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#a situation i have a lot of thoughts; i Was writing them out the other night but it turned into the lengthily typed & posted thoughts about
cepheustarot · 3 days
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What awaits you in May?
Attention! This reading is for entertainment purposes only. This tarot reading does not give a 100% guarantee that all the described situations will occur or being ultimate truth. You build your own life and destiny and only you know yourself best.
✧ Masterlist ✧ Paid readings
Pick a pile. Choose one or more pictures. Trust your intuition.
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Pile 1: At the beginning of the month, you may have an unforeseen situation, force majeure, which will change your plans, which were supposed to be implemented in may but because of this situation the implementation will either be postponed or you will change your decision and do it differently. As I see it, for the most part you planned these plans together with other people, your family or friends but someone could change their mind at the last moment and refuse to participate or a strong quarrel may arise with someone. Naturally, you will be nervous because of unforeseen circumstances, thoughts may arise "why not give it all up, give up this idea" but as the cards show, it is better not to abandon the implementation here but to look for an alternative, since in the end everything will turn out much better than you imagined! 
Also, this month the chance to change jobs or occupation / try a new hobby will be quite high as you will receive a good offer from a company or employer with good working conditions and a good salary/ rate per hour. However, your current employers may stop you, because they are afraid of losing you, you are a valuable employee for them and this can create small problems when you are fired. Also, if you are in business, your sales will increase significantly this month, you can make profitable deals with someone, invest profitably in some business.  If you are studying, then you will also succeed this month but it is important to make an effort here since you may have strict teachers who are very picky about the answers or you can write tests where one mistake can lead to the loss of many points, so be careful! 
Also this month, there is a high chance to meet a new person who will later become a good friend for you or, if you are looking for a relationship, will become a good partner. As I see it, you will spend a lot of time with each other, you will get to know each other, create joint memories, in general, you will be very comfortable and good next to this person. If you are already in a relationship, then this month is a good opportunity to strengthen your bond or resolve problems between you, establish a relationship and get closer, spend time together. You can also spend a lot of time with your family this month, in particular with your siblings.
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Pile 2: At the beginning of the month, your problem which lasted for a long time will be able to be solved, you will finally be able to find a way out of the situation and thanks to this you will feel so relieved, weight has finally fallen off your shoulders, you will have a slight feeling of freedom, you can feel so confident as if you won the most difficult competition and took the prize! It can be anything, getting rid of debts, solving psychological problems, solving financial problems, overcoming a crisis, resolving a conflict with people — in general, something that has been burdening you for a long time. You may also have felt depressed and tired lately, felt like your mood was sad most of the time, it might be difficult for you to enjoy some little things and your condition will improve significantly this month. Here, in general, the rough patch will end, luck and happiness will accompany you in your life! 
I also see that this month you will have the opportunity to change something in your life that will help you feel better, here the emphasis is that you would like to get rid of the past, of the memories that burden you: you can change your appearance, your style,change of scenery and go somewhere for a while or move altogether, change your social circle, hobbies, change your job / occupation, change the interior of the apartment, you can add decor, you can discover new places in the city, find new people, you can also change inside yourself, change your views — anything can happen here that can improve your mood and well-being. 
This month you will also make new plans, goals and work on their implementation, here I see that you will definitely succeed since this will be something very important to you, you will be burning with the idea and strive to achieve what you would like, probably this motivation came to you after improving your well-being and it's very cool! Here you can study something a lot, try to figure out a topic, consult with others, improve your skills, even if you start something new, you will be accompanied by success and luck!
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Pile 3: This month you may feel tired from the oversaturation of events in your life, from an overabundance of emotions, from being with people often, and here I see you can feel how your social battery has "run out". You will distance yourself from people for a while, spend time alone or with only a small number of people but in any case you focus on yourself and taking care of yourself. You can take a vacation at work or take a break, spend time doing things that bring you pleasure that calm you down and do not strain you, you will pamper yourself here and do what you want. You can also get tired of the hustle and hustle and go to some quiet place for you, often visit your favorite places and “places of power" that fill you internally. 
And although I said that you will spend most of your time alone with yourself, I also do not exclude that you will want to meet with your inner circle, your loved ones may also meet  and offer to go on a trip to small towns, you can spend time outside the city but away from the hustle and bustle. And if you agree then this trip will also be able to fill you with internal resources, improve your well-being, you will feel how your fatigue gradually passes and your head is free of obsessive thoughts. 
At the end of the month, a situation will occur that will take you out of your inner balance: it will be unexpected, you will be required to quickly resolve the situation or do something in the shortest possible time, make a choice and naturally this can infuriate you. This may be related to work, for example, your boss will require you to do something urgently, make changes to the work, it may also be related to the family, there will be a heated dispute between family members and you will have to take someone's side, since it is difficult to remain indifferent in this case. In any case, it won't last long, you will get a grip and quickly resolve the problems that have overtaken you so you shouldn't worry too much about it.
Thank you for reading! I will be glad of any feedback 🖤
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drdemonprince · 2 days
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I've noticed a pattern in anticapitalist books I read (specifically I'm talking abt Mark Fisher here, in Capitalist Realism). They do this great anticapitalist analysis etc and then go on to critique their students? and sometimes it's a bit ableist? it's like all the critical thought goes out of the window and they cannot understand the situation because for once suddenly they are in the authoritative position. It always gives me this "I don't understand these kids, back in my day-" vibe, and I see this with lecturers at university too. like Mark Fisher maybe we can think outside the box about your student who "needs" headphones to focus in class "even though no music is playing". and maybe it's not to do with the "Matrix"(????) I'm well aware this was written in 2008 but it's weird that I see this pattern continue today. Not to mention Mark Fisher took part in some ableist studies, and was a guy with questionable intentions on occasion.
it's like you Just said that reducing labour is good why are you calling your students lazy, that's so unprofessional and privileged. I wonder of coincidence that he is anti-meds when his right wing, pro-eugenics, accelerationist friend was addicted to amphetamines.
Or even just the amount of people who have written books about laziness and anticapitalism (excluding you) and just saying the most contradictory shit ever?? or not following their own ideology???
Anyway, I wonder if, when writing Laziness Does Not Exist, you came across any of this and were equally as baffled.
Materialism is just *so* true that high-status academics don't have a vested class interest in seeing their student struggles as legitimate or in recognizing the struggles of disabled people in general. For many edgy academic leftists having the correct opinions is just a way to flex one's intellectual status, not a lived experience they give a shit about. I'm not shitting Fisher in particular in saying this, it's more that it's a really widespread problem in the culture of these kinds of (very white, very academic, very cishet) leftists communities. You see the same kind of thing among some of the Chapo stan types, too, you don't have to be specifically an academic to do it -- lots of people throwing around the r-slur and flexing on how much they have read and doing fuck all for the oppressed people around them. I tend to find it especially common among people who inherited leftism from their (often academic) parents? Whereas leftist communities populated by Black & brown anarchists and working class people tend to fare a lot better in this particular respect.
Note that I'm not saying a person's identities are a guarantee of them being any more radical -- there's lots of liberals lurking in our midsts of all identities for instance -- more that someone's orientation toward power tells you a lot. and unfortunately there is an approach to leftism that puts a lot of stock in either institutional power via the academy, or in a kind of soft power of intellectual authoritativeness that tends to punish anyone who is supposedly less well read, less intelligent, lazy, needs disability accommodations, has trauma triggers, or what have you.
The simple answer is that power and privilege obscures other people's challenges from you, and the desire to preserve one's power (be it actually institutional academic authority or just the status of the person who supposedly knows the most in the room) leads to a lot of oppressive behavior. a lot of these guys that you're talking about believe in communism sincerely but they don't have humility, they believe themselves to be superior to most everyone else. and they tend to be white guys from wealthy families who either do not have any disabilities of their own, or they have the undiagnosed intj mastermind rational flavor of autism that makes you feel incredibly alienated from others but interpret that alienation as a sign of your intellectual superiority. (i had this type but i got better. a little)
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iovebarca · 3 days
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Barça Bond - Fermín López
Authors note: i'm trying to write as much as possible the next few days because exam szn is here and i have a lot of studying to do🙃 so send requests! 🫶🏼
Warnings: incorrect grammar (probably), my first language isn't english so if you notice any mistakes please tell me, just fluff i think
WC: 850+
Summary: You and Fermín, both players for FC Barcelona, developed a bond during training. Despite an injury you suffered defending him, Fermín supported you. Your friendship turned into romance despite teasing from teammates. Supported by your peers, you faced the future together.
You were passionate about football. Every kick of the ball, every sprint down the field, fueled your love for the game. You played for FC Barcelona's women's team, known not just for your skillful footwork and strategic gameplay, but also for your unwavering dedication to the sport.
