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#again none of this is canon
ghostlyghosti · 3 months
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“All the world will be your enemy, Prince with a Thousand Enemies, and whenever they catch you, they will kill you. But first they must catch you, digger, listener, runner, prince with the swift warning. Be cunning and full of tricks and your people shall never be destroyed.”
― Richard Adams, Watership Down Wanted to play with style a bit, continuing that line of thought with Oswald in such a world as Amaranthine. Kept thinking of this quote while I was designing them.
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hailsatanacab · 5 months
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Family Dinners - dpxdc
"Holy shit, you're Bruce Wayne!" Danny gaped, jabbing a finger at the man sitting at the head of the table.
The bustling dining room goes silent as everyone turns to look at him.
"Danny, who did you think was going to be here?" Tim asks, disbelief plain in his voice and Danny feels his face flush red.
"Sorry, I, uh, I guess I just never put it together. Tim Drake-Wayne. Wayne Manor. It, uh, makes sense now." He laughs sheepishly and scrubs at his neck before slumping back down into his chair.
"Well," Tim says with an indulgent sigh, "at least I know you're not just friends with me for my connections."
"Yeah, I'm really sorry, I just never thought about it, I guess."
Danny sinks lower as everyone around him laughs. Come to dinner, he said, the food is the best, he said, ignore the family, he said. Danny really wishes he'd listened to Tim and just ignored them—almost as much as he's regretting accepting the offer in the first place—but... he's having dinner with Batman.
Ancients, that's so weird!
The last time he saw Batman was in the future and, suffice it to say, it was not going well. There hadn't really been time for family dinners there.
Wait. Family dinners?
He peers around the table, openly gawking at everyone as it all clicks into place.
"Everything alright, Danny? Now realising who everyone else is?" Tim asks with a roll of his eyes.
"Uh... something like that..." Danny mumbles as everyone laughs again.
From further down the table, the smallest Wayne scoffs and clicks his tongue.
"I thought you said he was smart, Drake?"
"So, you all do it, too, then?" he asks, ignoring the jibe. Danny's only a little bit jealous as he thinks of how much easier they must have it, how much easier it'd be if his family had been on his side, too. "You all work together?"
"Nah," Dick says from across the table with a brilliant grin. "Tim's the only one that works with Bruce, we all have different jobs. I'm a police officer in Bludhaven."
"Disgusting." Danny blurts out without thinking—because seriously, what kind of self-respecting vigilante would also be a police officer?—before clapping a hand over his mouth. "Sorry."
The whole table laughs again, the loudest being the blonde girl a few spaces down from Dick. Look, Danny wasn't really paying attention to names when they were all paraded in front of him. Dick only gets remembered because his name is a joke.
Come on, Danny, recover!
"That's, uh, not what I meant, though."
"Oh?" Dick asks, cocking his head slightly to the side. Is it Danny's imagination or does his smile tense slightly?
"Yeah, I mean like, you know, in costume. It must make it so much easier to have everyone together like this."
"Costume? What do you mean?"
Yeah, Danny's not imagining it, everyone tenses up at that. It's really only now that he's realising that this probably isn't how he should bring up that he knows about their... night time activities. In fact, he probably shouldn't be bringing it up at all.
"Uuhhh..." Danny looks wildly around the table as he continues making his stupid noise. Think, think, think! There must be a way out of this!
"Danny?" Tim asks, looking concerned.
"Oh, Ancients, this isn't how I wanted it to go at all," he mutters, slipping even further into his chair. He's almost on the floor now and he so, so wishes it could just swallow him up.
His real first meeting with Batman was meant to be cool! He had planned to be Phantom, maybe save them from a tight spot, prove his worth as a mysterious and powerful ally as thanks for the help Batman gave him in the future.
"Danny, what are you talking about?" Tim starts tugging on his sleeve in an attempt to pull him back up from his pit of despair.
Eventually, Danny relents and sits up straighter, hiding his face in his hands and whining all the while.
