now. However, the group dynamics were off long before that if I’m being real. Mal’s route was ruined for me.
When I was going through and deleting my screenshots the other day, I reread the “You slept through it scene” and just felt a renewed sense of hurt and anger at him and really all of our friends. Mal caught a lot of heat from me specifically because he’s my LI and the one who said such an awful thing. But honestly, the rest of the group essentially agreed with him by expanding on what he said (Imtura and Nia) or not saying anything at all (Tyril) and only getting on one accord to exclude MC.
And then on top of all of that, there are quite a few holes that really should be patched up. The plot was a mess for the majority of the story. Tbh it was almost giving Endless Summer because they were locking important information behind diamond scenes and in the lore tablets.
So all this to say that at this point in time, I no longer have faith that PB can handle complex storytelling. Their parent company and higher ups (unsurprisingly) only care about money. And the writers themselves are too lazy and too biased. Does that mean they can no longer write enjoyable stories? No, of course not. But I do think they need to rein it in and be a bit more realistic about what they can handle right now because there’s nothing wrong with a simpler book/plot that’s aware of what it’s trying to accomplish. And it’s clear that they were far too ambitious with Blades 2
#choices bolas#choices blades#blades of light and shadow#choices stories you play#playchoices#if book 3 is as disappointing as or worse than book 2 I’m just gonna ignore them and only consider book 1 canon#and then just make up my own headcanon for what happened after lol#I think i and quite a few other people have been operating off of the notion that PB could tell great complex stories#but they weren’t because cheap smut is what sells#but now I can’t even believe that anymore#they just don’t have the range#and maybe I should’ve come to this conclusion sooner but 🤷🏽‍♀️#and back to the Mal thing for a second I’m being so serious when I say rereading that scene broke my heart all over again#when I first read it my initial reaction was anger so I couldn’t even really focus on anything immediately after that#but upon rereading my heart just sunk for MC#bc if the writers did one thing well it was making the rift between MC and the rest of the group palpable#and it was also very obvious that she was hurt by that and ended up internalizing Mal’s statement/the group’s sentiments on that year#‘Just a little blood No scars Nothing I was asleep for all of it My body works fine’#so I’ll just close out by saying enjoying the book was a challenge for me#and it shouldn’t have been because I *wanted* to enjoy it#book 1 was so good and it getting greenlit for a book 2 was such an unexpected surprise#plus we waited so long for it but it just did not meet expectations#choices#choices app#choices ask
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scattered-winter · 8 months
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wait hang on who are the hot gay boys in that gif set you reblogged
HGLHSIERGLSJDGALKSHGLK i was gonna put the [do you have any idea how little that narrows it down] meme but im pretty sure u mean this one <3 and in any case i will always be down to ramble about the Sillies(tm)
ok so those guys in particular are from the fox procedural called 9-1-1 Lone Star, which is a spinoff of the original 9-1-1 (which just got moved to abc after some Drama that went down so my tag for it is 911 (not fox) lmaoo). but both shows are about first responders (firefighters, paramedics, dispatchers, police) with a particular focus on firefighters. 9-1-1 (the og) is set in LA, and primarily focuses on the 118 firehouse and the firefighters/paramedics there with some other characters in the main cast who work as dispatchers/police officers (the police storylines are more often than not FULL of copaganda which sucks but the main focus is on the firefighters so i'm able to enjoy the rest of the show). 9-1-1 Lone Star is pretty much the same except it's set in austin texas, and is about the 126 firehouse. there are onscreen queer characters in both (in the og there's a married lesbian couple raising a kid, and in lone star there's the aforementioned hot gay boys [one of whom is unfortunately a cop but i swear to GOD i will get him out of there. one day.] and in lone star there's also a trans man and wlw woman in the main cast.) and my favorite thing about these shows is the found family !!! like these are the shows that have endeared firefighter aus to me because they live together and eat meals together and just. the familial/platonic love is So Powerful and it legiterally makes me cry to watch. like there's romance ofc but genuinely it's one of my favorite found family medias to ever exist. its So.
of the two the og is my favorite for a LOT of reasons, but they're both pretty enjoyable !! lone star definitely has more of a comedic tone than og (theyre BOTH funny but lone star doesn't have as many somber intense moments as og does, and they're much more spread out so there's a lot more room for goofy shenanigans. but og still definitely has plenty of those) and the team dynamics in them both are just...ughhh <3333
HOWEVER. lone star has ..... Him...(derogatory)...he's the fire captain and (despite lone star SUPPOSEDLY being an ensemble show with no Main Character) is in fact. the Main Character. and he's the blandest most obnoxious crustiest white man to ever LIVE. he gets most of the storylines and he's constantly propped up by the writing as The Coolest Guy Ever when he's just . not . i hate him so much it's unreal it's soo so unreal (<- biting the bars of my cage) BUT the rest of the team ??? absolutely love them. like i DO love lone star a lot its a great show with great characters and dynamics but it just has. the most annoying guy to ever live front and center when ITS SUPPOSED TO BE AN ENSEMBLE SHOW FEATURING EVERYONE EQUALLY. grr. anyway. og does a much better job of being an ensemble show, and i could not choose a favorite character of the main cast if you held me at gunpoint. angela bassett is there. i am gay. jennifer love hewitt is there. i am very gay. etcetera.
AND SINCE YOU ASKED SPECIFICALLY ABOUT THE LONE STAR GAYS ILL TELL YOU A BIT ABOUT THEM
so one of them is tk strand (firefighter/paramedic, also the son of the Main Character (derogatory). i have many many many thoughts about that. i would probably get gunned down in this fandom if i ever said them aloud.) and the other one is carlos reyes (a private detective TO MEEEEEEEEEEEE but unfortunately fox is full of cowards who refuse to see the truth. they wanna have a gay cop in their show sooo bad </3) and they're kind of the main romance of the show (there Are others ofc but theyre like. The Focus. which is fine ig but i do wish there was more focus on other relationships because in general lone star isnt as good as the ensemble thing as og. but i already complained about that so i digress.)
now they're a fun pair because one of them has been shot, frozen almost to death, and otherwise put into a coma on MULTIPLE occasions. and it's not the guy whose entire job is to get shot at. (the whump in both of these shows.....................absolutely effervescent. im thriving here.) and they have a very fascinating relationship because their personalities fit together really well but they have different ways of coping with shit that kind of tear each other apart a little bit. which is of course terrible for them but incredible for me. and the writing is at times ridiculous. soap opera-esque, even. they're ridiculous. i adore them. they cannot catch a god damn break and i love that for them even more. <3
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on one hand I wanna write my fic ideas wherein my marvel oc gets sent to the alternate universe of Gotham and hijinks ensue whilst she tries to survive and get back and the batfam and such slowly learn more info abt her world and how it's being threatened atm and she needs to go back and help and whatnot.
But on the other hand, the readers wouldn't know the marvel related backstory of this OC and would have. No context for her going in
But ALSO then the readers would know abt as much abt this mysterious figure as the batcrew do, and get to learn via flash backs and her slowly revealing info to them as safety allows
Then there's also just a general. Idk if there's any sort of oc etiquette when it comes to writing oc centered fics? My brain goes so hogwild when I read anything that I usually avoid oc fics other people write just bc I usually read and enjoy fics at face value but I also go "now what would happen if this OC was here?" And that gets real complicated when other people's ocs are involved
#jasper rambles#this is a rambly one yall#fanfic discussion#fanfic etiquette?#i just. listen. i made a vampire oc for captain america specifically of the mcu.. and i was thinking and like. gotham is the Perfect City fo#r a vampire to live right. so like. then i was like what would she do if she ended up in gotham. how would that go. and then i could reveal#her marvel backstory thru tidbits she drops and flashbacks. bc i have her mcu timeline pretty well planned out#tho also her existence (along w a few pther ocs) drastically changes the course of the mcu so some things hapen VERY differently (mainly civ#il war and then the start of the following arcs) so like id aalso have to reveal where the canon divergence from the mcu is during the flash#backs. and then ALSO i have a p decent grasp of the batfam and whatnot but i havent had the oppurtunity to read many comics so i dont even.#what if i just FAIL at their characterization and im actually wronf magically#and then ALSO comes the question of should i include my batman dc oc? bc SHES a whole. package. theres a LOT to unpack w her. tho for this s#pecific fic idea i think itd be fun to just. have her be Another Batfam Member. like yeah shes got her own stuff going on. but this fic woul#dnt dive into it anymore than it dives into the other batfam members#the other issue is deciding where in the mcu timeline this oc gets thrown into an au and why and how or if that affects the mcu timeline fro#m there. cuz thatd need to be decided for the sake of flashbacks. and if im gonna ise flashbacks id love to try and plan it out so it aligns#with the plot happening in gotham. i dont necessarily want like. a running Plot in the flashbacks. but id want them to be scenes from her li#fe in mcu that reveaal stuff that helps understand the decisions she makes in the gotham plot#but ALSO in the gotham plot. id wanna have it either be that her presence has caused some sort of ripple that the gotham baddies are using t#o hirt people or else some other unrelated gotham baddies plot is happening and this oc being herself sees trouble and runs towards it to tr#y and help people. even tho she has her own stuff to deal w. and then makes herself a target of the gangs and also potentially screws someth#ings up bc she doesnt have as intimate of knowledge abt the baddies and gangs as the batfam do since most of em grew up in the streets of g#otham one way or another#so like. and like she can hold her own. she was a young woman in brooklyn in the 30/40s. but its still a different environment in gotham rat#her than in brooklyn new york. so itd be. yeah. tbh i feel like the fact that im putting this much thought into it means i will probably try#to write and post it on ao3. idk when tho. im trying not to post more fics on ao3 so i can focus on my xmen fic#sso. anyway if you read all this feel free to share your thoughts and or like. sorry not sorry for the rambly essay of tags <3#i told you jasper rambles
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yo9urt · 5 months
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ball dur's gait 3 is ruining my life
#mine#I THINK I LOCKED MYSELF OUT OF AST4RI0N ROMANCE BY ACCIDENT#AND THE WORST PART IS I DONT EVEN KNOW HOW!!!!!!!#LIKE. WHAT SCENE DID I FUCK UP IN. WHICH DIALOGUE DID I MISS. WHERE DID I GO WRONG#i just got to act 3 and i had the option to ask him why him and my char haven't [ahem] in a while and i decided to click on it#and he finished the conversation by being like 'yeah theres never going to be anything between us'#i insta-reloaded to my save right before the convo because i refuse to accept that as being canon#even though i know the structure of this game well enough to know the fact that i have the option to have that convo#is like a 99% guarantee that i cant romance him#but fuck me man i wanna be a little delusional and keep believing#but if it's really over...............then 1. i'm very upset especially because this is my self insert#(although that is oddly fitting in its own way)#2. i still care him so much and in my heart i want to believe maybe after the events of the game something happens between them#3. im going to kill myself#and 4. on the upside i guess this does offer some interesting story/rp aspects i could play with in my silly mind#but fuuuuuuck me man i was counting on being able to do it i really thought i could get this to work...................#fuuuuuuuuuuuuuuuuuuuuuuuuuuuck man#so many things have gone wrong in this run it's almost kinda funny#i guess this also adds another playthrough to my planned list cause even though i watched the supercut and i know his romance already#i still kind of want to experience it for myself...even if it's not with my insert :(#but then again my tavs and durges will always be a little bit of an insert cause i'm going to project on them and they'll always#have something in common with me#i can try again in the future...#my 2nd run is going to be durgestarion with durge resisting the urges which i think will be really fun#but i guess im gonna need to use a guide LMAO#fuuuuuuuuuuck dude even though i reloaded to make the convo uncanon i feel like me and my little tav guy are sharing a deeply painful momen#ok this is too many tags WHATEVER i have a call in 30 minutes and then i'm playing the game for the rest of the day#even if he doesn't want me i will still care him......#oh i guess that's the other upside is i can see nonromantic dialogue i might not have seen otherwise#i'll probably see friend dialogue in future playthroughs when i romance other characters but who knows
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halcyone-of-the-sea · 11 months
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You're my favorite writer, and König is my favorite aussie man, so OF COURSE im making you write for him, hal, BEAR W ME !
Alright, what do you think about König with the “You’re here late.” prompt? The reader is part of KorTac and always worked alongside König, since they both entered about the same time, because of the readers personality, they are always fighting, one of these fights are specifically bad, leading the reader to go on a mission with another KorTac member, to help out somewhere else and take their mind off things, when the reader face a problem on the mission and ends up arriving late, König is furious.
Moths Hit the Window
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PAIRING: König x F!Reader
SYNOPSIS: Fights with König were always loud, but this time his comments went a bit too far.
WORD COUNT: 5.9k
WARNINGS: Verbal fighting, angst, high tension, blood & stitches, wounds, canon typical violence, guns/weapons, death, suggestive near the end, fluff, hurt/comfort, etc.
A/N: Huge thanks to @idocarealot for the German translations!! Also, König's wearing the arachnid skin in this because I love it sm - enjoy, Anon!
*I do not give others permission to translate and/or re-publish my works on this or any other platform*
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You seethe. If eyes could turn red yous would be a beautiful shade of crimson—bloody knives ripping out of the cornea to strike whoever happened to get too close. It was as if the very air boiled with the force of a raging tsunami as you stomped down the local military base’s hallways, covered in blood and guts. Never had you reconsidered working for KorTac more than at this very moment. 
Maybe I should just become a mercenary, you rip at the torn-apart gloves over your hands and jerk your arm out. Passerbyers quickly avert their eyes as you shove them into a garbage can and continue on with a growl. No shitty rules, no regulations—no fucking partners.
If people happened to slide past without noticing the steam coming out of your ears, they would have immediately locked eyes on the pure elephant of a man trailing fast behind. König’s eyes were goring into the back of your neck, gray and tan garb swaying as the packs and flash grenades on his combat vest bounced with every step. Accents of red do nothing in comparison to his visible flesh—the section of his eyes uncovered by his mask and head rig alight around his obsidian gaze. 
 König was muttering to himself far under his breath, curses and harsh comments all in German that he wouldn’t say to your face. At least not right now in view of others. 
“I can hear you, you dimwit,” you hiss over your shoulder, grinding your teeth as you both make your way to the armory, “curse me out quieter!” 
“You are making a scene!” The beast grunts, that heavily accented English striking your eardrums with its harsh dialect. 
“Oh, jeez!” You raise your voice even higher, turning back forward and clenching your hands into fists as blood and guts drip off your gear—none of it yours. “I’m just so damn embarrassed, König! I’m making such a large and obnoxious display. Whatever will I do?!” Sarcasm like a valuable drug is injected into the waves of your voice. People from open doorways look out with shock, brows pulled up. 
Everyone quickly darts back away when you snap your head in their direction and send them a scathing glare.
No one was surprised to find you and the Austrian going at it again but knew well enough to stay out of the crossfire. Lest someone get roped into it.
“Fuck off!” You spit the last curse into the burning air and shove past a soldier ahead of you.
König’s dark eyes flash dangerously, lips under his mask twisting into a sneer. The man’s shoulders seem to dig in even farther, spine curling over as if a brooding child. 
This had all started the second you’d joined up with KorTac. Fresh out of the military and eager to get back into the game after a good vacation the PMC group had been at the top of your list. But if you’d known you’d be paired up with this damn mountain every chance there was just because he’d got into the game at nearly the same time as you, you’d have put in your luck with SpecGru. 
“I do not see how this is appropriate behavior,” König follows as you place your palms on the black metal of the armory door, pressing with your shoulders. “I did what I was tasked to do—”
The masked man is cut off as you whirl on your heels, the door slamming shut as his body is shoved into it with strong arms. Dark eyes go wide in surprise, feeling the dig of your nails on his abdomen as your form presses into him and the chill of the door on his spine. You feel his skin bunch under his thick shirt and even if you want to stare him down that’s just not an option. Your warm figures shuffle together with panting breaths and dangerous glints in your eyes. 
“Bull,” you drag out the word, growling it right up into his neck; sniper hood caressing your chin. König’s breath hitches with shakes of swirling emotions. “Shit.”
Shoving once more so he gets the point, you push off of him and stalk away like a feral wolf, already unclipping grenades and medical packs from your vest. 
“You’re the damn reason the target got away!” Gear is thrown haphazardly to the long table in the center of the room. The Austrian watches with predatory eyes, hands clenched so hard that they quiver. He stays still, watching, as you send scathing glances. “The reason we’re going to be here for ten times longer than we’re supposed to be!” 
“It is not my fault you failed to properly check the perimeter before you rushed in like a fool.” Volatile couldn’t be used to describe this…this was nothing short of volcanic. It was as if there were two sides of a scale filled with bullets and gunpowder—fire in the middle that was equally heating both piles as they raised and lowered erratically. König’s voice grates over the air, “I did what I could to fix your scheiße plan!”
“Don’t you shit on my plan!” You point, voice bouncing off the weapon racks as you rip the rifle strap from over your chest, chucking it away. 
“I will shit on it—it was…it was…!”  König’s voice cuts out and he can’t find the words. The Austrian descends into visceral German ramblings. “Es war so ziemlich der schlechteste Plan, den ich je gehört hab. Welcher halbwegs vernünftige Mensch geht in eine heiße Zone ohne vorher alle Zielobjekte richtig zu markieren?! Ich kann dich und deine Rücksichtslosigkeit nicht mehr leiden — du bringst mich um meinen Verstand! Hast du überhaupt ein Gehirn in deinem Schädel?”
You shake your head to yourself, heart pounding. “You’re still the one that was supposed to focus on the HVT. I rushed so he would flush out, but, no,” taking out the magazine of the rifle you hold it in your hands like an accusatory ruler that a teacher would hold. König shoves off the door and stands to his full height; arms tensed and straining before they coil around his chest in a soothing gesture. 
He hated the fighting—the constant strain between the two of you. But when you were together it could never amount to anything else. The room felt like it was a million degrees.
Your eyes stab at him, “No! You had to go and focus on me! I hate to break this to you,  König,” feet come forward and you once again find yourself close to him—breathing the same air and taking in the scent of gunpowder and blood. You point the tip of the magazine into his chest. His unseen lips pull; jaw clenching with held-back fire. “But I am not your damn mutt to keep on a leash. I had it under control.”
It’s as if you don’t realize the Austrian could snap you in half with a single kick of his leg, as if the sheer size of König had slipped your mind as a whole. His hands could snap your neck in an instant, but that was only if he got ahold of you. 
But that was a line the both of you were never planning to cross. Words were one thing in this profession, actions another. If you ever got into a physical fight, you’d both kill each other, no doubt. 
You’d like to think you’re a bit above that, but perhaps not.
König’s chest rises and falls deeply, taking in calming breaths as he tries to get his temper under control. “You didn’t,” he jeers out, “I saved your life, you Heißluftgebläse. And if you wanted to be treated less than a dog,” he grunts to you, head pulling down close to your face, harshly whispering out, “You could have simply asked me, yes?”
You both snarl at each other's throats like rabid animals, the world disappearing all around the obsidian eyes that match with yours; for a moment you get lost in the shining bits of silver in his iris that seem to burn with chilled iron. What little skin you can see is flushed and tight—hawk nose nearly poking out your eye as you’re leaned over like a giraffe near a bush.
Body vibrating, you sharply breathe, “I’m not even going to ask what that fucking means, you tool.”
“Good.” The words are bitten and fast, “because I am not telling you.”
“Great!”
“Perfekt!” You both were arguing like children. Hot faces and unwilling to let the other have the last word. If you got along it might have been funny. 
“I’m going to dump all of your Einspänner out on the tarmac.” Your sure voice echoes with a definitive promise to the tone. 
Pale lids widen in horror at the threat to the Austrian's favorite beverage, comfortably sitting in the Base’s fridge. 
“You would not,” König’s tone is deathly serious and you smirk, eyes dancing. “You…” a guttural growl meets the air, mind translating words and giving meanings, “beast of a woman!”
“Oh, is that the best you can fucking do?!” You yell, splaying your hands out widely and moving away from him. “Now that’s really a show stopper, König, I’m shaking in my damn boots.” 
“Ich komm mit dir nicht mehr klar.” König yells, moving back and placing both of his hands atop his head, knuckles white. “You’re rude—you do not even try to get along. You are loud and disrespectful; how do you live like this?!”
Your eyes slightly widen, watching the Austrian.
“Don’t try?” You echo, scoffing loudly. “What do you mean don’t try? I was the one to try and smooth things out between us in the beginning.”
“When?!” König spreads his hands out, knees slightly bent. “Because I have no recollection of such events.”
“Well of course you wouldn’t!” The heat was meeting a breaking point—words were getting more personal, sharper. Like a blade being honed for the kill slowly; being sharpened by rocks and whetstones of conviction. 