Fermín was a standout midfielder for the men's team, admired by fans and teammates alike for his agility, precision passes, and ability to read the game. He seemed to glide across the field, effortlessly orchestrating plays and leaving opponents in his wake.
Your paths first crossed during a joint training session organized by the club's coach. As you and Fermín found yourselves on opposing sides of a practice match, there was an immediate spark of recognition. You had seen him play before, of course, but being on the same field together ignited something new—a sense of camaraderie mixed with a hint of rivalry.
Throughout the session, tensions rising on the field. One of the opposing players had been playing particularly aggressively for no reason, and it wasn't long before a heated exchange erupted between them and Fermín.
Without a second thought, you rushed to Fermín's defense, stepping between him and the other player. "Hey, ease up! It's just a friendly scrimmage," you said firmly, trying to defuse the situation.
But before you could even finish your sentence, the other player lunged forward, knocking into you with unexpected force. The impact sent you stumbling backward, your feet tangling beneath you. With a cry of surprise, you fell to the ground, landing hard on your side.
Pain shot through you as you lay there, momentarily stunned. Fermín's voice sounded muffled in your ears as he knelt beside you, concern etched on his face. "Are you okay? I'm so sorry, I didn't mean for this to happen," he said, his hands hovering uncertainly over you.
Gritting your teeth against the pain, you managed a weak nod. "I-I think so," you replied, wincing as you tried to sit up. Fermín's arm slipped around your waist, helping you into a sitting position as he continued to apologize profusely.
With Fermín's support, you managed to stand, albeit shakily. Together, you made your way off the field and towards the club's medical center. Fermín stayed by your side the entire time, his worry evident in every glance he cast your way.
At the medical center, the club's physiotherapist examined you carefully, checking for any signs of serious injury. After a thorough examination, they reassured you that it was just a knock and nothing more. Relief flooded through you, and you couldn't help but laugh at the absurdity of the situation.
Fermín smiled at your reaction, his eyes crinkling at the corners. "I'm glad you're okay," he said softly, his hand reaching out to gently brush against yours.
You smiled back, feeling a warmth spread through you at his touch. "Thanks for staying with me," you said, grateful for his presence and support.
As the season progressed, your teams continued to train together, and you found yourselves drawn to each other during breaks. You struck up conversations about soccer tactics, shared favorite players, and joked about the highs and lows of training sessions.
Off the field, your friendship with Fermín blossomed into something deeper. You discovered that you had much in common beyond soccer. You both loved the thrill of adventure, whether it was trying out new restaurants in town or playing fifa together.
As your bond grew stronger, so did the whispers among your teammates. It wasn't long before they began teasing you about your obvious affection for each other. At first, you brushed off their comments, but as you spent more time together, it became harder to deny the truth—you were falling for Fermín, and he seemed to feel the same way about you.
One evening, after a particularly intense training session, Fermín asked if you'd like to grab a post-practice snack together. You agreed, and as you sat across from each other in a cozy café, sipping hot chocolate and sharing stories, it felt like the most natural thing in the world.
As the weeks turned into months, your relationship with Fermín deepened. You supported each other through tough games, celebrated victories together, and lifted each other up in moments of defeat. You discovered new sides to each other—the vulnerabilities hidden beneath the confident facade on the field, the dreams and aspirations that drove you both forward.
Eventually, your relationship became an open secret among your teammates, who wholeheartedly supported you. When you finally decided to make your relationship official, it felt like the perfect culmination of everything you had shared—the victories, the defeats, the laughter, and the tears.
Standing side by side on the field, hand in hand, you and Fermín knew that you were each other's biggest fans, both on and off the pitch. And as you faced whatever challenges the future held, you were confident that together, you could conquer anything.
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ordinaryschmuck · 2 days
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What I Thought About The Owl House Pilot
Huh. Never thought I’d get to do this again, but oh well.
Salutations, random people on the internet! I’m an Ordinary Schmuck! I write stories and reviews and draw comics and cartoons.
And, above all else, I LOVE talking about The Owl House. I have an entire masterpost dedicated to talking about every single episode of the show and I’m halfway through a six-part review discussing everything that I love about it (Part Four's coming when it’s done. Let’s say…late June. Early July at the latest). I figured that after I’d finished that whole deal, I wouldn’t have anything left to talk about when it came to this series. Then, out of nowhere, the show’s original pilot leaked online…Sort of. It’s just an animatic with the show’s original voice cast voicing MOST of the lines, but it’s very much the pilot episode. It’s just not a finished product and I won’t share a link because I don’t think it’s exactly…legal. BUT I will at least share my thoughts about it because, well…Look at my blog. The Owl House has become the BIG THING that I obsess over for a reason and I love that I got to see what’s basically an alternate version of the show that I love. What do I mean?
Well, a pilot is MUCH different from a first episode. Where the first episode is meant to sell the show to the audience, a pilot is meant to sell it to a STUDIO. It can happen at any point of the story or act as the show’s first episode. Just as long as it shows off the characters, concepts, and tone, a studio can look at it, greenlight it, and allow the show to continue, BUT with some extra notes. Sometimes, those notes can change the rest of the series where others can keep the pilot good enough to stay canon. Some best examples off the top of my head are the pilots for Regular Show and Rick and Morty. You can tell that not much changed from the pilots of those shows and what was initially pitched, but there are clear changes in tone, animation, and even personality. Skips sounds a little more illiterate and Benson being more informed of the consequences of something as simple as rock, paper, scissors in the Regular Show pilot and Rick is noticeably more reckless and unprepared for situations in the Rick and Morty pilot. Nothing is set in stone with a pilot episode, even the ones that are canon. For the case of The Owl House, it’s pilot is no exception. A lot of it is just the same as “A Lying Witch and A Warden” at least in terms of plot and themes, but there are so many changes that show off what the series COULD HAVE been instead of what it was. How different? Well, let’s go through it all.
But real quick, I’m not going to do the “Like/Dislike” format I’ve done for previous reviews. Instead, I’m going to look through this pilot, note the changes it has, and share my thoughts on them. There’s also going to be a few spoilers to what happens in this pilot, so if you haven’t checked it out then I suggest giving it a watch wherever you can find it. It really is interesting to get a peak into what’s basically an alternate version of my favorite show.
With that said, let’s get into it.
Some Things Stayed the Same: Like I said, it’s basically an altered version of “A Lying Witch and A Warden.” The plot is that Eda uses Luz to get King back his “crown of power,” with some bits and pieces carrying over. Certain jokes that must have been too funny to get rid of, specific lines of dialogue that hit just the right notes, and some aspects of the characters’ personalities being just the same, proving that they're already perfect the way they are. It’s the changes, however, that makes for something more interesting. For one…
There’s More of an Emphasis on Comedy: As much as I love The Owl House, I’ll always admit that humor isn't its strong suit. It CAN be funny, really funny. But the jokes don’t land as well as something as Gravity Falls or Amphibia. I can say that a part of that could be because Dana Terrace wanted a more serious show, and we definitely get a sense of how serious it could be later in the series. Here, in the pilot, it definitely seems like there was more of an attempt to make the show comedic. King’s crown isn’t in a warden’s cell held within a magical barrier that only a human can get through. It’s in a Principal’s high school, locked in a human locker that Eda and King treat as something devious. Amity’s friends aren’t preppy mean girls who seem like they could cause conflict to Luz and her friends. They’re characters used for jokes who are amazed by Luz standing up to Lilith. There’s less of an edge and more of a lean towards cutesy fun, waiting until the very end to reveal something heavy. To me, it makes the pilot feel MORE like a Gravity Falls clone than the final product. Because while Gravity Falls has its serious moments, it makes it clear that it was a comedy first, both in the pilot and final product. Any moment of heart or drama was overshadowed by one hilarious joke after the other. Now, “A Lying Witch and A Warden” had a lot of jokes too, but there were also these moments that hinted at something more. You have the oppressive looking prison, the grand beam of light hiding human collectibles, a crazy chase from a threatening looking warden. And yes, the reveal that Warden Wrath was trying to go out with Eda was hilarious, but a warden who tortures a prisoner for speaking her truth gives a hint of how dark this world can be. Meanwhile, a principal sending a student to demon detention feels more like a joke, exaggerating how strict some principals can be.
And keep in mind, I’m not complaining about the pilot leaning more towards comedy. I actually laughed a lot more with it than I did with “A Lying Witch and A Warden.” I’m just trying to explain how the tone is definitely going for something different than the full series. It might have that darker twist in the end, but even that is nothing more than a surprise. I'll get into why later, but while it has darker implications, it doesn't detract from the fun times to be had. Not by much. From what I can gather from the pilot, it’s definitely going for a series with goofy, fun adventures with a bit of heart to it. It’s just missing that personal touch that’s in The Owl House. One good example of how?
