#all might's teacher arc | Explore Tumblr Posts and Blogs

plusultraetc · 5 months

Note

Saw the tags on the Toshinori post and do you have more to share?? Any insights? If so I’d welcome hearing them 😭 He really is so self-sacrificial and it hurts but it’s truly at the core of who he is

This has been sitting in my inbox for almost a week because I needed to make a futile effort at organizing my thoughts into something coherent--but this is as organized as they're going to get for now! Thank you so so much for the ask though bc I do love to yell about MHA <3

(Obligatory reminder that I'm watching this show in such a confusing order so if what I'm about to rant about has been addressed before and I'm harping on it unnecessarily I Am Sorry.)

(For anyone curious, this is the post btw)

SO. It feels relevant to mention that my sister and I were talking about All Might in the first place because we were talking about MHA Moments That Haunt Us. For me, it's the 'I am not here' sign hanging around the neck of the All Might statue in Kamino Ward after the Paranormal Liberation War. It literally lives in my brain rent-free 24/7 365 days a year, especially with the AM vs AFO fight being relatively fresh in my mind. The reversal of All Might's catchphrase and all it represents hurts, but to display it at the site of his 'last stand' in Kamino? That's brutal.

All Might vs All For One and how that rematch plays out is so so important to the story for so many reasons, but one of them is that the fight itself is a sacrifice. Toshinori gives everything he has, short of his life, to defeat All For One. He gives up his physical strength, his public image as the unbeatable Symbol of Peace, and, effectively his Quirk ("Goodbye, All For One. Goodbye, One For All" haunts my every waking moment, still!)

This battle is also the culmination of years of All Might's life and heroic philosophy (because Toshinori has been both practicing AND preaching self-sacrifice in the name of the greater good since we met him. It's what he thinks a hero does). Kamino is the sacrifice to end all sacrifices, if you will. Yes, he does get to walk away from the fight with AFO, but he walks away irrevocably different, almost unrecognizable. He's forced to totally change his focus and his mindset and his life. Everything he has given up is made literally visible in the deterioration of his body.

But most most importantly, All Might's sacrifice at Kamino was... all for nothing. Even if AM defeated him in that moment, All For One is free less than a year later. The world is in shambles. People are afraid, and their faith in heroes is crumbling. Heroes are afraid, and this time, they have no idealized symbol to rally behind. When Dostoevsky wrote "Your worst sin is that you have destroyed and betrayed yourself for nothing," he was talking about All Might btw.

Toshinori gave this fight (and his career, and being All Might) everything he had, and it still wasn't enough. He sacrificed so much of himself, and so much of how he perceived himself and his purpose, and he didn't even save the world. He just bought them time--and not much of it. I think that's why he's so desperate to keep fighting, no matter the cost, no matter what condition he's in--even 'quite literally half-dead.' He can't let Kamino be the Symbol of Peace's final stand, because Kamino was ultimately for nothing. Instead of saving the world, it has been reframed through the sign on the statue as All Might abandoning the world. And ever since then, he's been scrambling to prove that he is still here.

(There's also probably something here about Sir Nighteye telling him that he was going to die. Since Nighteye used his Quirk on him, Toshinori has been anticipating sacrificing his life for good. Knowing that his entire hero career is effectively a fight to the death has probably maximized his self-sacrificial tendencies.)

#ask #yagi toshinori #bnha all might #mha all might #love of my LIFE #i had more bullet points to include about all might's philosophy of self-sacrifice as both a hero and a teacher #but then i was writing random notes about all might as a product of hero society as opposed to a pillar of it and i felt like that one vide #of the old man going '90% of the time i have no idea what the hell i'm talking about'#it wasn't strictly relevant to this ask but maybe one day it will be it's own post bc toshinori messes me up when i think about him #for longer than 0.5 seconds #this is so word vomit i'm so sorry #liza blather #AND ANOTHER THING. a lot of the pros are self-sacrificial to an extreme (i made a web weave abt it) but all might is one of the few #who actually makes it his PHILOSOPHY. like he passes on the idea of setting yourself on fire to keep others warm as a Good Plan #which is NOT a criticism of him OR his fault it's what he LEARNED to do just like #i can't really blame the ua faculty for the sports fest as messed up as it was bc like. half of them are probably ua alumni. they #probably had their own sports festival. this is just like. not registering as abnormal to them.#okay now i will stop #one thing about me is if i'm not talking about kamino i'm talking about the sports festival #and on the off chance i'm not talking about either i'm talking about the joint training arc

23 notes · View notes

decarbry · 1 year

Note

I love Yambureme so much, and I love the story! It got me thinking, how does 1-A react to their teacher being a Nomu now? How do they cope with losing their homeroom teacher and likely needing a replacement?

We'll see a bit more of their individual reactions in this next chapter but in general most of class 1-A use it as fuel to the fire of becoming heroes. It puts a much more dire spin on their education, especially immediately after during the sports fest. Everyone is fired up and serious and unfortunately find it difficult to enjoy themselves.

Midnight and All Might take on a joint homeroom position for the class in his absence. It really helps the class keep it together because Midnight can tell them stories about Shouta when he was young (even though he might be a little cross with her for it) and bolster their confidence that his self-built strength will keep him alive until he's brought home.

#nomu aizawa #Yabureme Aizawa AU #aww HEHE I'm glad you like him <333 #boku no hero academia #my hero acedamia #text post #in terms of learning he's a NOMU...#they want to actively help bring him back #the reveal comes around immediately after the forest arc when AFO vs OFA #and eventually they ask Mic to let them help out #adding: this also brings them all closer to Midnight and she really bonds with the students #so does All Might but he's still so focused on Deku that he's not as prevalent as Midnight #she's not just a subject teacher anymore she's holding them all together

83 notes · View notes

soupdreamer · 9 months

Text

tao x elle (explodes)

#tao is literally me i have not related to a character so hard #those scenes in the trailer with them???? i’m gonna combust they are so adorable #them running in the louvre?? elle telling tao to get a haircut??? tao getting all embarrassed when elle knocked??? the yearning????????#love nick and charlie and tara and darcy but oh my god THEM…love is real again #my faves my besties #they’re so fucking sweet oh my god #also the teachers!!! cannot wait for their storyline as well!!!!!!#i lost interest in heartstopper for a while but idk i’m starting to like it more again #“oh ur being gay carry on” can’t believe i get to hear that with my own ears. kizzy edgell i love you #also tara/darcy going through a rocky path????????? if anything happens to either of them i will do something that ends up on national tv #need something lgbt to happen to me soon i can’t stand watching charlie and nick be sappy and shit without feeling lonely and sad!!#what is wrong with me!!!!#also why is ben hope still here nobody gives a shit about him lol he’s not even relevant at this point!!!#heartstopper #haven’t mentioned isaac and imogen yet but i love them dearly i hope they get good arcs this season #i know isaac might have an arc with him realising his aromaticism or something along those lines?? love that for him #i hope imogen’s treated well this season she’s sweet #same with the new characters!! and sahar my bestie!!#paris trip is my favorite storyline i hope they do it justice #valeramblings