König points a finger at you, voice going low and thin, “I’ve had enough of you, yes?” His sniper hood moves rapidly with his fast ricochets of breath. “Just about enough. Would you have wanted me to let you die?”
“I had it,” your lips spit, nose scrunched, and forehead tight. The man’s chest vibrates with a mute growl. 
In all actuality, you’d never seen him this worked up before. König wasn’t above giving your quips back even if he obviously disliked it—most of that was due to the strange familiarity between the two of you. In large crowds, the man preferred to stay silent. This only added to his almost deadly aura with others, though you knew the muteness was because of social anxiety and not some built silence. He wasn’t shy per se, just afraid he’d say something wrong; mess up the conversation. You did most of the talking in meetings and you never minded it. Added him in when the topic was something he knew a lot about.
Your mind had addled it up to thinking it was cute, actually. How his feet would shuffle; his half-lidded gaze and his intense eye contact to let them know he was still listening. When he’d have to remind himself to look away with a pinch to his thigh because it was starting to seem threatening. It was endearing, even.
But around people König knew, well, he was going to speak his mind. No matter how long it takes his brain to catch up with his lips.
The only thing the two of you were good at was being moths—hitting the metaphorical window over and over on the same topics and tension points. Slamming heads and flapping wings. You were at the end of your rope just as he was.
“I should have never taken you as a partner!” He calls, feet splayed. “Should have gotten out of this the second you were assigned with me. Gott, ich hab wirklich versucht, dich zu verstehen — Ich hätte gleich aufgeben sollen.” Your lips thin, lungs stalling as all the air vacates the room. You stand still and listen to what he really thinks, fingers shaking.
König’s large form towers over all, great sparks of electricity flying out. His gear shakes as he moves, thigh straps pushing fabric to shift and conform to his body. Your blood pumps with brewing hesitance. 
Maybe this had gone too far. I’ve never seen him like this.
“I can’t stand you any longer! Pathetic squabbles that mean nothing, absolutely ludicrous plans that make little headway.” Your head bursts with aggression and what little warning signs you have are squashed. “I can’t keep saving you because you can’t do your job correctly!”
“You don’t have to save me at all!” You scream. “You can’t keep your damn eyes off of me for five seconds, König.” Feet move away quickly from the armory door as if someone had come to put away their stuff but thought better of it. The next words burst from you before you can think of the contents. “It’s like you fucking love me or something!”
König doesn’t miss a beat, but for months afterward, he wishes he had.
“Oh, do not make me laugh—” he scoffs ferally, adrenaline making him talk, “as if anyone could ever love a woman like you in the first place.” 
Twin eyes widen and both parties immediately fall silent. A sharp inhale.
Too far.
Under the hood, König’s face goes an embarrassing shade of red all the way down to his chest. Fingers freeze. Jaw slackens.
You feel like your heart was just grasped in his grip and ripped out of your ribs with one violent motion—one sentence out of all the others enough to knock down the rebuttal that had formed on the tip of your tongue. Your throat closes up as you blink in shock.
“I-I…” König stutters, mind blanking as he struggles for words. But anger was easier than pain.
Numb fingers rip off the last of your weapons and belongings as you let them hit the floor with defining thuds as warm shame floods your cheeks. Shaky puffs of breath like a panting dog. Dark eyes watch with regretful panic, heart jumping and eyes flinching. The adrenaline it…it made him forget himself on occasion—how to properly act when not on the battlefield. It was like that with everyone but…but he hadn’t meant that.
Shame that it’s already too late.
Your fisted hand slams into his chest, brutal and unforgiving. König lets off a grunt but does nothing as you slither past, hissing into his ear, “Find yourself a new punching bag.”
His hand snaps to his breast where you had slammed your KorTac patch right into his heart, catching it. It’s many moments before he can think enough through the alarm; form words.
“I…I didn’t…oh, du blöde Kuh!” 
By the time the man composed himself, panicked tears burning in his eyes, the door had already slammed shut. His feet squeaked over the tile to an empty audience. 
Private Military Companies don’t have ranks. There are no Sergeants, Lieutenants, Generals or Colonels. Just people. Beyond the orders you’d been hired on, there was nothing keeping you in line with König on this mission. And those orders were loose at best.
Adhere to policy and listen to the Base’s COs. Shut up and get the job done. 
The Austrian and you weren’t due out for another week because of rotations. Since you’d failed to capture or kill the HVT that you were assigned, another group had picked up the tracks in the meantime. Like an oiled machine, the gears of this operation kept whirling. 
Evolve, or die. 
“Lieutenant!” You call to the geared-up man on the tarmac—the one heading that very same group. It had been only a few hours since the incident in the armory. You needed a distraction; blood was still running high and brain pounding for release. There were only so many times you could bruise your fists and legs on a punching bag before people started giving you nervous looks. “Need an extra hand?”
Your voice sounds strained, even to you. The man looks you over once and narrows his eyes. Nods not moments later. 
“Get tired of your big friend? Okay, how fast can you be ready for me?” You feel your shoulders loosen, a relieved sigh exiting your lips.
“Three minutes.”
“...get to it then. We move in five.” 
So that was how you found yourself backed into a corner five hours into the op from hell—bloody knife held tightly in your grip and mouth open in ragged pants. 
“Fuck,” your vest is torn and riddled with bullets; your entire chest must be bruised by now because it surely aches like it is. “Fuck, fuck, fuck.”
You really are reckless, just like König had said you were. Maybe you’d just never realized it because he always seemed to watch your six. This…this was really bad. The comms were awash with screaming orders and panic, ringing out across the abandoned mining factory that exploded with light from gunfire and the sounds that accompanied it. You knew for a fact three soldiers were down; two KIA. 
The Lieutenant is one of them. 
Your hand snaps to the radio strapped to your chest, one eye squinted in pain at the ragged slice across your left brow line. At your feet, two heavily armed men lay dead. 
“Pull back! They knew we were coming!” But your word didn’t carry weight here. Your face twists between pain and rage. König’s comment still rings in your ears as the onset of tinnitus does, as if anyone could ever love a woman like you in the first place. It wasn’t ideal to be thinking about this now—it was detrimental that you didn’t. 
But König and the things he did often stained your brain. No matter how much you tried to distance yourself from that fact. 
Snapping the knife in your grasp down in an arch to dispel the blood from the blade, you take a steel-laced inhale and shove off the wall. Limping, but moving. Sprained ankle. Nothing you hadn’t dealt with before.
The concrete under you is splattered with crimson viscera and you stumble over spasming bodies riddled with bullets. With a subdued shink you slip your knife into its thigh sheath, grabbing the FTac Recon strapped around your chest after slamming a fresh mag into it. With a numb calm overcoming you, you slip your forefinger into the trigger guard, poised over the easy press of the trigger itself. 
The long shadows spread over you; your head illuminated by the dull sheen of the moon as you pass under a stretch of open sky to slink into the building across the empty street. Feral yells still bounce off the air and you go to them readily, purpose settling in your veins. 
Pain flies to the back of your mind, displaced by adrenaline and the rabid puffs of breath that fall like grinding thunder from your lips.  
You wonder what König’s thinking right now—he’d without a doubt noticed that you were gone. He’d even probably gone to your barracks room to try and apologize and found it empty. That was just how he was. 
Would he be happy? You wondered. Relieved to see you out of his life? You’d both done nothing but fight, but there were moments of peace. Understanding. 
Shared meals and comfortable, yet sarcastic, comments; soft glances when the other wasn’t looking. Heat in your face and obviously shown on his when shy hands brushed. 
Your hold tightens on your gun, brows dripping with sweat as it dribbles down along with the blood. Gunfire flashes. 
Closer now.
Shadows scream on top of a raised walkway attached to an in-mountain compound, targets with trigger fingers firing on your fellows who take cover behind crumbling walls. Pinned down. You watch, unseen, from a broken window as dust and moths collide. 
Your eyes lock on the closest hostile and you raise your weapon slowly, barrel resting on the frame between shattered glass. You clock the distance and adjust accordingly; breaths falling steady. 
The small insect that keeps hitting the window plays in your mind over and over—drowning out the yells; the fire. 
Just a moth readily willing to smash into that barrier until it dies. You hum under your breath and rest the gun into the crook of your shoulder, cheek to stock. 
Your finger slams into the trigger. 
You stumble out of the loud infirmary with a bloody rag pressed deeply into your forehead, medical pouch under one arm. You hear rushing feet and barked orders from nurses and doctors just before the door closes, cutting off as you stake out on your own.
Limping, you reason there were others with more severe wounds than your own; as blood drips from your flooded rag, your feet take you deep into the base one broken step at a time. You’d figure it out yourself. 
Plus, the silence would give you time to think. Think about König. 
You just gritted your teeth and decided that was better than taking up space in the infirmary. 
In times like these, the Austrian would fix your wounds for you, just as you did his. While you had your disagreements and heated fights, he’d never made it as personal as he had hours beforehand. Never made it hurt. 
“Jesus,” you mutter, rubbing your other crusty hand over the mud along your chin. Everything ached and you don’t know if that’s a good or a bad thing. 
Flinching along like a downed bird, you shove through into the last door into the barracks; thoughts now stuck on finding a chair to sit down on before your legs gave out. The darkness of the common area was deep—staining your eyelids as you grunt, bumping into the back of the couch. 
It’s almost funny the way the lamp flicked on mere moments later. 
You hiss, eyes snapping shut as the rays attack your sight, rendering you blind for a moment. The shaking hand on your dripping rag tightens before the spark of pain makes you lighten the pressure. 
There’s a dark grunt just as you open your eyes back up.
“You are late.” König. 
He sits in one of the chairs—sniper hood still over his head yet only clothed in a large compression shirt and casual camo pants. Like a disappointed parent, the Austrian’s arms were crossed over his chest; feet resting out and crossed at the ankles. With such a big stature the look could strike fear into anyone. 
Anyone but you, that is. 
König’s dark eyes rove over you, stopping immediately on the fabric you keep to your forehead. The previous, furious, tone stops and the flash of very real concern takes precedence. His hands tighten on his biceps, thighs tensing over the cushion; spine just a little bit straighter. 
You watch and say nothing—dead-faced. 
Your heart suddenly skips beats, stuck into the framework of the man’s eyes. König’s brows peel back and a timid stutter stays in your breast.
“...Vögelchen?” Lids blink rapidly, and before you can register anything because of your blood loss and fatigue, you’re being dragged to the couch and forced to sit down. 
Strong hands encompass your shoulders and small breaths flutter in front of your face as König peels back to kneel in front of you; spying the medical pouch in your under-arm. 
“What is this?” He mutters to you, vision flinching along your body but always dragging back to the bloody rag on your face. “What did you do to yourself?” 
Scarred hands raise before pausing, obsidian eyes staring deeply into yours as if in frantic question. Your own gaze keeps him close, spying on his veiled fear at the sight of your blood and your disappearance. He’d heard about the mission, then, that much was upfront because of his earlier comment. 
The humvee had been late arriving back. Half an hour. 
“Fuck off,” you utter, shoving off the couch before you’re captured in an unyielding press again, shoved down. Your anger spikes along with your unease, “König! I don’t have the patience—”
“I’m sorry.” The fight leaves you. 
Fingers squeeze your biceps, hold lightly shaking with nerves. “I did not mean it.” Obsidian pierces you, “Please, Vögelchen, I am sorry. Utterly. I speak so fast I misplace words—get far more,” words fail as you stare so intently at him, a strange feeling swirling in your gut. König’s face was going crimson again, though not from anger. His tone was deep and honest, accent becoming more whole with emotion. The hands on your skin stay. “Rude than I intend. It is not an excuse, but…”
In the horizontal oval of his hood, you spy the dots of tiny freckles; the whispers of auburn hair. That hawk nose still points violently from behind the fabric. König never finishes his sentence, just takes a large breath and looks to the side after a moment of silence. 
Then he steals the medical pack from your grip and opens the zipper with firm fingers, taking out gloves and gauze. Needle and sutures. It’s all placed on the side table as the bear of an Austrian stays on his knees for you—bending and shifting as the bottom of his shirt rides up. 
It’s a tense affair of touching skin; warmth and hissed curses. Gentle shushing. But you say nothing through it. Until he’s up in your face trying off stitches with forceps and a needle holder, breath making his hood lightly caress your bloodless face. His fingers are large and firm, never second-guessing or stuttering over the course of directing tools that dig a needling and thread into your flesh. 
He’s warm and every motion elicits shivers. You see his form from the side of your eye; his face’s outline as the lamp light illuminates the hood’s fabric. Shadowy silhouette of König’s strong jaw that shifts with every other breath from his wide chest. 
“You’re an asshole for saying that to me, y’know.” you slip your gaze away just as he snaps over. “Adrenaline or not.” 
The needle pauses and a swift nod is given. 
“I…I know it was. No amount of apologizing can explain how very horrible I feel. It was like I was so…so…” An annoyed grunt was leveled at himself.
“Pissed off?” You offer quietly. 
“Yes! Pissed off.” Amused glances were shared, the air slowly smoothing out between the two of you. Dark eyes quickly look away from yours and König clears his throat terse-like. But softer, steadier, “I…could not bear it if I were to see you in harm and be unable to assist you. That…is why I was watching. Why I do watch you.”
Inside of you, it was like there was a pot of water on the stove, steadily boiling under the heat. Your eyes are delicately wide when the man’s hands leave your face; kneeling body still tall enough to stare into you.
“You are…” König pauses, but not to find the words. To ready himself. He takes a long breath. “You are special to me, my Vögelchen. I can not see you hurt,” a gesture to your forehead and creased eyes. As if your pain was his own. “Not like this.”
“What are you saying, König?” You whisper, face twisted with hurt and confusion. Apprehension. “You’re giving me mixed signals. We always fight with each other. I’m not saying I’m blameless, but…c’mon, now. Look at us.” 
“Not…always.” He grumbled like a child, tools placed away and hands dripping blood before he slips the gloves off. They meet the side table with a tiny toss. The Austrian leans back onto his ankles, butt to heel. He begins to look at your forehead and you can practically hear his heart break. “I do not like arguing with you, you know that, yes?” 
“Me neither,” you whisper, fingers fiddling as a sheen of anxiousness sets in. “You just,” you pause, “confuse me.”
 König blinks in surprise, head tilting and large eyes shimmering. Your mind flashes to a curious cat and you try to explain with a burning face and fast lips.
“You say we’re partners but you never act like it,” he stares and listens. When had you both had a conversation like this before? “You make it seem like you can’t trust me to do the simplest task. I’m not,” your voice betrays you, cracking, “I’m not that useless, am I?” 
He freezes, muscles going taunt. 
“U-Useless? Nutzlos? No, no,” A hand comes to capture your chin and you let him move you where he wishes. Creased eyes lock on yours. “That is not right. You’re not useless to me—how could you be?” Pained brows move in, “did I make you think like this? Like I did not appreciate your skills?” 
Your eyes burn, and the aches from your wounds mix with the pure fatigue in your flesh to leave your emotions running between sanity and sadness. A moment later you’re turning your head away. 
König recaptures it, hands finding both sides of your cheeks. He looks shaky; desperate. 
“No, please, Vögelchen, please. I need you to look at me.”
“König, I don’t—” You close your mouth before you let out the beginnings of a sob. “I can’t keep fighting with you.”
“I know, oh, I know,” his hands are so grounding it’s like you’re the inner pages of a book, and his grip the thick leather cover—leather laced with shared scars and the same that had stitched you up countless times. This push and pull had to end. “I cannot fight with you either—it tears me apart. Oh, du weißt gar nicht, wie sehr es mich schmerzt, dein wunderschönes Gesicht anzuschreien. Mit dir zu streiten bedeutet, meinen Verstand und mein Herz gleichzeitig zu brechen.” König’s thumbs run up and down your skin, still bloody with dried flakes falling to the ground. He seems not to care a bit. 
“What can I do to fix this? Anything. Anything to get us to stop doing this to each other.” You stare into his eyes, both creased and glazed over. 
There’s a brief moment where you wonder if anyone truly even knew you as well as König did—there was no one else that you shared such a deep connection with. Years upon years of being stuck at his side. 
And someone else’s hands had never felt as good as his. They were hard and callused over but cupped your face as gently as one would cup water from a rippling stream. His eyes were stars; visible skin like porcelain, his breath raised a large and wide chest with a fast-paced heart. You could sense his throat trapping air. 
König kneeled to you and bared himself. 
Anything, he had said, to fix what he had said. To stop this. 
There was one way you could think to stop this—it might not have been smart, certainly not, but…hmm…You gradually raised your hand raised from your lap and slipped it under the front of König’s hood. 
Slowly, with all the delicateness of a glass dragonfly, your fingers strayed to the side of his neck to press into tight flesh. A rapid pulse.
The man goes to stone. It’s like you’ve stolen his nervous system. Dark eyes stay locked onto yours as you gaze back, hand dragging nails up with a light pressure near to the speed of a slug. 
König whispers your name into the empty space and the oxygen seems to dry up. Warm light from the lamp cast phantoms on walls and over skin in a small moment of foreign discoveries. The Austrian swallows saliva and you feel his neck flex. You don’t answer him, just watch and feel his own hands tighten on your cheeks in warning. 
But you never listen, do you? Reckless you were called. And König had been right.
You were reckless.
Your hand had now explored like a map the indents of hidden facial scars; long and short over jaw and lips. The hand that was doing this had hiked the sniper’s hood up around your wrist so that the man’s lashes were twitching as the fabric got too close to his eyes. And you watched. And so did he. 
A twin pair of moths hitting a glass window, staring from opposite sides at one another until they realized the break in the frame. 
“Anything?” You ask in a loose tone, barely heard above the flood in both of your ears. 
König was breathing heavily but didn’t pull away. Pupils wide and body heavy to your touch. His spine briefly straightened, until he realized he had moved back slightly and immediately hunched again if only to keep your hands on him. 
“I…” he grunts, “A…anything.” Fingers touch his nose, they spread under the hood to trace the bumps and marks he keeps hidden like buried treasure. Your vision takes in the otherworldly hue on his visible skin; the glaze of rapture in his eyes yet still that ingrained heat. 
Your body shivers at the gravel in his accented English. 
Fingers stall over his lips, hood showing you the pale being of König’s strong chin and jaw. You shift your touch to the side and find chapped lips revealed to you, a small palate scar that had healed to nothing more than a line up to his nostril. 
You spare it nothing more than a glance before you look back into obsidian. Dark ether and dead galaxies devoid of stars. Swallowed in a sea of pasts and futures. You look for hesitation; for disgust. 
You find none. 
“You said that no one could ever love someone like me,” your head leans in, and your breath mingles together with an intimacy that had never been shared between this type of partners. König, as if broken from a spell, takes down a swift inhale of air into his stiff lungs. He stares with far back lids. Flashes of unidentified emotions. “Why did you say that?”
A moment of silence and of rabid hearts. The man’s lips twitch over yours as he answers slowly, not breaking eye contact for a moment. As if he did he’d be turned to rock. As if he’d miss something amazing from happening. 
He speaks with a whispered confession.
“Because if they did—I would have to kill them. Because no other than I would be able to love you more.” Your world slows and your ears strain with the breathy words. 
Face burning your lips part with shock and awe. Violent to any other, but to you this was a confession from a man that could meet you blow for blow—calm you and infuriate you all in one. Challenge you, but knew when he’d gone too far and how to properly apologize. 
He’d waited in that chair for you all night, you’d realized. 
For you to come back to him. His partner. 
You press your lips to his and hear his pitiful sounds of gasped reassurance. Slipping your tongue into his mouth, you let saliva drip off of your chins to splatter onto bent knees and shaking thighs.
König’s arms cage you; capture your waist and draw you closer, lips breaking apart before you both share a wide-eyed look of momentary pause. There was no room to breathe; to think. Chests hit together and fingers tighten to a tendon-visible hold.
The man's growing smile is wide from where you still hold his hood up by his nose, and with a lick of his red and wet lips, he reconnects your awaiting mouths. 
This time, you’re the one to gasp.
“Lass mich zeigen, wie leid es mir tut, Vögelchen.”