There’s Not Even a MENTION of Camila: Before you say anything, this has nothing to do with me being Camila’s number one fan, to the point where I almost made a side-blog dedicated to her (I really should get on that, though…)
I bring up this change because Camila grounds the story in “A Lying Witch and A Warden.” She draws Luz close to reality and is the first thing that comes to Luz’s mind when in real danger, saying, “If I die, my mom will kill me!” More than that, though, Camila is the one real connection Luz has to the human realm. She has no friends nor adventures, but Luz always has Camila, with even the first episode hinting that. So when Luz starts getting herself into trouble or choosing to lie and stay in the Boiling Isles, it lets the audience get ready for the inevitable drama that could unfold when Luz finally tells Camila everything. By removing Camila, though, the anticipation of Luz telling her mom goes away with her. At least, it tells ME that there’s less of a worry about Luz basically running away from home. Either this version of the show is holding off from that for a future episode or that Luz and Camila’s relationship isn’t close enough where it matters. This is speculation, of course, but I still stand by that a sense of something personal with Luz is lost for the sake of having fun and epic fantasy adventures with entertaining characters. It’s still good and entertaining, and the pilot does offer something else that’s personal, but it’s not the same as The Owl House we all fell in love with. Though, it’s notable that our main cast stayed the same.
Luz, Eda, and King: Overall, I’d say that these three, personality wise, didn’t change much. King’s probably the least altered, being the exact same character he was in Season One aside from MAYBE having a design change (It’s hard to tell through storyboards). As for Luz and Eda, they’re more or less the same. There’s a BIG change with Eda (That I’ll get to later), but her devil-may-care attitude is very much the same, as well as her snark and soft nature towards Luz and King. It’s her magic that gets the real boost, being able to do more like teleport across the Isles and turn into a…softer version of the Owl Beast at will. It’s pretty cool to see the power that this alternate Owl Lady has. And then there’s Luz, who’s still the lovable weirdo we all know. Though, this version seems a lot more dim and I’m not really a fan. How does she mistakenly give a book report in geometry class? How did it take seeing Amity’s witch ears to realize that she belonged in the demon realm? Luz had her dumb moments in the show too, but not to this extent. There was still a sense of maturity and cognitive understanding that made Luz feel like someone that seemed weird but intelligent enough to think herself out of a situation. This Luz seems more weird and focused on using brute force on a problem. In a way, it makes Pilot!Luz more of an…emotionally driven Star Butterfly. A fun and capable character, but not the same kind I had made several posts and reviews talking about how much I love/personally connected to her. But, comparatively, I guess it IS the most minor change that could be done to this character. Now let’s move onto BIGGER changes.
The Boiling Isles: The look and feel of the Isles remains the same, but the fact that it’s more connected to the Human Realm is intriguing. From what I can tell, the Demon Realm treats traveling to the Human Realm like it’s going to a new country. You visit, make some memories, and, for some, send your children over to be a foreign exchange student of sorts. Except that racism seems to be encouraged in this regard as the demons and witches don’t see humans worth breathing the same air as them. And some think it’s more than okay to hunt down and kill if one human trespasses into their realm. And the reason for THAT is implied to be Belos’ doing. Er, I mean–*Checks the leaked pitch bible*--Emperor Pupa? Uh…I’ll just stick with Belos. 
And that’s extra fascinating to me because Belos being a witch hunter was a major twist that spoke VOLUMES of the kind of people he represents. To find out that this version is more anti-human makes me curious of what kind of angle the show would have taken. Would Belos have been your bare-bones fantasy villain or would the writers find a different way to tackle his symbolism? And is the reason why the Demon Realm is more open up to the Human Realm because he hopes witches and demons can report about their enemies for a possible invasion? There’s no way to know for sure because that version of the story will never come to be, but it’s interesting to think of all the things we COULD have gotten. The same goes for other characters.
Amity: To think, Amity was considered important enough to be included in the original pitch pilot alongside our main trio. It makes sense. Dana Terrace has gone on record in saying that Luz and Amity’s relationship was something she wanted from the get go, so it’s smart to establish it as quickly as possible. Though the route they take is definitely different. Instead of being enemies to lovers, Lumity, in the original pitch, went for the friends to lovers trope…kind of.
Luz, in this version, is someone so desperate for positive attention and respect that she latches onto the first person in school that was nice to her. Except that Amity was looking for some quiet and just so happened to look like she was supporting Luz when telling everyone to leave her alone. It was an act of kindness, but not one done in generosity. It still meant the world to Luz, though, making her go ALL IN with friendship. Only to be a little too forward and creeped Amity out to the point where she was polite enough to say “Thank you,” but you could see the desperation in her eyes to be anywhere but next to Luz. Yet Luz doesn’t see that. She’s still too focused that someone was actually nice to her that she blindly follows Amity into a new world just to return a weird looking passport. Because Amity’s Luz’s friend now and friends do nice things to each other. Only for Amity to accidentally reveal that she couldn’t care less for Luz and shatter her hopes and dreams in one fell swoop.
In a weird way, I’d say Luz and Amity are off on a better first impression here than in the original series. There’s no attempted dissections or witch’s duels. Just…Amity trying to be polite in Luz’s presence only to act like your typical mean girl when she THINKS Luz isn’t around. Tossing away the drawing is harsh for sure, but here’s the interesting thing: Amity didn’t know she was talking to Luz at that moment. She didn’t even get rid of the drawing until someone drew (haha) attention to it. If anything, it’s worth noting that Amity still kept the drawing on her. Almost like, despite being weirded out by Luz, Amity felt as though the drawing WAS cute and only got rid of it when she thought someone would question her for having it. Can’t have that Little Miss Perfect status shatter over something some human gave her.
Am I reaching as a Lumity shipper? Oh, most certainly yes. But we all know the inevitable conclusion between these two. We know where they’re headed. Dana has been pretty adamant about wanting it from the start and this pilot sets the groundwork well. Knowing where these two will end up, it’s easy to make connections and hypothesize what means what. Plus, look at the face of shock and amazement on Amity’s face when she sees Luz standing up to Lilith. That looks like a girl who’s…feeling things for this human weirdo. They’re not off to a ROARING start, but I can see how things could improve between Luz and Amity. And who knows, maybe this version of these two might end up dating sooner with how quickly they seem interested in each other. Again, am I reaching? Most definitely, but I went without any new Lumity content for over a year so LET ME REACH!
The point I’m trying to make is that this version of Amity definitely seems a lot more chill and polite at the start, even though it’s likely she still has issues of even being FRIENDS with a human. But not everyone starts off polite.
Lilith: Crazy to think that Lilith started out as…basically a one-off villain like Warden Wrath. At least, that’s what I gathered from the pilot. The pitch bible hints that there COULD be more to her, but at the same time she gets sent to a fire dimension and loses a hand. That’s one-off villain energy if I’ve ever seen it. But if she is meant to be something more, I would love to see what differences could come of her being the headmaster of Hexside instead of Bump and how she could either develop into someone better through Luz’s influence as a student or regress into someone worse as she makes Luz’s school life a living hell. Whatever could come from her, it was kind of fun seeing Lilith act as more of a threat with her…out of nowhere ability to turn into a bat monster. It’s a pretty cool design and I love that it was brought out due to Eda’s constant pestering, proving that Lilith is still the same insecure nut that I love. And it is pretty great that this pilot confirmed that Lilith really did dye her hair to look more serious. You CAN’T tell me that’s not why the Lilith we know ditched the curly red hair.
But that’s about it when it comes to changes towards characters and locations. Let’s talk about the potential differences in the ongoing story.
Luz Stays Trapped Instead of Choosing to Stay: I mean, technically she chose to stay by breaking that key for no reason, but that’s more of a consequence of not thinking things through. She didn’t NEED to break the key, Luz could have just as easily pulled it out. Instead, she kicked the dang thing, leaving herself trapped in this new world. And it’s here that I would like to once again point out how this makes Pilot!Luz different and what’s lost by not including Camila. The Luz WE know would have been more careful. She always felt like someone who fought smarter, not harder, even in that first episode. Luz didn’t fight Wrath head on, she rallied a prison riot that distracted him long enough for her to hit a firework ball into his mouth. She’s intelligent and resourceful, where this one…kind of is? It was smart to send Lilith to the fire dimension, but again, not a great plan to break the key. Plus, without Camila, this doesn’t feel like as big of a deal as it could have been. Camila was the first person in Luz’s mind as she destroyed the portal door in the Season One finale. In the pilot, with no Camila, it feels like a non-sacrifice or even that big of a deal. She’s stuck, sure, but Luz doesn’t really seem to care that much. She feels happy being with Eda and King and doesn’t seem to be in that big of a rush to get home. Plus, it’s not exactly complicated to get back. There was a whole line of portal doors in the beginning that Luz could potentially sneak through and there’s not yet an established cannon that makes it seem like getting a new key would be difficult or even complicated. Once more, it gives the impression that this version of The Owl House would be focused less on personal stakes and more like giving Luz that fantasy adventure she’s always been craving for. It would make for a fun show, but not the SAME show. However, it is worth noting that there could be some potential drama. Especially for one twist that was a JOLT to my system.
