okay so one thing i wanted this year was to handwrite more, just because i like the idea of having physical copies of my writing like that rather than tucked into a computer doc, and i specifically have a Lover Boy Notebook. the goal isn’t to commit to handwriting the draft (typically i play with writing a scene in my notes app or laptop, which i call freewriting, and use that to handwrite a more “official” draft of that scene) but just to have a physical, chronological (bc i am NOT a linear writer usually) capsule of the first full draft. the idea is also that the first full draft, rather than being the messy thing you get out of the way so you can polish it into something better, is something special because its messy and new and only just becoming sure of itself, and that’s the part of a story i want to specially preserve like this more than anything.
anyway longwinded explanation aside, I am actually finding it so fun. these are the main benefits i notice (which very much align with my writing process and goals, i know they won’t for others!):
breaks up my writing sessions in a way that my brain processes more easily (sometimes i struggle to know if I’m really “done” for the day which has led to both over and under writing but here it’s just like. okay my arm hurt now)
forces me to write slower because i can’t control my handwriting well and need to be slow to be aware of what i’m doing, whereas on the laptop i can touch type so sometimes i will be writing and just zone out (great for sprints and fast drafts, but neither of those align with my writing goals atm)
^ writing slower has made me feel more immersed in a moment as i write it, especially i think combined with actively writing the words instead of typing keys fast. i’ve found myself immersing deep into images and scenes only to step back and realise that was all just one paragraph. something about it feels more actively engaging than typing a story out, but again i touch type so it’s easy for me to detach from what i’m doing when i do that
OMG THE STORY LITERALLY FEELS ALIVE!!!!!! i can flick through it, i can hear the words against the paper and notebook as i write them, i can feel the words when i run my hand over a page. this is sensory seeking autism heaven for me
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I bought a drop spindle at an SCA garage sale a while ago, and today found a bunch of blue/green roving at a thrift shop (8 ounces!!) and decided to try spinning it up. I found your intro post and it says batts are better for beginners than roving. Can I turn one into another? Is it worth it to try?
That's awesome !
And yes, you most certainly can turn a roving into a batt (using a blending board) and also a batt into a roving (using a hackle). Blending boards are niche tools though, and for the cost of buying one blending board, you could buy several batts.
You can make blending boards, though.
If you get carding cloth--70 or 90 TPI (teeth per inch) are good all-arounders--and staple it to a wooden board of slightly larger dimensions, then you've got yourself a blending board for usually about 1/4 - 1/2 the price of just buying a new one. (My blending board was about $100 USD, to give you an idea of the general price. They're one of the more affordable fiber processing tools)
You can also just do away with the carding cloth entirely, and make something which is similar to a blending board, with the key differences being that's its both quite a bit worse and free (or very cheap). Either drive a bunch of finishing nails through a wooden board (you want about 1/2 inch or a centimeter of the nail tip exposed on the other side, in an ideal world) as close together as you can, or else tape several pieces of robust cardboard together and drive the nails through that. That's what I did (the cardboard version specifically--actually, found some pictures !) early on in my spinning career when I wanted to blend colors. Disclaimer: I didn't ever actually attempt to pull the fiber off as batts; this was like a 2x4 inch surface and they would have been pitifully small. But I did pull them off as rolags which spun up just fine, and which are also a better beginner fiber prep than roving is.
As to whether or not its worth bothering with any of that... no, not really. To be extremely honest, I'm not positive that 'beginners first rolag made on makeshift nail board' would actually be easier to spin than roving in any capacity (fiber processing and preparation is as much of a skill as spinning is, and like I said the nail board is notably worse at what it is attempting to do than a blending board is, although it does still do it), so.... if you want my firm advice: buy a batt. if you can't buy a batt, give the roving a try as is. if the roving isn't going well, really only then is it worth attempting the stuff I just described.
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"abstract art is pretentious and nothing good comes of it"
"we need ai art for people who can't draw!"
"I dont like this art so it shouldnt be sold for so much money"
These are all part of the same miserable argument to me. Shut up and go make something with your hands
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I started by telling myself I shouldn't feel bad that I didn't get all my planned chores done: Saturday is a rest day, and we've just finished three weeks of crunch at work. (Next week might also be crunch but probably not; the product ships at the end of the week but we should be in good enough shape already.)
But then I realized: I ran three errands in the morning, and did three chores in the evening--even if one of the chores was just "cook a healthy dinner" and two of the chores were banking-related on a website. (But one involved sending text messages, and one involved an actual phone call to customer service, so I can't even really say they were just on a website.) That's six things I got done on a rest day. I may have overscheduled by saying I'd do at least eight things, but still, six things is very good.
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So I started Disco Elysium. I know nothing about the game going in other than it's a murder mystery? And it's apparently batshit insane from what else I've seen.
But why didn't anyone warn me about choosing your stats?? I am currently CRIPPLED with indecision. I knew there were stat checks, but I don't know what stats are best to go with. And there's SO many skills? This is awful
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those are the first two pictures I've made on my tablet ever since all my art got wiped. that kind of bullshit is the only "art" you'll ever see me post sorry
I couldn't post my "good" art before it was gone bc i'm too much of a perfectionist so it can't ever be truly "done" when i could add more detail
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My friend is from Singpore and she said she learnt more in childcare there than she did in the first year of school here. She could read when she was three
yep
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Looking for information on how pre-existing motor tics (specifically head-jerk) would interact with a severe head injury within an hour of the injury being sustained. Does anyone have any experience with this?
All I'm finding is information on the interactions between stimulants and tic disorders or a general 'yeah tics can get worse within a few weeks/months after severe head injuries' and that's not what I need for what I'm working on.
I specifically want to know what that looks like tic-wise in the moment to a medical professional or onlooker who can recognize tics (could it trigger tics? exacerbate them? not effect them? How would a head-movement tic be influenced by a head injury?)
I'm acting in a drill where we are given fake injuries. I am currently signed up for a serious head injury. However, last time I participated, it triggered my tics, and I didn't prepare my acting to include how that would have affected my injury. This time I want to be more prepared, especially if I need to change what injury I have due to physical acting limitations.
(Even if you can't help, reblogs/boosts are appreciated! I have until March 25th to get an answer, and my research over the past two days has come up with nothing helpful.)
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