"I'm sorry, I just didn't expect him to be here and it threw me off so now I look stupid and it's so embarrassing!" he wails, flailing his arms wide. "Why wouldn't you warn me that Batman was your adopted dad, Tim? Couldn't you have let me know?"
"I'm sorry, what? Danny are you alright? There's no way Bruce can be Batman, look at him!"
"Yeah," the blonde girl laughs from the bottom of the table, "look at him! That's a wet noodle of a man! Batman can actually do things, B is incapable of pretty much everything."
"Thank you, Stephanie," Bruce sighs, massaging his forehead.
It's... Those are the first words Danny's heard Batman say since everything went down and it's enough to knock him out of his embarrassment.
It's really good to hear his voice again. Especially now, when it's strong and healthy and full of personality—even if that personality is little more than a tired father right now—far better than how it had been, at the end.
Danny sits up, back straight, and grins. He's got this. He remembers it perfectly. Some people count sheep to fall asleep, Danny repeats his mantra to be certain that he'll never forget it.
"Gamma alpha upsilon tau iota mu epsilon, 42, 63, 28, 1 colon 65 dash 9."
Once again, the whole table falls into silence.
"Holy shit..." breathes the other D name (Duke? Danny's pretty sure he's Signal) from opposite Stephanie. "Isn't that...?"
"The time travelling code." The littlest Wayne says stiffly. "We have met in the future?"
"That's not just the time travelling code, Dami." Dick says, looking between Danny and Bruce. "That's the family time travelling code."
Danny's grin freezes in place.
"I'm sorry, what?"
"1 colon 65 dash 9." Dick explains, still flicking between him and Bruce. "It means you've been adopted into the family and we should all treat you as such, no questions asked."
"Tell you what, I'm about to ask a question." Danny says, dumbstruck. "You just told me it was a code to identify time travellers, not anything about being adopted! What the hell, B?"
Bruce looks about as shellshocked as Danny feels.
"We must have been close," he says finally, after opening and closing his mouth like a fish out of water a few times.
"No! Not that close!" Danny reels back, taking a deep breath ready to refute it all, but... "Well, I mean, you found me when I first got stuck, and you helped me get better despite being... And then we fought together against the, uh, bad guy, before he, um, he... before you couldn't."
An uncomfortable beat passes while they all pick up on what Danny tried so hard not to say.
"So, you're not from the future, then, you travelled there and came back?" Tim asks, breaking the tension and leaning forward with a glint in his eye.
"Yeah, it was a whole end of the world thing, but don't worry about it," Danny says with a hand wave, "It's all kosher now, won't ever happen."
"What did happen?"
"Seriously, don't worry about it, we cool."
"How long in the future was it?"
"About ten years? You were pretty spry for an old man, B," Danny laughs, wishing they'd get off the topic of what happened and get back to the adoption bit.
Everyone shares degrees of a cautious smile as they relax out of the shock, and Dick—whose grin is the biggest—says, "No wonder you got the family code, you're already riffing on him like one of us. How long were you there for?"
"A week, before I managed to get back to my present and stop him then."
"A week? Jeez, B, that has to set some kind of record, seriously."
"Oh!" Danny says, sitting bolt upright and blinking in surprise before pointing at Dick and bouncing in his seat. "You're Nightwing!"
"What?"
"That's exactly what Nightwing said when Batman told me the code! Makes so much more sense now."
Dick laughs and claps his hands, delighted.
"You were not formally adopted?" The grumpy small one—Dami?—asks, his face pinched.
"I didn't even know I was informally adopted."
"And your parents? Are they alive or dead?"
"Damian, stop—"
"They were dead in the future, but they're alive now." Danny says, looking down. He fiddles with the tablecloth, twisting the fabric around his fingers as he fights down the pang of sadness that he always feels when he thinks of them now. He forces a bright smile on his face and hopes it doesn’t look too strained. "I just, uh, can't talk to them much, anymore."