EDA WORKS FOR THE EMPEROR?!: WHAT?!
I’ll admit, I feel like the reason why this is so shocking is because of the Eda I know and the Emperor I learned to fear. I mean, Eda, the woman who would sooner eat her own fist before even CONSIDERING helping Belos, even before the witch hunter business, was originally meant to HELP him. Of all the changes that the series could have made, this was by far the biggest. Everything that I thought to be constant turned out to be a lie and I was NOT prepared for it!
But again, the reason why I got that big of a reaction is because it goes against everything I knew about Eda. If this was my first introduction to her, it’d be less of a shocking twist and more of a…hook. Like how Invincible’s first episode (Don’t watch if you’re a baby) ends with a character you THOUGHT you could trust doing this intensely dark thing. The rest of the season is leading you to figure out WHY this was done and how the other characters would react, making you want to see more as the show inevitably leads up to this big conclusion that changes everything you once knew. The same applies here, with the reveal making me wonder why Eda would do this, how long she’s been doing it, how it will affect her relationship with Luz, and whether or not it’d be an easy fix. And much like the ending of Invincible’s first episode (Seriously, NOT meant for babies), this hook makes me interested in wanting to see what comes next. Except I never will know because that came from a version of The Owl House that will never exist.
The pilot is interesting because it shows me what The Owl House COULD have been. I wouldn’t say that it’s better than what we got or even that it’s a better first impression than “A Lying Witch and A Warden.” It’s definitely FUNNIER, I’ll give it that, but it doesn’t make the original pitch better, it makes it different. Everything looks the same and sounds the same, but the overall feel of this pilot makes it something that would have had a different story, tone, and ideas on how to develop these characters. Would I have liked it? Absolutely. It seems like a fun time. But that doesn’t mean I like the show we got any less. This was more like…getting a peek into an alternate universe where a show I already love would have been vastly different. And after over a year without any new Owl House content aside from stuff that fans have made, this was a very pleasant surprise that leaves me excited for the NEW fan content that springs from all this.
But that’s enough talking about a show that could have been made. Time to get back to a series that came into existence and I still love so much. See you all then as you all milk this gift that the internet has given you.
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kitty-kitty-boomba · 3 days
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Hi Honey! Welcome home!
omogomgomgomgomg-
AMAB! Sevika x Reader- BUT IN REVERSE
JUST HEAR ME OUT-
Also- this shit is long as hell. Like, I'm actually so sorry. P.S- I ran out of steam after I explain the situation, so respectfully? Writing is a tinie bit trash- But just a little! Also, no rlly proof-read sorryyyy
18+! MDNI
Please enjoy and let me know your thoughts!
Sevika and you have been married for four years now- and today would be your anniversary. You were actually celebrating being together for 10 yrs, your argument being that knowing each other as friends still counts. Sevika didn't care so as long as she had you, so she was all gun-ho for whatever you wanted as long as she got her "alone" time with you. Point is, you been planning for this day a lot. Like- for two weeks straight- a lot. Honestly, planning has never been this hard for you. Which is funny, because planning a wedding and the fattest after-party is no joke. For other people, what you were doing is arguably too much. But there is no such thing when it comes to your lil' mamma [i'm srry].
To break it down, you were going to spoil her like she spoils you. And thanks to her Ovulation days starting right in the first two days before the anniversary- you weren't going to have an issue fucking her stupid and taking charge for the night. That was your ultimate goal out of everything- but nobody knew that but you. [lies- Sevika knows. we'll get back to that.]
1st: You would start with Breakfast in bed and kisses. Give a massage if she likes. Really just seduce her, and mayybe give her a baby edible so she's near putty because otherwise, she'd spoil it for herself. After she got her mandatory cuddle session, you'd tell her you have to give your mom something. You'd send her off to hang with the kids a bit before stealing her- promising you wouldn't pass 5 o'clock because duh.
2nd: Literally everything else.
Thankfully, the two weeks was just you trying to see what Sevika wanted as a meal and not you picking out a theme to decorate with. Decoration was easy: Dim lighting via the fancy light switches you had Sevika install years ago, fake rose petals, real roses for the vases, regular candles for the dinning table, and a few vanilla scented candles for the bedroom. [your like for vanilla rubbed off on her. you didn't want kill more roses. you love roses, you like flowers in ur in vases and said vases are empty. you will be too busy fucking, you aren't burning the house down with candles]
Sevika- like the little shit she is- tried her damnedest to distract you from your spoiling mission, because of course she is. She acted all seductive and fucked you anywhere-anytime so you'd forget about whatever you had planned. The only way you got your answer was letting her fuck you until she collapsed. She could barley think straight, and while you weren't any better, you mumbled the ask just for her to say the dish you both have been eyeing for a while. You figured she'd want that, but you still wanted to make sure.
Secretly- at least that's what you thought, we'll get 2 that too- You shopped all the ingredients for it two days before. [You hid it in the Last Drop's fridge for a day before taking it back home. Vander, Silco, and Ran were Angels- Helping you by getting the kids to not mention the weird selection of groceries and keeping Sevika from opening it herself]
You also planned to get the homemade chocolate from her grandma's, Amelia: Yours and Sevika's favorite sweets of all time.
The last thing was dress up, which again, also wasn't hard. Sevika always dressed nice because she knows how much the little things mean to you. It was you who was freaking out on what to wear. You took to your mom, asking to get dressed at her house because you were worried Sevika would find the clothes. You wouldn't be wearing them long, but this was a semi-surprise so you were doing the grand reveal bit. You were torn between a dress like usual, or spicing things up and surprising your wife by matching her style a bit and wearing a suit. Ultimately- your mom silenced your worries by saying that Sevika would love to see you with a tailored suit on. She got you one as her anniversary gift. You just about cried.
3rd: Execute said planned and get fucked. That's it. Your not sure way you wrote that in the list- that's something that's literally impossible to not do with Sevika as your wife... But who cares?
During the planning, you were buttering Sevika up. From high-end Whiskey and Scotch, to flowers and chocolate, you were laying it on thick. You know it takes Sevika a minute to warm up to pampering- even if the minute was just her trying to distract you- so you happily continued and waited until she gave you nothing but a whine when you dissolved her into putty.
On the night before though- you had a mini-break down.
You did a facetime call with Amelia and your mom, out on your balcony trying to stop tearing up and keep your voice down as you voiced how nervous you were. Would the food come out good? Would it even come out at all? Would you burn it- or maybe do something else to mess it up? Could you even decorate and get dressed in time? Did you have to do hair, make up, and clothes before hand to cut down time? What if you sweat it all of or smell like steak! What if-!
They silence you quickly. They're helping you with the little things, so why not a bit more? They don't have nothing important for that day besides sending little gifts with you. So, you all agree to take a job. The food is meant to be cooked closer to when Sevika expected to be home, but if you got nervous, you could cook and Amelia would bud if you needed her and put everything in the oven to keep them fresh until they had to leave. Your mom would help decorate if necessary, and your hair will be the first thing done and pinned up in pin-curls so it would beautiful after you get dressed. Easy peasy- and if not- they'll make it happen for their favorite girl.
That helped more than you could ever say, and you slept real nice that night thanking the powers that the sleep aids you gave Sevika kept her sleepy so she wouldn't spoil anything. Little did you know, they weren't working for you.
Sevika had both them, Vander, Silco, and Ran recruited to keep you thinking you were being slick. She tricked you and picked the dish you wanted almost since the month started because she wanted you to enjoy the meal too- plus, that steak looked freaking amazing in the cookbook picture. The whole resistance to your pampering was Sevika being her beautiful self. She allows tons of things, but that type of love is hard for her to receive. So on top of watching you, she pampered you her own way by loving on you a lot more and giving you cash to spend. You kept saying you don't need it, but that shy smile and the blush blooming all over you was more than enough to keep it coming.
The smug sex-distraction part was improvised at first, because there was no way she could keep her hands off you for more than two seconds. But after it became clear it was working- Who is she to not take advantage?
So, as you planned- she planned.
She'd let you take it away, whatever decore you wanted, and anything else. She felt a bit bad for going behind your back after you spent time trying to make things perfect, so she transferred money into you account everyday and kept saying it was her "early anniversary gift". She didn't hear the conversation, but they called and told her the morning of that you were very excited, aka their way of saying her poor baby is stressed out. She was ready to tell everyone to spill the beans- but after all you've done, she really wanted to treat you.
And treat you she did.
Come the morning of, she lets do your thing, it was hard not too.
But after you do your whole spiel and send her off- both plans go into motion.
