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#also i've never been active in a fandom for such a long time before either
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Look, I'm not a Sebaciel shipper. I'm not an anti, but I just read the manga and enjoy what's going on without reading too much into it (I'm also old and come from a time where the master word was "ship and let ship"). And I can tell you, the antis are fucking annoying (it was not that bad in the beginning of the manga/and then anime.... I daresay it was almost non-existent, Sebaciel was almost a given at the time). They're the ones spamming the tags with their hate when I just want to look at fanarts, gifs, edits, analysis, etc.... I swear, I see the Sebaciel posts and it's (most of the time) not those posts written in big font about how a part of the fandoms is crazy or should die or whatever else (and those hate posts can be several times a day, it's exhausting). I could have send it to an anti but they would have dismissed this message as a Sebaciel sending them hate or something and hurled more insults and I'm not in the habit of talking to walls. Anyway, you guys are chills and I'm going to finally blacklist the anti tag, never thought I would see the day.
Hey Nonny!
I agree, it's horrible what fandom spaces have turned into. I gotta say, when I fist saw the notification for an anon ask, my first instinct was that I had finally annoyed the wrong person and gotten my first anon hate message. How happy I was to be proven wrong, but I'm also sad because that is what the current state of fandom has done to us.
I've been in fandom for a long, long time; I grew up reading and writing fanfic in the don't like don't read/no flames/ship and let ship era. However, this is really my first time being an active participant in a fandom community and it sure is...something. But that being said, I also sort of get it. Because I too very nearly fell down into that moral purity cesspool about 10 years ago. It's so easy to fall into when that's what you've either intentionally or unintentionally surrounded yourself with. I was lucky to notice before I got too deeply entrenched in it and stopped looking at that kind of content.
The antis would say differently, but I don't care how someone reads/interprets Sebastian and Ciel's (canon) relationship as long as they have evidence to back up their claims; literature is subjective but that doesn't mean you get to say whatever interpretation you want and have it be valid. (Fanfic is another thing entirely - do whatever the hell you want with them and have fun).
Anyway, all this to say: good for you, Nonny, in taking the appropriate steps to curate your online fandom experiences. Life is too short to purposefully expose yourself to things that upset you or make you angry. I think more people could stand to follow your example.
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i think i've said this before but i want to elaborate on it. i genuinely feel like the spop crew wrote c//a as some sort of torture p*rn. they know that people usually find an enemies to lovers arc sexy and intriguing. but the problem with c//a was that their fights were never equal. i don't know about y'all but when i think of enemies to lovers, i think of a dynamic where both individuals are at least somewhat on equal footing. i don't think about a relationship with a huge power dynamic where one of the characters is helpless and weak while the other takes every opportunity to torture them.
adora never tried to harm catra apart from self-defense, she always held back when she was fighting catra. she tried to reason with catra or just hold her off. meanwhile catra never held back on hurting adora. not once.
and all of this is framed as “hot”. it's framed as “sexual tension”. it's framed as “gay pining”, even though it's not. not to mention, most of the “homoerotic” fight scenes are where adora is either weak or helpless in some way. she's either restrained or too scared to fight back or actively stopping herself from injuring catra. and catra takes advantage of her kindness.
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so what's the torture p*rn part of this? well. torture p*rn is basically a trope where a person (or multiple people being tortured) is the main attraction of the plot. c//a is supposed to be enemies to lovers, meaning they should be fighting equally, right? especially since adora is stronger and the “chosen one”, you'd think she'd definitely be defeating catra a lot more.
but no, most of their conflict is catra taking joy in harming adora. these scenes are framed in a more “intimate” way, with catra often touching adora without consent, saying vaguely flirtatious yet threatening one-liners and overall fueling the whole “sexual tension” part.
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just take a look at these scenes. i can't completely blame the fandom for thinking these are sexy or erotic because they are framed that way. the crew themselves have admitted that c//a were supposed to have some sexual tension (despite being teenagers for at least two seasons, mind you) and it shows. adora may look scared or uncomfortable but it doesn't matter because the writers wants us to think that this is hot.
villains being creepy and borderline perverted is not a new thing, it's something that mainly came with queer-coding villains. but people often only do this to villains who are supposed to stay villains. and especially with the context that catra supposedly “loved” adora during all this, it just adds another layer of discomfort. it just feels like catra is taking the opportunity to not only hurt adora but also make her deeply uncomfortable by touching and interacting with her in a way that she did not consent to.
keep in mind that whenever adora has the upper hand, the show never frames their fights as homoerotic or weirdly intimate.
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most of the time, she uses long range attack or she just goes on defense. the one time she attacked catra head on, she just decks catra in the face and is done with it. she doesn't cross catra's boundaries, she doesn't act flirtatious or touch catra inappropriately. the only scene where she can be described as “flirtatious” (though i would say she was just being smug) was when she wasn't attacking catra, but instead destroying one of entrapta's robots.
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(and of course with no remorse, catra orders entrapta to activate the self-destruct on the robot so that adora could be blown to bits.)
so yeah. just because catra is a villain doesn't mean she has to be a creep. if the goal was to make her sexy (which is still weird since she was a teenager but regardless), there are other ways. there have been plenty of villains who are attractive and have a charming personality without being a total creep to the protagonists. for example, azula from ATLA is widely known as a queer awakening for many young girls because of how attractive she was (i know she was also a teenager. these are not my words, i'm just quoting the general public). and yet, you never see azula being creepily intimate with any of the protagonists. she often used long-range attack and she only goes as far as using some condescending language. it's just weird to write a villain who we should sympathize with, but then also make them a total creep.
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detshin · 1 month
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uhm, how exactly will gosho develop the cousin thing in the manga.
I mean, I wouldn't know, honestly. What goes on in the mind of that man only he knows (and sometimes I doubt even that).
My opinion under the read more...
Personally, I've already stated many times that it's a trope I've liked and headcanoned for a long while now, and it's not like it's COMPLETELY out of the blue. The whole "they look the same" is a big factor, there have been references to them having some sort of "ancestor" in common, the Toichi and Yusaku tease was already there in the childhood case of Shinichi (where Toichi appeared and called Shinichi big bro btw 👀) and there was a time long ago that Gosho said something about it in an interview and that it was going to be talked about.
Anyway, point is, I could see this going in different ways. I would LOVE to see this being explored and dealt with nicely and seriously, but my hopes for that are low. He'll either just have it mentioned and never more explored or talked about (like with akemi and akai), or maybe in the mk manga now to talk about Toichi, I don't know?
Because honestly, I feel like people are getting hung up on the cousins thing and are forgetting about the confirmation of what we all have been fearing and it's that Toichi is indeed alive and both of Kaito's parents suck ass. And what scares me is the possibility of it being comedic or Kaito being okay with it or something when he deserves to have that be explored. He became a criminal because of it! And his parents know and aren't doing ANYTHING!
I've said this before, MK is not as shits and giggles as it seems. Story is pretty darn dark if you think about it. Kaito is one of if not THE most solitary (lonely) character of the dcmk universe. He is not as the fandom tends to represent him sometimes. That's not Kaito. The over the top, flirty, pompous one is Kid. It's a mask. A facade. Kaito is not like that, he is just a teen who is struggling to make real connections with people and who is terrified of being found out as a criminal and cannot for the life of him let people IN because they'll see right through him and whose "dead" dad taught him NOT TO SHOW HIS EMOTIONS.
Kaito NEEDS some support. Jii alone is not enough. His own parents have lied to him his entire life and he's constantly alone, grieving for something that is not real. He has Aoko, but he CAN'T let her in completely for obvious reasons. Hakuba's there, but same thing. And I'm sorry but Akako I don't really think counts either, he actively seems not to really even like her or whatever...
MY POINT IS. If Kaito can get some new family members that could support him... Why refuse it, no? I'm not talking about Yusaku because he's also been keeping him in the dark and all and hasn't really seemed to do anything about it. But Yukiko (yes I'm choosing to believe she's also oblivious to Kaito being put in that situation) and Shinichi? Oh, those two could do wonders for someone like Kaito, in my opinion. Because Yukiko is Yukiko (she was born to be the cool aunt), and Shinichi is... Well... Shinichi. He could understand Kaito and actively show him support and help. They COULD be amazing as family.
Now it's all just a matter of... Does Gosho WANT to go that deep into this? Or is he going to continue to disregard Kaito's suffering and not give him anyone to lean on?
Anyway, cousins Kaito and Shinichi rule!
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allgremlinart · 6 months
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hai good friend,, tell me about mai. I don’t think I’ve ever heard of her before… look what we are doing to our beautiful queens 😔
YIPEE I love when me going insane about a character for a day makes you curious about them... especially cus atp I can kind of predict what is going to pique ur interest
ok ok: so, Mai. She's 1/3 of Azula's Evil Girl Group, colloquially known as Ozai's Angels, and thats the context you see her in for most of the show which is why it's important to know. You know how all cartoons in the 2000s HAD to have ONE morose goth chic? Well she is atla's quota. She's a noble, she's an only child (THEE only child. The first only child they made at the only child factory <33), she fights with 🔪KNIVES 🔪!!! she's Zuko's canonical comphet love interest and she has a very understated but underrated arc..
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Her role/arc in the show:
I mentioned Ozai's Angels because her interactions with Azula and Ty Lee are the real meat and potatoes of her character. They're like... baby's first toxic yuri love triangle <3333 REALLY can't overstate how toxic yuri love triangle they are. Mai and Ty Lee end up betraying Azula in season 3 which is both the climax (imo) of Mai's arc and the inciting action for Azula's descent (but we're not getting into Azula never ask me to get into Azula please). A lot of people reduce Mai going turncoat to JUST being about saving Zuko - and like partially it IS. She saves Zuko from dying because she loves/cares about him and that's a big part of it.
But it's ALSO about her finding her voice ?? Like throughout the show we NEVER see her voice opinions about something unless it's to say that she's bored, or jaded, or what have you. She never seems to have strong feelings about anything; her stated reasoning for joining Azula's Imperialism Girl Band is because she's bored living with her parents 💀 but it's like. It becomes clear to the audience later in the show that she was raised to never speak unless spoken to, to mask emotions, etc etc LIEKKK SHE'S SOOO REPRESSED ONLY CHILD SHE'S SO WOMAN TM... So her telling Azula "I love Zuko more than I fear you" was THEE cuntiest moment EVER because it's like oh shit ?? this is something pretty unexpected from this character ?? Waow so crazy so cunt ??
A lot of people point out that she and Ty Lee never really got a "ohhhh Imperialism is bad" arc like Zuko did but. imo there wasn't a whole lot of room in the show for it lol. Would have been something interesting to explore in the comics for sure !! but uhmmm I'd rather walk into the ocean than watch Gene Luen Yang try and write about imperialism and colonialism again so maybe its better we never got that.. (no offense to him he's just... not that great at doing it in the atla comics...not his strength..)
Her reception in fandom:
She's usually only ever talked about in the context of being Zuko's love interest (either positively OR negatively) hence my post that you saw. Like. Victim Numero Uno of zutara/kataang shipping wars cus at least a bunch of people LIKE Aang whereas people either ignore or actively dislike her.
There's often discourse about like. Who's the "toxic" one in the Mai/Zuko pairing and it's annoying when she gets flak for it cus like newsflash: they both are. My GOD they both are. They've canonically broken up twice. They're the emo boy/goth girl pairing. They're cute together. They're miserable together. They're both homosexual. You get it.
Also a lot of times people just call her boring or emotionless and it's like congrats !! you have fallen for her facade... in conclusion... sorry this is so long uhm.. your fault for asking me though... how long is it going to take until I've just told you the entire plot of this cartoon piecemeal ask by ask...
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chicgeekgirl89 · 6 months
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Fandom: 911 Lone Star Summary: When Carlos receives a late night call from one of his sisters who is worried about the health of his nephew, T.K. doesn't hesitate to jump in and show the entire family why he's worthy of Carlos' love. Thanks to @carlos-tk, @thisbuildinghasfeelings, @whatsintheboxmh, @lemonlyman-dotcom, @cold-blooded-jelly-doughnut, @strandnreyes, @carlos-in-glasses, and @bonheur-cafe for the WIP Wednesday tags. I hope you will accept this instead, belated as it is! A/N: This is my 100th fic on AO3!! 🍾🍾🍾 (Not my 100th fic ever, many of them never made the transfer from ff.net, but still!) I've been sitting on this one for a while and seeing T.K. shine feels like it's worthy of being #100. Also Adriana and Francesca weren't supposed to be in this one, but they literally barged through those hospital doors and there was nothing I could do to stop them. I couldn't love them more!
Read on AO3
“Sooo…never again, right?” Carlos asks.
“Oh my god never again,” T.K. agrees fervently. “Why were the plates so weird? Some of them weren’t even plates at all. And the food was…bad.”
“So bad,” Carlos says. “Tiny and bad.”
“Three hours. We were there three hours,” T.K. says in disbelief as he slows down at a stoplight. “Why did we have to wait like thirty minutes between courses?”
“The menu said it was to give us time to renew our digestive energies and be more present in the dining experience,” Carlos says.
“I didn’t know my digestive energies needed to be renewed.”
“Me neither.”