10 notes · View notes

goldenliartrash · 2 years

Text

Currently considering rewriting the entirety of my hero academia

#partner made me watch it. we're currently on episode seven because I won't stop complaining about plot holes #my vision is a 52 episode training arc in which deku and all might develop a tangible and meaningful teacher-student relationship #deku finally gets the paternal figure he lacks and all might finally finds reason to live and keep on going despite his terminal illness #there's a beach episode after everything is cleaned up and a Christmas episode in which all might gifts deku something of his #something deeply personal from back when he was starting out as a hero its all very emotional #then after that deku aces the written exams but fails the physical one and instead of rescue points he gets in thanks to all might #bc he recommends him. this greatly frustrates deku bc on one hand he got in but in the other hand he wasn't good enough to do it on his own #and also this gives a legitimate reason for his teacher to hate him bc rn that poor excuse of a human being hates him just bc #that's all i got so far #mutuals i hope that you'll still want to sit next to me at the cafeteria table now that i started watching anime again :(

2 notes · View notes

sneezypeasy · 2 months

Text

The Lightning Scene, How Azula Targeted Katara (of All People), and the Doylist Reason Why That Matters

Mention Zuko's sacrifice for Katara in Sozin's Comet Part 3 as part of a pro-Zutara talking point, and invariably you'll get a Pavlovian response of:

"But Zuko would have taken the lightning for anyone."

(Not to be confused with the similar-sounding Pavlovan response, which is "Zuko's sacrifice ain't shit compared to a mouth-watering, strawberry-topped meringue dessert"*, which is actually the only valid counter-argument to how the lightning scene is a bona fide Zutara treasure, but I digress.)

Now, I've talked in depth about how the lightning scene is framed far more romantically than it had any right to be, regardless of how you might interpret the subject on paper; this is an argument which I still stand by 100%. That Zuko would have gotten barbecued for anyone, and that he was at the stage of his arc where his royal kebab-ness represented his final act of redemption, doesn't change the fact that the animators/soundtrack artists decided to pull out all the stops with making this scene hit romantic film tropes bingo by the time it played out on screen.

(I mean, we stan.)

There's also a deeper level to this conundrum, a layer which creeps up on you when you're standing in your kitchen at night, the fridge door open in front of you, your hungry, sleep-deprived brain trying to decide on what to grab for a midnight snack, and quite inexcusably you're struck with the question: Okay, Zuko may indeed have taken the lightning for just anyone, but would Azula have shot the lightning at just anyone?

But there's yet a deeper layer to this question, that I don't recall ever seeing anyone discuss (though if somebody has, mea culpa). And that is: would you have written Zuko taking the lightning for anyone else?

Or in other words, who Zuko would have taken the lightning for is the wrong question to be asking; the question we ought to be asking is who Zuko should have taken the lightning for, instead.

Get your pens out, your Doylist hats on, and turn to page 394. It's time to think like an author for a hot minute.

(If you don't know what I mean by Watsonian vs. Doylist analyses, and/or if you need a refresher course, go have a skim of the first section of this 'ere post and then scoot your ass back to this one.)

So. You're the author. You've written almost the entirety of an animated series (look at you!!) and now you're at the climax, which you've decided is going to be an epic, hero-villain showdown. Classic. Unlike previous battles between these two characters, your hero is going to have a significant advantage in this fight - partly due to his own development as a hero at the height of his strength and moral conviction, and partly because your villain has gone through a bit of a Britney Spears 2007 fiasco, and isn't quite at the top of her game here. If things keep going at this pace, your hero is going to win the fight fairly easily - actually, maybe even too easily. That's okay though, you're a talented writer and you know just what will raise the stakes and give the audience a well-timed "oh shit" moment: you're going to have the villain suddenly switch targets and aim for somebody else. The hero will be thrown off his groove, the villain will gain the upper hand, the turns will have indubitably tabled. Villains playing dirty is the number 1 rule in every villain handbook after all, and each of the last two times your hero's braved this sort of fight he's faced an opponent who ended up fighting dishonourably, so you've got a lovely Rule of Three perfectly lined up for the taking. Impeccable. The warm glow of triumph shines upon you, cherubs sing, your English teachers clap and shed tears of pride. (Except for that one teacher you had in year 8 who hated everybody, but she's a right bitch and we're not talking about her today.)

Now here's the thing: your hero is a hero. Maybe he wasn't always a hero, but he certainly is one now. If the villain goes after an innocent third party, there's basically no-one your hero wouldn't sacrifice himself for. He's a hero! Heroes do be like that, it's kind of their thing. The villain could shoot a bolt of lightning at Bildad the Shuhite, and the only thing that'd stop our boy Redeemed Paladin Bravesoul McGee from shielding his foxy ass is the fact that Bildad the Shuhite has the audacity to exist in a totally different show (disgusten.)

But. You're holding the writer's pen. Minus crossover shenanigans you don't have the licensing or time-travel technology to achieve, you have full control over how this scene plays out. You get to decide which character to target to deliver the greatest emotional impact, the juiciest angst, the most powerful cinematic suspense. You get to decide whose life you'll put at risk, to make this scene the most intense spine-chilling heart-stopper it can possibly be.

This is the climax we're talking about, after all - now is not the time to go easy on the drama.

So.

Do you make the villain target just anyone?

Or do you make the villain target someone the hero cares about?

Perhaps, someone he cares about... a lot?

Maybe even, someone he cares about... more than anybody else?

You are the author. You are the God of this universe. You get to choose.

What would deliver the strongest punch?

If you happen to make the inadvisable decision of browsing through these tropes on TV tropes, aside from wasting the rest of your afternoon (you're welcome), you'll find that the examples listed are littered with threatened and dead love interests, and, well, there's a reason for that. For better or worse, romantic love is often portrayed by authors, and perceived by audiences, as a "true" form of love (often even, "the" true form of love). Which is responsible for the other is a chicken/egg situation, one I'm not going to go into for this post - and while I'm certainly not here to defend this perspective as objectively good, I do think it's worth acknowledging that it not only exists but is culturally rather ubiquitous. (If you're playing the love interest in a story with a hero v. a villain, you might wanna watch your back, is what I'm saying.)