"Damian," Dick warns, "1 colon 65 dash 9. Treat them as family, no questions asked."
"This is Damian treating him as family, the little turd has no manners." Tim scoffs, rolling his eyes, but he gently bumps shoulders with Danny to knock him out of his funk. Danny can't help but send him a watery smile.
"I have the most exemplary manners, Drake, unlike some people." Damian spits, crossing his arms with a pout. "I was merely ascertaining his status to see how he could possibly fit into the family."
"I know this is all a bit sudden, Danny," Bruce smiles, ignoring Damian and reaching out to lay a warm hand on his arm, "for all of us. But if I felt strongly enough to give you that code after spending a week with you in the future, then you are more than welcome in this family, if you so choose it. I think I can speak for all of us when I say we'd like to get to know you a bit more."
"I know a threat when I hear it, Bruce." Danny snorts. "But, yeah, I get it. I'm sorry this is all so weird, it really wasn't how I wanted to find you again, but... I'm glad I did."
"So are we, Danny." Dick says, with a warm smile. "And formally or not, 1 colon 65 dash 9 means you're family. Welcome to the fun house! No take backs or refunds, sorry. You're stuck with us."
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ofswordsandpens · 4 months
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I'm sincerely very happy for anyone who is enjoying the show but every time I see takes that the show has improved the book characterizations or that the book characters are underdeveloped in comparison to the show...
#our experiences are very different lmao#pjo show crit#sure the show isn't completely out yet#but id argue that the characters (namely the trio) seem way more developed and well-rounded in the book by this point in time (episode 4)#and look im not saying every change the show has made is bad#but by and far there has yet to be a change to characterization that feels like an IMPROVEMENT from the source material lmao#the closest contender I'd say is show Percy does seem a tad angrier than book Percy#but again I wouldn't call that an improvement... its just different and I think that /change/ works because it feels like the same essence#but even that has had some issues because I feel like the show has inadvertently cut down some of Percy's canon book empathy here and there#I think the show has nailed Annabeth's pride and intelligence and her warped worship of her mother#... but they've also made her hyper competent to the point that she's not making half of the mistakes she did in the book#which ISNT good because book annabeth is smart but she isn't infallible#its a big point that she has the theoretical intelligence but none of the real world experience/application#she gets tricked by medusa and goes to visit the Arch just cause she loves architecture and that's okay!! she's twelve and a nerd!#I also dont like that they've cut/toned down her little crush on Luke#actually they've not even showcased the familial bond between annabeth and Luke either in the show so like lmao#and then grover#by now grover's fear of failure and repeating this past mistakes and wanting a license has already been acknowledged in the books at least#in the show?? not so much#and his canon book suspicions and wariness of medusa... were given to annabeth#like medusa in the book was Grover's moment to shine cause his instincts were right!#and in the book fight he even very intentionally attacked medusa#but his highlights there were cut completely in the show#and finally sally#...idk who that is in the show but that's NOT my sally jackson#percy jackson#mine
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sonik-kun · 4 months
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"If Jiang Cheng is all about debts, he should repay his debts to Wen Qing and Wen Ning!"
What debts? The two were from a sect that decimated his own. Be it willingly or not, they occupied the burned remains of his sect and helped the war effort on the Wen side (whilst assisting WWX and JC, but bear in mind, WQ only did it begrudgingly due to the risks associated with asissiting them. It's funny that y'all would jump to her defence whilst shitting on JC when she was in the exact same position he was in btw. But that's a debate for another day~).
Expecting him to pay a debt to the people that were, to at least some degree, complicit in numerous genocides is pretty messed up.
Even then, JC DID vouch for them to express his gratitude for helping him and WWX to escape and get their parent's remains back. But the other leaders shut him down when he did and scoffed at him. I feel like I've said this so many times on here, but he was in no position to argue any further on the matter. Especially when a more established sect leader like LXC was shut down, too.