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joelsgreys · 9 months
Text
fall into temptation | one
Post Outbreak! Joel Miller x Preacher’s Daughter! Reader
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series masterlist l next chapter
summary: Of all the women to catch Joel Miller’s attention—it just had to be one of the goddamned preacher’s daughters.
warnings/tags: 18+ ONLY, MINORS DNI. JACKSON ERA. SLIGHT PHYSICAL DESCRIPTION OF READER, mentions of her hair which she can put up into braids as well as her style of clothing. despite the nickname Joel gives her, it does not speak to her body type or size. AGE GAP (reader is in her 20’s and Joel is 56, i know, i know but this is self indulgent because my birthday is next month idk just let me have this one) canon language, canon violence, several mentions of religion, terms pastor and preacher are used interchangeably here and there, mentions of the bible and religious symbols (cross), innocent/virgin reader, very brief scene of attempted sexual assault, no explicit smut (yet). asshole Joel, protective Joel, hints of softish dom Joel (if you squint). reader has two sisters, the only physical description for them is their hair, which they can also braid as well as their style of clothing.
MOODBOARD FOR AESTHETIC PURPOSES ONLY, NO MENTION OF RACE OR BODY TYPE.
word count: 8.4k
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Jackson, Wyoming
Fall 2024
Joel had seen him around the community before. 
He’s an older man in his late sixties or possibly his early seventies with thinning, snow white hair and silver, wire rimmed glasses that always seemed to be perched on the tip of his pointed nose. He was a good, kind man from what Joel could gather—offering up warm smiles and friendly waves to anyone who happened to cross his path, stopping to greet and say hello to familiar faces. The hem of his starched white shirt is tucked into pressed black slacks and even from where he stood across the road near the horse stables, Joel noticed the book clutched in his right hand, old and bound in supple, worn black leather with the words Holy Bible etched into the cover in flaked gold lettering.
Jacob, he thinks his name is. Or was it Josiah?
Something biblical—a name fit for a man who was so fucking clearly devoted to the big man upstairs.
Joel knew his own name was a biblical one, but he was the furthest thing from a man of God. After all that he’d done in the past twenty years, there was only one place he was going and that place wasn’t exactly known for its pearly gates or sweet cherub angels playing harps.
Joseph? Was that it? 
He couldn’t be certain.
Not that Joel really even cared to know his name. 
It’d been a couple months since Joel arrived back in Jackson with Ellie after Salt Lake City and the truth of the matter was that he preferred to keep to himself whenever it was possible. Joel had zero interest in getting to know the people of this settlement, not unless he had to for the sake of patrol duties—and that’s only if he hadn’t been able to weasel his way out of getting assigned with a partner who wasn’t Tommy or Maria, the only two people in the whole fucking community Joel could stand being around. Minus his kid of course, but even he and Ellie could really only take each other in small doses lately. Perhaps it was their tense, strained relationship that was to blame for the fact that Joel Miller walked around this place with a standoffish attitude and a permanent scowl plastered on his face. 
Most people were smart enough to scamper off in the opposite direction when they saw him coming. He was never offended by it. It’s what he wanted. He wasn’t here to make friends.
In fact, the closest thing he had come to a friend outside of his brother’s wife was Esther, the woman Maria and Tommy had tried setting him up with when he first got back to Jackson. He wouldn’t go as far as calling her a friend, either. That’s a little too generous. Friend? No, more like a good fuck when he couldn’t drown his bitterness with Seth’s barrel aged bourbon and he was in need of a different kind of distraction.
But there was a reason this particular man piqued his curiosity. Actually, there were three reasons he managed to garner Joel’s attention and all three of those reasons were trailing behind him in an orderly, single file line, each one more fucking gorgeous than the last. He was positive he’d never seen them around before—because how could he possibly forget the faces of the most beautiful women in this town?
They’ve gotta be sisters, Joel thought to himself, his hand resting on the neck of the horse that he’d ridden out to patrol that morning, a dark, chestnut mare named Willow. Although he was supposed to be walking her inside the stables and back into her stall, he found himself far too distracted. While the three women weren’t identical to one another, the similarity in their traits such as hair color and their skin tone confirmed his suspicions that they were related. They all styled their hair in neat halo braids and wore slightly different color variations of the same getup—pressed, long sleeved blouses tucked into knee length floral printed skirts and worn, leather oxford shoes.
Clutching the brown leather strap of his rifle in his opposite hand, Joel leaned himself against Willow and squinted against the bright afternoon sunlight in an effort to get a better look at them. 
The first two were slightly on the older side. If Joel had to take a shot at their age, he would guess the women were in their thirties—a man of fifty six, he still had about two decades on them, easy. Joel let his gaze shift, his dark brown eyes flickering to the last one. His breath audibly hitched in his throat and part of him wondered just how fucking dumb he had to be to be drawn to the youngest one of the three. It couldn’t be fucking possible—you couldn’t be that much older than your mid twenties, if that. 
Joel’s grip on the strap of his rifle tightened. 
All three of you were beautiful beyond words—why the fuck did it have to be you who held over his interest?
“Take a picture,” Maria remarked with a tiny laugh. She dismounted her horse and peered at Joel over the black stallion’s back. “It’ll last longer.”
She’d led that morning’s patrol, her first time back on duty since she had given birth to her son in the spring. Joel had returned to Jackson right on time to meet his one month old nephew, Noah. 
He cleared his throat and shrugged. “Just tryin’ to figure out what their deal is, that’s all.” He paused, then remarked, “Didn’t know polygamy was a thing around here.”
His comment must have struck a nerve in his dear sister in law—fiercely protective of the people who were under her leadership, Maria hadn’t found the sister wives implication the slightest bit amusing. 
“Watch it, Joel,” she admonished, shooting him a warning glare. “He’s the town’s pastor and those girls happen to be his daughters. So let’s keep our wise ass cracks to ourselves, shall we?”
His daughters? He almost couldn’t believe it. Surely the girls must have taken after their mother because they sure as hell didn’t get their good looks from their old man. They hardly looked anything like him.
“Pastor,” Joel repeated with a small hum. He then remembered her pointing out an old church house back during the winter when she’d given him and Ellie the grand tour of the community. “So he ain’t got a real job like the rest of us?”
Maria rolled her eyes. “His job is a real job, Joel. It might be hard for you to believe, but there are still a lot of people of faith around here,” she explained to him. “He provides them with comfort and with hope—”
He snorted sharply through his nose. “Hope?”
“Yes, hope,” she snapped at him. 
“Hope for what, Maria? That things will go back to fuckin’ normal? That the end of the world is temporary?”
Maria crossed her arms over her chest, jutting her chin. “Some people never lose hope, Joel. There’s a lot of people who need this man and he serves a much bigger purpose than what you’re giving him credit for.”
“And what about the girls? They have it easy too? Do they just stand there lookin’ pretty on Sundays while their old man reads verses out loud from the most useless fuckin’ book known to man?”
“If you must know, they work in the schoolhouse,” she answered, tossing him another glare. “They’re teachers. The oldest one, she teaches Ellie’s class. The middle one, she teaches the primary school aged children and the youngest? She takes care of all of our little ones. She prepares our preschool kids for her sister’s class by teaching them numbers and basic literacy. Shows them how to start counting, reading and writing, things like that. She also helps run the commune’s daycare.”
“At least they have real jobs,” Joel mumbled under his breath. 
“What was that?”
He feigned innocence. “Nothin’. Nothin’ at all.”
“That’s exactly what I thought.” Maria pointed her finger at him. “Come on, let’s get these guys back into their stalls. It was a long ride this morning, I’m sure they could use some rest.” Taking her stallion by the reins, she started leading him over toward Logan, one of the stable hands who helped take in the horses coming back from patrol. 
Joel took Willow’s reins in his hands—but before he could even think of moving another muscle, he glanced up and saw the preacher leading his three daughters past the stables and right past Joel. His self control faltered. All that he could do was stare at you, his eyes fixed on you so blatantly that one of your sisters had taken notice. Grinning, she turned back towards you and lifted a hand to her mouth. She used her palm to shield her lips from Joel’s view and whispered something to you over her shoulder.
Shit. 
He’d been caught gawking.
He thought about making a beeline for the stables but it was too late. 
Perplexed by whatever it was that your older sister had just said to you, you gave her an odd look, but then followed the subtle nod of her head. 
Glimpsing over in his direction, your lips parted in complete surprise and you came to an abrupt halt in the middle of the dirt road when you found your gaze meeting that of the much older, rugged man standing there with a gun slung over his shoulder.
Unsure of what else to do, Joel simply offered you a polite nod of his head. The gesture was innocent enough but it startled you. He could tell by the way you let out a small gasp and turned away from him, your eyes falling to the ground as you scurried to catch up to your father and sisters like a spooked little mouse. 
Joel couldn’t help but shake his head and laugh.
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“Is the preacher aware that his precious little daughters pay frequent visits to The Tipsy Bison at such late and ungodly hours?” Joel quipped. He gestured to a booth nestled over in a corner of the dimly lit bar with a subtle jerk of his chin. “S’gotta be the third or fourth time I’ve seen them here in the last couple of weeks.”
Tommy’s eyes followed his brother’s gesture. “Oh man, not again,” he said with an exasperated sigh. He shook his head. “Those girls, they ain’t got no fuckin’ business hangin’ around this place and much less at this fuckin’ hour. But the middle one, she’s a whole lot of trouble.” He paused, just long enough to nod at one of the three sisters, the one who was wearing her hair loose around her shoulders, twirling a lock of it around her finger as she made flirtatious fuck me eyes at the group of drunk patrolmen sitting a few tables away. “She’s somethin’ of a rebel, that one. Likes to drink a lot, get herself involved with things that she ain’t really supposed to be messin’ with. She’s the one who convinces the other two into sneakin’ out and comin’ to the bar when their old man goes to sleep.”
Joel chuckled in disbelief. “You fuckin’ serious?”
“As a heart attack. And then there’s the older one. I know she likes to drink too, but she’s a lot calmer than the other one. Ain’t gotta worry about her all too much, y’know? She tries to be the chaperone—it don’t always work out that way, though. Her halo ain’t exactly perfect either.”
“What ‘bout the youngest one?” Joel asked in the most nonchalant tone he could possibly muster. “Where does she fall on the scale between angel and devil?”
You’re carefully perched on the edge of the booth, your pretty features twisting in disgust with every sip of the rich, amber colored liquid in your glass. Unable to stomach the burning alcohol, you set it off to the side, abandoning it in favor of a glass of water instead.
“Her?” Tommy grinned, leaning back into his chair as stated, “Oh, she’s an absolute angel. She’s just ‘bout the sweetest fuckin’ thing you’ll ever see in your whole damn life, big brother. She’s gotta be the kinda girl who all the little birds and woodland critters sing to when there ain’t no one around,” he laughed. “She’s real good. Too good. Wouldn’t surprise me if the lord sent her down from heaven himself.”
Joel tossed him a skeptical look across the table.
“She really as innocent as she seems?” 
“I don’t think she even knows what it’s like to hold another man’s hand,” his younger brother laughed again and reached for his beer, taking a generous swig. 
Joel hummed softly and lifted his glass of whiskey to his lips. The mere thought of you being so pure and so innocent—untouched by anyone else—caused something to stir deep in his lower belly. 
“She’s the old man’s pride and joy,” Tommy continued, breaking into his train of thought. “Kind. Polite. Behaves. Doesn’t get herself into any kinda trouble—I mean look at her, she can’t even choke down a glass of whiskey. She’s just too good of a girl.”
Joel proceeded cautiously with his next question. “Any of them taken?” 
Surprised, Tommy raised his eyebrows. “Joel, don’t fuckin’ tell me—”
“No, I ain’t interested,” he interjected, rolling his eyes. “Just a curious motherfucker, that’s all.”
He didn’t seem too convinced by Joel’s answer. “They’re all single from what I know. To be honest, there ain’t a whole lot of men around here their old man would approve of,” he remarked. “Don’t get me wrong, he’s a nice man and all, but when it comes to his daughters, he’s real strict. Not that controllin’ has done him much good, though.” He lowered his voice as a fellow patrolman walked past their table. “The middle one’s fucked her way through this entire town and then back again. She even made a pass at me while Maria was pregnant with Noah, if you can fuckin’ believe that.”
Amused, Joel snorted into his drink. Ballsy. “How goddamn drunk was she?”
Tommy ran a hand through his jet black curls. “Wasted. Oldest one ain’t exactly the Virgin Mary, either.”
“And the old man doesn’t know?”
“Nope. Ain’t nobody gonna snitch on grown women in their thirties.” Noticing the amused expression on Joel’s face, he adds, “By the way, just in case you haven’t figured it out, this stays between us, Joel.”
He smirked. “Which part?”
“All of it. And take it from me, those girls? S’best you keep your distance from them,” he warned as he stood up from the table. He picked up the blue denim jacket draped over his chair, shrugging into it. “Don’t go gettin’ any dumbass ideas, alright?”
“Look, if the wild one makes a pass at me, I ain’t gonna turn her down. S’not like I’ve got a pregnant wife at home.”
“Joel, I fuckin’ swear. If you even think ‘bout it—”
He held up his hands to stop him. “Relax. Was just a joke.”
“Right. M’sure it was.” Tommy snorted. “Listen, I gotta get back home. Don’t wanna leave Maria on her own with the baby for too long.”
“How’s she been holdin’ up?”
“She’s been so tired. Jugglin’ motherhood, runnin’ this place, and bein’ back on patrol duty. I keep on tryin’ to tell her to slow it down, but she just won’t listen to me.” He let out a small sigh and waved a dismissive hand. “But anyway. If you’re all good to head out, I can walk you back to your place since it’s on the way to mine?”
Joel looked down at his glass, still half full. “I think I’m gonna hang back for a while longer. I’m on the roster for evenin’ patrol tomorrow, s’not like I’ve gotta be up at the ass crack of dawn.”
“Suit yourself.” Clapping him on the back, Tommy bid him goodnight and started towards the door. 
As soon as he was gone, Joel looked over towards your booth. He watched as you whispered into the ear of your eldest sister who nodded her head in understanding. You stood up and said something else to her, then spun around on your heel, long skirt flowing along with the movement. Head down, you hastily made your way across the bar, being careful so as not to bump into anyone along the way.
You were leaving. Alone. 
In the middle of the fucking night? While drunk morons poured in and out of the bar?
She’ll be just fine, he tried to convince himself. 
Joel frowned to himself, gripping his drink tightly in his hand as he scanned the room.
Sitting at a nearby table was Kent, some idiot he’d been stuck with a time or two for patrol. He clocks the smirk that crossed the younger man’s face, his eyes following you all the way to the door. Leaning forward over the table, he whispered something to his buddies, his smirk widening. His comrades, all who looked and behaved more like teenagers rather than grown men, lifted their beers to him, nodding in encouragement. Drunk off his ass, Kent drained the rest of his own beer, slamming the glass bottle down onto the table before clumsily stumbling to his feet. 
Joel momentarily froze as soon as he realized what was happening. 
Kent was going after you. 
Joel’s lips pressed together into a tight, thin line.
Setting his drink down, he stood up from his table and slipped on his jacket before following suit.
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Joel stepped out of the bar and into the night, the chilly evening air nipping at his face. He took a look around. 
You were nowhere to be seen. Neither was Kent. 
That couldn’t fucking be good. 
“Where the fuck did you two go,” he muttered to himself under his breath.
That’s when he heard it. 
The sound of muffled screaming coming from the side of the building. Joel didn’t hesitate. Following your smothered cries for help, he whipped around into the dimly lit alley nestled in between the bar and the commune’s mess hall. You’re pinned underneath Kent with your skirt bunched up around your waist. One of his hands was covering your mouth while his other hand clawed its way up your bare thigh. 
“Aw, c’mon now, sugar,” Kent slurred his words together. “It’d be a fucking shame to let someone as cute as you stay a fucking virgin. Don’t be coy—I know you’re just like your stupid slut of a sister. She’s got no trouble spreading her fucking legs for me, y’know.”
Red.
It was the color that flashed in Joel’s mind. It was all he could see as he went up behind Kent, letting his hands reach for fistfuls of his leather jacket. He lifted him off of you with ease, slamming him hard against the brick wall of the mess hall. Pulling him forward, Joel slammed his body into the wall once more, knocking all the wind out of his lungs. 
“Miller, what the fuck are you doing!” Kent gasped out, frantically pawing at the older man’s hands in an effort to break free. “Get the fuck off me!”
“Takin’ advantage of an innocent girl?” Joel hissed at him, tightening his grasp on the collar of Kent’s jacket. “Think that makes you a fuckin’ man?”
Though he was still intoxicated, the sheer terror of being caught in Joel Miller’s hands sobered him just enough that he started sputtering an explanation. “I wasn’t fucking taking advantage of her! Her and her whore sisters were making eyes at me and the guys all fucking night! She fucking wanted it! She asked me for it, couldn’t even wait long enough to get back to my place—”
The lie came straight through his chattering teeth. The same teeth he would be picking up off the ground in the next minute or two. 
Joel knew he didn’t need to ask. Still, he turned to you, his rage only intensifying when he took in the sight of you lying there on the ground, the hem of your light blue floral skirt hiked around your waist. 
“That true?” He questioned you. “You wanted it?”
You stared at him with wide and fearful eyes.
A single tear slipped down the side of your face.
“Answer me, darlin’,” he prompted. “You wanted this?”
“No. I didn’t.” Your voice was small, barely audible.
But he’d heard it loud and clear. 
“She’s lying!” Kent tried to tell him. “She’s—”
Joel delivered the first punch, a blow so hard he’d felt the younger man’s nose crack underneath his curled fist. He struck him again and again, the blows coming in harder and harder, turning Kent’s face into a bloodied pulp.
If Joel didn’t get a grip, he would kill him. Part of him wanted to fucking kill Kent for putting his hands you—and more so for accusing of you wanting it. Pathetic fucking bastard. 
Holding Kent up by the throat with one hand, Joel pulled his switchblade from the back pocket of his jeans with the other. Fingers curled tightly around the hilt, Joel held up the knife into Kent’s view. He had left his eyes purple and swollen, but judging by the pitiful little pleas for mercy, it was clear that he could still somehow see the sharp blade being held an inch or so away from his face. 
“If I ever catch you anywhere near her again, I ain’t gonna be so fuckin’ generous,” Joel growled warningly. “I ain’t gonna let you walk away next time, boy. That understood?”
He nodded. “Un—Understood.”
“Good.” Joel released him, stepping backwards as he fell to the ground. “Get the fuck outta my face. Now.”
Kent managed to scramble to his feet and staggered off, disappearing from the alley. 
Chest heaving, Joel inhaled a deep breath through his nose, then exhaled it through his mouth before turning to you once more. 
Petrified, you still hadn’t moved a single muscle.
You looked fucking terrified. Whether it was from Kent’s assault or the way Joel had nearly beaten him to death right in front of you, it was hard to tell.
Crouching down beside you, Joel caught your subtle flinch. He proceeded to move slowly as he reached for the hem of your skirt. Delicately, he gripped the soft, flowing fabric and pulled it down into place. Joel then held his hand out to you. 
You hesitated for a split second, but accepted his hand and allowed him to help you up to your feet. 
“You alright, little dove?” The nickname had fallen from his lips before he could even think to stop it. 
“I think so,” you replied, nodding your head. You’d started to tremble and even though it had nothing to do with being cold, Joel took notice of it and he shrugged out of his camel colored jacket. He gave it to you, draping it over your shoulders. The scent of him instantly enveloped you—a mouth watering masculine mixture of clean soap, woodiness, and musk. It was far more intoxicating than the scotch you had tried back inside the bar. He didn’t utter a word to you as he wrapped his jacket around your body, both of his hands pulling gently at the lapels to bring them together in front of your chest. That was when you glanced down and saw he’d injured his hand. You gasped lightly. “Are you okay?”
Maybe it was the adrenaline, but Joel hadn’t even noticed that he’d split his knuckles wide open. Giving it a light shake, he assured you gruffly, “M’fine.”
Without thinking it through, you gingerly grabbed Joel’s hand, holding it in both of yours. “It doesn’t look like nothing,” you countered. You inspected it as best as you could in such poor lighting. “You’re bleeding.”
“Trust me, I’ve had a whole lot worse,” he deadpanned.
Ignoring his remark, you asked, “Can you move all your fingers for me? Just to make sure that it isn’t broken?”
Joel felt a strange warmth radiate in his chest. 
Fucking hell, Tommy had been right about you. 
You really were too good.
“Darlin’ I already told you m’fine—”
“Please?”
That word, and the way you’d said it, sent a shiver up the length of his spine.
Joel started wiggling his fingers in your palms. He winced slightly at the soreness. More than that, he knew his cuts and bruises would be all the fucking proof Tommy and Maria would need to know that he had been the one who rearranged Kent’s face. 
“See?” He spoke after a minute as he continued to move his fingers up and down. “Ain’t broken.”
“Let me clean you up,” you offered. Looking up at him, you cradled his hand as if it were a fragile baby bird you wanted to take home and nurse back to health.
“That really ain’t necessary.”
