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musclesandhammering · 3 years

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Every Single Issue I Have With S*lki (It’s Not Just The Selfcest)

Here goes. I threatened to post this a few days ago and never did, but I just saw a s*lki stan Twitter account claim that Loki caring about Sylvie more than the whole multiverse was a Good And Romantic thing and it pushed me over the fucking edge, so now you all have to read this. I’ve divided it into categories cause there’s just THAT much.

OOC Bullshit

• First and foremost, no amount of mental gymnastics you do will ever make me believe that this specific Loki- the one that just invaded New York, that just came off a year of Thanos Torture, that just got done being influenced by the sceptre, that was literally in the middle of a crisis already, and then on top of that went through all the trauma of Ep 1- would even be worried about a romantic relationship. That would be the furthest thing from his mind. Go back and watch how he acted in Avengers- you think that guy would abandon his previous mission to become a snivelling simp for a girl he’d just met 3 days prior? Yeah, there’s no universe in which that makes sense.

• “It’s very in character for Loki to fall in love with himself lololol-“ NO, it’s literally not. Out of all the characters in the mcu, I don’t think I can think of anyone that genuinely hates themselves more than Loki. He even referred to all his other male variants as “monsters” and said meeting them was “a nightmare” in this series. He’s got so much self-loathing, plus the fact that he genuinely thinks himself to be an evil backstabbing scourge- so there’s no evidence at all suggesting that he would ever develop a fondness for, or even be inclined to trust, another version of himself, after only knowing them for 3 days.

• Building on that, the whole concept of Loki falling in love with a version of himself just feeds into the annoying ass misconception that he’s a narcissist. No matter which way you stack it, he’s not. If you’re referring to NPD, he doesn’t fit the criteria, and if you’re saying “narcissist” just as a slang term meaning “selfish and arrogant”, that still doesn’t accurately describe him. But when creators like Waldron and Herron do things like having him fall in love with himself, it makes it so much easier for casual viewers to think that he is.

Shitty LGBT Rep

• It’s kinda sus that Loki’s are allegedly genderfluid and yet the only female-presenting variant we see (and apparently the only female-presenting variant there is, cause the male Loki’s all seemed unfamiliar with the concept) is treated as some kind of mind-bogglingly special paradox. Also very sus that, out of all the Loki variants, the one our Loki falls in love with just so happens to be the only female one. What a coincidence.

• The fact that the creators of the show went around bragging about Loki’s bisexuality and Marvel purposefully (lbr) allowed stories about Loki possibly having a male love interest to circulate, specifically enticing queer viewers to watch the show (you know, the definition of queerbaiting), and then instead of having a male love interest (Loki was the first queer main character, so it was the perfect opportunity) they gave us *gestures to this dumpster fire* this… it’s just a middle finger to LGBT fans. The fact that they would rather have this relationship with all its myriad of problems than have a gay relationship is just……. Very telling.

• While him being with a woman obviously doesn’t refute his bisexuality, the fact that they showed/talked about him being interested in 3 different women (flight attendant, Sylvie, Sif) and never even hinted at him being attracted to a man, definitely makes it seem like they were trying to cover up his bisexuality to smooth things over with the more homophobic viewers. You know? It’s like “I know you’re pissed that we sorta confirmed Loki as bi, so we promise we’ll never mention it again! Or even hint at it! As a matter of fact, we’ll give him lots of female lovies and make him seem as straight as possible! That’ll take your mind off of that horrible crumb of queer rep, right? Please please please keep giving us your money!!!”

• Aside from all the other issues, at its core, the biggest reason why I think I’m so irritated with s*lki is that it took one of the most interesting, complex, and diverse characters in cinema atm and squished him into a tired ass unnecessary heteronormative subplot…. Like literally every. single. other. protagonist. ever. Loki is such a unique character, and it’s so so so incredibly disappointing that they stuck him into that same boring cookie cutter romance that happens to every other character in every other movie I’ve ever seen. It’s a disservice, and it’s honestly just not compelling or entertaining at all.

Thematic Issues Galore

• His arc didn’t need a romance. With anyone. It was unnecessary and it didn’t make sense plot-wise. In fact, one of the reasons he was my fav prior to this was because he was the only big-name mcu character whose story wasn’t muddied-up by a romance that didn’t need to be there. So much for that.

• He wasn’t emotionally ready for a romantic relationship with anyone. Hell, just a genuine friendship would’ve been pushing it for him at this point. He was in such a bad state that any relationship he got into would’ve been toxic and unhealthy for both him and the other person, and it doesn’t make sense why the writers would want to put him in one when there were so many cons and essentially no pros (other than “Uwu aren’t they cute together”).

• Sylvie’s character in general was unnecessary and Loki’s character was robbed just by her being there. The whole show became about her post-Ep 2. They spent most of the time giving her backstory, building her up, telling us how awesome she is, trying to convince us to like her, etc when what they really needed to be doing was building Loki up- cause I gotta say, if I had to describe TVA!Loki in a few words, they would be Flat, Boring, and Weak.

• The romance overtakes the plot. They spend time portraying their supposed connection that could’ve been spent adding depth and complexity to literally any of the characters. They make the big Nexus Event them giving each other googly eyes on Lamentis when it could’ve been so many other way more profound things that speak to the fundamental nature of Loki’s. They have the climax of the finale be “oh no she betrayed him to kill He Who Remains” when it could’ve been something way more compelling (Loki having a moral crisis over whether or not to kill HWR, Loki contemplating the state of the multiverse and weighing the pros and cons of freedom vs order, Loki looking into some What If situations and getting emotional about what could’ve been regarding his family, Loki realising the gravity of HWR’s offer and finally coming to terms with how important he is to the universal cycle, etc etc). The entire plot suffered in favour of a romance that half of us didn’t even want.

• It essentially reduced all of Loki’s potential character growth down to “He did it for his crush.” He seemed to at least have some motivations of his own in Ep 1-2 (feeble as they were) but after Sylvie showed up in Ep 3, literally every action he took was just him being a simp for her. Why did he lie in the interrogation? To try to protect Sylvie. Why did he fight the minutemen and Timekeepers? To survive kinda, but mostly cause it was important to Sylvie. Why did he get pruned? Cause he got distracted trying to confess his crush to Sylvie. Why did he try to get out of The Void? Cause he thought Sylvie needed him. Why did he stay in The Void? Cause Sylvie was staying. Why did he try to enchant Alioth? Cause Sylvie told him to. Why did the multiverse get cracked open, leading to an infinite number of Kangs waging war on all of existence? Cause Loki didn’t wanna hurt Sylvie in their fight at the Citadel and then get distracted by her kissing him. It’s uninteresting and honestly pretty embarrassing.

• Throughout their “relationship arc” the writers do their absolute damndest to convince us that we should like Sylvie more than Loki. And you know what? It’s the most hypocritical shit I’ve ever seen. They preach and preach about how Sylvie’s life has been so difficult/we should feel bad for her/she had it so bad/poor poor sylvie/she had it SO much worse than pampered prince Loki…. But then they never even touch on any of Loki’s trauma of hardships (the ones that have been ignored for literally 3 movies now). They frame Sylvie as a good person and a Freedom Fighter after she spent literal decades/centuries mass-murdering brainwashed TVA agents and showing exactly zero remorse for it….. but then they make it their mission to constantly remind us that Loki is a terrible person and constantly put him in situations where he’s forced to acknowledge his wrongdoings/show remorse/admit to how “evil” he is for being a mass murderer for like 2 years. They show him on-screen having a wider range of powers than her, and perpetuate his whole shtick of being a “master manipulator” or whatever….. But then they make Sylvie “the brawn” more competent, intelligent, and physically capable than him. Tell me how it’s a good thing for a ship to be so narratively biased toward one character.

Missed Opportunities

• If they absolutely had to have a romance subplot, then they could’ve paired Loki with one of the characters that have already been established OR one of the characters that were a big part of the whole TVA storyline anyway. It would’ve been so interesting if they’d revealed that Loki had a history with some of the players from previous films (Sif and Fandral both come to mind). It also would’ve been really interesting if they’d given Loki a love interest that actually had some allegiance to the TVA as a whole (Mobius maybe, but not necessarily. It also could’ve been Renslayer or B-15). Hell, imo it would’ve been cool if they’d followed through with that “See you again someday” line that he said to the flight attendant in Ep 1. ALL of these characters have way more chemistry with him than Sylvie, and they were also already relevant to the plot without wasting half the show to give background info on them.

• If they absolutely had to have a hetero-presenting love story involving an enchantress-type figure, then there’s a whole Enchantress (Amora) that was actually Loki’s love interest in the comics. Plus, fans have been screaming for Amora to appear in the mcu for years. Plus, Tom literally pitched an Amora/Loki storyline way back in 2012-13. Also, Lorelei (another enchantress) is also one of Loki’s love interests in the comics, and she already exists in the mcu (she was on Agents of SHIELD). There were several different established characters for them to choose from. Creating a whole knew amalgamation of a character and going with the “she’s a Loki variant” storyline was just completely unnecessary and made no sense.

• They completely robbed us of a Chaos Twins dynamic. Had they handled Sylvie better and not forced her and Loki to smooch, the two of them could’ve had a really really complex and interesting sibling relationship. Loki could’ve stepped into Thor’s shoes and sort of used that new role to gain some self importance, and Sylvie could’ve finally had somebody to look out for her/teach her magic/be there for her. It would’ve been very aesthetically pleasing, the vibes would’ve been out of this world, it would’ve been way more profound than this bs, and frankly it would’ve been much more entertaining to watch.

• Loki’s relationship (read: obsession) with Sylvie completely overshadows all Loki’s other relationships in the show. Loki and Mobius were literally the focal point of the series in Ep 1-2, but after Sylvie showed up in Ep 3, they barely had any interactions with each other, and Mobius pretty much faded to the background entirely. Loki had the beginnings of a pretty interesting antagonistic relationship with Renslayer (with her wanting him pruned, then arguing with Mobius that he couldn’t be trusted), but after Sylvie showed up the dynamic shifted to focus on the history between her and Ravonna. Loki and B-15 started off very badly and openly disliked each other throughout Ep 1-2, and then in the end of Ep 2, Loki showed a little bit of concern for her when she was possessed, hinting that they might be inching toward a reconciliation- especially considering how obvious it was that Loki was gonna uncover the TVA’s sins eventually. There was so much potential for him to be the one to give her her memories back and convince her to change sides, but no, of course that honor went to Sylvie. In fact, after Sylvie showed up, Loki and B-15 never even spoke to each other again.

Various S*lki Fails

• If they were trying to convince us that this affection was mutual, they completely failed. There’s nothing I’ve seen that even hints at Sylvie feeling the same way about Loki that he does about her. At most, I’d say she has a slight endearment to him. She finds him likeable and she’s grudgingly fond of him, but she definitely isn’t in love with the guy. Maybe she thinks he’s cute and hopes that he gets out of this mess alright, but her mission obviously comes before him- whereas, it’s been confirmed multiple times that Loki cares about her above anything else. She doesn’t trust him, she looks at him like he’s an incompetent fool half the time, she shows little to no reaction during most of his confession moments, and she kissed him as a means to distract him so that she could get him out of her way. Look, all I’m saying is, when you get into a relationship where one of you is way more invested than the other, it never ends well.

• This goes without saying for a lot of us, but the selfcest is just straight up odd and cringey. If you’re cool with that sort of thing, fine! People can ship what they want! But don’t pretend it’s not at least a little bit uncomfortable. Yes, I know they’re not technically siblings so it’s not technically incest, and they’re also not technically the exact same person, but they’re similar enough that it makes things weird. And yes I know selfcest can’t happen in real life, so there’s no way to judge it morally, but neither can most of the other stuff that happens in these shows/movies (the Snap, Loki destroying jotunheim, superhero with powers being held accountable, mind control) and yet we still find ways to judge their morality, because they all mirror real-world events. (The snap= genocide; Loki destroying Jotunheim= bombing other countries; superhero accountability= weapons accountability; mind control= grooming and coercion). And lbr the closest real-world mirror to two versions of the same person (who may or may not share DNA, family, backgrounds, physical and emotion characteristics) being romantically involved with one another is incest. And you can be ok with that if you want- that’s your prerogative- but don’t get pissy just cause a lot of us are squicked out by it.

• The whole mirror metaphor (learning self love via each other) thing just fell completely flat. First of all, having Loki learn to love himself by looking at someone who mirrors him did not, in any way shape or form, require them to be romantically involved. But they were. Of course. Secondly, the creators have contradicted themselves so many times on whether Loki and Sylvie are the same or not, that it doesn’t even really register to the viewer that the mirroring thing was what they were going for. Finally, Loki and Sylvie are shown to have so little in common- and to have only the most bare minimum of similarities personality-wise- that it doesn’t even make sense that Loki would “learn to love himself through loving her”. Like? They’re nothing alike. So how would he make the connection that he himself is actually pretty cool, based on her alone? There’s virtually nothing in her that reflects him.

• I know the objective of the entire show was to convince us of how awesome and unique Sylvie is, but honestly her relationship with Loki just did the opposite. A hallmark of a Mary Sue is having her constantly upstage the male lead, and then having him instantly fall madly in love with her anyway. And that’s.. exactly what happened here. Everything they’re doing to try to force her character to be more stan-able is really just forcing her to look more like their self-insert OC. Which is exactly what she is. It would’ve been so much more satisfying if she didn’t have to try so hard to look cool, if they didn’t have to try so hard to make her backstory tear-inducing, if they didn’t have to turn our protagonist into a snivelling simp just to prove how incredible she supposedly is. Very much #GirlBoss energy and we all know how performative and cheap that is.

• The entire thing was too rushed, there was too little build-up, and it was nowhere near believable. As stated above, it’s ridiculously unlikely that Loki would canonically even be interested in Sylvie, and this show did nothing to explain why he was. He just suddenly was. There was nothing they showed us as viewers that would justify a guy as closed-off and preoccupied as Loki falling head-over-heels for a girl he just met. Their was no explanation, no big revelation, no reasoning, it just… kinda happened. And I’m also severely skeptical of any love story that has the characters go in this deep after only 3 45-minute episodes of exposition.

I’m sure there’s other stuff, so if anyone thinks of anything, let me know and I’ll be more than happy to add it. Tagging @janetsnakehole02 @raifenlf @natures-marvel and @brightredsunset800 for expressing interest. This is all your faults.

#antisylki #loki meta #kinda #loki series critical #loki series negativity #anti loki x sylvie #anti loki series #anti sylvie #frosty bby #loki deserved better #I don’t even like TVA!Loki tho so I guess it doesn’t matter with him lmao #tva loki #loki laufeyson

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douxie-casperan · 3 years

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Rise of the Titans and the assassination Hisirdoux Casperan’s character development

I’ve been ranting so much since Wednesday morning that I finally condensed by thoughts of WHY this one subject keeps setting me off namely the utterly diabolical way they handled Douxie and Archie’s relationship in Rise of the Titans and how it wasn’t just enough to hit him with the nerf bat.

Please note I’m at the point where I literally cannot tell the difference between Aaron headcanons, Teny headcanons and my own they are all mixed together in the blender that does funky things. I also apologise for typo/weird wording it’s half 1 in the morning and I’d rather sleep than edit.

If asked to sum up Hisirdoux Casperan there are certainly several things that come to mind:

Sees the value in people as a whole and will find do anything if there is a chance of help someone out

Prefers tactics that disable/banish rather than kill an enemy yet willing and able to pull the trigger if circumstances become forced

While not academically inclined he is very capable of thinking on his feet and outside the box calling back to his time on the streets where a split-second decision making is the difference between being caught and not

Terrible at planning he’ll be in there figuring it out as he goes along which is what makes the previous point so vital to literally how he goes through life

A natural charmer that would let him talk his way out of trouble 9/10 providing a perfect cover for his distrustful nature and reluctance to be touched by random people

Very down to earth, humble and never one to brag unless outright sassing someone

Will bang out some hot tunes at the drop of a hat, his love of music has never wavered once since he caught the bug despite instrument hopping ironically becoming a jack of all trades much like his magic style

The earliest memories he can recall are him as a young boy lost in the woods where he was for an unknown amount of time before his soon to be familiar finds him amongst the roots covered in dirt and drying tears, there is nothing before that. Unbeknownst to him is the colour of his magic matches the blue of a lost mother’s eyes and the song that haunts his nightmares as much as fire could well be hers though there is no way to be sure. From that moment on Archibald, shortened to Archie, would become his entire world and their friendship only becoming closer during the years they prowled Camelot together trying to keep themselves in one piece until the fateful day Douxie tricks the wrong person leading him straight into the path of the famous wizard Merlin Ambrosius.

It's no real secret that Merlin is a very closed off person who keeps his emotions as well guarded as his secrets, prefers the style of negative reinforcement over positive encouragement and is a very strict perfectionist in his. At this point in his life he can be very easily described as a disaster that is genuinely doing his best with every little mistake held of his head and his future self when brought back to that time period is belittled by Lancelot (Errand boy) and Arthur (Boy) too meaning it’s hardly a wonder his confidence was very fragile revelling in the times where he could do things without being told off for it. With Morgana largely ignoring him too (Though personally I like to think as he got older she’d occasionally take an interest until the blistering arguments with their master started to talk over daily life) a certain disguised dragon would have remained a lifeline and give that physical affection he craved much like being told he’d done well never seemed able to earn.

With Killahead he’d lose that home and family he made leaving just the two of them behind struggling to figure out their place in the world that had abandoned them.

There wouldn’t have been the words for it back then but the way he had been treated prior was outright abusive instilling very bad habits into Douxie yet by irony he was always willing to give people the benefit of the doubt and help those in trouble without thinking earning a reputation as the Shepard of Fire. He refused to become like him seeking to be better, perhaps not as a wizard (Even though he was learning new charms and spells along the way) but certainly as a person. Despite everything he suffers through or witnesses in the intervening years, the loss of friends and kindling of far newer ones he never loses his good heart

That said is it any wonder that after rightfully sassing Merlin for resurfacing, ignoring his existence despite being in the same town and only visiting him to run a finding errand that all the confidence he’d managed to build completely from scratch after Camelot wavered causing him to fall back solely into trying impressing his old Master who was acting like his humble apprentice must have coasted the past few centuries who himself fell back into old habits of belittling? It’s only when Merlin started to truly listen and acknowledge that this was not the same Moppet he once knew after Excalibur was fixed that their relationship finally started to become more like equals. After the defeat of Janus the changeling that broke into the castle he touched Douxie’s shoulder with a genuine smile and for a second he simply didn’t know what to do because the old man never did this before his brain kicked into gear and realised he’d finally earned that one thing he’d been so desperate for his entire life: That in Merlin’s eyes he could be more than a failure who only caused problems for the closest thing to a father figure he’d ever had, never solved them.