Regardless of whether the vibe you're aiming for is romantic or platonic however, one thing is for certain: if you want maximum oomph, the way to achieve that is by making the villain go after the player whose death would hit the hero the hardest.

And like I said, this doesn't have to be played romantically (although it so often is). There are platonic examples in those trope pages, though it's also important to note that many of the platonic ones do show up in stories where a love interest isn't depicted/available/there's a strong "bromance" element/the hero is low-key ace - and keep in mind too that going that route sometimes runs a related risk of falling into queer-bait territory *coughJohnLockcough*

That said, if there is a canon love-interest available, one who's confessed her love for the hero, one who has since been imprisoned by the villain, one who can easily be written as being at the villain's disposal, and who could quite conveniently be whipped out for a mid-battle surprise round - you might find you have some explaining to do if you choose to wield your authorly powers to have the villain go after... idk, some other sheila instead.

(The fact that this ends up taking the hero out of the fight, and the person he sacrifices himself for subsequently throws herself into the arena risking life and limb to defeat the villain and rescue her saviour, also means the most satisfying way this plays out, narratively speaking, is if both of these characters happen to be the most important person in each other's lives - at least, as of that moment, anyway - but I think this post has gone on long enough, lol)

This is, by and large, a rebuttal post more than anything else, but the tl;dr here is - regardless of whether you want to read the scene as shippy or not, to downplay Zuko's sacrifice for Katara specifically as "not that deep™" because "Zuko would have taken the lightning for anyone anyway", suggests either that a) nobody should be reading into the implications of Katara being chosen as the person nearest and dearest to Zuko, so that putting her life in jeopardy can deliver the most powerful impact possible for an audience you'd bloody well hope are on the edge of their seats during the climax of your story or b) the writers made the inexplicable decision of having the villain threaten the life of... literally who the fuck ever, and ultimately landed on someone who's actually not all that important to the hero in the grand scheme of things - which is a cardinal writing sin if I ever saw one (even disregarding the Choice to then season it with mood lighting and sad violin music, on top of it all), and altogether something I'd be legitimately pissed about if my Zuko-OTP ship paired him with Mai, Sokka, or just about anybody else 😂

Most importantly c) I'm hungry, and I want snacks.

*The Aussies in the fandom will get this one. Everyone else can suffer in united confusion.

#zutara #anti anti zutara #lightning scene ramblings #meta #long post

569 notes · View notes

radiocrypt-id · 3 months

Text

The bad kids haven't really looked too closely at the Rat Grinders (meta wise I know it's a commentary on different play styles and how shitty xp farming is and how op players/parties can become by doing the bare minimum if they put in the time while everyone else plays the damn game) but I find the split perspective problems absolutely fascinating. I can't wait for the Bad Kids to look at the Rat Grinders with envy and anger that the Rat Grinders got to live a normal highschool life without all this insane danger and experience being a teenager without it being the end of the world for them. Right now they just hate the Rat Grinders energy and are matching it back (which is a very high school thing to do. To have beef with a whole other group of kids and not even know why but you'll die on this hill because they started shit first)

Because to the Rat Grinders, from a purely outside perspective, the Bad Kids are fucking monarchs of the school, right? They skipped classes, ran around town, fought people, got arrested, hung out with a big devil? Every new staff member came at their recommendation? One of them has both her dads working at the school?? The destroyed school property, got teachers killed, straight murdered the coach? These fucking kids run around and are apparently scott-free? because the principal liked their chaos enough to let it go and help them avoid the police? To the Rat Grinders, the Bad Kids are untouchable. They're exempt from the law. They're liars, cheats and need to be humbled. It's unfair. From everyone elses perspective, it really does look like the Bad Kids have been given crazy favourtism.

Meanwhile, all of the Bad Kids have died at least once. They've been irreparably changed and are in a constant state of fight or flight. They assume everything is dangerous and anyone might be an enemy because for two goddamn years that was the exact case! They couldn't trust any adult first year! Literally anyone could have been infected with Kalina second year! who knows what happened with the Night Yord but I fucking bet they had issues with Yorbies pretending to be helpful just to kill them! Everyone, for two years, has been out to get them! They can't even sleep! And now they have to grind so hard or they fail. Adaine has a seemingly full time job after school basically every day because she literally can't afford to live? Fabian has taken on the most physically strenuous classes and sport one dude could and has dreams of also being a social legend because he's fucking lonely in that big house and he just wants to fill it. If anyone in the party fails or dies Riz is shit out of luck and wont ever get into a university? He so desperately wants his friends with him so he's working over time and ignoring his limits to make up for his party members not caring about the future. Fig is going through the strangest arc I've ever seen in my life? she's hard avoidant and taking three classes, so a 250% work load, because she's desperate to fill her time so she can't think about all the other work she has to do that if she ignores too long could crush her under the debt of her band from her label, or how alone she feels without her girlfriend around. Gorgug is so desperate to prove himself that he's doing four years of school work in one, trying to play catch up and also prove himself at the same time, he's taking it all so seriously but also is so fucking tired. And Kristen. Mother fucking Kristen "hey girlie" applebees. Expected to dedicate her life to a god with no direction, with the weight of failure being her gods death, while also being in school and also at your friends insistence needing to run for student body president and getting your priorities so mixed up and being completely left behind by her peers who didn't have to rework their entire world view and understanding of life in the span of a few months every few months.

The Bad Kids are in a terrible place. They're suffering. I want them to just say it out loud, to stop pretending they have it handled and are fine. I want Riz and Adaine to yell at the party to get their shit together. I want Fabian to tell someone how alone and abandoned her feels. I want Kristen to scream at Cassandra that she agrees, that it's not fair, she's just a kid, how could she be enough all on her own with no help? It sucks a god can only rely on a child, for both the god and child! They're both suffering from this arrangement! Neither is happy! I want Gorgug to beat the shit out of Porter with his inventions and rage at the same time, to make the best shit and use it in the most stunning way anyone has ever seen. I want Fig to finally get some freaking help, to have her teachers and parents reach out in a meaningful way and stop telling her to figure it out alone because clearly the pressure is too much for her to handle and she's drowning. I want someone, anyone, to look at the Bad Kids and tell them to stop. To help them. But I know it wont be that easy. I know it'll be the Rat Grinders yelling at how unfair it is the Bad kids get everything while they're on the sidelines that'll get under the Bad Kids skin and they'll yell about how awesome they are and that they didn't ask for any of this shit to happen to them and to fuck off. I know it's gonna get so much worse before it gets better. I know they'll figure it out and that it'll be a painful road there.