“You just saved me from—it’s the least I can do for you,” you insisted. Seeing him open his mouth just to protest again, you cut him off. “Please?”
There it was again.
Christ. That word sounded too good coming from those plush, pretty lips of yours. 
Joel sighed out in defeat. “Alright then,” he relented. “I s’ppose there ain’t no harm in lettin’ you clean me up a bit, little dove.”
Pleased that he had finally accepted, you carefully let go of his hand and took a step back, beckoning for him to follow you. “Come with me,” you said to him. “I know somewhere private we can go.”
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When you came to a stop at the old church house, Joel shook his head and took a step backwards. 
Puzzled, your brows knitted together. “What is it? What’s the matter?”
He backed away further. “I ain’t goin’ in there.” 
You tossed him an amused glance. “It’s a church.”
“Yeah, I know that. I ain’t exactly a man of God.” 
You couldn’t help but giggle. “So? What does that have to do with me taking you inside to clean your hand up for you?”
Shuffling his weight from boot to boot, Joel shrugged. “Just don’t think I belong in there, that’s all.”
“Do you think you’re going to melt if you step foot inside?” you teased him. After a minute, it became apparent that he was being serious about it. Joel’s discomfort about going inside the church wasn’t some kind of joke on his part, it was real. “Don’t be silly. It doesn’t matter that you’re not a man of God. That doesn’t mean that you’re going to explode or burn into a pile of ashes for going inside, you know.”
“After all the terrible shit I’ve done?” He looked up at the building, shaking his head again. “I just might burn, little dove.”
You bit back a small smile. You’d already grown to be quite fond of his sweet nickname for you. 
“There’s a first aid kit inside I can use to patch you up,” you told him. “It won’t take long, I promise.”
His lower lip rolled in between teeth as he thought it over. “I ain’t too sure about this—”
“It’s only going to take me five minutes to get your hand cleaned up and then you can leave. Okay?”
You were as stubborn as you were sweet. How the fuck was he supposed to say no to you?
Reluctantly, Joel finally agreed to it. “Okay.” He followed you up the creaking, wooden porch steps towards the double doors. He’d just started to wonder how the two of you were even supposed to get into the building after hours when you leaned down, lifting the old mat on the floor to reveal a set of keys. Unable to help himself, he scoffed, “Serious?”
“Doesn’t everyone keep a key under their mat?” 
“Yeah at their fuckin’ house. Not their church.” 
“Well to be fair, this is kind of like a second home. I spend quite a bit of time here,” you confessed.
Joel raised an eyebrow at you. “So much time that you’ve decided to keep a set of keys under the mat?”
Sheepishly, you nodded. “Sometimes when I can’t sleep at night, I’ll come here alone and sit with my thoughts for a while.” You shrugged. “Maria let me have the spare set of keys. She knows I come here and so does the rest of the council. I trespass with their full permission,” you kidded with a small grin. 
Unlocking one of the two doors, you stepped over the threshold and waited expectantly for Joel. But he stood there, making no move to join you on the other side. 
“This place gives me the fuckin’ creeps,” he admitted. 
You laughed. “It’s only the outside that’s creepy, I promise.”
Grimacing, Joel finally walked inside, his back and shoulders stiff with tension as he stepped into the place of worship. 
You closed the door and flipped on the lights, then opened a second set of double doors with another key from the ring. 
“Whoa.” He was pleasantly surprised. For as old as this place was, the interior of the church was quite nice. He could tell that it had been well cared for in its lifetime—the former contractor in him had little choice but to appreciate the high ceiling, the large windows, and the satin finish of the white paint on the rustic, wooden panel walls. 
There were a total of twelve pews, six on each side of the church. There was an older, antique piano in pristine condition nestled over in one corner of the room and in another, there was a large chalkboard propped up on a wooden easel, biblical verses that had been the focus of the congregation’s previous gathering still scribbled across it in white chalk. 
“See?” You nudged his arm with your elbow. “This isn’t so awful, right?”
“S’ppose it ain’t all that bad,” he muttered. 
Your eyes twinkled with pure amusement, adding, “And you didn’t burn into a pile of ashes.”
“Yeah, yeah,” Joel grumbled out in response. “Can we just get this over with so I can get outta here?”
You tossed him a playful little eye roll then nodded towards the pews. “Go ahead and just have a seat anywhere,” you instructed him. “I’ll be right back.”
You disappeared down a short, dimly lit corridor.
Letting out a heavy sigh, Joel slowly made his way down the aisle holding his injured hand against his chest. Now that the adrenaline had started wearing off, it’d started throbbing with pain.
There was an altar at the front of the church—if he could even call it an altar. 
It was a plain oakwood table with a white fair linen cloth draped over it and nothing else. 
Above it, bolted onto the wall, was a wooden cross.
He averted his eyes, turning away from it. 
Of all the shit to be intimidated by in this world. 
A fucking slab of carved wood. 
Joel’s attention shifted over to the chalkboard. He squinted at it, silently reading the verse to himself.
God is faithful, and he will not let you be tempted beyond your ability. 1 Corinthians 10:13
“But with the temptation, he will also provide the way of escape, that you may be able to endure it,” you recited the rest of the verse from behind him.
“No offense darlin’, but it sounds like nothin’ but a whole lotta gibberish to me,” he remarked to you over his shoulder. 
“No offense taken, Joel.”
Whirling around on the heel of his worn boot, Joel blurted, “How did you know my name?”
“You’re Tommy Miller’s brother. Everybody in this town knows your name.” You held up the white tin box in your hands. A big, red cross had been spray painted onto the lid. You sat down in the first pew and patted the seat right beside you. “Come sit.”
He sauntered over and dropped down next to you, watching as you opened up the box and started digging through its contents. “You know my name,” he stated after a few seconds of silence. “Sure would be nice for me to know yours.”
Smiling politely, you told him your name.
Joel repeated it. It rolled almost too sweetly off his tongue.
“S’real pretty, little dove. Just like you.”
His compliment nearly knocked all of the air out of your lungs and for a split second, you have to remind yourself to breathe.
Cheeks burning, you murmured a small thank you and plucked a bottle of saline solution from the kit along with a piece of clean cotton. You tried not to think about the way his eyes were fixed intently on you as you unscrewed the cap and poured a bit of the liquid onto the cotton. “It shouldn’t sting,” you reassured him, reaching for Joel’s injured hand. It was rough and calloused, a stark contrast against your own soft and smooth. You set his hand down on your knee, a strange sensation fluttering in the depths of your lower belly when the warmth of his skin seeped right through the fabric of your skirt. 
Comfortable silence fell over the both of you like a curtain as you started cleaning the blood off of his knuckles and his long, thick fingers. 
“You really believe in all this stuff?” Joel spoke, his question echoing off the bare walls of the church. 
You continued dabbing at his cuts, thinking it over in your head for a moment.
“I honestly don’t know,” you admitted.
Your answer took him by complete surprise.
“What do you mean you don’t know?”
“I have always been taught to believe in God, Joel. It’s all that I’ve ever known. I grew up in a religious community,” you explained to him, making sure to keep your eyes focused on his hand. Tossing aside the bloodied wad of cotton, you picked up another piece adding more saline to it. “After the outbreak, things changed, of course. I couldn’t imagine how He could let something like this happen. When we lost our mother to infection about five years ago, I stopped praying. I finally stopped holding onto the ounce of hope I had that He would make the world right again. I refused to believe in God. Sometimes I still do,” you confessed quietly.
“You said you spend a lot of time here. Why come to church if you’re not even sure you believe in any of this shit anymore?”
“I’m always here because there’s still a part of me that thinks there’s a chance for me to believe again. When I told you I come here when I can’t sleep at night, it’s true. It’s my time to be here completely alone, the time that I use to mend my broken relationship with God. Or at least, I’ve been trying to mend it.” Taking a little glass pot of homemade antibiotic ointment one of the women in the town made and traded, you took off the lid and scooped out some of the salve with the tip of your finger. You applied it carefully to his cuts and continued, “But lately, the more that I try to pray and talk to Him, the more foolish I feel. It’s just not working. It hasn’t been working for a long, long time.”
“Then why keep tryin’ if it ain’t workin’ anymore?”
“Because I don’t really have much of a choice.”
“Your old man?” Joel guessed, wincing slightly as you went over a particularly sore spot on his hand, right over the torn up knuckle of his index finger. 
“Mhm.” You nodded. “My father never lost faith in Him. He knows how I feel, but he refuses to let me give up on God. He won’t ever let me miss church or go to bed without reciting my nightly prayer. He won’t let me abandon our faith. Not until the day he is cold and buried in his grave.”
“So what I’m gettin’ is that he forces you?”
You finished applying the ointment and wiped the remnants lingering on your finger off on your skirt.
“Force is such a harsh word. I wouldn’t say that—”
“He’s forcin’ you,” Joel said, flatly. 
“Joel—”
“You can twist it however the hell you want, sweet girl,” he cut you off. “But if you’re tryin’ this fuckin’ hard to make yourself believe in somethin’ just for the sake of appeasin’ your dad because he can’t or won’t accept how you really feel ‘bout all this, well I hate to break it to you, but you’re bein’ forced.”
Your eyes widened ever so slightly at his words. 
You had never thought about it like that before.
Placing the lid back onto the pot of ointment, you put it back into the first aid kit and then set the tin box down onto the floor. You sat back and clasped your hands together in your lap, not knowing what else to say to him. 
He was right, after all. 
Joel’s fingers lightly squeezed your knee. “Hey.”
You brought your gaze over to meet his. “Hm?”
“Can I ask you somethin’ ‘bout your dad?”
“What is it?” 
Joel chose his words carefully. “Has he ever—he ain’t ever done anythin’ to hurt you, has he?” he asked you, earning himself a perplexed stare. He continued to elaborate. “What I mean is, he ever put his hands on you or anythin’ like that?”
Oh. That’s what he meant.
“Never,” you assured him quickly. “He would never lay a single finger on me or my two sisters.”
He gave your knee another squeeze. “Just needed to make sure of it, sweetheart. Back in the day, I used to hear and see awful things on the news ‘bout—”
You were quick to cut him off. “Look, my father isn’t perfect, but he’s not like that. He’s a good man who only wants what is best for us. He’s strict and he can be tough, but it’s only because he cares. He just doesn’t want us running down the wrong path.”
“The wrong path?”
You shrugged. “Life here in Jackson is decent, but there’s a lot of temptations he doesn’t want any of us falling into. He wants to protect us.”
“By controllin’ you.” 
It had been a statement, not a question. 
Giving him a wry smile, you assured him, “Joel, it’s really not as bad as you’re making it sound. I could be a whole lot worse off than this, you know.”
There was another short bout of silence.
Joel’s dark eyes fell to your blouse, noticing how a couple of the top buttons had come undone. 
He caught the slightest glimpse of the soft curves of your breasts—all it had taken was just a peek at them for his cock to twitch against the zipper of his jeans.
Don’t you get hard in a fuckin’ church, Miller.
His gaze wandered down a little further and that’s when he caught sight of the cross hanging from a delicate gold chain clasped around your neck.
Joel expected the sight of it to calm the straining in his jeans. Somehow, it only made it worse. 
“Earlier, when we were standing outside,” you had started to say, “You said you might burn if you came inside the church because of all the terrible shi—things that you’ve done.”
“S’right.”
You peered at him with curiosity. “So what exactly have you done, Joel?”
Joel leaned back into the pew, shaking his head at you as he finally pulled his hand from your knee. 
“You really don’t wanna know, little dove.”
“Why not?”
His answer was honest.  “Don’t want you to be scared of me.”
Angling your body towards him, you placed one of your hands on his thigh. Your fingers burned right through the dark blue denim of his jeans.
Joel’s lips parted slightly, taken aback by the bold move and the sudden shift in your demeanor.
Were you the same girl who’d nearly had a fucking heart attack a couple of weeks ago when Joel had nodded at you back at the stables? 
“I’m not scared of you,” you murmured, softly. You gave his leg a squeeze, pulling your plump bottom lip between your teeth. Between that and the wide innocent doe eyes that you were giving him, it was taking every last ounce of strength Joel had inside him to keep a straight face, to pretend you weren’t driving him absolutely wild with desire.
He couldn’t even remember the last time he’d felt such an incredible need to have someone. 
Want, sure. 
He had wanted Tess. He had wanted Esther. 
But Joel didn’t just want you. 
He fucking needed you. 
And he didn’t know why.
“I’m not scared of you,” you repeated, trailing your hand further up his thigh, setting a fire neither one of you would soon be able to contain. 
Joel leaned forward, bringing his face dangerously close towards yours. His warm breath fanned over your lips. It was still laced with bourbon. “You sure ‘bout that, darlin’ girl?” 
You tried to answer him in the steadiest voice that you could muster, but it was impossible for you to hide the effect this man had on you. 
You breathed out a shaky, “I’m sure.”
Lifting his uninjured hand, he reached up to tuck a loose lock of hair that had fallen out of your braids behind your ear. As his hand fell away, the palm of it grazed against the silkiness of your cheek. 
Though brief, the contact sent an electric current through each and every last single nerve ending in your entire body. 
Exhaling sharply, your eyelids fluttered closed. You nearly whimpered out his name. “Joel?”
“What is it, babygirl? What do you want?”
“I—I want you to kiss me.” 
Joel leaned in even closer, stopping only when his mouth was less than an inch away from yours. 
You heard him chuckle softly. 
“Y’know, I’d expect better manners from a good girl like you,” he tsked lightly, his nose skimming near the corner of your mouth. Closer. “What’s the magic word, little dove?”
“Please.”
“S’much better.”
Your heart pounded with anticipation.
It was almost too much for you to handle. 
Joel closed the remaining gap of space, capturing your lips with his own. He remembered his brother talking about you at the bar—how he had told Joel that you had never even held a man’s hand before.
It occurred to him that he was giving you your first kiss. Him. Joel Miller. The town’s resident asshole and a man who was well over twice your own age. He was the one giving you your very first kiss. 
The guilt suddenly started to creep in, sinking into his bones.
What the fuck had he been thinking? 
And what about you? 
Where the fuck had your common sense gone?
Probably ran off together with Joel’s.
“Sweetheart,” he murmured, pulling away slightly in an attempt to stop it from going any further. He tried again, mumbling against your lips, “We gotta stop. This ain’t right—”
You were having none of it. 
None. 
Clutching fistfuls of Joel’s denim shirt, you swung your leg over his thighs and straddled his lap. Your knees rested on either side of him on the bench. 
“Please,” you nearly pleaded. “Just kiss me. I want it—I want this. I promise you that I do.” You placed both of your hands on his broad shoulders, sliding them around him as you slowly sank down further onto his lap. “I want this, Joel.”
Suddenly, he realized that you were asking him for more than just his kiss. 
Now he knew for sure that all common sense had left that pretty little head of yours. 
“Baby, y’need to think real hard ‘bout this—”
Desperate, you uttered one final, “Please.”
Joel bit back a groan. How could he deny you? 
He couldn’t. Simple as that. 
“You sure ‘bout this?”
Your fingers toyed with the curls at the nape of his neck. “Yes. I’m sure.”
“C’mere then, darlin’ girl.”
Joel cupped the side of your face in his large palm and tilted his head up towards yours. Your mouths fused together and although he tried to be gentle, it was proving to be much too difficult—how could he be gentle when you were practically clinging to him? Holding onto him with fervor as if you’d been holding onto dear fucking life itself? 
Temperatures rising, you quickly shrugged out of his jacket, letting it fall to the floor behind you with a soft thud before wrapping your arms around him once again. You melted against him as your mouth molded to his in a perfect fit. 
His teeth nipped at your bottom lip, silently asking for permission to explore the cavern even further. 
Eagerly, your lips parted, granting him access. His tongue slipped past them, meeting yours in a slow and sensual heated dance. 
You breathed him deeply into your lungs, a little moan vibrating at the back of your throat. 
Joel’s hands went to your waist and he yanked the hem of your blouse free from your skirt. 
“Can I feel you, baby?” he asked, breathlessly. His mouth abandoned yours and he began to trail hot, open mouthed kisses underneath your jawline. 
Dazed, all you could do was nod in reply and utter, “Mhm.”
Joel’s hands slipped under your blouse and he slid them up the length of your sides. “Fuck, you gotta be the softest fuckin’ thing,” he cursed against the delicate, tender flesh of your neck. His lips latched onto your pulse point, suckling at the skin there as his fingertips dug into your hips. He needed to feel more, but he forced himself to wait. The last thing he wanted to do was make a wrong move or move too fast and scare you off.
“Joel,” you mewled his name. “Joel, I need—”
You trailed off, moaning when his mouth released your skin with a loud, wet popping noise. 
“Tell me, sweet girl. Tell me what you need and I’ll give it to you,” he promised. “Anythin’ you need or want, I’ll give it to you. Just say the fuckin’ word.”
“You, Joel. I need you.”
His hips involuntarily bucked upwards and you let out a startled gasp the moment you felt his bulge, hard as a rock, brush against your clothed cunt. 
Tearing away from him, it suddenly hit you. You’re in a church, straddling a much, much older man in a pew—and if that wasn’t sinful enough, the warm and slick arousal pooling between your thighs only proved that you were ready to fall into temptation, give into the lust and give your body to Joel. But it was none of those things that worried you. It was something else. 
You pulled yourself out of his arms and jumped up off his lap, nearly tripping over your own two feet.
“Darlin’ are you—?”
You didn’t even hear the rest of his question.
Knees trembling, you somehow managed to make your way up to the altar. Heart pounding and head spinning, you planted both of your hands firmly on the table and steadied yourself. Part of you hoped that Joel would just get up and leave. But a bigger part of you hoped he wouldn’t. 
Joel rose to his feet. “Listen, ain’t nothin’ wrong if you changed your mind, alright?”
“I didn’t,” you choked out. “That’s—that’s not it at all.”
“Then what’s the matter?”
Embarrassed, you tried to explain yourself. “I have never done anything like this before. I’m a—”
You couldn’t even bring yourself to say the word out loud. 
“You’re a what?”
Blazing heat flooded your face. “Joel, please don’t make me say it,” you groaned. “For the sake of my sanity, don’t make me say it.” You heard the sound of his brown leather boots as he walked up behind you, one heavy footstep after the other.
“Turn around, sweet girl.” 
Joel’s command was firm but still gentle. 
Swallowing dryly, you obeyed and did as you were told. He stood close and you found yourself at eye level with his chest. 
“Look at me.”
You tried, but couldn’t. 
“I said, look at me.” Joel gingerly took your chin in between his thumb and index finger. He lifted your face, forcing your gaze to meet his own, timid and submissive meeting bold and dominant in a sweet and tender exchange. “Never known the lovin’ of a man, have you little dove?”
He backed you up against the table, pinning you in between it and himself. Planting both of his hands on either side of you, he caged you in and brought his chest flush against yours, pressing your bodies together.
Close, but somehow not close enough.
Joel lifted his hand to your cheek, cradling it in his palm. His thumb swept over your quivering bottom lip.
You reached behind you, clutching at the fair linen as you tried with every fiber of your entire being to remind yourself that you were standing at the altar where your father preached and delivered all of his sermons to the faithful people of Jackson. 
The very same altar where your father encouraged you to kneel and pray in effort to mend the broken relationship you had with God. 
You couldn’t help but to think if you were to get on your knees tonight, it wouldn’t be for prayer.
“I asked you a question, darlin’.” Joel’s voice broke into your train of thought. “Need you to be a good girl and give me an answer, alright?”
“My father loves me,” you stammered out in reply. “He loves me and my sisters—”
“C’mon, babygirl.” He chuckled and shook his head at you, lightly pinching your cheek. “That ain’t what I mean and you damn well know it.”
Sighing softly, you finally answered, “No, Joel.”
“No, what?”
“No, I’ve never known the loving of a man.”
Joel slipped the tip of his thumb between your lips and leaned into you, his hardness pressing against your upper thigh. Even through all the clothes, you could feel every inch of him. “Do you wanna know how it feels, baby? What it feels like when a man makes you his own?” 
You nearly moaned around his finger. “Yes.”
“Yes, what?” he prompted, pulling his hand away.
“Yes, please.”
“I can show you.” Joel paused. “But not tonight.”
You stared at him in disbelief. Both of you were so clearly riled up and he was going to take a pass?
He almost laughed at your expression. 
“C’mon, don’t give me that face.”
“But Joel—”
“Just don’t wanna rush it, not with you,” Joel said in a tone so soft it nearly threw you for a loop. “M’gonna need you to be real patient for me, just for a little while, alright? You think you can do that, little dove? Think you can be patient for me?”
Your answer came without an ounce of hesitation.
“Of course,” you breathed.