A staff will be earned, history would be set back on trap by banishing Morgana tag teaming with Archie because they know one another inside and out, as promised he’d get the kids back to the present but soon after things would go badly wrong. They’d lose Jim and because of his very nature he’d make a gamble to try and get him back because that life is worth trying for just for in a moment of surprising selflessness Merlin would be sacrificed to save him. The only constant in his life apart from Archie would apologise, openly express pride and how the greatest thing he’d ever done was saving this orphan, call him son for the first and final time before turning into ash in his arms. There would be no time to grieve for things will barrel into the crescendo of Douxie sacrificing his own life to buy everyone time to escape because if they did that everything he’d ever done would be worth it with one last whispered goodbye.

(Zoe sees him fall, so does Archie – His heart would break if he was conscious just like theirs does when his body crumples into the ground)

On the very fringes of the Light Realm he is gifted one more conversation with Merlin in a truly heart-breaking sequence (THANKS TENY) where they can just talk without any fear of consequence or politics and just be completely honest. Douxie is allowed to stand equal to Merlin, to have the hug he’d needed since he was a child and be allowed to simply let go of every pretense and cry his heart out because this can never happen again. He’s allowed to say goodbye to both his master and Morgana who had both shaped so very much of his life but like the painting he’d always remained firmly in the long shadows of until that moment.

When Hisirdoux Casperan finally leaves Wizards if we just accidently deliberately put the shawarma back in along with checking in with Zoe before departure, it is with having learned to live during his wandering years but this is the point of true freedom because he can finally escape into his own light with Archie by his side to keep Nari out of the hands of those that would see the world harmed. It won’t be easy but it feels possible somehow even with the knowledge everything is simply running on borrowed time.

Then Rise of the Titans happens.

At first everything is genuinely fine! No more running, they engineer a solution shut the Order’s magic down to make them a lot less dangerous and potentially at least incapacitate them until they can come up with a longer-term solution but all the best laid plans and all that. Douxie’s quick thinking stops the train from crushing any of the people below and it’s a very him style move to switch places with Nari to stall for time because for some reason the plot disabled Claire from portaling her or any of the threatened people/heroes to safety. He openly sasses the Order despite knowing the consequences will be bad for him because once again he’s managed to trick them, buy time that at the other end isn’t even slightly utilised until he’s forced back into his own body in excruciating pain. Archie immediately mobs him with comfort just as he has done every single time the wizard is distressed or collapsed with exhaustion without thinking because that is what their bond is like, incredibly close and far more than the Soul Bond mark that connects them together. They’re very alike in that regard, you have to earn the right to touch while equally knowing exactly what form the other needs the most in that precise moment in a way very few others could.

Bar the moment of figuring out that an illusion is in place to hide where the Order is opening the Genesis Seals and the brief insistence on reconnecting with Nari somehow Douxie manages to forget everything that makes him who he is after this point choosing to stand in the background being very no thoughts head empty or can only use the most basic spells of his youthful days not the seasoned master wizard he should be. Nomura is treated like an innocent slip rather than an outright death he did absolutely nothing to prevent (Not to mention the stupid daytime thing) nor seems to care particularly about afterwards yet with Nari’s he’s allowed to openly grieve in a gorgeously animated visual showing how he’d failed to keep her safe despite everything. He did nothing to help here either mind despite allowing himself to be tortured in the same piece of media to keep her safe, just watched another loss happen right in front of his eyes in his conga long line of them.

Then there’s Archie, oh god then there was Archie.

The dragon who even here he’d been shown to have an incredibly close bond with him decides you know what sod that tell him goodbye I’m going to make a joke about having a kingdom now dad and me are trapped in here forever. Douxie on his part looked sad for all of three seconds saying that he hoped he’s happy like it's a pet that wandered out into the world one day and never came back instead of a lifelong companion that has been there for as long as he can remember. He was now completely alone in the world since Zoe was also written out entirely and because every bit of his background had been forgotten about it somehow meant nothing. This wasn’t “I know you miss him, I know you need to grieve but you are running out of time” moment like things had been with Charlie, this was “cool shapeshifting dragon cat is now stuck in a plot hole that’s a shame” with zero pay off or any of the genuine reaction that should have been there or hell even trying to Ohana him back that very second because it never should have happened in the first place. Then even this wasn’t enough somehow, they managed to de-power Douxie even further into uselessness bar the (Admittedly nifty!) sticky feet stunt, the one who fought Skrael and Bellroc to a stalemate was shunted aside with barely a thought and his head would somehow get even emptier.

The one person who knew the danger of time magic the most stood by and said nothing.

The one person who would suffer the most by a reset because the lynchpin to his issues would be asleep if you got it wrong and should have drilled it into Jim’s head the best time to aim for stood by and said nothing.

The one person who had just suffered the loss of his familiar, best friend and only family along with the almost sister like Nari stood by and said nothing.

Then to add further insult to injury the caption when Douxie and Archie is shown says Some go their entire lives living an existence of quiet desperation because every drop of his character growth, his ability to finally start addressing his trauma instilled back in the 12th century, the staff he longed for was instead openly mocked by going “Aww he got his cat friend back how nice!” Everything he’d rightfully earned and had now would be unable to progress until certain criteria are met because it hinges entirely on the Trollhunter going to Merlin’s tomb and there’s only so much your support network of two (One if she’s written out) can do, the root of the majority of his issues all stem from one man.

And this folks is why I’ve been going on multiple rants about Douxie in particular, everyone was hit with the out of character bat to some degree in this film but when they came for him they didn’t just stop after they took his legs out because they wanted him to suffer from something he’s never had any control over to begin with all over again. Abuse survivors deserve better, these characters deserve better and we as viewers deserve far far better writing than we were forced to endure.

#Ooc - Behind the curtains #Rise of the Titans #Rise of the Titans spoilers #RotT Spoilers #RoT spoilers #Wizards #Tales of Arcadia #ToAWizards #Hisirdoux Casperan #Douxie Casperan

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dilucids · 3 years

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ㅤㅤㅤㅤㅤㅤSacrificial duties, Mondstadt ver.

would they sacrifice you or mondstadt?

includes: jean, lisa, kaeya, diluc, amber, albedo and venti.

( i'm too socially inept to request for someone to do this so i took matters into my own hands. )

ㅤㅤㅤㅤㅤ〔 JEAN GUNNHILDR ━━ DANDELION KNIGHT 〕

━━ is this even a debate? jean would sacrifice you to save mondstadt.

━━ the question would tear her apart though, she'd spend so much time trying to find another way to save both her city and you that she'd neglect her health ( basic needs, like eating, sleeping )

━━ if it were a person or god who was demanding these terms, she'd try to negotiate anything to save both, even her own life, though if you were willing, she'd hesitantly ( literally beg you to not go through it and reassure she'll find another way ) let you go.

━━ no matter what she chooses, she'll still feel incompetent in the end, as if she isn't good enough to be the acting grandmaster and would probably overwork herself to try and focus on something.

"I'll do it," Jean looks back at you, horror flashing through her eyes though you didn't falter, still staring the entity in her eyes. The wind picks up as if feeling the ameno swordswoman's vivid emotions, she shakes her head, taking small steps towards you as she reaches out for your hand. You cringe when she fell to her knees, "no no no, please, you don't have to do this."

You don't look at her, knowing it would only make things worse for the both of you, you didn't want her to be the last thing you saw nor did you want your face to plague her dreams like a ghost. "I care about Mondstadt too, Jean." You hope she understands that you were also doing this for your city and doesn't blame herself, "it's my duty."

ㅤㅤㅤㅤㅤ〔 LISA MINCI ━━ WITCH OF PURPLE ROSE 〕

━━ lisa is a bit more of a wild card.

━━ lisa only oversees the library of mondstadt but it's really unclear the extent of her care for the city itself.

━━ it's impossible for one to say if she would hold a lover priority over a city due to lack of background so that's why she's more of a wild card right now, because i could see her potentially doing either.

━━ though i'm leaning a little towards sacrificing you because of her closeness with jean and her involvement in the knights of farvonius, she knows it would be morally wrong to sacrifice an entire city for one person, lover or not.

"It's okay," you reassure her, smile still gracing your face albeit the heavyweight pressure of death for your city digging it's claws into your shoulders. "I'm sorry," she apologises for the nth time and you can do no more than squeeze her hand in affirmation, knowing a hug would be too much for the both of you right now.

You feel her fingers slip through yours and your hand is embraced by the winds of Mondstadt, a sudden change from the electricity that plagued her fingertips and passed onto yours. You take a shaky breath and leave her behind you, her eyes watching your back along the way until you were nothing more than a dot in the horizon━━ ready to become a star in the sky.

ㅤㅤㅤㅤㅤ〔 KAEYA ALBERICH ━━ FROSTWIND SWORDSMAN 〕

━━ another wildcard!

━━ unlike lisa, however, i'm leaning towards sacrificing monstadt.

━━ even with all his background knowledge, kaeya is still a character that holds a lot of secrets and it's canon that he's a mysterious figure, cavalry captain or not.

━━ don't get your hopes up though, because he still may sacrifice you ( after a talk with jean or diluc/j )

━━ kaeya lets anything happen as long as it falls into place of how he has expected to end, he really doesn't know what to do when an unknown entity shows up and demands the price of you for his city or vice versa.

━━ really hard to get a grasp on him.

━━ i could see him spending one last day with you after deciding he was going to give you up ( you obviously knew of this ) but after 24 hours with you, away from mondstadt, he might realise that, even if he regrets it for the rest of his life, he'll never be able to give you up.

━━ alternatively, if he didn't open up to you about this or went to jean or diluc, they would convince him to "do what's right" and give you up.

"No. I'm not doing it," his tone differed from the norm━━ he was never like this, not even on official knights' business. His eyes unnervingly determined, tone you were unable to refute, and words that scared you. "Kaeya, you have to," your fingers place themselves over his, which were barely touching your cheeks.

"I'm not doing it," he reaffirms, sounding as if he were trying to convince himself out of all people. "I'm━━ I'm not losing you to some city. I can rebuild a city, we can find a city elsewhere," he states, eyebrows furrowed and not taking a single breath between his words. You pry his fingers away from your cheek, holding them over your lap. "Kaeya, this isn't just 'some city', it's the city you love. The city we love." You coax, finally getting him to look into your eyes. "You're the person I love." He says, exasperated.

ㅤㅤㅤㅤㅤ〔 DILUC RAGNVINDR ━━ DARKNIGHT HERO 〕

━━ hate to be the bearer of bad news,, and as biased as i am to this man, he would give you up.

━━ wouldn't open up to anyone about it, he'll just drive himself insane pondering both options.

━━ and although it would literally make him insane even thinking about losing someone precious to him ( again ) but his loyalty lies within the city of freedom and the city alone.

━━ even after the dispute with the knights of farvonius ( in the webtoon ), he still remains as the protector of mondstadt and i don't think nor am i able to see it will ever change.

━━ unlike kaeya though, i don't think he'll be able to see you at all once he decides to sacrifice you, he'll just be reminded that he'll never be able to see you again and the terrible decision that he's going to go through with.

━━ will also throw himself into extensive work to get you off his mind afterwards.

"You okay there?" Your eyebrows furrow, leaning against the open door of Diluc's office, seeing his hair tied back into a bun, hands in his face as he gazed deeply at his wooden desk. His head flies up at the sound of your voice, clearing his throat, "when did you get here?"

You shrug, taking steps towards him as he leans back into his chair, "being a hero taking a toll on you?" You tease him, taking a seat on his desk next to him and placing your feet on the chair, leaning forward to cup his cheek. He turns away. You're no stranger to his austere ways so you merely lean back, balancing yourself with your hands against his desk, telling him about your day.

"━━and then he wrapped it up and sent it to me, which was awfully disturbing might I add."

"I'm sorry," your eyebrow quirks when he suddenly cuts into your storytelling. You push yourself forward, reaching out for him and redirecting his gaze ( which hadn't looked in your direction even once ) onto you. "What's wrong my dear?" He only grimaces at the nickname━━ wincing almost and still refused to look at you, gaze cast upon the floor behind his bangs. You couldn't even see his eyes.

"Your guilty act is making me ponder if you've had previous relations with someone else, Master Diluc," you frown a little, using your other hand to force him to peer at you. He leans forward, placing his forehead on yours and whispers, "never."

"I just wanted to apologise for the future," you smile a little and place a kiss on his forehead. "I will always forgive you."

ㅤㅤㅤㅤㅤ〔 ALBEDO ━━ THE CHALK PRINCE 〕

━━ albedo's original creator hails from khaeri'ah and venti, archon of mondstadt, was one of the original seven who aided in the destruction of khaeri'ah; is that enough reason to destroy it for a lover? no.

━━ would he still do it? yes, yes, yes.

━━ we all know he considers himself a threat to mondstadt but i don't think he would've ever thought this was why he was a threat, to hold an entire city in his palms and be able to destroy it with a single word was quite a terrifying thought.

━━ it wouldn't stop him though, i really don't think albedo holds any sentimental attachment to mondstadt, he only works and lives there as of right now but he's currently heeding his creater's words and pursuing the truth of the world.

━━ he might grimace over losing a few people that he holds dear and end up rethinking his decision but in the end, will choose you.

━━ another reason i think he would destroy mondstadt is that, once albedo discovers something or the feeling of enlightenment that comes with studying something new disperses, he is quick to stop studying that and abandon it due to the "bittersweet truth" hitting him so if he grew tired of mondstadt,,,,,, rip to jean 🙏

Your eyes flicker from the sight of his back to the unknown entity, hovering just above the floor, her eyes uninterested in you as she gazed into Albedo's eyes, maybe trying to read his expressionless face. "Have you made a choice, Kreideprinz?"

Nothing is said. Nothing from Albedo nor you, you didn't seem to have a part in this private conversation but you also seemed to be an integral part of it due to the way Albedo kept looking back at you, squeezing your hand as if to remind himself that you existed. "I'm choosing them."

She peers at you now, her eyes boring into yours as she scans you for something, "are you sure about this decision?"

For some odd reason, you're not offended by her words, maybe because she didn't sound like she meant it in a rude way ( it also seemed out of her standoffish character ) but was genuine in her curiosity if Albedo would go back on his words. He squeezes your hand again, rubbing circles on the back of your hand━━ something he did to calm you but it seemed that this action was to ground him instead.

"Yes, I am."

ㅤㅤㅤㅤㅤ〔 AMBER ━━ OUTRIDER 〕

━━ YOU.

━━ in the most heart breaking – heart warming way ever, she'd give you up.

━━ notice how more than half of these mondstadt fuckers would give you up? yeah 🙄

━━ on a serious note, a lot of them have devoted themselves fully to protecting the city and i don't see any one of them being able to give the command to destory the city, even if their s/o was being held with a knife to their throat right infront of them and amber is the very same.

━━ even though we don't know to much about her, she is seen as a perfect example of justice by kaeya, and is extremely devoted to her work, she's just below diluc and jean in the most to least likely to sacrifice you in my opinion. it's simply overlooked due to her lack of presence in the game.

━━ i think her compassionate and kind side will make it harder for her to come to a decision because she doesn't want to have to lose one thing to keep another but in the end, she will give you up.

Amber seemed extremely distressed, immediately running into Jean's office once arriving back at the Knight's base after finishing her usual trek of Mondstadt's surroundings. You had attempted to call out her as she ran through the halls but she didn't even look your way, which was peculiar to you but you could only guess something dangerous must've happened due to her eagerness of reaching Jean's office, slamming the door wide open.

You quirk an eyebrow and Kaeya, stood beside you, whistled briskly, hands on his hip. "Someone's in a hurry," you roll your eyes at his comment and simply grab his arm, dragging him over to Jean's office, "just shut up and come."

The minute you knock and open the door however, the room is quiet. Jean sat on her chair, elbows placed on the table and concern burrowed deeply within her furrowed eyebrows and Amber, who was shaking her leg up and down in anxiety, fiddling with her nails.

Kaeya seems a little amused by the situation, unlike you, who was extremely concerned by the little actions of anxieties Amber was exhibiting, striding over to her side in an instant. Placing your hand on her shoulder, she leans into you almost instantly and begins quietly sniffling into your shirt.

You mouth to Jean that you're taking her out and Jean nods, thanking you with a small smile on her face. You guide Amber into a quiet room in the headquarters, letting her silently cry as you attempt to soothe her. "Hey, hey, what's wrong?"

She shakes her head, only repeating a small, "I'm sorry."

ㅤㅤㅤㅤㅤ〔 VENTI ━━ WINDBORNE BARD 〕

━━ venti is characterised as a free spirit, like the freedom that the city of mondstadt represents, he carries that within him but at the end of the day, he is still mondstadt's archon.

━━ so we all saw this coming but you 👫

━━ i don't really think there's a lot to explain, he's their archon and even if he loses everyone he's ever loved, his priority is mondstadt.

━━ he'll probably take you on that ride on dvalin he's been promising you for the past year with no explanation.

━━ you'll ask him why he's dragged you from work and he'll just say he's feeling nice or that the winds are good for a ride right now.

━━ you'll stare at him with that, 'don't–you–control–the–winds?' look and he'll wink at you, telling you to stop staring at him or he'll blush.

━━ will completely come undone when he seed you happily laughing on dvalin's back, arms spread open as your laugh echoes into the wind.

Your excited whooping is all he hears, previous nervousness abandoned with his hands placed on your waist as Dvalin pierced up above the clouds; the ground nothing more than a fleeting dream to you both. It's such a shame that young, immature Dendro Archon got his hands on you first, gifting you his gift of Earth's nature━━ if not for the God of Wisdom, Venti would've gifted you heaven's winds if he knew how simply being in the sky made you so ecstatic.

The adrenaline finally dies down when Dvalin arrives just above the clouds, wings creating new and dispersing the old. You lean into Venti who takes this as an invitation to push himself further into your side and begin playing with your fingers, allowing you time to simply relish in the situation. "You're awfully quiet today," you muse, staring at Venti with a small smile.

He hums, "it's quiet up here," in nothing less of a whisper. You nod along with his words, fighting the urge to jump into the clouds, knowing you'll pass right through them. Venti sinks into you further somehow, like you were a passing cloud; his shoulder pressed into the crack of your arm and torso, head leaning on your shoulder. "You'll be okay Venti," and you embrace him.