#dimension 20 #dimension 20 spoilers #dimension 20 fhjy #dimension 20 fantasy high #d20 fantasy high #fantasy high #fantasy high junior year #d20 spoilers #d20 fhjy #d20 #kristen applebees #figeroth faeth #riz gukgak #gorgug thistlespring #fabian seacaster #adaine abernant #somebody help these kids man #they're being failed by the system #words

933 notes · View notes

kizzer55555 · 22 days

Text

DPxDC: Jarro Adopts an Alien

Ok, so Danny has a space obsession and a protection obsession (I headcanon that as a halfa, Danny has two obsessions like all Halfas do which makes them unique to other ghosts.) and so while he can get his fill protecting people in Amity, he struggles with his space obsession. Sure, he can look up everything he can about space and the stars on the internet. He can stay up until 2 am looking at the stars (who needs sleep? He’s a ghost, he can go days, or even weeks without sleep if he wants, same with a lack of air or food.) but it’s just not enough. He craves to learn more, see more. Just as Dani gets that itch to travel, Danny wonders. What would it be like to see the stars up close? Are they really as hot as a dragons fire breath? Hotter!? Or maybe they are so hot they are cold. What does it look like to see plasma dancing across the surface, or touch the gasses of Jupiter? Does Pluto have ice caves like the far frozen? How many planets are actually out there? What about Mars. There’s a whole species living there with a language and culture Danny can’t even fathom! Oh what he wouldn’t give to talk with martian manhunter or Superman.

And what’s stopping him from exploring this? He can fly. He doesn’t need air. He can go intangible if it gets too hot and he’s practically immune to the cold. He wants to touch a space rock! See if they are smooth because there is no wind or earth to rub against them and erode the surface. He wants to see what planets they come from. What minerals they might have. He wants to know if there are currents in space. All of these things are right there just above the atmosphere. Surely it couldn’t hurt to take a quick peek. So he does. During a particularly bad day Danny flies as fast as he can until the earth’s gravity looses its effects. Until his hair is floating as of it’s in water even more than normal. Until he can feel when breathing no longer became a choice (still not necessary though). And it…was beautiful. To be surrounded by space. To see the earth like this. Pictures just didn’t do it Justice. He flew across the solar system and as he passed planets, he longed to fly through them. To search every crevice and learn their secrets. But he had a bigger prize in mind at the moment. The crown jewel of their universe. The closest star he could find. The sun.

Danny was mesmerized. The plasma really did dance across the surface. Like a never ending performance of science and beauty. There were sparks that few in arcs. Danny flew down and played in them, making a game to see how many he could fly under. His ghost core purred in delight. His obsession had never been more satisfied. He spent hours out there. Just exploring what his solar system had to offer. So when he returned? He couldn’t just forget. Pictures and online science theories had nothing on the real thing. He wanted to explore some more. So he did. Every night he would go out and explore the cosmos. Flying from planet to planet. (Either the Martians were still around and Danny made friends with them, even learning their language, or he just looks at their ruins to learn as much as he can). And with both obsessions now being filled, Danny is more settled. More confident. And he can focus better. Everyone notices the change, even his teachers. They just think that he’s paying more attention to his education now. He’s even better during his ghost fights.

But Danny can fly awfully fast. And he soaks up information even faster. Soon his trips take longer and longer as he flies further out. Sometimes he can barely make it back in time for school. And he can't go every night. Sometimes the ghosts won’t wait for daytime so he has to make sure the town will be safe in his absence. Although he’s been able to take more trips ever since Valerie joined the vigilante ranks. But still, he’s getting farther and farther from earth each night. Until one day he’s visited every planet, every star, every comet or debris in their solar system. Which would be fine. He could deal with that if that was all there was. But it wasn’t. Danny saw the stars just out of reach. He saw places the Milky Way was leaning towards. He saw just the barest hints of new solar systems with new planets and stars. And he knew of legends from lanterns that they had posted online. Heard tales from some scientists that have made better telescopes. And his core itches. It aches to know more. See more. Yet he can't go further. And this puts him in a sort of depression. Suddenly he’s back to his old self. Lagging behind. Distracted. Zoning out. Crashing into a few more buildings during ghost attacks. Yet he tries so hard to be satisfied with what he has. He can still fulfill his obsession…it’s just more like chewing on a granola bar rather than eating a decent meal. He’s almost becoming lethargic.

So one day he goes to Frostbite to see if there’s anything he can do to lessen the effects. But the yeti just takes one look at him and gives him the infimap. And suddenly Danny is in a whole new universe in seconds. The planets are purple. The stars are blue. He’s pretty sure there are furry blob-like creatures living on one of those planets. And suddenly he gets that itch, but holding the infimap, he knows he had time, so he lets himself go.

And for a while it’s good. great even. Since he can’t keep asking the yetis for the infimap, he goes over to Wulf to see if he’s up for an adventure. Most of the time he is and they go exploring the galaxies together. And then Wulf had the genius idea of teaching Danny how to make portals. It took a long time but soon, he could concentrate the surrounding ectoplasm enough to weaken it and pull. It took a while since Danny didn’t have ecto claws and would have to use his pure will. But this would allow him to follow his obsession anytime, anywhere. So it was only a matter of time. And once he figured it out? It was like something was unlocked. Danny had never before understood how Ellie could travel so much. But now he did. That feeling when you discover something new. When you add to your reservoir of knowledge. When the patterns in the universe just click. There is nothing Danny could compare it to. And to explore that whenever he wanted? It was so freeing. While Wulf sometimes still joined Danny’s adventures, Danny did most of his explorations by himself.

He meets various planets and aliens. So many different cultures. He learns thousands of languages. Tries all kinds of foods (and it’s a good thing his ghost self has an iron stomach and he’s basically poison resistant.) even found a whole comet where blood blossoms grew. (Which he most definitely avoided). And wasn’t that fascinating? To find out they were from space.

And then during his travels one day he met a space alien starfish.

It was actually a funny story. A meteor shower was about to attack a planet of talking blue monkey creatures with 4 arms. Danny immediately started diverting them and was soon joined by some lantern corps (which his inner fanboy wanted to talk to so bad.). And a tiny starfish in a…Robin uniform? Oh and the starfish could apparently do martial arts which was interesting to watch him karate chop a meteor. He could also talk directly into Danny’s head which the halfa found more interesting. So they got to talking and apparently his name was Jarro. He seemed to be helping the lantern corps as a ‘proxy from earth’ to make better use of his skills.

Danny would run into Jarro a few more times. Sometimes he was with Lanterns and sometimes he would just be exploring the galaxies. They started forming a pretty strong friendship and Danny would start seeking out the starfish alien to travel with him. He knew all kinds of space facts. Apparently he had an eidetic memory. When they explored, sometimes Jarro would just stick to part of Danny. Wrapped around his arm, his waist, sometimes just sticking to his back like a strange backpack. But they always had fun.