As for the core transfer that he didn't consent to, how can he thank someone for that when he never knew it had happened in the first place?? Or asked for, for that matter?? The whole thing made him feel shitty anyway when he found out about it.
WQ and WWX, although both had good intentions, still had no right to experiment on him like that and keep this very invasive secret from him for so long, too. You can't just do something for someone without them knowing or consenting and expect them to repay that "debt" when you find yourself in a pinch. That's kinda like blackmail and is very coercive.. Something WWX and the Wen sibs are certainly not..
Then there's the situation with WN. Sure, he could be thankful for WN helping to get him to safety and treating his wounds (which, see my earlier point, JC did express gratitude.) But that opportunity kinda all fizzled out when WN killed JZX (I know it was an accident due to him being under the influence of DC but let's be real. That resentment is going to be there. Espeically since the topic greatly upsets JL soooo).
Even all that aside, you seriously can't expect JC to "repay his debts" and help WN and WQ out of that situation when the whole CW was against them. Helping them was suicidal and would bring on the wrath of the other major sects. And we all saw how that went for WWX (as JC rightly predicted)..
Had JC sided with the Wens and took them in to "pay his debts," he would have dragged the whole of his sect into the siege that happened soon after. This would mean more innocents would have been involved, and it would be the destruction of Lotus Pier all over again (and quite possibly the destruction of the Jiang, too). JC had to prioritise his own people. He would be a shit leader otherwise.
I feel as though some of y'all put some unrealistic expectations on JC when assessing his character. Especially when you compare him to the others in the story (returning back to my point I made earlier about him and WQ and how similar they both are).
On the topic of "debts" though, I would also like to argue that doing a good deed out of the kindness of your heart shouldn't be seen as a debt. And if you do something with the expectation that someone would do something for you back in kind, wouldn't that make you a shitty person? Is that what you're implying the Wen sibs are (or should be) ? Self-serving people who only help others if something is to be gained? 🤨
But what about the "debt" JC goes on about, you might ask? Oh, you mean the PROMISE that WWX made HIMSELF? That he would stay by JC's side? And be his subordinate? To fulfil his role as promised and expected of him?
That wasn't a debt.
WWX construed it as being one, but it doesn't fit the criteria, honestly. What WWX had was an obligation. He made that promise himself, and JC held him to it. It wasn't one JC forced him into as some form of servitiude, nor was it made in return for bed and board or something.
We know JC isn't truly about holding debts over others. If he was, he would have dangled his own sacrifice over WWX and used that to guilt trip him instead. Or force him to pay him back in kind. But he never did. Why? Because he loved WWX, and he didn't want him to feel "indebted" to him. Especially when WWX revealed his feelings of "letting go and moving on" to him.
You could go on forever about debts and who owes who what, but the thing is, each of these characters have hurt eachother in one way or another that at this point, the notion of who owes what doesn't matter anymore. The situation is far more complex than that. That's why all "debts" were dropped at the end, and JC and WWX just moved on. I feel that was the message MXTX tried to convey in her work. About moving on and letting go of grudges. Perhaps JC antis should take on that advice? And move on too?