You would wait an eternity for Joel Miller.
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dilfsfordinner · 11 months
Text
Escarmiento- Miguel O’hara x fem!spider reader
a/n- spoiler warning for atsv!!! Some of the things in this I don’t agree with based off of my personal opinion for certain characters, but y/n, for story sake, agrees with Miles
warnings- eventual smut, predator/prey dynamics, spanking, edging, degradation, explicit language, size kink, biting, mean/rough sex, unprotected sex, vaginal fingering, creampie, aftercare, soft miggy after he realizes he was an ass
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“You’re an anomaly. You don’t belong here, you don’t even belong in your universe. Everything you’ve done…”
The sound of your husband’s voice rang between your ears as you squeezed between the growing crowd, the dark blue and red of Miguel’s “lair” reflecting off the suits of the hundreds of spider people slowly congregating around the boy you knew as Miles Morales. For weeks, Miguel was infatuated with this Morales kid, infatuated with the idea of capturing him so that he could save everyone, so he could save you, as he loved to say.
Slowly but surely, you found yourself standing at the front, watching as the young boy was on the receiving end of a very familiar type of lecture. “-kid, you can’t have everything, you can’t save everyone. Spider-man makes sacrifices, that’s the way it has to be,” Miguel’s tone was strong, unwavering, as he told the kid the unfortunate truth of the situation.
Gwen, Peter, Hobie (who could not care less about the situation), Jess, and your husband all battered the kid with their takes, with their opinions on the situation and you could tell that he wasn’t having any of it. The others in the room also thought it their place to partake in this ping pong match of morals, their voices overstimulating even to your ears. It was obvious that Miles felt suffocated, lied to, attacked, and you couldn’t just sit back and watch.
“What if he’s right?”
The room went silent at your words, every single spider lensed eye turning to look at you as you stepped forward, a pair of scarlet eyes meeting your own, narrowing slightly. “What if nothing happens? I mean, how are any of us supposed to live if we stay trapped by the rules of the unknown?”
A sigh left the lips of the spider you knew all too well, his gloved hand running down his face as he turned to you. “We’re “trapped” by those rules for a reason. They’re the only thing holding everything together. You should know that more than anyone.”
Yes, you knew all too well what would happen if the canon was disrupted, being Miguel’s only pillar to trust and lean on for him to be vulnerable enough to share his story. That was one case though. One instance out of countless others that were possible.
With careful steps, you walked toward them until you were side by side with Miles, his wide eyes watching you literally take his side, the first out of hundreds to step up.
“Amor.. being bitten by that spider should’ve caused irrevocable damage in his universe, should it not have?” You questioned him, his strong arms crossing as he pondered the fact, “It wasn’t canon, so by your reasoning, all hell should’ve broken loose in his universe. But it didn’t. Miles may very well be an anomaly, but if he can commit non-canon acts without consequences, there’s nothing stopping us from letting him save his father.”
With a scoff, your husband’s hand turned to gesture the scenes projected behind him, the sight of universes crumbling, millions of lives wiped out due to one action. “This is why we can’t let him. If the kid is allowed to do whatever he wants, every single universe would end up in shambles because one little thread of reality was tugged loose.”
You wouldn’t admit it out loud, but to some degree, you did agree with Miguel. You knew how important it was to uphold the rules of the multiverse, but there was just something different with Miles. You couldn’t help but think that this was different, that his case was truly unique.
“He’s staying. I don’t care about hypotheticals or any other possible outcomes-”
Using Miguel’s voice as a cover, as inconspicuous as possible, your gloved hand lightly tugged at Miles’ pinky, and when his eyes glanced at your still frame, you whispered under your breath, “Use your palms.” Miles’ eyebrows furrowed at your comment, his shoulders squaring as Miguel approached the both of you.
“-he’s not going anywhere until we know for sure that he’s not a threat.” Miguel’s hand closed around your wrist, pulling you away from the boy’s side as you watched him pull a red disk from the air behind him, casually throwing it at the boy’s feet, a red cage snapping up around the panicking kid.
Miguel was immediately battered with pleas to let him go, specifically by Gwen and Peter, as Miles yelled and slammed against his enclosure. Slipping away from the turmoil and shouting, you caught Miles’ gaze and nodded slightly, his eyes going wide at the realization of your words. His hands pressed against the red lining, a muttered sentence leaving his lips before the cage shattered and every single spider-person was thrown backwards by the sheer force. Everyone besides you of course, who was conveniently standing next to a freed Miles, your webbing attached to the floor the only anchor you had to prevent from flying back.
Scarlet eyes immediately snapped to you, your gaze full of guilt as Miles turned to sprint, your legs quickly following as the shout of your name boomed behind you, your eyes flitting back to find a rage-filled Miguel with hundreds of spiders at his heels, pursuing Miles, and unfortunately, you as well.
—————————————————————————
Part Two
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l3monlem0n · 1 month
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Some Murder Drones Episode 7 screenshots I thought were interesting and my thoughts on them :>
SPOILER WARNING!!!! is spoilering
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Nori, despite being a middle aged woman with a child, appears to be an Otaku or otherwise likes "edgy" and "scene" stuff, as well as listening to nightcore, very much like her daughter. Good for her tbh you're never too old to have fun
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She also has a photo of Khan and what I can only assume is baby Uzi, though it appears to have blue eyes, but maybe it's just the lighting. Still very cute she has a pic of her husband
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As well as all the previously mentioned Otaku stuff, she also drew herself as an anime character. She has a skinsona. Phenomenal (pos)
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Nothing much here, just Uzi coughing up blood. Girl got the goop (gore) inside of her already
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Lab Space. Apparently the Church was just down there and not even the humans know why. The canonicity of this is questionable; it could just be a joke
OT, as per google, stands for "Occupational Therapy". Makes sense for the context, and makes the bottom text funnier
"Fun Time To Universe Big Crunch: 87". The Big Crunch is a hypothetical way the Universe could end, where the universe folds on itself and shrinks into a single point. 87 "what" I don't know. If it's months, that 7 years and 3 months
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Honestly the Murder Drones lore is super confusing. I think what this is trying to say is that every other Zombie Drone is doing poorly, (Except for Yeva), they are trying to reactivate 002 (Nori) via the USB. I'm not sure what this means. Maybe they only got the results they wanted from the two of them, and are trying again with Nori since she was the only other one that worked (also why they got Yeva when she failed; this may all be referring to how the episode opened up) Also, the date says SER. As revealed in the episode Cabin Fever, Copper-9 has months that Earth does not. SER most likely stands for Seramorris, the month revealed in that episode
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Looks like the "bad event" wasn't the first one. Certainly was the last one though lol
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Just a good pic of ghost/hologram V with the scary stuff. Might use this as a wallpaper
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You can literally see the hole in his neck where N bit him in...
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...And it's to the point his HEAD FALLS OFF. (including because I didn't notice the first time around)
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Yup, the idea that Uzi became the Admin for N and V is completely true. I wonder what would've happened if she didn't, since Cyn didn't react whatsoever
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friggin bug (very pos)
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You would not believe how difficult it was to get a good pic of this (I'm using snipping tool lmao). Always a pleasure to see Uzi's doodles. Things her gun can do (upper right):
NOT judge her
Forced prom date (?)
Allows her to say she had friends before she frickin murdered them with sci-fi machinery
The cut off text at the bottom: Plan B: Normal gun + Shoot really fast
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This is while Tessa is looking for something in the lockers. Claws, chains, magnets, Wings, and scribbled "HELP". Looks like the lockers were all specifically to hold the infected worker drones. Oof
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We are in the future now baby. We have rererererereCAPTCHA. Funnily enough, it still couldn't stop a robot
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There is a message board where someone who doesn't like robots is talking. They also are scared. Also no one else is using this system, which is unsurprising. "Ur aight ;)" Wait is the winky face intentional foreshadowing? Or unintentional?
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We get the names of a bunch of other Worker Drones. Unfortunately for all 029 fans, her name was not visible. (also can someone tell me what "JWEB" could be short for?) And Yeva is said to have a patch. That may be the crucible thing idk
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Cyn (which I will be calling this version Skyn [Skin + Cyn]) apparently took of the space suit just to give Doll the Withered Foxy jumpscare. Honestly really terrifying. If this photo was teased before release I think the fandom would've exploded
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Just N being a good boy :3
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The MDs, Cyn's pets. Nori refers to them as "Nerfed" so the "Entity" can ensure control, and says they were made to destroy other hosts. I don't know why Cyn would want them dead, but I'm not the loremaster here. YouTube line is there because I couldn't be bothered after the Railgun image
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Probably already confirmed, but doubly confirmed that a symptom of the Solver is giving Drones organic insides. A Worker Drone body with a rib cage and guts. I wonder what would happen if the infection continued uninterrupted (also R.I.P. Doll I loved you :frown:)
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I'm sure everyone noticed, but when Uzi tried to manipulate Tessa, the ERROR noticed appeared. Already hinting Tessa is not all she says she is
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Apparently the Solver can create Black Hole Saws. Interesting development (Blackhole Blitz)
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I know most people (I think) see this as a joke and N just being a bit of goofball. But honestly, I think he did it intentionally to shock Cynuzi and give Nori a chance. In the Pilot, he licked V's sword to surprise her too, which means he isn't unfamiliar with doing something weird and surprising for the advantage
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Skyn eating Doll's core. R.I.P. Doll again. Seriously, was that Doll in Core Form like Nori was? Or was Nori a fringe case because she was "Exorcised" and this is just a regular core? Questions, questions. Also yeah the Solver also gives you a Core. Fun
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This tag makes me think that this body is Cyn's actual body. Not longer a hologram, but her actual body from the mansion. The reason Tessa gave N, J, and V their names was because that was the first letter of their Serial Designation (she's very uncreative). However, Cyn's tag was slightly faded, which meant her SD couldn't be seen, so Tessa gave her the name "Cyn" after her P/N, even though the other 3 already have the same P/N as Cyn (Tessa, again, is very uncreative)...
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...and for some reason, Cyn or the Solver, which ever theory you subscribe to, decided to wear Tessa as a skin suit for some twisted reason. It did help her with the Captcha. Also scary because this doesn't have the right proportions for an adult (unless Cyn really forced that skin on), which leads me to believe that this is a Younger Tessa, and she faked having an older voice. Maybe I shouldn't call her my wife... I'm sure Eldritch J is still available :^)
(Seriously, the eyes are burnt out, leaving two eye holes over the visor, so she gives herself two X eyes so it looks better. Also yeah we found out what that thing on the "It Came From Copper-9" poster came from. It really was Cyn or Skyn)
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Just a frame of the final...frame... for coolness. I'm probably also going to use this for a background. Also, this is definitely Copper-9. You can see the ring and ringless moon together on the right. Uzi somehow got sent to orbit after falling in the meat hole
Well that was all for now. This series has consumed me entirely, body and soul, and I wouldn't have it any other way. Goodbye and goodnight
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manicpixiefelix · 3 months
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all this, and love too (will ruin us)
{ One-Shot for head, heart, hand. }
Summary: The night of Oliver's party and both yours and Felix's moods are ruined upon finding out Oliver had been lying to you both for your entire friendship. While sticking with Felix all night to make sure he doesn't maim Oliver, Felix realises he doesn't like sharing you anymore. You're more than okay with this, but Oliver doesn't seem to be okay with sharing Felix, even if he has no say anymore. Canon tries to happen, but you get there first, so you kill the problem at it's source.
Need to Know: They/Them. Explicitly NB Reader. FWB!Reader/Felix. Reader is from a well off family but has pretty much been adopted by the Cattons.
Warnings: MAZE SCENE; death, murder, violence, nongraphic smut, dominant felix, bathroom blowjob, oliver's birthday party situation, oliver being incredibly manipulative, reader being incredibly manipulative back at him, heavy drinking and drug use, You VIOLENTLY Murder Oliver Quick In The Maze.
A/N: 6074 words. oh god these oneshots are only getting longer and longer. whoops. but also PLEASE heed the warnings. this is the Reader Kills Oliver oneshot (first of two) that i was talking about. not sure how i feel about it. its very unedited.
TAGLIST IN COMMENTS!! // TAGLIST ALWAYS OPEN ! (just message or comment to be added)
----
On the drive back from his parents' house, Oliver sits in the back. Like a scolded child he keeps his gaze low and voice even lower. None of you speak the entire drive back; you try and focus on the wind in your hair and the hum of the car and not how your stomach is turning. In your mind you see the connections as they light up, small things you'd missed, things that are starting to make a lot more sense.
You wonder what other lies you could have gotten ahead of if Oliver hadn't been so nervous about you going through his file at Oxford.
Every single thing about him was designed specifically to be appealing, to you, of course, but more importantly to Felix. It was meant to be you who knew it all, could see the full board and all the pieces the people around you moved; it was meant to be you who could plan well enough and see far enough out to keep Felix out of situations exactly like this.
Felix is curt and swift the moment he's out of the car, trying to escape Oliver who rushes after him, his desperation echoing through the halls. You're several steps behind Oliver, silent, watching the exchange, watching Oliver cling to an ever-dwindling hope for even friendship, as Felix calls out the weirdness of his ongoing lies, tearing that hope asunder.
"I just wanted to be your friend," is all Oliver can say when pressed about his lies. It's genuine, it breaks your heart, but it doesn't make it better. For a moment, you see conflict as it flashes across Felix's face, but he clearly can't do this right now, needing at least the night, but promising not to tell his family.
As you go to leave, go to follow him, Oliver catches your sleeve, holds it too tight for just a moment -
"I thought you knew," his voice wobbles, but there's something like alarm bells in the back of your mind. Everything about Oliver is purposeful, even now. But you know him, you know how he likes to play.
"No you didn't," you look at his fingers still coiled in your sweater, watch him drop them, "you knew I trusted you." You wouldn't let him shift this blame; the faint dismay you can see in his eyes behind the hurt gives him away. He knew Felix had more emotions than sense, but somewhere along the way he seemed to have forgotten that you were so much more than another adoring fan in Felix's shadow.
"'m sorry," stumbles from his mouth almost like a reaction to the look in your eyes, "for hurting Felix with all this, I- I never wanted that," he shakes his head, dropping his gaze, "or hurt you," tacked on as an afterthought. Both of you know where he was placing the importance of that apology. Everything Oliver Quick does is with purpose.
"I know you are, Oliver," you tell him, standing tall and unflinching as you left him alone.
"If you leave my side tonight I'm going to maim him," is how Felix greets you when you enter your room. Sitting on his bed, you see a little, ornate box open in front of him, and you recognise it as one of the few stashes he had around the estate for desperate times. This one, if you recall correctly, was shoved well beneath Henry the Eighth's bed, and had a decent amount of coke that you'd left here after last Christmas.
"Can't fucking believe- I can't fucking believe him!" He rants, cutting up lines of coke on the little hand mirror Venetia had donated to this particular stash box. Mind working a million miles a minute, you're quiet, letting him rant. Running on autopilot, you begin to strip down to your underwear, pulling out your costume for the night, frowning at it in the afternoon light.
"How complicated is your costume?" Felix asks, finally looking up, gazing over at you and the sheer, shimmering thing in your hands. Without a word, but with a vague shrug, you turn it to him.
The base was like something you'd see at a rave, little more than green underwear, with straps, and beading, and jewels, and loops of green and purple pearls by your hips that would bounce while you walked. The overcoat, though it was far to generous to call it that, was pure gossamer, sheer and green, with hand-stitched silk leaves making up the hem that fell perfectly to your ankles, and intricate, hand embroidery of vines that extended across both shoulders, and both arms, ending with little, purple flowers embroidered by your wrists.
There's large, brown boots with a bit of a hell and some large buckles, and a belt that's half a skirt that hit just below your knee to give you some coverage, at least on your left, sewn to look like it was covered in leaves. Plus a leather thigh harness and flask that Farleigh had gotten you made for your last birthday.
Leaning back, Felix reaches out to feel the gossamer between his fingers, frowning for a beat.
"Don't be precious about it."
For a moment, you frown in confusion. Despite your entire outfit being exquisitely and perfectly tailored, you knew you could afford to not be precious about pretty much anything, even this. But that's never been an outright request he's made.
"I'm not?"
Quiet follows, the soft rustle of your garments as you begin to get dressed, and Felix quickly snorting a line of coke.
"I'm going to lose my fucking mind tonight," he mumbles. Even though you're half dressed, you still lean over his shoulder automatically as he lifts the mirror and the rolled bill up to you like an offering, holding the mirror steady for you.
"I need a drink," you groaned, to which Felix immediately agreed.
"God, why don't we stash anything in here?" He lamented, laying back and watching you head to the door once more while you're trying to do up your belt to hold up your partial leaf skirt, still without your overcoat.
"Because that's tacky and we're not alcoholics." Even with your explanation, Felix pouted. Still, it's a quick trip to the Blue Room and the bottle of rum you're glad Venetia hadn't found in the broken piano.
The night gets blurrier, gets better, with half a bottle of liquor in your veins before the sun even sets. As you're making yourself dreamy and ethereal with glitter and gems and makeup in the mirror, Felix drapes himself over your shoulders, pouting again. The drinks and drugs are already hitting you both and you can hear the revelry beginning outside.
"It's not going to last," he says pointedly, and you're confused until you see him trying to poke at the iridescent eyeliner that wasn't quite dry. Rolling your eyes, you smack his hand away. So he makes his point again, adding, "I'm going to get glitter all over me."
You smirked at him in the mirror, tipping your head against his.
"Don't be precious about it."
A spirit amongst the fairies, you greet your college friends with open arms and boundless enthusiasm, always keeping Felix close at hand. He was more subdued than you, more subdued than many of your friends were used to. Whenever you looked at him, it seemed like his gaze was searching, his expression drawn unless someone had caught his attention, and he wore a smile that seemed to convince them.
"Need a drink," his hand around your wrist and no time to protest, Felix dictated your night and it's pace. Frustration and apprehension keep him tense, even as he tries to loosen up; you feel every time that tension spikes, even if you don't know it's cause. His nails dig into you, wherever he's holding you, shoulder, thigh, arm -
In the bathroom, doing lines with India and some guys who claim to be friends of friends of the Cattons, you're leaning against the sink until you Felix nudge your knee with his own. Looking to the door, you see Oliver in white, taking up it's space. Felix only has to gently tap your thigh for you to shift, sitting in his lap.
"You can't ignore me forever," Oliver tells him, watching you both, watching the way Felix wraps an arm around your middle to hold you close and secure on him.
"I can try," Felix practically sings, his nails sinking into your stomach. With his free hand, he offers you his cigarette, raising it to your lips. You drop your gaze as you inhale, trying to only focus on keeping Felix secure in this moment.
"Felix we need to talk," Oliver insists, "Felix, come on man -"
"Look, man, I tried to be nice -" Felix started, and though you tried to gently warn him, pressing against him with Fi on your lips like you hope he won't say something he'll regret, he just holds you tighter and continues on, "but can you fuck off and bother somebody else?"
India half snorts with laughter in the middle of a line of coke, the others all judging Oliver the longer he lingers in the doorway, but Felix drops his gaze. His lips are on your shoulder to keep from saying anything else.
One of guys whose names you don't know asks who Oliver even was, but Felix can't answer; tension again, maybe anxiety or frustration, but his mouth moves from the gossamer and embroidery on your shoulder to your bare skin above the neckline, where your collar meets your throat. His teeth sting. His nails still sting. He swears under his breath before he lets go.
"Sorry," he mumbles finally, sighing and resting his forehead on your shoulder. You tell him it's okay, voice fond, but when you lean over to do another line of coke, you meet India's reproachful gaze. It takes you a long few seconds to connect the dots, to realise what was going on in her head. You're so fucking over everything tonight.
"You know Farleigh was lying to you about us, right?" You say casually, taking your line and sitting back up. Her eyebrows rise in surprise, "I know you think we're all gross and cousin-incest-y -" you hear Felix's faint laughter behind you, and feel him nudge you with his thigh, silently asking you to get up. Both of you do, and Felix manages his first proper smile of the night, even if it is smug.
"But we're not related," he tells her, "thank fucking god," and smacks your ass as the two of you exit, as if to just prove a point.
You're on your knees in a different bathroom when you hear everyone else start to sing happy birthday, but Felix's voice is a low growl of don't you dare stop, and his hands in your hair. Nothing else matters to you in this state of mind, blurry, pliant, desperate to follow his every command. It's as if you've forgotten what exists outside of Felix's hands on you.
The night becomes lights that are too bright, and music too loud, and laughter and glitter and the warmth of the people dancing around you. After a few hours you feel yourself starting to come down from your high, starting to come back to yourself, still on the dance floor. Venetia's dancing with a blonde boy, looking so pretty, like she's having a genuinely fun night, but when you point it out, Felix takes your hand.