She did her everything shower, oiled up, and scented herself to the gods with that smokey, musky, amber/vanilla date-night scent you adore on her. After, she went to The Last Drop. Ran did Sevika's hair, nails [prosthetic too], and makeup, shit-talking and drinking with their best friend to calm her nerves. They even helped attach the new "skin" Sevika made for her arm, The smooth arm-like copper remined them of the one she made for her wedding day, just a bit less ornate. This is the most she's done since her wedding day, and a part of her felt completely ridiculous because she's long since forgotten how getting extra dressy felt. She doesn't understand what's become of her right now, but she feels to giddy to crush her sparking confidence- these red little almond nails looked too good.
She looked too good. If she says so herself.
Silco kept the kids upstairs with cartoon and an excessive amount of Amelia's chocolates- so it was up to Vander and Ran to keep that fire going and have their friend strut her shit for her special day. The eggs are taking over though, because while they give her a pep-talk that woman is thinking of all the positions to get that baby [lil' shit] that you've both wanted desperately [as of two months now].
A once over and Ran sends her off, telling another crappy joke and telling her not to forget to fluff her hair after she takes the rollers out. Sevika had two cups a liquid audacity that was more than enough to have her strutting the streets with her silk scarf covered head and her painted face. Everyone is looking at her in awe- only looking away when they realize that they're not worthy. If you were here with her, you'd stare at whoever even dared to look at her extremely wrong. She laughs to herself at that, causing some to flinch and scurry back to their little corner.
Because she timed it [and cus Amelia told her so], she went home to cook her gal a meal with an extra dessert planned...
She's shocked when the food comes banger and smells absolutely devine. You would love this, you'd be so proud- that's what she muses with, and her cunt certainly agrees if that clench was anything to go by. When she finishes frosting the cake, your mom calls her, letting her know that your dress and on your way. She laugh too herself for a good 2 mins, the idea of you dress up and fighting the steak hilarious to her. Thanking her for the heads-up, Sevika ends the call -covers the cake- and puts on the lace number, her thigh-highs and garter, and the dress.
Yes. A dress.
And fuck did she look smoking.
She did a once-over and applied more lipstick and perfume, before speeding back to the kitchen to grab the fancy bucket Silco gifted her on her wedding day. The champagne and towel looked professional, and she's three steps away from the table to finish setting it-
Then the door jingles.
She's about cumbusts right there on the damn spot [get it? I'm srry again]. Almost tossing the thing on the table and throwing herself to you- but she rehearsed this- she knows what to do.
Fucking focus Sevika Lanes!
You open the door and drop both the keys and chocolate on the little table by the door. She sauntered over so fucking proud, a nervous flash making your diamond nibble her lips before letting go. A sultry tone nearly silence by your horniess.
"Welcome home doll."
Holy. Fucking. Shit.
Your eyes are everywhere. Where can you pick when everything's fucking delicious?
A black get up, there's no color besides a blood red on her lips. A fifties old money heart-throb is what your diamond is. Her hair falling just like that pretty hairstyle you see in the stereotypes, the one with a side part and covering her eye? Yeah. And the short hair was making things extra tempting. You smell her from here, you catch the teardrop pearl earrings and matching necklace you bought her decorating her skin. But that dress. The thing itself is velvet, a deep sweetheart with semi-thin halter strap making those pretty tits even more plush. You make her do a little spin, and it's low cut-out back too, the most sinful thing. The bottom of the dress is a problem. There's a slit, ending right atop her hip, the floor-length skirt making those legs damn delectable in your eyes. Fuck- is she using a garter belt to hold the tights? Oh shit, an actual- fuck- a garter touching your shit. Oh- heels.
You don't know you moved impossibly closer to her until Sevika nervously asks: "Uh- D-doll? Are y-you ok?"
Oh you just about take her on the damn door, but your nose catches something real nice behind her. Fuck- answer her!
"Oh. O-oh honey. Oh yes."
Your voice isn't above a whisper, your too in love to properly voice all the emotions you feel right now. All of them putting joy to shame. You hear her deflate almost, leaning into your open arms with a sigh, sucking in your scent when she realized you wore your signature: A soft floral scent, a bit of fruity coming through the hints of amber. It sound weird to say out loud to anyone- but it's so unequivocally you.
"Oh gods, good. I thought you'd be mad at me after all the work you went through to make things perfect..."
Her voice is shaky, not with tears thankfully, but with relief. She just keeps huffing you, just like she does when she needs to ground herself . You on the other hand? You are doing nothing wholesome, nor are you thinking it. You are acting very un-lady like, groping her ass and sniffing that scent that has you complete drugged. There's no way you could go through with this, not when her boobs touch your face. Not when she smell like this. Not when her hormones beg for your love. Not when-
"Doll- I want you to see something. Keep it in you pants a little longer? For me- MÍ Amor?"
This is when it clicks that's it taking everything in her to shimmy out of your grip. When you register that the thing your smelling is food and not only her arousal- You quickly nod your head and briskly let go like she burned you. It's that or your taking that slutty dress off. Mrs. Rabbit who?
She backs up, fixes herself and re-adjusts her hair, and takes you by the hand.
Oh gods: how beautiful she set this table. It looked fantastic.
You hoped you expressed as much as your mouth hung open in disbelief, then Sevika had the gall to hold her hands together Infront of her, nervous. How could she be nervous? Still, she nibbled on her lip waiting for you to say something.
And how she'd take anything to silence the ache in her chest. Gods, you looked entirely to good in that suit for her to continue with this dinner. Why do you always want to do these nice things? She needs to get railed ri-
"Diamond... This is beautiful. You did all of this?"
She give a little nod, her proud feeling making her all giddy and having her stand taller like she needed to correct her posture. You had a ridiculous smile probably, but you were so fucking amazed and proud of her, you didn't dare school your joy.
"Thihis is amazing love! Look at you being a lil' chef! You telling me you could do this all along?!"
She snorts a laugh, fully relieved that your happy and not disappointed that she ruined your surprised- but with relief comes something darker that's clouding 90% of her vison. You both know it.
Dinner's here- you're just missing the show. To redeem yourself you pull out her chair and have her sit down, pushing her in before running to your seat. Once your settled, you pour the champagne and give her the flute: Then she says, "Bueno Amor, open it. I hope you like it, I think I might have put bit to much pepper..."
=======
Anddd skiping to a blip of smut, I can't think rn- to much flustered. But know this- she brutal on the other side of the table and teasing you to no end. Horny she is- but she's making sure it ur problem. P.S- Sevika is bra-less, and ur telling me "girl- duh" but you don't get it. there's no pasties either, just pretty tities with nipples poking right through.
===SMUT====
Sevika doesn't know when you ever fucked her this hard. You're practically growling, and animalistic need taking you as you rail her harder each time like your thick 9 inches isn't stretching her to the brink of insanity. Oh- and how incredible that would be. Sevika can't fight it, she lost her ordering rights when she pushed you too far at the table. Even if you let her have a few seconds of control at the beginning. She's left trying to crawl away just for you to pull her back telling the nastiest thing in her ear.
"You think y' so fukin' funny huh? Wearing that skimpy thing, being a good lil' -hah- M-my good housewife 'nd not have may baby? But y' want that no? y'a want a lil' cake in there. Ya?"
And all she could do is sob through a moan, a babble trying to cuss you out as she begs you for more.
She gets that baby that night, but you make sure the next morning.
@archangeldyke-all- Hope you like?😭can't write rn- but hopfully you can do the dinner and the smut better?
Hopfully y'all enjoy too!!
kisssessssss
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chifuyusun · 2 days
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Negai no Astro Chapter 3: Some Thoughts
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Another banger by Wakui. I'm enjoying this story and its characters a lot so far! Wakui always knows how to move me with his complex family plotlines and drama🥹Excited to see what's to come, and also afraid for the siblings and the angst that I'm certain Wakui is cooking, I mean we already saw a glimpse of it. It was resolved quickly though, yay (for now)
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The family all look so tiny and cute aw🥰I really want to see more of their past before the rebellion started, them growing up together, bonding, just soft moments..I feel like Wakui will bring these forward during fights or deaths..we saw him do that a lot in Tokyo Revengers, to pour salt on the wound 😭 Anyway, we have the number of most of the siblings so far except the 4th, 6th and 7th adopted, and as far as we know they are 12, I believe one was shown this chapter but not given a number yet, and it is 12 adopted siblings and Hibaru if I am not wrong, I have a feeling the cute girl from the promo pictures is not related to them, but to the astro power. I would like to meet some characters outside the family, I love the concept a lot as someone who has enjoyed such stories, but I wanna see some friendships etc. like in TR, Wakui knows how to write such bonds so well🥹
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+ Still no news of her..no name, no info, Wakui please..🙏🏻😔
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He's like the little "I choose violence" “peace was never an option” duck meme😭 but damn, seeing a different side to Terasu this chapter sure was interesting..he can be pretty cold-hearted, unlike his angel of a brother..but they complement each other, as one of the TR quotes that I love dearly: "he compensates for what he's lacking."
