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yayakoishii · 8 months

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Want | Sanji x Chubby! Reader

Fandom: One Piece

Pairing: Vinsmoke Sanji x Chubby! Reader

WC: 5.5k

Genre: Fluff, slight Angst

Warnings: Sexual harrasment, derogatory terms for chubby people, mentions of blood, insecurities that lead to a bit of light self derogation (Please remember you're absolutely beautiful as you are <3)

A/n: The response on Hunger is insane. Over 700 likes?! I didn't expect much beyond a few 10-20 likes, thank you for all the love 😭 This is another self indulgent fic, more personal to me because I'm chubby myself so... I'm not super proud of the pacing tbh, but it's still pretty good, in my (biased) opinion, haha. I hope you enjoy it!!! ♡

also available on ao3!

When you joined the Straw Hat crew, you didn't expect to fall in love with the blonde chef.

Actually, when you joined them, you weren't in the mindset to think about love and silly crushes. Your island had been destroyed by the Marines for a 'good cause' and despite the Straw Hats' best attempt, you were the only remaining survivor. Luffy kindly offered you a place on his crew, and you joined as an assistant to Chopper, slowly learning from him.

The first few weeks after you joined were tough for you, who had never travelled outside of your island. It took time to get used to the environmental changes along with the emotional grief of losing all your loved ones. The crew tried their best to cheer you up in their own ways, and you would forever be grateful for every one of them for at least trying, even if their methods weren't the most effective for you. It was the thought and the sentiment behind it that counted.

But what did work for you was… food. Ever since you were a child, you had loved food and it was the way you connected to life. Though you were not the greatest cook out there, you were capable of making things that were edible and quite good at times. On the ship though, you never had to cook, because Sanji would always do all the cooking. Whenever you offered to help, to take your mind off the pain you were feeling, he would kindly decline, saying that he would make you whatever you wanted.

But he couldn't. The dishes from your island were not recipes known quite to the rest of the world. Hell, even you didn't know all of them, save for some of your favourite foods that you had learnt from your mother. So you snuck in after dinner and made a dish from your hometown. It wasn't the best food you ever cooked, but it still meant something to you, because you were reminded of home.

You wrote down all the recipes you knew into a book, and kept it close. Whenever you missed your home, you would sneak into the kitchen at night and make yourself something with your wonky cooking skills that made the dish taste different every time. Still, the familiarity was enough to comfort you and let you wallow in the grief at the same time.

Until one day, you couldn't find your book.

"Nami?" You called unsurely to the navigator, who was lying on the deck under shade next to Robin. Behind them, Sanji was serving drinks. The three looked at you in question and suddenly under the scrutiny, your confidence faltered. "Um, uh.. d- did you see a journal somewhere? I can't find mine…"

"The brown one?" She asked, pushing her sunglasses up into her hair. You nodded frantically, hoping she knew. "I don't think I did. Did you check under your bed?"

"I did," you whispered, feeling the sadness wash over you again. It's not like you didn't still remember the recipes, but your memory wasn't the best. Without the book, it would be hard to remember them all.

"Don't worry, we'll find it," Nami got up and reassured you, looking concerned. "Sanji. Robin."

The two of them nodded along and then the four of you were searching for it everywhere, until Sanji had to excuse himself apologetically because he had to go cook lunch. You could only nod, trying not to get down in the dumps again over a book, but it felt a little hopeless. Until you heard Sanji shout from the kitchen. The three of you ran over to find him scolding Luffy, your journal in his hand.

"I just wanted to see what was in it!" Luffy pouted, his rubbery hands swinging around to try and get it back.

"That's an invasion of privacy, Luffy!" Sanji looked angry, but you were too relieved about the fact that you had found the book to get upset with Luffy.

"It's okay," you said, reaching forward to get the book. "It's just… recipes, Luffy. From my hometown."

There was silence in the kitchen for a few seconds and Luffy's face dropped into a serious look.

"I'm sorry," he said, rubbing the back of his head sheepishly. "I thought… If I knew how to help you, you'd be happier."

It made you laugh softly, your heart warm at his kind intentions.

"Thank you, Captain," you smiled at him, eyes crinkling into crescent moons. "I am happy here. I just… miss my home, sometimes."