"Don't look at Ven," there's that hunger in his eyes, that firm tone he'd been using all night, "don't touch Ven, don't -" he cuts himself off, wets his lips. Looking around for a moment, he spots something in the crowd that makes him scowl. Just a moment, as you follow his gaze, you see Oliver. The moment your eyes lock with his, however, Felix has his lips on your jaw.
"Fucking mine."
There's half a second where you and Oliver are still locked in this moment, you watch the way his expression starts to shift, jaw tensing, something like anger flickering in his eyes. But you can't bring yourself to give a shit about Oliver as Felix has his arms around you, kissing down your throat with a feverish, almost lewd intensity in the middle of the dancefloor.
"Prove it," and you let him drag you from the house, heading towards the place that had always felt a little special for you both, almost a little magical.
"I'm being selfish," Felix announced as you finally hit the tree line just before the maze, "I don't fucking care anymore, I'm being selfish, about you -!" He turns to look at you, only to see you gazing up at him with starry-eyes, hanging on his every word. He breaks into a sheepish grin momentarily, shaking his head as his voice drops for a moment, "oh, you're fucking loving this, aren't you?"
"I want you so bad right now it's actually embarrassing," you agreed with a wide grin, unable to contain your laughter, despite how genuine the feeling was.
"I'm being selfish," he said once more, muttering it this time, though as you entered the maze and the moonlight peaked down upon you, you could see the blush still upon his cheeks, "I don't want anyone else to fucking touch you again, you hear me?" This time, when he looks at you, he thinks he can see hearts in your eyes; your overwhelming love and acceptance, even for this -especially for this- is making it very hard to keep the stern act up, except -
"Anything you say," you tell him, breathless as you approach the centre of the maze, voice edging on desperate, "anything at all." And you see it hits him just where it had needed to, to hear you wanting and wanton and offering yourself to him -
The gossamer overcoat is ruined, scratched all up the back where you're pinned against the statue, half sitting on the base with your legs around Felix's, your fancy green undergarments around one ankle. His nails scratch down the bare skin of your back, fucking into you with furious intent to match.
"You've always been mine," he groans into your ear.
"Felix -" you whimpered. Immediately he was grinning, lips inches from yours, gazing at you through his lashes.
"How's that proving anything?" He teases, low and knowing, and as his hips snap up to meet yours, you take the hint, his name getting louder and louder on your lips as you almost chant it, till his hand is between you both, helping get you off, and you're close and all but screaming his name and -
"Felix." Not from you. Oliver.
"Oh Jesus Christ!" Felix immediately looks murderous, and not in a fun, sexy way. Oliver's demanding to talk to him while you struggle to pull your underwear back on.
"Could hear you out there," Oliver mumbles, half stumbling over his words, unable to look at you, focused on the dirt by your feet instead.
"Kind of the point, Ollie," you snapped, frustrated and now unsatisfied, but dressed once more.
"What the fuck is wrong with you, Oliver?" Felix demanded. Oliver advances on him, presses into his space with desperate eyes and a bottle clutched to his chest. He doesn't look at you, he can't fucking look at you, you don't matter. It's Felix and his emotions who lead every situation the two of you share; it's Felix he has to win back over.
But he should have expected you not to leave, should have expected that when Felix pushed him away, shouted for him to get the fuck away, that you would try and step in.
"He's already got you on a leash, can I just have this one fucking moment?!" He snaps at you; he doesn't hit you but you recoil like he has, and Felix's gaze grows cold. Oliver seems to sense this before he even turns back, "I'm sorry, I didn't mean that, I just- they already have everything -"
"Back off." Felix warns sharply, but Oliver can't help himself, won't listen.
"I just gave you what you wanted!" Oliver throws himself at Felix, pins him to the statue, their bodies flush and Oliver rambling, "like everyone else does! Everyone puts on a show for Felix..." his voice drops, childish and weak and wanting, and you watch him press himself closer as he turns gentle, "so I'm... I'm sorry if my performance wasn't good enough..."
"I think..." some part of it was working on Felix, his voice soft and placating, "I think you need to see somebody," or maybe he knows by now exactly how Oliver wants him to act; his eyes never leave Oliver's face, even when he doesn't let him go, "you need help okay, seriously -"
"No, no, I don't," Oliver's voice is rising again, "I just need you to understand how much I fucking love you," a tremble in his voice, sounding so raw, so needy, "you're the only friend I ever had, Felix." The manipulation is so blatant it almost hurts; you don't matter to him in this moment, all that matters is saying exactly whatever Felix needs to believe.
"I mean, doesn't this just prove how much of a good friend I actually am? How well I actually know you?" That hope, that dangerous, heartbreaking note of hope that's going to make your skin crawl. But you're not leaving without Felix, and he's not leaving this moment it seemed, "I'm still the same person, yeah? I'm still the same person," he insisted.
A long few moments pass, Felix's gaze searching Oliver's face for something beyond you. But then, finally, his gaze slips to you. All you can do is shake your head.
"Don't-" Oliver murmurs faintly, tipping his head to try and block you from Felix's line of sight, but Felix turns his attention back, expression helpless.
"I don't know what you are," he breathes, "but I do know you; you make my fucking blood run cold."
The fight drains out of Oliver, as does every last drop of hope. He lets Felix push his hands away, makes himself give Felix space to breathe. After a beat, he looks back at you, unsteady on his feet, pain in his eyes, but then he lurches, quickly shoves his half-finished bottle into Felix's hands, and rushes away to be sick.
Oliver is doubled over, retching, when you get to Felix. Before he can raise Oliver's bottle to his lips, you tuck yourself under his arm and wrap him up in a hug. He's trembling, but you feel the bottle against your back. Felix tucks his face into the crook of your neck, tears unspilled, clinging to his eyelashes.
"Better?" You ask forlornly once Ollie had gone quiet.
"Fuck off," he spits, finally coming back around. You watch him over Felix's shoulder, and the glare he levels at you as he wipes his mouth with the back of his hand is almost surprising. Still, you try and show the same compassion you knew Felix would in this moment.
"Wash the taste out of your mouth," you try and tell Ollie gently, moving carefully out of Felix's arms, wrapping your fingers around the neck of the bottle he'd brought with him, "I think you should go to bed after." Oliver doesn't even reach for the bottle, but he does stop, looking between it, and then between you and Felix.
"Please," Felix sighs, head bent and bottle clasped tightly in his hand, "I need this."
"We can get another," you tell him quietly, calmly. Felix's gaze flicks to yours, imploring for just a moment, but dropping again when you don't relent. Felix sighs, once more, but finally relents, handing you over the bottle. Which Oliver has kept his focus on, brow now furrowing.
"I gave you everything else of mine, my drink's not even good enough for you anymore, like the rest of me?" He sneers, reaching unsteadily for the bottle in your hands, though his eyes and their focus betray him. Something lights up in the back of your mind, like one of those memories that made far more sense once Oliver's lie had been revealed. Alarm bells once again.
Felix stumbles to a halt -
"Fucking fine -" but as he tries to reach for the bottle again you step out of his range, beginning to see red as you got closer to Oliver, prickling with suspicion, "what is your problem, Y/N," Felix sounds so fucking tired, but all you can see is the deer of a boy before you growing wide eyed as he looks into yours.
"It's Oliver's," trying with all your might to not jump to conclusions, you hold the bottle out, desperately hoping that you'd connected the wrong dots, that Oliver was just drunk and as helpless as he appeared, that he couldn't be this malicious or vindictive-
"You want me to be sick again?" He tries to stand up to you, bottle pressed to his chest and refusing to step back even as you continue to crowd his space, "fuck off." He's seeming more sober, more alert, more with himself with each minute that passes. The distant noise of the party rings in your ears and all you can think about is the cold bottle between you and how Felix had almost -
"Leave him alone," Felix called out, footsteps in the grass sounding as though he was making his way back to the maze, "he's not worth it."
"He's pathetic," you spit, nose to nose with Oliver now, face heating up as hot, angry tears begin to close your vision. Still, you can see in Oliver's eyes that he's finding fewer and fewer ways to escape the situation.
"I don't care what either of youse think of me anymore," Oliver's lip curls as it quivers, trying to play distraught and callous all at once, "go fuck each other to feel like you're not just a fucking waste of space, vapid cunts -" he can see he's touched a nerve by the way your expression lights up with malevolent fury.
"Fi," there's a shake in your voice that you can't even fight, "please leave."
"Can you please come with me," Felix sounds like he's on the verge of tears, and when you turn, he's reaching for you, his hand shaking, "please can we go?" He begs.
An angel. Your best friend. Your everything. Your Felix.
Seeing him like this, knowing beyond a shadow of a doubt that Oliver's greed and jealousy would rather see Felix hurt than not in love with him, you couldn't let him get away with it. Finally you start to cry, even if you hadn't meant to, and the sight of it has Felix begging for you to leave with him. Oliver starts pushing, demanding that you both fuck off.
"Give me a minute, My Felix," you tell him, trying to smile, trying to reassure him, "I'll catch up."
"I'm not leaving without you."
"I don't want you to see this," you turn back to Oliver with newfound resolution. He's stepped back, leaning himself against the statue, doubled over, head in his hands.
"See what?" Felix asks dubiously, and Oliver looks up, sees the way you're approaching him, and scrambles to straighten his posture.
"Ollie's going to have a little drink," you offer him the bottle again.
"Tryna make me sick again?" He snarls.
"Then use it to wash your mouth out, then swallow," you order coldly, "and repeat until the bottle's empty."
"Why should I?"
"Because it's just as perfectly fine as when you handed it to Felix," you hissed, voice low enough that Felix himself couldn't properly hear. Oliver narrowed his eyes, matching your tone.
"If I don't?"
"What I will do to you, Oliver Quick, will be much worse than whatever you've put in that bottle, so you'll drink it all up," you leaned in, whispering close and menacing, "and if you do throw it up, I will have you on your belly, like the worm you are, sucking your own sick off of the fucking ground."
"What the fuck is going on?" Felix demanded, and you turned, taking a deep breath and hopefully giving a much more convincing, determined smile.
"He made you cry."
Felix's expression immediately changed. All soft and fragile but understanding, he just asks that you don't be long. You promise not to be. Both you and Oliver watching him go.
Once in the clear, you turn back to your captive audience, keeping your voice low.
"I'm not going to make you drink it," you admit, and though Oliver's confused and on edge, he seems to relax, just a little.
"The fuck do you want from me then?"
"I just need to hear you say it," you step back from him, give him space, even step around to place the bottle at the foot of the statue and lean your forehead against the cool stone.
"Say what -?"
"I'm not fucking stupid, Ollie," you groaned, looking at him out of the corner of your eyes, "you think I could hurt you? I ruin lives behind the scenes, I couldn't -" you flail your hands awkwardly, rocking back on your heels, turning to him properly once more. It appears to work, however, as Oliver is now only regarding you warily, instead of seeming actively cautious. "I was... hurt," you admitted, "I know why you said it, but I was hurt to hear you say Felix was your only friend."
"That's not -" he tried, defences lowering further as he attempted to defend himself.
"No, I get it; I've done terrible things because I love Fi, I couldn't imagine," you cast a pitying, apologetic look to Oliver, "him not loving me back."
And it works. He cracks, little by little. The tears begin to form, the lip starts to tremble.
"It's not fucking fair," it already sounds like there's a lump in his throat, "why do you deserve his love?" He scowls, "why can't I? I can be like you, I can be good -" he babbles, sniffling harshly amongst his defiantly sharp tone, "I know I could be," you gently wrap an arm around him and he fists a hand to tightly in your overcoat that it tears, "I was everything he wanted me to be -"
"I know, Ollie, I know," you carefully remove his antlers, holding them in one hand as you coax him in close, running a comforting hand through his hair.
"I wanted him to love me, I wanted- I never wanted him hurt, but wanted him dead so it wasn't my fault if he didn't love me; he couldn't love anyone -" he breaks down into furious tears, "I hate him, I hate him, I hate him. I hate you, I hate that he loves you without you even trying -" there's no apology in his distress, even as he lets you hold him close, and you, for a few more moments, whisper reassuring nonsense. "I never wanted to hurt him," he mumbled softly, "but I wanted to kill him. I could never hurt him," there's anger and guilt in his eyes as he looks up at you, tear soaked and helpless, "but I wanted to hurt you." What you give him in return is pity, is sweetness and apology, but your blood is burning through your veins.
"You would have regretted it."
"I know..."
"Are you lying?"
"I think I am."
You have what you need, the confession, the intention; validation for your motivation. Hook, line and sinker.
"Hey, Ollie, Ollie, darling look at me, I know, okay, I know-" you try, taking his face in your free hand.
"No you fucking don't!" Oliver insists, but you keep insisting, "don't fucking take that tone, I just told you I was trying to kill Felix to hurt you -!" He thrashes, but your gentleness is unrelenting in this moment. You will give Oliver Quick what he deserves.
"Ollie, look at me, okay? Look me in the eyes, please -" you begged, and finally he did, despair and anger all there amongst the tears, "keep looking me in the eyes," you tell him gently, and firmly, and he does, too curious for his own good and wanting to see where this was going -
"Everything," you give him the faintest, reassuring smile, one hand on his face, shaking, messily wiping tears from his cheeks with your thumb as he keeps your gaze, "is going to be -"
- and you ram one of his antlers into his soft, exposed belly with all your strength. Surprise and pain hit him all at once and suddenly he's scrambling, trying to get your hands off of the headpiece. But he's winded, and suddenly in overwhelming pain.
"- fine," you breathe out, shaking with adrenaline. You have him pinned against the statue, just like he'd had Felix only minutes ago.
"Eyes, Oliver," you ordered coldly, while making sure to keep smiling, even as fresh traitorous tears were gathering and already spilling down your cheeks. Hand in his hair coming to grip him tightly, keeping his gaze level with yours, "what did I say? I want you to look me in the eyes -" and you rip the antlers out before plunging them back into his gut. Lips twisting into an animalistic snarl involuntarily, Oliver splutters and fights and squirms but everything is becoming slippery, and warm, and slick with his blood. The antlers, your hands, and his; hard to get a grip like the firm one you had on your weapon of choice.
"Fuck-fuck-fuck-fuck-" he chokes out helplessly, bloody hands moving up, trying to grip your arms, your shoulders, your face, "how -fuck- why -?"
"Whatever you had in that bottle is too good for you; you tried to kill Felix, you said so yourself."
As his strength begins to fail, the way he holds your face turns tender, almost gentle, before his hands fall back to rest on yours, both gripping the bloody antler. Oliver's weight rests on the statue, watching you with despair and helpless, pained moans. Cheeks wet with tears, you can't even fathom how you're doing this, or who you will be once it's done.
"You are not the minotaur of this maze," you grit your teeth, leaning your weight on the headdress, driving it into his guts until the bloody antler snapped clean off of the headdress, you still can't bring yourself to stop. It doesn't feel like enough. He tried to kill Felix. So you took the other antler in hand, unable to stop yourself, shaking with rage and tears, "you are the dear in my fucking headlights; you tried to hurt Felix, you tried to kill Felix! You are nothing, nothing, nothing," you punctuate each nothing with another bloody, unnecessary jab until you can't keep going. The second antler collapses to the ground, and you stumble back, hands shaking.
"Didn't want to hurt him," Oliver insists weakly.
"You were someone we loved," you can see the first antler still jutting out of him, stemming the blood flow but undoubtedly causing excruciating pain. But you spare him no sympathy, only a look of absolute loathing, finally taking in what you've done, the blood your fury had shed. "Someone I loved!" Burst from you, raw brutal betrayal scraping its way from your throat, face hot and wet with tears, falling to your knees, looking up at him with an exhausted fury, "you will never hurt him again. I will never give you that chance."
But Oliver's quickly unfocusing gaze slips from you, rising to a point beyond you, out into the maze. A weak, faint, but somehow still triumphant smile works it's way across his lips.
"Him?"
Like in a horror movie, you cast your gaze over your shoulder. You hear when Oliver finally gives out, stop holding himself up on the statue and fall to the ground, but all you can see is Felix at the edge of the maze.
And that look in his eyes.
Oh god, what have you done?
"Felix," tears start welling in your eyes again, and finally he looks away from Oliver's body, his own antler protruding from him, slowly bleeding out, to you. From here, he can't see the blood on your hands, the blood that's all over you, but he can see it all over Oliver, "Fi, please, you need to -" but he's stepping towards you, almost automatically; he looks ill. You have to look away, can't bear for him to see what your rage has brought about.
"I'm not," his words are robotic, still a bit slurred, and he keeps looking at Oliver, "going without you. 'said that." But he stops behind you. Eyes closed, you wait, you can't bear to even look at him. Then, slowly, he moves. When you breathe, it makes you shake, but you slowly open your eyes.
Felix approaches Oliver. You watch the faint, far away smile wears as he sees Felix up close once more.
"Fe-lix," he sighs faintly, reaching out with weak, shaking, bloody hands, feather light finger tips leaving red streaks along Felix's cheeks, his jaw, his lips. Felix's head dips in close, into Oliver's aching touch, his forehead resting against Oliver's in this moment.
"You were going to fucking kill me, Ollie?" Felix whispered through clenched teeth, on the edge of tears.
"'m sorry," Ollie mumbled weakly, shock and blood loss catching up with him as he struggled to keep his eyes open, "didn't want to hurt you."
"You wanted to kill me -"
"It wouldn't hurt."
"It would have hurt them!" Felix grabbed him by the collar with one hand, wrenching the dying boy up enough to see him pointing at you, still kneeling on the ground, second bloody antler laying in front of you. All Oliver could do was make a pained whimper, and Felix dropped him back to the ground, "and you said it yourself-" his voice is venomous, but your breath catches as you realise just how much he must have heard to know that, "and even having a thought like that," he snarls, hatred burning in his eyes, "means you don't fucking know me at all."
Felix is by your side in the very next moment, pulling you into his lap as he leaned back against the base of the sculpture. You're sobbing into your bloody hands, nothing else to do or say. Even as he's shaking, as he's crying too, Felix doesn't let you go, doesn't let you feel anything but secure with him.
"You saw it all, didn't you?" You whispered finally, and feel him nod.
"I said I wouldn't leave without you."
"I'm sorry, I'm so sorry -" and while he tells you that you don't have to be, the words, the fears, the desperate justifications and rationalisations pour out of you, "he said he was trying to kill you, Fi, and I couldn't- I should have walked away, just gotten him kicked out or taken away or- or- but I couldn't," you gasped, "I couldn't let him ever have that kind of chance again, I couldn't risk that, my mind wouldn't let me -"
"I know, I love you," Felix murmurs weakly, his forehead against your shoulder once more, "dad and Duncan will know what to do, they'll take care of it tomorrow," he sounds so young in this moment, so tired and fragile. You nod quietly, leaning into him. When his hands find yours, threading your fingers together and holding on tightly, Oliver's blood is still sticky on your skin. Neither of you seems to care.
"How did you know something was so wrong?" Felix finally asked, the air cooler and quieter now. You have no idea how much time has passed, but it sounds as though the party was winding down. Oliver's party.
"He wasn't that drunk," you said after a long moment of deliberation, "could see it in his eyes," taking a deep breath, you cast your gaze to the guest of honour, completely still, chest no longer shifting with shallow, frantic breathes, "if he wasn't drunk, why was he sick?" Sighing, you leaned into Felix. You felt so hollow; "everything Oliver Quick did, he did with purpose."
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heliza24 · 2 months
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I want to talk a little bit about Daniel in the Interview with the Vampire show, because the new trailer material has me stuck thinking about him, and also I’ve never written about how meaningful he is as disabled character to me before.
I don’t see many people thinking about show!Daniel in these terms, but he’s a canon disabled character. And I think the way he is written is just SO good. The acerbic wit, his relationship to doctors and his medication, his rueful acceptance of the way his disability has changed him. It is all so correct!! It’s really incredibly rare to have not only a disabled character written this well but specifically a chronically ill character written this well. His illness is always present; it doesn’t get forgotten about by the story. It gives Daniel insight into the vampires (more on this in a min), but it also gives Louis and Armand leverage over him. When Louis triggers his Parkinson’s symptoms? Deeply not ok. But that’s what made it such a great scene, and really made Louis feel dangerous and threateningin that moment. Armand and Louis arranging Daniel’s meds is a sign of great care and also great power over Daniel. It’s the perfect way to communicate the complicated power dynamic in their relationship.
