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#Zoey Frank
huariqueje · 5 months
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Berlin Window #4 - Zoey Frank , 2017.
American , b. 1987 -
Oil on linen on panel, 24 x 24 in.
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supersonicart · 1 year
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Zoey Frank.
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Asotnishing, multi-faceted works that are at once both abstract and figurative by artist Zoey Frank.
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THE SUPERSONIC ART SHOP | FOLLOW ON INSTAGRAM
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missinglinksblog · 3 months
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Zoey Frank
Ricky, 2016, oil on panel
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sinterhinde · 8 months
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Zoey Frank
Zoey Frank (b. 1987, Boulder, CO) received her MFA in painting from Laguna College of Art and Design after studying for four years with Juliette Aristides at Gage Academy of Art. She has received numerous honors and awards, including three Elizabeth Greenshields grants, the Avigdor Arikha Memorial International Residency Scholarship, the Artist’s Magazine All Media Competition Grand Prize, the Hudson River Fellowship, and scholarships from the Albert K. Murray Foundation, the Stacey Foundation, and the Art Renewal Center. Her work has been featured in publications such as Fine Art Connoisseur, American Art Collector, International Artist Magazine, Artist’s Magazine, and Southwest Art. Frank has exhibited in galleries across the United States, England, and The Netherlands. 
Statement
Over the last several years, time has been a central element in my paintings. I’ve painted from motifs that compose themselves differently over time—a lemon tree as it grows and its fruit matures, a cluttered living room, or a kitchen countertop that changes each day through use. Remnants of earlier states remain on the surface of the finished paintings.
Over the past year, I’ve become increasingly interested in pictorial space as well. I start from the premise that no one system used to create the illusion of space––from the Greco-Romans to the High Renaissance to the Abstract Expressionists––is more natural or accurate than the others, but each represents a distinct way of perceiving the world. In my recent work, I’ve become more deliberate about my approach to pictorial space, pulling out ideas from each historical period that I find compelling and repurposing them toward my own ends.
This focus on questions of time and pictorial space has led to the introduction of some abstract elements into my work. As compositional problems present themselves, I’ve started using arbitrary planes of color rather than objects to resolve them. This has freed me up to make intuitive, spontaneous changes while I’m painting. As I make these changes to balance the composition, the space of the painting becomes fragmented in a way that interests me.
I’ve been working on a larger scale in my multi-figure compositions, filling the canvas with closely packed, life-sized figures. All of these paintings draw from art history. Some even use a specific painting as the underlying armature of the composition. Wedding, for example, is based on Théodore Géricault’s Raft of the Medusa. I am interested in the relationships from one figure to the next—how one body presses up against the other, how the tilt or gesture of one figure can be repeated by the one behind. As I work, I find unexpected visual pathways that move the eye through the painting. The complexity of juggling so many elements at once is exciting. It is paintings like this that made me want to be a painter in the first place. (danesecorey.com)
https://zoeyfrank.com/
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uhhhhmandart · 1 year
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(via Still Life/Spaces — Zoey Frank) “Lemon Tree”
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biblioklept · 2 years
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Nieces -- Zoey Frank 
Nieces — Zoey Frank 
Nieces, 2020 by Zoey Frank (b. 1987)
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View On WordPress
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hellohaters · 2 years
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Zoey Frank
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i can’t stop. more hatchetfield incorrect quotes.
bonus TCB ones;
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ruthflemwad · 8 months
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one day i will run out of textposts to hatchetfield-ify. lucky for you all today is not that day
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Happy New Year, I've decided to move on with my life & stop making memes about Hatchetfield 😇🙏🏻
...yeah just kidding this is like. the whole reason I exist, I can't stop now! So here you go, first incorrect-quotes-or-whatever dump of 2024:
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(thank you @adhd-mulder for assassins Max lmao <3)
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ace7librarian · 7 months
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Hatchetfield characters I'm convinced have a touch of the gifts
Npmd spoilers obviously
Paul- i just love that theory in relation to Emma's family being hatchetmen
Zoey- girlie is predicting her own death
Richie- "the nightmare started there but now has spread"? Dude is having visions
Frank- his whole thing is missing childhood, plus he didn't want a wiggly.
Grace - that's an obvious one. But even before the ✨plot✨, she had a vision of Max killing Richie.
Jenny- I have no reason for this except for that I want Jenny to have something going on that's not Ted
Becky- why is she climbing tree people
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huariqueje · 6 months
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Mugs From Shari  - Zoey Frank , 2018.
American , b. 1987 -
Oil on panel, 16 x 17 in.
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I don't know why I took so long to do this but it here you go, my ocs' neighbor charts
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Molly, Jelly, and Zoey belong to me
Welcome Home belongs to PartyCoffin
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scragscicle · 1 month
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erm this is a Little more than 6 .... by just a few ....
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disast3rtransp0rt · 1 month
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Watching the "Quiet On Set" documentary with my boyfriend reminded me of meme rap Joji wrote right before he became Joji (i.e., when he was still Filthy Frank). A song my bf showed me ages ago that references everything mentioned in the documentary.
Except the song came out in 2017.
I mean, it's aimed at edgy humor Weird Guys from that era of the internet, but it's tangible proof that Schneider's pattern of behavior - and a wider pattern of abuse from the entertainment industry - has been an open secret for over a decade.
Enough that some random YouTube shitposter could make a semi-satirical rap about no longer being able to jerk off to children's television in his 20's because he's "not into kids".
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THIS IS ALMOST A DECADE OLD NOW!!! A DECADE AGO PEOPLE WERE POINTING THIS SHIT OUT!!!! He called Schneider out by name in 2017 and Nickelodeon wouldn't cut ties for another two years.
I think some people forget how drastically the #MeToo movement changed our social norms in regard to workplace harassment. It's becoming harder and harder for abusive assholes to get away with shit. All the groups they'd usually leverage sociopolitical power against before (primarily anyone who wasn't a white cishet landowning man) now has backup and receipts and solidarity. And it's scaring them because they're getting more and more sneaky.
Don't let them be sneaky.
Let's keep this momentum going and make the entertainment industry safer. All industries, really. Let's Hold Abusers Accountable in 2024.
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fencecollapsed · 2 years
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Nightmare Time Season 2!
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