It had taken them months to get a reservation at the trendiest new restaurant in town and they’d both been excited for the occasion. The menu promised a foodie paradise with unique dishes, creative presentation, and an emphasis on sustainability. They’d gotten dressed up and ready for a fun date night out only to be disappointed the moment they’d walked in the door. 
The place had been crowded, they were practically elbow to elbow with the tables next to them. Carlos had learned the intimate details of one couple’s fertility issues and another couple’s trouble with their neighbors.
Then the food had started coming and been a complete disaster. Carlos considered himself something of a foodie, and T.K.’s New Yorker palate had sampled a number of cuisines over the years, but this had been the worst food Carlos had ever eaten. He hadn’t been able to identify a single item on any of his plates and his tongue longed for something with even a hint of flavor. The plate that held a single, lukewarm radish had nearly been his undoing.
Overall it had been three hours of bland food, awkward company, and not at all what either of them had imagined.
“I’m starving. Can we please pick up something on the way home?” T.K. asks, his stomach letting out a gurgle as if to affirm his statement.
“God yes. I think Chu’s is still open, right?” 
Carlos pulls out his phone, but it lights up with a call before he can check to see Chu’s hours. “Why’s my sister calling?”
T.K. glances over at him. “Which one?”
“Lucía,” Carlos says. It’s not typical of his sister to call at this hour out of the blue and he feels his internal warning bells activate as he picks up the call. “Luci? Que pasó?”
“Hey Carlos,” she says, sounding tired and stressed. “Sorry for calling, I know it’s late.”
“It’s okay,” he says. “We’re just on our way home from dinner. What’s going on?”
“I don’t—I’m probably overreacting,” she says. “It’s just that Justin is out of town for work and I’m—“
Now he’s really worried. “Lucí, it’s okay. Tell me what’s going on.”
“Sebastian woke up sick a couple days. I didn’t think it was a big deal, both boys are sick all the time from daycare and school, but he wasn’t any better today, so I took him to the doctor. They said he’s fine, likely just a virus or something, but…his fever won’t break and he keeps saying his belly hurts.” 
Carlos can hear the deep seated worry in his sister’s voice and it rocks him to his core. His sister is an amazing mom, fearless and sure. To hear her so uncertain is throwing him off.
“I didn’t know if maybe T.K. could just give me some advice or something?” she says, ending it like a question.
He looks over at his fiancé. “What’s going on?” T.K. asks,.
“Sebastian’s sick,” Carlos says. “Do you mind?”
“No, no, put her on speaker,” T.K. says immediately, turning his eyes back to the road as the light changes.“Hey Lucía,” he says loudly so she can hear him.
“Hey T.K.,” she says. “I’m so sorry, I know people probably ask you for medical help all the time.”
“It’s not a problem. Tell me what’s going on,” T.K. says.
“He won’t eat, he’s barely drinking. His fever had been holding steady at around a hundred, but it just spiked up to one oh two. I’ve given him medicine, done cold washcloths, I don’t know what else to try.”
“And the doctor said what exactly?”
“That it’s probably a stomach virus,” Lucía says.
T.K. mulls that over for a minute. “Aren’t we like fifteen minutes from their place?” he asks Carlos.
Carlos nods. 
“Okay, Lucía we’re going to swing by, all right?” T.K. says, flipping his blinker on to get them turned around back the way they’d just come.
“Oh, no, you don’t have to do that—“
“We’re coming Luci,” Carlos says. “We’ll be there soon.”
“Okay, thank you,” she says, relief flooding her voice and loosening the knot of fear in Carlos’ chest.
He hangs up and looks at T.K. “It’s probably just a stomach bug.”
“Probably,” T.K. agrees. “But if it makes her feel better to have someone give her advice it’s worth going over.”
Carlos’ heart goes soft at those words. He’d never imagined he’d be with someone like T.K. Someone so kind and good, someone who would drive to his sister’s house at nine o’clock at night just to assuage her fears. It’s beyond his wildest dreams.
They pull into the driveway of the ranch style home about ten minutes later, T.K.’s ambulance driving having shaved a few minutes off their time and a few years off of Carlos’ life. At least they’re not driving the Camaro tonight so Carlos didn’t have to fear for the safety of his baby as they sped through yellow lights and weaved in and out of traffic.
Lucía opens the door before they even knock and the relief Carlos felt a few minutes ago evaporates at the sight of her worried face. She was holding back on the phone; in person she looks even more terrified and exhausted than she sounded. “Hey guys,” she says. “I’m so sorry to drag you all the way over here.”
“Stop apologizing,” Carlos admonishes her immediately as they step inside. “That’s what family is for.”
Sebastian lays on the couch in the living, looking younger and tinier than his six years, his face pale and drawn. There’s an episode of Paw Patrol playing on the television mounted above the fireplace and he has a blanket pulled all the way up to his chin. Carlos can see Fuzzy, his comfort bear, peeking out over the top. 
“Hey buddy,” he says, crouching down and giving his nephew a smile. “Tummy bothering you?”
Sebastian nods but doesn’t say anything, another sign that something is wrong. Usually he’s a chatterbox, happy to talk about school or his friends or soccer. Carlos smiles wider, despite the worry swirling in his gut, trying for calm and reassuring uncle. “Do you remember my boyfriend T.K.? From the party at Abuela and Abuelo’s house?” Carlos asks and Sebastian’s eyes move over his shoulder to where T.K. is standing behind him. He gets another nod.
“He’s going to take a look at you, okay?” Carlos says, standing up and moving back to where Lucía is anxiously hovering behind the couch so that T.K. has space to work.
“Hey Sebastian,” T.K. says as he takes Carlos’ spot. “You know I’m a paramedic, right?”
“Yeah,” Sebastian says, his voice small.
“Do you know what a paramedic does?”
“Help people feel better?”
T.K. smiles and nods. “That’s right. So let’s see if I can help you feel better, sound good?”
“Mhmm.”
“Awesome. Okay, I’m going to pull down the blanket and take a look. You tell me if anything hurts, all right?”
He gently pulls down the blanket and places his fingers on Sebastian’s wrist, looking at his watch while he does it. He pulls out a stethoscope he had in the car and listens to the little boy’s lungs, then takes his temperature with the thermometer Lucía has on the coffee table. He narrates quietly the entire time, letting Sebastian know what he’s doing as he does it.
“Okay, let’s see that belly,” he finally says with a smile.
He pulls up the top of Sebastian’s Power Rangers pajamas, talking to him softly while his hands palpate his abdomen. “You like Power Rangers huh? Which one is your favorite?”
“Red,” Sebastian says immediately. “He’s the head guy.”
“He is,” T.K. says. “I always liked the Green one though.”
Sebastian winces and makes a noise that breaks Carlos’ heart in half. T.K.’s hands immediately immediately stop. “Sorry buddy,” he says. “That hurt?”
Sebastian nods and T.K. gently puts his pajama shirt back into place. “I’m going to go talk to your mom and tío. You stay right here and make sure this couch doesn’t go anywhere, okay?”
He gets to his feet and nods toward the hallway where Carlos and Lucía follow him out of Sebastian’s earshot. “His pulse is a little fast and there is some tenderness in his abdomen,” T.K. says quietly. “That coupled with the fever and the lethargy is definitely concerning.”
Lucía puts her hand on Carlos’ arm and he covers it with his own in an attempt at reassurance. “So what should I do? Wait until the morning and see how he is? Give him more meds?” she asks.
“Considering his symptoms, I would recommend you take him to the ER,” T.K. says gently.
She blows out a breath as Carlos’ stomach drops. “Okay,” she says. “Okay um, okay. I’ll just wake up Nicholas and…”
“No, no, no,” Carlos says quickly. “No I’ll call Mom and ask her to come be with Nicky. I’ll stay until she gets here.”
“And I’ll go with you to the ER,” T.K. offers. “I can walk you through all the paperwork, field questions from the doctors, whatever you need.”
“Seriously?” Lucía looks teary eyed. “You’ll come?”
“Of course,” T.K. says. “Why don’t you go grab whatever might help keep him calm while we’re there? iPad or a book maybe. It could be a long wait.”
“Okay, right. Yes. Give me like five minutes and I’ll be ready,” she says, rushing off to go gather supplies.
“What are you thinking?” Carlos asks immediately.
T.K. has his neutral paramedic face on, but Carlos has learned to read between the lines. “I’m thinking it could be a number of things,” T.K. says. “Just a stomach bug maybe, but even if it is I think he’s dehydrated. And given his symptoms and the decline, I’m also worried about an impacted or perfed bowel or maybe even appendicitis.”
“How worried?” 
T.K. blows out a breath. “Worried enough that I wouldn’t wait until the morning to try and get him some treatment.”
His words unlock a whole new level of fear that Carlos has never experienced before, and it takes a lot for him to stay calm as he calls his mom and explains the situation. Lucía returns with a tote bag full of supplies and T.K. scoops up Sebastian, carrying him out to the car with Lucía on his heels. 
“Mom says she’ll be here in fifteen minutes. I’ll be right behind you,” Carlos promises as T.K. sets Sebastian gently in the backseat, pillowing his head on Lucía’s lap.
“Can you call Justin?” Lucía asks, looking like she’s barely holding it together. “He knows Sebby’s sick but I want him to know we’re heading to the ER.”
“Yes,” Carlos says. “I’ll call him as soon as I’m back inside.”
“Hey,” T.K. catches his eye as he climbs into the driver’s seat. “I’ve got them, okay?”
“I know you do,” Carlos says and then the door is shut and they’re gone, leaving him standing in the driveway, his heart in his stomach.
He trudges back into the house and sinks onto the couch, eyes glued to Nicholas’ sleeping form on the baby monitor. He’s not a parent, so why does this feel so awful?
It takes him a minute to emotionally prepare for this phone call and he has to take a deep breath before tapping Justin’s name on his screen. 
It rings and rings and then sends him to voicemail, so he tries again. And again. The third time, Justin finally picks up.
“Dude, if this is a butt dial I’m going to kill you,” his brother-in-law says groggily.
Carlos forgot that it’s nearly midnight on the east coast right now. “Justin,” he says, trying to keep his voice steady.
“What’s wrong? Are Lucía and the boys okay?” Justin immediately sounds more awake now that he’s heard Carlos’ voice.
“Everyone’s safe,” Carlos tells him quickly. “I’m at your place with Nicholas because Sebastian’s feeling worse. She and T.K. are on the way to the ER with him.”
There’s a pause, Carlos can practically feel Justin’s panic through the phone. “Okay, um, okay,” he finally says. “Shit, I’m in Atlanta. There won’t be any flights for hours…���
“My mom’s on her way here to stay with Nicholas,” Carlos says. “I’ll head to the hospital and keep you updated, okay?”
“Yeah, okay, um, thanks Carlos,” Justin says, sounding a little hoarse. “Please um, please tell them I love them, okay? And that I’ll be on the first flight out I can get.”
“I will.”
He hangs up just as the front door opens and his mom comes in. “Carlitos,” she says softly and he immediately gets up to hug her. “How is Sebby?”
He shakes his head. “I’m not sure. They probably just got to the ER, it could be hours before we know anything.”
“And Lucía?”
“She’s worried,” he says. 
“As are we all,” she says, empathy all over her face. “T.K. went with her?”
“Yeah, he said he’d help with things there.”
She smiles softly and touches his face. “You picked a good one mijo. Not every man would drop everything to help his boyfriend’s family.”
There’s a lump in Carlos throat and he struggles to speak past it. “I know.”
“You should get going.”
“Okay. Nicholas is asleep in his crib. I called Justin, he’s working on getting a flight back.”
She nods. “Keep me posted.”
“I will.”
The drive to the hospital is so lonely and silent that it makes each minute feel even longer beneath the glow of the streetlights. How on earth did he go from having dinner with his boyfriend to taking his nephew to the ER? It’s ridiculous. They should be home right now, cuddling on the couch or the bed, watching some stupid show that neither of them really cares about because what they’re actually interested in is making out with each other.
Instead he’s about to spend hours in a hard plastic chair praying that a six year old he loves dearly is going to be all right.
He’s so anxious to get there that he doesn’t realize until he’s through the doors that he has no idea where he’s going. Or even if they’re gong to let him stay. Surely they’re not going to let three adults hang out in the ER in the middle of the night when one would suffice. 
He forgot he has T.K. Strand in his corner.
“How can I help you?” the nurse asks when he steps up to the counter.
“I’m here for my nephew? Sebastian Bryant? He came in with my sister,” Carlos says, feeling awkward.
“Oh you’re Carlos,” she says immediately. “T.K.’s boyfriend.”
“I—yeah,” Carlos says, surprised by her familiarity.
“I’m Stella. It’s so nice to finally meet you, although I wish it wasn’t because your nephew’s in here. T.K. talks about you all the time.”
“He does?”
“Oh my god, try getting him to stop. Carlos this, my boyfriend that, and now I see why. You two are gorgeous together,” she says, flashing him a smile. “Here come with me. I’ll take you to them. Darlene? Can you cover the desk?”
Stella takes him down a hall, past the general area of the ER to a more closed off section. It’s not a room, but it’s quieter here, and Carlos can hear T.K.’s voice even before Stella pulls back the curtain to reveal him.
“Found someone who belongs to you,” Stella says.