He wrapped you into a hug and Nami ruffled your hair a little. You smiled under the attention, holding the book close. Sanji for once was quiet, just staring at the book thoughtfully, though you didn't notice it then.

A few days after that event, Sanji called you to the kitchen before lunchtime. Curiously, you followed him to find… a plate of your favourite dish from your hometown. It was plated beautifully, making it look fancy and yet it still had that homey feeling to it. Sanji didn't say a word, just held out the chair for you to sit. You sat down in a daze, too focused on the smell of it lingering in the room.

It smelled like home.

And when you tasted it, you burst into tears. Because it tasted like home. It tasted exactly like your mom's. All the tears you had held back to not worry the crew were now spilling out without any end but you didn't care. Here, where only Sanji could see you, you let it all out. He didn't say anything, just placed a gentle hand on your shoulder and squeezed to let you know he's there for you. You turned around to face him, but the tears made it all blurry. Knocking your head against his stomach, you cried harder.

Sanji just held your head, carding fingers through your hair in comfort, offering you a handkerchief. That, you realised later, was the moment your feelings for Sanji began.

✿

After that day, you became a lot happier. Somehow, without words, just eating the food that Sanji made was enough to heal your broken heart bit by bit. Sometimes, he made extra because Luffy was curious and wanted to taste it too; and then the whole crew wanted it so Sanji made a few of your dishes for dinner. In that moment, surrounded by the smell of home, around your new family, your heart finally started healing.

You started noticing Sanji everywhere after you got used to life on the Thousand Sunny. From the small things he does, to the loud expressions of love he made, everything about him seemed wonderful and warm to you. Because you knew that beneath his overt affections for all the ladies, he was an infinitely kind, caring and observant person. How were you supposed to not fall for him, when he went above and beyond for you?

And yet, for all his admissions of love, you never believed that he could truly like you back like you felt for him. You were after all, not the prettiest girl around and you knew that. You were not slim like Nami or Robin, and it's not like you absolutely hated your soft and squishy body. But you wondered if Sanji would like you even though you weren't pretty.

All that self consciousness went out the window every time you were in his presence. He never made you feel less, or ugly– in fact, the way he spoke to you always left you a blushing mess. He made you feel special, and in the moment, it would be enough. Until you saw him fawning over Nami or Robin, and then the sneaky voice in your brain would whisper quiet thoughts comparing you to them. You had no chance with him, and you knew that.

And that was fine. You could live with that, couldn't you? You had to, because wanting more than you should never ended well. All it would leave behind is rejection, hurt and awkwardness. So you pressed down the feelings and acted as normally as you could.

The moment you realised that you loved Sanji was probably a memory you would never forget. Although it was unforgettable for you, it probably wasn't particularly that unique to others. That didn't matter to you because it was a memory you cherished ultimately.

It happened when the ship docked on a peaceful little island. Everyone else was going out to enjoy their time, and you wanted to spend that time with Sanji. So, casually, you made your request.

"Sanji?" Your timid utterance of his name got an instant reaction from the chef, who straightened up and looked at you with hearts in his eyes.

"Yes, (y/n)-chan?" He asked, tilting his head slightly.

"Um, you're gonna go grocery shopping, right?" You had seen Nami complaining while handing him the money for the shopping.

"That's right," he leaned closer, almost too close but not quite into your personal bubble. Still, the proximity was enough for you to smell the mild smell of his perfume that left you a little weak in the knees. "Did you want me to get something for you, sweetheart?"

"I just," you hesitated, suddenly scared that he might realise your feelings and get disgusted. No, Sanji wasn't like that, you had to remind yourself. He would never treat you unkindly, even if he knew your feelings. "I heard you always do it alone. I thought you might enjoy some company?"

The hearts in Sanji's eyes disappeared as he stared at you like you were speaking gibberish for a few seconds. Under the intensity of that stare, you fidgeted and waited for his response.

"You're too kind, (y/n)-chan!" He finally cried, holding up your hands in his own bigger and colder ones. You flushed at the action, stammering out an actual gibberish response this time before you were whisked away by the blonde chef to town.

It felt all too much like a date to you, when you walked next to him. Sanji somehow made grocery shopping fun, or maybe that was just because of how much you liked him that anything with him was enjoyable? It didn't matter, you decided, because whichever it was, you couldn't deny that Sanji was equivalent to the sun on a cold day.