#genshin impact #genshin headcanons #genshin scenarios #genshin oneshot #genshin lisa #genshin jean #genshin kaeya #genshin amber #genshin albedo #genshin diluc #genshin venti #genshin x gender neutral reader #genshin x reader

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rachelbethhines · 3 years

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Tangled Salt Marathon - Be Very Afraid

This is the best story arc episode in season three and arguably the best written episode since The Great Tree, but it’s still season three so there are still issues with it.

Summary: When Zhan Tiri tells Cassandra she must destroy Rapunzel in order to wield the Moonstone's true power, Cassandra discovers that she can create, with fear, red rock spikes that cause fear and freeze their victims. Varian discovers the red rocks and teams up with Rapunzel to use his amber solution on them. Meanwhile, Eugene and Lance decide to throw a talent show to distract everyone from their fears.

Why Can’t Cassandra Control The Rocks?

The series never gives an actual explanation for this. She could control them just fine in Rapunzel’s Return, so what’s changed?

There is No Destiny!

There’s no prophecy, no oracle, no grand design nor master of fate to fight back against; the characters literally have no reason to do what they do. If you want destiny to be a goal then you have to establish what that destiny is first.

What does Cassandra want? How does this connect back to Gothel, Rapunzel, and the Moonstone? Why she just failing about like an idiot here? Did she not have a plan when she threw her life away for this stupid rock?

And of course Zhan Tiri is lying here, but why should Cassandra believe her? What does she gain by listening to a creepy ghost girl? This ‘destiny’ has not been established, so therefore there’s no hook nor bait for Zhan Tiri to trap her with.

Leading directly into “you should kill your bestie’ should logically put Cassandra off of Zhan Tiri’s advice for good because Zhan Tiri isn’t actually offering anything. Temptation requires the person to be, you know, tempted by what they want, but Cassandra doesn’t know what she wants so none of this makes sense.

The writing is desperately trying to make Cass sympathetic here, but all it winds up doing is making her look like a moron instead.

This Isn’t Consistent

Not only does this fail to explain why Cass could control the rocks previously but no longer can, but it’s also contradicted just a couple of episodes later with the incantation bullshit.

You need an established magic system in place in order for the character’s actions to make sense show!

This Ultimately Goes Nowhere

Ignoring how Varian should have been in season two and how translating the scroll should have led to freeing his father, which we’ve talked about previously; this subplot should have had more impact on the narrative than it actually did. Yes, Varian’s translation winds up driving the plot of Cassandra’s Revenge, but 90% of that episode winds up being utterly pointless, including the incantations themselves, so....

I Like This Sequence; Shame It Winds Up Being Undermined Later

Unlike the majority of dream sequences in this show, this nightmare has an actual point. It more firmly establishes Varian’s fears and gives the audience some insight into what happened to him back in season one. Something we were sorely lacking. It also becomes the core conflict and drive of Varian’s character development through out the episode.

Only for the episode to ignore Varian’s real issues and fail to adequately address anything. By series end this plot point will be completely forgotten. The show acts like bringing it up once and then never acknowledging it ever again just magically revolves Varian’s character arc. It doesn’t.

So How Come Quirin Isn’t Affected By the Rocks?

He’s right there next to them and he shows no reaction to them at all. You’re telling me the man who lost his home twice to these things, almost died to them, and nearly lost his only child because of them, is just not going to respond to new creepy red ones popping up?

Quirin would have a treasure trove of trauma to explore in his own right, that undoubtedly would connect back to Varian’s own issues, but we’re just going to ignore it and have Quirin off screen for the majority of the episode?

Are These New Character Models?

Are you shitting me!?

They built five new models just for a short two minute scene, one where none of the new characters are named nor given lines, only to never appear ever again!

What the fuck? Why did you waste time and money on this? What happened to all of the other background characters you already built? Did a bunch of season one models just get lost or deleted or something?

Also why are they all wearing green? Is it St. Paddy’s Day?

This Plot Point Wasn’t Established Enough Beforehand

Look, I’ll buy that there are people in Corona who still blame Varian for what happened in season one and for the Sapoiran take over. I mean they’re only getting half the story and were directly effected by his actions whether or not he intended harm to them. But we needed to see more of it beyond just this one scene.

No one was bullying him in Lost Treasure or The King and Queen of Hearts, so for all purposes he appeared to be integrated back into society, and now you’re telling me he’s not and that Rapunzel risked his well being by forcing him to interact with people who were hostile to him back in Lost Treasure?

And yeah you can’t really move Lost Treasure back any further than it already is cause that’d leave a giant hole in the wall of the throne room for over a year. Which also makes no sense either.

Or hey, maybe it’s just Feldspar being an asshole. In which case why should Varian or the audience care?

Eugene is Wasted

Look I understand that there’s only twenty five minutes to tell this story and that Eugene isn’t the focus of the episode. I also understand that the B-plot is meant to be comedic in order to relive tension from the A plot, but this wasn’t the best way to go about it.

The B plot swings too far wide in the other direction that it dilutes the tension too much. The A plot now has to work over time to keep the urgency going. I could understand it, if the show wanted start off with small fears first, but it needed to ramp up the drama as it got closer to the climax, not under cut it.

We never see Eugene freak out over anything other this this cowlick. In fact we never see him scared of anything else beyond this one scene, which undermines Rapunzel’s arc this episode as she’s suppose to be the only one bottling things in. What makes Eugene so special that he can keep a lid on it with out consequences, or are you telling me that a dumb cowlick is his only fear?

Either answer is stupid.

I Hope You Have Copies of the Map

You went through all that trouble to steal the journal for this very reason and now here you are prancing around without it like it’s not that big of deal. Way to undermined past story arcs.

It’s like the writers know that season one was their most successful season, and therefore try to make callbacks to it whenever they can, to make up for ignoring it in season two completely, but they still don’t want to actually acknowledge anything that happened during that season so they just refer to it in the laziest way possible, rendering the previous events pointless.

So Close and Yet So Far

I’m mainly posting this whole conversation so that you dear readers will have context for what I talk about next.

For you see, this scene starts out okay and it looks like we’re finally going to address the elephant in the room regarding Rapunzel’s involvement in Varian’s past trauma, only for the scene to immediately side step the issue all together and not resolve the conflict at all.

No! Don’t Interrupt; Listen!

Or at least go all the way and accept some of the blame yourself.

It may look like Rapunzel is comforting Varian here on a superficial level, but without her verballing acknowledging what she did wrong, this action just winds up taking the focus off of Varian and what he needs and places it upon Rapunzel, both narratively and physically.

So what happens is that, in universe, it comes across like she’s just consoling Varian for her own personal comfort rather than genuinely trying to help.

Why Would Varian Ever Think This?

Okay, first off this has nothing to do with what Varian was talking about previously. Why would he jump from discussing his trauma to praising Rapunzel? You know the woman who is responsible for said trauma?

Secondly, this switches the focus of the conflict off of Varian’s specific trauma and makes it about a generic “over coming fear” lesson mixed with an out of place validation issue. Which is not what’s actually needed for his character development; nor for Rapunzel’s for that matter.

Third, being the sundrop has nothing to do with Rapunzel as a person. Her being born with magical powers was an accident of fate, same as her being royalty. She’s not innately better than anybody else because of this and nobody has any narrative reason to assume otherwise. Especially since her powers are utterly disconnected from her actual personality, choices, and actions. All three of which have become unbearably unpleasant by the last season.

Finally, Varian, of all people should be the last person on earth to ever think so highly of Rapunzel. Them being friends again is already pushing believability. Him suddenly kissing her ass the same as everyone else this season is just flat out bad writing.

Varian knows better than anybody what an awful person Rapunzel is. He’s seen her at her worse. He’s seen her not live up to her hypocritical ideals. He knows the larger problems that steam from placing people in power on pedestals. As her former victim, Varian by all accounts should be the one person who can bring Rapunzel down to earth and poke holes into her ego, even while still being her friend. Especially while still being her friend. She needs that! Writing Varian as another blind Rapunzel stan is not only writing him out of character, but it also damages Rapunzel’s own development.

Also Varian hates magic. Why would he now worship someone just for having magic?

THIS AIN’T ABOUT YOU BITCH!!!

I literally yelled that at my tv screen when I first saw this scene. Those were my exact words upon the episode’s first airing. And believe it or not, I’m not one to usually scream obscenities at inanimate objects.

I understand what the writers were trying to accomplish here. They wanted Rapunzel to ease the tension by saying something funny and to make Varian laugh to distract him from his woes; thereby defusing the situation. But it doesn’t work because of season three’s tendency to make Rapunzel the most egotistical, smug, self-centered, abusive, self-righteous twat in the show.

It really boggles the mind just how unaware the writing is. Like, surely no one makes their protagonist this unlikable on accident. Clearly they meant for Rapunzel to be an ass on purpose right? They wanted Cass to have a reason to hate her so they decided to make her insufferable to the viewer in a misguided attempt to make Cass more sympathetic? Right?

Then where is the bloody comeuppance?

I genuinely thought this was all going to lead somewhere. That Rapunzel was going to learn to be a better person and I would have been fine by that. I would have applauded the show if they had turned her into an asshole intentionally so that they could teach a mature and nuanced lesson about morality.

But they didn’t, and here I am; still shaking my head in confusion over a year later.

Seriously what the fuck happened behind the scenes to cause this? How can processionals paid by the largest animation company in the world be so incompetent?

Having Trauma is Not the Same Thing as Having a Phobia

This is where Varian’s arc falls apart. Not only does the episode fail to have Rapunzel acknowledge her past wrongs for a second time, but it also completely mishandles Varian’s trauma because it equates it to being an irrational fear. One that can be overcome through pure force of will at that, same as Lance and everyone else’s fears in the episode.

Ok first off Varian’s fear isn’t irrational. He even just said so at the start of the conversation. Varian’s trauma is very real, it’s not a hypothetical unlike clown-spiders and cowlicks. Also has been given very little reassurance that it won't happen again. Varian has no reason to trust Rapunzel or anybody else in the show. They never owned up to abandoning him previously, and both he and the audience have little reason to believe that Rapunzel wouldn’t just neglect him again if it was convenient for her.

Secondly one does not simply ‘overcome’ trauma. Oh you can deal with trauma, you can manage it and learn to live with it. But it never goes away. It doesn’t magically disappear just because you ‘faced it’.

In fact confronting it head on is actually the opposite of what your suppose to do when going through something traumatic. Studies have shown that distracting your mind after a car crash or what have you actually helps with PTSD later on. And ‘dealing with it” doesn’t mean ignoring the problem out right, but rather learning how to function despite the pain.

But as the show acts like Varian’s trauma never even existed after this episode.

This Doesn’t Resolve Anything!

What does “being special” have to with fear? How does this help Varian with his trauma? Empty validation has nothing to with what we were just discussing.

Everyone gets afraid. Everyone has trauma of some sort. Are you telling me that my need for therapy some 20 years after being physically assaulted is just because I’m not special enough? Fuck you show!

Moreover, this doesn’t resolve the story arc from season one. Varian and Rapunzel’s conflict with each other has nothing to do with self esteem. It was about personal responsibility, conflicting needs, and abuse. Yes, self image and acceptance was a small factor in their motivations, but it was never the driving goal behind their decisions.

This is yet another broken narrative promise to the audience. There’s no closure to be had from this and leaves the viewer wanting, if not outright frustrated.

In order to justify this exchange fans have to ‘read between the lines’ and make shit up in order for any of this to make any sense. People who still defend season three do by doing all the heavy lifting that writers themselves should be doing.

If it’s not on screen, it doesn’t count.

If Rapunzel never apologizes on screen, then she never apologized. If Rapunzel never checked up on Varian on screen, then she neglected him outright. If Rapunzel never acknowledges her wrong doings on screen, then she’s never learned anything. The characters pretending like she has doesn’t make it so.

Why Does Cassandra Even Want a Destiny?

Yes, Zhan Tiri is lying, there is no destiny, but Zhan Tiri being a liar doesn’t absolve Cassandra of her own actions.

Cassandra herself believes in destiny and is looking for her’s, but why?

Why does she want a destiny? What is this destiny she’s after? Why does she believe such a thing exists? What does she believe it’ll gain her? Why is she willing to risk so much for such a vague goal? What does any of this have to do with the moonstone or her mother? How does this destiny connect back with her personal feud with Rapunzel?

It’s all disjointed and confused. Nothing lines up. It’s like the writers just had this dart board full of ideas for Cassandra’s villain arc, but couldn’t decide on which one to go with, so they just threw darts randomly each episode and went with whatever stuck for any given scene.

“Oh she want’s revenge for her mother during this scene, or wait no, she’s actually looking for destiny this episode?” “What destiny?” “Who knows. Now for this scene we need her to be sad because reasons...” “What reason?” “I don't care, make something up... Uuuuh, she’s sad cause she’s not a royal guard still” “But she became a guard during season one.” “Ignore that. Kids won’t remember. Now she needs to be angry and threating here” “Why?” “Because it’ll look cool.” “But why is she angry?” “Cause it looks cool Bob! Geez! Oh but she still needs to be sympathetic so give her a frowny face afterwards. Just have Zhan Tiri remind her how much she hates Rapunzel later, so as to egg her on and keep her doing stupid shit?” “But why does she hate Rapunzel?” “Do I have to think of everything BOB!!!???”

There, there’s my non-so-accurate behind the scene’s glimpse into the Tangled writer’s room when discussing Cassandra’s arc. I could be wrong. There could have been some intricate and complex plan thought out that just didn’t make it onto the screen for whatever reason, or maybe everyone involved was so far up their own ass that they just forgot to give their main villain an actual reason for being the villain. But regardless the over all effect is that Cassandra is handed the idiot ball for a whole freaken season in order to even have a conflict and that is never good writing; or rather she’s hit in the head with it repeatedly.

This Actually Goes Against Zhan Tiri’s Plan

Zhan Tiri’s short term goal is to be released from her dimensional prison and apparently she needs Cass and Raps to fight into order to do this. This was never established before hand and goes against her disciples pervious plans, but whatever. One could argue that this is just a lie in order to get them to fight later...

However, this lie jeopardizes her long term goal. She eventually wants to wield both the moonstone and the sundrop herself in order to destroy Corona, but Rapunzel is the sundrop and you can only take her power during an ellipse, supposedly, which means if Cass actually succeeds in killing Rapunzel before then, then Zhan Tiri is up a creek without a paddle. Also if Cassandra did manage to steal Raps’ power with or without an ellipse then Zhan Tiri would still be out of luck.

This was wholly unnecessary; you didn’t have to go from zero to sixty in one fell swoop. Have Zhan Tiri claim that fighting Rapunzel will award the power to the winner or something. There’s no need to bring up the ‘kill her’ option. That should logically just drive Cassandra away and puts Zhan Tiri’s plan at risk.

The series wants to act like Zhan Tiri is this master manipulator, a chess master like Zantos or Palpatine, but she couldn’t even tie their shoes. Her plans make no sense and often contradict one another. They only work because the rest of the cast are reduced to imbeciles in order for them to work.

This Plot Point Contradicts Season Two

His fear of spiders was establish early on, and I’ll accept the clown thing as there’s nothing to contradict it, but Lance has preformed numerous times before now and has never show stage fright. He’s a huge ham and back in Return of Quaid he mentioned how much loved acting and preforming and apparently been on stage before, so where does this fear of singing in public come from? Heck he sung in public just a few episodes ago in Rapunzel’s Return.

If you have to sacrifice established character into order to make your plot work then you need a new plot.

This Song is Nice; It Just Needed to Be in a Different Episode

I’m glad Lance got a solo. He deserved one and the song is good. However it breaks the tension of the climax and gives the episode tonal whiplash.

More than a song, Lance needed an actual focus episode in season three. One that was fully his. If anyone else shared it with him it needed to be Red and Angry, not Varian and Cass.

Just imagine if this song came during an episode where he had to watch the girls. Imagine if he was singing it just for them. How much more impactful would that have been?

Now imagine that we had a Rapunzel and Varian duet in it’s place here. That would have tied the episode together better and helped to further their own stories. Glenn Slater can write lyrics far better than Chris can write dialogue. I bet you a thousand to one Tangled the Series would have solved like half of it’s problems had Menken and Slater been allowed write and actual apology duet between Raps and Varian.

Such a duet was proposed during Rapunzel’s Return but it could have worked here too, and you could have placed Lance’s solo in Day of the Animals or something, just leave Rapunzel out of that episode all together.

Nothing honestly needed to be cut music wise, yet for some reason season three has less songs than the other seasons, even when counting the reprises, and they’re mostly shorter too.

That’s mismanagement right there. Plain and simple. Someone at the top didn’t know how to balance the budget or resources and didn’t know where to the throw the money at.

You Have a 70 Foot Shield Made of Magic Hair, Rapunzel

You couldn’t think to just block those rocks instead?

Giving your protagonist a big hero moment doesn’t work if they placed the person the have to save in jeopardy to begin with show.

I Do Not Care About Rapunzel Right Now, Show

Yes, she’s the main character. Yes, her feud with Cass is the main conflict of the season and kicked off the episode. That does not mean that I automatically care about her personal feelings at this moment in time.

Rapunzel has kept such a tight lid on her real feelings for the whole episode that this just comes out of nowhere. I was never waiting with baited breath for her to confess her deep dark secrets or whatever.

It’s not even an interesting reveal. It’s just “Oh, see Rapunzel’s human too. She’s gets scared just like everybody else.”. I already fucking knew that, thanks. And what she’s afraid of isn’t even that compelling either; it’s a just a rip off of the prophecy dreams she had back in season one. The same ones that had no explanation and never furthered the story, so why should I care about this one?

You have to earn the audience’s investment in your conflict. The character’s likability, as little as that may be currently, will only carry you so far, you have to establish shit first.

Varian’s conflict has been the focus of the entire episode so far, and it’s a conflict that was set all the way back in season one, so of course that is what I’m invested in seeing get resolved. Rapunzel is once again just butting in and making it all about her when it’s not actually her story.

And if you wanted it to be her story then you should have made her the actual focus to begin with and had her learn something by the end of it.

This is Poor Choice of Words, Writers

I could be generous here and pass this off as Rapunzel not fully believing in this prophecy. After all Corona’s destruction is still a hypothetical at this point and Cassandra really has left already. Since the episode is about fear, Rapunzel is of course more afraid of losing Cassandra’s friendship as it’s real tangible possibility.

More than a possibility even, Rapunzel’s been dumped. Season three is a classic break up story, right down to the poor plotting and tunnel vision, hence why it’s so gay baity.