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sysig · 13 days
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Time Loops are they/them culture (Patreon)
Bonus of my little guy in ISaT style:
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#Doodles#Pixel art#ISaT#Siffrin#Loop#And then I still don't have even a code name for smol and my time loop concept lol#I'm sure you can imagine my excitement upon seeing a time loop RPG <3#Not to be silly but the thought of either of us picking up the wavelength and running with it is fun to me haha ♪#I...may or may not have developed brainworms about it it's fine lol#Good characters! Good story! I'm always a sucker for a tragedy with bright spots <3 It's hard to even call the ending bittersweet tho hehe#It's very sweet! Like sugar :) Hehe#Shock of shocks I - person who has done this how many times now - liked the dynamic between Sif and Loop best haha#Is it spoilers if it requires past knowledge of my faves hmmm inconclusive lol#These were just introduction doodles - not even Getting Used To doodles yet a step before that!#Fun designs :D I like Sif's hair a lot <3 The way it's two-tone because he likes black! Adorable! And cowlicks hehehe#And eyepatch hehehe Sif's design is so fun ♪#What no my time loop shop keep lad having a hat like that has no bearing! I'm completely unbiased! Lol#For the pixel art I did directly just use Siffrin's hat in shape haha I just added the belt and buckle ouò#Man it's been too long since I've played with pixel art it's still so fun <3#Someday I'll get Aseprite. Someday#In the meanwhile it was fun to make their colour palette :D#I love that ISaT is in black and white canonically as well I think it's really cool ♪#Me when monochrome red 💕💖😭🤌💗#It is simply The Best colour palette out there I'm sorry others need not apply#Again my pencils and blood pen surely give away none of my biases because I don't have any lol#Hrmng I want SASASAP too pixel art cool - the glow up in ISaT is only strengthened by looking at the original closely!#Ah well I'll just admire at a distance until then <3
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ramblingtocope · 6 months
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vaguely obsessed with ppl who write fics that r "character whose story doesn't end x character who lives to end the story" and choose to not save the one who dies,, in other words "the one who lives x the one who dies."
like YESYESYES show me the tragedy of that love and how it doesn't save anyone, not even themselves. write about their moments together despite knowing that one of them will be their last. the ending can't be changed but the journey can be softer. and that ending can hurt even more.
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i cannot stop over-analyzing asoue netflix but guys. do you think that scene in hotel denoument when the baudelaires are trying to get everyone to leave the hotel that all of the side characters' reactions represent their fatal character flaws.
like how olaf's mentors immediately started berating him and calling him a disappointment just because they believed he didn't set the hotel on fire. so their fatal character flaw was cruelty.
and mr. poe and vice principle nero refused to take their blindfolds off, despite the situation, making their fatal character flaw their incompetence, which made them the series' definition of useless adults.
babs and jerome first tried to find a way out, but ended up panicking and staying in one place, so their fatal flaw was cowardice, the original reason neither of them were able to help the baudelaires in the first place.
with esmé and carmelita, it's a little more complicated, since olaf was able to trick esmé because of both her vengefulness and greed (which manifested in her obsession with the sugar bowl), but to some degree it was also about carmelita's stubborness and entitlement (which manifested in her choosing to stay with esmé)
and, finally, justice strauss, who attempts to stop the baudelaires from running away on the roof. i've always interpreted her fatal character flaw as naivety; she believes that all problems can be solved without breaking any rules. she trusts the system too much, which is why she couldn't ever fully understand what the baudelaires were going through, and that they really did not have a choice.
overall, this scene is so important to the story, because it's the exit of all of these characters. it's the last time we see any of them. that's why these negative character traits of theirs were put in the spotlight for this scene; even though these characteristics are flaws so fatal they literally end up being the characters' dooms, they're still aspects of the characters we need to remember in order to understand why nothing went right in the lives of the baudelaires: all of these characters were too cruel or incompetent or cowardly or greedy or arrogent or naive...to be able to help them.
so, as tragic as it is, all these characters end up dying (literally or metaphorically) because of the same flaws that made them useless to the baudelaires in the first place.