I also just fucking love that this show takes place in 2022 and doesn’t erase the pandemic. Covid is a very present concern for Daniel and I cannot describe how validating that is for me as someone who is clinically vulnerable to Covid and who has had to really limit my life and take a lot of precautions because everyone else has decided to stop caring whether they pass on Covid or not. The fact that Daniel gets on a plane to Dubai is a BIG DEAL. He’s risking his life to talk to Louis and Armand before he’s even in the room with them. He really wants to be there. I have to make a similar calculation every time I travel, and trust me, getting on that plane knowing getting sick could spiral you into even worse health or kill you is really hard.
I think making Daniel disabled and including the pandemic is kind of a genius level decision on a thematic level. Of course Daniel is now facing down his mortality, which gives him a whole new lens on the vampires and the fact that he once asked them to turn him. And the pandemic further highlights his fragility, and is also possibly being used as a cover for drama that’s happening in the vampire world. But I think it also really sets Daniel up as a foil to Louis.
There’s a lot of analysis of the vampire chronicles that reads vampirism as a metaphor for queerness. But I would actually propose that it’s a much neater parallel for disability and illness in a lot of ways. So many of Louis’s initial experiences after being turned resonated with me, as someone who became chronically ill in my 20s. My appetite and relationship to food completely changed, much like Louis. My relationship with the outdoors and the sun changed, because of dysautonomia and allergy reasons. I was very mad, and very depressed, and I too have missed out on birthday parties and big life events like Louis did because I was too sick to go. Hell, you can even say that the way that Louis is treated as evil by his family, that the way vampires literally can’t be a part of society during the day, is reminiscent of ableist exclusion and ugly laws. (Ugly laws were laws that forbid disabled people, especially those with visible differences, from being out in public, and they were on the books in many American municipalities until the 1970s.) You can look at Lestat being an out and proud vampire in the first few episodes on the season and imploring Louis to leave his shame behind as a queer thing, but you can also view it as a disabled thing. Disabled people are portrayed as monstrous so often (and in a way that has gone relatively unexamined compared to say, the queer coded villain trope) that sometimes it’s just easier to embrace that label: I’m the monstrous Crip, but at least I’m not ashamed of or disgusted by who I am anymore.
I do think the real strength of this adaptation is that while you can find parallels between queerness or disability or other forms of marginalization with vampirism, ultimately it’s not a one-to-one parallel. It speaks to the real world but ultimately it is a gothic horror story about supernatural monsters. So I don’t mean to say that vampirism directly equals disability, because it does not. But I do think that making Daniel disabled was an intentional choice to help draw out some of those parallels, and I think the text is richer for it.
So Louis and Daniel have had these kind of parallel experiences of uncontrollable and difficult things happening to their bodies. It sets them up perfectly as foils, and even, I would argue, as the A plot and B Plot protagonists. This is one of my favorite ways of kind of examining the structure of a TV show (or maybe it’s that most of my favorite shows seem to be structured this way?). When TV was all episodic, it would be common to refer to the A plot (mystery of the week), B plot (interpersonal drama happening as the mystery gets solved) and C plot (any overarching plot tying the season together) in an episode. Now that stuff is serialized, there’s often a main protagonist, who has the main dramatic question and the most agency, and then there is often a secondary B plot that explores similar themes and mirrors the A plot, or presents a second main character who is the ldifferent side of the same coin” to the main protagonist. (My favorite example of this is Flint and Max in Black Sails, and I’ve also made the argument that Wilhelm and Sara fit this pattern in Young Royals.) In IwtV, Louis is obviously the main protagonist of the show, especially in the A Plot, which is the stuff taking place in New Orleans/Paris. But I would argue that Daniel is the protagonist of the B Plot set in Dubai. At the very least they’re intentionally set up as mirrors of each other:
They are both unreliable narrators, who are struggling with the way memory contorts (through memory erasure, illness, deliberate obfuscations, and just the passage of time). The most recent teaser trailer, where we hear Louis saying “I don’t remember that”, with panic in his voice, further underlined this similarity between Louis and Daniel to me. I don’t know if it means that Louis has also had his memory tampered with, as I’m assuming Daniel has, but I do think it means that Louis is going to be struggling with feeling out of control of his own narrative more in season 2, a thing that was already starting for Daniel in season 1.
They are also both locked into power struggles with people more powerful than they are. The fact that Louis is under Lestat in the flashbacks and above Daniel in the Dubai scenes in terms of power/status makes it all the more interesting. And, if we want to go ahead and assume that the Devils Minion’s years have happened in the past by the time we get to Dubai— it’s possible that both Daniel and Louis are united in being the less powerful partner in their own respective fucked up gothic romances.
They’re also both the audience’s entry point into their respective stories. Louis’s narration guides us into the world of vampires. Daniel’s questioning satisfies our human curiosity in Dubai.
I think one of the things that makes the show so special is the way that these two protagonists interact. In a lot of shows the a plot and the b plot stay pretty separate. I love talking about Black Sails for this because I think it’s such a good example; Flint and Max never exchange dialogue the entire show, even though they’re so clearly affecting each other the whole time. But the way that Louis and Daniel clash in Dubai is so exciting. We see them both wrestling for control of the narrative. It’s thrilling to watch and it just hammers home the theme of how complicated and changeable stories can be.
I am SO excited to see how the Dubai scenes play out in season 2 because of it. I really can’t wait. I’m really hoping we’ll see Daniel and Louis’s relationship evolve in surprising ways, and I’m holding my breath that we’ll get a lot of Armandaniel material to work with. (I have a whole other post drafted that’s much less smart than this one and is just me waxing poetic about Devil Minion’s theories which I may post at some point. You have been warned.)
I do have two wishes for Daniel in the new season, and they’re 1: that he gets to have romance/sex, because disabled (and older!) characters are so often seen as unworthy of being desired, and I would like to see that challenged and 2: that he continues to refuse to be turned/is not offered a vampiric cure for Parkinson’s. The magic cure for a disability or chronic illness is probably my least favorite disability trope, because it serves to erase disabled characters and representation from the narrative, and I want to see my experiences continue to be reflected in Daniel’s. That means that whatever ending Daniel’s story has will probably have at least a bit of tragedy baked into it, but I’m ok with that.
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etfrin · 2 months
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❝ꜱᴏᴜʟꜱ ᴛᴏ ᴄʀᴜꜱʜ❞ — chapter twenty-one | coriolanus snow
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「ᴡᴀʀɴɪɴɢ:」 NSFW | canon typical violence, coriolanus snow, a lot of innocent people get murdered but there's no solid description! someone gets hanged as well | lmk if I forgot anything
「ᴘᴀɪʀɪɴɢ:」 young! Coriolanus Snow x fem! Reader
「ꜱᴜᴍᴍᴀʀʏ:」 coriolanus snow sees district thirteen getting what it deserves and finds himself with a goal
「ᴀ/ɴ:」 i should be studying... But here ya go! Make sure to give me feedback, we're nearing the end soon!
Beta read by the sweetheart @nowitsmissing
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It was extremely early in the morning when every single Peacekeeper was called into the Peacekeeper base. There was a TV, it was surprisingly a big screen. Definitely from the Capitol. You were standing beside Commander Hoff and behind you were several Capitol officials.
“Today, we make history. Today we'll end the rebellion from its root,” Commander Hoffs’ voice echoes onto the hall.
Coriolanus raises his eyebrows, unsure of what exactly is happening. The confusion is jarring. You looked stoic, your face devoid of any emotions. You never looked so beautiful to him. You looked like power. Fuck.
Coriolanus diverts his eyes before his thoughts turn inappropriate. He looks at the screen and watches it come alive. A familiar face shows up. Lucky Flickerman. The first-ever host of the 10th annual Hunger Games.
Coriolanus furrows his eyebrows before he begins to connect the dots. This has something to do with district thirteen. Ending rebellion from its root? How is that possible? Unless…
District thirteen still exists and the Capitol has fed him lies about it from the beginning. Coriolanus wanted to feel bitter but instead, he felt relief because it meant you were doing something about it. You wouldn't let it go. And this was a gift for him, he realized. District thirteen was what ruined his family and now you're eradicating its existence from the face of Panem.
You were extraordinary.
“Today, district thirteen will cease to exist,” you announced to everyone standing.
And then, Flickerman begins to talk,
“Citizens of Panem, today the Capitol will make history yet again. From the dark age, we have learned not to repeat our mistakes. There won't be a war in Panem ever again, and this is a step towards that,”
He continues,
“Months ago, there was reported activity near the area of district thirteen since then the government has worked tirelessly to find out the truth. It has been revealed that district thirteen exists,” Coriolanus hears multiple gasps, and even Flickerman stops talking for a moment to let the shock settle in.
The man then goes on,
“But those lives there are not blameless. They live with the blood of beloved Capitol citizens on their hands. They have rebellion in their hearts and hence keep themselves a secret. But no more! Because of a special mission approved by the President and esteemed officials' dedication to keeping the Capitol safe,”
“We'll be seeing from our own eyes how the Capitol keeps us safe. We'll see from our own eyes why the Hunger Games is needed. Thank you.”
Coriolanus looks away from the screen and turns his eyes towards you. You were already looking at him and when his eyes caught yours, you smirked.
This was the secret.
This was the mission.
He could only hope that everything goes your way. The screen comes alive in a different scene. People in military gear with weapons of all kinds. Coriolanus' eyes widened, the Capitol would be broadcasting the slaughter of the district in front of their very eyes.
Not much different from the Hunger Games.
Coriolanus wonders why they do that- why broadcast it when you can keep it hidden? This shows Capitol can sometimes overlook some mistakes too. They found out about District thirteen accidentally after all. This is a shame for all of Panem for letting them exist for so long.
But he also thinks that it will reinforce the idea of the Hunger Games. It will make everybody think that violence, the punishment are necessary, or else another district thirteen will pop up again. And history might repeat itself.
Snow looks at the screen and hears the gunshot and the screams. They were murdering indiscriminately but the camera made sure only the armed forces of district thirteen came into view. Most of the soldiers there had extremely pale skin and red eyes. The way they were holding the gun, they were shaking.
All these would be missed by the blind eyes such as of the Capitol citizens but he knew every Peacekeeper and district citizens could notice it. They were sick, extremely so. It was a massacre happening disguised as something else entirely.
There was no fight at all despite what the Capitol wanted to make it seem like. District Thirteen was weak and soon a lot of people were captured, and those people would be tried for treason. Those people would die as well. There was no doubt about that.
He wondered briefly about what would happen to the kids they captured as well. He slightly shook his head, he let those thoughts get out of his head. Not his problem.
“District thirteen is ours now,” you were looking at him as you said that.
Ours.
Coriolanus liked it.
Coryo gives you a split-second smile. The rest of the people present watching the screen go blank. This moment was shared just between the two of you. The mission was a success.
A few seconds later, Commander Hoff speaks,
“To accommodate this victory, several rebels that were caught in District Twelve will be executed at noon . Everyone has to be present. Dismissed.”
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At noon along with Sejanus, he was standing with his back facing the Hanging Tree. He looks through the faces of the people and tries to find you but fails. Maybe you were busy.
Coriolanus has another thought creep into his mind, but he doesn't let it settle. He was sure he would find you in your room when he got back.
He was stationed beside Sejanus. Every citizen present looked down, their shoulders hunched. Every instinct to fight leaves their body after seeing the latest horrors of the Capitol. It is how it should be.
Snow sees the rebels being dragged to their death. Commander Hoff speaks, loud and clear, “Watch all of you, this is what happens when you challenge the Capitols’ rule of law.”
“He's innocent!” A woman screams out, creating havoc in the crowd. “He's innocent!”
The rebel yells at her to run, and other people in the crowd try to make her stop speaking. The rebel was killed within a split second, his body now hanging. His screams are echoed by the mockingjays. It sends down a chill on his spine. His hatred for the bird increases.
Hoff commands the woman to be captured. Sejanus steps forward as if to stop them. Coriolanus holds him back, glad nobody noticed the moment of misconduct. “Don't,” he said, firmly. Sejanus has no choice but to listen.
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Later, he is called into Commander Hoff's office. He was slightly annoyed because he still hadn't seen you since morning. But to his surprise, you were in Hoffs' office along with someone else.
“You have visitors, Mr. Snow,” is what Hoff said before walking away.
“What's this about?” He questions immediately. He looks at you for reassurance. Which you give him immediately.
“I promise it's nothing bad, Coryo.”
The man in the black suit begins to speak,
“I am Richard Heavensbee. I am here as the representative of the government.”
Then the talk happens. Both you and Coriolanus stay silent as the man, Richard, begins to explain why Coriolanus is here right now. Apparently in district thirteen several nuclear weapons belonging to the Snow family were found. The weapons for which the Snow had lost their fortune.
The weapons will be under the government's control as no one in his family is qualified to have the sort of military power. Coriolanus was at the bottom, after all, he should be happy for not having the responsibility. But he wasn't.
He sucks it up because Richard informs them that Coriolanus will receive sufficient compensation for ‘selling’ the weapon back to the government. It was nothing more than a formality. A formality that probably wouldn't have been done if it wasn't for you.
It wasn't enough money to pay for all of his university semesters but it would certainly pay for some. Even with the bills Snow's family already had. Tigris and grandma’am could have some small luxury with this amount. Thinking of that, Coriolanus signs the paper without a fuss.
“Can't I go back to the Capitol?” Coriolanus can't help but ask.
His question is answered with a simple shake of his head. “Your punishment isn't forgiven, I am afraid. There's nothing we can currently do about it without the appropriate permissions.” After that, the man walks out of the room leaving you and Snow behind.
“What he means is that you need to impress Dr. Gaul. And you have to do it real quick, Coryo,” you look into his eyes, your expression more serious than he ever saw, “Because I will be leaving in a few days and I don't know when I can come back.”
With that, even you walked out of the room before Coriolanus could confront you. Coriolanus looks at the empty office of Commander Hoff. He could see himself here in ten years or so if he remains a mere peacekeeper.
That's a future that he can't allow to come true.
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tobi-smp · 5 months
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you know, with hindsight now what it is I really do think a more literal reading of c!techno's chat would have helped his characterization a Lot
and mind you, this was originally intended to be the case, and very well may have been intended all along even if it wasn't usually emphasized within the lore
youtube
and don't get me wrong, I Get why it fell out of favor within the fandom. it coincides with a Very storied ableist trope that demonizes DID and disorders adjacent to it, and Can be spoken about in a way that is essentially indistinguishable from it depending on the word choice.
but the thing is ! not only does it not Have to be an allegory for DID, I straight up don't think it is At All.
because we Know what it's an allegory for. It's His Chat. there's technoblade playing the game, and there's the thousands of people watching with expectations and wants that he's compelled to meet (or, at the very least, pacify through Entertainment).
and this makes much Much more sense when conceived of as Supernatural. be that spirits, gods, demons, or anything that could fill that role. separate entities that, for whatever reason, only techno can sense the presence of and be affected by.
and of course, to an extent this is true for all creators. everyone had an audience that they were meant to entertain and the choices they made were influenced by that fact.
but technoblade came in with a Very distinct set of expectations that heavily impacted the choices he was Expected to make and the kinds of stories that he could tell. he was more or less a living legend in real life just as much as he was in roleplay, and these things were inherently connected.
and it's like !
when c!technoblade says he was peer pressured into killing tubbo at the red festival he Is technically talking about what happened within the roleplay. schlatt was demanding it from him, there's a sort of pressure there. but schlatt was also the dictator they were set to kill, and techno has never had any trouble fighting people he considered a dictator before, and certainly not Schlatt of all people.
but he WAS being peer pressured By His Audience. by thousands of people, most of which were demanding blood Because It Was The Expectation, because it'd be Fun.
out of universe technoblade made the decision he thought would be the most Entertaining, and he was right! consistently he made choices that would let him do the most bombastic Spectacles possible. And It's Great. he's Excellent at pulling dramatics and making a compelling scene that give other people room to work off of. in that sense I'd consider techno an Excellent actor, and I have to imagine that he was fun to work with.
the problem is when you then have to justify it from an in character perspective, grounded in those mushy things like Feelings with characters that can be traumatized and sustain lasting damage, Especially Without acknowledging the out of character incentive.
mind you, it's not Impossible to Create a backstory that could justify it. why a character as consistently powerful and feared as technoblade would feel pressured to kill an ally by someone he not only Can kill but Wanted To Kill. why a character as seemingly secure and in control as technoblade would lash out the way that he does to perceived betrayal, and yet consistently puts no weight onto having killed and permanently scarred an ally that trusted him.
what that'd need is tragedy. a storied history of being hurt and having to survive. building up To an untouchable god from a much much more vulnerable position. Long Lasting trauma that's lead to this deep insecurity and paranoia. and that's Possible and that's Compelling.
but it's just not in the text.
not only did we never learn basically Anything that c!technoblade was up to pre-series, we actually know Less by the end than when we started because of the sbi retconning.
it's a Theoretically Possible interpretation that's technically never Contradicted by canon, but would have to be created by scratch. it's a compelling idea for a fan fic (and one I'd like to read) and it's compelling for a theoretical recontextualization of the character, but it's just not In The Text.
meanwhile, we have the video above.
we have the Objective Fact that technoblade's decision making was often subject to the rule of cool (very Very effectively) to entertain his audience.
and most compellingly, these concepts Don't Need To Be Separate. in fact, in my opinion they're Stronger when you put them together.
because the thing is. it's Difficult to imagine techno as ever being in a vulnerable position. he is just Objectively more powerful than everyone else on the server, both in real life And within the lore. How could he have ever been afraid when he was stronger than anyone and everyone combined? when we saw with our own eyes that techno could face nearly the whole server at once and win.
but he Is a tragic character, at least he's meant to be. and that tragedy makes much Much more sense as something Inward.
technoblade as a character who Needs connection, who Needs stability, who Needs security, who Needs friendship and community and Love. but Lashes Out, Obliterates to the core of the earth, because of something that's not only out of his control but that other people Cannot Understand.
how do you explain to a child that you killed their best friend because a chorus of the undead called for his blood and you (in all the glory that he'd idolized) were unable to do anything but comply? how do you explain to that child that you beat him senseless in a pit as the restless dead jeered and laughed?
That's interesting. That's Compelling.
technoblade is idolized like a god, feared like a force of nature, and in an instant cut himself off from nearly everyone who'd considered him an ally. and that seems to be a pattern, over and over and over again. he's left isolated, and in return he faces retaliation, and in return he's always Waiting for retaliation.
and what do you say to someone who wants to kill you for being a monster? that it's Fine Actually because you only did what you did because you have a curse that compels you to? that the supernatural guided you to destroy their homes and kill their people? (rip jack manifold you will be missed)?
That Doesn't Quite Help Your Case.
technoblade as someone who is beholden to this literal cycle of violence and Loses those things that could ground him, community, stability, People, as a result. who Tries to overcome this very fact (to become a better person, in his own words as per the clip above), but is pulled back into it as a consequence of his own actions.
that's a tragedy !! that Makes Sense. that allows him to be Both this force of nature that other characters have to survive And A Person Who Is Hurt By The Same Conflict.
"I'm a person!" that fear of dehumanization makes So So Much More Sense when you see technoblade as someone who Already fears himself. who fears being a monster, who fears losing control, who has faced isolation again and again and again.
and, importantly, it doesn't have to be anyone else's Fault.
by making the source both Internal and Completely External (something that none of the other characters have any awareness or control over), you can Have techno as a tragic character without demonizing anyone else Or erasing the impact that c!techno had on them.
and in that sense, it Can be an allegory for mental illness, but not in that direct "oooooh how scary he hears voices" kind of way that people fear it looks. but in that sometimes people Will do things that can hurt others while not feeling in control. anger and mania and paranoia, things that you can't always Control and yet that impact that you have on other people still Matters.
and the answer to that is, often, vulnerability and accountability.
I think a lot about technoblade isolating himself so near entirely from the rest of the server, and slowly gathering a support system Back by the end. and I Really Do think that framing of it through this lens is a Very impactful way of breaking it down.
tubbo, tommy, wilbur, ranboo, niki, I think they'd All understand not feeling in control. lashing out, maybe even feeling justified in the moment, but hurting people they care about and furthering their own isolation.
There's Something There, and it's already In The Text. it just needs to be expanded on.
and why not do that ourselves now?