So Danny was happy. He could fulfill both obsessions and got a space pal. Everything was great!

Until the GIW caught him.

It would probably be the worst day of his life. There was an explosion in the lab. Something set up by them after they realized Danny frequented that place often. So they set a trap and blew it up. Thankfully, Jazz was at college during this but both his parents were home. When the explosion went off, Danny had tried putting a Barrier around them all. It took everything he had to maintain it. That’s how they found out he was phantom. Danny had a few moments where his parents said they accepted him but he couldn’t hold the barrier for long. His parents said that they loved him and then everything went green. He woke up in a lab, tired and injured. His only saving grace being that he remained in phantom form. And he was determined to remain so.

Danny’s time at the GIW was a haze but eventually, he managed to escape. Bleeding, and tired, and still recovering from the burns in the explosion, Danny made a portal straight to Amity. Only when he got there, it was a ghost town. Streets were empty, buildings were boarded up. Even the Nasty Burger was deserted. As for his house, there was nothing but a crater left and some scattered debris. Danny looked everywhere but there was no one. No Jazz. No Sam. No Tucker. No one. and he was tired. And everything hurt, and he needed a friend. Someone he could trust. So in a daze he made a portal and tried to just project safe. Safe safe safe. Somewhere he knew he would be protected. And so Jarro got a surprise when his space buddy suddenly popped out of a green portal, bleeding green and clearly passed out. He didn't know what to do. He didn’t know how to help him. But Jarro knew someone who would.

So with a speed never before seen from a tiny starfish, he flew to earth. Bringing his friend straight to his father. Because surely batman could help!

And with his appearance, the green blood, the knowledge of space facts. The lack of wanting to talk about where he came from (and the nightmares crying out for his parents). This is how the bats became convinced that Jarro brought them an injured alien.

#Dpxdc #dcxdp #Kizzer’s ideas #Danny has space and protection obsession.#Danny can make portals.#Good parents Fenton. But they die. (Sorry.)#Danny and Jarro are space brothers #The bats think Danny is an alien. Danny is unaware of this. Actually Danny is unconscious. He’s not aware of anything.#Danny is very confused why he wakes up in a mansion with a billionaire.#Amity Parkers have slowly been moving away because of ghost attacks. But at the time it was manageable.#When the Fentons house exploded and caused the first casualties everyone evacuated. Making Amity basically get shut down.#Amity becomes a literal ghost town.#Jazz Sam and Tucker think Danny died in the explosion.#Jazz was actually there. She got caught in the edge of the portal explosion which wasn’t as powerful as the core of the blast.#Instead of killing her it changed her into a halfa. So now she has to figure out new ghost powers while processing the death of her family.#(She is put into foster care where she meets a certain speedster that also has red hair.)#Ellie learns of Amity but keeps traveling. She hates staying in one place and focusing on her obsession helps her grieve.#(Her other obsession is family.)#Jazz has never met Ellie.

508 notes · View notes

lookotherway · 2 years

Note

I don't think he is jealous of Deku. He states he was jealous of All Might as his origin but everything he has done post war implies he admires Deku, literally puts him on a pedestal, listens to everything he says as gospel and cares for him ad his safety and really is just admitting he can never turn into something those who possess true superhero like them.

it depends on how each person takes it, personally i don't mind either way since they all make sense to me. in this i do think endeavor's admiration and envy are clearer, more envy for all might and more admiration for deku. partly because he actually sees deku after his change of heart, and the fact that deku even with 7 quirks still needed to be taught and guided because he's a child, and the fact that deku had spoken for endeavor time to time. he literally doesn't bear any envy to deku, or maybe he does but it makes him retracted instead of furious (since, yeah, he during this time had already realized how badly influential his temper is)

his envy for all might however is more for the old all might before his retirement rather than the current all might. his admiration for him mostly at the early before it turned into jealousy. i'd like to say endeavor still admires the retired all might but he's emotionally constipated so the most canonical detail i can tell is he does respect all might.

so yeah, all in all, like i said, admiration and jealousy are likely to coexist to people like endeavor. it can't be clear as black and white. what endeavor admires and envies of is the raw strength and the pure heart, what he deems are needed to be a true superman (a criterion that all might accidentally set up). and all might, who has lost all of his power but still maintaining a bleeding heart, and deku whose heart is big and surely will one day attain what all might had once to be, are people endeavor will never become.

#ask #bnha #endeavor #thank you for the ask #and the fact that endeavor is a better teacher than all might #hey endeavor at least you beat all might in teaching #you beat gran torino too #idk what i babble #personally i still hate that vigilante edgy arc #although it kinda showed the thoughts endeavor and other heroes had for deku #but it's still an awful and unnecessary plot line #clarify endeavor's jealousy and admiration will be a bit complicated if you want to actually talk about it #since it's also tied with the flow of his character development too #it's clearly that what he felt toward deku is different from what he felt toward all might #despite they're both admiration and jealousy #i love endeavor in every universe #complicated...

1 note · View note

galedekarios · 5 months

Text

gale, elminster & mystra: new infos from the epilogue and how they tie in with what we know from the base game

so i was mulling over bits and pieces of new information we got from the epilogue, connecting it to the stuff we already knew:

1. gale's story of how mystra came into his life in the full release

gale jumping from from "i'm what one might call a wizard prodigy, who from an early age could not only control the weave, but compose it" to "such was my skill that it earned me the attention of the mother of magic herself" to then the teacher, muse and lover dynamic.

and from early access:

Player: What did Mystra’s attention feel like? Gale: Love. Player: He sounds like a very talented individual Gale: He was. Even though it was in Mystra’s affections that his true power lay. Player: Teacher’s pet, was he? Gale: He fancied himself much more than that. He fancied himself favoured above all others. Perhaps it was not quite love, but you see, the wizard was but a very young man. It was most certainly love to him. Mystra showed him the secrets behind the veils. The gossamer veils first, draped across the Weave. The delicate veils next, draped across her body. ‘Chosen One’ she whispered, as she slipped them off completely.

2. elminster's new letter from the epilogue

we knew before that elminster must have come into his life early-ish as well from this convo:

"While most know Elminster the legend, few know him as you have. He plucked you from obscurity. Offered you his guidance. His faith."

we also know that gale got to attend blackstaff academy.

now, with the new letters from the epilogue, we know that elminster met him at eight years old:

elminster coming into his when gale was just "eight summers old", gale's talents being as they were from "an early age", mystra involving herself in his life.

perhaps those two events happening are connected: the chosen of mystra. plucking him from obscurity. taking him under his wing.

perhaps on the guidance of someone? someone very clever? someone who'd later use said mentor to also deliver a message that needed to be conveyed with the utmost severity of her bidding?

someone who'd involve herself in gale's life, too? someone who needs his ambitions to be laid to rest because of a future she glimpsed at?