However, this reading only carries so far. For starters this is Rapunzel’s what, fourth prophecy dream so far? Haven’t the past three already came true, so why would she think this one wouldn’t?

Secondly, all that good grace goes right out the window once it becomes clear that, yes, Cassandra is indeed a threat; a threat that Rapunzel refuses to take seriously because she cares more about her own personal validation than her kingdom.

Even as Cassandra does succeed in destroying Corona, and no doubt harms other people while at it, Rapunzel still is obsessed with ‘winning Cassandra back’. Oh and make no mistake, this is not because she actually cares about Cassandra as a person and her needs or feelings. Nope. Rapunzel just doesn’t like being dumped.

Why Does Varian Need to Shove His Feelings Aside for Rapunzel’s Bullshit?

Rapunzel’s ‘confession’ has fuck all to do with Varian’s current issues. They do not connect in any way.

Varian is dealing with real trauma, trauma that she helped cause, while Rapunzel is only dealing with a hypothetical prophecy and one very shallow, self-centered fear. There’s nothing to relate to here. Neither for Varian himself nor the audience.

Yet for some undefined reason this is what gets Varian to ignore his PTSD flashbacks? What?

This is once again break the narrative promise. I was promised closure for Varian’s story arc and instead of that the writers just brush it up under the rug.

From the outside looking in this doesn’t come across as Varian ‘overcoming’ his ‘fear’. It looks like an abuse victim using learned helplessness to placate his abusers.

And yes, for the last time Rapunzel is Varian’s abuser.

NEGLECT IS ABUSE!!!

And and even though he is no longer her ‘responsibility’, she is still neglecting him emotionally as his supposed friend.

Varian’s and Cassandra’s Stories Undermined Each Other’s

Varian stopped the rocks. Rapunzel had nothing to do with it. Zhan Tiri blaming Rapunzel for it steals agency away from both her and Cassandra.

However, if Rapunzel had used the hurt incantation to stop the rocks and Cassandra had felt it rom the other side, then you’d have something to back up Zhan Tiri’s claim and an actual point of real conflict to carry the rest of the season. Not to mention an actual tangible goal for Cassandra to work towards, survival.

Cassandra’s conflict with Rapunzel not only prevents the resolution to Varian’s arc from being satisfying, but Varian fulfilling his arc in turn winds up cutting off Cass’s story at the knees.

It didn’t have to be this way. Varian’s and Cassandra’s arcs should have complimented each other, but instead the creator decided to make them complete for screen time and relevance.

It is such an gratingly stupid and petty decision that winds up being a disservice for all the characters involved.

Cassandra’s motivation and goal should have been revealed back in season two. Varian should have been the sole focus of Rapunzel’s Return and gotten his big hero moment there along; with an actual ending to his conflict with Rapunzel that didn’t feel so lopsided and half assed. Then Rapunzel and Cassandra could have both been held accountable for their conflict in season three, instead of pretending like their shit smelled of roses the whole damn time.

Lance Got a Whole Crowd Cheering Him On For Singing a Song, Varian Just Gets One Asshole Giving Him a Single Line of Congratulations

Did I mention this show has an odd anti-Varian bias? Cause it does. For whatever reasons his own creators hate him and that’s just utterly baffling to me. Like why create a main character that you don’t like?

I look down on professional writers who treat characters they didn’t create poorly within their works, like with James Gunn and Scrappy Doo in the Scooby Doo Movie, Adric in the Doctor Who spin offs, or even the treatment of Doofus in Ducktales 2017. I don't care how much a character is liked or disliked by fandom, that shit is just tasteless and often unfunny. But at least I understand where they are coming from when they do it.

But I’ll never understand what compels a writer to sabotage their own work; one that they are getting paid to write no less. Especially when said character is super popular with their fans. And Chris knows this. He knows the ratings plummeted without Varian in season two. He knows the merch didn’t sell because there wasn’t enough Varian products. That’s why he hyped up Varian’s return a whole week before Season Three’s airing with a massive online campaign, but he wasn’t smart enough to treat the character decently afterwards?

I mean congrats, you convinced a just enough viewers to come back to season three to keep the show on the air I guess, but you left them all pissed off and have nothing to show for it to the higher ups a Disney.

And Chris wonders why he wasn’t asked back to work on new Disney princesses shows that are currently in the works.

That is Not Quirin. That is a Plank of Wood Pretending to be Quirin.

*Beep* *Boop*...*Dad Bot Is Proud. exe*

Quirin is such a pale shadow of his season one self that he might as well not exist. I genuinely don't know why the writers released from the amber so early if they weren’t actually going to use him until the season finale.

For the longest time I honestly thought that Rapunzel sucked out his soul with that decay incantation; what with that lyric about “setting the spirit free”. I genuinely thought that would be a later plot point, but nope, it’s just bad writing

Him just saying hi to son once and smiling blankly isn’t compelling and it’s isn’t fulfilling. It doesn’t actually resolve his arc. I mean he’s at least shown spending time with his son, but that’s not enough. We need to see him acknowledge past, we need to see him acknowledge his own flaws, and we need to see him being more attentive when Varian is in need. .

Season one Quirin would be trying to stop Varian from going near the red rocks, a post season one Quirin should logically go after his son to make sure he’s alright, even if he’s know longer trying to actively stop Varian like he once did.

There’s also that damn note and it’s secrets!

You know what? That’s it. That’s the problem. The focus is all wrong in season three. Episodes get pulled into to many directions trying to juggle too many characters rather than dedicating the needed time to each individual arc.

Season two’s finale should have been a three parter with Cass’s full motivation and goal laid bare before leaving.

Rapunzel’s Return should have been solely about Rapunzel and Varian’s conflict and resolving that arc fully

Either Who’s Afraid of the Big Bad Wolf or Day of the Animals should have been a Lance episode about him and the girl’s, no Rapunzel.

And this episode should have been about Quirin and Varian resolving their issues, with the Rapunzel and Cass stuff as the B plot not the stupid talent show

There, all fixed. You don't even have to cut much, just rework the focus and leave Rapunzel and Cassandra out of conflicts they have no business being in.

This Does Not Excuse Rapunzel’s Later Negligence Regarding Cassandra

Just because the red rocks was an accident doesn’t mean Cassandra should get a free pass for all the awful things she does later. Rapunzel uses this one interaction to excuse everything else Cassandra does in season three, as if she was just some poor lost baby and not a grown ass woman out to kill them.

In fact Cass showing hesitancy here actually makes her later actions even worse. This means that she fully acknowledges that what she’s about to do is wrong, but goes ahead and does anyway, even gleefully so at times. Then she has to gall to act baffled when people see her as a threat? 0.o

When fans say Cass isn’t redeemable or shouldn’t be redeemed, it’s not because he actions are so much worse than everybody else’s (even though they are), It’s because she doesn’t act like she wants to be redeemed half the time. The show doesn’t properly set up her ‘redemption’, instead it just lazily has Rapunzel yell at us how she’s ‘not lost’.

Like below for instance.

What Does Cass Need Saving From?

Cassandra is not in danger. She is the danger.

She made the conscious decision to leave taking a world endangering artifact with her, and she later makes the conscious decision to come back and be an asshole for no adequately defined reason.

She’s never shown to be in any physical danger from the rocks, the moonstone, or even Zhan Tiri herself. She apparently can take care of herself in the wild for over a year. She also has the capability of getting a job else where and just living out her life if she wanted to. Nothing is forcing her to listen to Zhan Tiri.

Heck, even her hurt arm, the one thing Rapunzel is responsible for and could potentially be a continued threat to Cass’s well being, is just completely forgotten about.

And no, mental illness and past trauma are not excuses as well. In fact it’s rather insulting to both people with mental heath problems and abusive survivors to suggest otherwise. We don't need ‘saving from ourselves’ and we aren’t automatically dangers to anybody. Nor do we get free passes if we hurt someone. A jerk who happens to have a mental illness is just a jerk who so happens to have a mental illness; coloration is not causation.

Conclusion

It’s better than Rapunzel’s Return, but this episode was still a disappointment. A small part of me whishes this was a two parter because it has so much untapped potential, but I know it’s just be wasted in Chris’s hands.

Anyways, I consider this to be the true mid-season finale of S3. Not only did the hiatus kick in after this episode, but it also clearly divides the season between the first half filler and the later Cass conflict. As such the next entry will be the mid-season recap. See ya, then.

Ko-fi https://ko-fi.com/rachelbethhines

Redbubble https://www.redbubble.com/people/RBH129/shop?asc=u

#anti-tangled #anti-rapunzel #anti-casandra #varian #tangled #tangled the series #rapunzel's tangled adventure

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coconutstars · 3 years

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Right people at the wrong time p.II

Part I Part III Part IV

Pairing: Stiles + reader Prompt: Perhaps, we were the right people at the wrong time Summary: Two years has passed and reader is back in Beacon Hill. She has neither spoken nor seen Stiles (or Scott for that matter) since the huge fight. But we all know Beacon Hills is a small town and BH high is an even smaller school so yeah, shit’s about to go down. A/N: Sooo...This fic is going to be so much longer than I'd initially anticipated. There’s so much I want to squeeze in. I love writing it though and hopefully y’all love reading it. I’m thinking there’s probably going to be 1? possibly 2? more parts. We’ll see. Depends if you guys want a continuation. Enjoy, and as always, I appreciate constructive criticism on my work so... yeah feel free to message me. Also those of you who know me know I'm the master of mixing past and present tense, just roll with it :’)

[ :: ]

You weren’t sure if it was fate or coincidence that had brought your family back to Beacon Hills. At this point it didn’t really matter. You were here, regardless if you wanted to or not. You were panicking in the front seat of your car, mentally preparing yourself to get out and walk through those double doors to Beacon Hills high. ‘You’ve got this’ you mumbled under your breath. ‘You can do this. Just breath’. You were gripping the steering wheel so tightly your knuckles were beginning to whiten. ‘it’s a big school. He’s not…” you quickly dismissed the thought brewing in your mind. You’d been trying to convince yourself all morning that your nerves had absolutely nothing to do with the brown eyed boy you’d once loved. They boy you’d gotten into a huge fight with and not seen or spoken to in two years. The boy who’d explicitly explained he hated you. Oh no. Your nerves had absolutely nothing to do with him.

You leaned forward and rested your head against the steering wheel.

‘Get. Your. Shit. Together.’ You whispered.

You knew you looked like an idiot. But who cared? You had bigger things to worry about than kids passing by thinking you were crazy. Worries like accidently running into Sti… NO. You scolded yourself. You refused to even think of his name. He was a closed chapter. A done deal. Besides, you hadn’t thought of him in almost two years and you certainly weren’t going to start now. It’s just…things had ended so incredibly bad between you. Stiles had hurt you. Like, really hurt you. His words had stuck with you for longer than you cared to admit. He’d made you insecure and to this very day you still couldn’t be yourself around friends without his words echoing in your head. “You’re needy, clingy and just a charity case Scott and I have been trying to shake since 8th grade” It hurt.

Exhaling a breath, you sat back up and cast a glance at the watch around your wrist. Shit. You really needed to get out of the car, or you’d be forced to walk into class late. Everyone would notice and the teacher would most likely force you to stand in front of the class and introduce yourself. You’d stutter and get all flushed and… sigh. It just wasn’t an option. Mustering your strength, you got out of the car and, with an anxious moan, walked through the doors to BH high.

Ten minutes later and you were making your way to your first class of the day. It’d been a while since you last walked the halls of beacon hills high, but you seemed to still be able to find your way around. With one arm gripping your textbooks, you used your free hand to bring your travel coffee cup to your lips. You weren’t sure if it was the caffeine or nerves that were making your hands shake, most likely a mix of both. Looking at the plaque beside the door you made sure it was the right classroom before stepping in. You were just about to walk to an empty seat when you stopped dead in your tracks.

Oh god.

Oh.

God.

For a moment it was like you completely forgot how to function.

Your heart was racing. You had this panicky feeling of not know what to do because right in front of you, propped up on a worn-out desk across the room was him. Stiles. For a moment your eyes met, and it was like the air was sucked out of the room. The only thing you could focus on was the sensation of utter panic coursing through your veins.

Instantly you shifted your gaze and slid into a desk in the back of the room as far away from him as you could possibly get. This was literally the one thing. The. One. Thing. you’d prayed wouldn’t happen. But hey, when had things ever gone your way?

It was impossible to focus during class. You were on edge the entire time. Every part of your body was tense. Even your hands. You’d hid a balled up fists in your lap while the other held on to the coffee cup for dear life. Thank god it was made of hard plastic and not paper. It would have crimpled in your hand like wet clay. When the bell finally rang you were out of your seat before anyone even had time to pack up their things.

Second period was way better. You ended up talking to the girl seated next to you in class. She offered you to sit with her and her friends during lunch and you’d gladly agreed. “They’re dorks but I love them” she said with a bubbly laugh as you made your way across the courtyard. “aren’t we all” you replied with a small smile. There was something so genuine about this girl. So kind and good. “Oh, there they are!” she raised her hand to wave just as a familiar voice called her name. “Kira!” ‘ARE YOU KIDDING ME’ you screamed internally. Instant panic. Scott was sitting on one of the metal benches smiling widely at Kira. Beside him sat a short, blonde guy in lacrosse gear and Stiles. Stiles. God damn Stiles.

Seriously. Who had you killed in your previous life to deserve this kind of hell? “Come on” Kira smiled, nudging you forward. You hadn’t realized you’d stop moving. “Uh…I’m going to…” you began pointing backwards but Kira had already hooked her arm in yours and forcing you forward. “They’re really nice” she said cheerfully. Scott had raised his hand to wave back at Kira but lowered it as he saw you. He looked thoughtful for a minute but then his face shone up in a smile. All you could think was “a charity case Scott and I have been trying to shake since 8th grade” “a charity case Scott and I…” The distance was closing in and your pulse and nerves were going absolutely haywire.

To make matters worse, walking in from the opposite side of the yard, strawberry blonde hair moving slightly as she moved, was Lydia Martin.

Her green eyes searched across the yard until finally finding her target. Oh. OH. Your eyes widened in shock. With determined steps Lydia walked down the pathway, a grin curving her lips, right to Stiles.

#stiles stilinski #Stiles #stiles fanfiction #imagine stiles #teen wolf imagine #stiles stilinski fanfiction #stiles x reader #stiles imagine #stiles stilinksi imagine #stiles x y/n

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canary3d-obsessed · 4 years

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Restless Rewatch: The Untamed - Episode 02

Warning: Spoilers for all 50 episodes!

(Masterpost ) (Previous Episode) (Next Episode)

Donkey Riding

way ho and away we go, donkey riding donkey riding way ho and away we go, riding on a donkey

Wei Wuxian and Apple are doing their best for the Ministry of Culture and Tourism.

Xiao Zhan had trouble riding the donkey sitting side-saddle, so the Department of Questionable Practical Effects made him a fake leg to wear while riding regular style.

Can you spot it? It’s very hard to spot. It is very convincing.

Simple Pleasures

Wei Wuxian takes his time wandering up the nearest mountain, and half of the cultivators in the land also wander up this mountain because...Night Hunting! The cultivators are hot and thirsty from walking because they forgot that they all know how to fly.

Wei Wuxian relaxes by a well and listens to people stanning him.

Also

I’m going to say it: Wei Wuxian never met a drinking vessel he couldn’t blow.

Everything is Beautiful at the Ballet

The actress who plays A-Yan is named Zhang Linran. She probably has studied dance since she was 4 and now she gets her big break which turns out to be feeding an apple to a donkey. So let’s pause for a second to look at how beautifully she moves.

Reunions are Awkward, Part 1

Wei Wuxian meets up with one of his family members and it goes super well.

I...like Jin Ling? He’s much less of a douchebag than his dad, his uncles Jin, Jiang, and Mo (the three stooges), and every damn one of his Jin cousins. He’s genuinely brave (his Dad’s primary good quality) and his hair is on fleek. He’s still a whiny diaper baby, but I like him.

(much more after the cut!)

Then Jiang Cheng shows up, looking fine as hell and radiating peak arrogant-prick energy.

When he discovers that ‘Mo Xuanyu” stuck a piece of paper to Jin Ling, he tells the child to literally murder him. Excellent uncleing! A+++++ would recommend.

“In fact, literally murder anyone who uses Yiling Laozu’s tools, like talismans, lure flags, or spirit compasses - basically murder everyone in the Lan Clan plus those other fanboys we saw coming up the hill. Then get out there and make some friends, goddamn it!”

These nets full of cultivators on this daytime night hunt are the only time we ever see anything in a net during a night hunt. In fact dudes constantly go night hunting and the only prey we ever see is rock lady, murder turtle, and a couple of rag mops in the lake.

You Are Not Qualified to Speak to Me

Also radiating arrogant-prick energy on this occasion is Lan Wangji. He has been using pettiness as a weapon since long before he met this Jiang Cheng turkey, and he *brings it* when Jiang Cheng tries to have a conversation with him.

Letting your eyes wander everywhere except to his punchable face while you ignore his passive-aggressive questions? Quality work.

Dropping a silence spell on his child and then letting your own child explain it to him? Golden.

Lan Wangji is never ever going to forgive Jiang Cheng for what he did on cliff day, and his silence here is as pointed as an ice pick. I suspect the last words Lan Wangji actually spoke to him were “Jiang Wanyin, stop it,” sixteen years ago.

Jiang Cheng is actually the bigger person in this particular interaction, visibly mastering his temper and telling Jin Ling to take his medicine.

Reflecting

Wei Wuxian hangs out by a beautiful river and hallucinates for a while. River Jiang Yanli is nurturing and River Jiang Cheng is pissed off, so there are no surprises there. River Jiang Cheng thinks that Wei Wuxian is a promise-breaking douchebag. He’s not exactly wrong.

Courtesy of convenient gossiping cultivators, Wei Wuxian discovers that the 16 year old arrogant kid from the Jin clan who his brother from the Jiang clan has custody of is actually and quite obviously Jin Rulan.

Well fuck I guess now I care about something, that’s inconvenient.

Needing to help parent the child of the sister who parented him is what draws Wei Wuxian fully into his new life.

As soon as he has this realization, Apple comes back from roaming around, and never gives him any trouble after this for the rest of the story. Which...probably doesn’t mean anything.

Wen Gravesite

Does Wen Ning hang out here because it’s where he and his (dead) people came from? Oh great, now I am sad.

Judging by all the leaves on this grave thingy I’m going to say that this grave tender dude is, ah, not very good at his job.

Get him, Jingyi!