T.K.’s eyes find him, soft and relieved. “Hey, I was just about to text you an update. Thanks so much Stella.”
“No problem. I’m going to check and see where we’re at with the tests and then I’ll be back.”
“How’s it going?” Carlos asks quietly.
Sebastian is asleep in the bed, an IV in his arm and Fuzzy tucked in beside him. Lucía is sitting in a chair next to him, his little fingers curled around hers.
“They’re going to take him for a CT as soon as one opens up,” she says quietly. “He was crying when we got here, but they gave him some pain medication and he fell asleep like ten minutes ago.”
“Good,” Carlos says in relief. It feels so much better to know that there are people actively working to help Sebastian. “Nicholas is with Mom, he was still asleep when I left. And Justin’s getting on the first flight he can in the morning.”
“Okay.”
Lucía’s face crumples and she immediately puts her hands over her mouth to stifle a sob. T.K. looks at Carlos. “I’m going to go grab us some coffee,” he says, slipping discreetly out of the room.
Carlos squats down by his sister’s chair and puts a hand on her knee. She immediately covers it with her own and squeezes. “I’m sorry,” she says. “He just—he’s so little. He was so scared when we got here, it’s so bright and they put in the IV and he cried and I just, I need Justin to be here, because I am not strong enough for this.”
“He’s coming,” Carlos says. “He’s coming as fast as he can. And until he does I’m here, all right? I’m here with you and Mom is with Nicholas. Sebastian is going to be fine. He’s scared, but you’re taking such great care of him. You are an amazing mom. You’re doing everything right.”
She nods a couple times, clearly trying to internalize his words before taking a deep breath and wiping her eyes. “You know um, T.K. is pretty amazing too,” she tells him, wiping at her eyes. “I thought we’d be here for hours before we got answers, but he called ahead in the car and that nurse, Stella, was waiting for us. As soon as we were in the door they were drawing blood and starting tests. It’s like they rolled out the red carpet.” She nods toward the doorway. “Not everyone would do that kind of thing for someone they barely know.”
“That’s T.K.,” Carlos says, warmth blooming through his chest at her words. “He’s…incredible.”
“You know, I already liked him a lot, but now…” She quirks a smile. “You’d better hold onto him.”
Carlos nods, heart fluttering away in his chest. “That’s the plan.”
T.K. comes back with coffee right about the same time someone shows up to take Sebastian for his CT scan. He’s unhappy to be woken up, but mollified when Carlos promises to take him for ice cream once a week for the next month. 
The nurse is incredible, telling Sebastian he’s going to go on a ride in a spaceship, although that does nothing to help Carlos’ heart when they start the sedation and he watches Sebastian’s eyelids flutter shut, his body going limp in a weirdly unnatural way. He’s gone for over an hour, all of them sipping tepid hospital coffee in a desperate attempt not to fall asleep as the clock ticks later and later. 
When the orderly returns with him he’s completely zonked out and Carlos hopes he’ll stay that way. It’s not long after that an ER doctor shows up and informs them that the CT scan is indicating appendicitis, despite Sebastian’s slightly atypical presentation of symptoms. Lucía takes the news better than Carlos thought she might, she’s clearly relieved to have an answer and a defined course of action, even if it does mean a surgery they’re told is being scheduled for the early hours of the morning. Someone will be by soon to get them admitted and transferred to a room for the night.
“You guys should go home” she says. “You’ve done more than enough, really. He’s just going to sleep until it’s time for surgery and they’re not going to let you come into the room with us anyway.”
“Don’t worry about them kicking us out,” T.K. says immediately. “If you want us to stay that won’t be a problem.”
She smiles at him. “You’ve done more than enough tonight. I’ll be fine. I promise. Go home and get some sleep.”
Carlos is reluctant to leave her, but she’s right. There’s no point in staying when it’s so late and nothing is going to happen until morning anyway. The moment of crisis is past and now there’s nothing to do but wait.
“I’ll come back in the morning for his surgery,” Carlos says.
“You don’t have to—“ She must catch the look of determination in his eyes because she cuts herself off and nods. “Okay. Thank you.”
He stands and she meets him with a brief hug before she turns to T.K. “I really can’t thank you enough. I don’t think I would have made it tonight without you T.K.,” she says.
“Yes you would have,” he says graciously. “But I’m glad I could help. If anything changes in the night you have my number, don’t be afraid to call.”
“I will.” 
Carlos can’t help but notice that T.K. gets a slightly longer hug than he did and the warm feeling in his chest only intensifies. He reaches for T.K.’s hand as they head out into the hall and T.K. gives him a tired smile in return. “Oh, hang on one second,” he says as they pass the nurses station, letting go of Carlos’ hand. “I’ll be right back.”
He jogs over and flashes that winning smile again at the nurse who’s there, not Stella this time, and chats with her for a minute before returning to Carlos’ side. “What was that about?” Carlos asks, interlacing their fingers together again.
“I just wanted to make sure they put Sebastian in a private room,” T.K. says. “They have the space, Natalie says it won’t be a problem.”
“Natalie huh?” Carlos says as they exit the automatic doors and head for the darkened parking structure. “She also falls victim to your beautiful eyes and charming smile?”
“Victim?” T.K. scoffs. “No one is a victim. I have paid for these hospital perks with dozens of coffees and donuts and muffins and even the occasional Target run. This is just good natured southern kindness being returned.”
Carlos laughs out loud. “Right. Not a single bit of it has to do with your innate charm and that smile that brings people to their knees and makes them feel like they’re only person you’ve ever cared about.”
“I mean, it had to start somewhere,” T.K. says, flashing him that exact smile. “But we’ve come a long way since then.”
“Well thank you,” Carlos says, meaning it from the bottom of his heart. “I honestly I don’t how to say thank you enough. My family is…they’re so important to me and I…”
“Hey.” T.K. tugs him to a stop and meets his gaze under the half light of the parking garage. “They’re important to me too.”
The drive home is blessedly short and they fall into bed exhausted at around midnight only to wake up again at five to head back over to the hospital. Carlos tells T.K. he doesn’t have to come, but the look he gets shuts him up immediately. T.K. is clearly invested. 
They stop for coffee on the way, real, decent coffee, and some bagels, plus a cake pop for Sebastian after surgery. 
He gets a text update as they’re pulling up to the hospital again; Justin is on a flight and should get there by the time the surgery is over. It’s a relief to know his sister will have her support to lean on again in the near future. 
Once they arrive Carlos sits back and watches in wonder as T.K. works his magic. Someone shows up to give Sebastian not one, not two, but three different stuffed toys along with a coloring pack and some Hot Wheels cars. T.K. sits down on his bed and explains the whole surgery in terms a six year old an understand, and when the time comes, Sebastian is whisked off without a single tear.
He’s seen T.K. at work before, but this is an entirely different level of incredible. He knows almost every nurse, every doctor, every orderly that they see, and if he doesn’t, by the time they leave he’s made them feel like an old friend. People can’t seem to do enough for him. 
Justin gets there about twenty minutes after the surgery starts, exhausted and haggard looking, his collared shirt buttoned the wrong way and his hair looking like he didn’t even comb it. T.K. somehow procures fresh, non-cafeteria coffee for him, whispering something about the doctor’s lounge, as well as a banana and a granola bar. 
Everything goes exactly as expected and soon enough the doctor is back to let them know that Sebastian was a champ during surgery and they expect a quick recovery. Lucía and Justin head back to wait with him until the sedation wears off, while Carlos and T.K. continue hanging out in the waiting room until Sebastian can have more visitors.
When Carlos hears a loud commotion behind him, he knows without even looking that reinforcements have arrived. Adriana and Francesca have shown up with more balloons than a circus, a gigantic stuffed bear, and several bags of god only knows what else. “Oh my god, Cesca don’t let them float away,” Adriana is saying as they try and get through the automatic doors that keep closing before all the balloons can make it through.
“I’m not!” Francesca snaps back. “It’s the stupid doors! You could like try to help!”
“With what hands?” Adriana cries, her arms full of stuffed bear.
“Ah, perfect,” Carlos says weakly, looking at T.K. who is already smiling at his sister and cousin’s antics.
“Carlos! Get over here!” Francesca barks and he stands with a sigh, going to help her get in the doorway. 
“Hello, good morning, how are you guys doing?” Carlos prompts as he grabs the brightly colored strings and yanks them inside, the balloons bopping along behind and nearly smacking an elderly woman in the face.
“I mean you’re both awake and have coffee, so I assume you’re fine,” she tells him as she plonks into a seat across from T.K.
“Yeah, geez, way to make our nephew’s surgery about you,” Adriana says with a roll of her eyes. 
Carlos doesn’t bother to remind her that technically Sebastian is a cousin to her, not a nephew; labels other than “familia” ceased to have any meaning to them long ago. “So what’s the deal? Is he okay?” Francesca asks.
“The surgery went well,” T.K. says. “Sebastian’s appendix didn’t rupture, so the chances of infection are low. He should be able to head home in a day or so.”
“Phew. Poor little dude. This sucks,” Francesca says.
“But he’s okay,” Adriana says. “That’s what’s important. Everyone is okay. And all his friends are going to be very jealous when he gets back to school.”
She opens one of the bags and pulls out a tray of something that immediately fills the air with the scent of tomatoes and cheese. “Why do you have tamales?” Carlos asks. “It’s ten am.”
“Because Mom told us to go by the house and bring them over,” Francesca says. “She doesn’t, and I quote, ‘want anyone eating that hospital garbage, it will rot their stomachs.’”
“Sounds like your mom,” T.K. says with a cheeky smile as he reaches for one of the tamales. 
“We also have…taquitos, mac and cheese for Sebastian, and…arroz con pollo,” Francesca says, checking the other bags. 
“Your mom just had this all on hand?” T.K. asks, his mouth full.
“Tía Andrea always has everything on hand,” Adriana says.
Despite his initial scoffing, by the time Justin comes back an hour later to tell them Sebastian is up for visitors, Carlos has eaten three tamales, half a dozen taquitos, and a plateful of arroz con pollo. Apparently hospitals make him hungry. They’ve also fed four nurses and an orderly that T.K. knows, and they haven’t even put a dent in what’s there. 
Justin looks a little less of a mess now, he’s clearly spent some time in front of a mirror and his shirt is buttoned the right way now. He’s smiling in spite of the tiredness in his eyes, which widen in delight at the sight of the food. “Oh thank god for Andrea,” he says, immediately reaching for a taquito. 
“Hey, how do you know it wasn’t us?” Adriana asks, clearly offended.
Justin fixes her with a look and she shrugs. “I mean, yeah it was Tía Andrea, but we’re the ones that brought it over here,” she says.
“Thank you for your service,” Justin says around a mouthful.
“How’s Sebastian?” Francesca asks.
“Better than Lucía or me,” he says. “He says it barely hurts and he’s very excited to have a cool scar.” He looks at T.K. “Apparently you’ve really made this hospital experience feel like a vacation T.K.”
“I’m just glad he’s doing all right,” T.K. says. 
“Can we see him?” Carlos asks. 
“Yeah,” Justin says. “Lucí sent me to get you all.”
“Well then let’s get this party moved!” Francesca says, closing up the tupperware with incredible speed built from years of cleaning up house parties and hiding the evidence before their parents got home.
They make quite a parade marching through the pediatric wing of the hospital with balloons and bears and food galore. But then, the Reyes clan usually does. They’re not exactly known for being a calm and quiet bunch.
Sebastian is sitting up in bed eating a popsicle, looking like the happiest human alive even with an IV in his arm and stitches in his side. “Sebby!” Francesca says happily. “You’re looking good there buddy!”
“You brought me balloons?” he asks as Lucía quickly rescues his popsicle, which is in danger of falling to the floor.
“We brought you balloons and a bear and macaroni and cheese from Abuela,” Adriana tells him.
“Can I have mac and cheese right now?” he asks Lucía.
“Let’s maybe wait until after the doctor comes by again,” she says.
“But then I can have it? And the ice cream Tío Carlos promised me?”
It gets a chuckle from everyone in the room. 
The women start to fuss, setting up the balloons and bear in the best possible place, but Carlos’ eyes are on T.K. who is not-so-subtly checking out all the monitors and lines, ensuring that things are exactly as they should be. God, he loves this man. He loves him more than he thought he could ever love a human being.
“Well this looks like a party!” A man whose name tag identifies him as Dr. Nguyen, comes into the room, iPad in hand. Carlos assumes this must be the surgeon. “Sebastian who are all these fine people who came to visit you?”
“This is my Tía Cesca and my Tía Adriana. They brought me balloons,” Sebastian says, pointing to them in turn. 
“Well that’s very nice.”
“And that’s my Tío Carlos,” Sebastian says.
“Oh, is this the Tío you were telling me about? The one who’s a paramedic and helped you feel better?”
“No, my Tío Carlos is just a police officer,” Sebastian says. “My Tío T.K. is the one who’s a paramedic.” He turns his head to look at where T.K. is standing next to his IV pole. “Paramedics help people feel better. Right Tío?”
T.K. freezes for a second, his eyes locking with Carlos’. “Um, yeah,” he says finally. “Yes, that’s right. Paramedics help people. And then doctors help them even more.”