3. raphael's new epilogue lines if gale fails his ascension:

Raphael: I owe you a debt of gratitude. You were the spark of ambition that rekindled Gale's ambitions, after Mystra had so cleverly put them to rest.

i'm thinking thoughts not only about "cleverly", implying some sort of scheming here or manipulation.

a goddess involving her chosen, to oversee a child, so full of promise and ambition -

(a relationship forming between elminster and gale, which even by the point we see them interact in the game, speaks of the care and love they hold for each other) -

before she too involves herself: becomes his mentor, teacher, and he becomes her chosen.

making gale her chosen as a form of control, so he perhaps would not oppose her, like, for instance, even elminster is hardly capable of.

but not only did she make him her chosen, in the same breath, she made him her lover.

we know she very much is capable of using her chosen for her needs.

raphael is also very directly saying that gale's "ambition" reawakened after meeting the protag. so we are talking about mystra putting them to rest before gale met the protag, so the comment couldn't possibly be about his character arc during the game.

i already touched on this a bit earlier but:

4. we also know that mystra has foresight, being able to predict the future to some sort of degree:

History of the Chosen of Mystra: The reason why Mystra, the Goddess of Magic, invested a portion of her divine might into mortals is not known. One of the popular theories, and one that is gaining more support in light of the other goddess' during that period, is that Mystra foresaw the Time of Troubles (and her own passing at the hands of Helm) and chose to give some of her powers to mortals in order to ensure that her successor (the female mage, Midnight, as it turned out) would have a number of nearly immortal allies in the struggle against the schemes of the gods (the now dead Bane, Myrkul and Bhaal) who precipitated the Time of Troubles by stealing the Tablets of Fate.

(again, i want to reiterate that larian doesn't keep close to the dnd timeline at times, and has quite a few lore mistakes and even breaks. i know mystra was 'dead' around the time gale would have been that young. take it up with larian, please. i'm only trying to extrapolate from the things we are told in the game and the narrative in it.)

#gale dekarios #gale of waterdeep #elminster aumar #mystra #baldur's gate 3 #bg3 #bg3 meta #ch: gale dekarios #ch: elminster aumar #ch: mystra #vg: baldur's gate 3 #series: baldur's gate #meta: mybg3 #bg3 spoilers #bg3 patch 5 spoilers #grooming cw

617 notes · View notes

9trixieturner6 · 8 months

Text

So it wasn't for effect, shes actually visible. Hot dog thats nifty, I honestly was not expecting to get any more from them but hey I'll take whatever hagakure Horokoshi wants to give us.

Going back to the all might fight its a weird gimmick and some of the ways the quirks are used seems a little off, but I'd be lying if I said I wasn't enjoying it. Of course all might hits him with the "should have aimed for the head" as his suit is even more wrecked but hes still alive.

Love the call back to Star, once again I'll take any appreciation we can get for her. Now when you pin an enemy in place with concentrated lasers its called a Star and Stripe.

We also got baby afo as he's finally free of the heat beam. But oh whats this, something I wasn't expecting but am most happy to see. The come back of stain. I can't wait to see where the hell this fight ends.

#bnha 400 #mha 400 #bnha spoilers #mha spoilers #tooru hagakure #mha hagakure #hero killer #stain #all might's teacher arc #all might #class 1a #afo #star and stripe

56 notes · View notes

pikahlua · 7 months

Text

Uh oh, it's sleepy grumpy Pika. Y'all know what that means, right?

It means I have no filter for my opinions.

If you're dissatisfied with the way Katsuki's bullying of Izuku is handled in MHA because you expected him to be confronted by someone else about it in some way, it's probably because you are unaware of the difference between bullying and attitudes towards it in Japan versus in your country of origin. I believe everyone would benefit from researching bullying in Japan. They do NOT view it the same way the west does, y'all.

And I guarantee when you learn about it, you're gonna find some stuff that makes you uncomfortable and horrified, because it's gonna take a while for you to get enough information to give context to a lot of the history and attitudes you'll find. AND EVEN THEN, EVEN WHEN YOU HAVE THAT CONTEXT, you're still definitely not going to like it.

However, with any luck, you'll see how MHA's portrayal of Katsuki's bullying is shockingly sympathetic and heartwarming to many people. It's because, from the perspective of a Japanese audience, Izuku was not targeted and bullied by Katsuki in the way we're used to seeing such situations portrayed in the west. Izuku was bullied by everyone. His classmates, his teachers, the pro heroes he encountered, and society in general ALL participated in the bullying of Izuku, because societal pressures to conform in Japan are MASSIVE, and that can often manifest as one form of bullying or another.

Katsuki's bullying is just the one that the story chooses to flesh out. It's the one that Horikoshi develops. Katsuki is the bully that changes his own perspective first and drastically, the one who realizes the greatness in Izuku and accepts that and comes to his side long before the rest of society can catch up. It is largely understood by the Japanese audience that Katsuki in middle school didn't seek Izuku out and follow him home every day to beat him up; Katsuki mostly ignored Izuku until Izuku would do something to remind Katsuki of his insecurities, and so he would lash out. And no one else at let's say Izuku's middle school would understand the true reason why Katsuki would lash out because what he does resembles what all of Izuku's bullies do to him: pressure him to conform. Pre-One For All Izuku stands out as different and constantly tries to rise above his position to become something society decrees he cannot be. Therefore, a significant part of Japanese society will generally approve of attempts to make him conform, even when some of those attempts are harsh and cruel and unreasonable and reactionary. MHA presents a caricature of that in the form of Izuku's middle school.

The fact that Katsuki identifies this toxic behavior in himself later in the story and decides to actively do something to change it IS the radical part. It's the piece that fits into the themes of MHA. It highlights a generally-accepted behavior in society that maybe society should rethink. It's asking for society to reconsider how it pressures people to conform, that sometimes nonconformity is good or at least should be tolerated to some degree. That's why Katsuki's story focuses so much on how his old behavior stems from fear. From the perspective of a "properly-functioning" collectivist society, pressure to conform should be done for the good of everyone in the society, not out of fear and misunderstanding. Katsuki's character arc provides one potential map for others in society to see the light and get to where he does.