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samwinchesterism · 2 months
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in re: “cas knows dean better than sam”
“cas sees dean as a whole person and sam just sees dean’s façade as his big brother slash parent” but like how and where. outside of your fanfiction. season and episode. scene and line. if it’s so obvious and apparent you should have at least 3-5 concrete examples right? “sam doesn’t know dean carried him out of the burning house” yeah but did cas? outside of a footnote in the angelic manila folder they gave him between seasons 3 and 4 so he could better manipulate him and sam into doing heaven’s bidding? like if you’re going to say “cas knows dean better than sam” than you need to show how cas succeeds where you perceive sam to be failing at the very least. but even your perceptions of how sam doesn’t measure up are so warped, blinkered, and moronic that it wouldn’t even be worth much if you could provide the textual evidence, but at least you’d have a semblance of a point. like say anything without going “as an eldest daughter…” “well my relationship with my sibling isn’t…” please say anything without fucking projecting your own self-pitying crybaby bullshit onto your little woobie dean and using the actual canon text of the show. I’m literally begging you.
like the thing of it all is and always has been that you’re so hell-bent on twisting the sam and dean relationship to fit into this narrow and almost entirely inaccurate mold which is the basis upon which you build the entire Destiel Mythos that you literally lose all sense of media literacy. you don’t even miss the forest for the trees, you miss the trees for like, the pretend invisible things you’re seeing in between the trees, the forest is a whole long way away from your current level of perception. because the Destiel Mythos is based entirely on the fact that dean is Not Seen and Not Appreciated and Not Loved and Cannot Be Himself until cas comes along, and that Family (read: sam) Is Only A Burden on Him That He Must Be Freed From In Order to Flourish, so you keep trying to warp the sam relationship into something that is only one dimension of it – and keep ignoring the ways in which dean is seen, loved and understood within it, because you need to keep lying to yourselves that there is a narrative need to emancipate dean from something that he has never wanted emancipation from because it is ultimately a net good for dean in the particular circumstances of their lives. it’s also profoundly unhealthy, codependent, evil and toxic etc. (a lot more dean’s fault than sam’s but I will nawt be getting into all that right now) but that doesn’t change the fact that sam and dean both know and understand and feel deeply that they are each other’s person – that they know the best and love the most in the world. but that – which IS true canon fact – is incompatible with the Destiel Mythos so it must be ignored and all good sense must be thrown out the window in order to do it.
anyway i digress there are two main categories of Bad Thinking that i will be addressing below
childhood/ “parent/child” / blah blah blah
every single thing people are saying in favour of the deeply stupid thesis in the title of this post is proof positive of the very silly form of ‘analysis’ I just described. a few things:
“wah sam didn’t know that dean carried him out of the burning house :( this means that dean withholds things from sam to protect him because he is a PARENT and sam can only know things about him in the context of him being a PARENT to him” – what the fuck are you on about genuinely. first of all reducing the sam/dean relationship exclusively to parent/child is in itself foolishness for so many reasons that I don’t have time for right now. but also, it’s clear that this is just something that happened when sam was a baby that just never came up. in the scene (1.09) where this is brought up, dean is mildly surprised that he or john never mentioned that detail and then states that sam knows the rest of the story (i.e. the actual traumatic stuff) just as well as dean does – which is true, demonstrably whenever they talk about it.
obviously there are some things that happened to dean in their childhood that sam doesn’t know about (or didn’t know about, until told in whatever episode they come up in). equally, there are things dean doesn’t know about sam’s childhood, e.g. the fact that he was so lonely he needed a zanna (11.08). or how dean didn’t remember that sam was friends with barry cook until he mentions it when they go back to their old school (4.13). or about the nature of sam’s relationship with amy pond (7.03). these don’t mean that ‘sam withheld these things to protect dean out of parental love’ lol, it’s just that there are details and events in each of their lives that the other happens to not have been told about.
similarly “sam didn’t even know dean wanted to be a firefighter L” girl did dean know sam wanted to be a lawyer? in 1.01 he’s pretty surprised that sam has a law school interview. the point here isn’t “neither sam nor dean know each other well,” these are minutiae that aren’t relevant to how well you know someone as a whole, and very poorly demonstrate the bad and inaccurate point that dean withholds things from sam the way a parent does a child (on a constant or regular basis). obviously the way they were raised, sam was deemed too young to know about certain things until he got older and dean had to keep that secret, but as shown in 3.08 flashbacks, most if not all of this is eventually revealed throughout their childhood when sam is still fairly young.
or possibly the dumbest one is that “wah sam doesn’t even know that dean reads books L” whenever that was he was also obviously joking because in more serious moments (e.g. 8.14) he admits that dean is smart/a better researcher than he is, literally remembers dean reading to him as a kid (8.21) so like. clam down  
one of the extra annoying variants of this type of ‘proof’ covers things that are very clearly novel pieces of information about dean that dean, sam, and the audience are learning about dean in real time. like if you’re actually watching the show to comprehend it as it was intended to be comprehended, instead of funnelling everything through the Destiel Machine until it’s unrecognizable slop that fits neatly into your pre-ordained molds that Make Destiel Necessary In the Narrative (when it actually isn’t, at all) it’s abundantly clear. the top two worst offenders:
“sam didn’t even know that dean is good with kids :( he doesn’t even realize that dean raised him :(” first of all you people need to understand that parentification does not literally create a parent-child dynamic between siblings but I digress – this doesn’t make any sense bro. in 1.03 dean admits he doesn’t know any kids as an adult. dean being good with his own kid brother when they were both kids is to any reasonable person not necessarily linked with him being good with other random kids when he’s an adult. in 1.03 it’s clear that dean himself is a bit surprised that he’s able to connect w/ lucas so well because he’s clearly not dealt with a lot of kids since sam grew up. the whole point of this is that dean, sam, and the audience are all sort of seeing a new side of dean. who again is just 26. after this very early episode, there’s no question from sam that dean is able to connect w kids. sam being a bit surprised by this also has absolutely zero connection with him not understanding or realizing that dean looked out for him when they were both kids – sam is standing there at 22 years of age talking about adult dean and children – of fucking course he doesn’t mean himself are you stupid.
from the very first season, sam is very clearly aware of everything dean ~did for him~ when they were kids, see e.g. 1.21: “Dean...ah...I wanna thank you. […] For everything. You've always had my back you know? Even when I couldn't count on anyone I could always count on you. And I don't know, I just wanted to let you know, just in case.”
and 1.06: DEAN: Well, I’m a freak, too. I’m right there with ya, all the way. (SAM laughs.) SAM: Yeah, I know you are.
and then possibly even more stupidly, the one where it’s like “wah sam doesn’t even know dean can cook :( he doesn’t even know that DEAN was the one making him food as a babe in arms :(” – when sam is surprised that dean made something fairly gourmet and from scratch literally the first time they have ever had a permanent living space with a functional kitchen. in this VERY scene (8.14), dean himself points out that they haven’t had a kitchen before and when sam remarks on the irregularity of him doing serious cooking, he says “I’m nesting”, clearly showing that this is a novel development because they now have a kitchen, and that it’s irregular relative to past behaviour – both of them acknowledge this. because real proper in-depth cooking and making box mac and cheese for sam until he was like 11 and old enough to be left alone are two different things, which sam understands because he’s smart, unlike whoever chooses to make this point. dean never showed significant signs of liking to cook before this, which is what the exchange is about, but he did have to prepare food for them both when sam was too young – of course sam knows he had to, there are childhood memories referred to (e.g. 14.11) where sam is mentioned to literally help dean do the cooking as kids lol (and yes, genius, sam says ‘I didn’t know you knew what a kitchen was’ or something to that effect, but if you think he’s being 100% literal there I have an oceanfront property in Kansas to sell you)
again, obviously there are pieces that sam doesn’t know about dean, e.g. when he’s talking about his response to mary dying in 1.03. but again, Sam is 22, dean is 26, the last time they were in regular contact was when sam was 18-20, these are things that happen when people grow up, they’re able to reflect and share on childhood experiences if they’re close with their siblings as adults. it’s clearly not something that 26 y/o dean wanted to hide from 22 y/o sam. yes sam didn’t know everything about how dean felt when they were young, but that’s equally true in the other direction, and it’s such an irrelevant point in this discussion when, crucially, sam does learn these things about dean mostly fairly early on in the series (i.e. when they’re really not that deep into adulthood yet). cas was also not magically blessed w/ knowledge about dean, he also had to learn whatever it is that he knows, but somehow sam has to know everything about dean from age 7 or it doesn’t count when it’s sam lol.
“sam doesn’t know the One True Dean / doesn’t see through his facades”
the next branch of defending this flawed thesis is invariably that sam has little idea of the fronts and facades that dean puts up and is content to just believe them, whereas cas digs deep and sees the One True Dean that stupid sam always misses. there is nothing in the text that demonstrates this is true. multiple times, we see sam being very knowing of the fact that dean puts up fronts and facades. sam is also knowledgeable of the way dean perceives himself, and – demonstrated in multiple episodes before such sam lines were very poorly recycled and regurgitated into cas’s dialogue in 15.18, but keep acting like that was the first time anyone ever showed that they knew the One True Dean.
Obviously there are times where sam teases dean when he’s being more touchy-feely than usual, but 9.99 times out of 10 (as a conservative estimate in case there's something i'm forgetting otherwise i would say every time) that’s very clearly coming from a place of knowing the real dean vs. the façade he puts up because that’s the whole joke. and it’s allowed to be a joke because they’re siblings and that’s what siblings do lol. esp since sam and dean have touchy feely moments at the end of like every episode.
examples of all of the above off the top of my head (there are more than these, but these are the ones I can think of):
2.02 (about John’s death)
Sam: “I mean this ‘strong silent’ thing of yours, it's crap. […] I'm over it. This isn't just anyone we're talking about, this is Dad. I know how you felt about the man.”
Dean: “You know what, back off, all right? Just because I'm not caring and sharing like you want me to.”
Sam: “No, no, no, that's not what this is about, Dean. I don't care how you deal with this. But you have to deal with it, man. Listen, I'm your brother, all right? I just want to make sure you're okay.”
2.03 (Sam to Dean, also about John’s death): “You know, you slap on this big fake smile but I can see right through it. Because I know how you feel, Dean. Dad's dead. And he left a hole, and it hurts so bad you can't take it, but you can't just fill up that hole with whoever you want to. It's an insult to his memory.”
Note that Dean essentially admits that Sam is right in these two instances in 2.04 bc I know yall have stupid shit to say about john too that has nothing to do with how anyone actually felt about him in canon
3.07 (about Dean’s demon deal – also proven true in later episodes)
SAM: Dude, drop the attitude, Dean. Quit turning everything into a punch line. And you know something else? Stop trying to act like you're not afraid.
DEAN: I'm not!
SAM: You're lying. And you may as well drop it 'cause I can see right through you.
DEAN: You got no idea what you're talking about.
SAM: Yeah, I do. You're scared, Dean. You're scared because your year is running out, and you're still going to Hell, and you're freaked.
DEAN: And how do you know that?
SAM: Because I know you! […] Yeah, I've been following you around my entire life! I mean, I've been looking up to you since I was four, Dean. Studying you, trying to be just like my big brother. So yeah, I know you. Better than anyone else in the entire world. And this is exactly how you act when you're terrified. And, I mean, I can't blame you. It's just […] I wish you would drop the show and be my brother again. 'Cause... (can't find words; tears in his eyes) just 'cause.
5.18 [Sam figures out what Dean is doing re: his plan to let Michael possess him, tracks him down, and eventually is the catalyst for Dean ‘making the right call’, which he predicts] – e.g.:
SAM: No, you won’t. When push shoves, you’ll make the right call
DEAN: You know, if tables were turned…I’d let you rot in here. Hell, I have let you rot in here.
SAM: Yeah, well…I guess I’m not that smart.
DEAN: I—I don’t get it. Sam, why are you doing this?
SAM: Because… you’re still my big brother.
8.14 (basically the o.g. version of whatever went on in 15.18 + sam intrinsically understanding the trials are a death wish for dean): “I'm closing the gates. It's a suicide mission for you. I want to slam hell shut, too, okay? But I want to survive it. I want to live, and so should you. You have friends up here, family. I mean, hell, you even got your own room now. You were right, okay? I see light at the end of this tunnel. And I'm sorry you don't – I am. But it's there. And if you come with me, I can take you to it. […] I AM smart, and so are you. You're not a grunt, Dean. You're a genius – when it comes to lore, to – you're the best damn hunter I have ever seen – better than me, better than dad. I believe in you, Dean. So, please – please believe in me, too.”
10.22 (understanding how much dean has ~done for him~)
SAM: I'm saving my brother.
CASTIEL: You told Dean—
SAM: —I know what I told Dean. Cas, look. I've been the one out there, messed up and scared. And alone. And Dean—
CASTIEL: He did whatever he could to save you.
SAM: Yes. I mean, it's become his thing. I owe him this. I owe him everything.
10.23 (basically the o.g. version of whatever went on in 15.18, x2 – from Sam to Dean): “You were also willing to summon death to make sure you could never do any more harm. You summoned me because you knew I would do anything to protect you. That's not evil, Dean. That's not an evil man. That is a good man crying to be heard, searching for... some other way. […] You will never, ever hear me say that you -- the real you -- is anything but good.”
11.13 (Sam understanding exactly how Dean feels about Amara being his ‘deepest desire’, and confirming that it doesn’t make him a bad person)
Dean: Why? Because if she is that means that I’m…
Sam: Means you’re what? Complicit? Weak? Evil?
Dean: For starters, yeah.
Sam: Dean. Do you honestly think you ever had a choice in the matter? She’s the sister of God, and for some reason she picked you and that sucks, but if you think I’m gonna blame you or judge you…I’m not.
Dean: You know that I want her ass dead.
Sam: Yes. Of course. And I know you’ve also probably beaten yourself up a hundred times over it, but where has that gotten us? (Long silence) Just how bad is it?
13.02 (Sam perfectly explaining Dean’s psyche to Jack)
JACK: Is that why Dean hates me?
SAM: Dean doesn’t hate you. It… Look, sometimes the wires in Dean’s head get crossed and—and he gets frustrated, and then he mixes frustration with anger, and—and fear.
JACK: Why would he be afraid?
SAM: Because Dean feels like it’s his job to protect everyone. And right now, we need to protect you. But we may also need to protect people from you.
14.03 [Sam assesses Dean’s psychological/emotional response to the Michael possession; end of episode, Dean confirms that Sam’s assessment was fully accurate]
14.10 [Sam is the only one able to snap Dean out of his weird Michael mind loop by using their code word]
14.11 [Sam figuring out that something is troubling Dean just based on the fact that Dean hugs him]
15.17 (self explanatory at this point)
DEAN: Chuck has to die. He has to! Otherwise he'll keep us tap dancing forever, and I can't live like that, man! I can't live like that! I won't!
SAM: I know you feel like that right now, okay. I know you do. But you gotta trust me. My entire life, you've protected me— from Dad, from Lucifer, from everything. I didn't always like it, you know, but... it's the one thing in the whole world that I could always count on. It's the only thing I've ever known that was true. So please... put the gun away. Just put it away, and we'll figure it out, Dean, we'll find another way, you and me. We always do.
like maybe there are some cas moments w dean along these lines too. i don't know, i don't remember what the guy says or does anymore it's been too many years and he is not memorable. but the point is where and in what capacity and based on what metric other than the amount of bad fanfic you've read does cas exceed sam in these respects.
so basically just. genuinely, what are you people literally ever talking about. go watch the show instead of saying stupid wrong stuff about sam on the hellsites all day. or watch another show (please for the love of god watch any other show this one is absolutely lost on you and it’s such a stupid one too i'm embarrassed for you)
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anonymouscheeses · 16 days
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Hazbin hotel theory (not circus related 🙄)
So we all know Charlie and Vaggie resemble alot of Lucifer and Lillith right?
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Lucifer is a fallen angel and Vaggie is a fallen angel. Both sacrificing so much for their lovers. Both having different ideals and beliefs aside from the majority of heaven, because of that they both end up in hell. Also literal head over heels for their wives. Lucifer still wears his ring and Vaggie has very few scenes outside of Charlie.
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Charlie and Lillith are both demons, although I guess Lillith is more human I think. But, they both fit in the other category. They both have fallen angel lovers. It's said in the opening cutscene that Lillith was an activist who sang as a way to influence. Charlie is an activist who sings in "ready for this" to persuade the cannibals to join her fight against heaven.
Personality and design wise though, Charlie and Lucifer are the most similar. Lillith and Vaggie? From what we've seen Lillith seemed loving in her pictures but calm and serious at the majority, if that doesn't describe Vaggie I don't know what does. Also Lillith wears purple and Vaggie is at this point purple coded 💀
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It's implied that Lucifer had romantic or at the least smeggsual 🤭 relations to Eve. Sure it could have been a joke/lie, but clearly Adam gets pissed and doesn't say that he's wrong. I'd like to think Lillith and Eve also had romantic ties but there's not enough shown of them to make even an evidential guess. It's obvious tho that Lucifer at least was with the both of them at some point. (Maybe even Eve gave birth to Charlie since Lillith was cursed with miscarriages. At least if Viv still wants to keep that. No. No... Lucifer did NOT give birth to Charlie... youre jst weird... /j)
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So... if Lucifer, Lillith, and Eve were once all in a polycule or at least a vee(two date one)....
who would be the one that stands in as Eve since Charlie and Vaggie are Lillith and Lucifer?
Plot twist. I'm a two and half halo shipper. It's Emily yall... 😨
HEAR MEE OUTTT!!!
In this image below, Vaggie is jealous that Charlie is holding Emily's hands(YES. CHARLIE IS HOLDING HER HANDS, NOT THE OTHER WAY AROUND. Charlie is very touchy sshh) which is kind of weird they would include that tiny scene. Sure, it could just be comedic but what's comedy except a person who looks too much into a small 1 millisecond scene. It still puts in a dynamic that at first isn't implied to be romantic but! But, having this one scene still creates a slightly romantic undertone dynamic. Even if it's not heavily implied, Vaggie sees Emily as someone who's taking moves on her girlfriend. (Which could also imply Lillith and Eve's first impression before they got in a polycule.)
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What I'm about to say is pure speculation, there still isn't much to go off of in the show at the moment with these six. But I think I have some points that maayyy just be smart for an idiot like me :3. Emily is an angel yes, but we aren't sure what Eve's fate was, where she went or what happened to her after. Maybe she stayed with Adam(after the creation of sin), and if Adam could go to heaven, a man who also ate the apple, then I believe Eve could too, it doesn't matter who started(assuming Adam did eat the apple in the show. Most likely.) What I like to speculate is that Eve went to heaven with Adam, although she didn't feel happy in their marriage and decided to make herself a fallen angel to be with Lucifer and Lillith, her true lovers.
Now the similarities with Eve and Emily? They both are against the ideas of those higher than them in heaven. Emily is against the idea of extermination in hell because she feels its unnecessary genocide. Eve went against heavens orders and ate the apple from Lucifer for knowledge. Oh also look haha their hair is kinda similar in the images below(not actual evidence but still its kinda cool) That's where the current canon similarities end. But ofc the big well known theory is that Emily will become a fallen angel because she goes against Sera's wishes. I HOPE she doesn't but in this show? Yeah, most likely. Currently Emily hasn't taken action, but maybe one day she will, which is the most likely situation. And if I'm right that Eve was a fallen angel then that would also be ANOTHER similarity. (Also. Ya'll.... the woman who picked up baby Charlie in "more than anything" was NOT Lillith. Like okay, maybe she is, but that didn't look like her AT ALL. She didn't have the same slick back mullet. But, in the image below, Eve and the woman who picked up baby Charlie have the exact same hair. Jst another thing I wanted to throw in to further evident that Lucifer Lillith and Eve were in a polycule/vee)
I LOVE TWO AND A HALF HALOS SO MUCH GUYSS. PLEASE FEED INTO MY NAIVETY. LUCIFER'S STOLEN WIVES AND CHARLIE'S ANGELS ARE LITERALLY CANON AND NO ONE CAN SAY OTHERWISE TO ME 😭😭
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BONUS!! Adam is Lillith's ex rightt??? Well Lute is basically Vaggie's ex. Sure, you could argue that- no. No girl, they was exes, I know, Viv told me herself smhhh..... not only are both Lucifer and Vaggie fallen angels because they had different ideals from heaven, Lillith and Charlie are both activists who use their voice as powers, Eve and Emily go against heaven, BUT LILLITH AND VAGGIE BOTH HAVE EXES??
Bro, Adam and Lute are also besties like? The polycules kicked them out and then they were like, "nuh uh, now we're gonna date eachother since yall don't want us" 😭
Basically what I'm saying is that Lucifer's stolen wives and Charlie's angels are Canon and no one can say otherwise because I'm so smart. If anyone says they aren't just link them to here and BOOM we got another one added to the small ship. Also. This is so underrated. Ya'll.. the potential is so crazy. And since Charlie and Vaggie are already established it would be so intense and adorable to watch Emily try to impress and date them both. Uggghh so.... hyperfixated..... I hope this isn't my special interest now 😭
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