I feel like maybe we all focus too much on how Lan Jingyi is so hilarious and sardonic and not enough on how he is a such a biscuit.

Soul Grass

As mentioned in the previous post, Chinese spiritual concepts don’t always translate well into English. Soul grass? Sure, why not.

This is where Wei Wuxian’s Sherlock Holmes brain starts to work, although he still doesn’t remember really basic stuff about Dafan Mountain. Dying and changing bodies is rough on the old neurochemistry. This creates more opportunities for flashbacks, however, and if there’s one thing The Untamed deffo needs more of, it’s kissing flashbacks.

Temple Statue

Presumably grave-tender dude is also in charge of clearing away spiderwebs at the temple, because it’s not getting done.

Jin Ling walks into the temple blaspheming at full volume.

Since this isn’t a Greek story, he isn’t immediately struck blind for this. Then when he wishes for the statue to come alive, it obligingly does. Everything’s coming up Rulan!

Wei Wuxian shows up to rescue all the kids by throwing talismans at the monster which does not tip anyone off to who he is.

Baby Cultivator Babysitting

Lan Wangji chills out in the cultivators’ pavilion with Jiang Cheng and their mutual hate boners.

Meanwhile, Wei Wuxian forgets all about his nephew and turns into cool professor guy, explaining the basics of soul-eating to the baby cultivators and gleefully encouraging their fear of Hanguang-Jun’s punishments.

Because the Lan babies are good filial children they are super respectful and engaged with this random adult who is lecturing them. They also - like their own Hanguang-Jun at their age - see and admire Wei Wuxian’s intellect. It’s easy to forget how extremely smart Wei Wuxian is, because of how extremely dumb Wei Wuxian is.

Lan Jingyi suddenly figures out Wei Wuxian is not crazy.

Bis. Kit.

Then Rock Lady shows up and Jin Ling sticks 6 arrows into her while Lans Jingyi and Sizhui stand around not bothering to draw their swords.

I see a lot of comments about the bad effects in the statue sequences but I think Rock Lady is all right. The figure animation is decent and the lighting is no worse on her than on everything else in the scene. Her hair is nice, for a rock person.

Admittedly I just finished watching Guardian which has CGI monsters so bad they may have injured my retinas and possibly also my DNA, so the bar, for me, is pretty low. Rock lady clears it with room to spare.

Note: Wei Wuxian’s flute playing does zippity towards controlling the statue. Not sure what his plan was here.

Wen Ning Kicks Ass

Now we get to meet Wen Ning, who appears to be a stone-cold badass. Later we will discover how hilariously inaccurate that assessment is.

While all versions of Wen Ning are delightful, this version of Wen Ning is also...strangely attractive? He’s got a Patti-Smith-Horses-Era vibe here, instead of his more usual lost-baby-dork vibe. And his dreamy “I have nails in my head” expression is intriguing.

I mean, he’s not a total snack like zombie Song Lan or pre-zombie Song Lan or blind Song Lan or post-zombie Song Lan, but this look is a good one for Wen Ning, is what I’m saying.

Reunions are Awkward, Part 2

Lan Wangji, who has 99% already recognized Wei Wuxian because of the haunted sword and the fierce jawline and beautiful neck and tiny tiny waist, is summoned by his flute playing as inexorably as the Ghost General was.

Jiang Cheng also recognizes Wei Wuxian and goes into full beatdown mode, thwarted (silently) by Lan Wangji. Wei Wuxian attempts to preserve his incognito by sassing Jiang Cheng in as sibling-like a manner as possible.

Hanguang-Jun’s Pro-Ghost Agenda Has Been Clear for Some Time

This Jiang/Lan fight is hilarious when you consider the implications.

Macroexpression vs. Microexpression

Mo Xuanyu brought Wei Wuxian back using sacrifice summons, a dark ritual invented by Wei Wuxian that he, most likely, did NOT show to Lan Wangji back in the day. So it’s a pretty safe bet that Lan Wangji doesn’t know that Wei Wuxian was gifted a body, rather than stealing one.

when your brother turns around, you must whip him you will never live it down unless you whip him

When Jiang Cheng lets loose with Zidian, it’s not just because he’s angry. He’s using purple power to force Wei Wuxian’s ghost out of the body he’s apparently possessed. And Lan Wangji instantly STOPS him from doing that.

Clan Leader Jiang: this person has been possessed, against their will, by an evil ghost

Future Chief Cultivator Lan: Counterpoint: I am banging the ghost

Flashback Time

Welcome to your 30-episode flashback!

Once I used to join in Every boy and girl was my friend Now there's revolution, but they don't know What they're fighting

Let us close our eyes Outside their lives go on much faster Oh, we won't give in We'll keep living in the past

Road Tripping to Summer School

Gosh I’m looking forward to younger, kinder, more relatable Jiang Cheng.

...prick.

Incidentally, until now this episode didn’t know that Jiang Cheng has smile muscles, and neither did the person who glued his wig on for him.

I Like Rabbits

Here we have our first rabbit in a large collection of rabbit iconography that appears in The Untamed.

Instead of sending everyone to the Wikipedia page for Tu'er Shen I’m going to take this opportunity to rec the short film Kiss of the Rabbit God by Andrew Thomas Huang (tw: blood, tw:body-mod cutting) which you can read about and watch over at Nowness.com

Particularly if you are a queer person of Chinese heritage, check it out.

So. What the fuck are these? Are they food?

Are they made from wax? Or corn starch? or pig intestines?

Wei Wuxian runs off to get laid drunk and Jiang Cheng grumps about it. Jiang Yanli reminds him that being free is a Jiang Clan Rule, so really Wei Wuxian is following the rules by not following the rules. Does that mean he’s not free? My head hurts.

Jiang Cheng: yes but grump grump grump

Jiang Yanli: Nothing bad will ever happen because of A-Xian’s choices, trust me

Outro

Wei Wuxian faint tally: one Caught by: the cold hard ground

Soundtrack: 1. Donkey Riding by Great Big Sea 2. Living in the Past by Jethro Tull 3. Whip It by Devo

Fic prompt: Lan Wangji’s internal monologue while he sits in the pavilion with Jiang Cheng

If you write a fic from this prompt and want to share, please post a link in comments!

Bonus: Wang Zuocheng, macro-expression king

Episode 03 Restless Rewatch coming soon!

#the untamed #fytheuntamed #the untamed spoilers #the untamed gifs #the untamed stills #my gifs #my stills #restless rewatch #restless rewatch the untamed #canary3d-original #wei wuxian #jiang cheng #lan wangji #lan jingyi #c-drama #bl drama #the untamed memes

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chibimyumi · 4 years

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The Circus Arc

Last week somebody asked me what my favourite manga arc is, and without a second of hesitation I answered 🎪. As I have already publically declared my love, it is only natural for me to write a love letter to the Circus Arc.

Why do I consider the Circus Arc the best still after more than a decade?

I. The true story

First of all, the Circus Arc is in my opinion the first arc wherein we truly get to meet the characters, as well as the series itself.

A protagonist who is dispensable in their own story is not a true protagonist. As touched upon in this post, before the Circus Arc O!Ciel was actually little more than a plot device to show off Sebastian’s many assets. “The Watchdog has a case because the Queen said so, Sebastian solves it.” “The Watchdog was kidnapped because Yana TOLD us he made life for the mafia a bit hard, so Sebastian saves him.” When Sebas said to his master “you truly have no other talent except for getting yourself abducted,” it sure rang very true until that point. It wasn’t as much a story of O!Ciel’s revenge as it was Sebas saving the day because: demon powers.

In the Circus Arc however, we truly got an insight on why this little boy could indeed have made life for the mafia hard, and why after two years the Queen still hasn’t fired him. As discussed in the post mentioned before, almost as a compensation for his prior starfishhood, O!Ciel had insisted on doing the investigation himself, even at the cost of his own health. We saw him actively cooking up strategies as well as dealing with any situation as they were met. O!Ciel really displayed a commendable aptness at playing the cards he has been dealt in the Circus Arc. In contrast, while Sebas did make many accomplishments, all his actions were the undertaken because of O!Ciel’s orders. In the Circus Arc we truly got to see how the boy is the chess player, and demon the black knight.

II. Our protagonists - into the core

The Circus Arc is likewise the arc wherein we actually get to meet our two main characters outside their token function.

We have seen Sebastian’s establishment as “the pawn that can move across the entire chessboard in one single move”. But without O!Ciel’s input or any price that the master would have to pay, Sebastian is easily just an ‘instant-win card’, an ironic “deus” ex machina, if you will.

As discussed in this post and this post, in the Jack the Ripper Arc Sebastian was quite dissatisfied with his master and therefore decided to teach his master a lesson at the cost of more innocent lives. However nasty, it had been O!Ciel who ordered for a subpar move, and technically the pawn “did nothing wrong.”

In the Circus Arc O!Ciel became meticulous about decisions regarding his chess piece. Principally there was nothing wrong with the order O!Ciel had given his butler about releasing the snakes before the first stringers would return, and Sebas who was bound to perfect completion of any order also didn’t do anything wrong, technically. However, it had already been established that as long as Sebas sees the interest himself he would find any loophole in orders to still benefit his master in one way or another. As it is, considering how Sebas did decide to release the poisonous snakes while his master was in the danger zone, we are left with a chilling conclusion that Sebas simply ‘did not see the interest’ of shielding O!Ciel from danger. For the first time we truly learn the extent of Sebastian’s nondiscriminatory nastiness; how indeed all humans are the same to him. For the first time we truly understand that O!Ciel is paying with much more than his soul for Sebastian’s services. This demon is a double-edged sword, but much more than swinging outwards, this sword has a tendency to swing inwards the moment the wielder allows for any opening.

Previously discussed in this post, we also see the full extent of Sebastian’s manipulativeness and toxicity in the Circus Arc. Sure, in other arcs Sebas is also manipulative, but all of those actions could still be categorised under “merciless honesty”. In the Circus Arc however, O!Ciel objectively did nothing wrong to be triggered and exhausted from the Circus shenanigans, and yet Sebas was unnecessarily re-triggering and victim shaming his master for some extra “flavouring”. If there had been any doubt whether Sebas is bad for O!Ciel, then surely the Circus Arc put all doubts to rest.

For the first time in the manga we also see a genuine obstacle for Sebastian that is for not also the final hurdle to overcome, like in the Ripper, Curry, Campania or any other arc really. In the Manor Murder and Werewolf Arc there were of course Earl Grey and Wolfram respectively, but in those cases Sebas mostly tried to outrun the obstacles. In the Circus Arc however, William is likewise a supernatural being, and Sebas knew very well that he can’t just neutralise William without causing more trouble than good. Hence we saw how Sebas tried to negotiate with William, and we learned that even Sebastian cannot just avoid hurdles. Negotiating with William did not work of course, so the story forced Sebas to be creative. It truly was great to see Sebas use his brain rather than demon-muscles to overcome a problem for a change.

While getting “creative”, Sebas displayed his aptitude for preying on humans in our weakest of moments. As explained in this characterisation of Sebastian, Sebastian is not terrifying because he has super powers, but because he understands human weaknesses like no other and uses our own weaknesses against us. Click here for an analysis of Sebas’ cross-media manipulation of Beast.

In this same arc we likewise truly understand the looming threat O!Ciel is dealing with, an explicit revelation of the monster Sebastian is. This scene from underneath is the most explicit moment telling us that Sebas is not just dwelling on Earth comfortably; he is holding out under a cover. This scene almost served as an alarming reminder to us: “beware, the demon can snap”.

What about O!Ciel? In our boy we saw his tremendous dedication to his job. Except for purposes directly related to the investigation, never once did he order Sebastian to make life easier for him. He never made Sebas secure food for him or do any of the chores for him. Surely Earl Phantomhive would consider himself above wrestling for food or scrub some floors, and yet he was willing to just take on any task without complaining. In no other arc do we see just how effective O!Ciel is as the Watchdog exactly because he is so versatile both in playing the ‘cute little boy’ card as well as the ‘feared Watchdog’ card.

Doll was an exceptionally well chosen “obstacle” for O!Ciel (more about her later). When Doll briefly wondered about why a peasant boy like Smile would speak in flawless RP, we saw O!Ciel’s ability of thinking on his feet, giving a very logical explanation of: “I served in a Lord’s household where I learned to speak proper.” When Doll caught him red handed when he sneaked into Snake’s tent O!Ciel also immediately pulled the “I didn’t steal anything!” card, skillfully tying it into his previous story as ‘the page boy who was fired for stealing’. We learned that the Watchdog really is willing to carry out his job through any means necessary, not just ‘the cool and edgy means’.

One of the best ways to get to learn a person is judging from their gut reactions. When O!Ciel was triggered in the final showdown he no longer had any energy to put on a strong front or think about matters rationally. He was in emotional pain and his gut reaction was to want that pain gone.

Even Sebastian who would not directly benefit from the case being completed advised his master against burning down everything. Even with the Queen’s commission as leverage however, the boy still yelled to have everything reduced to ashes. In this moment we also understood just how traumatising everything was to O!Ciel personally. This trauma response didn’t come from nowhere; everything that happened up until that point had been a logical build-up towards this inevitable result.

III. The Side Characters

A story cannot be told with just the main characters; you need to care about the interactions they have with others too. In my opinion the Circus Arc has delivered the most memorable side characters that linger with us even after death. In particular Joker and Doll.

Joker is a very fun, charismatic character as well as a person with many different sides. He is lawfully inexcusable, but we cannot help but sympathise, or at least understand how he too is a victim compelled into evil. Rationally we reject Joker’s actions, but partially it is because we have the luxury to do so. “Is this self defense? Would we, or how would we have done anything differently had we been in his exact shoes?” is a question worth considering.

Doll too; we see a child who lived a relatively happy life in the recent past. In the anime they made it explicit that Doll was complicit in all the kidnappings of the children, but in the manga it is more ambiguous whether Doll is fully aware of Kelvin’s agenda. This gives the effect that with the revelation of Joker always having taken most of the bullets, we understand that the torment Joker has been suffering was the price he paid to buy his siblings a more-or-less normal life. If O!Ciel sold his soul to the devil in the literate sense, Joker did so in the figurative sense in exchange for his family’s happiness.

IV. The Antagonists?

We do not spend too much time with Baron Kelvin, and he is a relatively simple character. But that is not bad as long as the villain’s threat reaches us. The horrors of Kelvin have always been quite clear; when children are harmed it triggers a gut reaction of disgust in most viewers. But the kidnapped children were not the functional victims in this story, it is the first stringers with Joker in the centre.

Kelvin has made a bunch of crippled children fully dependent on him, and used their own dependency as a currency to satisfy his own greed. Never once did he allow these children to forget how he could easily return them to the gutter from where he collected them. The kidnapped children were just numbers in the newspaper, but the first stringers are characters we spent time with. We have seen their suffering and we know they are just trying to get by. So it is all the more heartbreaking that children who merely wanted their basic human rights were turned into the antagonists that had to be exterminated. In the showdown between Joker vs Watchdog, the dynamic is shifted from “heroes vs child-kidnapping villains” to “villain-protagonists vs anti-villains”.

The Circus Arc is very special in how the villain impacts the readers, because the people affected matter to us. In the earliest arcs we didn’t REALLY care about O!Ciel, but he was the main person who suffered from the villains. With Sebastian around however, we don’t really worry. In the Ripper, Mansion, Campania and Potter Arc the main victims are characters we don’t spend any time with, so emotionally we don’t really care whether “evil gets vanquished”. In the Werewolf Arc we do have Sieglinde and Wolfram, and it is heartbreaking to see Sieglinde discovering that all her happiness had been a big lie and that to even her own mother she was nothing but a tool. But in the very least she did grow up happily, she survived and has a fresh chance to start a new life, and the person closest to her (Wolfram) is still with her.

For the first stringers however... all had been meaningless, all is finite.

As expertly described by Sebas in the musical adaptation of the Circus Arc, humans are pathetic because we are merely “accumulating sins in the version of hell [we] have chosen to live.”

V. From foil to team members

The servants at the Phantomhive manor were originally just designed to be foil for Sebas to demonstrate his awesome butler skills. I don’t know whether they were liked at first, but for one I do know that many found them quite annoying or pointless too.

The Circus Arc is the first time we see the significance of the Phantomhive servants, that they’re not just there waiting to be fed by O!Ciel because... he’s a philanthropist of some sort? Yana had made some questionable decisions at first, and she clearly regretted those ‘choices’. I personally see the Circus Arc as her first demonstration of her skills as story writer, and her public proclamation of: “this is Kuroshitsuji’s potential!”

Had the entire series started with the Circus Arc, then surely the animated series would have gotten a much higher budget and a better time-slot for airing.

VI. Humour

The humour in the Circus Arc is also great, but nothing was shoehorned in there for the sake of laughs, neither do these moments disturb the tone of the story.

Everything was funny because they were the inevitable consequences of putting these people together. William had been established as a demon-racist plank, and when made to cooperate with a demon, of course he would say: “my hands will rot”. When called “four-eyes”, of course he would say: “it’s SUIT”.

Many of the comedic moments are centred around our protagonists’ inconveniences, but nobody is inconveniencing them for the sake of inconveniencing them. When Sebastian was not trying to leave the vicinity William mostly let him at peace. O!Ciel for example also couldn’t do many things simply because Doll was clinging to him. But she did not know what was at stake and her actions were well grounded in her immense desire to make new friends. “You are young, I am young. You lost an eye, I lost an eye. Let’s be FRIENDS!”

This is in stark contrast with how ‘funny inconveniences’ were staged before using Lizzie or Grell for example. Lizzie was a drag to O!Ciel because... she’s a girl who wanted everything to go HER way... and Grell was a drag to Sebas because she... is a girl who wanted everything to go HER way.

VII. Ending

The ending of the Circus Arc also carried a bitter-sweet tone that most other arcs do not present. The thematic of “demons dwell in the human nature of stepping on others” is perfectly addressed in the Circus Arc, but it does not end with: “so don’t be evil!”. The Circus Arc simply highlights the issue and reminds us that ‘stepping on others’ does not exist in a vacuum.

Had the objective of the series not been established as “boy who swore on revenge”, and instead be: "rethinking evil”, then the Circus Arc alone would have told the story sufficiently.

The finale of the Circus Arc resonates with its audience because the core principle on which Kuroshitsuji is built is a narrative humankind has always wanted to externalise, but without success: “demons are only as evil as humans allow their own evil to show”.