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sonknuxadow · 7 months
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sorry i dont really like the shadow is silvers dad theory/headcanon/whatever and part of the reason for it is that people keep presenting it as an actual thing that could be possible even though it makes no sense and all "evidence" people use to back it up is easily disputed
#''they both have white chest fur'' okay ? there are so many other characters who have small physical traits in common#doesnt mean they have to be related#''shadow and silver are lancelot and galahad in sonic and the black knight'' okay and .#im sure there might be SOME meaning to the character choices in the storybook games but i highly doubt their lives are 1 to 1 parallels#or that the character choices are meant to imply anything about the characters that we dont already know#plus amy was nimue and nobody tries to argue that shadow and amy are related because of that?#also im aware that a lot of dad shadow stuff takes place in the future when silver is a baby and shadow has still been alive for a long tim#(which. how would that even work wasnt shadow in stasis again in the future)#but sometimes i see people do it with like present day shadow being a father figure to the silver who time traveled there ?#thats like the horrible combination of people infantilizing silver in a way they dont do with other characters his age or younger#and people pretending shadow is an adult when he isnt . what#also i dont get why people insist that if shadow is silver's dad then the other parent MUST be someone from the existing cast#like . silver is not from a few decades into the future hes from 200 years into the future#none of the characters youre saying shadow is gonna get with are gonna be living that long im sorry to say#and why does silver HAVE to be the child of a couple in the existing cast why cant he just be some random guy#and im not saying every au idea has to perfectly align with canon#but a lot of the people who think shadow is silvers dad arent presenting it as a fun little baseless headcanon#theyre presenting it as an actual plausible theory . when it really isnt .#also ive noticed one of the most common pairings for silvers parents is sonic and shadow .#sorry but that is just not happening i feel so strongly about sonic never wanting to get married or have kids#i think shadow being an older brother figure to silver could be cute .#and the idea of a timeline where shadow doesnt die or get put into stasis or whatever the hell and is still around in silvers time#could be interesting . but im not really on board with the dad thing
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asitrita · 2 months
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Thoughts on the Donquixote's crucifixion.
Since today is Good Friday I felt like sharing this piece of interpretation of Donquixote family's "crucifixion". Throughout the series and Doflamingo's life I think we can see some symbolism, paralelism, or just vague allusions and hints to his nature being similar to that of the Antichrist (opposite of Christ) or the idea of Doflamingo as Lucifer or a fallen angel (we see something akin to The Last Supper with his "family", including his own personal "Judas" sitting at his left; his ideology of being the rightful king to rule the world, yet not being willing to sacrifiece himself for anyone, but actually expecting everybody else to sacrifice themselves for him; his agent-of-chaos personality; the entire idea that he is almost a devine creature that fell from Heaven to Hell, stripped of his rightful power, status, and legitimate possition above humans, betrayed by his own family and blood; the nickname "Heavenly Demon", etc.). However, I believe the moment in his life he comes to incarnate all these topics comes just after his and his family's crucifixion, or just right after the very moment he lashes out against the rabbid mob awakening and loosing his haki. Just seconds before we have this image:
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Here we have Homing, whom we know is a good man, in the middle, at the centre of the scene. Rocinante is to his right hand side, and Doflamingo is to his left. As you might know, Jesus Christ was crucified together with two more people, often refered to as the good thief (traditionally named Dimas/Dismas), and the bad thief (traditionally named Gestas). The good thief was crucified at the right hand side of Jesus, while the bad thief was cricified at his left. Maybe I am looking to much into it, and I'm pretty sure someone else must have already realised this, but I can't help to notice the paralelisms and similarities. In this scene, while all Homing is concerened with is the safety of his children and doesn't mind begging and humiliating himself to try to get the mob to free them, to the point he asks the enraged mob to forgive his children, for they were only little kids, Doflamingo's anger gets the best of him and he lashes out at the crowd, not asking nor begging them to put him down, but threatening to kill them all for their actions, all while blaming his father for all his surffering and his family tragic fate. No forgiveness, no acceptance, but defiance and a promise of vicious and bloody revenge for his father and the craze mob's wrong-doings. Homing was willing to take in all the hate, die for the sins his kind had committed over the centuries, if only to appease the mob and get them to spare his children. He was willing to die for them (and he eventually did, though not in the best way possible, tbh), he was a good person and this scene perfectly shows that, despite his naiveté and the tragic and dire consequences of his actions, he acted out of the goodness of his heart. Doflamingo would not even lower himself to the point of asking for mercy, not before humans he believed were below him. We all know how the story goes, how Doflamingo and Rocinante turned out to be complete different people, with the whole good vs evil motive they have going on. Again, I'm probably digging too much into it, but I just like the Rosi/Dismas, Doffy/Gestas and Homing/Christ paralelism. More so considering how Homing will eventually willingly die for his kids' future, which sounds kinda biblical given we are all God's sons and daughters, and he (Jesus, God's son, God himself) died for us (even if in Homing's case he did die for nothing, as Doffy will not be accepted back among his kind); and how, just after Homing's (Jesus) death, it will be Doffy who becomes, in a way, the symbol of the fallen angel, of the gone-wrong-Jesus, of the anti-Christ, almost Satan himself (ruling the underworld, as his father's heresy took the throne above away from him). He replaces his father as the semi-Biblical almost Christ-like figure, but in a reversed, twisted and sick way.