And that's to say nothing of how Japan's versions of confrontation or retribution often look different from how they do in the west, that many of the forms of confrontation some people in the western fandom cry out for with regards to Katsuki sound absurd to an audience in the know. The karmic punishments Katsuki endures throughout the story are often overlooked by western readers, and is it any surprise? That readers from some societies--societies that laud nonconformity, tolerate counterculture, openly criticize the systems that be, preach about individual freedom and responsibility and justice and fairness, and watch and make movies and TV shows and other media about how victims of bullies achieve their righteous revenge--often miss how MHA doles out subtle, divine, poetic, karmic consequences for Katsuki's actions? That such readers often don't feel satisfied by MHA's dramatic ironies which serve more to guide Katsuki in a harmonious, productive direction rather than vindictively punish him and rest on its laurels as it laughs at his deserved misfortune? I don't blame anyone for feeling unsatisfied when their own societies have built up their expectations in such ways, but I do hope to draw your attention to it.

Now, does that mean you have to like and accept the Japanese attitudes about bullying? That you have to agree with the framing of pressure to conform as beneficial and productive? That, if you're triggered by the lack of overt condemnation of bullying in the story, you still have to like MHA? That, if you have personal traumatic experiences with Japan's bullying situation, you should shut up about it and accept that it's a good thing? No! In fact, I personally would hope that you don't! I think everyone should always have their perspectives on ANYTHING challenged so they can rethink and improve them, and Japan's attitude towards bullying is no exception! (And MHA actually does that in its own way!)

(And even saying that, I will always acknowledge that my perspective and opinions on this issue are heavily colored by my own experiences in life and the society in which I grew up and the ideas to which I've been exposed. This is and always will be my bias.)

But the question of what's the correct take on bullying is an entirely different beast. The question at hand here is about understanding the story and its characters as presented in MHA. If you don't come at this with a basic acknowledgement of how Katsuki's story reads to a Japanese audience in-context, you're going to be upset about what you see (which is a reasonable reaction). But I think if you're going to read a story, it's only due courtesy to understand the context surrounding its creation before you try to hold it to far-removed, foreign standards. There's a reason literature classes go over the history and context surrounding the older works they study. MHA is a Japanese story written for a Japanese audience. To focus on how it does not adhere to the typical western narrative of a bully's character arc is to miss the point entirely. If you are reading the story outside of Japan in a language other than Japanese, it is being translated so that you can read a Japanese story, not a story from your own culture. It's rude and self-defeating to expect stories from other cultures to suddenly cater to your own.

TL;DR Understanding the social context that informs bullying in MHA just might actually make the story more comprehensible and enjoyable for anyone who dares to learn about it, what do you have to lose?

#wow i thought this post would be a one-liner #meta #pika rants #anime only friendly #katsuki bakugou #linguistics fun #?#more like sociology fun

679 notes · View notes

seravphs · 7 months

Text

lazybones

wc — 2k

tags — 18+ only, fem dom, sub gojo, riding

Have you been too hard on Gojo lately?

You peek at him from the corner of your eyes. He’s next to you on the couch, freshly back from a mission. Even though he’s just sitting there, he’s being annoying again. It’s his presence, the general lack of respect that exudes from him. You clench your teeth against the urge to scold him.

Playing teacher is a leftover habit from your school days. Yaga couldn’t control him, so you took it upon yourself. It took a lot of trial and error to figure out what made Gojo obedient. Taming the strongest is a delicate balancing act, never giving him too much of the carrot or the stick - right now, you might be teetering too much on the side of punishment. How long has it been since you gave him a reward?

Gojo might be irritating, but he’s still deserving of respect as the pinnacle of Jujutsu society. He works hard, even if he doesn’t show it.

You glance over at him again. He’s never injured when he comes back from missions, but sometimes there’s another problem he has to take care of. Since you first checked on his condition five minutes ago you've been waiting for him to ask for help or deal with it alone, but the visible bulge in his pants hasn’t gone away. The five minutes you gave him clearly wasn’t enough.

You glance meaningfully between his thighs. “Are you going to take care of that?”

“Nah,” he shrugs. “I’m exhausted. Too much work.”

Nodding, you return to your work. Halfway through shuffling papers, you realize that your threshold for normalcy has changed since knowing Gojo Satoru. He has that effect on people. Adapt or die.

The couch shifts. Exasperated, you look over - only to see Gojo rolling his hips gently, grinding on nothing. His mouth is open and his eyes are closed as he pants softly.

“Are you serious,” your voice is completely toneless.

One eye cracks open, brilliant blue all the way to its core. “Hurts,” he groans. “This is the first time all week-“

“Can’t be that bad,” you say, even as you wonder why you’re entertaining this conversation, why you’re not getting up and leaving. “You look like you have all the time in the world. Can you even get off like that?”

“No.”

“Are you stupid?”

He moans. You know he’s only doing it to fuck with you. “Yeah, be meaner,” he goads.

You don’t know why you’re saying it. “Do you need help?”

He blinks. “Sorry?”

“Forget it,” your face burns. “If you don’t-“

“No, no,” he rushes to get the words out. “Help is good. Help would be great. Can you just, ah, can you-“

You reach over to palm him over his pants. He shudders, his spine taut as he arches instinctively towards your touch. His eyes roll back in his head. How badly did he need this? You shove his shoulders back so you have more room to work, preventing him from hunching over you. He grins up at you as you climb over him, straddling his thighs.

“Shh,” you murmur. You don’t recognize your own voice. It’s sensual in a way you’ve never imagined you could be, especially not for him. There’s something soothing about it, melodic and low. “Don’t say anything. Just let me handle it.”

“Okay- ah, fuck,” he hisses as you grip him a little more meanly.

“What did I say?”

Wisely, he doesn’t say anything. He’s always been a quick learner, usually the first to pick up on lessons.

“Good boy,” you coo. A soft breath escapes through his half open lips. You settle on his lap, continuing to work him through pants until he can’t take it anymore and throws his head back, baring his throat. His Adam's apple bobs as he heaves for breath. It’s too tempting. You kiss a bead of sweat arcing down his neck, tasting the salt of his skin before you bite down.

His muffled groan would tell you how much he liked it even if he wasn’t shaking with desire. Your lips curve into a smile against his neck before gracing him with another piece of evidence to carry with him tomorrow.

When you pull back to survey him, there’s more red on his body than you left. He’s so wound up that he’s nearly bitten through his lower lip. You make a humming noise of disapproval at him, but it’s not a major concern when you have such an easy solution.

He grabs at you as you climb off of him, but you shove his hands away. “Patience,” you scold as you tug your stockings off. His eyes light up, but you pity him. He doesn’t know what’s coming.

You shove the black mesh into his mouth. “Keep that there until you can learn not to hurt yourself.”

