A KISS BEFORE DYING (1956) - Directed by Gerd Oswald

Joseph Mawle, his acting is, and will remain, one of the best of his generation. A great actor can be recognized by the love and emotion he arouses in his audience. Mission accomplished.

Adar is an archetype that no one can fight against. Joseph Mawle gave an incredible dimension to this character but it is not limited to that. The response he generated proves that he was able to awaken buried memories and emotions in us.

This is what a great actor means to me. A modern-day shaman. And what's more, he's a beautiful soul, close to his audience, a rare quality !

The Cinema is not just about the actors, there is also the production which is very important. His view of the world could prove very interesting.

We wish you a beautiful and long career . Sometimes patience is necessary but it is to better prepare youself. We wish you the best.

Adam Horovitz in A Kiss Before Dying (1991)

A Kiss Before Dying (1991), dir. James Dearden.

Ira Levin - A Kiss Before Dying - Pan - 1976

A very happy birthday to Joanne Woodward!

Haters will see you kill someone and go 'Hey, that guy's a murderer!'

Lucien Lachance, when the Black Hand thinks he's one who betrayed the Brotherhood, probably

A Kiss Before Dying, 1956.

Robert Wagner and Joanna Woodward in A kiss before dying 1956

How i would love to have the privilege of seeing all the deleted scenes with Adar and his Uruks.

It must be madness !

Comme j'aimerais avoir le privilège de voir toutes les scènes coupées avec Adar et ses Uruks.

Ça doit être dément !

Maybe keeping a glimmer of hope, one day who knows, as a bonus in a box....

And why not a series in parallel, just with the Uruks, since their very first creation.

A Kiss Before Dying (1956)

various covers for ira levin's a kiss before dying

His mother began to talk about his marrying a rich man's daughter. She said it jokingly, of course, but she said it more than once.

A Kiss Before Dying

Film after film: A Kiss before Dying (dir. James Dearden, 1991)

This predictable though sometimes fun pulpy thriller, inspired by Hitchcock's moodboard, has Sean Young in a rare starring role, shortly before the situation of her trying to get an audition for the role that would ultimately become Michelle Pfeiffer's Catwoman. Dillon, coming off Gus Van Sant's Drugstore Cowboys still looks hot, but displays early signs of his future acting persona. Ladd and Von Sydow pop up in supporting roles, while Czyzewska has a delicious cameo as a landlady: out of a few episodic roles in the US films and TV series, this is the only one that hints at how great she could be and mostly was.