He enthusiastically showed you around, as if you were a tourist and he were a guide (when in fact, it was the first time in this town for both of you) causing you to giggle. Whenever you stopped to buy things, he would humour your curious questions on how to pick which vegetable and what cuts of which meat are the best. It felt awfully like a domestic date, one that made you smile when you imagined doing this with Sanji years down the line every week.

"And that's the last of it!" Sanji said happily, picking up the last bag. He was holding all the bags since the start, despite your insistence and now you were anxious, seeing him hold so many bags in his hands.

"Sanji, let me hold a few," you tried again, hands reaching out to take some of them. But Sanji just turned around so you couldn't reach the bags and grinned down at you.

"Nonsense, how could I let such a delicate lady hold such heavy bags?" His words made you flush in embarrassment. You were not delicate in any sense; surely, Sanji knew that too. And in spite of all his sincerity, the word just felt like it was mocking you.

"I'm… not…," you struggled to say, not wanting to argue but unable to keep it in either. With your chubby frame, no one had ever considered you as delicate.

"Let me do this for you, my love," Sanji's voice was soft and infinitely gentle, as if he was indeed holding something fragile in his hands. "I wouldn't feel good letting you carry anything when I'm more than capable."

"But Sanji!" you lightly whined, wringing your hands. "I don't feel good letting you carry all the burden either! Come on, just a few bags?"

Before Sanji could respond, you heard a scared squeak. Your brows furrowed and you looked around the marketplace, finding a man cornering a girl a few feet behind Sanji. She seemed uncomfortable and he was all in her personal space, saying something in a rough, sleazy voice that gave you shivers.

You were not a fighter, but the instinct to protect her overtook the rational part of your brain and you crossed the distance to where they were. Pushing him back, you stood in front of the girl to block her from him.

"Can't you see she's uncomfortable?" You said coldly. "Back off."

The man took an involuntary step back until his eyes fell on you. He reeked of alcohol and smoke and you felt like puking from the putrid stench coming off him but you held it together, trying to come off as more confident than you felt. His eyes roamed over your body shamelessly, and you felt dirty and uncomfortable from the action.

"Don't get in our business, fatty," he grinned, the smell of alcohol doubling the moment he opened his mouth. "Are you jealous that no one will ever give you the attention she's getting?"

The words stabbed you in the gut, even though you knew rationally that you were better off without the bad attention. That was the one perk of being conventionally average in looks– no one really looked at you, in good ways or bad. Or maybe you had just been lucky so far. But hearing him call you that, saying those words, even from someone like him, it hurt a small part of you. Before you could respond, a leg in black slacks came up and kicked the man down with such a force that everybody around paused, shocked by the sudden action.

Even you stepped back automatically, gasping when you saw that it was Sanji, still balancing all the bags perfectly while he had roundhouse kicked the man into the ground with so much force that you could see his teeth had become bloody and he was on the verge of unconsciousness.

"(Y/n)-chan doesn't need the attention of sewer rats like you," he said calmly, straightening back into position smoothly. "Her beauty only deserves the best of the best."

The sight of Sanji saying that with a calm face, his hair slightly tousled, his hands balancing the bags and his leg muscles rippling under the slacks – that image was imprinted in your heart and brain for the rest of your life. The words sent you into a shock, but when they finally processed, you couldn't deny the overwhelming realisation that crashed into you.

You love Sanji.

It wasn't just a silly crush, or something that could go away if you gave it time. The chef had unknowingly carved himself a place into your heart. He was taking over it, chamber by chamber.

"Sanji…" The word came out as a whisper, inaudible under the din of the market as people were talking about what was going on. You snapped out of it when you felt the girl behind you shuffle and you immediately squashed your thoughts down to examine them later. You turned around and asked her, "Are you okay?"

She looked very alarmed and upset, but she still shot you a grateful smile as she murmured, "Yes, thanks to you two."

"He didn't hurt you?" You asked, hands hovering over her as you looked to ensure if she was safe. A peek of crimson caught your eye when she raised her hand to rub her face. Her elbows had scraped against the rough brick wall in his tousling. "You have some scratches!"

"Oh," she turned her arms to look at the wounds, now feeling the burn after the adrenaline and fear response was receding.

"Come on, I'll treat it for you," you offered, opening your sling bag which had some emergency first aid. You usually carried it around for the members when you were off the ship, knowing that they were all too reckless to give a second thought to any wounds.