“Yeah, Dr. Nguyen took my appendix out,” Sebastian says. He looks the doctor square in the face. “My mom says you have to tell me if I can have mac and cheese or not.”
Dr. Nguyen laughs. “I can do that. Let’s give you a little check up and see.”
“We’ll give you some privacy,” Francesca says, which is hilarious given that she hasn’t let anyone have a single minute of privacy since the day she was born.
They step out into the hall, Adriana and Francesca immediately abandoning T.K. and Carlos to go look for hot doctors. Carlos runs a hand through his curls and looks at where his boyfriend is leaning up against the wall. “Well I guess we know who his new favorite tío is,” he says.
T.K. looks up, uncharacteristically nervous. “I’m sure he didn’t mean it like that. You’re not just a police officer.”
Carlos chuckles. “Oh I’m sure he meant it exactly like that. Tío Carlos is just a tío who wrestles and gives him ice cream. Tío T.K. saves lives. You made an impression.”
T.K. blushes. “I’m glad I could help.” His gaze softens. “I can’t believe he called me tío.”
And despite the fact that no one in the family has ever referred to T.K. that way before, Carlos isn’t surprised in the least. “Is that okay?” he asks.
“Yeah,” T.K. says quickly. “Yeah I—as long as you and your family are okay with it. I don’t…I wouldn’t want him to be confused.”
“He’s not confused.” Carlos’ words are soft and he reaches down, intertwining their fingers. “I don’t think anybody is confused anymore about why you’re so important to me.”
T.K. meets his gaze and Carlos feels like he can see all the way into the vulnerability at the core of this man who came here so broken and lost, and is just starting to figure out how vital he is to everyone around him. Carlos leans in and their lips meet, soft and sweet. It’s not enough to really say thank you, he’s not sure he can ever truly find a way, but in this moment he knows he’ll try. Everyday for the rest of his life if he needs to.
The door to Sebastian’s room opens and Carlos reluctantly pulls back, keeping their hands firmly clasped even when T.K. starts to pull away a little. “Bad news,” Lucía says. “Mac and cheese is off the table until tomorrow. T.K., he would like to know if you have any connections that can get him jello instead. But only the red kind. Not the green.”
“Absolutely,” T.K. says, already pulling out his phone to send a text. “Red jello coming right up.”
Carlos shakes his head and smiles as they reenter the room, Sebastian’s face lighting up when he sees T.K. again. Carlos has always thought T.K. seemed like magic. And now everyone else can see it too.
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silverskye13 · 2 months
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I've been meaning to ask about this because I love love LOVE your writing but aren't really very deep into the hermitcraft fandom....
would I need to know anything prior to reading your hc fics? I've heard very many good things about redstone and skulk and I want to read it , but I dunno if walking in clueless is a good idea...
Oh. Hm. Well. I'm maybe not the best person to ask this, ironically. I have a hard time differentiating between actual common knowledge and fandom osmosis common knowledge. My thoughts under the cut because this might get long, but here are my, I guess, fandom initiation thoughts on my fics, for anyone curious?
Redstone and Skulk:
I think it can reasonably be read with little-to-no prior knowledge of the fandom. I do a decent job of explaining what the story is about, since most of it is original worldbuilding with (mostly) original characters. It's a mirror world, where in the main world death doesn't exist, but in the mirror world it does. All the mirror world characters are the bad parts / evil twins of the main world characters, and how they cope with that varies (and is sometimes explicitly stated). The first few chapters do a decent job of establishing this information, and I've had a few people mention RnS was either their first delve into hc fandom, or they had never been in the fandom and read it anyway because it came recommended by a friend. This signals to me it would be about like reading a sequel to a book series. You're clearly missing some establishing character stuff, and maybe some setting stuff, but you're not missing enough to be completely lost.
[basic knowledge of Minecraft mobs and game mechanics would definitely do you good, but that goes for all of these].
Monsters Splitting Hairs:
I personally think you can jump into this with no prior knowledge. All the characters are loosely based on the hc members they're named for personality wise, and place names [Octagon, Horsehead Farms] come from builds the players have made. Just about everything else is my personal world building though. The only upper hand knowing about HC will give you, is maybe cluing you in to who/what the different monster characters are before they're revealed [a la Rendog, who walks around with dog ears on his MC skin, is very obviously a werewolf in the fic.]
This fic is unfinished, and while I plan on finishing it eventually, it isn't being actively updated, and probably won't until RnS is done. It does have a lot of words on it though.
Hound's Tooth:
You need to know a lot of information to go into this one. Not only do you need to know a decent amount about the HC characters, knowing about both 3rd Life and Last Life is also kinda necessary, since the crux of the character motivation is Doc angsting over Ren doing Last Life after 3rd Life fucked up all his friends so bad the first time. Also, you need to know a decent amount about the early Octagon plotlines in s8 of Hermitcraft, the different adventure mode trial rooms they did.
This fic is finished.
Everything else I've written are ficlets, little one or two chapter deals. Anything tagged "RnS fic", you should probably read RnS before reading. Most of the others you need specific information for, since they're generally addressing topics that I had /just/ watched an episode for at the time, and I was responding to an idea or plot point being brought up. Anything with "Hels" or "Helsmet" in the tags or title, know it's about the mirror world and the evil twins.
[shrug]
I hope this helps?
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heyjude19-writing · 2 months
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I have not been an active participant in the Harry Potter fandom in a very long time and it's just recently that a coworker of mine suggested that I give Dramione fics a try.
Her suggesting was both a blessing and a curse—ever since I started looking into Dramione, I've found more than a handful of fics that I absolutely loved, Remain Nameless being one of them. Of course, I've done nothing but devour fanfics in my free time ever since, placing other hobbies and social outings on hold. I can't say I regret it much, though my sleeping schedule took quite a hit as well :')
I'd like to start by telling you how much I enjoyed the plot for Remain Nameless. I never was a fan of slow burns before, but it might seem like aging has mellowed me out quite a bit. It's either that, or the fact that I've been feeling like time just flew by lately (to be completely honest ever since the pandemic it feels like every time I blinked, another year passed by), and I desperately want things to slow down a bit, just so I can enjoy them properly—both in my life and in my reading.
There are plenty of stories about Draco and Hermione and them falling in love, but this one is definitely a favourite. I loved how the accent was placed on them and their evolution as people and their journey as lovers.
It was heartwarming to see Draco's transformation throughout the story and each interaction between these two characters, especially the initial ones at the coffee shop, brought me such joy.
The pacing of their friendship and then romantic relationship felt so natural, and I couldn't help but sit at the edge of my seat, waiting with baited breath to see if things are going to turn out well for our main couple (even though I knew it would be a happy ending, according to the tags :') )
Also, the characters that made an appearance fleshed out the story wonderfully. I'd like to say that the moments including Ginny, Theo and Sasha were some of my favourites, but then again, can I really have favourites when I loved each chapter so much?
The familial relationships were also points of great interest for me. I enjoyed seeing how Hermione interacted with her parents after everything that happened and her relationship with the Weasley members really warmed up my heart. The acceptance of Draco into Hermione's friend and family circles was also quite emotional for me, since he went through such complex experiences with his own parents and friends.
The writing was also marvelous and it really captured me, though I feel like I couldn't fully appreciate it since my eyes were flying over the words to know what happens next. I would love to pick up this fanfiction again for another read, just so I can fully appreciate the craftsmanship that was put into it.
Honestly, being reintroduced into this fandom reminded me why I love fandom and fanfiction so much. Sure, there might be people who sully the experience with their greed and pettiness (I've read a bit about those people what bind your fics and sell them on etsy and I recall reading an AN of somebody reposting your work on Wattpad and I'm so sorry that these things happened/are happening to you and many other fantastic writers) but it can also bring people together and be such a great source of comfort.
I apologize for the long message, I feel like I rambled quite a bit. I know there's much more that I would have loved to say, but words seem to evade me today. But I would like to thank you again for putting in so much of your time, effort, love, and passion into writing this wonderful piece of fanfiction and for sharing it with us.
This story made me giggle, it made me cry, and it made me feel so many emotions, and I thank you from the bottom of my heart for it.
hello hello!
wow, thank you so much to your co-worker, this was lovely to receive. sorry about the sleepless nights 😅 but i am happy you enjoyed your time with my story and other fics.
and yes, there's some bad actors out here making fandom a not-so-fun place at the moment, but as you rightly noted "it can also bring people together and be such a great source of comfort." It's certainly why i stick around and thank you for this beautiful message that reminded me why i've loved my time here. your kind comments about my writing brought me so much joy, thank you 🥰
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flintawakened · 19 days
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ᴛʜᴇ ꜱᴛᴇᴀᴍ ᴍᴀɴ'ꜱ ʙʟᴏɢ
I will update this every once in a while! So check out my blog if you're confused or need help!
Hello and welcome to the Wonderful Whirring Steam Powered Blog...
I go by Cogsby, Clicks, Gearbox, or Nova! I do prefer the previous three, though.
I go by... A lot of pronouns. I'm a gender hoarder. But here is my main cluster at the moment,
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DNI
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Misogyny/Sexism, Transphobia, Homophobia Yet again, as someone who identifies as trans and under the gay umbrella, I will either block you or kill you with kindness.
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I am autistic and have an unspecified attention deficit disorder! I do need tone tags once in a while. I also might take a while to respond because I just... Forget-- I'm really sorry about that, but it's just how I am.
I have highly suspected MaDD. MaDD is a disorder in which the person cannot stop daydreaming, they have in depth worlds in their heads about characters with their own personalities and backstories. This was developed as a coping mechanism while I was in a very abusive household. If you see me typing relatively nonsensical gibberish in a post, someone probably exploded in my head or something.
I have screentime limits! As someone who is still in their teens, my parents monitor my screentime. So if I don't immediately respond to your message, or forget to answer your ask before my time limits are up, don't take it personally!
I will never actively feed or engage in discourse or syscourse. These situations are deeply distressing for me and evoke a lot of harsh memories from my trauma. I have been online for too long and was raised by the internet, unfortunately. I have seen a lot of discourse in my time and will try my best to avoid it at all cost and will block freely if I see someone feeding this discourse.
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#✰steam man rambles: This will be my tag for talking about my alterhumanity, special interests, and other various updates, information, and tidbits
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#⛤steam man's craft: This tag is for my Wiccan practice. There probably won't be as much under this tag because it's personal, but there may be information or spells!
#✐ᝰsteam man doodles: Art by me! I'll use this tag for when I draw something I'm particularly proud of.
#⋭steam man replies: This will be the tag for answering asks, I love being asked things, so please, ask away!
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ofblackskies · 6 months
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So this blog has hit 1'000 followers recently, and that gives me all sorts of warm fuzzies about all the people I've met along the way. The ones I talk to every day, the ones I've fallen out of touch with or who are no longer a part of the community, and the ones I keep on my dash even though we never speak. This blog is one of my safe spaces and that's primarily because of all the amazing people I keep around. So I figured this was the perfect time to give all y'all a little extra love.
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My ride or dies here, my hoes before bros, the loves of my life, these are the people who make every day on here worth it. These are the people I hope I never ever lose contact with - and if I do it's their fault and they deserve to be punished for it tbh.
@devilsanddarlings - Chrissy and I have been friends for 12 years both on and off of tumblr, but more importantly before tumblr and after tumblr. I have no doubt in my mind that we'll be friends until the end of time. I would trust you with my passwords, but I would also trust you with my life, and I do trust you with all my secrets. You've been with me through the epic highs and lows of high school football everything, and if we ever lose touch it'll be because I'm dead. And even then? I'mma haunt your ass. So be ready.
@acourtcfmuses - Alana! You and I are going on 8 years knowing each other, and you're so awesome. You're one of my oldest friends from this hellsite, and the only one who's really active anymore. And when I say active, I mean active. Nobody has more characters than you. I've finally broken 100 and I'm still nowhere near being able to be in the same race! Not only that, but you do so well with all your canons, and your ocs are all so well put together. Thank you for always being around when I need you - even if we are on completely different time lines, you always reply when you can and that means a lot.
@hellgiven - Charli, you're one of the few people that I would follow to any blog they made. I don't care what the fandom is, I don't care who the character is, so long as it's you writing them, I know it will be good and I know that we'll find a fun pairing to write! I tell you things I don't tell hardly anyone, and you let me bitch when I need to but you don't ever take it to heart, and I love that. I love you &lt;3
@snnydcys - Lumi, I know I give most of my attention when it comes to our friendship to Channy, and I know I'm terrible at getting to replies in a timely manner - but Channy deserves the attention, and you never bully me about how slow I can be. You've adapted Sonny into this multi-fandom baddie, and you did it in such an organic way that I could never have imagined could be done with a Disney character. I'm always so impressed by the way you've made her fit everywhere. And I promise I will get to doing other things with your other characters. I promise.
@carp3diems - Bluejayyyyy! First of all, obligatory mention of the soulmates: Cal and Del are everything and I swear any time I go to write a reply for him that isn't for her, he's in my head whinging and asking where she is. The fact that I have an oc who's so obsessed with yours is honestly such a vibe because I too, am obsessed with you. You're a great friend, and you only pressure me to write when I explicitly ask you to - which is exactly what I need sometimes. I'm a sucker for all of our little ships and plots and dynamics, even the ones that we're just getting started, and I adore youuuu.