#Love letter to the Circus Arc #Circus Arc #Sebastian Michaelis #Ciel Phantomhive #O!Ciel #Our Ciel #Joker #Doll #Baron Kelvin #Analysis #Noah's Ark Circus #best arc ever imo

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anntoldst0ries · 3 years

Text

Diagnosis

I just want to say thank you from the bottom of my heart to all of you who read my previous fic and left such kind comments. You can’t imagine how much I appreciate this!

Pairing: Ethan Ramsey x f!MC (Vicky Valentine)

Word Count: 2,911

Summary: Dr Ramsey attempts to diagnose the most difficult case in his career...his own.

Warnings: None! A lot of introspection again and hints of angst :)

~~~~~~~~~~~~~~~~~~~~~

Ethan Ramsey considered himself a brave man.

He always had the courage to say whatever he wanted to say or what had to be said - be that a terminal diagnosis, savaging someone’s speech at a medical conference (only if the speaker was talking nonsense, that is), scolding an intern - you name it.

With years of experience under his belt, Dr Ramsey excelled at the “art” of saying the most horrible, unpleasant and inconvenient things. It was a process he took to pieces and mastered every tiniest part.

He knew exactly what they were whispering behind his back in the hospital corridors. Dr Ramsey is a bully. A ruthless cynic. No one survived more than 3 minutes of his tirades without bursting into tears. Or, as some of the interns so lovingly put it, he was “the only survivor of a heart transplant”. The last remark had been conveyed to him by Baz, who found it hilarious…and so did Naveen. It took one deadly look to silence Baz forever, however Naveen used every occasion to remind his protégé of hospital’s favourite joke:

‘How’s your heart, Ethan?’

‘Good, why are you as—‘ Ethan didn’t have a chance to finish answering the question, interrupted by Dr Banerji who was in convulsions.

‘God, Naveen, for such a bright mind and one of the best doctors in the world, I still find it hard to believe that you have a sense of humour of a 5 year old’

‘There is nothing wrong with some joy, Ethan. You should try it sometimes, it may do you good.’

Similar conversations took place on a regular basis, but they always ended with Ethan rolling his eyes and Naveen sighing. Younger doctor would never, ever tell his mentor off, he respected him too much. So Ethan let Dr Banerji have some fun at his expense from time to time.

But, truth be told, he kept his emotions at a leash and he was good at it, because there wasn’t a thing in Ethan’s life that he wasn’t good at. Regardless of what it was - saving people’s lives or emotional self-deprivation.

That’s why reminiscing past 2 years was so hard for accomplished diagnostician. He couldn’t help but think that he’s lived more during this time than he’s lived during his whole life. His existence wasn’t a boring one, he loved his job and the cases that the team had to crack were mostly complex and thus exciting. There was also a sense of fulfilment and servitude to a greater cause.

As a kid, Ethan wanted to be a detective. It all started with Alan buying his son one of Sir Arthur Conan Doyle’s books. There was no hidden intention in this choice - Alan simply ran out of book ideas, Ethan was literally gobbling up the books at his disposal and was thirsty for more. Therefore, Mr Ramsey picked picked one of the thickest positions available in the book shop, with hopes it will keep Ethan occupied for at least a couple of weeks. Oh, how wrong he was - 5 days later his son was already begging for more.

Sherlock Holmes and Hercules Poirot quickly took the top spot on the list of Ethan’s childhood heroes. He was obsessed with their investigative methods, their sharp minds that captured even the tiniest of details and how missing those nuances would make solving a mystery a lot harder, if not impossible.

That’s why he became obsessed with details. He analysed, compared, observed and noted down everything around him with deliberation. After a while, Ethan realised that these skills come handy in various areas of life. He could read people and to a degree foresee what their next move was going to be. If he wanted to, he could probably try and influence their decisions too. If it wasn’t for Alan’s upbringing, this particular skill might have taken his life onto a dark track, but fortunately he utilised it for greater good.

Having this sort of insight made him very self-conscious and he never turned away from reliving his own decisions and behaviours, which helped him become a better doctor, every single day. But he never wallowed in the mud of emotions, instead always operating on facts.

But for the past couple of months, this process became a pure torture.

You know what they say, the devil is in the detail. And the devil it was indeed.

The devil that would be the death of Ethan was 5’4, had raven hair, plumped lips, mesmerising eyes and a captivating laugh.

Suddenly, he heard the devil’s voice in his head.

‘Are you pinching the bridge of your nose right now?’

He was.

‘God dammit!’ - shouted Ethan, so loud that he startled poor Jenner, who resigned from occupying the sofa and ran straight to his bed. Even the retriever, in his doggy wisdom, knew that when his master was upset, it was best to stay out of his sight and wait for the storm to pass.

Whenever Dr Ramsey had a serious dilemma, he would subtly join his thumb and index finger to pinch the gentle skin between eyes. She knew of this somewhat subconscious habit and teased him about it countless times.

With most people, the whole observing and reading process was a one-sided game. For majority of mortals, Ethan was a closed book and they had no idea how to open, let alone read it. But not Rookie. She saw right through him. Ethan considered himself a riveting mystery thriller before, if we’re talking comparisons, but right now he was probably a cheap Harlequin. How did he sink so low in practically no time?

The answer came before he was even able to finish the question.

He was hopelessly, utterly and irreversibly in love with Dr Vicky Valentine.

“Victoria….” he whispered. He knew her full name, he’s read her bloody application and her employee file many, many times. More than he’d ever care to admit. Neither him nor anyone else addressed her by her full name. She always introduced herself as Vicky and even mentioned to him, June & Baz one time that she considered herself too young to be a bearer of such gracious name. But when the name fell out of his lips, it made perfect sense. Victoria. Victory. After a long, tough and heartbreaking battle, she’s won all of him. And man, wasn’t she fighting fiercely.

She was so much like him, and yet so different. Patients loved her, and for a good reason - not only was she amazing at her job, but also so genuinely caring about every patient she met. Somehow, she was able to see past people weary of their conditions, instead she always noticed the human beings with their unique stories. Thanks to her, patients never felt like sickness became their identity, but merely a stage in their life that shall soon pass.

Hospital staff adored her as well, she had time and a huge smile for everyone; her bright aura lit up every room she walked into and was a pleasure to be around.

Those who knew Ethan a bit better or worked with him were aware of the insanely high standards he was holding himself to. And it would have been fine if they only applied to him, but he held everyone else to the same standard too. It was his buffer. Most gave up without even trying, it was humanly impossible to live up to such expectations. And that was the goal. Dr Ramsey wanted no distractions and if anyone wanted so much as approach him, they had a giant wall to jump over first.

But the young intern wasn’t bothered in the slightest. Dozens of people before her stood in front of the wall and tried to figure out how to get in. And she… she just found a tiny gap and squeezed right through. Before Ethan realised what’s going on, it was already too late. And she wasn’t even fully aware of what she’s done.

Like air, she’s entered his life imperceptibly, filling every space until there was nothing else. She was in every reflection he saw, every smile, every freaking thing a reminder of her, one way or another.

He was completely under her spell, enchanted, drunk in the thought of her.

The most ironic part was that if he went by his unreasonable standards, she’d never stand a chance.

She was messy, she was a klutz, she laughed too loud and rounded her eyes like a child when something seriously excited her.

And yet, something about her made him break all of his rules, lower his guard and re-think everything he’s ever thought he knew and believed in.

Obviously, he wouldn’t be himself if the occupational quirk did not kick in at some point. Whatever the cause, Dr Ramsey had to get to the bottom of it, no matter how many tests did he have to run on his mind and heart. He needed the diagnosis so he could start the treatment. But his sharp diagnostic skills which made him a famous man, suddenly decided to go on unplanned vacation and it looks like they were not coming back anytime soon.

Ambivalence became Ethan’s newest companion. Some days, he thought he was going to blow his brains out, the others he was strangely content and did not want to analyse anything, things were good just as they were.

For the first time in his life, he felt truly lost. He felt like Jon Snow, he knew nothing. It wasn’t a result of one event, rather a chain reaction. Starting with Naveen getting sick, the inability to figure out what was wrong with his mentor made Ethan seriously doubt his capabilities as a doctor. Then, Louise Ramsey made a surprise reappearance after having walked out on him and his dad 25 years earlier. When he was little, his dad use to say that wherever Louise goes, trouble follows and it wasn’t any different this time. She brought company - insecurity, sorrow, resentment - to name just a few. Ethan felt like someone ripped a band aid from his heart and painfully reminded him that all the wounds are still alive and never really healed.

And finally, Edenbrook. The place that others saw as walls, glass, beds, people in white coats, sickness, illness, death. To him, it was much, much more. The hospital had almost a transcendental dimension. It was here that Ethan’s transition had been completed. He shed his old skin and became Dr Ramsey, the person he was always meant to be.

That’s why Edenbrook closing hit him so hard - a part of him was about to die and be buried beneath years of sweat, tears and effort. It was probably the hardest thing to come to terms with in the 37 years that he’s been walking on the surface of the Earth.

And throughout all these events, she was with him.

She never gave up on Naveen and Ethan knew that there was more to it than just saving Edenbrook’s most prominent doctor. He believed, he wanted to believe that she did this for him too.

The memory brought shame that drained off him like unpleasant wave of cold water. Ethan never really forgave himself for just laying in his bed like a drunk bag of potatoes, whilst she was busting her gut to solve the case, even though she had ethics hearing to prepare for. A hearing that could make or break her whole career, before she even had a chance to start.

Dr Ramsey would like to think they were alike. But as a matter of fact, she was a much better person than him.

Then, with his mother in the picture, she never told him what to do. Even though he asked, many times. He hoped someone can actually make the decision for him, because it hurt so much to even think about this, let alone decide what to do next. But she never did. She was just there and by simply being, she empowered him to make his own, informed decision.

She was there, like no one else was in his entire life. Not to take anything from Naveen, who had tremendous effect on Ethan’s life - but this was completely different.

She penetrated his soul.

She made him feel.

Love.

It was the first time he used this word in a long, long time.

And maybe, quite possibly, for the first time in his life he used it with intention.

He thought he felt it once before.

When he was a student at Johns Hopkins, Ethan met Camille. She was a year older than him, with angelic voice and looks, the cascade of blond locks surrounding her gentle facial features like a halo.

What impressed him was that she kept hitting up on him, not the other way round. He’s had his mind set on graduating as a top student in his class and then getting the best residency there was - in Edenbrook hospital in Boston. It was either him or someone else. University romances were of no interest to him, or so he thought. After all, he’s just gone past his teenage years and was relatively new to the world of intimate human desires. As much as he tried to push them away, he had needs and his hormones were still a giant part of his decision-making process, doesn’t matter how hard he tried denying it.

Also, there was something motherly about her and she reminded him of the woman who left him when he was just a boy. It was completely fucked-up, he hated his mother and yet a memory of her and how he’d once do anything for her was tattooed in the insides of his brain.

Ethan and Camille shared a passion for medicine, music and opera. A few times, he was close to bringing her down to Providence, to introduce her to Alan, his father. But there was this weird voice in his head stopping him.

Maybe that’s why he wasn’t overly surprised when one day he walked on Camille. In his bed. Screaming and making other explicit sounds…except, he wasn’t the igniter. It was none other than his best friend at the time, Tobias. Ethan would never forget the jealous glance he shot him with when he first brought Camille to one of the student parties. And then things got worse. Ethan and Tobias always competed and for a long time it was a fuel that kept them both going. But when someone wins, someone has to lose. Neither of them was good at losing or accepting the failure.

Ethan was doing better than his best friend. Not significantly better, the difference between them had usually been slight, but it was there. Tobias couldn’t swallow this. Not only was Ethan doing better than him, he also had one of the most beautiful students at Hopkins by his side. Jealousy started to spread inside him like a wildfire and since his attempts to beat Ethan at school were futile, he decided to make use of his other skills. Tobias was a born flirter and charmer. He often used to say that no woman can resist his spell and that “where there’s a woman - there’s a way.”

Dr Ramsey never told anyone, but having found out that his girlfriend cheated on him with his best friend was sort of relief. Call it sixth sense, an intuition… subconsciously he sort of felt that she wasn’t a girl for him. As for Tobias, he was tired of the fight….of Tobias fighting with him, that is. Ethan wasn’t fighting, he was just a better student and was going to be a better doctor. He was tired of petty competition and how the toxin poisoned their relationship.

So they actually made him a favour and helped him killed 2 birds with 1 stone - he was saved from having an awkward break-up conversation that he’s never went through before and he now had every right to hate Tobias. He didn’t really, as such feelings were a waste of energy, but a week later Tobias moved out of their shared apartment and they never really spoke again.

After Camille, he was only in a brief relationship once. With Harper. He deeply admired and respected her, but when things started getting too serious (from her side), he distanced himself. And so, for a couple of years to follow, they were on the off and on again terms. They went through countless friends with benefits stages, but he genuinely enjoyed her company. They just never wanted the same things, which became more and more evident as she was getting older. And he respected her too much to mess her around.

Ethan’s career was everything to him and he accepted the fact that falling in love and having a family is just not in the cards for him.

Or so he thought.

Dr Valentine entered his life one September morning and hasn’t left ever since. And, hell, hasn’t he tried to erase her. To make her hate him. To draw a line between work and personal life. He could honestly say that he tried everything.

For the love of God, he ran to fucking Amazon! He tried to hide from all things Dr Valentine, like a fool who forgot one of the most basic rules of life: there is no running away from yourself.

Tag list (please let me know if you wish to be removed): @terrm9 @openheart12 @openheartthot @rookie-ramsey @alwaysmychoices @brooks-eden @drethanramslay @starrystarrytrouble @justanotherrookie @caseyvalentineramsey@incorrectopenheart @heauxplesslydevoted @perriewinklenerdie @mercury84choices @archxxronrookie @renasalek-blog @maurine07 @whippedforethanfreakingramsey @lemonmiddleton @tsrookie @choicesfan10 @dr-colossal-pita @queencarb @gryffindordaughterofathena @qrkowna @aarisa-frost @choicesficwriterscreations

#open heart #dr ethan ramsey #dr ethan jonah ramsey #dr ramsey x mc #ethan ramsey #open heart choices #dr valentine #play choices #open heart fanfiction #open heart fic #choices fic writers creations #fics of the week

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mountphoenixrp · 3 years

Photo

We have a returning citizen in Mount Phoenix:

Freya, the Goddess of Fertility, whose origins stem from Ancient Scandinavia. She is now the owner of Dagger & Roses.

FC NAME/GROUP: Im Jinah ( After School ) GOD NAME: Freya PANTHEON: Norse OCCUPATION: Owner of Dagger & Roses HEIGHT: 171 cm (5 ft 6 in) WEIGHT: 49 kg (108 lbs) DEFINING FEATURES: Warm Brown Puppy Eyes Turns Silver When Uses Her Charm. Beauty Spot Under Her Left Eye.

PERSONALITY: The fairest of them all, Freyja, the goddess who was devoted to a fault constantly wanting to make everyone in presence feel special and only wishes for small trinkets to show their love to her. Their most basic desire is to be loved and accepted. They may express this by being extremely attentive and attached to other people. Freya tend to suppress her own negative emotions, which, when done frequently, can lead to high levels of stress or unexpected outbursts. The goddess is altruist, and they take seriously their responsibility to help and to do the right thing. Despite her collection of her finer things, she does spend a lot of time volunteering for charity especial animal shelters. Overall, Freya values order, love, compassion and wishes for peaceful world for all. Encourage, lift and strengthen one another. For the positive energy spread to one will be felt by us all.

HISTORY: Once upon a time, they were two beautiful Vannir god twins Freyr & Freyja, she was the goddess of fertility, love & beauty who were believed to rule the Vanaheim the land of Vanir gods. The twins along with their father Njörðr were given to the gods of Asgard in exchange for a peace treaty. The goddess naive heart fell deeply for the god Odin who became her husband by charming him with her beauty & wits however he was mysterious man who only care for seeking knowledge leaving Freyja feel such loneliness so started to fill the void with companionship of others and material possessions. It all began where she would cry unique gold tears when she missed him greatly as he was off on his adventures and the time where she could not find him as she hunted him across the earth after her beloved but once again he couldn’t be found. Freyja became known as party girl of the Aesmir as she enjoyed the simple pleasures in life, creating friendships, sharing love & living in the moment. The goddess surrounded herself with many lovers & treasures to fill the hole which her husband left inside her yet despite everything her heart still stay true to him no matter whomever she slept with, her heart still belong to Odin no matter what.

There is lot more to Freyja other than being party girl, Freya is the archetype of the völva, a professional or semiprofessional practitioner of seidr, the most organised form of Norse magic. It was she who first brought this art to the gods, and, by extension, to humans as well. Given her expertise in controlling and manipulating the desires, health, and prosperity of others, she’s a being whose knowledge and power are almost without equal. Not only she is well versed in witchcraft, Freyja is warrior goddess and she shared Odin’s love of battle. She and Odin divided the chosen slain human heroes so that some of them would come to Valhalla to live with Odin and some would go to Sessrumnir “the field of the host” – the hall of Freya. Freya War Goddess was a master of the Battle Boar whose name was Hildisvini. Her boar became the symbol of war. Apart from the boar, people believed that Freya got itchy feet that she always wanted to travel in her chariot pulled by black or grey cats. She was also in possession of a falcon feather which she used to fly across. This falcon feather once appeared in the rescue of the kidnapped Idun the goddess guarding the apples of youth. It was clear that goddess could not stand by doing nothing, she always wish to be doing something never resting or pause to think about things.

After Ragnarok everything changed, Freyja found herself in once again in a beautiful woman body along with the curse of people seeming to do anything for her. The only difference is that’s some reason her features were Asian not Nordic which was fascinating to her. The goddess saw this as do-over start over maybe found some peace & love which her heart desperately craved trying contain her thirst for battle. Living as simple human in different lifetimes, adapting to the fast-pace world. Not really feeling she belonged anywhere, she sometimes live for mortal help raise their child for some time before disappearing into night as start ask questions on why she never ages. Freyja would give herself many names throughout her travels, from Eva meaning the giver of life which is Hebrew take on Gefn which she used before when travelling Earth when searching for Odin.