"Oh, no, no, I couldn't trouble you more!" She said, mortified but you gently shook your head, offering her a hand.

"It's no trouble," you reassured her. It took a little bit of convincing but she eventually calmed down and let you clean up the wound before you parted. Finally, you allowed yourself to look at Sanji, who immediately schooled his features so you wouldn't see the warm adoring look he was giving you the whole time. "Sanji… Are you okay too? You didn't hurt yourself, did you?"

"Do you think I'm that weak, sweetheart?" He smiled teasingly, but you felt the need to defend yourself.

"I know you are strong," you insisted, worrying your lower lip as you tried to look him straight in the eyes but kept getting flustered. "But even strong people get wounds. Just because they are strong, doesn't mean that they don't feel the pain. So tell me honestly, Sanji. Are you hurt anywhere?'

"No," he promised. "But if you're that worried, I'll let you check me all out back on the ship."

He ended that with a wink, and this time, you couldn't hold back the flush threatening to overtake your face again. Sanji couldn't help making the mood light again, but he had no idea of the effect his words had on you.

"Stupid," you weakly pawed at his arm, walking away before he could say anything. The blonde chef just laughed and followed you, face once again soft and fond as he watched you.

✿

Sanji may have been one of the only people onboard who was oblivious to your feelings, because a few of them did figure it out after watching the way you interacted with him. The first ones to realise were Nami and Robin, who called you out on it when the three of you were lying under the shade on the sunny deck.

"Really?" Nami had scrunched her nose, eyes critically analysing Sanji as he walked (danced, really) back to the kitchens after serving drinks to the three of you.

"Really what?" You asked, too busy sipping the cool drink to notice that she had noticed the way you had warmly thanked Sanji and given him a bright smile.

"Sanji?" Nami gave you a pointed look. The name made you freeze, and you tried to play it off.

"What about him?"

"Oh, come on!" Nami threw the slice of lemon that was on her drink. You caught it before it could fall on your shirt and muttered an indignant 'hey!' that the navigator ignored. "You like him, don't you?"

The words were enough to make you hide your face in embarrassment. Robin was smiling knowingly from the other side of Nami and you felt exposed, like they had both just turned you inside out.

"I do," you whispered after the few minutes of silent mortification that Nami had spent in self satisfaction.

"Why that loser though?" She said without any real bite. You knew she wasn't actually demeaning him; it was affectionate, in the way one would talk about their sibling's lovelife.

"Because!" You whispered, eyes running everywhere to check if no one else was around to hear you. "Have you looked at him? He's literally so pretty! He is kind, caring, and so, so thoughtful and generous. Without expecting anything in return, he is always giving and giving and he makes my stomach do silly things. He has curly eyebrows, Nami! I didn't think those could look good on anyone. Hell, I know I would look ugly with them, but he makes it work! It suits him, and he's so beautiful and I'm just–"

You collapsed onto your chair, your wet fingers from the condensation on the drink glass finding purchase in the dips of your face to hide it. Just talking about him was enough to get your heart beating fast, and the mortification of what you had just spilled to the two girls made you want the ground to swallow you already.

"You really like him," Robin's soft observation made you relax. She wasn't teasing you. You turned to look at her and caught the comforting smile she was sending your way.

"I was going to say you could do better," Nami turned to face you, swinging her feet around to your side, "but after hearing all that, I think… You two are perfect for each other. Despite all his antics, he has a good heart. And you'll be good for him, because you see him as he is."

"Yeah?" You couldn't help the small flower of hope blossoming in your chest.

"Really," Nami smiled, a rare genuine smile that was usually reserved for late night talks and reassurances in down times.

"You don't think…." You trailed off, fidgeting with the hem of your top, "he won't… find me good enough?"

"Are you crazy?" Nami snorted, picking up her drink. The melted ice had made the level go up so much that it was threatening to spill any moment. "You're better than anything he could dream of. I told you, didn't I? You would be good for him. Having someone like you in his life to ground him, I think there's nothing better than that. You're one of the sweetest people I have ever met. If anyone here isn't good enough, it's him."

"Hey now," you frowned, ready to defend Sanji but hearing his voice stopped you.