@unitcd - Fabian, we share a love of Jeremiah and a hatred on Conrad, and them there could be fighting words to a lot of people, but we get along so well! Even without that basis, I think we would have become friends eventually, and I'm really glad we did! Even if I'm terrible and don't reply fast enough.
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These are the blogs I follow that either I don't write with much, or just haven't had the chance to get out of that 'new follower' stalking vibe with yet! This is also where I'm sticking those people I just don't talk with much ooc (at least not on a daily basis) but I still love so much! I adore you all, and thank you for making my experience on the dash so awesome, it wouldn't be this good without being able to read your threads
@unbearablyindifferent / @tobeblamed / @seesgood / @klaeus / @salvatoraes / @stanfordprepped / @tvintedspvrk / @fcntasyadvcnturc / @localsalt / @takeflight / @lcvelj / @lcveblossomed / @fuckedprophet / @inspotlight / @gunchamber / @benbraeden / @sunsymbols / @malka-lisitsa / @rhaegore / @stcllla / @shesdaylight / @cruelprincae / @sarcasticsnackpack / @saltzitivo (!!! I would say a lot more about you but you know. We don't do a lot here on tumblr anymore, but Hallie is one of my absolute favorite people on the planet alwaysss, my aussie sister <3)
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@thcdarlingboy - Blair isn't active right now, but she will forever be one of my favorite people I've ever met on this hellsite. Every day I hope she comes back to throw her characters at me, and because I think of her on such a frequent basis, she deserved an honorable mention on this list despite the fact that her blog hasn't been active since 2020. Blairbear, if you do pop on at any point in time and see this, I want you to know that I love you and I miss you &lt;3
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Now, if you've gotten through all of that and made it all the way down here, you deserve something special. So anyone who reblogs either this post or my promo by this time next week will get entered to win some sort of graphics prize. We can chat about what you want if you win, but the realm of options is anything from base icons, to a promo or blog graphics. I'll be picking two randomly generated people, and one person by hand. The only rules are that you have to be following me (this is a follow forever giveaway, after all), and you have to reblog either this post or my promo. Reblogging this post will gain you two entries, because I really want to give the loves of my life some love and get their names out there a little more! But I know it's long as hell, so no pressure! And good luck! May the odds be ever in your favor.
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utilitycaster · 3 months
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I will say the current discourse becomes a lot funnier when you remember that Imogen suggested to and in front of Laudna (she did it more than once!) potentially siding the Vanguard AFTER one of them murdered her in cold blood just to get a rise out of Imogen -
- and *somehow* that hasn’t had the lasting impact on fandom that Orym fucking nodding at Laudna as she kills someone who just tried to murder them has?
Truly, bowlgate could *never*.
Hey anon,
Honestly while this is all very speculative and based on the relatively small cross-section of the fandom I see, as a person who will not touch Reddit and barely checks Twitter, the Orym and Laudna stuff feels cut from the same cloth as Bowlgate.
For reasons I cannot accurately pinpoint, though I have my theories, since I started watching and joined the fandom with the start of C2 there seem to have been people - maybe the same people, maybe there's been turnover - who have decided any interaction Marisha and Liam's characters have that isn't clearly entirely amicable (and some that are) is in fact an act of hostility. This has always baffled me, given that in Campaigns 1 and 2 they played characters who are particularly close, and that in Campaign 3 Liam's character is very much in homage to Keyleth. Insofarasmuch as I know the lives of the cast (ie, I don't), they seem to be extremely good friends, and from what I see at the table they have remarkably similar styles, a shared love of character conflict, and excellent chemistry (platonic or romantic). It has never made sense to me how intensely some people pit them against each other, either as Beau and Caleb or as Laudna and Orym, particularly when Marisha and Liam have never seemed to have even an ounce of rancor towards each other.
It feels very much born out of the "the only way to be a good character (or fan) is to be entirely deferential to my personal favorite character" mentality, and I've always found that mentality to be...deeply sad, honestly. I've said before that it baffles me that people watch a show with an ensemble cast of 7 players and act repulsed and offended when it's not a solo act. And for a fandom for a show where we just, demonstrably, treated a 3.5 hour episode as "unexpectedly short?" That is a huge amount of time to sink into something where you are miserable every minute that Laudna, or Marisha (or whoever your favorite character or actor is) isn't in the spotlight and leading the charge and given the royal treatment - let alone to watch CR with what appears to be an assumption that nearly everyone else at the table is actively out to undermine your favorite actor. That sounds exhausting and painful, and once I started thinking about that it made much more sense how vile and bitter these comments about an extremely mild choice from Liam and Orym is; because it's not really about Orym. It's about the nature of the show itself, which has always been the case and is unlikely to change. It might be other long-untended resentments as well. I'm reminded, tangentially, of how when I was frustrated with FCG as a character early on, I'd occasionally get people piling on in my inbox for utterly unrelated criticisms not of FCG but of Sam as a player that I found really offputting and which often made me pretty uncomfortable.
I do wonder if these people are not just upset that Orym (and Liam) are simply present; but if they are also frustrated with other things - perhaps with the campaign generally, or perhaps with Laudna herself - that they are afraid to admit they feel given how much they have staked their identity on their fandom preferences. Which again, sounds terribly lonely and draining and something to be pitied, irritating as it is for the rest of us.
Anyway, I think the best thing for everyone in the fandom not trapped in that particular mire of bad faith, cognitive dissonance, and curdled resentment to do is move on. I actually found it really heartening how many people on my post about Laudna's anger at Orym being entirely about the power from the siphon and nothing personal to Orym were like "until I saw this post it did not even occur to me that there was another interpretation of this scene." I certainly haven't been as good about this as I'd like to be, but I've really been trying as of late to approach the above paranoid reading mentality by depriving it of oxygen. In addition to the interesting conflicts brewing, there's been some great lore drops as of late. How about that portal?
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meruz · 4 months
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another ask post
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i mean i also read it because a friend whos rly into queer SFF fiction circles recced it but she did kinda lead with "the writer used to write hs fanfic...tasmyn..taz...?" to which i replied
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of COURSE I read the locked tomb because i heard taz had written a book. of course. ill consume most any media made by a beloved homestuck bnf. thats also why i played undertale. and read like..snotgirl. and idk... watched the new dub of neon genesis evangelion.
if u made homestuck fanwork 10 years ago and havent even made it since chances are I still remember and I love you for it.
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sdlkfhsg its funny you sensed that because that drawing did in fact start kinda more........ well, I'd be lying if I said my hands never wrought a drawing toeing over the pg-13 line LOL...
NOT to say i have a secret stash of porn or anything. in general im more interested in the implication of sexuality or mature themes over any explicit depiction. like everything i draw is so softcore itd almost feel silly to make a nsfw acc for anything.
but im not rly jumping to post anything on main either bc i get the sense i have a lot of kids in my social media following. it varies from site to site and fandom to fandom but the themes in my work often circle around childhood, coming of age etc and in general i like stories about kids so the fandoms i draw for have a lot of kids in them. even stuff like IT (stephen king) which is about kids but isn't necessarily for kids.. there were a lot of kids in that fandom lol.
actually thats why ive been censoring swears in comics lately because the tmnt fandom comes across to me as a little young...IDK I've had MULTIPLE people ask me what "sodomize" means because of the joke in this post and I'm like... I Cannot be the one to explain this to you. you have to look it up on your own klfsdhsdg like i wouldn't be doing this if i were doing a comic for mgs or even homestuck wherein the characters textually swear constantly LOL but sometimes u gotta change tacks depending on the faces u see in the crowd yknow.
i HAVE been thinking abt drawing nsfw of sunspot/richard rider/kobak from x-men red just because that comic seemed to be really asking for it. who knows.. if the need rly arises maybe my separate account policy will change.
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its rly more a matter of the fact that i havent read/watched much of any other iterations... im sure id like most lol. I like most things related to my interests regardless of quality. i rly like the marvel ultimate alliance games for instance. sometimes seeing my fave guy is enough he doesnt have to be well written LOL. i dont exactly have a wealth of free time tho thats the real impediment.
i did watch the 2007 movie on new years eve and found it quite charming overall. and i have read about 30-40 issues between the mirage and idw comics. still feels like im barely scratching the surface but i liked em. i rly want to read all the sophie campbell stuff bc i think her work is interesting. jason aaron will be a mixed bag i think lmao. i say as the worlds biggest Wolverine and the X-Men (2011) fan.
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hmm this is kinda hard bc i feel like i naturally draw very loose and the hard part for me is tightening it up. maybe some suggestions tho...
1) hand excercises. i think its easy to forget this when many artists sit in front of the computer all day but drawing is a physical activity u do with ur actual...bodys...muscles lol. if u feel urself tightening up it might help to strech (any google search for "artist hand excercises" should yield good results) or do a page of loose practice strokes like..big circles. long lines. scribbles. that kinda thing. whatever feels good for ur hand. this is also just good to do as a general warm up before u sit down for any drawing sesh.
2) draw further away from the canvas. as a general rule...when ur painting traditionally you do the big strokes with your whole arm outstreched and a long handled brush. and when you do the details its smaller wrist movements and a shorter handled brush. so it might help to take a step back or push back from ur chair a little.. or hold ur tablet a little further away. and hold your pen further away from the nib.
3) change mediums / brush types. some brushes and mediums are more suited to loose sketching and some more inclined towards detail work. so changing ur tool could help. also! i personally have this problem where sometimes if im using a brush i feel really familiar with the pressure to make a "good" "finished" "perfect" drawing is greater... if i want to force myself to loosen up ill switch to a tool i dont use as often so it feels like the pressure is off. a lot of times for me this is switching from digital to traditional. but sometimes its switching from a small pen to a big marker. or a smooth pen to a textured one. or a nice brush to a shitty dried up marker.
but also every body is different so i dont think these tips will work for everyone. u should listen to what ur body and mind tell u and how drawing feels to you
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bro just sign up and set it up i dont think theres much to it... i dont rly think too much abt my itch.io store because its digital goods so u just upload the file and let it do its thing. no distribution work needed on ur part. youll notice i barely even advertise my itch unless i have smth new on there lol.. its easy. but good luck!!!
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idk if im the best person to ask this im more a comic fan than i am a comic professional... a comic hobbist.
well. scott mcclouds understanding comics and making comics are good books on the craft. i think i had to buy them for a class in art school once.
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other than that idk just keep at it. comics are really laborious i think for a lot of people the hardest part is sitting down and doing it.
i think a lot of people have a very instinctive understanding of how to read comics and what they look like so whatever you think seems like good way to tell the story you have in mind, its probably right. if u get stuck, study comics that have done something similar. most people in comics are relatively self taught and actually it can be problematic bc you can tell when a lot of comic artists are all copying the same like 5 old white guys LMAO. but on the flip side if you make sure to reference and study broadly your comics will almost assuredly feel unique.
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sorry im responding to this anyways. this is just a really nice ask. i like when people reference my older work bc i feel like sometimes theyre subtly implying it wasnt very good LMAOOO. but its true! at least compared to the work i make now ^^ and the fact that im still making art is whats keeping me from being embarassed abt how much of my old art just floats around online lmao im never ashamed to be growing and learning. isnt that a nice thought <3
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onesunofagun · 6 months
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You know, I'm going to put a thought down because I'm thinking about this again because of the post earlier.
It might be a vent? I think it's more just me trying to describe a feeling so it's outside me and I can look at it.
I've seen a lotta discourse and a lot of theories and different takes out there. There's always gonna be some stuff that's frustrating because it's something Sus being widely normalised, but generally speaking, I think the varied perspective and ideas are always good thing in a fandom.
I've seen all sorts of ideas be explored-- in fics, in doujins and art, in roleplay, in lore essays-- over the years. I like to think I have a pretty good map on the fandoms I've been online and present in since the early 00s. I can usually remember context about how certain stuff came about, like what tropes or ideas got popular when and how, whether through shipping or fanon or mangas or general knowledge about the development process.
When you've been in a fandom a long time-- especially if you have made a lot of contributions to it, at any point-- sometimes you even have a part in shaping certain idea flows within it, yourself.
So I have had the chance to see and contribute to a lot of conversations that have happened over and over and over again, in a kind of generational way. I have seen certain discussions from old forums, translate to fics. I've seen them pop up on tumblr, then tumble to Reddit, then YouTube. I have watched the spread through the general sphere of things, get added to and turned over and re-examined.
For the record: I love watching that process, and I like being part of that process! Mentally tracking the grandfathered in fandom history has also become its own kinda hobby for me.
I've always found it interesting mapping where new fans come in, seeing how they orient themselves and what they pick up-- how and why and what they do with it, whether I appreciate it or not (I highlight biases that are related to harmful ideas when I see them to illuminate them).
Seeing certain concepts be repeatedly rediscovered and watching how certain waves of fans digest them is fascinating. Sometimes with surprising results, sometimes with disappointing results, but it's fascinating either way. That's kind of part of the appeal having been here so long and why I came back into (mild) activity-- I get to study and dissect the fandom behaviours as well.
But despite all of that, I've found I don't really appreciate a good number of the popular YouTubers who focus on Zelda as their channel topic.
