In addition to the usual bucket list of destinations, I also have two art bucket lists.... One is about Michelangelo and the other is about Johannes Vermeer.
My Vermeer Bucket List
Christ in the House of Martha and Mary - National Gallery of Scotland, Edinburgh
Diana and Her Companions - Mauritshuis, The Hague
The Procuress - Gemäldegalerie Alte Meister, Dresden
Girl Reading a Letter at an Open Window - Gemäldegalerie Alte Meister, Dresden
A Girl Asleep - Metropolitan Museum of Art, New York
The Little Street - Rijksmuseum, Amsterdam
Officer with a Laughing Girl - Frick Collection, New York
The Milkmaid - Rijksmuseum, Amsterdam
The Wine Glass - Gemäldegalerie, Berlin
The Girl with the Wineglass - Herzog Anton-Ulrich-Museum, Braunschweig
View of Delft - Mauritshuis, The Hague
Girl Interrupted at Her Music - Frick Collection, New York
Woman Reading a Letter - Rijksmuseum, Amsterdam
The Music Lesson - Royal Collection, Buckingham Palace, England
Woman with a Lute - Metropolitan Museum of Art, New York
Woman with a Pearl Necklace - Gemäldegalerie, Berlin
Woman with a Water Jug - Metropolitan Museum of Art, New York
Woman Holding a Balance - National Gallery of Art, Washington
A Lady Writing a Letter - National Gallery of Art, Washington
Girl with a Pearl Earring - Mauritshuis, The Hague
The Concert - Missing since its theft from the Isabella Stewart Gardner Museum, Boston in 1990
Portrait of a Young Woman - Metropolitan Museum of Art, New York
The Art of Painting - Kunsthistorisches Museum, Vienna
Mistress and Maid - Frick Collection, New York
Girl with a Red Hat (attribution to Vermeer has been questioned) - National Gallery of Art, Washington
The Astronomer - Louvre, Paris
The Geographer - Städelsches Kunstinstitut, Frankfurt am Main
The Lacemaker - Louvre, Paris
The Love Letter - Rijksmuseum, Amsterdam
Lady Writing a Letter with her Maid - National Gallery of Ireland, Dublin
The Allegory of Faith - Metropolitan Museum of Art, New York, USA
The Guitar Player - Kenwood House, London, England
Lady Standing at a Virginal - National Gallery, London
Lady Seated at a Virginal - National Gallery, London
Disputed paintings:
Saint Praxedis - Private Collection, Tokyo, On loan to the National Museum of Western Art, Tokyo
Girl with a Flute - National Gallery of Art, Washington, D.C.
A Young Woman Seated at the Virginals - Leiden Collection, United States
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this might sound weird but i really like the casual misogyny in house of niccolò. it reminds me of that one post about realistic historical fiction. of course this men from the 15th century would think less of women simply because they're women.
it's not super prevalent within the main cast so it's not exhausting to read, but it is there sometimes and it reminds you of its ugly existence.
it's different from lymond. of course there's misogyny there too, but it's less offhand comments/thoughts and more deep-rooted, visceral stuff like everything surrounding joleta, which makes you wonder if it's actual, period typical misogyny or if it was dunnett not being careful enough with the storyline she wrote.
and you even have lymond himself making rape jokes which are really fucked up when you look back on them after reading the series, and lymond really loves women! as people and not just sexually! but he still makes those jokes (so does nicholas once or twice i believe).
but anyway, there's a huge difference, i feel, between the sexism surrounding the stories of characters like oonagh and joleta, and julius thinking something along the lines of "ugh why is a woman the head of a business that's so annoying". that's the kind of trivial misogyny that feels very real. julius doesn't say it, he still works for a woman, but he has those thoughts a few times.
i also think it works well because then you have a main character like nicholas, who tells a woman who wants to rule a kingdom that "in a perfect world the fittest would rule, irrespective of sex". and it doesn't feel like the author is trying to make the main character in her histfic more likeable by giving him modern views. because we're told from the beginning that nicholas is very loving and accepting, so of course he wouldn't be sexist. just like he loves and respects umar, when most other characters only see him as the black servant.
idk, i think dunnett in this series finds a very good balance between realistic portrayal of bigotry and a more subtle sort of storytelling with her female characters, like kathi's frustration over the expectations of her marriage vs her dream of going on adventures. it's good
i haven't read many recent histfic novels (or any at all) so i can't talk about the way they do it, but in my opinion this is a very good way of writing bigotry which makes the time period still immersive, but the novel(s) modern enough that it doesn't feel punishing to read
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Can I just hit pause for a second and say that the line-read here from one ✨Marisha Ray✨ was absolutely phenomenal. This scene could have been completely shallow and frustrating—for reasons we can all easily name—but instead she gives us Keyleth as grounded, serious, not quite resigned and not quite exhausted and not quite defeated and not quite insecure, but... just, daunted. What is there to do, when faced with the end of the world and the ways of gods, demigods, and (cough) titans? Keyleth is conflicted about having to be a leader called upon by her people, about having to be an adult and not just a kid [remember that she’s the youngest VM member], about having to face dragons and gods know what else. But she’s also trying to be happy. To be one of the “many things that [pass] through fire and find themselves much better for it afterward.” And then the first tip of her toes into that pool and Vax keeps running away.
And it is a credit to Vex that she sees this and gives the generous, stern, knowing advice: “Don’t let him get away.” Not as in, Don’t let him be the One That Got Away™️. As in, Don’t let him run from this happiness either.
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