"Who isn't good enough for (y/n)-chan?" His face was stuck in a weird smile, like he was forcing it. He carefully placed the plate of pastries he had brought as he continued casually despite the silence, "I don't know who we are talking about but Nami-chan is right. No one is good enough for our lovely (y/n)-chan."

"Oh, look at that!" You hurriedly switched the topic, looking at the plate he had brought. The tiny pastries were adorable and colourful, looking so delicious that it would have made your mouth water if you weren't distracted at the moment. "This looks so good, Sanji. Seriously, if you keep feeding me like this, my weight will keep increasing!"

The last line became a teasing complaint, but you didn't expect Sanji to come to the side of your chair and lean down to where you were tilted. The proximity caused your eyes to widen, the blood thundering in your ears as he carefully tucked in a stray strand of your hair behind your ear, face so soft and warm that it make your insides feel like they were vibrating.

"All the more for me to love, so I would keep winning, wouldn't I, sweetheart?"

You choked, and the need to get away from him before you did something wild like grab him and kiss him got so much that your knee accidentally shot up and into Sanji's back, pushing him forward. The chef's eyes widened at the sudden attack, but he managed to not collapse on you by quickly holding onto the sides of the chair but now you were trapped in between his arms on top of the close proximity.

It made you so weak in the knees, and there was something hot and warm curling in your gut as you stammered gibberish, feeling like you were about to faint because Sanji's chest was practically touching yours and it was all too much.

"SORRY!" He hurriedly backed off the moment he got his bearings, and for the first time since you had come onboard, you saw him have a genuinely heavily flushed face. There was a little blood starting to leak from one of his nostrils and somehow, it helped you calm down. He was just as affected as you were. The idea was enough to lessen your embarrassment by a little.

"I'm the one who's sorry, Sanji," you said remorsefully, hiding your face completely in your hands this time. "I kicked you!"

"It wasn't on purpose," he said, right hand coming up to hide the blush on his own face. "I'm sorry for… for making you uncomfortable, (y/n)-chan!"

Uncomfortable? Did Sanji have any clue just how comfortable you actually felt? The problem wasn't that you were uncomfortable in the proximity; it was that you were too comfortable, to the point that you never wanted to leave. But that would be a dead giveaway of your feelings, right?

"Okay, this is just painful to watch now," Nami sighed, jolting the two of you. You had nearly forgotten that she and Robin were right there, and they had seen everything. She looked at you unhappily, mouth set in a tight line. "How about you two get a room and make out there?"

"Nami!" You cried out. She really just gave away your crush like that?!

"Just be grateful I'm not demanding money to make up for what I just had to witness," she sniffed haughtily, swinging her legs back onto the chair and pulling down her sunglasses. "Seriously, you two, go talk shit out. Or else, knowing you, you will just be awkward around each other and that's gonna be even more painful to watch."

She wasn't totally wrong. You were planning to avoid him, possibly by jumping off the Sunny and drowning to death since you didn't know how to swim. But that wasn't really a solution and even you could admit that.

"W- What's there to talk-?" Sanji seemed a little scared, wide eyes glancing between the three of you. Nami ignored him, and you were too flustered to look him in the eyes. Nami's suggestion was essentially for you to come clean, wasn't it? But that was easier said than done. The fear of rejection and the eventual awkwardness was gripping your insides in a chokehold, and you couldn't move your feet even if you tried.

"Sanji," Robin said calmly. "Pick up (y/n) and go to the kitchen."

"Huh?" You were startled at her words. Pick you up?! No way! "No, no way, I'm too… I'm too heavy, there's no need for that!" Even as you said that, you couldn't actually bring yourself to move.

"I don't really get it," Sanji admitted, looking between the three of you as he spoke, "but I can do that. (Y/n)-chan?"

"No, Sanji–" the protests died down the moment he bent down and picked you up like you weighed nothing. Even as he walked you across the deck, you couldn't help but think that it was kind of hot just how easily he picked you up. "Sanji…"

He didn't look at you until you were in the kitchen and the door was closed behind the two of you. He walked over to the table and then carefully placed you on it, as if you were a teacup made of fine china teetering with tea. Finally, he let his clear blue eyes stare down at you, the expression on his face more vulnerable and exposed than you had ever seen on him.

"Sanji?"