I think I've developed a bit of a distaste for a few of them in particular, actually--the big number Zeldatuber channels. Mostly the ones that seem to be the theorycrafters that kinda followed on from a MatPat style format. All of my love to well researched videos analysing the themes and meta, and all the silly boundary breaks and speedruns, mind. But I found I got really disillusioned with the handful of channels that rose to prominence and how their content shifted with that growth.
With the potential to monetise their discussions and discords worth of people and patrons driving this kinda content, I do think a lot about things that have been discussed in the fandom in the past that get taken up and regurgitated as part of that grind. I have lost track of how many videos that have come out of a few big Zeldatubers of this vein gave me a really weird slimy feeling and I am trying to work out what it is.
I'm not super invested in watching much of Zeldatube at large, mostly because I've seen most popular subjects covered in many variations. I'm a lot more personally interested in analysis, rather than theorycraft, so take it with a grain of salt that I may have a bias too (The popular Zonai fixation really doesn't interest me at all, and Zeldatube burnt out on that hard).
A lot of the channels like this seem to present their stuff like it is brand new and never been seen before, and like it's a great achievement in sleuthing or that they've cracked a code-- but not in a fun feeling way. Not in an exciting personal discovery way, but in a way that feels like it's propping up an exclusivity around that channel, and its validity as a leading authority on Zeldadom. There's something vaguely newsfeed-like, or sensationalist about it to me, with tight knit associations to other big channels making the same type of content (and about the same types of subjects as far as I ever noticed, and widely overlapping perspectives).
I wonder if that's a cynical feeling that I have where I'm just being an old man yelling at clouds, but there's really something that rubs me wrong about the handful of top channels like this. Something about the way they generate and present, and potentially profit from, often long running fandom concepts and otherwise freely shared ideas that have had many contributions feels off.
Maybe it's also me struggling to understand the closed off nature of how a lot of people just absorb the series secondhand now, and how normal it is to have the most popular Zeldatube channels setting the tones and assumptions around lore for large swatches of the newer fans. And not because old guard gatekeeping, but because there's an obvious chasm there between new and old fans of the same media that now exists that's seemingly getting wider.
I do sometimes worry about the trend of recycled old fanon staples presented as brand new takes, because of that-- or worse, sold as the definitive take, especially when a lot of people do just accept them and then go off and start arguments because 'big Zeldatube said so' and they must know best.
Sometimes I wonder if the trend is actually adding to issues with consumption vs engagement, in terms of media literacy and fandom interaction. There's certainly some theories, because of these channels, widely taken as a kind of gospel from the 'zelda experts' like the discussion is already closed; mystery solved. I've legit seen smaller youtubers be accused of stealing or copying theories from the larger channels, when making detailed and well researched videos about canon lore. I have had multiple interactions with fans who just link to a popular video and be like 'here watch this, it'll explain it' like they can't even be bothered to have their own take, but they're also not interested in yours.
The way big Zeldatube presents itself and gets consumed at large, though, I guess I just don't recognise that as the same as seeing a new fan have a joyful discovery of something from their own interactions with the franchise and fandom. I realise that the channel runners are fans themselves, but I suppose I mean that the platform feels more like a degree of professional separation that's very closed. It's become 'Zelda is my job now' thing that's focused on interest trends and news.
Something something, decades of fandom interaction and discussion and archiving getting scraped and haphazardly slapped together again for the content grind because clout and profit??
That feels mean to say but--
"Like and subscribe and join my patreon for more content, often mined from various thoughts around the fandom to make up a new video to schedule" is how it often tastes to me and that's not a flavour I enjoy.
Again, by all means, not applicable to the whole of Zeldatube or many fans who do watch the big channels. But this kinda thing does feel like a pervasive and popular part of the theorycrafter channels. Commodification of theory, and exploitative platforms built off a community's back, leave a lot of the big Zeldatubers without my support or endearment. I feel incredibly conflicted about them.
Is that anything?
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orangeflavoryawp · 6 months
Text
20 questions for fic writers
Ohhhh, haven't done one of these in a while. Thanks for the tag @esther-dot <3
How many works do you have on Ao3?
On Ao3? 91 But add to that, older fics on ffnet and other independent sites (oh Rolo Realm, my beloved), I think it's 102.
2. What's your total Ao3 word count?
1,020,258
3. What fandoms do you write for?
Game of Thrones/ASOIAF, Mass Effect, Dragon Age, Naruto, X-Men, Star Trek, Record of Lodoss War, Sailor Moon, Harry Potter and several unpublished ones
4. What are your top 5 fics by kudos?
Almost all Jonsa, lol. - From Instep to Heel - A Violence Done Most Kindly - Wool and Tallow - Shepard Sees the Sky - Hallowed
5. Do you respond to comments? Why or why not?
Always, but it takes me time. I used to be very secluded, still am sometimes, and it took me effort to reply to comments and build relationships and community. I don't want to lose that. It's also important to me that readers understand how meaningful even a single comment is. So yeah, every comment, I try.
6. What is the fic you wrote with the angstiest ending?
Alright, so there's a lot of contenders for this one. I'm not even gonna try to list them off.
7. What's the fic you wrote with the happiest ending?
Probably either Interlocking or What Grows in Winter? I don't write a lot of 'happy' endings, I would say. Mostly I write endings that have either hope or closure, and that can come in a multitude of emotions, but those two fics are probably the most light-hearted of my works so I'm going with that.
8. Do you get hate on fics?
Sure, but honestly, not nearly as much as I expected. I've never really gotten someone trying to get into an argument with me. It's really just those one-line trolls that mass comment on a fic out of nowhere with stuff like 'Die parasite' or whatever.
9. Do you write smut? If so, what kind?
I do! I can actually say that now, lol. It's semi-recent for me, I guess. Considering how long I've been writing, at least. At the moment it's just het smut, but who knows what the future will bring!
10. Do you write crossovers? What's the craziest one you've written?
Nope. Dislike crossovers, actually.
11. Have you ever had a fic stolen?
Not that I'm aware of.
12. Have you ever had a fic translated?
Several, actually.
13. Have you ever co-written a fic before?
No, and I don't plan to. Don't think it would work well.
14. What's your all time favorite ship?
I honestly can't answer this. Like... honestly. But the two couples I've spent the most time actively writing for would be Jon/Sansa (Game of Thrones/ASOIAF) and Storm/Wolverine.(X-Men), so there's that.
15. What's a WIP you want to finish but doubt you ever will?
It'd be between Rocks and Shoals and Sheparding Men, but I'm more hopeful that I'd return to Rocks and Shoals. Both are Mass Effect fic.
16. What are your writing strengths?
Characterization and emotive language.
17. What are your writing weaknesses?
Setting and exposition, for sure. Also, paring down a scene, lol.
18. Thoughts on writing dialogue in another language in fic?
I've thrown in a commonly known phrase or two, but I don't like it being used regularly. There's too much variance on how to show translation in fic, and I find it often breaks the pace of the piece trying to do so, anyway.
19. First fandom you wrote for?
Oh geez, thinking back, probably Xena? Though that was unpublished. First published fandom would be X-Men.
20. Favorite fic you've written?
Damn, that's hard. But I'm probably going to have to go with Reckoned from One Midnight to the Next for the way it changed my writing style going forward. Perhaps the most formative of my pieces. Close runner up would be A Violence Done Most Kindly though, since it's also pretty formative for me in how I tackle plot now, and I'm really proud of the intricacies in that one.
This was pretty fun! Tagging for those interested @theoriginalsuki @jonsaslove @amymel86 @barbex @hawkeykirsah @vorchagirl @razerathane @tlcinbflo @foofyschmoofer @goddesstiera @joufancyhuh @sailorshadzter
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tobi-smp · 2 years
Note
Please what’s the moomin reference I’m dying to know
Context: [Link 1, Link 2]
*breaths deeply in two year long hyperfixation* wELL
I've tried to write this post a Few times without going into a full essay about what moomin is, as that's Not necessary for answering the question. however, I am unfortunately me and this is the Writes Essays Blog. so I've simply decided I will be a nuisance instead.
but the plus side is that I've been thinking about writing about some of my other fandoms here for a while ! so, for a crash course on the franchise:
“moomin,” “the moomins,” or “moominvalley” is a franchise originally stemming from first novels and then comics written in the 1940s-50s by the finnish author tove jansson, which has since ballooned with Many adaptations and other such goodies (like themeparks and games). 
it’s most popular adaptation is hands down the 90s anime adaptation ! which took tove’s charming designs and calming atmosphere and kicked it up to 11 with a long-form slice of life series
youtube
but all versions have their own particular flair and tone, even two versions created by tove herself are Very different. with the comics having a focus in on the absurd and comedic and the novels, while certainly Having those elements, also focus in on more serious themes and melancholy!
(here's a brief rundown for the differences in the adaptations for anyone interested ! [Link])
of course, moomin was a relatively unknown entity in the us because it never officially released here, but there was a brief boom here on tumblr in 2019 thanks to the release of a new adaption (called moominvalley)!
it was a perfect storm for a couple reasons:
1: while it can be a bit difficult to track down the series in the us, the Characters are all extremely accessible. with their designs alone you can pick up on who and what the main cast are both Quickly and Scarily Accurately, with the fandom largely rising Before most people had found access to the content itself flkjfdaskjkjl
they're Incredibly Simple characters that still lend themselves well to complexity. they aren't blank slates in the slightest, but they're easy to Bend and reimagine and flesh out. which is really appealing to fandom spaces!
2: having multiple different fleshed out iterations to choose from meant that if you looked you could most likely find something that suited your taste! (it'd be an incredibly accessible franchise if they'd actually make their content Accessible world wide)
3: this is Especially relevant in how the franchise can act as both escapism and catharsis. the 90s anime especially is a comfortable cottage-core fantasy to sink yourself into and forget the woes of real world (something that was about to become Very relevant in 2019), but the novels were specifically written for an audience that was actively living through war.
and while tove never wanted to make the franchise Dark or Gritty, she wanted to create a series that could help children process and come to terms with some of the feelings they Would realistically be experiencing. one of the very first novels is "Comet in Moominland," where a great comet is coming down to crash into the earth. it still engages with comedy and with the absurd, and of course nobody Dies, but it was very intentionally trying to create an accessible outlet to understand Tragedy and Fear. among lots of other things ! and this is, of course, tempered with the warm comforts of friends and family and community.
I think there's a lot to be gained by sifting through this franchise Now honestly. something that can both Distract from the bleakness and help process it, with a certain gentleness either way.
4: tove jansson was an Incredibly queer woman, and this absolutely bleeds into her work and the adaptations that followed!
while inspiration isn't an Exact one-to-one, tove Has spoken about her inspirations for her characters before. moomin (the character) draws a great deal from herself while snufkin, moomin's "best friend" and a funny little beastie, draws from her lovers both in personality and in relationship to moomin!
a big inspiration for snufkin was a man who had nearly been her husband, a vagabond and a socialist for that matter. the official moomin site (which is cannot stress enough, is representative of the franchise itself and heavily curated) describes That as follows [Link]:
In many ways the relationship of Moomintroll (Tove’s alter-ego) and Snufkin describes the relationship between Tove and Atos. Moomintroll admires Snufkin who still is quite distant and very often Moomintroll is also experiencing a deep sense of longing and yearning when Snufkin is leaving to his adventures or choosing to be at peace with his own thoughts. Moomintroll tries to understand Snufkin’s desire for freedom, even though the waiting is not easy.
Just like Tove admired Atos and just like Tove waited for Atos, his love confessions and commitment. [End transcription]
but it was Also based, in part, on the woman who was her wife in all but legality. [Link 1, Link 2] Having met some time 1956 and having stayed life long partners until tove's death in 2001.
they'd built a home together on an island where they'd go to stay every summer, enjoying their own travels and adventures along the way !
come winter, moomin would pine for snufkin as he made his yearly travel down south, but the spring and summer months would always bring snufkin's return! and all the love and warmth that came with him uwu
How exactly that bleeds through in the franchise itself is well. Extensive. picking literally any iteration and trying to lay out, in full, the queer themes present would be an essay longer than this one. so instead have a small selection to illustration the point:
[Link 1, Link 2, Link 3, Link 4, Link 5, Link 6]
now, naturally, this was (and is) queercoding rather than explicit representation, but this was a queer woman pushing the boundaries of what was allowed to Be in children's media starting in the 1940s and onwards.
there's something About a woman who lived a full and happy life with the woman she loved, pouring that love into her life's work to create a foundation of care and acceptance for the generation that'd come after her, only to see a resurgence of queer teens See her and say what she wasn't allowed to out loud.
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which brings us to !