Whatever complaint he can voice through the fabric is lost as you drag his zipper down and reach into his boxers. His cock drools as you stroke him lazily, not putting too much thought into his enjoyment. This part is for you.

It’s not enough, you know. He needs more stimulation. But you like the way he’s growing more and more needy. You want to drive him insane, want to see him lose everything for you. You want to peel back the persona of the strongest sorcerer and make him lose himself in lust.

It’s almost sick, the way you want to see him brought low. A part of you wonders if you need to consider some kind of professional help for the enjoyment you’re deriving from this, the other, greater part is simply enjoying the high color in his cheeks.

You know how to take him apart, piece by piece, and you do it with a beautiful, precise brutality. He breaks for you, lets you arrange him to your liking.

“You can speak now,” you tell him, tugging your stockings out of his mouth. He moans in relief.

“Can I- can I please come?”

“No one’s stopping you, sweetheart.”

He’s so out of it that he can’t control his expressions. You giggle at the face he’s making, almost sexier for how silly it is. You reach forward fondly to wipe the saliva at the corner of his mouth, doting on him.

“So messy,” you murmur.

The noise he makes in response is barely even human.

“I can’t, not like this,” he whines. “Why are you torturing me?”

“I’m not doing anything. You know what you have to do if you want to come.”

He grins up at you, dazed. “You’re really going to make someone as pretty as me beg?”

“It’s because you’re pretty that I’m making you beg. Now come on, gorgeous. Put that mouth to work.”

“You’re evil,” he whines. You can feel him twitching.

“And?”

“So mean,” there’s a slight hitch in his breath when your other hand reaches towards the nape of his neck, your nails gently scratching at his scalp. “You’re hurting my feelings, you know.”

Dragging your nail over the head of his cock produces a delicious shiver from him.“Come on, pretty boy. Don’t you want it?”

He drops his head again, hanging over the back of the couch. “Fuck,” he pants. “Yeah. Please. I’ll do anything, please let me come.”

“Try a little harder.”

He groans, throwing a hand over his eyes. “Damnit, what do you want from me?”

You pull away.

He yelps, scrambling towards you. “Wait. Wait! I’m sorry, I didn’t mean it. Please, come on?”

“Tell me something I want to hear, princess.” Your strokes are slow, matching the tempo of your conversational tone. There’s a ruddy blush already spreading across his cheeks, dappled strawberry on cream. You want to bite it, so you do. Noise tears out of his chest, entirely authentic surprise. It’s only a second before you pull away, no harm done but the idea of it. Gojo scowls at you.

It doesn’t change the fact that he got naked for you, or that he’s staying under you. You like him best like this, understanding of his place.

A monster of a man, tamed just for you.

“You’re obedient like a dog. Can you bark like one too?”

He gives you another scathing look which only merits a laugh.

“No? Maybe next time.”

You grip him a little tighter, rubbing your thumb into the sweet spot right under the head of his cock. He tries and fails not to twitch. It’s not good enough. You want to see him flail, sob, choke. You tease the sensitive tip and watch him crumble.

“Fuck,” he whimpers. “Fuck, fuck, I’m so close, please.”

His breath breaks on a moan, a strangled noise as he tries and fails to control himself. You love it, this part of him, still holding onto a quickly crumbling idea of pride or strength. It endears him to you so much you cup his cheek, comfort enough that he might be convinced to let go.

His next word is lost in the sound of a hiccup as tears begin to build in the corner of his eyes. You can sympathize. He’s at the point where pleasure feels too good and everything begins to feel too sensitive, too painful. His nerves, already more refined than the average person’s, must be burning, yet he holds on.

Not for much longer. You’ve built a rhythm now, stroking him fast, but he seems to love the manhandling. The rough treatment pushes him closer to the edge, closer to what you know he needs. His hips jerk with minute movements, trying not to drive you away once more. He wants to be good.

He’s practically drooling as you push him around. The slick noises of your palm against his skin quicken as his abs clench, finally unraveling for you. You keep at it, stroking him through it to the edge of overstimulation.

“Too much,” he whines. “It hurts!”

You slow down. “So you don’t want more? Too bad, I was going to let you fuck me.”

Gojo’s voice sounds ruined, but his hands are going to your hips instead of pushing you away. He tugs you even closer. You can feel him growing hard again, his cock pressed between your bodies. Even though he looks like he might sob if you keep toying with him, he nuzzles his head against your chest.

“More, Satoru?”

“Anything you’ll give me,” he promises.

You test him first, offering nothing to test the limits of his sensitivity. He doesn’t whine anymore, knowing by now to let you do as you please. His big hands are splayed over your hips as he helps you bounce in his lap, fucking between your thighs, but not where he wants.

“Can you even go again?”

“I told you-” You decide that he can. “Oh god-”

You’re hot and wet and tight around him. After so much teasing, his brain short-circuits. He said he could, but with the way he’s acting, you really don’t think he can handle it. You go to climb off him again, but Gojo moves before you can.

“No,” he whimpers, hands pressing you down harder. He bucks his hips up, trying to get deeper, trying to fill you up. You don’t know how he still has the strength to carry you, but he’s the strongest, after all. He picks you up just to drop you back down onto him.

You’re fucking like animals now, wet and messy. You can hardly hear anything over your combined moans and the noises coming from between the two of you, filthy, slick sounds. His hands are digging into your hips so hard that you can feel the bruises he’ll leave tomorrow.

Every drag of his cock against your pussy is bordering on painful as he chases his own pleasure, blind to everything but his need to mark you. You’re so full it aches, but beautifully, until it transforms into something else, satisfying an all-consuming need inside of you.

When you come, your orgasm wracks through your body. You clench down on him involuntarily, gasping as your pussy throbs around him. It ruins you, the way he presses up into you, trying to fuck you through it. Your thighs can’t stop trembling, your eyes rolling back in your head. You don’t want to imagine how you must look right now.

“Close,” Gojo gasps out. He’s been reduced to monosyllables for the past few minutes, all wit vanished from him. No sooner than he says it, his head drops onto your shoulder as he presses you down onto his lap, spilling inside of you. You whimper at the feeling, heat spreading through your core.

“What the fuck was that?” Gojo breathes shakily into the silence that ensues.

“Just- just shut up,” you reply. You hadn’t expected it either.

Gojo laughs and tucks a sweaty arm around you. “Were you hiding that from me all along? I mean, I knew you were into me, but-”

You do the only thing you know will shut him up. You kiss him. His eyes are hazy when you pull back.

“Um. Okay,” he says. “One more time?”

#sera writes #gojo satoru x reader #gojou satoru x reader #gojo smut #gojou smut #jujutsu kaisen x reader #jujutsu kaisen smut #ns.fw

606 notes · View notes