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While I stand with Hibaru on this, I need to know more about Terasu and his relationship with the siblings aside Hibaru because he does not seem to have any bit of a soft spot for them, and I wonder why. I mean, he went to the extreme immediately, but we also saw that Shio wants them dead, and who knows what else he witnessed the siblings do when Hibaru was in his coma. He definitely just wants to protect himself and Hibaru from Shio and the rest who wish them harm or want them eliminated out of the picture, but I did not like the "we're not blood related we might as well be strangers"..I understand his frustration, but adopted family is a family, and found family is a family..reminds me of the conversation between Shinichiro and Izana, when Izana insisted that blood means everything, and Shinichiro said blood does not matter, they are still family, be it adopted, or the family you choose..but also if your family wants you dead, it is a complicated situation in a dog eat dog world, as Terasu said, it's kill or be killed. I wonder what Hibaru will do when forced to face such a situation, cause surely the power of love and friendship wont stop Shio and the rest
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Hibaru and Terasu's fight was fun to read;not fun emotionally was gonna cry if they did not resolve it but like, seeing Wakui's fight scenes again, I love it + I knew Terasu's astro power is a shield, I mean it was quite obvious since he survived a whole building crashing on him, but nice to see it confirmed lol. + so they are shield and strength, interesting dynamic.
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Angel mc with a heart of gold🩷every chapter I love him more and more, I'll give him the world and keep him in my pocket🥹 I am afraid of him though, "never be so kind you forget to be clever", I hope he knows the limits of love to give those who wish him harm. but it warms my heart, how he says he loves Shio and everyone..my sweet boy, please don't hurt him Wakui..i hope some of the siblings will be on his side. I also love how his purity and kind soul reflected on Terasu and were able to turn things around and end the fight. I'm starting to doubt that Terasu would betray him (mentioning this cause I wrote before some hints that he could be a Judas kind of character later) I love angst, but I hope to not see them fight again. Also the way he sobs and calls him "jerkface" because he was so hurt that the family was called strangers..adorable precious sweet boy🫶🏻
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Angry kitty😠
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Hibaru is so cute and Terasu is like "free me I don't wanna be here"😭
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grandpa is so funny the way he's here for the tea and encouraging the fight , I hope to keep seeing more of him
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I finally know pretty boy's name! Shikaba! and the other brother is Taira, interesting to see they are presented together in both their appearances. they don't seem too mean like the other brothers. Taira so far seems like a Hanma type of character who comments about everything and enjoys the vibes lol. As for Shikaba, interesting to see his eyes are still closed 🤔
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aaand him, Kuran, he sure is intriguing, as Hibaru referred to him as "a real man among men", and it shows he truly admires him and his strength. he's been quiet so far in all his appearances, but does not seem too friendly, we shall see
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that's all, I adore Hibaru and Terasu sm🫶🏻
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Note
do you have any tips for writing characters who have a lot of difficulty identifying their own emotions (and other people's)? specifically if the work is from their POV. thank you very much!!
I'll start by saying you're in luck--literature's finest characters are defined by their difficulties identifying their emotions! You're in great company.
As a general rule, don't let your character figure out their emotions until you want some resolution in the narrative (climax, ending, or anywhere in between. Or if you have some second conflict in the narrative, feel free to resolve this one earlier). If your character has clarity about how they feel and what they should do about it, you don't have a compelling narrative but a successful therapy. The trick is in misguiding your characters.
You and I and everyone in the world are misguided about our emotions constantly. We want to feel everything on our terms. If we want a coffee, we want our favorite hazelnut latte, not the Americano. If we go through heartache, we still want to be happy, so we turn to coping mechanisms, often unhealthy, to achieve this. We are emotionally greedy.
Your characters also want to feel everything on their terms, and they don't like that they can't, so they turn to something unhealthy, something they think will solve the problem. In previous posts on my blog, I talk about this in terms of "want" and "need." Your character "needs" to handle the emotions as they are through healthy means, but your character "wants" to feel how they want to feel, which in a strong narrative won't make the character feel better. Ask yourself: if my character was real, how would they react to the situation they're in? When you think of anything unhealthy, write it.
As an example in one of my WIPs, a girl is bullied by the popular kids at her school, and she doesn't like that, but she's also friends with one of the popular kids. Instead of talking to this friend about the bullying, instead of talking to the counselor about it, instead of doing anything that would actually resolve her situation, she decides that if she wants people to stop bullying her, she herself needs to become popular. She notices all the popular kids have boyfriends, so she decides she's going to pursue someone. These are pretty steep leaps of logic, but we do it all the time. Has anyone tried to use romance to bandage emotional sores? Of course!
Macbeth is scared of the witches' prophecy. Does come to peace with it? No! He and his wife kill a lotta people!
Think of your favorite book: how do its characters try and fail to come to terms with their emotions?
As far as "how to write," it sounds like you're writing in first person, and if you are, I can't help too much--I have next to no experience there. But if you're narrating through your character's thoughts, never let them land on the right thought, the idea that will get them out of their bind. It might help to focus on physical sensations and the things people say and do around them--how is your character affected, and how do they interpret these things? Never let them interpret them well and correctly until you want resolution.
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catbeeisafraid · 1 day
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I don’t have like a ton to say about this but I have mixed feelings- also spoilers ✨
I like Crystal I really do but at times her dialogue bothered me and some of her behavior was kind of obnoxious to me- like at times when she started aggressively inserting herself into situations and just kind of made it about her? Like in episode seven (though this happened many other times too) where she was having a total fit about not going to hell when it’s clearly for her own good and not about her no matter how much she cares? and I totally understand that this is her being written as an immature teenager who hasn’t been dead or a teen for 30-100 years but as a teenager this sort of selfish immature writing kind of gives me icky feelings because I know so many people who are mostly emotionally intelligent not just raging all the time.- and I mean that for a lot of teenagers and teen girls in writing, to make them tough and likable they are made volitile and annoying which to me is not likable (my opinion, I just don’t like the trope that’s not what I’m talking about right now anyway-) I do think she had good development and I liked her a lot better by the end, some people on other forums were saying that her actress was weaker than the rest of the cast and I don’t really know about that? I think maybe she was artificial at times but I’m blaming that on the writing. I also didn’t like her dialogue about her “crazy demon ex” either, it felt very forced? -Not her emotions about the whole mind cage thing I get that but just all of the “UGH WHY ARE THEY SO FUCKING NOSY IM JUST TRYING TO GET OVER MY STUPID STUPID CRAZY ABUSIVE STALKER DEMON EX BOYFRIEND UGHHH ILL DOUBLE KILL THOSE BOYS IF ITS TGE LAST THING I DO” that felt out of place to me- Lastly I get that this is also an aspect of her teenager-ness but I didn’t like the amount she cursed? I have no qualms with cursing but it felt to me like when little kids and middle schoolers start cursing where they just explosively yell fuck when like literally nothing warranting that kind of expletive has happened? She curses too often it makes her sound really stupid? Like the ep 7 “take me to hell I won’t die” thing, she was screaming at Charles who was being pretty reasonable like “fuck that I’m going he’s my fucking friend too fine then fuck it- fuck you ill find another way to get to hell” like yes she was emotional but that isn’t what teenagers sound like guys?
idk- I’d love to hear what other people think and to be clear I do like her I just focused on the negative- I guess it’s a human thing. She had lots of strong points just I ending up not liking how much she was on screen, this isn’t really about you? It’s about the dead boy detective? Give me more ghosts or Edwin or Charles or Jenny or Niko or Mr walrus please? They were fun I like them? I just felt like there were times where she was over shadowing Edwin and Charles and they are what’s actually important to the show? I think I’d like her more in smaller doses- I felt like I spent too much time having to stop and be like “girl step back this is not about you, you are not the star right now”
and to the argument of her actress being inexperienced or over acting or just not great- I have no specific feelings on this but like the other main cast had for the most part very little screen acting experience and were Fantastic so i don’t know what to feel in that area? so yes, i think crystal is an interesting character and i think she grew on me and developed in the season but i also definitely think that she’s annoying and I’m conflicted because i don’t want to not like her-..
what are your thoughts? Id love to hear different perspectives but please be nice to me because I’ll probably delete this and cry (unless that was your goal, then carry on)
that was all like super ramble-y sorry- but I hope I communicated semi accurately! Thank you
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cough. here's a little super short fic i wrote bc i make those too. be sure to check out the silly extra details i added in the tags!
@get-rammed
Monty lets out a heavy sigh, sitting on the much too small couch in his room, his handler close by his side, messing around with wires in the open compartment on his arm. Something went wrong with his claws again, and management is convinced that it’s the programming or the wiring that’s the problem, sicking his handler on the problem again and again. Monty doesn’t think it’s either of those things.