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Crucifixion by Giovanni Donato
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Thinking about the Ian/Ellie/Ian reunion through a romantic lens. Spending decades trying to convince themselves that they didn’t miss each other and then they meet up and it’s like?? Alan and Ellie are already gazing at each other like long-lost lovers. When they walk into Ian’s lecture, he pauses and looks like his world has just shifted on its axis. Ellie and Ian always had something going on between them but now Alan’s realizing that his own feelings for Ian are maybe less platonic than he thought. And then later they’re all bickering lovingly like they’ve been married for years. I’m unwell
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blueskittlesart · 2 years
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self indulgent everyone lives au. they r making dinner for their family (aryll is helping)
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last-flight-of-fancy · 4 months
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finally got my ff14 WoL character timeline done! should i have coloured this? probably. will I? idk maybe. hopefully. someday.
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hearts401 · 4 months
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meows and runs away
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kriscommitscrimes · 11 months
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seeing more ppl referring to kris with he/him pronouns instead of they/them ones this pride month and i dont liek it. i will play through the whole game and ger everything screenshot of their CLOSEST FRIENDS AND FAMILY MEMBERS using EXCLUSIVELY they/them pronouns for them if necessary
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satsuha · 6 months
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that text post i made a few days ago
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sunnykeysmash · 1 year
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the structure in mac and dennis break up
this is gonna be a short post tbh, I just rewatched the episode and I have a couple of thoughts.
if you need a refresher on what I think the structure is in general, I talk about it here.
I think Mac and Dennis Break Up shows us an example of Mac and Dennis (and Charlie and Frank) working properly in regards to the structure, let me explain why:
First... I don't think there's a need for me to describe the plot of the episode, we all know.
What I want to focus on, is that at one point Mac moves in with Frank and Charlie, and starts bringing his way of life to them.
At first, Frank is thrilled.
"I could use a little structure in my life here." he says.
This reminds me of dialogue from Carries a Corpse.
"Nobody admit this to Mac, but... I feel like he was carrying a ton of weight."
"That would be another one of his annoying identities... the man who could carry stuff."
He's been shown carrying Dennis, on top of generally being inclined to micromanage, take care of others so they're safe, and make decisions or at least demand to be consulted in them (like which movie to watch on movie night).
That's when Mac works best, so I assume that Mac generally brings structure (or is a man of action, as he describes it).
Later on, we see Mac take this too far, and Frank doesn't like it anymore. To me, this is because what this episode tells us is that Charlie and Frank don't work well with a set structure, the way that Mac provides. They're more free.
I think this reading is important because it shows me why The Gang Gets Romantic fundamentally fails in its objective (not as an episode god forbid, I mean in the narrative, especially for Mac and Dennis).
It applies the romcom structure to Charlie and Frank, while it doesn't to Mac and Dennis, when it should be the opposite. Throughout the episode we see that Mac and Dennis keep fitting the tropes to the romcom structure, but they refuse to follow it, and thus it crumbles. It can't work.
Here's another thing.
Dennis' back broke in the S15 finale.
That is funny, yes, but what does this mean when I say that Mac is the (his) structure, then?