Eventually Freyja finally makes her arrival to the mysterious mount phoenix not even sure what to expect in a place like this. The goddess did becomes the new owner of the flower mill since she loves the scent of flowers & beautiful staff members. As her time pretending to be human she became fond of coffee as it was her life source to get through the day. Business is mere child play for Freya too since she is very good always getting what she wants through manipulation so running flower mill wouldn’t be problem either. Unfortunately Freya had to go away on some secret business to tend to, sadly letting go of the ownership of Flower Mill. Freyja decided to create own business from scratch since there is no store which sells weapons or antiques she decided to create her own collection even selling some of her treasures. Naming the store Dagger & Roses creating floral aesthetic store with beautiful ornate swords, daggers & bows in the glass cabinets. The most dangerous things tend to be most beautiful even Freyja offering lessons to people who wish to learn art of fighting and make perfect warrior out of the customer who would be welcomed to Sessrumnir.

POWERS:

Absolute Beauty: The power to be infinitely beautiful and use it to affect others. Freyja possesses the rarest type of beauty there is ( pure infinite beauty ), which is even higher up than supernatural beauty. No one, no matter how different their beauty standards may seem, cannot deny this person’s beauty as truly unfathomable as this person possesses infinite beauty. Because of this, she can use people to get what they so desire. Some people with this ability may even have magical abilities as a result of their beauty. She can literally charm anyone into doing her bidding with a simple smile or gaze, allowing them to gain a higher advantage. Plant Generation: The power can generate plants, including vines, moss, fungi, and parts of the plants, such as leaves, seeds, fruits and flowers, whether by drawing them from already existing plants, or by manifesting them anywhere they want. The reason why flower mill always covered in such pretty floral due to this power and helps grows the freshest ingredients for her baked apple pies plus the constant supply of fresh coffee beans. Enhanced Combat: The ability to possess enhanced levels of hand-to-hand fighting skills and excel in various forms of combat. Freya fought alongside her husband Odin & Valkyries she loves good fight. Over the lifetimes she mastered various fighting styles but only to protect herself & others never fights only if she is forced too plus she trains to keep herself in shape. What do you expect from war goddess?? She’s more lover than fighter.

STRENGTHS: Freyja has level of grace, physical beauty, sense of style and social poise above that commonly found on earth. Not only she is beautiful outside, she is inside since she see her compassion & love as strength than weakness. War goddess knows how to defend herself against anything, she had to learn from previous instances of being kidnapped on how to escape through with the power of strength alone not charm or wits. She’s got silver tongue, somehow she can easily talk into doing something or her bidding if she wishes or talk her way out of it. She knows how to use her womanly charms to get what she wants and not afraid to use it. Optimistic world-view and upbeat attitude, she likes to see the world can be wonderful place despite the dark secrets and the constant war among the humans due to petty things like greed. Freyja believes in the good things and likes to share her positive opinion around. Building deep, personal connections, she likes to know what’s in people hearts to figure out whether they are good person or not. Freya doesn’t care on who you are to the society but who you are in general. She is very good at creating connections with other people cause of that curiosity. Being adaptable in stressful situations, she remains cool as cucumber as some would say. Freya knows how to handle difficult situations since she is used to being in them a lot. She spent eternity dealing Loki antics, nothing will surprise her anymore and willing to help others through the ordeal. Communicating clearly and effectively is one of main strength since she is very much social creature. Without this ability she wouldn’t been able to create the connections she has with others. Passion for serving others, she loves to please and seeing what joy it brings to others face. That what made Freyja such a good wife since she would have done anything for Odin without even thinking due to her devotion.

WEAKNESSES: Highly noticeable, can attract unwanted attention. Does not on-and-off her beauty to allow direct control or subversion of others’ wills. No control so she doesn’t know whether the person feelings are genuine or it’s her beauty curse. Most Gods are immune to her absolute beauty yet only affects them mildly but only wanting to be in her presence however it can cause humans or demi-gods to become obsessive about her. Which can be dangerous. Magpie syndrome, an irrational affinity for shiny objects. When a highly shiny object is seen by the sufferer it often may induce a compulsive need to claim it and several minutes of staring at said object in the sun. Tendency to be overly competitive or obsessive, she does like to win in without silly challenge even it simple game or something more grand. Freya already known for obsessive nature when comes to shiny things and beautiful objects even people so it is one of weaknesses for certain. Not acknowledging their own needs, she thinks about other needs before her own. Freyja is loyal to a fault and willing to go out of the way to help someone need not thinking about her needs or whether she is capable. She hates letting down other people and that’s her downfall. Taking criticism personally, words can simply cut like a sharp blade crushing Freyja instantly even though she may put on happy smile. The goddess is bleeding from the criticism even if it was over her cupcakes weren’t good enough. Criticizing themselves and others when under pressure, she is constantly questioned whether she is good enough in general and sometimes blame the others surrounding her too. It’s toxic trait she is trying her best to fix but sometimes wounds can’t be fixed so easily.

#kpop rp #krp #after school #im jinah #after school nana #mp; welcome

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soyouareandrewdobson · 4 years

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Alex ze Pirate Mini Review 4: The EED: Emotional Exposition Dump. Or why THIS is not friendship

So here we are. The last part of this 45 page three parter, meant to be about what Sam really means to the crew. And what have we seen so far in the previous parts? That Sam is not just their underappreciated, but downright exploited slave (yeah, did you know that in ancient Greece slaves supposedly had more rights than Sam in this one? At least they could buy out their freedom one day), that Dobson has no idea how to genuinely pace a story, turning what could have been a decent 100 page story if planned out and presented with more care into a 45 page short snore fest and that Hat Andy’s idea for jokes are either based on abusing token buttmonkeys, turning annoying memes into even more unfunny jokes or making dark comedy with dead orphans.

At least when South Park makes jokes about children dying, they are appropriate in that dark setting and the death is still in some way handled or refered to as a horrific event. In Dobson’s case however, it just leaves a bad taste in everyone’s mouth.

Sorry, I just can’t get over the orphanage thing. If Dobson wanted the reason for Sam leaving be that he finds out someone he cared about from his old life is dead, that is one thing. But did this asshole have to destroy an entire building with countless victims to do it? Couldn’t he just have one person die and the rest be still at that place? Honestly, I think it would have been funnier and more meaningful emotionally, if Alex and Co actually interacted with people from Sam’s past and in doing so learn more about him as a person, by genuinely visiting a still standing orphanage. Give the comic some meat on the bones and in doing so actually create the impression this comic is truly about Sam and not just about characters doing random stuff in relation to finding him. Instead Dobson goes for a literal overkill, which he then does not even treat as a tragedy but as a joke.

Dobson, THIS is a better and more dignified joke about orphans than the shit you did.

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You got outclassed by Chuck Lorree of all people on this planet, you disgrace of a storyteller. A storyteller who can’t even keep his own barely existing continuity in the Alex-verse straight, now that I think of it. After all, according to Legends, the orphanage was closed and all the orphans were sold out to others, with Sam being the last of the litter

Which again is just unintentionally more horrific than Dobson likely intented. But you know, dumb people don’t know when they do dumb shit.

But I digress Let us just get into the last part. In which we finally see the “emotional” pay off of everything that happened so far.

Spoilers, this is my reaction to that pay off.

And here is what everything led up to now.

Sam ran away, because he wants to say his final farewell to his sister figure, we never knew about at all and about whom we do not learn one single thing really.

Where do I begin with how this revelation fails?

Let’s start with the fact that this in execution does not have the emotional impact that was intended. And why is that? Because Dobson doesn’t bother to actually introduce us to the sister as a character.

If I may digress a bit to talk about One Piece here: In the manga, oftentimes Oda will “interrupt” an ongoing story arc to feature flashback chapters, through which he tells about past events referenced in the “present” chapters prior. Through those flashbacks he further gives meaning to why in present time the characters facing certain foes or having to win in their current situation, is so important, even on an emotional level. In short, those flashbacks are no interruptions, they are integral in giving those story arcs emotional weight.

Because now we are not just “told” why we should care about things and people, we have been shown why we should care. The old rule of “show, don’t tell” being followed on.

A good example from a more “recent” storyline I can think of, is through the flashback chapters of the Dress Rosa story arc, where we are not only being shown how De Flamingo took over the kingdom of Dress Rosa and brought pain and misery over its people for years to come, but also the past of characters such as the gladiator Rebecca and Mr. Soldier, her father figure that raised her up from the time she was 10 and De Flamingo took over… only for the flashbacks to also reveal properly how Mr Soldier is not just a father figure for her that took her in, but her biological father Kyros, who had been turned into a toy by one of De Flamingo’s henchmen via a power, that also took Rebecca’s memories of her dad away so she never identified the toy as her dad.

This way Oda achieves multiple things at once; Among other things, he establishes how evil De Flamingo is, how tragic Mr Soldier and Rebecca’s lives really are, adding to us the readers wanting to see them and Luffy beat De Flamingo into a pulp and it makes the later “present day” moment when Mr. Soldier and many other victims turn back to normal and Rebecca regains her memories and is reunited with her dad so much more sweeter. Cause now we care.

Truth be told, I myself believe that Oda is one of few storytellers on this planet, who truly has “mastered” the technique of emotional flashback storytelling.

A technique Dobson could have used in this part of the story, but didn’t. Cause honestly, the way he tells how Sam’s sister was “important” to our poor cabin boy is not emotionally engaging from a storytelling perspective. We are told she is important, but we learn genuinely nothing about her, not even what her name was and what she looked like except from that one picture in the locket from over 15 pages ago. Nothing about how “close” she and Sam truly were is revealed through showing, only telling and as such we don’t even begin to care for her relationship with Sam and how her loss is genuinely important to him. So the main goal of this story, to make us the readers feel something for Sam aside of pity for how he is treated by his supposed friends, has not been achieved.

… Dobson, you are a hack. You can’t even use flashbacks, a basic technique in the realm of storytelling, to show us why we should “care” more, heck, even at all, about Sam and his loss.

If you just had adjusted a few things, you could have had something good here.

By adjustments I mean the following: Take the first page of this chapter as well as the first panel of the second page, and combine them into the final page of the previous chapter. In doing so creating a proper cliffhanger for part two. Then start chapter 3 of with a few pages (lets say 6 or so) showing young Sam and his sister interacting in the orphanage in doing so turning her from a nameless plotdevice into a genuine person to care about. And then use content of page 2 and 3 of this chapter, to elaborate on their relationship, potentially with small cuts always between present day Sam at the grave explaining himself and saying his farewells, with pictures of the past showing what they meant to each other.

But nope. This very basic idea a fanfic writer now has come up with, a fanfic writer who never studied literature or took writing classes by the way, something I doubt you did at college the more I read your work, has never crossed your “superior” mind.

Also, I find Sam’s text on page 3 really, really backwards in a way. Like, I get that we are meant to consider it a good thing Sam is this way. You know, being genuinely selfless and wanting to make others happy. And don’t get me wrong, generosity and selflessness are virtues I hold in high regard. But the way Sam talks about how he just wanted her to be happy while sacrificing any fulfillment of basic needs for himself feels more like a pathological disorder in that case than something to reach for. In fact, psychology speaks from different forms of generosity and the thing Sam describes here is likely “compulsive giving” or “unrelenting generosity”, a pathological variant that can be highly toxic for all people affected by it.

Funny how Dobson, a person who wants to claim he is all for mental healthcare, is essentially “promoting” the positivity of a psychological disorder via Sam.

Then again, this also feels more like Dobson putting words into Sam’s mouth (in a literal sense) to retroactively make Sam’s treatment look less horrid. Cause now Sam doesn’t just do all the work because he is ordered around, he deep down is “happy” doing all of the work and gain not even some basic respect in return, because he cares so deeply for his friends.

… I feel myself get livid again here.

And the next few pages don’t really help me “calm down”.

Cause now the “justifications” just go on. The thing that is meant to be a heartfelt farewell turning into Sam “justifying” that hey, it must be good that he ended up with Alex and her crew. Cause after all, by being abducted years ago and being treated as a slave who in the ginger’s eyes is worth less than lint, he likely avoided dying of shitting his pants and a crushing roof. Ignoring the fact that he was going to be sold out anyway back then and would have potentially ended up with a more generous master than the crew of non Captain Syrup.

Also, just all of the shit going on in page 6. Sam asking his “sister” to be at peace, when likely, if the girl could still talk, she may even just ask Sam the following: Who the heck are you. Cause really, if you think about it, if Sam did all the nice things for her in secret, did the girl even realize she had a “big brother” figure to watch over her? Also, him saying he is happy and he is doing quite alright for himself?

All the pictures of him sighing and looking in misery in this story alone, plus the cavalry of strips I posted about how Sam is abused in the first part of this post series tells me another story.

Finally, Sam’s message “At least now, we are both free”? Sam, she is dead, likely having died in pain when a house crushed on her, weakened by a deadly disease and traumatized by other children around her dying of said disease. And you are stuck with a bunch of people that haven’t shown to care for you up until this story and the only reason they may even care for you now is out of “sympathy” because you lost your sister figure, not because they genuinely love and care for you as a person. As far as I am concerned, you would be better off being the slaveboy of some nymphomanic pirate princess in the world of Berserk than you are on this plane of existence.

And now that the “emotional” farewell is out of the way, Dobson can go back to focus on the characters he really cares about in this shit anyway: Little Bitch Annie, lesbian chocolate rain Miroku and Deadpool’s pubes.

Oh Alex, you are such a rascal. You really make me want to shoot you with a crossbow, stab you in the eye, hurl you out a window and shove explosives where the sun won’t shine.

Yeah yeah, you are a pirate, but that doesn’t mean you need to be that awful as a person or even protagonist.

Christ. For someone who complains how toxic Walter White is to the point he believes “sympathizing” with the character turns you into a nazi, Dobson certainly is blind to how awful Alex really is, particularly as protagonist in a comic series intented for little kids. Compared to her, I can think of freaking slasher movie villains with more of a moral compass. Like say what you want about Jigsaw, at least he never victimized genuine children or teenagers.

And Talus, thanks for ruining the “emotional” moment Sam “earned” by pointing out how weird it is he kissed a gravestone. Also, I am glad I know what happens in the next pages or else I would assume Alex’s great idea includes to dig up his sister and turn her into a life sized doll for Sam to cuddle.

No, their ideas to assure he is emotionally save and to redeem themselves for years of taking him for granted/hurting him, is to throw him a surprise party.

… you know, I think you may be the only individuals in fiction, that Pinkie Pie would think do not deserve to throw a party or get one thrown for.

But I guess Sam is just so nice, he even throws you a party for no apparent reason.

Either that or now that his “sister” is dead he will overcompensate even more and this is the next destructive stage of his compulsive generosity.

… Sam, I am sorry for your loss. But you need to get help. Once by the authorities who will hopefully get rid of Alex and then by some psychologist who helps you redefine your own self worth.

By the way, I find it funny that the banner he made also actually only mentions Talus, Atea and Captain Daphne with a bad hair day. It just confirms that Peggy either never bothered to join the others or that Dobson developed an early onset of dementia and totally forgot about the fact that the midget is a genuine character in this trainwrack. And I am convinced the later is the case, which really just makes me wonder how someone is able to do that. To forget a major character of the thing they create and want to turn into a money making franchise. Imagine if Disney did e.g. a sequel to Snow White and the Seven Dwarves, only to forget about the god damn dwarves themselves.

At least Talus finally realizes he is unworthy to get a party thrown or be Sam’s friends. Good. Now jump into a wood chipper and free ourselves from your existence you dog beaver thing.

Content of the next page in a just alternate universe… Alex: You are a better human being than I could ever be and this is all because my creator is a hack who does not know how to create genuinely likable personalities.

The reality:

FUCK YOU, ALEX! FUCK YOU AND THE BIKE PUMP YOU FLEW IN ON! Atea and Talus have learnt more than you about what it means to be a friend and they don’t even bother to punch you in the face for still being the biggest red haired raging cunt since Asuka from Neon Genesis Evangelion.

If this is how Dobson thinks “friends” should treat each other, it is no wonder he has a friendless background. Hey, Hat Andy, if you want to emulate manga, may I suggest you just become even more blatantly about it and simply copy paste One Piece? Cause Luffy at least knows how to be a friend. How much does he care for his friends, strangers and even at times former enemies of his?

He cares so much, that e.g. when a special military force that beat the crap out of him got hands on his crewmate Nico Robin, he did THIS:

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He declared war on the world government. Fuck, even Jack Sparrow, who is an opportunistic jackass, in a movie where everyone stabs the others at least three times in the back, was less selffish than Alex, when he gave up his chance on immortality as Captain of the Flying Dutchman, just so Will would live in some form.

Metalbeard from the Lego Movie cared more about doing the right thing than anyone in Alex the pirate did. You created the worst friends and “heroes” I have ever seen in a webcomic since the entirety of sinfest. Congratulations for that accomplishment, Dobson. It really takes a special kind of anti-talent to show such level of not understanding the power of friendship as one of the most basic tropes in storytelling, to the point a show about pastel colored equines managed to profit of it for nine years.

WOOOOO! We are the worst, we are the worst!

And look, Uncle Pennywise’s scrotum is back.

Anyway, here are the last two pages of this thing, to end on what is meant to be a whimsical note because Sam actually gets something from Alex that is not a beating or verbal abuse.

Too bad anything that would feel heartwarming about this is drowned by a) me actually remembering all the shit Alex, the crew and the writer pull to get to this point (from abusive neglect of the characters to pathetic emotional manipulation on a narrative level) and b) the weird rapey face Uncle Peggy makes in the picture. Like Jesus, did Dobson try to emulate the Burger King here?

But hey, this story is over. And who knows, perhaps from this moment on, Sam will actually be treated better overall in the comic and Dobson will spend time actually developing an overall plot and the world of this com-

Tom Kenny: ONE COMIC STRIP LATER