5: the general blanket of pure acceptance radiating from the series.
that's not necessarily anything New for a children's franchise, but in combination with everything else it creates an environment for an absolute comfort series. this fragment of an article about the series has far and away wormed it's way into my mind in some irreversible way (and that's quite a good thing) [Link]:
In most fiction, family is what you escape from if you want to fulfill yourself. For Jansson, family is a place of tolerance, where we can fail and become ourselves. Her experience of growing up gay is there in Snufkin – who is all the more loved for being different. Like the prodigal son, everyone is so thrilled to see him, no one ever asks him where he has been. It’s there too, in Too-Ticky, Jansson’s portrait of her partner. And above all it’s there in the wonderful story where Moomintroll is transformed into the bug-eyed King of California, and his mother recognises him straight away. [End transcription]
the quickest and most accurate description for this series, this franchise as a whole, that I could give is Warmth.
that's not to say that it's All roses. tove herself was an icon, but moomin company is a Company in charge of a franchise in the same ball park as disney properties. but considering there's no way to legally support moomin in the states I'd say the morality of engaging with it on that basis isn't exactly the most pressing of issues.
now with all of That out of my system: the actual information relevant to the comparison.
one of the stories in moomin (the novels, the 90s anime, and the 2019 adaptation, though I'm most familiar with the latter) is "The Invisible Child." [Link]
it's the story of ninny, an invisible child that moomin and co find and bring into their home to try to figure out Why she's invisible and how to fix it.
as we come to find out, ninny went invisible and lost her voice (even the ink on paper she tried to write on going invisible) because she'd been made to Feel invisible through the neglect of her aunt.
the moomins help ninny find her confidence again, with small aspects coming back to her as they make progress and regressing as they make missteps. but the ultimate point is that she needs to feel Seen and Heard.
that feeling of not having a voice, of not having a Presence, taking on the form of a Physical curse of invisibility.
it's a concept that meshes Extremely well with tommy's situation, even Without the headcanon.
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fanfic-inator795 · 9 months
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WoY: A Decade Later (A personal retrospection)
Wander Over Yonder… for a time, it was - in my opinion - the best cartoon ever. It was my number one, and I wasn't sure that anything else could top it. While I don't necessarily feel the same way these days, it's still a cartoon that very much lives in my heart and I don't think I'll ever truly leave it behind.
From a personal perspective, it was probably the biggest and most active Fandom I had been in at that time. It wasn't my first fandom/hyperfixation - prior to WoY, there had been Cartoon Network's Chowder and Regular Show, as well as Disney's Phineas and Ferb. But Chowder was short-lived and RS and PnF were both shows I had lost interest in due to them beginning to dip in quality.
WoY, however, was new, fresh, exciting and growing rapidly. It inspired me to write probably at least a hundred fanfics. It was a blast live-reacting to new episodes with everyone and seeing all the art that would come afterwards. It brought me into the RP scene and, if not for that, I might have never met my best friend of 10 years (and counting! Love you, Tessa).
Looking back on it 10 years after the fact, I can't fully say that WoY is still my favorite cartoon (shows like Kid Cosmic, The Ghost and Molly McGee, Big City Greens and Craig of the Creek have all outshined it in one way or another), nor can I claim that it is/was a perfect show. But man… It sure was a hell of a ride.
(Keep reading for all my admittedly VERY LONG personal thoughts or opinions regarding this one of a kind show)
Humble Beginnings
Pretty sure I've mentioned this before, but I actually didn't care for WoY at first. It was the summer right before college, and I remember watching the sneak peek - The Picnic - early one morning after not being able to go back to sleep. I remember not really laughing much or even seeing the appeal… and yet the episode stuck in my mind, to the point that I ended up watching it again during a free moment I had from Freshman Orientation Week. I had a similar reaction to the show's proper pilot, The Greatest - not loving it, but not hating it either.
The fact that people/friends from my RS and PnF days were also posting about it helped keep the show in my mind (shoutout to Taylor, Erin and Darkwing). But it wasn't until two specific episodes - The Fugitives and The Good Deed - that I managed to finally start to connect with the characters myself. 
I started to see the appeal in this little furry orange spoon who just wanted to do good and make others happy, even when it was a struggle. I really liked the show's core theme of not just optimism and positivity, but also just being kind. I also started to really enjoy the show's sci-fi and space aesthetic and grew to adore its animation and gorgeous backgrounds, as well as laugh at its wacky sense of humor (I still laugh at The Fugitives/Good Deed quite a bit, even though I probably have their entire scripts memorized at this point).
So, it was official. I was hooked. Whenever there were new eps, I'd either try to watch them on the basement TV in my college dorm or wait for a livestream or FreeCartoonsOnline upload. If we're being honest, the first half of season 1, while being much more low-key than the wackiness that the show would end up eventually shifting to, was probably when it was at its most consistent. Other eps later on would reach higher highs, but getting stuff like The Bad Guy, the Prisoner, the Troll, the Pet, the Box and The Little Guy back-to-back just made my love for the show grow more and more.
The Little Guy specifically is one that is just incredibly well-crafted in its dialogue, story-telling and pacing, being both enjoyable and heartfelt. (Also the last time I watched it the ending made me bawl so, there's that, lol). Shortly afterwards, The Hero was another ep that I distinctly remember sticking in my head for whatever reason (Dracor and Demurra are still adorable, ngl). Then we had another favorite of mine, The Nice Guy.
I know I may be in the minority on this one - I remember my parents being annoyed and frustrated when they watched it with me, haha - but I absolutely love this episode. I find the jokes funny enough - the cashier is one of my favorite minor characters tbh - and the space gas station appeals to my aesthetic. But what really sells this episode for me is how it handles and portrays its moral of "being nice isn't always easy, but it's still right and still worth doing". Its ending never fails to get an "awwww" out of me, and honestly I could probably go on for an hour about all the little details and things I like/appreciate. I've also grown to really like its sister episode, the Time Bomb.
But no show is perfect, and right around here is where the show, in my opinion, started having some misses. It was mostly just "meh" affairs like The Night, The Toddler and The Big Job (weird, since I usually like heist eps… though I haven't rewatched this one in a while so *shrugs*). Other eps like The Tourist and ESPECIALLY The Helper (which I consider to be the show's worst outing, the vibes are just SO WEIRD on this one) I just didn't care for at all. 
Nothing terrible (save for the Helper), just cases of the jokes not landing or the stories being boring. This was also when the show really started leaning into the wackiness - which wasn't BAD persay, since it led to some really funny jokes and memorable moments when it was used well - it's just that looking back, I sorta miss the simplicity of early s1.
Thankfully, the season put out some real bangers by its end, with my personal faves being The Epic Quest (that ending will never not make me cackle. Again, it's a case of the wackiness actually working incredibly well), the Halloween/Christmas special, and the Rider, which is a great adventure to cap off the season and also the Horse from Horsin’ Around guest stars in it! (and does a pretty good job too. Will Arnett is def one of my favorite celeb VAs at this point, ngl)
So yeah, between the two seasons, s1 is easily my favorite. Call it nostalgia or personal taste, but for me it's all about that consistency. Adding in the fact that s2 has some pretty notable flaws and is thus a lot harder to look back on without noticing those flaws, and it's really no contest for me. 
New season, New problems
I certainly remember the excitement - as well as the fandom's stir craziness - in the lead-up to s2. There were crackships that were invented, silly RP blogs were rampant, Craig McCracken and crew (back when they were still on Tumblr) kept us fed with cool behind the scenes info as well as sneak peeks of the new season, and while I can't recall when it specifically happened, I also vividly remember the 'Bad End to Episodes' phase that the fandom was in at one point. Ah, the joys of still being in your angst phase.
Come that year's Comic Con, and a new round of hype came from the reveal that our new villain of the season was going to be a girl! …yeahhh, it sorta sucks recalling how hyped we all were about Dominator now that we know that she didn't quite work out the way we were all hoping for…
But regardless, s2 had a very strong start. Outside of the premiere, my favorites of this first batch would easily be The Boy Wander and The It for both just being incredibly funny. Although, if you had asked me at the time though, I probably would have said the Skeleton Dance fueled eps that were The Big Day and the Fremergency Fronfract - and like, yeah those eps can still be funny and enjoyable, but I've definitely cooled on the Skeleton Dance ship since these eps first premiered. (Still love a lot of the cute fanon stuff though)
Skipping past the next tent-pole episode for right now, this season had two of my favorite episodes of the ENTIRE SERIES - these being The Cartoon and The Black Cube. The former is just hilarious while the latter has a unique visual presentation and feels like an early s1 ep, and I mean that in the best possible way. I also really enjoy the Eye on the Skullship as well as the Hole… 'Lotta Nuthin' (this one especially, as it's another instance where, for as good as the ep is as a whole, it's the heartwarming lesson and hilarious ending that makes it such a winner in my book).
But for as much as the show was still putting out hits, I'll admit that there were also quite a few meh or just okay eps, especially as the season goes on. Some eps I found funny when I first watched them, but that humor doesn't hit as well when I watch them now. I also feel like there were points where it tried to be TOO silly to the point where it inhibited the actual humor and made the characters flatter and a bit flanderized compared to how they were in s1 (Hater especially got hit bad with this, where it’s less about him ‘softening up’ to show that he has the potential to be a good guy, and more just him constantly leaning into him being a bratty teenager instead of having that mix of dumb/bratty teen boy and legit evil conqueror).
Other times, it was just another case of a story not being as good as it could have been - and by this point in the season, while there are still enjoyable eps with fun concepts/jokes in the latter half of the series, the only one to get near the peak of the show's typical high quality is the musical ep, and if we're being real, it's Andy Bean's impeccable songwriting that saves this ep and makes it so good to rewatch despite its connection to the season's flawed overall story.
And I think it's about time we talk about that…
Not Quite Ready for Serialization
Being a show that was made right after Gravity Falls but before stuff like Star VS, Amphibia, and Owl House, s2 of WoY felt like a show with one foot stuck in episodic stuff and one foot trying to step into serialization. Because of this, the season’s overarching plot feels incredibly underbaked.
Now… Am I saying that I’d want the show to be like ATLA where every episode had to relate back to either the overarching story or one of the side-arcs? No, absolutely not. We’d be missing out on some of my favorite one-shot episodes if they did that, and if I had to choose between the season we have now and the season we could have gotten had the WoY crew gotten more freedom and were allowed more serialization, I’m going with the former each and every time.
HOWEVER, I still have to acknowledge just how poorly done the structure of this season was when it came to the overarching story. Basically we got four tentpole episodes acting as the season’s beginning, arc shifts and ending. During the season’s second and third arcs, there would be certain episodes afterwards reacting to the change in the show’s status quo.
Now, I get what they were TRYING to do but in my opinion it just really didn’t work as well as it could have. I’ll talk more about this in a bit but the season’s second arc (the “romance” arc) definitely got tiring after a while, meanwhile the third “Stop Dominator” arc felt like it was sort of killing time given that it was mostly just the main 4 trying to find some sort of weapon/figure out some sort of plan that ultimately resulted in some ‘funny’ failures and some quick lessons, with the occasional character piece thrown in here or there.
Now, I didn’t hate these episodes. By this point, it should be evident that one of my favorite elements of WoY are its morals and lessons, so even if the episodes themselves didn’t amount to much in the grand scheme of things and were essentially filler, I can at least appreciate a message like “being sad doesn’t mean you’ve given up hope” or “allowing yourself to laugh even in the dark times can help a ton”. So yeah, not completely pointless.
Unfortunately, even with a few bright spots here and there, the overarching plot of s2 still feels underbaked somewhat - and that’s ultimately because of the new character its focused around.
Dominator’s Dilemma
Okay, fess up. Whose idea was it to completely exclude Dominator from the first six episodes of the season (after the s2 premiere)? Because WOW does this decision backfire a lot. I don’t even like Dom that much and I can still acknowledge that she needed much more screen time and focus than she got.
I don’t know if this was to build up the ‘mystery’ surrounding her or because they wanted to get back in the groove of writing the main 4, but this was the crew’s first crucial mistake. Hell, in the first two episodes she plays an active role in, she’s nearly silent in both of them, only having her little fangirl rant in The Greater Hater and a small handful of lines in The Battle Royals. (Which, if I’m being honest, is still a really fun episode for 90% of it, having both great action and absolutely hilarious jokes that still make me laugh, but I get the ending of it making people sour on the episode as a whole.)
Again, it felt like trying to build up this artificial mystery surrounding her when it really wasn’t necessary. Dominator was meant to be a MAIN MEMBER of the cast! Yet I’m pretty sure Emperor Awesome got more significant screen time than her in the end!
Things got a teeny bit better as the show went on, with Dom at the very least getting more lines and more moments to be both badass and totally villainous, but she still felt more like a goal/obstacle than an actual character. I’m not sure if the writers MEANT to do this persay, or if it was just an accident.
Ultimately, it wasn’t until The Night Out when Dom finally got a spotlight episode… which was a little over 3/4ths of the way through the season. You could argue that she also got a bit of characterization in the musical episode, but it was really more emphasizing what we already knew or could infer about her. 
The Night Out, meanwhile, gives us something new - that she’s lonely - and we get a teeny hint of this again in The Robomechabotatron before being told outright in the series finale. Ultimately, it truly does feel like too little too late - especially when her secretly desiring friends just sorta feels like it’s aping off Hater’s secret motivations of wanting to be liked/admired and to have friends/people who love him for who he is.
So yeah, the crew completely dropped the ball on Dom’s characterization, using her as just a goal/threat/obstacle/etc. for nearly all of her appearances. Not only does it make Dom feel like a shallow character, but it also just feels unfair in general. Practically everything we know about Dom is for the sake of other characters.