Well... Carries a Corpse implies that Mac was carrying most of the weight of the corpse, and the corpse is meant to be the show... and most show meta is basically the same as Dennis meta (most meta lines seem to relate to him, whether the fact he left for north dakota and came back, or the fact he's a dad, being between life and death, breaking his back aka the structure, and so on), as I have discussed better in my other post.
Point being, Mac carries Dennis. That's what he's meant to do, and what he does best in their relationship.
This makes me think of another recent scene that I think is emblematic of their dynamic... but in an interesting way.
So, in 2020: a Year in Review, Mac and Dennis work together on a song.
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They seem to be in harmony, but eventually start disagreeing and stop altogether to focus on something else. Why?
Because Dennis is working on the backup vocals, and Mac is working on the words. Which means their roles are reversed. Mac is supposed to be carrying the song, like the wind beneath his wings that he is, and Dennis, like the man of words that he is, should be responsible for the lyrics. They're doing each other's job, which means any harmony they reach is still bound to crack a bit the moment the song doesn't work for them.
Their seating position on their sofa reflects this.
Compare it to Mac and Dennis Break Up, which is supposed to be our ideal.
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They're in each other's places, in 2020.
This isn't new, they've been sitting in each other's places ever since Break Up. Mac was sitting in Dennis' place in MFHP, Dennis was sitting in Mac's place in Gets Romantic.
So tl;dr... Mac and Dennis work well under structure, when Mac is the one to bring it and carry Dennis. They fit a proper couple structure after all. Charlie and Frank don't work as well under structure, since their relationship is more unique and doesn't quite abide by normal rules because of that.
This does bring me to one last consideration though...
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They're back in their right spots, in season 16! Only problem is... couch is different. I would argue an inflatable couch doesn't offer the same amount of support (structure) that a normal one would...
Now that Dennis' structural essence broke, is he gonna feel what it's like when Mac is absent?
Perhaps this is why in Cursed we get Mac as the lucky one while the others as so unlucky they start to believe they're cursed (according to the synopsis...).
So the whole gang needs Mac?
Well...
In Goes To Hell pt2, when they build the human pyramid, it's both Mac and Dennis that end up at the bottom, as its structure.
So maybe... Dennis needs Mac as his structure, and the gang needs them to be in sync so they can both, together, support them (or shut the hell up about it, as both madbu and s15 would argue). Maybe this realization could be what brings the gang to work together in order to get them together. But that's getting into just speculation so imma end it here.
I like these thoughts though... Mac and Dennis being the foundation, the structure of the whole thing :)
#iasip#it's always sunny in philadelphia#s16 spoilers#always sunny#macdennis#macden#analysis#meta#this is as good as ''mac is the rat dennis is the cheese and together they're the trap of macdennis''#i do love building meta off of other meta that i pre-established... makes me feel like im citing my own research papers#if this only makes sense to me im so sorry my bad. it will happen again#this was born as a twitter thread while i rewatched madbu and things started making a bit too much sense so i had to write about it#i think if by the end of inflates they go back to their normal couch thats like golden sign that macden is going canon#cuz they maybe start experimenting different couches and none of them work for them. so they start blowing them all up#you know. like the stew!!! throwing it in the face instead of eating. using it wrong to get a thrill.#but by the end theyre like... no actually. our old one worked the best. for us. it worked. it supported us right#not flimsy like an inflatable couch is#so mark my words. if by the end of inflates we see macden sitting AT THEIR RIGHT SPOTS with THE RIGHT COUCH mirroring madbu...#then macdennis is gonna happen. period#dennis is gonna figure out that mac is his structure and theyre gonna go back. together. at the BOTTOM of the gang pyramid#getting pissed on together<3 like meerkats#dennis ''i aint goin down'' reynolds when hes destined to be part of the structural support and thus has to go down and stay down#dedicating this post to parker and joe they'll know what i mean#dennis reynolds#mac mcdonalds
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