And it is back to business as usual.

... How much would I need to pay for someone on the internet to write an alternate ending to the story where it turns out Sam actually poisoned the food at the party and while Alex is slowly dying, a now evil Sam who has finally broke under years of abuse, is going to become a genuine threatening pirat? that is after he villain monologues to Alex how much she sucks before scalping her?

Wow, I am entering a dark place right now. I think I need to take a break.

So I am going to give my final verdict on this story with the next post around the weekend most likely. Cause that is how much time I will now spend rereading One Piece and watching the Pirates of the Carribean movies in addition to playing the Pirates level of Kingdom Hearts 3, in order to forget this shit and remind myself why I think pirates are cool.

#andrew dobson #alex ze pirate #fuck you #hat andy #tom preston #so you are a cartoonist #syac #comic #webcomic #pirates #sam the cabin boy #atea #talus #one piece #magic of friendship this is not

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seavoice · 3 years

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Horse Trading

(link to ao3 on title, or continue reading after the read more)

“Octavian was an asshole,” Reyna said, a contemplative look on her face as she laid on the floor of Hazel’s Praetor Villa, “but sometimes I think, can you really blame him?”

“Yes,” Hazel said, from her position on the floor next to her, where she was trying to sketch Reyna, a task made inordinately difficult by the older girl’s constant moving around. “I really can.”

Reyna sighed. It was a long and contemplative sigh. It wasn’t unusual to see Reyna with a brooding, thinking look on her face, but the relaxed and content expression added a new dimension to it. It was something structural; it somehow made her look younger yet more self-assured at the same time. “Octavian,” Reyna repeated, “was an asshole. But this Villa, Hazel. This Villa. I can see why Octavian was so desperate for praetorship. This house almost makes up for the stress of leading a child army.”

“It does not,” Hazel said. “It really does not, Reyna. Distance has just made your heart grow fonder. And delusional.” She sighed as Reyna shifted her position yet again. Reyna winced as a wordless apology. “Also,” Hazel said, reaching for her eraser, “Octavian didn’t want the praetorship for the house. He wanted it because he was a power hungry and blood thirsty politician.”

“At least you agree the bed is worth it?”

The bed was very nice, Hazel had to admit. Californian King, which seemed excessive, but was appreciated, and the fluffiest pillows Hazel had ever laid her head on. “Maybe. But I’m not agreeing with you when you literally opted for laying on the floor instead of the bed.”

“Fair enough,” Reyna said. She stretched on the floor, some complicated starburst. Hazel decided to give up her endeavour at drawing Reyna and flipped to the previous page in her sketchbook where she had been working on a drawing of Arion. It was half completed, and it was an attempt at drawing purely from memory, but Hazel enjoyed the challenge. “But it’s good for your back, believe me.”

“You’re an immortal Huntress now. Does that really matter?”

“Also fair enough,” Reyna agreed. Reyna rolled over to prop herself up on her elbows and peeked at Hazel’s sketchbook. She raised a single eyebrow. “Oh, that’s certainly more...horse-y than I usually look.”

“I gave up. You move too much.”

Reyna inclined her head in acceptance. Still on her belly, she folded her arms and laid her head down on them.

It was weird to see Reyna so carefree. Weird in an undoubtedly good way, but weird nonetheless. Immortality had, perhaps ironically, taken years off her shoulders.

Hazel hadn’t invited Reyna to New Rome to draw her, but inevitably, that was what the visit had come to. She had written to her asking for advice — advice on running an entire city, advice on leading a quote unquote “child army” in times of peace, advice on not going crazy with stress — and Reyna had accepted so readily that a ventus spirit had brought her letter the very day Hazel had sent hers. Hazel had prepared for the visit with a single minded focus; she had brought a notebook for note taking, three different colours of pens, a highlighter, and her firmest handshake.

But then they had skipped the firm handshake and instead had hugged, tight, and Reyna had snagged a bowl of jelly beans from the Praetor office, and for the next few hours they had done nothing but lay on the floor of Hazel’s newly acquired Praetor Villa, swapping stories after stories, lazing around and sketching. Reyna had told her about the Hunt’s newest undertaking, some mythological boar or the other, and also about Thalia’s new obsession with 80’s rock. Hazel had told her about Lavinia’s latest shenanigans, and Gwen’s new job as a much valued mental health counsellor for the Legion. No notetaking had taken place. No praetor advice had been shared.

“It’s very good,” Reyna said, gesturing to Hazel’s drawing of Arion. “The likeness is stunning.”

Hazel beamed. “Really?”

“Of course!” Reyna scrambled to sit up. “It’s uncanny. This is really, really good, Hazel. It’s like…” Reyna made a hand gesture like she was pulling something; Hazel recognised it as an unconscious tick that Reyna had, one usually employed in Town Hall meetings when she was struggling to find the correct words to use for convincing reluctant denizens. “It’s like make a career out of it good,” she finished.

It was a warming compliment. Hazel’s smile grew wider; this was a pride unlike any other, something simple and easy and painless. Hazel had convinced herself to take pride in the smaller things more often. It made a dreary life just a little bit happier and easier when she could take pride in mastering her mist magic, in baking a sweet cupcake to perfection, in a good sparring session, in making a friend smile. But this pride in her artwork was somehow—brighter. It was something she’d dedicated long hours to.

“Horse artist?” Hazel said. “You think there’s a market out there for that?”

“Are you kidding me? Pet artist! Lucrative as they come.” Reyna laughed, an easy, lovely sound, and this too was unusual, this too was good, this too warmed Hazel. “People go crazy when they get pets. Put them in all cute little kinds of outfits and hire professional photographers, artists...I’m serious, Hazel. Business idea.”

“I’ll keep it in mind,” Hazel said, with a laugh of her own. Then she sighed and set down her pencil. “I appreciate the business advice, though honestly, what I need more is Praetor advice. I feel I’m going insane.”

“You’re doing wonderfully,” Reyna said. “You don’t need my advice, Hazel. You’re a force of nature.”

This was a sweet sentiment, and Reyna probably meant it, but it didn’t help Hazel’s case. “Thanks,” she said. “Like—genuinely. But I do feel...I do feel like I’m going insane. It’s—it’s a lot.”

Reyna’s eyebrows furrowed. She looked older at once, older in all senses of the word. Like the Reyna of before the Hunt, and the break from her duties—Reyna in charge, Praetor Reyna, sixteen year old Reyna with the world on her shoulders. She sat up straighter. “Is someone giving you trouble?” Reyna asked. “I was joking about Octavian earlier, but gods, if someone’s coming up to take his spot as Asshole of the Year—“

“No,” Hazel said quickly. “It’s nothing like that. That’s nothing. I could deal with someone like that no problem. It’s just—like you said...child army.”

Reyna exhaled softly and closed her eyes. “Yeah.”

Hazel hated bringing the mood down, hated evaporating Reyna’s good cheer, but she set that uncomfortableness aside for the time being. She pulled up her legs to her chest and rested her chin on her knees. And there was solidarity in this too, acknowledgment. “Yeah,” she agreed. “Everything’s—okay, now, for the time being. Doesn’t mean it’s going to stay that way forever.”

“That’s not really ever in your control,” Reyna said with a rueful smile. “But I do...I do get what you mean. I understand.”

“I thought you would,” Hazel said. “That’s why I wrote to you.” She’d thought of going to Frank with these thoughts too, and she was sure he’d give good advice, and be kind about it, but a part of her—a stubborn part, maybe, a conscious part, sure, but a valid part, nonetheless—hadn’t wanted to show a weakness to her co-Praetor, even one as familiar as Frank.

“I don’t know if I can give you any great advice,” Reyna said at last. “I don’t know if I can tell you anything you don’t already know, and you are doing a great job.”

Hazel tried to keep the sadness out of her smile. “Hm.”

“What I needed?” Reyna said. “What I needed when I was a praetor was...gods, just a ear. Just someone to bear it with me. Someone to understand. Jas—he was gone, and it was just me. For the longest time. But then with Frank, it wasn’t as hard again, because we could...we could switch off. We could share. That’s the only thing I can really tell you, Hazel. Only advice I can give you. Share. Share it with me, always. With Frank. Lavinia. Nico. Your friends. Don’t make the mistake of thinking you’re alone. You don’t have to be.”

“I know,” Hazel said. She’d been alone for so long in Asphodel she had thought she could survive loneliness, if she had to. But she didn’t have to. And she didn’t want to. “And you sold yourself short Reyna—you do give great advice.”

“Sounds like I didn’t say anything you didn’t already know.”

“But I think I needed to hear that from you,” Hazel said. “From someone else. You said it yourself—I just needed to know someone else understood. Otherwise it gets...it gets lonely.”

Reyna’s smile was soft. “You’ve got good instincts, Hazel. You’ll be just fine.”

Gods, she hoped. “Thanks for coming out here on such short notice. You probably were busy with the hunt.”

“Hey, don’t worry about it,” Reyna said, and there was that strange new lightness to her again, a relaxed happiness. “Haven’t you heard? I’ve got time now.”

Hazel picked her pencil back up. “You know, if you try sitting still, maybe I can still do a quick sketch. Before you leave.”

“Actually,” Reyna said, and was Hazel imagining things or did she actually look self-conscious? “I have a sketch request, if you’d accept.”

Hazel was intrigued. “Oh. Oh. Sure. Who?”

Reyna smiled a little sheepishly. “Don’t laugh okay? I miss him. Scipio.”

Pet artist...Hazel let out a small giggle. “Oh, so when you said people go crazy when they get pets, you meant—“

“I told you not to laugh!” But Reyna was laughing herself. It wasn’t sad, but it was sort of wistful. “I never dressed him up or whatever, but he’s been on my mind lately; I’ve been wondering when he’ll reform. Pegasi reform slow, apparently. I thought I’d never see him again in this life, but now that I’m a Hunter—holy Pluto, I can. And you drew Arion so well—“

“I think it’s sweet,” Hazel said. It was, exceedingly so. Hazel was trying to recall Skippy in her memories, and she felt a pang of sadness as she remembered him soaring above them during the War Games. It had been a long time since she had seen him, but she thought she remembered enough to manage a sketch for Reyna. “It might not be a perfect likeness—“

“I’ve got a photo.”

Now, Hazel absolutely couldn’t control herself. She smiled wide, a fond laugh bubbling in her chest. “Oh, Reyna—“

“Will it, or will it not make it easier to draw him?” Reyna asked, tips of her ears a faint pink.

“It’ll be perfect,” Hazel promised. “Where have you got it? In the Praetor office?”

Reyna reached into her pocket and brought out a worn out photograph. As much as it was hilarious, it was also heart-warmingly sweet, a touch melancholy. Hazel sympathised with her—she couldn’t imagine losing Arion. She probably would start carrying a picture of him everywhere too; it wasn’t a bad idea.

“Sure,” Hazel said, studying the picture. “I can do a drawing for you no problem. You can carry it everywhere along with the picture. A horse drawing in exchange for solid advice. My first political quid pro quo as Praetor.”

“That’s a terrible deal, Hazel. I can literally commission you, if you want.”

“I’ll settle for a refill of my jelly beans,” Hazel said, gesturing at the now empty bowl of jelly beans. They’d made fast work of it. It hadn’t survived the first hour.

Reyna sighed and stretched out on the floor. “Oh, I forgot,” she said glumly. “One more piece of advice, Praetor to Praetor.”

Hazel looked up. “Yeah?”

“Stock up on those beans,” Reyna said mournfully. “And never let anyone break into your stash. You’ll need them.”

#hazel levesque #reyna avila ramirez arellano #reyna ramirez arellano #pjo #heroes of olympus #voop fic #eh this is kind of choppy but i do really love these two and think they should be friends #also not relevant to this story at all but frank and hazel are very much NOT a couple here. just co praetors and good friends #goodnight I’m going to bed

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we-rate-tmnt · 4 years

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I request: Leonardo. Please and thank you 🙏.

Idk if everyone loves Leo or if my header and avatar just remind everyone about this amazing blue boy. (This one’s super silly btw. I’m just sillier as time goes on. Character development I guess?)

The iconic leador Leonardo (1987)

Bro idk why but I loved this Leo. I have a tiny memory, especially with this version but I clearly remember that I thought he was the funniest and the coolest. I mean, he had swords, what was I supposed to do as a 7-year-old. NOT like him??? Anyway, while Raph was the best at insult comedy, I think Leo had the best puns and punchlines. I really like how nonchalant this Leo is compared to his iterations, going along with really silly ideas and having fun along the way. But because of this, his leadership is a little forced at times, he seems like such a chill and fun dude that when he gets serious, I have to squint and ask ‘are you Leo? Or were you just putting on act a moment ago?’ Or my perception is entirely warped over time. Either way, good turtle boy, could have used some work tho. 5.7/10

Here comes grumpy lad wooo this is all read very monotone btw Fearless Leader (2003)

What. What the fuck happened. I was actually so confused when Leo turned really angry and serious and almost manic. I thought that episode when he popped into Casey’s window and was like ‘Hey bitch lets go beat the shit out of some lowlifes’ I was WOAH THERE BUDDY BACK UP BACK UP BACK TF UP. It was so sudden to me and when it was finally explained, it made some sense??? Like yeah, character development is great an’ all but this ain’t it chief. I can’t imagine what it was like having to wait for these episodes to release one at a time. Bc I watched every episode back to back on Youtube and I was genuinely bamboozled. But when you have an experience like that where guilt is weighing down on you from a situation you couldn’t control, it would’ve been HELLA HELPFUL to have at least a flashback, like a line saying ‘I was so useless!’ at BARE MINIMUM. Like right after Shredder is booted off to Planet Zula, Donnie would notice that Leo didn’t seem all that happy and would ask why and Leo would get upset and yell at Donnie saying that ‘You wouldn’t understand’, ‘You don’t know how I felt, how I feel because of that’, etc. Like you don’t even have to say he felt guilty or helpless, just give us something to grab onto. We’re merely six-year-olds who thought they could climb the YMCA rock wall in easy mode but instead the script riders harnessed us up on the hard one and wouldn’t let us come down until we rang the little bell at the top. I think that is the only problem I had with his Leo. The sudden change of calm and decisive to angry and irrational was so jarring that it felt unnatural without that crucial context. If you want a surprise reveal, at least hint at the reveal (like just about every Disney movie with their ‘twist’ villains) not wait until the very last moment. I think this might be my least favorite Leo and I think the season where he stood out the most and seemed the strongest was Fast Forward (Which was GOOD FIGHT ME), especially in scenes with Dark Leo, his clone. He sees so much of himself in Dark Leo but he also sees something he had once grasped (AKA the poorly written character arc, I CANNOT stress how bad I thought it was). Although, I honestly think he’s a really good character and he’s a pretty neat guy. However, this score is entirely held up by Fast Forward and his connection with Usagi, sword bros to the end of time. 3/10 (2 for FF and 1 for Usagi)

And now a Leo that makes me genuinely feel UWU Leo (2012)

I cannot stress how much I like this guy! Like his design is so appealing, his dedication, his obsession with Space Heroes, like I FUCKING LOVE IT. And everyone knows, that shit with Karai, at first when they didn’t realize they were related, I can let slide but kajsdflksadf what even like why did the writers feel the need to add in more ‘love interest’ implications like yuck yuck yuck. The only two interactions with Leo and Karai that I really like are when Leo defeats her using the healing hands technique and when Leo has a goth/emo/punk/idk I’m new here phase and they team up and EXPLOSIONS. He was introduced to us as being incredibly naive and his idea of leadership is from some old cartoon that’s basically star trek but ethically questionable. After his fights in season 1, to the finale with the technodrome, you can see his growth. He’s able to formulate plans and make life or death decisions. BUT WAIT THERE’S MORE. When Leo got hurt, I felt like the oof sound effect mixed with some tears I normally shed at some Shojo manga bs. While the episodes following were super weird, it was a nice way to help Leo recover, not only physically but spiritually (Although I don’t remember the spirit arc at all except the epic Raph vs Fishface fight, so we’re skipping that). When Master Splinter really died, you could tell there was a huge impact on Leo, but he had to remain stoic and lead the family now. A lot of heartbreaking moments in this series came from Leo and I’m glad they took at least some thought into developing him. Tiny head Leo will haunt my nightmares, but the giggly fanboy will warm my heart constantly. 6/10

I only have one word for this Leo (Heroes in a Half Shell: Blast to the Past)

This is a super crazy bad idea accent on the super crazy bad part have I mentioned it’s also a really terrible idea/10

Okay, spoiler alert, didn’t really think this Leo was that grand Leo (2014/2016)

Painfully average. He didn’t stand out that much, Raph was part of the focus and had that touching scene at the end, Donnie was ICONIC and Mikey (with his weird-ass eyes) was super lively and funny! Leo? Uh, I don’t remember a single line he said. Because he never really grabbed my attention, I don’t have too much to say on this version. The Raph and Leo fight felt forced and the whole ‘keep this stuff that could turn us human a secret’ was pretty pointless and was added just to cause drama, I don’t even remember what that Splinter and Leo conversation was about. Design-wise, really neat! You can see some more traditional Japanese clothing/style mixed with modern (I’d feel a lot better about this assumption if some could tell exactly what the heck he’s wearing, but I get traditional Japan warrior vibes from it) in his look which was super neat! Other than that, if you like him, please tell me why because I don’t get. He was just kinda eh. 5/10

AHHH MY BOY YASSS WHOOO!! Neon Leon (2018)

Okay, I loved Ben Schwarts already from Parks and Rec but like him being Sonic AND Leo, like DUDE. He’s super funny by himself but teamed up with this shows writing and animation, it makes it hilarious. I literally love this Leo so much, maybe because we’re alike but honestly, he’s amazing. I love his design with the red and yellow crescents accenting his skin and livening up his color pallet. He has a very healthy and natural dynamic with his brothers, he’s the first to know what’s wrong and tries his best to make up for his actions. This is really prominent in the most recent episodes, along with the episode portal jacked. In both, Leo is separated from his brothers. Portal Jacked is in a more literal sense, while Air Turtle handles in more of an emotional sense. While both are brief, Leo sees his error and tries his best to make it up to them. I love his dynamic so much and it’s so nice to see something like this compared to the unnecessary drama and tension between the brothers in the previous series. It’s refreshing and this is something a younger audience needs to see; instead of fighting, it’s better to work together and improve yourself along the way. Improvement is a big theme for Leo here. He’s a goofball, makes jokes at every opportunity and isn’t quite skilled at fighting or using his weapon. But he grows over time, he learns to manage his power and he’s working on mastering it. He’s trying to put aside his narcissism more and focuses on his family. I think the approach they took with him rising to leader rather than slapping it on his forehead was the goddamn best decision they could make. He’s making plans, finding loopholes, helping out and getting out of his comfort zone. I cannot stress how well this show has handled Leo, along with the other characters. I can’t wait to see more episodes about his growth and I am awarding him with one of the greatest honors I could give... 10/10

Storytime: I drew a super cute 2012 Leo, you should look at him. Shameless self-promo, but you should follow me on my main blog bc I’m nice and I draw pretty pictures. Also. I have a little 2012 Leo Happy Meal toy??? I think??? guarding my window and he’s been there for YEARS. I need to bring him in and refresh his paint job.

Wow! I didn’t expect this many requests for Leo, so the blog will be momentarily spammed with the requests, but it shouldn’t be too much! Up next should be the last turtle (Mikey) and then we can get to some REALLY great requests I’m eager to answer. As usual, please comment and reblog! I’d love to hear your opinion!

#Tmnt #teenage mutant ninja turtles #leonardo #1987 leo #2003 leo #2012 leo #2014 leo #2016 leo #rottmnt leo #Rise of the teenage mutant ninja turtles #rottmnt #asks #I forgot how my tagging system worked

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