He huffs again and drops his head onto his free hand, boredom clawing at his... shell. His handler bumps with a small clank.
“Sit still, you big baby. I’ll be done in a minute.”
He rolls his eyes. “I’ve never been one to sit still, sweets.”
“Yeah, well, you’re gonna today.”
He rolls his eyes again, resisting the urge to let out another huff. He knows fusing over this is only gonna make it take longer. That and… he can see the bags under his handler’s eyes. It’s late. Far later than any other employee stays, except those working the graveyard shift. It seems like even the other animatronic handlers have gone home for the day. He can tell that they’re tired, but they never bring it up to him. They probably don’t want to worry him, all things considered, but that just makes Monty even more anxious. They look half asleep already, so Monty decides to occupy them with the most meaningless conversation he can muster.
“Hey, so, like…” Monty trails off, rolling his free hand at the wrist. “I barely saw any, uh, human staff around today, even though it was super fuckin’ busy. Why’s that?”
His handler stops, blinking for a second. “Oh, it’s, uh, Labor Day. It’s like a national holiday about unions or something, and people usually get the day off.”
Monty raises a brow. “Why didn’t you get the day off?”
They snort. “You don’t get the day off, so I don’t get the day off.”
Monty hums. “... That’s pretty shitty for us then, huh?”
They laugh, patting his arm. “Yeah. It is. Hey, I just finished up re-wiring everything. Give me a test and see if everything works right?”
Monty obliges, clenching his fists and spinning them around at the wrist. He mimics plenty of movements he makes while playing on stage, and nothing stutters, nothing stalls, or makes any weird noises. His internal diagnostics show no issues, either. All seems well, so he leans back and gives a smug, shit-eating smile. One that’s familiar.
“All’s workin’,” he replies, keeping up his smile when he sees the weight lifted off his handler by the news. They don’t like being comforted. Not directly, anyway.
“Great,” they sigh, slouching into a more relaxed position. They close up the compartment on Monty’s arm, giving it one last, solid pat.
“You good to recharge and everything?” They ask, packing up their small tool bag and tossing it in some random corner of the room. They barely put it away anymore, but management hasn’t caught on yet. Or maybe his handler just doesn’t care that they’re supposed to put it away. Either is possible. “Do you want me to lay with you?”
Monty thinks as they bustle around the room, turning down the lights and doing a cursory glance at his recharge station. He does want them to lay with him. He always does. But Monty sees the exhaustion in their shoulders and feels some kind of misplaced guilt. They’re this tired because he’s a Glamrock now, not just a side attraction. He became more of a handful. He broke more. He needed them more at all hours of the day. They’re his handler. He’s tired, and he’s not even human.
“Naw,” he says, tilting his head and smiling. “I’m good.”
“Alrighty then,” his handler puts on a brave smile, grabbing their oversized Monty jacket and slinging it over their shoulders. Before, Monty would’ve teased them about being such a simp, how they don’t need his merch because they already wear his face all day, or how they could literally just zip up their uniform, but he lets it go for tonight.
“Se you tomorrow, big guy.”
Monty doesn’t comment on how today is already tomorrow.
“Goodnight, cher.”
His handler leaves, muttering about how they’ll probably need to catch a bus because they “don’t think they can drive like this,” and Monty wants nothing more than to invite them back. To give them the whole couch and let them sleep. But for all the crazy hours Fazbear Entertainment expects of them, they’re not allowed to stay overnight. No one is allowed to stay overnight, except for the night shift workers, who all had to sign crazy amounts of paperwork, and they both know it.
So, instead, Monty watches them make their way to the entrance. He watches as they struggle with their ID until the heavy metal doors rise, and they can slip out the door. He strains his eyes to see them disappear into the dark until the metal doors obscure them from view and hopes for all it’s worth that tomorrow will be easier.
___
please ignore any silly typos im p sure i got them all but its super late. i wanna post this tho so im posting it. i may or may not repost this later but like. as a better version lmao ram pls tell me if monty is OOC i was punching AIR trying to write this guy 😭 i thought i knew him well and then BAM no the fuck i dont
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flanneryculp · 1 year
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one thing thats interesting to me abt natasha's character is that as confident as she is, the one thing that leaves her apologetic or even shy is when flan compares herself negatively to her (esp about her body). i'm sure we all remember how natasha reacts when flan calls herself ugly but when natasha accidentally makes her feel bad she straight up does not know what to do
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somelazyassartist · 2 years
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Chrisantium meeting his baby sisters,,, he's only about 100 or so here so he's got plenty of time to adjust to not being an only child anymore lol
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#oh btw!! there is a reason why Ancelin‚ Fred‚ and Evvy are distinctly Sea Elf‚ Eladrin‚ and Drow respectively!#and not‚ like‚ half-one-Elf/half-another-Elf#Entropy‚ Chaos‚ and Discord are all amab (for lack of better explanation) so they got help from surrogates to have kids!#hence why Evelyn and Winnifred are still fraternal twins despite being different subraces and stuff#so like i promise there's an actual reason for it and not just throwing out biology for unrealistic character design lmao#not that there's anything really wrong with just having fun but in this case there's canon reasons for it lol#but!! different situation from Avefaelor's kids being twins with incredibly different features#while Fred and Evvy were two different egg donor + one distinct parent‚ carried by the same surrogate at the same time#Snowdrop and Bluebell were actually from something called heteropaternal superfecundation!#while both Snow and Blue are biologically Avvy's‚ they're technically half-siblings#because one is the kid of a Tiefling partner and one’s the kid of an Avariel Elf partner within the time most fraternal twins happen#(Avvy is not in contact with either of the other parents and doesn't really have any interest in reaching out to them)#so that's why there's twins with different traits i promise i have thought this out a LOT not just abandoning anatomy for no reason lmao#i think very hard about the serious logistics of this silly fantasy story#WAIT I JUST REALIZED FUCK#for some reason it fucking autofilled to Ancelin and not Chrisantium because i had been writing about Ancelin elsewhere#please ignore the mistake in the first tag i didn't realize it autofilled the wrong name i meant chrisantium#three eyed cats in my living room#entropy#entropy Nightbreeze#chaos#chaos Nightbreeze#discord#discord Nightbreeze#Evelyn#Evelyn Nightbreeze#winnifred#winnifred Nightbreeze#chrisantium#chrisantium Nightbreeze
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a great time juxtaposing "helen" by joe iconis with "centerfold" by the j. geils band
#if you've listened to dad rock '70s-median'd stations you've probably heard it. charting single. the: ((my) angel is the) centerfold one#it's juxtaposable in good ways and interesting ways lol there's plenty enough to Compare & to Contrast re: either song#actually i'm already like holding myself off from starting to go on about specifics lol#a situation i have a lot of thoughts; i Was writing them out the other night but it turned into the lengthily typed & posted thoughts about#metastory in pentiment & iphigenia crash land falls instead lol....#so feel free to just partake of the exercise yourself#had a great time revisiting both songs even knowing them both already / hearing them multiple times#enhanced appreciation or delighted like ''oh right [this element] yay''#centerfold? more charming than i remembered actually lol like oh nice yeah that one line does a lot#and i'm always hyped abt the [i don't even know the instrument or term for the musical part] like synth whatever line in the verse to#chorus transition. there's a lot of ''nice im liking that'' elements such that this Isn't just ''helen is like if centerfold didn't suck''#meanwhile it's an enriching time to be thinking more abt all the elements & effects in helen too#you Know i'm revisiting my slipped into pocket will roland performance lol. no antoinette perries season now i gave it to him obv#only category that exists is [youtube recordings of live cabaret i have saved on my laptop of will roland performing helen]#and guess what tonys? it's nongendered.#joe iconis
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3hks · 2 months
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How to Write REALISTIC and SMOOTH Dialogue
In a story, dialogue is quite important, it helps the readers paint a picture of what's happening and the characters themselves. However, it can be difficult to avoid the unnaturalness and choppiness that comes with a lack of experience. But luckily, I have put together A LOT of advice on how you can get over that rockiness and improve!
*** KEEPING YOUR DIALOGUE REALISTIC, AND PACING ***
>> Keep your characters in character:
Dialogue is a remarkably quick way for readers to determine your character's personality. Thus, you want their speech patterns to remain fairly consistent so the audience won't get confused. If your character is more serious, then they will use less slang and perhaps a more impressive vocabulary. If your character is more relaxed, they will use more slang and compress the words. (such as "dunno," "kay," "y'know," etc.)
Basically, you want their tone to match their traits so the way that they talk is more realistic and personlized to themselves. If the way all your characters speak is the same, there's something wrong. A strong tip is to put yourself in your character's shoes and imagine how they would respond!