She’s a test for Wander, an enemy/temporary love interest for Hater, an obstacle for our main four to overcome, and a threat to the characters we already love. Again, there’s nothing wrong with having a character that’s only meant to serve a purpose in the narrative, nor is there anything wrong with a character being shallowly evil… it’s just that the WoY crew hyped her up so much and claimed that she was a fifth main character (implying that she would get about as much development as the main four), so it just felt all the more disappointing when we didn’t get that. Add in her character design - a mix of goth/punk girl energy with Hartman Hips - and it does feel just a tad misogynistic.
There were things I liked about Dom - her cool lava powers and gadgets, her excitable personality, her villain spotlight moments, and her fun vocal performance provided by Noel Wells were all excellent. But unfortunately, these were all surface-level elements, and the crew just didn’t put in enough time to give her much else, essentially saving all her deeper character stuff for the never-made season 3…
A love-hate relationship (leaning towards hate)
Of course you can’t talk about Dom without discussing the season’s second arc, which many see as both a tumor on the plot and the absolute low point of the season. Admittedly when I was watching the season for the first time, I didn’t mind the romance arc all that much. I didn’t care if Dom was getting short-changed, I was too busy laughing at Hater falling all over himself like a dork and thought all the ‘critics’ of the arc were just focusing on the wrong thing and didn’t know how to have fun with a silly cartoon.
Obviously, this was the wrong perspective to have about this sort of thing (I was in the mindset of “I don’t want to accidentally make myself hate this thing I love so I’m going to ignore all criticism of it”. Definitely not the right approach), one that I still apologize for because the critics were totally in the right. From both an objective and a storytelling standpoint, this arc was just the worst - and for several reasons.
Leaning into the overall problem with Dom herself as mentioned previously, this arc was focused solely on Hater and Wander (and to an extent Syl and Peeps as they tried to talk some sense into their respective friends). Whenever Dom was brought in, she either used Hater’s crush to mess with him or just ignored it entirely, being obviously annoyed - and that was the extent of focus that her feelings got.
Outside of those moments, however, Dom’s feelings are relegated to the background, deemed as ‘unimportant’. Sure, in the climax of the arc, she gets this big whole musical number about how she’s “not the damsel” and isn’t interested in Hater’s affections - but again, it’s at the VERY END of the arc and the moment is less about Dom standing up for herself and more about emphasizing just how cruel she can be, as instead of simply rejecting Hater’s advances, she laughs in his face, continuing to mess with him to try and make the rejection as painful as possible before ultimately trying to kill Hater.
But while the arc ends in a showy (and admittedly still kinda fun, thank you Andy Bean and your musical talents) way, the way it starts sorta proves why this idea was so rotten to the core. The ONLY reason why Wander tries to get Hater and Dom together is ONLY because he knows Hater wants a GF and believes that a ‘positive’ thing like love could only ever result in the two villains finding happiness and no longer being evil. Nevermind the fact that Wander is shown only really caring about Hater’s perspective, not once considering Dom’s feelings or even asking if she wants a BF or romantic partner in general.
We get Syl calling him out on this a couple of times, but it’s in that ‘oh that Wander, always with the crazy ideas’ way. You’d think Sylvia, the icon that she is, would be just a bit more blunt and maybe even a bit harsh about how Wander’s treating Dominator - it’s not just a matter of it being a dumb and dangerous plan, but it’s essentially objectifying Dom, treating her like Hater’s missing piece. But hey, it’s fiiiiine, because Wander learns his lesson in the end, right? Except, no not really.
Because even when Wander FINALLY realizes this and feels guilty about causing so much trouble, Syl is more concerned with comforting Wander about it, because he TRIED to do what he thought was right and that “acknowledging you messed up is the first step towards making things right”. Like… yeah I guess but you could have let Wander actually acknowledge what he did was wrong and super messed up, focusing more on the personal aspect of how his whole romance scheme affected Dom AS WELL AS Hater (not JUST Hater) instead of how his scheme broke Hater’s heart and inadvertently made Dom more powerful.
(Also we see Wander shipping and actively pairing up the little Pikmin things in “The Sky Guy” soooooo no I don’t think he fully learned his lesson)
I also have to bring up how there are fans who view Dominator and her whole anti-love thing as aphobic. As someone who only recently figured out she was almost definitely aromantic, I’m certainly not the authority on this, but I can certainly understand the critiques.
What I THINK the WoY Crew was trying to go for was a ‘strong female villain who don’t need no man’, but between Dom constantly being described as ‘heartless’ and Peeps saying that he “doesn’t think she likes anybody” and her cruelty being turned up to 11 whenever someone expressed romantic feelings towards her, it does sorta imply “She can’t love and THAT’S why she’s a villainous monster” rather than simply “she’s a villainous monster”. And because we don’t get any real development or strong characterization with Dom, it’s hard to say where exactly her cruelty comes from, so it’s hard to really argue against these implications without simply inserting headcanons like “Dom is a lesbian”.
Now to be fair, I have seen some aromantics see Dom as good representation - I recall a month or so back when I saw people praising her after she was included in one of those Tumblr polls, with this one being focused on aromantic characters, saying that they liked how she didn’t sugarcoat her rejections and seeing her as this strong, cool, badass villainous who didn’t need romance. So yeah, obviously not every person who shares an identity is going to agree on representation and whether or not it's good, but considering all of Dom’s baggage and the inability to determine whether or not her heartlessness is the cause of her evil or simply a by-product of it, I personally feel like she’s just too messy of an example of a potential aro character.
(Honestly, Syl feels like a better example of an aromantic character to me, given that she and Ryder seemed just as platonic as she and Wander are, as well as her multiple rejections of Awesome and general disinterest/discomfort with romance. Buuut given that those latter examples are specifically with villains and thus it makes sense why she’d reject them regardless of her orientation, it’s still just a vibe/headcanon).
Before I close off this section, I do wanna acknowledge that beyond the potentially aphobic nature of Dominator, WoY’s LGBTQ+ rep isn’t nearly as great as I thought it was once upon a time as a young shipper. Some parts are still pretty okay, like Wander being coded as genderfluid/agender, but overall it still feels more like an old Looney Tunes cartoon than an episode of “The Owl House”, if you get what I’m saying.
In Craig’s defense, the man has never been all too interested in romance in his shows nor has he claimed otherwise - he either uses it as a joke while portraying it as a negative (see Ms.KeenexProf.Utonium, BlooxBerry or, obviously, DomxHater) or it’s a wholesome relationship that ultimately still stays in the background because it’s not all that important (see DracorxDemurra or Ramona and Carlos Flores from “Kid Cosmic”). 
BUT given that there were LGBTQ+ crew members working on the show in s2, such as N.D. Stevenson, as well as LGBTQ+ allies, it is a shame that no proper representation came of that. We got a whole episode where the joke was “oh, Wander and Hater are planning Wander’s execution like it’s a wedding”, an episode where Peeps and Hater essentially break up when Hater fires him, and an “I just can’t quit you” sort of moment from Peeps in the s2 finale when he goes all heart-eyed over Hater deciding to continue being a villain. That’s it, all jokes but nothing substantial. Even the show’s number one lesbian/wlw pairing of SylxDom got a quick Girls Night montage and one sweet moment between them, nothing else.
Again, it’s fine if you’re just looking for jokes, and yeah the WoY Crew never outright promised any romances… buuuut given how much they chose to lean into the Skeleton Dance and DeathGlare stuff while at the same time never outright confirming any of these characters as LGBTQ+ (they didn’t even have to make any ships canon, they just had to say whether or not Wander/Hater/Peeps were gay/bi/pan/etc), I’m not gonna invalidate people who feel just a bit queerbaited about the whole thing.
Bittersweet Goodbyes
As I said before, I was starting college when WoY first premiered. It’s the show that led me to my best friend and it’s the show that helped me through those first two years of college (easily the roughest part of college). It was a show that made me laugh and got me excited, even during the times where I was stressed out or worried. For all its flaws, it was one of the brightest lights in my life at that time.
So, needless to say, when I heard the show was canceled, I was devastated. I remember crying about it that night and even the day after, and I remember joining in as many online strategies as possible to try and get the show back, from letter writing to petition signing. Of course none of that worked, but as a bright side, going through this helped emotionally prepare me for the next time one of my favorite shows was suddenly canceled (looking at you Nickelodeon. Though considering how the RotTMNT movie turned out maaaaybe it was for the best…)
Honestly, for as much as I can look at the show through a critical lens nowadays and point out all the ways it could have been better, I think there will always be a small part of me that wishes we could have gotten some sort of continuation, whether it be through a special, a TV movie or a comic - or hell, I’d even take the plans for s3 leaking at this point. Now, given that the end of WoY brought about the creation of “Kid Cosmic”, I feel like this part has faded a bit, but I’m always gonna want closure on things like Hater’s arc as well as his origins given how much they were teased.
But that in itself is another critique I could give the show. Whether it be Wander facing a different type of threat that wasn’t just another villain, Hater’s transition into becoming a good guy, Peepers getting fed up with his boss and striking out on his own, or Dom’s true characterization that the crew kept insisting was there - the show simply saved a lot of it’s most interesting ideas for a potential Season 3. It was a gamble, and it was one they ultimately lost. It sucks, but it is what it is.
There’s a few more things I could critique about the show, such as its take on the idea of character redemption and Wander becoming a bit of a karma houdini that the show pretty much stopped calling out, and while these critiques are valid I feel like there are other fans who could do a better job talking about those points. But in the end, while season 2 was both a let down in some parts and a bit of a mess in others, I still feel like there were ultimately more good things to be found within the show than bad things.
It’s not a perfect show, far from it. Frankly, I don’t look down on anyone who fell out of love with this show or enjoyed s1 but hated s2. But for what it’s worth, the memories I got from the show are still ones I treasure, and episodes like “The Good Deed”, “The Little Guy”, “The Nice Guy”, “The Epic Quest”, “The Rider”, “The Boy Wander”, “The Black Cube”, “The Hole… Lotta’ Nuthin’” and “The Cartoon” are ones I still love to bits and will probably always love as I watch them over and over.
Disney Channel itself may not care all that much about this show these days save for an occasional rerun or a quick cameo in their Chibi-Verse shorts, but I’m always gonna remember it - for better and for worse. So here’s to 10 years, WoY. I may not always like you, but I still love you.
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necrophcge · 1 month
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NAME:
Lee
PRONOUNS:
he/him
MOST ACTIVE MUSE(S)?
// Meddles here is technically my most active, but I'm doing stuff behind the scenes for my lads Brom ( @of-forossa ), and Samuel Whist ( @fishermcn ) so I'll add them here too lmao.
RP PET PEEVES?
// Ah hell man, probably a lack of progression when it comes to replies? When I'm writing a thread with someone, I do what I can to make sure they have enough from my own to continue the story we're telling together. So getting a reply in return that doesn't move things forward puts me in kind of a bind y'know? Matching or similar length comes with that as well, though I don't expect folks to match me word for word so much as giving as good as they've gotten!
Communication is also key! I know that it can be uncomfortable or a bit daunting to try to chat with folks you haven't gotten to know all that well, but with threads being something we create together we really should be on the same page. Even just a little update or the like is preferable to total radio silence rofl.
EXPERIENCE / HOW MANY YEARS?
// Shoot, it's probably been about twelve, maybe thirteen years now? Been on here the whole time and have bounced around to a few different fandoms before more or less settling down into the soulsborne community.
FLUFF, ANGST, OR SMUT?
// I'm definitely an angst kinda guy, though usually in the sense that things are going down or conflict is brewing rather than interpersonal drama. I live for fight-writing and the tension that comes with lives being on the line. Fluff is usually reserved for one and done replies rather than threads because I feel it's more impactful thst way, while smut is... well. I'm getting better at it, but it's definitely my weakest writing of the bunch. That, and I admittedly can get a bit nervous posting it out here in the wild for everyone to see (////-\\\\)
PLOTS OR MEMES?
// Both! Plots and plotting are my preferred go-to for our muses to get to know each other and establish what their relationship will be like going ahead, while with memes I'll usually go ham on a single reply with the intent of further fleshing out what we've pieced together for our muses.
LONG OR SHORT REPLIES?
// If you've known me on my other blogs you already know I tend to get long winded XD. Short replies never feel like I've said enough honestly, and by taking the time to get in depth with them I reckon it opens the door wider for potential interactions (memes) or it gives the other person more room to reply with (threads). Least amount I'll do is around two to three paragraphs.
TIME TO WRITE?
// I'd love to tell you folks that I'm a responsible, orderly guy who keeps a good sleep schedule and has a set time for writing. Unfortunately I'm little more than an animal who's as likely to bump out an ask or reply at 4:00 in the morning as I am to post something mid-afternoon. Ideally though... I prefer the evenings for it. More privacy, more time to gather my thoughts and less demands for me personally to have to address.
ARE YOU LIKE YOUR MUSE(S)?
// I'm a firm believer in the notion that muns typically have something either in common with or identify strongly with their muses in some form or another, and I'm no exception. Meddles might be a conqueror, cruel and malicious, but struggling against a seemingly impossible task and not wanting to be alone in this world... yeah. Yeah, I can relate to that. It helps me put myself in their shoes and understand them better if there's something about them I identify with.
tagged by: @ferinehuntress (much obliged panda :D)
tagging: @yellowfingcr, @hexenjagd, @bcwblade, @rotten-pest, @izar-tarazed, and you!
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