"I know I made you uncomfortable," he said quietly, backing away. His hands came up to rub away the blood but it only made it spread around and you winced at seeing that. You never wanted to see any blood on Sanji, if you could help it. "I touched your… you. It wasn't my intention, I swear! I just, I wanted, I–"

He abruptly shut up, looking frustrated with himself.

"Sanji."

He didn't look up, fists clenching at his side the moment you said his name.

"Come here, Sanji," you whispered, holding out your hands to beckon him closer. His eyes flickered over your face, as if trying to gauge out what you were feeling, even as he followed through your request without a second thought. You pulled out the handkerchief he had given you long back, and wiped away the blood over his upper lip and cheeks carefully before you picked up his hand. The thumb was bloody too, so you gently held the limb in one of your hands and wiped it with the other. "You didn't make me uncomfortable, Sanji."

He stayed quiet as you continued to wipe it until it was all gone.

"Didn't I?" He said the moment you were done.

"No," you said, looking up at him. You didn't let go of the hand, though you dropped the handkerchief beside you. Somehow, holding his hand seemed to give you the courage to make the admission Nami had told you to. "I… Sanji, I like you. A lot more than I ever thought it was possible to feel towards someone. I like you so much that it physically hurts when I see you flirting with other women. I like you so much that my heart feels warm whenever you are around, and I feel so safe in your arms that I never want to leave. I like it when you are close to me. But I know that you don't like me like that, so whenever you get so close, and I can't help but want you so much, it's painful for me. I never want to let you go."

Sanji's eyes darkened with every word you spoke, a gradual change that you didn't notice at first because you were all in over your head. His hands hovered around your waist as you finished.

"Who told you?" His voice was a little hoarse, and he cleared his throat the moment he realised how desperate he sounded.

"Told me what?" You asked timidly, looking down at your lap.

"That I don't like you?" Sanji's voice was a broken whisper like yours had been. "I have never heard anything more untrue than that. All this time, I wanted you but I kept my feelings to myself. Because you deserve so much, so much more than I am, so much more than I can give. I wanted and I wanted and I felt so greedy, wanting more and more of you, more than you would let me have– I wanted anything you were ready to give, and I also wanted everything you have to give. I thought you wouldn't want someone like me, when there are so many better options around for you–"

"What?" You couldn't help but laugh. All his words were making you delirious; this had to be some wild dream you had conjured up. It didn't feel real. None of it did. "I had better options around? Sanji, I was so sure you would never look twice at me! I never felt like I was pretty enough, or good enough to get your attention and you're telling me… I had better options? That's so–"

You kept laughing, body shaking from the weight of the laughter. Sanji stared at you, unsure hands still hovering around you. His fingers twitched from holding back the urge to pull you into him.

"You are the prettiest girl I have ever seen," he mumbled. "Not good enough to get my attention? Darling, you have had all of my attention ever since I met you. No other woman could compare to you from the moment you made your place in my heart known."

"Did I really have all your attention?" You asked, letting your insecurities bubble up. Now that you were both being honest, it was better to get it all out of the way, right? "Even when you looked at the other women…"

"I never looked at them the way I did you," his words were sincere, and in that moment, they were enough. You looked up at him, and your body broke into shivers the moment you realised the heat in his eyes as he stared down at you; like you were some unique dish he was finally getting the chance to eat after years of craving it.

"I didn't want the other options, Sanji," you whispered, the volume enough for the proximity you were in. "The only one I ever wanted was you."

You held his collars and pulled him in, and it was like he finally snapped, now that he had permission. His hands immediately grasped at your sides, gently holding the soft flesh there as he kissed you. And now it was your time to give and give, while he took from you like your lips were spilling with ambrosia and he was determined to get every drop. His warm breath fanned over your lips and the goosebumps on your skin rose again, your fingers tightening around the collars of his shirt.

When he let your lips go, he was greeted with the sight of your flushed and pleasantly buzzed expression, like you were drunk on him. Seeing you like that, because of him, it was enough to get him groaning.

"So beautiful," he whispered, leaving feather light kisses all over your face. "So gorgeous. All for me. All… for me to have?"

"Yeah," you whispered, looking up at him and seeing the devastated yet over-the-moon expression on Sanji's face. Even without words, he could always just cleave into your heart and press himself within its walls like they were made to fit him, and only him. "You can be greedy. Take all you want. I'm all yours."

°•❀•°

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eyrieofsynapses · 4 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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