>> Take the situation into consideration:
This is another part of keeping your characters in, well, character. Different emotional situations will have a different effect on separate people, so make sure that you have an idea of how your character will act during stressful, irritating, and sad times.
If your character is normally cold, they will struggle if it comes to comforting other people because they have less experience in that field.
>> Don't take too long with their words:
Unlike when narrating something, most people talk just to get the idea across. They will be more specific and quicker with what they say. (This excludes any character who likes to talk a lot.) Unless it's on purpose, they won't dance around the topic. Think of when you casually chat with your friends; you're pretty unlikely to use certain words and/or phrases that might be common to use while narrating.
If you want to explain something complicated, instead of writing out a paragraph of just one person talking, use a question-and-answer prompt! This is where another character continuously asks related questions that get answered by another person, so you can indirectly reveal your explanation.
*** HOW TO WRITE A SMOOTHER CONVERSATION AND DIALOGUE TAGS***
>> Having a variety of dialogue tags:
This is a pretty basic thing to look out for if you're new to writing conversations. Using words like "said," every other sentence can easily make it feel choppy and robotic. Instead, use words like "murmured," "smirked," etc. to paint some emotion into their words. Additionally, vary the location of the dialogue tags! They don't all have to go after the statement, you can include something in the beginning or even the middle, too!
Examples:
Beginning - She tilted her head, "What are you talking about?"
Middle - "Oh," he blinked, "I actually never thought about that."
End - "Wait up!" She exclaimed loudly, waving her hands around.
>> Using no dialogue tags to create a smooth conversation:
Having too many tags can also overwhelm your reader--remember, sentence variety is a crucial part of writing--so you can always drop them if they're unneeded. This applies when your characters (two is the suggested amount) are talking back and forth in a pattern straightforward enough for the reader to understand who's talking without it having to be labeled.
Dropping dialogue tags in these moments can create a smoother atmosphere during the conversation because the reader only has to focus on the talking present.
*** USING SLANG, STUTTERS, FILLER WORDS, AND PAUSES ***
Human speech is often not perfect; when talking, we often make mistakes such as filler words, grammatically incorrect phrases, etc. Hence, for more natural-sounding dialogue, it's important to incorporate some of these.
>> Pauses and stutters:
When reading dialogue, we read it at a steady pace unless it's written otherwise. However, that steady pace can soon get too robotic and too smooth. Luckily, there are several ways to change this! You can use dialogue tags, (ex: she quickly spoke) commas, and ellipsis (...). These are often integrated when the character is hesitant, nervous, answering something, or when they need to admit something. The same idea applies to stutters--they're mainly used to demonstrate anxiousness, which can be found in varying situations.
>> Filler words and slang:
Filler words can really just be used where you see fit. They may be used in the situations I previously mentioned (because it shows someone stumbling over their words) but it's ultimately up to you!
Slang, just like everything else, should not be used too often, or it will seem forced and exaggerated. The point is to sound natural, and increasing amounts of repetitiveness can ruin it. It's also important to remember that in real life, our conversations move slower; when someone speaks, another person usually doesn't respond quite literally, right after. However, in writing, dialogue can actually often seem that way, which is why using tags and these imperfections of speech is pivotal for building a realistic conversation!
*** CONCLUSION ***
Lastly, a key point when writing dialogue is to ALWAYS read the conversations! Whether it be in your head or out loud, it can often help you catch anything that seems off! Additionally, like I mentioned at the very beginning, write dialogue from your character's perspective! Imagine yourself as them and how they/you would talk. Try to keep your dialogue tags, sentences, and word use varied to create a natural conversation!
If you were struggling before, I hope that this (extra) long guide was able to really offer you some insight and useful tips! If you read this far, thank you!
Happy writing~
3hks <3
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whomturgled · 11 months
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yrkeby4ur8
#hi its personal post as tho tumblr is my diary in the tags while still being vague time bc my coping strats are failing me a little and#ig being able to essentially shout into the void is kinda nice like i cld physically write things down but i did a lot of that#already today w sssitnments and my fjfknging joints hurt so here we are!#ig theres also comfort in knowing someone somewhere probably read it. regardless of what they think/feel/the impression it gives them bc.#like. i exist! i guess? idk.#anyway that being said tw for talk of sh and upsettio spaghettio n stuff.#but yeah im like 🤏 close to relapsing with cutting or some sort of. idek.#and the only reasons im resisting are like. its been so long and itd be a shame to break that streak#which funnily enohgh mskes another part of me wana do it MoRE to like. idk. remember. and. punish ?? idk.#but we're ignoring him rn hes being a little too edgy.#and then bc it would feel like im being manipulative and ik if ppl find out they would probably be very . distressed.#and if it were me and i found out i know id be incredibly distressed and maybe a little scared and just knowing other ppl like it just#would not help the situation ykwim itd probably make things worse#also kinda too tired physically emotionally etc rn to do it and go thru it and the aftermath and having to clean up and take care and#trust myself to be. safe. enough. abt it.#but. now hear me out. IF i do it somewhere that isnt super obv or visible. i doubt theyll know anytime soon.#and if things go. in a way thats.. i dont think i can cope with then well ill prob end up right back in this feeling without the like#withstraint of someone who cares and wants to care abt themselves and others and want to control themself and behaviours and health#but that thought in itself feels manipulative bc its like saying either way i wld prob do it teehee like a threat but. its. oeurghgnnfd.#i just. am struggling to cope. i feel things. so much. and. hhhhhhhhhhhhhhhh#i think if i have made it this far for this long i will be able to keep going without resorting to that?#but i really do hate that its like. wld be. yeah like turbo bad.#a very small and fucked up part of me feels like if things do go bad then what does it even matter and even better if whoever were to know#that i HAD relapsed bc ig at that point its like. idc who is upset or disappointed or uncomf or scared of/for me and thinks im terrible bc#at that point like. things are all. tumbling (lol) snd messed up so if i am messed up then whatever! ig. ????#but umm. yeah. idk i guess im just frustrated with my own . caring abt being responsible and stuff#there was a time when i was not as likely to be able to resist consequences be damned#im like over here going thru the stages of grief on god fr fr no cap on the stack or whatever ppl say#in other brighter news i managed to get a bit of work done on one of my assignments and some needed friend time but wasnt actually able to
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yo-yoringle · 3 months
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Neil Newbon on Ascended Astarion
Neil: I do love the fact that I got to create kind of two characters in one.
Blue Owl Medic: I was just thinking that. Yeah, you did.
Neil: So now that the game has come out and the whole thing, we can talk a little bit more freely about the game. No real spoilers, folks, because obviously people are still playing through it, which is amazing, including me. But there is an ascended Astarion, which people probably know, as well as an unascended Astarion. I'm not going to go into details of why, although it is all over the internet, but anyway.
But one of the fun things that I got to do with the directors and the writer as well, with Stephen, and also the other writers that contributed towards Astarion, [is that they] wrote this ascended storyline. And so, when I came across that, I realized that 'Oh, his voice probably changes as well, because his whole status changes and his whole situation changes and his power changes.' So I got to do something else, because that would also be an easy way to switch between one and the other.
And so I decided that, well, I've always talked about Astarion being very theatrical. So what if Astarion's unascended spawn is theatrical, and ascended Astarion is operatic, and I use that as a sort of launchpad. So that one is theatre, one is opera. So the two are the same kind of things, but essentially… Do you know what I mean? It's like that kind of thing.
I offered that up to the directors and they really liked it. Kirsty Gilmore was the first person who I tried it with. I think it was Kirsty Gilmore, who is an amazing director. I'm pretty sure it was her session I did the first Lord Astarion and we set the tone there. And that was really cool.
BOM: And I don't know if that was your choice, but he also holds himself differently.
Neil: Yes, he does, he definitely holds himself differently.
BOM: He stands way more upright, his chest is a little more out
Neil: Yes, that's status. That's all Laban work. We're just using completely different status shift changes as well. So whereas he has a lot of flow and all that kind of stuff and it's theatrical and distracting--it's always 'look over here and don't see how I really feel' with spawn Astarion.
With Lord Astarion, we talked a lot about the idea that the cover is now off completely. So that you see him at his most terrible, and it's completely honest and he doesn't have to pretend anymore. So he loses a lot of the flamboyance and the fun of the theatricality, which is all a distraction anyway. That's all distraction so you don't see how he's hurt and damaged and his vulnerability. Lord Astarion doesn't need that anymore. So we just thought, okay, now *mimics taking off a mask* it's off. He doesn't need to pretend, he doesn't need to do too much. It's all about the status and that kind of stuff.
It was a really fun experience to take a character I've been doing for a long time and then flip it. And that was, again, brilliant writing by Larian, brilliant storytelling by them all and brilliant ideas. So yeah, it was really fun.
--from Neil's February 1, 2024 twitch stream
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